Want to know the best Western Movies movies? How about the worst Western Movies movies? Curious about Western Movies box office grosses or which Western Movies movie picked up the most Oscar® nominations? Need to know which Western Movies movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information…and alot more.
Recently got a request to do a Westerns page from Chris. This page represents page two of that request. The first page looked at the Top 100 Westerns based on critic reviews and audience voting. This page lists all the movies we researched (252 movies currently) but did not make the Top 100. When I played football in high school….the 3rd stringers had to ride the bus with the cheerleaders (not really a problem) and the equipment. Think of this page as that bus….they all want to get to the first bus…..and all the people on the first bus want to avoid the 2nd bus.
Obviously they are way more Westerns out there. Is your favorite western missing?….just commented at the bottom and I will research and include that movie. If your favorite is good enough….it might even make it to the Top 100 Western page.
Western Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Western Movies by the stars of the movies
- Sort movies by adjusted domestic box office grosses based on actual ticket sells (in millions)
- Sort movies by yearly domestic box office rank
- Sort by how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each movie received.
- Sort Western Movies movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Unforgiven (1992) AA Best Picture Win |
Clint Eastwood & Gene Hackman |
101.20 | 286.4 | 450.60 | 11 | 92 | 09 / 04 | 100.0 | |
2 | Dances with Wolves (1990) AA Best Picture Win |
Kevin Costner | 185.00 | 513.9 | 1,180.60 | 3 | 81 | 12 / 07 | 99.8 | |
3 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.40 | 201.8 | 201.80 | 12 | 92 | 07 / 04 | 99.7 | |
3 | Giant (1956) AA Best Picture Nom |
Elizabeth Taylor & Rock Hudson |
27.10 | 579.9 | 866.80 | 3 | 86 | 10 / 01 | 99.5 | |
5 | Django Unchained (2012) AA Best Picture Nom |
Jamie Foxx & Leonardo DiCaprio |
162.80 | 240.3 | 624.10 | 15 | 88 | 05 / 02 | 99.5 | |
6 | Shane (1953) AA Best Picture Nom |
Alan Ladd | 22.70 | 445.1 | 629.00 | 5 | 87 | 06 / 01 | 99.5 | |
7 | The Revenant (2015) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
183.60 | 256.0 | 742.80 | 13 | 82 | 12 / 03 | 99.4 | |
8 | True Grit (2010) AA Best Picture Nom |
Jeff Bridges & Matt Damon |
171.10 | 254.7 | 375.40 | 13 | 85 | 10 / 00 | 99.4 | |
11 | Stagecoach (1939) AA Best Picture Nom |
John Wayne & Directed by John Ford |
5.00 | 208.5 | 325.60 | 30 | 83 | 07 / 02 | 99.3 | |
10 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Humphrey Bogart & Walter Huston |
6.10 | 177.8 | 316.60 | 45 | 90 | 04 / 03 | 99.2 | |
11 | Butch Cassidy and the Sundance Kid (1969) AA Best Picture Nom |
Paul Newman & Robert Redford |
100.10 | 828.4 | 1,015.20 | 1 | 79 | 07 / 04 | 99.2 | |
12 | Cimarron (1931) AA Best Picture Win |
Richard Dix & Irene Dunne |
3.60 | 200.0 | 243.20 | 14 | 59 | 07 / 03 | 99.1 | |
12 | The Good, the Bad and the Ugly (1966) | Clint Eastwood | 25.00 | 267.0 | 267.00 | 6 | 94 | 00 / 00 | 99.1 | |
12 | How the West Was Won (1962) AA Best Picture Nom |
Gregory Peck & Debbie Reynolds |
36.10 | 565.4 | 1,348.80 | 2 | 76 | 08 / 03 | 99.0 | |
16 | The Big Country (1958) | Gregory Peck | 10.60 | 208.4 | 208.40 | 11 | 89 | 02 / 01 | 98.9 | |
16 | The Searchers (1956) | John Wayne & Directed by John Ford |
14.00 | 299.1 | 404.80 | 14 | 89 | 00 / 00 | 98.7 | |
19 | My Darling Clementine (1946) | Henry Fonda & Victor Mature |
7.40 | 249.5 | 249.50 | 43 | 85 | 00 / 00 | 98.2 | |
19 | The Professionals (1966) | Burt Lancaster & Lee Marvin |
22.00 | 235.0 | 235.00 | 10 | 83 | 03 / 00 | 98.2 | |
19 | Rio Bravo (1959) | John Wayne & Dean Martin |
16.40 | 321.7 | 563.90 | 11 | 85 | 00 / 00 | 98.2 | |
20 | Red River (1948) | John Wayne & Montgomery Clift |
11.80 | 345.9 | 345.90 | 1 | 83 | 02 / 00 | 98.1 | |
21 | Jeremiah Johnson (1972) | Robert Redford | 57.30 | 395.9 | 395.90 | 6 | 84 | 00 / 00 | 98.0 | |
22 | True Grit (1969) | John Wayne & Robert Duvall |
40.70 | 336.9 | 336.90 | 7 | 81 | 02 / 01 | 97.9 | |
22 | Blazing Saddles (1974) | Mel Brooks & Gene Wilder |
118.10 | 742.1 | 742.10 | 1 | 81 | 03 / 00 | 97.9 | |
24 | The Man From Laramie (1955) | James Stewart | 9.40 | 213.0 | 213.00 | 31 | 83 | 00 / 00 | 97.9 | |
24 | Little Big Man (1970) | Dustin Hoffman & Faye Dunaway |
45.50 | 344.6 | 344.60 | 6 | 81 | 01 / 00 | 97.7 | |
25 | Cat Ballou (1965) | Lee Marvin & Jane Fonda |
25.10 | 289.5 | 289.50 | 7 | 77 | 05 / 01 | 97.6 | |
27 | Fort Apache (1948) | John Wayne & Directed by John Ford |
8.30 | 244.7 | 343.20 | 17 | 81 | 00 / 00 | 97.4 | |
30 | The Virginian (1929) | Gary Cooper | 6.20 | 209.2 | 209.20 | 6 | 81 | 00 / 00 | 97.4 | |
30 | She Wore a Yellow Ribbon (1949) | John Wayne & Directed by John Ford |
7.60 | 208.7 | 284.60 | 23 | 78 | 01 / 01 | 97.3 | |
30 | Johnny Guitar (1954) | Joan Crawford & Ernest Borgnine |
7.10 | 182.5 | 182.50 | 45 | 86 | 00 / 00 | 97.2 | |
31 | Gunfight at the O.K. Corral (1957) | Burt Lancaster & Kirk Douglas |
13.40 | 281.8 | 281.80 | 9 | 77 | 02 / 00 | 96.9 | |
32 | Son of Paleface (1952) | Bob Hope | 9.40 | 201.8 | 201.80 | 13 | 77 | 01 / 00 | 96.8 | |
33 | The Misfits (1961) | Clark Gable & Marilyn Monroe |
11.40 | 181.5 | 238.20 | 18 | 84 | 00 / 00 | 96.8 | |
34 | My Little Chickadee (1940) | Mae West & W.C. Fields |
4.60 | 191.8 | 191.80 | 22 | 80 | 00 / 00 | 96.7 | |
35 | Pursued (1947) | Robert Mitchum | 7.80 | 248.9 | 248.90 | 31 | 77 | 00 / 00 | 96.6 | |
36 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.00 | 253.3 | 543.40 | 15 | 77 | 00 / 00 | 96.5 | |
37 | Hondo (1953) | John Wayne & Geraldine Page |
11.50 | 225.7 | 322.80 | 12 | 75 | 02 / 00 | 96.4 | |
38 | The Alamo (1960) AA Best Picture Nom |
John Wayne & Richard Widmark |
22.60 | 384.9 | 772.10 | 5 | 63 | 07 / 01 | 96.4 | |
40 | The Paleface (1948) | Bob Hope & Jane Russell |
9.20 | 270.6 | 270.60 | 11 | 74 | 01 / 01 | 96.3 | |
37 | Shenandoah (1965) | James Stewart | 19.20 | 221.1 | 221.10 | 10 | 75 | 01 / 00 | 96.2 | |
41 | The Far Country (1954) | James Stewart | 7.10 | 182.5 | 182.50 | 43 | 81 | 00 / 00 | 96.2 | |
42 | Dodge City (1939) | Errol Flynn & Olivia de Havilland |
6.80 | 283.3 | 425.00 | 14 | 76 | 00 / 00 | 96.2 | |
43 | The Horse Soldiers (1959) | John Wayne & William Holden |
10.90 | 212.6 | 212.60 | 21 | 76 | 00 / 00 | 96.2 | |
44 | Vera Cruz (1954) | Gary Cooper & Burt Lancaster |
13.00 | 333.3 | 333.30 | 14 | 75 | 00 / 00 | 96.1 | |
45 | Honky Tonk (1941) | Clark Gable & Lana Turner |
8.50 | 358.7 | 505.90 | 6 | 75 | 00 / 00 | 96.0 | |
46 | Yellow Sky (1948) | Richard Widmark & Gregory Peck |
7.40 | 216.4 | 216.40 | 28 | 75 | 00 / 00 | 95.9 | |
47 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.30 | 178.0 | 178.00 | 16 | 82 | 00 / 00 | 95.9 | |
48 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.10 | 248.3 | 248.30 | 7 | 71 | 03 / 00 | 95.7 | |
49 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.40 | 157.4 | 157.40 | 32 | 87 | 00 / 00 | 95.7 | |
50 | The Sons of Katie Elder (1965) | John Wayne & Dean Martin |
16.20 | 186.8 | 186.80 | 15 | 78 | 00 / 00 | 95.7 | |
51 | The Man Who Shot Liberty Valance (1962) | John Wayne & James Stewart |
10.10 | 158.9 | 313.30 | 22 | 84 | 01 / 00 | 95.3 | |
52 | Maverick (1994) | Mel Gibson & James Garner |
101.60 | 292.7 | 527.10 | 12 | 71 | 01 / 00 | 95.3 | |
53 | Duel in the Sun (1946) | Gregory Peck & Jennifer Jones |
17.80 | 597.9 | 597.90 | 2 | 70 | 02 / 00 | 95.2 | |
54 | The Outlaw Josey Wales (1976) | Clint Eastwood | 29.70 | 163.8 | 163.80 | 21 | 82 | 01 / 00 | 95.0 | |
55 | Apache (1954) | Burt Lancaster & Charles Bronson |
10.00 | 255.4 | 255.40 | 27 | 69 | 00 / 00 | 94.6 | |
56 | McLintock! (1963) | John Wayne & Maureen O'Hara |
12.90 | 176.6 | 176.60 | 22 | 77 | 00 / 00 | 94.5 | |
57 | The Iron Horse (1924) | George O'Brien | 4.00 | 188.0 | 188.00 | 5 | 73 | 00 / 00 | 94.5 | |
58 | Tall in the Saddle (1944) | John Wayne & Ward Bond |
5.90 | 217.9 | 287.20 | 54 | 69 | 00 / 00 | 94.4 | |
59 | Canyon Passage (1946) | Dana Andrews & Susan Hayward |
7.80 | 263.1 | 372.00 | 36 | 68 | 01 / 00 | 94.3 | |
60 | Westward the Women (1951) | Robert Taylor | 7.50 | 177.3 | 268.30 | 21 | 76 | 00 / 00 | 94.3 | |
61 | Garden of Evil (1954) | Gary Cooper & Richard Widmark |
8.90 | 226.2 | 226.20 | 30 | 68 | 00 / 00 | 94.3 | |
62 | Back to the Future Part III (1990) | Michael J. Fox & Christopher Lloyd |
108.00 | 299.9 | 735.40 | 9 | 68 | 00 / 00 | 94.2 | |
64 | Urban Cowboy (1980) | 46.90 | 212.0 | 212.00 | 16 | 68 | 00 / 00 | 94.2 | ||
63 | Cheyenne (1947) | Jane Wyman | 6.80 | 215.1 | 283.50 | 39 | 68 | 00 / 00 | 94.1 | |
65 | Jesse James (1939) | Tyrone Power & Henry Fonda |
9.50 | 397.0 | 397.00 | 4 | 68 | 00 / 00 | 94.1 | |
66 | The Winning of Barbara Worth (1926) | Ronald Colman & Gary Cooper |
6.20 | 242.1 | 242.10 | 2 | 68 | 00 / 00 | 94.1 | |
67 | Ruggles of Red Gap (1935) AA Best Picture Nom |
Charles Laughton | 2.90 | 139.9 | 139.90 | 34 | 79 | 01 / 00 | 93.9 | |
68 | Union Pacific (1939) | Barbara Stanwyck & Joel McCrea |
5.50 | 230.8 | 230.80 | 25 | 66 | 01 / 00 | 93.9 | |
70 | The Wild Bunch (1969) | William Holden & Warren Oates |
15.10 | 125.3 | 125.30 | 21 | 89 | 02 / 00 | 93.8 | |
70 | Tombstone (1993) | Kurt Russell & Val Kilmer |
56.50 | 160.4 | 207.80 | 20 | 80 | 00 / 00 | 93.7 | |
71 | The Horse Whisperer (1998) | Robert Redford & Kristin Scott Thomas |
75.40 | 188.9 | 468.20 | 25 | 70 | 01 / 00 | 93.7 | |
72 | The Big Trail (1930) | John Wayne | 2.90 | 170.8 | 214.60 | 24 | 75 | 00 / 00 | 93.6 | |
73 | The Westerner (1940) | Gary Cooper & Walter Brennan |
3.50 | 146.3 | 146.30 | 41 | 79 | 03 / 01 | 93.4 | |
74 | One-Eyed Jacks (1961) | Marlon Brando & Karl Malden |
12.30 | 195.1 | 195.10 | 14 | 66 | 01 / 00 | 93.4 | |
75 | A Fistful of Dollars (1964) | Clint Eastwood & Directed by Sergio Leone |
12.00 | 150.0 | 150.00 | 21 | 81 | 00 / 00 | 93.2 | |
77 | The Gunfighter (1950) | Gregory Peck & Helen Westcott |
5.60 | 136.4 | 136.40 | 48 | 84 | 01 / 00 | 93.2 | |
77 | The Electric Horseman (1979) | Robert Redford & Jane Fonda |
81.90 | 383.3 | 383.30 | 7 | 64 | 01 / 00 | 93.1 | |
78 | El Dorado (1967) | John Wayne & Robert Mitchum |
15.00 | 145.7 | 145.70 | 19 | 82 | 00 / 00 | 93.1 | |
79 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.40 | 181.8 | 181.80 | 18 | 70 | 00 / 00 | 93.0 | |
80 | Bad Bascomb (1946) | Wallace Beery | 6.40 | 216.3 | 216.30 | 55 | 64 | 00 / 00 | 92.9 | |
81 | Broken Lance (1954) | Spencer Tracy & Richard Widmark |
10.90 | 277.3 | 277.30 | 26 | 61 | 02 / 01 | 92.7 | |
82 | The Naked Spur (1953) | James Stewart & Janet Leigh |
6.80 | 133.5 | 133.50 | 38 | 84 | 01 / 00 | 92.7 | |
83 | North West Mounted Police (1940) | Gary Cooper & Directed by Cecil B. DeMille |
4.30 | 179.8 | 179.80 | 28 | 65 | 05 / 01 | 92.7 | |
84 | The Cowboys (1972) | John Wayne & Bruce Dern |
22.70 | 157.1 | 157.10 | 16 | 77 | 00 / 00 | 92.6 | |
85 | 3 Godfathers (1948) | John Wayne & Directed by John Ford |
5.50 | 160.6 | 219.60 | 62 | 75 | 00 / 00 | 92.6 | |
86 | Hombre (1967) | Paul Newman & Fredric March |
14.00 | 136.2 | 136.20 | 20 | 83 | 00 / 00 | 92.6 | |
87 | The Covered Wagon (1923) | Ernest Torrence | 9.90 | 483.4 | 483.40 | 2 | 63 | 00 / 00 | 92.5 | |
88 | The Apple Dumpling Gang (1975) | Bill Bixby & Susan Clark |
50.20 | 288.0 | 288.00 | 7 | 61 | 00 / 00 | 92.0 | |
89 | For a Few Dollars More (1965) | Clint Eastwood & Directed by Sergio Leone |
10.80 | 123.8 | 123.80 | 20 | 85 | 00 / 00 | 92.0 | |
90 | The Life and Times of Judge Roy Bean (1972) | Paul Newman & Ava Gardner |
24.50 | 169.7 | 169.70 | 14 | 70 | 01 / 00 | 91.9 | |
91 | Pale Rider (1985) | Clint Eastwood & Carrie Snodgress |
41.40 | 137.1 | 137.10 | 18 | 80 | 00 / 00 | 91.9 | |
92 | Rio Grande (1950) | John Wayne & Directed by John Ford |
6.40 | 157.4 | 157.40 | 31 | 74 | 00 / 00 | 91.7 | |
93 | Love Me Tender (1956) | Elvis & Richard Egan |
12.00 | 256.4 | 256.40 | 20 | 60 | 00 / 00 | 91.6 | |
94 | North to Alaska (1960) | John Wayne & Stewart Granger |
13.40 | 228.7 | 228.70 | 14 | 60 | 00 / 00 | 91.4 | |
95 | Santa Fe Trail (1940) | Errol Flynn & Olivia de Havilland |
5.00 | 209.6 | 303.70 | 16 | 60 | 00 / 00 | 91.4 | |
96 | In Old Arizona (1928) AA Best Picture Nom |
Warner Baxter | 7.80 | 269.6 | 269.60 | 3 | 48 | 05 / 01 | 91.4 | |
99 | Destry Rides Again (1939) | James Stewart & Marlene Dietrich |
2.90 | 121.7 | 121.70 | 82 | 84 | 00 / 00 | 91.4 | |
98 | The Spoilers (1942) | John Wayne & Randolph Scott |
5.00 | 202.6 | 202.60 | 44 | 59 | 01 / 00 | 91.4 | |
99 | The Return of Frank James (1940) | Henry Fonda & Gene Tierney |
3.70 | 155.9 | 155.90 | 37 | 73 | 00 / 00 | 91.1 | |
100 | The Outlaw (1943) | Jane Russell & Directed by Howard Hawks |
14.50 | 567.9 | 567.90 | 3 | 59 | 00 / 00 | 91.0 | |
101 | The Oklahoma Kid (1939) | James Cagney & Humphrey Bogart |
6.10 | 257.3 | 504.20 | 17 | 58 | 00 / 00 | 90.7 | |
102 | Pardners (1956) | Dean Martin & Jerry Lewis |
10.30 | 219.7 | 219.70 | 25 | 57 | 00 / 00 | 90.6 | |
103 | Distant Drums (1951) | Gary Cooper | 8.60 | 202.6 | 219.60 | 14 | 57 | 00 / 00 | 90.6 | |
104 | The Magnificent Seven (1960) | Yul Brynner & Steve McQueen |
6.40 | 109.5 | 596.00 | 44 | 85 | 01 / 00 | 90.5 | |
104 | High Plains Drifter (1973) | Clint Eastwood | 16.90 | 112.4 | 112.40 | 22 | 85 | 00 / 00 | 90.4 | |
106 | The War Wagon (1967) | John Wayne & Kirk Douglas |
15.20 | 147.6 | 259.80 | 18 | 73 | 00 / 00 | 90.2 | |
109 | Davy Crockett: King of the Wild Frontier (1955) | Fess Parker | 6.10 | 138.8 | 138.80 | 52 | 76 | 00 / 00 | 90.2 | |
108 | A Man Called Horse (1970) | Richard Harris | 19.70 | 149.3 | 149.30 | 18 | 72 | 00 / 00 | 90.1 | |
109 | Billy The Kid (1941) | Robert Taylor | 6.30 | 263.0 | 386.70 | 13 | 55 | 01 / 00 | 90.1 | |
110 | Viva Villa! (1934) AA Best Picture Nom |
Wallace Beery & Fay Wray |
2.70 | 137.4 | 273.70 | 28 | 65 | 04 / 01 | 90.1 | |
111 | The Plainsman (1936) | Gary Cooper & Directed by Cecil B. DeMille |
4.10 | 191.4 | 191.40 | 28 | 59 | 00 / 00 | 90.1 | |
112 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Anthony Quinn |
2.10 | 86.8 | 86.80 | 122 | 85 | 01 / 00 | 90.0 | |
113 | Hang 'em High (1968) | Clint Eastwood & Bruce Dern |
14.80 | 132.4 | 132.40 | 25 | 77 | 00 / 00 | 90.0 | |
115 | Wichita (1955) | Joel McCrea & Vera Miles |
6.90 | 154.9 | 154.90 | 44 | 70 | 00 / 00 | 89.9 | |
115 | Belle of the Nineties (1934) | Mae West & Randolph Scott |
3.40 | 175.2 | 175.20 | 9 | 63 | 00 / 00 | 89.7 | |
117 | Angel and the Badman (1947) | John Wayne & Gail Russell |
5.00 | 158.8 | 158.80 | 67 | 68 | 00 / 00 | 89.6 | |
118 | Shanghai Noon (2000) | Owen Wilson & Jackie Chan |
56.90 | 124.1 | 216.40 | 46 | 77 | 00 / 00 | 89.1 | |
118 | Buffalo Bill (1944) | Joel McCrea & Maureen O'Hara |
6.50 | 236.9 | 236.90 | 38 | 53 | 00 / 00 | 89.1 | |
119 | The Virginian (1946) | Joel McCrea | 9.20 | 308.5 | 308.50 | 24 | 53 | 00 / 00 | 88.9 | |
122 | Night Passage (1957) | James Stewart & Audie Murphy |
7.40 | 155.9 | 155.90 | 28 | 66 | 00 / 00 | 88.7 | |
121 | Virginia City (1940) | Errol Flynn & Humprhey Bogart |
4.30 | 182.0 | 254.20 | 25 | 57 | 00 / 00 | 88.5 | |
122 | The Fastest Gun Alive (1956) | Glenn Ford & Broderick Crawford |
6.30 | 135.5 | 135.50 | 39 | 72 | 00 / 00 | 88.4 | |
123 | 3:10 to Yuma (1957) | Glenn Ford & Van Heflin |
5.30 | 110.9 | 110.90 | 44 | 79 | 00 / 00 | 88.3 | |
123 | The Shootist (1976) | John Wayne & James Stewart |
18.10 | 100.1 | 100.10 | 38 | 81 | 01 / 00 | 88.1 | |
125 | Silver River (1948) | Errol Flynn & Ann Sheridan |
5.70 | 168.1 | 269.30 | 55 | 60 | 00 / 00 | 88.0 | |
126 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.60 | 111.9 | 111.90 | 65 | 77 | 01 / 00 | 87.8 | |
127 | Nevada Smith (1966) Uncredited Role |
Steve McQueen & Karl Malden |
13.80 | 146.9 | 146.90 | 23 | 66 | 00 / 00 | 87.7 | |
128 | Last Train from Gun Hill (1959) | Kirk Douglas & Anthony Quinn |
6.70 | 131.5 | 131.50 | 37 | 71 | 00 / 00 | 87.6 | |
130 | Man Without a Star (1955) | Kirk Douglas | 6.30 | 142.0 | 142.00 | 51 | 67 | 00 / 00 | 87.6 | |
130 | Open Range (2003) | Kevin Costner & Robert Duvall |
58.30 | 113.7 | 133.10 | 51 | 76 | 00 / 00 | 87.5 | |
131 | Badman's Territory (1946) | Randolph Scott | 5.00 | 166.9 | 166.90 | 64 | 59 | 00 / 00 | 87.3 | |
132 | 3:10 to Yuma (2007) | Russell Crowe & Christian Bale |
53.60 | 91.6 | 119.60 | 48 | 79 | 02 / 00 | 87.2 | |
133 | The Hanging Tree (1959) | Gary Cooper & George C. Scott |
6.30 | 123.1 | 123.10 | 40 | 71 | 01 / 00 | 87.0 | |
134 | The Unforgiven (1960) | Burt Lancaster & Audrey Hepburn |
8.90 | 150.8 | 150.80 | 30 | 63 | 00 / 00 | 87.0 | |
135 | Chisum (1970) | John Wayne | 18.20 | 137.8 | 220.50 | 20 | 67 | 00 / 00 | 86.9 | |
136 | McCabe & Mrs. Miller (1971) | Warren Beatty & Directed by Robert Altman |
12.40 | 88.5 | 88.50 | 25 | 81 | 01 / 00 | 86.8 | |
137 | The Big Sky (1952) | Kirk Douglas & Dewey Martin |
4.60 | 97.9 | 97.90 | 68 | 77 | 02 / 00 | 86.7 | |
139 | Across the Great Divide (1976) | Robert Logan & Heather Rattray |
24.60 | 135.5 | 135.50 | 27 | 66 | 00 / 00 | 86.5 | |
139 | The Rainmaker (1956) | Burt Lancaster & Katharine Hepburn |
6.00 | 128.2 | 128.20 | 44 | 67 | 02 / 00 | 86.3 | |
139 | Texas Across the River (1966) | Dean Martin & Alain Delon |
10.90 | 116.3 | 150.70 | 27 | 72 | 00 / 00 | 86.2 | |
141 | The Texans (1938) | Randolph Scott | 3.50 | 150.6 | 150.60 | 54 | 61 | 00 / 00 | 86.2 | |
143 | Support Your Local Sheriff! (1969) | James Garner & Walter Brennan |
14.70 | 121.4 | 121.40 | 22 | 70 | 00 / 00 | 86.1 | |
143 | Rawhide (1951) | Tyrone Power & Susan Hayward |
5.60 | 130.9 | 130.90 | 52 | 67 | 00 / 00 | 86.0 | |
144 | Silverado (1985) | Kevin Costner & Kevin Kline |
32.20 | 106.6 | 106.60 | 27 | 73 | 02 / 00 | 86.0 | |
145 | Secrets (1933) | Mary Pickford & Leslie Howard |
2.00 | 101.8 | 101.80 | 37 | 76 | 00 / 00 | 85.9 | |
146 | The Kentuckian (1955) | Burt Lancaster & Diana Lynn |
7.40 | 167.9 | 167.90 | 38 | 54 | 00 / 00 | 85.7 | |
149 | The Bravados (1958) | Gregory Peck & Joan Collins |
6.30 | 123.1 | 123.10 | 40 | 68 | 00 / 00 | 85.7 | |
148 | Man of the West (1958) | Gary Cooper | 5.00 | 97.9 | 97.90 | 49 | 76 | 00 / 00 | 85.7 | |
149 | Big Jake (1971) | John Wayne & Maureen O'Hara |
22.70 | 161.8 | 161.80 | 16 | 55 | 00 / 00 | 85.4 | |
150 | Chief Crazy Horse (1955) | Victor Mature | 5.00 | 113.0 | 113.00 | 68 | 71 | 00 / 00 | 85.4 | |
150 | The Magnificent Seven (2016) | Denzel Washington & Chris Pratt |
93.40 | 126.9 | 220.50 | 33 | 65 | 00 / 00 | 85.3 | |
151 | The Comancheros (1961) | John Wayne & Lee Marvin |
7.00 | 111.1 | 111.10 | 32 | 71 | 00 / 00 | 85.1 | |
153 | Sergeants 3 (1962) | Frank Sinatra & Dean Martin |
12.40 | 193.5 | 193.50 | 16 | 45 | 00 / 00 | 85.1 | |
154 | Springfield Rifle (1952) | Gary Cooper & Phyllis Thaxter |
6.70 | 142.4 | 142.40 | 35 | 61 | 00 / 00 | 85.1 | |
155 | The Indian Fighter (1955) | Kirk Douglas & Walter Matthau |
7.00 | 158.2 | 158.20 | 43 | 55 | 00 / 00 | 84.8 | |
154 | Go West (1940) | Marx Brothers | 2.60 | 107.4 | 169.10 | 74 | 71 | 00 / 00 | 84.8 | |
157 | Once Upon a Time in the West (1968) | Henry Fonda & Charles Bronson |
5.30 | 47.4 | 47.40 | 60 | 90 | 00 / 00 | 84.7 | |
158 | The Hateful Eight (2015) | Kurt Russell & Samuel L. Jackson |
54.10 | 75.4 | 217.10 | 51 | 77 | 03 / 01 | 84.7 | |
159 | Rocky Mountain (1950) | Errol Flynn | 4.90 | 118.9 | 192.30 | 56 | 67 | 00 / 00 | 84.7 | |
161 | Blood on the Moon (1948) | Robert Mitchum | 5.60 | 163.5 | 204.10 | 58 | 53 | 00 / 00 | 84.5 | |
163 | Cowboys & Aliens (2011) | Daniel Craig & Harrison Ford |
100.20 | 148.5 | 259.00 | 30 | 56 | 00 / 00 | 84.3 | |
162 | The Cheyenne Social Club (1970) | James Stewart & Henry Fonda |
15.90 | 120.6 | 120.60 | 23 | 65 | 00 / 00 | 84.2 | |
162 | The Wild North (1952) | Stewart Granger & Wendell Corey |
5.90 | 125.3 | 237.80 | 43 | 64 | 00 / 00 | 84.1 | |
164 | The Squaw Man (1914) | Directed by Cecil B. DeMille | 1.60 | 156.0 | 156.00 | 4 | 54 | 00 / 00 | 84.0 | |
164 | Rio Lobo (1970) | John Wayne & Directed by Howard Hawks |
12.90 | 97.6 | 97.60 | 31 | 72 | 00 / 00 | 83.8 | |
164 | Buck Benny Rides Again (1940) | Jack Benny & Ellen Drew |
2.60 | 107.9 | 107.90 | 71 | 68 | 00 / 00 | 83.7 | |
167 | Billy the Kid (1930) | Wallace Beery | 2.20 | 128.2 | 151.80 | 54 | 61 | 00 / 00 | 83.1 | |
168 | The Last Sunset (1961) | Rock Hudson & Kirk Douglas |
7.90 | 124.8 | 124.80 | 27 | 61 | 00 / 00 | 82.7 | |
169 | Joe Kidd (1972) | Clint Eastwood | 17.20 | 118.9 | 118.90 | 24 | 63 | 00 / 00 | 82.7 | |
169 | Wagon Master (1950) | Ward Bond & Directed by John Ford |
3.20 | 78.7 | 99.70 | 101 | 76 | 00 / 00 | 82.7 | |
171 | 7 Men from Now (1956) | Randoph Scott & Lee Marvin |
2.60 | 56.0 | 68.70 | 122 | 83 | 00 / 00 | 82.7 | |
171 | The Lone Ranger (1956) | Clayton Moore | 3.90 | 83.6 | 117.00 | 88 | 74 | 00 / 00 | 82.5 | |
173 | Go West (1925) | Buster Keaton | 1.60 | 68.7 | 68.70 | 19 | 78 | 00 / 00 | 82.4 | |
175 | Cheyenne Autumn (1964) | James Stewart & Richard Widmark |
8.80 | 109.8 | 279.40 | 30 | 64 | 01 / 00 | 82.3 | |
177 | Bite the Bullet (1975) | Gene Hackman & James Coburn |
16.00 | 91.6 | 91.60 | 43 | 69 | 02 / 00 | 82.0 | |
176 | Cimarron (1960) | Glenn Ford | 6.60 | 113.1 | 234.80 | 43 | 62 | 02 / 00 | 82.0 | |
177 | The Tall T (1957) | Randolph Scott & Richard Boone |
2.90 | 59.9 | 59.90 | 87 | 80 | 00 / 00 | 81.9 | |
178 | Wild Wild West (1999) | Will Smith & Kevin Kline |
113.80 | 264.3 | 515.80 | 17 | 35 | 00 / 00 | 81.7 | |
179 | Devil's Doorway (1950) | Robert Taylor | 3.90 | 94.3 | 146.60 | 84 | 69 | 00 / 00 | 81.6 | |
182 | Frontier Marshall (1939) | Randolph Scott & Cesar Romero |
2.60 | 108.3 | 108.30 | 94 | 64 | 00 / 00 | 81.6 | |
183 | Destry (1954) | Audie Murphy | 4.30 | 109.5 | 109.50 | 72 | 64 | 00 / 00 | 81.6 | |
181 | The Left Handed Gun (1958) | Paul Newman | 4.40 | 86.2 | 86.20 | 54 | 71 | 00 / 00 | 81.4 | |
185 | Jubal (1956) | Glenn Ford & Ernest Borgnine |
5.10 | 109.9 | 109.90 | 58 | 63 | 00 / 00 | 81.3 | |
184 | Many Rivers To Cross (1955) | Robert Taylor & Eleanor Parker |
6.00 | 134.5 | 247.40 | 55 | 55 | 00 / 00 | 81.3 | |
184 | The Last Hunt (1956) | Robert Taylor | 4.60 | 97.9 | 182.10 | 64 | 67 | 00 / 00 | 81.2 | |
188 | White Feather (1955) | Robert Wagner & Jeffrey Hunter |
4.70 | 106.5 | 106.50 | 72 | 64 | 00 / 00 | 81.1 | |
187 | The Last Wagon (1956) | Richard Widmark | 4.30 | 91.6 | 91.60 | 73 | 68 | 00 / 00 | 81.0 | |
188 | Lonely Are The Brave (1962) | Kirk Douglas & Gena Rowlands |
2.80 | 44.3 | 44.30 | 87 | 83 | 00 / 00 | 80.9 | |
189 | Four Faces West (1948) | Joel McCrea & Charles Bickford |
2.90 | 85.0 | 85.00 | 105 | 70 | 00 / 00 | 80.9 | |
190 | Johnny Concho (1956) | Frank Sinatra | 5.40 | 116.0 | 116.00 | 54 | 60 | 00 / 00 | 80.7 | |
192 | Dark Command (1940) | John Wayne & Walter Pidgeon |
2.10 | 88.1 | 88.10 | 95 | 67 | 02 / 00 | 80.6 | |
192 | The Apple Dumpling Gang Rides Again (1979) | Tim Conway & Don Knotts |
24.90 | 116.6 | 116.60 | 40 | 59 | 00 / 00 | 80.4 | |
193 | Hot Lead and Cold Feet (1978) | Don Knotts & Joel Hirschhorn & Darren McGavin |
22.20 | 111.6 | 111.60 | 28 | 61 | 00 / 00 | 80.3 | |
194 | Young Guns (1988) | Emilio Estevez & Charlie Sheen |
45.70 | 130.5 | 130.50 | 22 | 54 | 00 / 00 | 80.3 | |
197 | The Missouri Breaks (1976) | Jack Nicholson & Marlon Brando |
15.40 | 85.0 | 85.00 | 43 | 69 | 00 / 00 | 80.0 | |
196 | Pat Garrett & Billy the Kid (1973) | James Coburn | 8.20 | 54.3 | 54.30 | 44 | 78 | 00 / 00 | 80.0 | |
197 | The Wind (1928) | Lillian Gish | 1.40 | 47.5 | 47.50 | 66 | 80 | 00 / 00 | 79.7 | |
198 | Duck You Sucker or A Fistful of Dynamite (1971) | James Coburn | 6.10 | 43.2 | 43.20 | 55 | 81 | 00 / 00 | 79.6 | |
199 | Hell's Heroes (1929) | Charles Bickford & Directed by William Wyler |
2.30 | 77.8 | 77.80 | 52 | 70 | 00 / 00 | 79.5 | |
200 | Ride Lonesome (1959) | Randolph Scott | 2.70 | 53.2 | 53.20 | 87 | 78 | 00 / 00 | 79.4 | |
199 | Man in The Wilderness (1971) | Richard Harris & John Huston |
8.30 | 59.3 | 59.30 | 42 | 76 | 00 / 00 | 79.3 | |
202 | Rancho Notorious (1952) | Marlene Dietrich & Arthur Kennedy |
2.50 | 53.4 | 53.40 | 136 | 77 | 00 / 00 | 79.2 | |
201 | Monte Walsh (1970) | Lee Marvin & Jack Palance |
7.00 | 52.8 | 52.80 | 44 | 77 | 00 / 00 | 79.0 | |
205 | The Scalphunters (1968) | Burt Lancaster & Shelley Winters |
8.00 | 71.8 | 71.80 | 48 | 71 | 00 / 00 | 79.0 | |
207 | 5 Card Stud (1968) | Dean Martin & Robert Mitchum |
12.10 | 108.9 | 108.90 | 31 | 59 | 00 / 00 | 78.9 | |
206 | The Long Riders (1980) | Dennis Quaid | 13.70 | 61.9 | 61.90 | 57 | 74 | 00 / 00 | 78.7 | |
207 | Forty Guns (1957) | Barbara Stanwyck | 2.60 | 54.0 | 54.00 | 96 | 76 | 00 / 00 | 78.7 | |
210 | The Sheriff of Fractured Jaw (1958) | Jayne Mansfield | 5.50 | 107.7 | 139.00 | 47 | 58 | 00 / 00 | 78.0 | |
209 | City Slickers II: The Legend of Curly's Gold (1994) | Billy Crystal & Jack Palance |
43.60 | 125.6 | 125.60 | 32 | 52 | 00 / 00 | 77.8 | |
210 | Man with the Gun (1955) | Robert Mitchum | 5.10 | 116.2 | 116.20 | 65 | 55 | 00 / 00 | 77.4 | |
211 | The Spoilers (1930) | Gary Cooper | 1.60 | 94.0 | 94.00 | 80 | 62 | 00 / 00 | 77.4 | |
212 | The Sheepman (1958) | Glenn Ford | 4.30 | 83.9 | 83.90 | 55 | 64 | 01 / 00 | 77.2 | |
213 | Major Dundee (1965) | Charlton Heston & James Coburn |
5.50 | 63.8 | 63.80 | 51 | 71 | 00 / 00 | 77.1 | |
214 | The Undefeated (1969) | John Wayne & Rock Hudson |
11.40 | 94.6 | 94.60 | 27 | 61 | 00 / 00 | 76.9 | |
215 | The True Story of Jesse James (1957) | Robert Wagner & Agnes Moorehead |
4.30 | 89.9 | 89.90 | 54 | 62 | 00 / 00 | 76.7 | |
216 | Ride the High Country (1962) | Randolph Scott & Joel McCrea |
2.10 | 33.2 | 33.20 | 96 | 80 | 00 / 00 | 76.5 | |
217 | The Stranger Wore a Gun (1953) | Randolph Scott & Claire Trevor |
4.80 | 94.9 | 94.90 | 66 | 60 | 00 / 00 | 76.4 | |
218 | Will Penny (1967) | Charlton Heston & Lee Majors |
4.50 | 43.7 | 43.70 | 55 | 76 | 00 / 00 | 76.3 | |
219 | Sergeant Rutledge (1960) | Jeffrey Hunter & Directed by John Ford |
2.20 | 38.1 | 38.10 | 96 | 78 | 00 / 00 | 76.1 | |
220 | Warlock (1959) | Henry Fonda & Richard Widmark |
4.30 | 83.9 | 83.90 | 61 | 63 | 00 / 00 | 76.0 | |
221 | Stagecoach (1966) | Bing Crosby & Ann-Margret |
10.00 | 106.8 | 106.80 | 30 | 56 | 00 / 00 | 75.8 | |
221 | Decision At Sundown (1957) | Randolph Scott | 2.60 | 54.0 | 54.00 | 97 | 72 | 00 / 00 | 75.7 | |
223 | Comes a Horseman (1978) | James Caan & Jane Fonda |
9.60 | 48.1 | 48.10 | 60 | 73 | 01 / 00 | 75.7 | |
224 | Comanche Station (1960) | Randolph Scott & Nancy Gates |
2.50 | 42.6 | 42.60 | 93 | 76 | 00 / 00 | 75.5 | |
225 | Rooster Cogburn (1975) | John Wayne & Katharine Hepburn |
24.30 | 139.3 | 139.30 | 26 | 45 | 00 / 00 | 75.5 | |
226 | Fighting Caravans (1931) | Gary Cooper | 2.40 | 137.0 | 137.00 | 37 | 46 | 00 / 00 | 75.4 | |
228 | Cahill United States Marshal (1973) | John Wayne & George Kennedy |
12.40 | 82.5 | 124.70 | 28 | 62 | 00 / 00 | 74.4 | |
227 | Kit Carson (1940) | Jon Hall & Lynn Bari |
1.60 | 67.5 | 67.50 | 131 | 66 | 00 / 00 | 74.2 | |
229 | Bandolero! (1968) | James Stewart & Dean Martin |
15.70 | 140.9 | 140.90 | 23 | 43 | 00 / 00 | 74.1 | |
230 | My Name Is Nobody (1973) | Henry Fonda | 5.30 | 35.2 | 35.20 | 60 | 76 | 00 / 00 | 74.0 | |
231 | 7 Faces of Dr. Lao (1964) | Tony Randall & Barbara Eden |
3.60 | 44.6 | 44.60 | 75 | 72 | 01 / 00 | 73.7 | |
232 | Buchanan Rides Alone (1958) | Randolph Scott & Craig Stevens |
2.90 | 56.0 | 56.00 | 81 | 69 | 00 / 00 | 73.6 | |
233 | Stranger on Horseback (1955) | Joel McCrea & Miroslava |
2.10 | 47.9 | 47.90 | 135 | 72 | 00 / 00 | 73.5 | |
234 | The Cimarron Kid (1952) | Audie Murphy | 3.50 | 74.5 | 74.50 | 98 | 63 | 00 / 00 | 73.4 | |
235 | The Beautiful Blonde from Bashful Bend (1949) | Betty Grable & Cesar Romero |
2.90 | 78.9 | 78.90 | 118 | 62 | 00 / 00 | 73.3 | |
236 | Young Guns II (1990) | Emilio Estevez & James Coburn |
44.10 | 122.6 | 122.60 | 29 | 48 | 01 / 00 | 73.3 | |
235 | Cowboy (1958) | Jack Lemmon & Glenn Ford |
3.60 | 69.7 | 69.70 | 62 | 64 | 01 / 00 | 73.3 | |
238 | The Lone Ranger (2013) | Johnny Depp | 89.30 | 129.1 | 376.50 | 40 | 44 | 02 / 00 | 73.2 | |
239 | Dakota (1945) | John Wayne | 3.20 | 109.6 | 109.60 | 94 | 52 | 00 / 00 | 73.0 | |
240 | The Tin Star (1957) | Henry Fonda | 2.70 | 57.0 | 57.00 | 90 | 68 | 00 / 00 | 72.9 | |
241 | Bad Company (1972) | Jeff Bridges & Barry Brown |
2.30 | 15.7 | 15.70 | 115 | 81 | 00 / 00 | 72.4 | |
242 | Hostiles (2017) | Christian Bale | 29.80 | 39.1 | 46.70 | 82 | 73 | 00 / 00 | 72.2 | |
241 | Gunsmoke (1953) | Audie Murphy & Susan Cabot |
3.90 | 77.1 | 77.10 | 92 | 61 | 00 / 00 | 72.2 | |
244 | They Call Me Trinity (1970) | Terrence Hill | 3.60 | 27.6 | 27.60 | 73 | 77 | 00 / 00 | 72.0 | |
244 | Take Me To Town (1953) | Ann Sheridan & Sterling Hayden |
3.00 | 59.3 | 59.30 | 126 | 66 | 00 / 00 | 71.7 | |
246 | Bugles in the Afternoon (1952) | Ray Milland & Helena Carter |
4.20 | 89.0 | 89.00 | 79 | 57 | 00 / 00 | 71.5 | |
246 | Two Rode Together (1961) | James Stewart & Richard Widmark |
4.10 | 65.8 | 65.80 | 55 | 64 | 00 / 00 | 71.2 | |
247 | Junior Bonner (1972) | Steve McQueen & Robert Preston |
5.60 | 38.5 | 38.50 | 61 | 71 | 00 / 00 | 70.1 | |
249 | Quigley Down Under (1990) | Tom Selleck | 21.40 | 59.5 | 59.50 | 58 | 65 | 00 / 00 | 69.9 | |
251 | Ulzana's Raid (1972) | Burt Lancaster | 2.00 | 13.7 | 13.70 | 120 | 78 | 00 / 00 | 69.0 | |
250 | The Legend of Zorro (2005) | Antonio Banderas & Catherine Zeta-Jones |
46.50 | 85.3 | 261.40 | 67 | 56 | 00 / 00 | 69.0 | |
252 | Alias Jesse James (1959) | Bob Hope & Rhonda Fleming |
5.00 | 97.9 | 97.90 | 50 | 51 | 00 / 00 | 68.4 | |
253 | The Squaw Man (1918) | Directed by Cecil B. DeMille | 1.60 | 112.0 | 112.00 | 4 | 47 | 00 / 00 | 68.4 | |
254 | Scarlet Angel (1952) | Rock Hudson & Yvonne De Carlo |
4.20 | 89.0 | 89.00 | 81 | 54 | 00 / 00 | 68.2 | |
256 | Thunder Over The Plains (1953) | Randolph Scott & Lex Barker |
3.40 | 66.8 | 101.20 | 112 | 61 | 00 / 00 | 68.1 | |
256 | Appaloosa (2008) | Ed Harris & Viggo Mortensen |
20.20 | 33.1 | 45.30 | 116 | 71 | 00 / 00 | 68.0 | |
257 | The Burning Hills (1956) | Tab Hunter & Natalie Wood |
4.30 | 91.6 | 91.60 | 68 | 53 | 00 / 00 | 67.9 | |
258 | Goin' South (1978) | Jack Nicholson | 7.40 | 37.3 | 37.30 | 68 | 70 | 00 / 00 | 67.9 | |
258 | Tribute to a Bad Man (1956) | James Cagney & Don Dubbins |
3.40 | 72.8 | 124.60 | 101 | 59 | 00 / 00 | 67.8 | |
260 | Annie Oakley (1935) | Barbara Stanwyck & Melvyn Douglas |
1.20 | 60.8 | 86.70 | 109 | 62 | 00 / 00 | 67.5 | |
259 | Support Your Local Gunfighter (1971) | James Garner | 6.10 | 43.2 | 43.20 | 53 | 67 | 00 / 00 | 66.9 | |
262 | Comanche (1956) | Dana Andrews & Kent Smith |
3.30 | 70.2 | 70.20 | 104 | 59 | 00 / 00 | 66.9 | |
262 | Tom Horn (1980) | Steve McQueen | 10.20 | 46.2 | 46.20 | 71 | 66 | 00 / 00 | 66.8 | |
264 | The Train Robbers (1973) | Ann-Margret & Ben Johnson |
9.40 | 62.4 | 128.70 | 36 | 61 | 00 / 00 | 66.3 | |
265 | The Proposition (2005) | Guy Pearce | 1.90 | 3.5 | 3.50 | 187 | 79 | 00 / 00 | 66.3 | |
266 | The Hired Hand (1971) | Warren Oates & Peter Fonda |
2.20 | 16.0 | 16.00 | 112 | 75 | 00 / 00 | 66.1 | |
267 | Backlash (1956) | Richard Widmark & Donna Reed |
4.60 | 97.7 | 97.70 | 66 | 49 | 00 / 00 | 66.0 | |
268 | Breakheart Pass (1975) | Charles Bronson & Ben Johnson |
6.50 | 37.0 | 37.00 | 60 | 68 | 00 / 00 | 65.7 | |
272 | The Jayhawkers! (1959) | Jeff Chandler & Fess Parker |
2.90 | 56.0 | 56.00 | 82 | 62 | 00 / 00 | 65.6 | |
272 | The Wonderful Country (1959) | Robert Mitchum | 2.90 | 56.0 | 56.00 | 83 | 62 | 00 / 00 | 65.6 | |
269 | The Virginian (1914) | Directed by Cecil B. Demille | 0.70 | 67.0 | 67.00 | 5 | 59 | 00 / 00 | 65.6 | |
272 | MacKenna's Gold (1969) | Gregory Peck & Edward G. Robinson |
8.90 | 73.3 | 73.30 | 31 | 57 | 00 / 00 | 65.6 | |
273 | The Assassination of Jesse James by the Coward Robert Ford (2007) | Brad Pitt & Casey Affleck |
3.90 | 6.7 | 25.60 | 181 | 76 | 02 / 00 | 65.5 | |
274 | Ride a Crooked Trail (1958) | Audie Murphy & Gia Scala |
2.30 | 44.8 | 44.80 | 98 | 66 | 00 / 00 | 65.5 | |
277 | The Last Command (1955) | Sterling Hayden & Anna Maria Alberghetti |
2.90 | 64.6 | 64.60 | 113 | 59 | 00 / 00 | 65.4 | |
276 | The Duel at Silver Creek (1952) | Audie Murphy | 3.50 | 74.2 | 74.20 | 108 | 56 | 00 / 00 | 65.4 | |
277 | Skin Game (1971) | James Garner & Louis Gossett Jr. |
6.70 | 47.5 | 47.50 | 48 | 65 | 00 / 00 | 65.3 | |
278 | Meek's Cutoff (2010) | Michell Williams & Bruce Greenwood |
1.00 | 1.5 | 1.50 | 184 | 79 | 00 / 00 | 65.2 | |
279 | The Missouri Traveler (1958) | Brandon De Wilde & Lee Marvin |
2.40 | 47.7 | 47.70 | 91 | 64 | 00 / 00 | 64.9 | |
280 | The Big Land (1957) | Alan Ladd & Virginia Mayo |
4.50 | 95.1 | 184.60 | 50 | 48 | 00 / 00 | 63.7 | |
281 | Kangaroo (1952) | 3.50 | 74.2 | 74.20 | 101 | 55 | 00 / 00 | 63.6 | ||
282 | Red Sun (1971) | 6.70 | 47.5 | 224.40 | 49 | 63 | 00 / 00 | 63.5 | ||
281 | The Second Time Around (1961) | Debbie Reynolds & Steve Forrest |
2.10 | 34.0 | 34.00 | 91 | 67 | 00 / 00 | 63.2 | |
282 | Return to Snowy River (1988) | 13.70 | 39.1 | 39.10 | 71 | 66 | 00 / 00 | 63.2 | ||
285 | The Man Who Loved Cat Dancing (1973) | Burt Reynolds & Sarah Miles |
9.10 | 60.3 | 60.30 | 39 | 59 | 00 / 00 | 62.9 | |
286 | Bone Tomahawk (2015) | Kurt Russell | 0.10 | 0.1 | 0.60 | 223 | 78 | 00 / 00 | 62.8 | |
288 | Ten Wanted Men (1955) | Randolph Scott | 2.90 | 64.6 | 64.60 | 111 | 57 | 00 / 00 | 62.7 | |
287 | The Missing (2003) | Cate Blanchett & Directed by Ron Howard |
27.00 | 52.6 | 74.80 | 94 | 61 | 00 / 00 | 62.2 | |
289 | The Far Horizons (1955) | Fred MacMurray & Charlton Heston |
4.60 | 103.3 | 103.30 | 75 | 45 | 00 / 00 | 62.2 | |
290 | Hangman's Knot (1952) | Randolph Scott & Donna Reed |
3.50 | 74.2 | 74.20 | 107 | 54 | 00 / 00 | 62.1 | |
291 | The Treasure of Pancho Villa (1955) | Rory Calhoun & Shelley Winters |
3.30 | 74.2 | 74.20 | 97 | 54 | 00 / 00 | 62.1 | |
291 | Valley of The Sun (1942) | Lucille Ball | 1.40 | 55.0 | 82.80 | 159 | 60 | 00 / 00 | 61.9 | |
293 | Smoke Signal (1955) | Dana Andrews & Piper Laurie |
2.90 | 64.6 | 64.60 | 103 | 57 | 00 / 00 | 61.9 | |
294 | The Sun Shines Bright (1953) | Charles Winninger & Arleen Whelan |
0.70 | 13.4 | 13.40 | 222 | 73 | 00 / 00 | 61.8 | |
295 | The Duchess and the Dirtwater Fox (1976) | George Segal & Goldie Hawn |
15.10 | 83.2 | 83.20 | 45 | 50 | 00 / 00 | 60.9 | |
296 | Posse (1975) | Kirk Douglas | 2.60 | 14.8 | 14.80 | 99 | 72 | 00 / 00 | 60.9 | |
297 | Wyatt Earp (1994) | Kevin Costner & Gene Hackman |
25.10 | 72.1 | 161.10 | 55 | 53 | 01 / 00 | 60.5 | |
298 | The Homesman (2014) | Tommy Lee Jones & Hilary Swank |
2.40 | 3.5 | 3.50 | 166 | 75 | 00 / 00 | 60.3 | |
301 | Pocket Money (1972) | Paul Newman & Lee Marvin |
8.80 | 60.7 | 60.70 | 45 | 57 | 00 / 00 | 60.1 | |
300 | The Rounders (1965) | Glenn Ford & Henry Fonda |
3.90 | 44.4 | 44.40 | 69 | 62 | 00 / 00 | 60.0 | |
301 | The Last Frontier (1955) | Victor Mature & Guy Madison |
2.90 | 64.6 | 64.60 | 104 | 55 | 00 / 00 | 59.1 | |
302 | Dirty Dingus Magee (1970) | Frank Sinatra & George Kennedy |
8.20 | 62.0 | 62.00 | 40 | 56 | 00 / 00 | 59.1 | |
305 | Geronimo: An American Legend (1993) | Gene Hackman & Matt Damon |
18.60 | 52.9 | 52.90 | 77 | 58 | 01 / 00 | 59.0 | |
303 | Rough Night in Jericho (1967) | Dean Martin & Jean Simmons |
4.40 | 42.5 | 42.50 | 57 | 62 | 00 / 00 | 59.0 | |
303 | The Hallelujah Trail (1965) | Burt Lancaster & Lee Remick |
3.20 | 37.4 | 37.40 | 78 | 63 | 00 / 00 | 58.8 | |
306 | The Harder They Fall (2021) Netflix |
Idris Elba | 0.10 | 0.1 | 0.10 | 180 | 75 | 00 / 00 | 58.4 | |
307 | Last of the Dogmen (1995) | Tom Berenger & Barbara Hershey |
7.00 | 19.0 | 19.00 | 131 | 69 | 00 / 00 | 58.2 | |
306 | Hour of the Gun (1967) | James Garner & Robert Ryan |
2.10 | 20.0 | 20.00 | 96 | 68 | 00 / 00 | 57.0 | |
311 | The Quick and the Dead (1995) | Gene Hackman & Leonardo DiCaprio |
18.60 | 50.3 | 126.00 | 84 | 57 | 00 / 00 | 56.8 | |
310 | One Little Indian (1973) | James Garner & Vera Miles |
6.70 | 44.3 | 44.30 | 53 | 60 | 00 / 00 | 56.6 | |
311 | Texas (1941) | William Holden & Glenn Ford |
2.40 | 100.9 | 100.90 | 99 | 42 | 00 / 00 | 56.5 | |
311 | The Glory Guys (1965) | Tom Tryon & Harve Presnell |
2.40 | 28.0 | 28.00 | 94 | 65 | 00 / 00 | 56.2 | |
313 | Wings of the Hawk (1953) | Van Heflin & Julie Adams |
2.90 | 56.4 | 56.40 | 135 | 56 | 00 / 00 | 56.2 | |
314 | The Law and Jake Wade (1958) | Richard Widmark & Robert Taylor |
2.80 | 54.3 | 156.40 | 83 | 56 | 00 / 00 | 56.2 | |
315 | Hannie Caulder (1971) | Raquel Welch & Robert Culp |
4.50 | 32.4 | 32.40 | 63 | 63 | 00 / 00 | 56.1 | |
316 | Circus World (1964) | John Wayne & Rita Hayworth |
5.70 | 71.4 | 71.40 | 46 | 51 | 00 / 00 | 56.0 | |
317 | The Americano (1955) | Glenn Ford & Frank Lovejoy |
3.60 | 80.7 | 80.70 | 93 | 48 | 00 / 00 | 55.7 | |
319 | The Frisco Kid (1979) | Gene Wilder & Harrison Ford |
12.40 | 57.9 | 57.90 | 59 | 55 | 00 / 00 | 55.6 | |
317 | The Savage (1952) | Charlton Heston & Susan Morrow |
1.80 | 38.6 | 38.60 | 166 | 61 | 00 / 00 | 55.3 | |
320 | Django (1966) | Franco Nero & José Canalejas |
0.00 | 0.3 | 0.30 | 164 | 73 | 00 / 00 | 55.2 | |
321 | Dead Man (1995) | Johnny Depp & Robert Mitchum |
1.00 | 2.8 | 2.80 | 188 | 72 | 00 / 00 | 54.8 | |
323 | The Badlanders (1958) | Alan Ladd & Ernest Borgnine |
2.80 | 54.3 | 117.80 | 84 | 55 | 00 / 00 | 54.4 | |
323 | Tell Them Willie Boy Is Here (1969) | Robert Redford | 6.90 | 57.0 | 57.00 | 40 | 54 | 00 / 00 | 54.1 | |
324 | The Squaw Man (1931) | Directed by Cecil B. DeMille | 1.40 | 76.8 | 115.70 | 99 | 48 | 00 / 00 | 53.6 | |
327 | Mail Order Bride (1964) | Buddy Ebsen & Keir Dullea |
3.40 | 42.9 | 42.90 | 77 | 58 | 00 / 00 | 53.4 | |
326 | Thousand Pieces of Gold (1991) | Rosalind Chao & Chris Cooper |
0.70 | 2.0 | 2.00 | 177 | 71 | 00 / 00 | 52.6 | |
327 | Love's Abiding Joy (2006) | Erin Cottrell & Dale Midkiff |
0.30 | 0.5 | 0.50 | 271 | 71 | 00 / 00 | 51.7 | |
326 | Barbarosa (1982) | Willie Nelson & Gary Busey |
1.70 | 6.9 | 6.90 | 122 | 69 | 00 / 00 | 51.6 | |
331 | Waterhole #3 (1967) | James Coburn | 3.10 | 30.3 | 30.30 | 73 | 61 | 00 / 00 | 51.2 | |
328 | Gold of the Seven Saints (1961) | Clint Walker & Roger Moore |
1.50 | 23.8 | 23.80 | 107 | 63 | 00 / 00 | 51.2 | |
333 | The Wild and the Innocent (1959) | Audie Murphy & Joanne Dru |
2.00 | 39.2 | 39.20 | 111 | 58 | 00 / 00 | 51.1 | |
330 | Firecreek (1968) | James Stewart & Henry Fonda |
3.10 | 28.2 | 28.20 | 90 | 62 | 00 / 00 | 51.1 | |
332 | The Halliday Brand (1957) | Joseph Cotten & Viveca Lindfors |
1.60 | 33.6 | 33.60 | 127 | 60 | 00 / 00 | 50.6 | |
334 | The Rare Breed (1966) | 5.00 | 53.4 | 53.40 | 56 | 53 | 00 / 00 | 50.4 | ||
335 | Seven Alone (1974) | Dewey Martin & Anne Collings |
7.20 | 45.5 | 45.50 | 56 | 56 | 00 / 00 | 49.9 | |
336 | The Outrage (1964) | Paul Newman & Edward G. Robinson |
4.60 | 57.1 | 57.10 | 64 | 52 | 00 / 00 | 49.5 | |
337 | Forsaken (2015) | Keifer Sutherland & Donald Sutherland |
0.10 | 0.1 | 0.10 | 216 | 70 | 00 / 00 | 49.3 | |
339 | Rangers of Fortune (1940) | Fred MacMurray | 1.00 | 42.0 | 42.00 | 169 | 56 | 00 / 00 | 48.8 | |
339 | Gunfight at Comanche Creek (1963) | Audie Murphy & Ben Cooper |
1.30 | 17.6 | 17.60 | 115 | 64 | 00 / 00 | 48.6 | |
341 | Lightning Jack (1994) | Paul Hogan & Cuba Gooding Jr. |
16.80 | 48.4 | 48.40 | 85 | 54 | 00 / 00 | 48.2 | |
342 | Charro! (1969) | Elvis Presley | 3.90 | 32.5 | 32.50 | 59 | 58 | 00 / 00 | 47.1 | |
342 | A Million Ways To Die in The West (2014) | Charlize Theron | 43.10 | 62.0 | 125.40 | 79 | 49 | 00 / 00 | 46.6 | |
343 | The Ballad of Little Jo (1993) | Suzy Amis & Bo Hopkins |
0.50 | 1.5 | 1.50 | 200 | 68 | 00 / 00 | 46.1 | |
344 | The Way West (1967) | Richard Widmark & Sally Field |
4.20 | 40.5 | 40.50 | 60 | 55 | 00 / 00 | 45.0 | |
345 | A Man Alone (1955) | Ray Milland & Mary Murphy |
1.80 | 40.4 | 40.40 | 143 | 55 | 00 / 00 | 45.0 | |
345 | Bad Lands (1939) | Robert Barrat & Noah Berry Jr. |
0.40 | 18.1 | 23.70 | 222 | 62 | 00 / 00 | 44.9 | |
347 | The Great Northfield Minnesota Raid (1972) | Cliff Robertson & Robert Duvall |
2.30 | 15.9 | 15.90 | 114 | 62 | 00 / 00 | 44.7 | |
348 | Invitation to a Gunfighter (1964) | Yul Brynner & Janice Rule |
3.10 | 39.3 | 39.30 | 81 | 55 | 00 / 00 | 44.4 | |
349 | Pony Express (1953) | Charlton Heston | 4.20 | 83.1 | 83.10 | 85 | 41 | 00 / 00 | 44.1 | |
350 | My Heroes Have Always Been Cowboys (1991) | Scott Glenn & Kate Capshaw |
3.60 | 10.1 | 10.10 | 133 | 64 | 00 / 00 | 44.1 | |
351 | The Work and the Glory II: American Zion (2005) | Sam Hennings & Brenda Strong |
2.00 | 3.7 | 3.70 | 186 | 66 | 00 / 00 | 43.7 | |
352 | Oklahoma Crude (1973) | George C. Scott & Faye Dunaway |
7.60 | 50.3 | 50.30 | 46 | 51 | 00 / 00 | 43.2 | |
353 | Red Hill (2010) | Ryan Kwanten & Steve Bisley |
0.00 | 0.0 | 0.00 | 400 | 67 | 00 / 00 | 43.2 | |
354 | Man From Del Rio (1956) | Anthony Quinn & Katy Jurado |
2.00 | 43.6 | 43.60 | 138 | 53 | 00 / 00 | 43.1 | |
355 | The Work and the Glory III: A House Divided (2006) | Sam Hennings & Brenda Strong |
1.30 | 2.4 | 2.40 | 221 | 66 | 00 / 00 | 42.8 | |
356 | Against A Crooked Sky (1975) | Richard Boone & Stewart Petersen |
6.90 | 39.5 | 39.50 | 59 | 54 | 00 / 00 | 42.5 | |
358 | The Mountain Men (1980) | Charlton Heston & Brian Keith |
7.60 | 34.5 | 34.50 | 84 | 55 | 00 / 00 | 42.2 | |
358 | The Appaloosa (1966) | Marlon Brando | 3.50 | 37.4 | 37.40 | 70 | 54 | 00 / 00 | 42.0 | |
359 | Villa Rides (1968) | Yul Brynner & Robert Mitchum |
3.40 | 30.8 | 30.80 | 86 | 56 | 00 / 00 | 42.0 | |
360 | The Claim (2000) | Milla Jovovich | 0.70 | 1.5 | 1.50 | 200 | 65 | 00 / 00 | 41.9 | |
361 | Something Big (1971) | Dean Martin & Brian Keith |
2.90 | 20.5 | 20.50 | 94 | 59 | 00 / 00 | 41.7 | |
364 | Posse (1993) | Mario Van Peebles | 18.30 | 51.9 | 51.90 | 78 | 49 | 00 / 00 | 41.6 | |
363 | Arena (1953) | Gig Young & Jean Hagen |
2.30 | 45.2 | 60.60 | 153 | 51 | 00 / 00 | 40.9 | |
364 | Arrowhead (1953) | Charlton Heston & Jack Palance |
3.60 | 71.2 | 71.20 | 104 | 43 | 00 / 00 | 40.6 | |
365 | The Legend of the Lone Ranger (1981) | Klinton Spilsbury & Christopher Lloyd |
12.60 | 53.3 | 53.30 | 63 | 48 | 00 / 00 | 40.3 | |
366 | The Tall Stranger (1957) | Joel McCrea & Virginia Mayo |
2.40 | 51.3 | 51.30 | 101 | 49 | 00 / 00 | 39.8 | |
367 | From Noon Till Three (1976) | Charles Bronson & Jill Ireland |
2.70 | 15.0 | 15.00 | 111 | 60 | 00 / 00 | 39.8 | |
368 | The Big Trees (1952) | Kirk Douglas & Patrice Wymore |
2.40 | 50.4 | 50.40 | 141 | 49 | 00 / 00 | 38.8 | |
369 | The First Traveling Saleslady (1956) | Ginger Rogers & Barry Nelson |
2.10 | 45.8 | 45.80 | 132 | 50 | 00 / 00 | 37.8 | |
370 | Advance To The Rear (1964) | Glenn Ford & Stella Stevens |
3.10 | 39.3 | 39.30 | 80 | 52 | 00 / 00 | 37.8 | |
371 | Seraphim Falls (2006) | Liam Neeson & Pierce Brosnan |
0.40 | 0.7 | 2.20 | 258 | 64 | 00 / 00 | 37.6 | |
372 | The Outlaws Is Coming (1965) | Larry Fine & Joe DeRita |
0.60 | 7.0 | 7.00 | 142 | 62 | 00 / 00 | 37.5 | |
373 | Heaven's Gate (1980) | Jeff Bridges & Christopher Walken |
3.50 | 15.7 | 15.70 | 122 | 58 | 01 / 00 | 37.3 | |
373 | The Man from Monterey (1933) | John Wayne | 0.40 | 20.0 | 28.20 | 172 | 57 | 00 / 00 | 36.5 | |
375 | Lust in the Dust (1985) | Tab Hunter & Divine |
0.70 | 2.4 | 2.40 | 159 | 63 | 00 / 00 | 36.4 | |
376 | Butch and Sundance: The Early Days (1979) | Tom Berenger & Will Kaat |
5.10 | 24.0 | 24.00 | 81 | 56 | 00 / 00 | 35.7 | |
377 | Guns of the Timberland (1960) | Alan Ladd & Jeanne Crain |
2.00 | 34.8 | 34.80 | 100 | 52 | 00 / 00 | 34.2 | |
378 | 'Doc' (1971) | Stacy Keach & Faye Dunaway |
2.40 | 17.3 | 17.30 | 104 | 57 | 00 / 00 | 34.2 | |
380 | The Magnificent Seven Ride! (1972) | Lee Van Cleef | 3.20 | 22.0 | 22.00 | 83 | 56 | 00 / 00 | 34.0 | |
380 | Navajo Joe (1968) | Burt Reynolds | 0.90 | 7.7 | 7.70 | 151 | 60 | 00 / 00 | 34.0 | |
379 | Almost Heroes (1998) | Chris Farley & Matthew Perry |
6.10 | 15.4 | 15.40 | 138 | 58 | 00 / 00 | 34.0 | |
382 | Alvarez Kelly (1966) | William Holden & Richard Widmark |
3.50 | 37.4 | 37.40 | 72 | 50 | 00 / 00 | 32.8 | |
383 | War Arrow (1953) | 3.00 | 59.3 | 59.30 | 125 | 43 | 00 / 00 | 32.8 | ||
384 | Cattle Annie and Little Britches (1981) | Scott Glenn & Diane Lane |
0.50 | 2.3 | 2.30 | 152 | 61 | 00 / 00 | 32.7 | |
385 | Scalawag (1973) | Kirk Douglas & Mark Lester |
2.40 | 16.1 | 16.10 | 113 | 57 | 00 / 00 | 32.0 | |
386 | Nevada (1944) | Robert Mitchum | 1.30 | 46.0 | 57.00 | 137 | 47 | 00 / 00 | 31.4 | |
386 | All the Pretty Horses (2000) | 15.50 | 33.9 | 39.50 | 108 | 50 | 00 / 00 | 30.8 | ||
390 | The Lonely Man (1957) | Jack Palance & Anthony Perkins |
2.30 | 48.0 | 48.00 | 105 | 46 | 00 / 00 | 30.6 | |
390 | The Alamo (2004) | Dennis Quaid | 22.40 | 42.4 | 48.90 | 100 | 47 | 00 / 00 | 29.8 | |
390 | Grey Owl (1999) | Pierce Brosnan & Stewart Bick |
0.60 | 1.5 | 1.50 | 202 | 60 | 00 / 00 | 29.4 | |
391 | The Hunting Party (1971) | Gene Hackman & Candice Bergen & <a href='https://www.ultimatemovierankings.com/oliver-reed-movies/' |
2.70 | 19.4 | 19.40 | 95 | 54 | 00 / 00 | 28.8 | |
392 | A Gunfight (1971) | Kirk Douglas & Johnny Cash |
3.80 | 27.0 | 27.00 | 74 | 51 | 00 / 00 | 28.2 | |
395 | Ten Who Dared (1960) | Brian Keith & John Beal |
2.30 | 38.9 | 38.90 | 95 | 47 | 00 / 00 | 27.2 | |
395 | Rustlers' Rhapsody (1985) | Andy Griffith & Patrick Wayne |
6.10 | 20.2 | 20.20 | 108 | 52 | 00 / 00 | 26.4 | |
393 | The Hi-Lo Country (1998) | Billy Crudup & Woody Harrelson |
0.20 | 0.4 | 0.40 | 231 | 58 | 00 / 00 | 26.2 | |
396 | Guns of the Magnificent Seven (1969) | George Kennedy | 1.60 | 12.9 | 12.90 | 120 | 54 | 00 / 00 | 25.2 | |
395 | Straight to Hell (1987) | Sy Richardson & Joe Strummer |
0.20 | 0.6 | 0.60 | 220 | 58 | 00 / 00 | 25.2 | |
397 | 40 Guns to Apache Pass (1967) | Audie Murphy & Michael Burns |
1.50 | 14.6 | 14.60 | 120 | 53 | 00 / 00 | 25.1 | |
400 | Bad Girls (1994) | Drew Barrymore | 15.20 | 43.9 | 43.90 | 92 | 42 | 00 / 00 | 24.4 | |
399 | The Spikes Gang (1974) | Lee Marvin & Gary Grimes |
2.60 | 16.2 | 16.20 | 97 | 52 | 00 / 00 | 23.8 | |
401 | The Raiders (1963) | Brian Keith & Robert Culp |
2.10 | 29.0 | 29.00 | 88 | 48 | 00 / 00 | 23.3 | |
402 | Guns of Diablo (1964) | Charles Bronson & Susan Oliver |
2.10 | 26.8 | 26.80 | 108 | 48 | 00 / 00 | 23.2 | |
403 | Westward Ho (1935) | John Wayne | 0.50 | 24.5 | 24.50 | 191 | 48 | 00 / 00 | 21.6 | |
403 | The Warrior's Way (2010) | Kate Bosworth & Geoffrey Rush |
5.70 | 8.4 | 16.50 | 140 | 53 | 00 / 00 | 21.6 | |
405 | The Good Guys and the Bad Guys (1969) | Robert Mitchum & George Kennedy |
2.40 | 20.1 | 20.10 | 89 | 49 | 00 / 00 | 20.8 | |
404 | Jane Got a Gun (2015) | Natalie Portman & Ewan McGregor |
1.50 | 2.1 | 2.10 | 170 | 55 | 00 / 00 | 20.7 | |
406 | Casa De Mi Padre (2012) | Will Ferrell & Gael García Bernal |
5.90 | 8.7 | 11.90 | 145 | 52 | 00 / 00 | 20.2 | |
408 | Ghost Town (1988) | Franc Luz & Catherine Hickland |
0.10 | 0.2 | 0.20 | 259 | 55 | 00 / 00 | 19.8 | |
411 | Ride Him Cowboy (1932) | John Wayne | 0.50 | 25.0 | 34.20 | 166 | 47 | 00 / 00 | 18.9 | |
409 | The Wrath of God (1972) | Robert Mitchum & Frank Langella |
2.20 | 15.2 | 15.20 | 116 | 50 | 00 / 00 | 18.9 | |
410 | Young Billy Young (1969) | Robert Mitchum | 2.60 | 21.3 | 21.30 | 85 | 48 | 00 / 00 | 18.7 | |
412 | Welcome To Hard Times (1967) | Henry Fonda & Janice Rule |
1.50 | 14.6 | 14.60 | 118 | 49 | 00 / 00 | 17.3 | |
413 | Catlow (1971) | Yul Brynner & Richard Crenna |
2.00 | 14.1 | 14.10 | 121 | 49 | 00 / 00 | 16.9 | |
416 | Shalako (1968) | Sean Connery | 2.90 | 25.8 | 87.40 | 94 | 43 | 00 / 00 | 14.3 | |
414 | Wild Bill (1995) | Jeff Bridges | 2.20 | 5.9 | 5.90 | 174 | 49 | 00 / 00 | 14.3 | |
415 | Billy Two Hats (1974) | Gregory Peck & Desi Arnaz Jr. |
1.20 | 7.5 | 7.50 | 129 | 49 | 00 / 00 | 13.9 | |
418 | American Outlaws (2001) | Colin Farrell | 13.30 | 27.7 | 28.40 | 121 | 42 | 00 / 00 | 13.1 | |
417 | Sam Whiskey (1969) | Burt Reynolds & Angie Dickinson |
2.40 | 19.5 | 19.50 | 91 | 44 | 00 / 00 | 13.0 | |
419 | Journey to Shiloh (1968) | Harrison Ford & James Caan |
0.40 | 3.7 | 3.70 | 170 | 45 | 00 / 00 | 8.8 | |
421 | The Oregon Trail (1959) | Fred MacMurray | 1.10 | 21.5 | 21.50 | 141 | 39 | 00 / 00 | 8.5 | |
420 | Land Raiders (1970) | Telly Savalas & George Maharis |
1.00 | 7.4 | 7.40 | 147 | 43 | 00 / 00 | 8.0 | |
422 | Wagons East (1994) | John Candy | 4.40 | 12.7 | 12.70 | 143 | 37 | 00 / 00 | 4.2 | |
423 | Tonight For Sure (1962) | Karl Schanzer & Don Kenney |
0.00 | 0.2 | 0.20 | 146 | 37 | 00 / 00 | 2.7 | |
424 | Jonah Hex (2010) | Josh Brolin | 10.50 | 15.7 | 16.20 | 128 | 32 | 00 / 00 | 2.6 | |
425 | Blood Red (1989) | Eric Roberts & Giancarlo Giannini |
0.00 | 0.1 | 0.10 | 237 | 31 | 00 / 00 | 0.9 | |
426 | Gang of Roses (2003) | 0.00 | 0.1 | 0.10 | 362 | 23 | 00 / 00 | 0.2 |
Hi Bruce , i just wanted to know where you have found the international grosses for those movies :
How the west was won
The Alamo
The Magnificent Seven
I searched many many years for worldwide grosses about those movies …. and i never found anything…I was always thinking that they were not available … I’m astonished …
Where did those numbers came from please ?….
Thanks
Hey Max……sadly my database does not give the reference too often….WoC has been pushing for that to be included for many years……but I have generally resisted doing that…mainly due to (1) time issues…just not enough hours in the day and (2) I pretty much know where the number comes from 95% of the time.
So….on the John Wayne westerns….that actually came from a John Wayne superfan…..he shared about 30 international totals with me…..not 100% sure of his sources….but…we already had 66% of those 30…and his numbers watched my numbers….so I went ahead and included them in the database…..scratching the old memory bank…seems he had already writte a Wayne book or was finishing up writing a Wayne book.
As for The Magnificent Seven…..that came from numerous books….which ones I do not remember…but if I had to guess it was either a Bronson or more likely a McQueen book (only because there are so many McQueen books than Bronson books)….one of the readers and commenters here is actually writing a Bronson book right now…..looking forward to that one.
So….in wrapping up this comment….the numbers I used did not come from my usual sources….so I do not feel as confident as I normally feel….but they seem to make sense to me.
OK Bruce , so i have a scoop for you concerning the biggest western of all time according to box office gross 😉 :
How the west was won made 1 029 666 444 (in 2017 $) so if if divide it by 8.97 (average ticket price in 2017) it made 114 790 016 million admissions
The Magnificent Seven made 455 000 003 (in 2017$) so if i divide it by 8.97 it made 50 724 638 admissions
But !! The admissions in Russia aren’t included in the foreign gross of all those movies !! How the west was won have not admission figures available in Russia…
On the other hand , the Magnificent Seven is one of the biggest success ever in Soviet Union with 67 MILLION ADMISSION !!!!
So if i take 50 724 638 million admissions + 67 000 000 million admissions = 117 724 638 million admission for The Magnificent Seven
Those numbers made it the most successful western of all time !
Here’s the link … And i have a lot of other infos like that that will surprise you 😉
https://www.kinopoisk.ru/film/velikolepnaya-semerka-1960-8207/
Hey Max…..interesting information….seems like I need to look at Russian box office numbers more closely. Gotta admit, some of the numbers seem to be on the very high side. As for your logic….the math is correct. Now the questions are (1) What is the source of the information! (2) Is the source reliable? (3) Why did studios not include it in their figures? In the end…your numbers have me very intrigued. Thanks for the link and the followup comment.
HI Bruce, some infos about that :
1) The source of the information is the link i send you in the previous post ; if you enter the name of a movie ; even in english ; it will give you the number of admission it made in Russia (if it made some notable admission) and even in some other european countries (those other european admissions are in general included in the studios total figures).
2) The source is absolutely reliable and it’s the official website of russian box office ; in a way, it’s the Box Ofice Mojo of Russia if you want lol …
3) The Russian admissions aren’t included in their figures because a lot of old movies were released in Soviet Union with the control of the propaganda who select just some movies and mostly because they were released with a lag ; the magnificent seven was released in 1962 in Russia so it’s not the case for this movie but most came out with several years of gap and so the entries were not included because of that (Spartacus was released in 1968 in Soviet Union and made 63 million admission that aren’t included anywhere !! And there’s a lot of old movies in this case) ; on imdb; some films do not even have a release date known in Russia even though they have been broadcast ! Furthermore, I’m not going to teach you history, I think you know that better than me but I guess you know the relationship between Usa and Russia before the 90’s … I think they had something else to do than to send them the numbers of movie admissions….
So I can assure you that all these figures are official and to my knowledge none of the admission figures in Russia is included in the total figures of the studios ; you can do math if you want but in some cases the admissions in Russia are higher than the total worldwide of a whole film !!
exemple: Tarzan the Ape Man: 42.9 m admissions !! MacKennas Gold (1969) : 63 m admissions !!! …..And there’s many more !
Here’s a link i selected to you (on the bottom of this page) : it gives you a list of the UK/US movies that made the most admissions in Russia , you’ll be astonished because there’s a lot of unknown movies or B Movies that were selected and broadcast to the people under the control of Propaganda ; for example if a film was political or showcased American values; it was forbidden …
On the link i send you below , the number of admissions in Russia is the number in orange at the bottom right of the sheet of each film ; for example the Magnificent Seven made 67 million admissions …It’s the biggest American film in Soviet Union !! Want to see the others ?? Let’s go ! 😉
https://www.kinopoisk.ru/top/lists/184/filtr/all/sort/order/country%5B11%5D/11/country%5B1%5D/1/
Hello Bruce, i just have a simple question : according to your infos, what it the biggest western in term of box office success worldwide ? Is it “How The West Was Won” ? Or with overseas gross, some others western movies did better ?
Thanks !
Hey Max….I will check the database when I get home. I can at least give you the highest worldwide box office number in my database. Not sure I have a worldwide gross for Duel in the Sun….but I think it would give How The West Was Won a good run for the movie. I will make sure to check when I get home from work.
Hey Max…..did a database search….here are the Highest Grossing Westerns (Worldwide) in our database…please note not all movies have domestic and international box office. Dances With Wolves was much closer to How The West Was Won than I even remotely imagined!
The picture of the table is at the bottom of the page.
Hey John….great stats….the 1930-1959 is pretty eye opening….almost 25% of all movies made were westerns….compared today that is crazy…..I think 2016 had 3 or 4 westerns….and only Magnificent Seven did anything at the box office.
I agree cheap to make and the fact that kids loved them….my father-in-law who helped run a theater in the 1950s said…that westerns always drew the crowds in.
John Wayne almost made a 100 westerns in the 1930s. Great information in this comment….thanks for digging it out and for sharing it.
I found a list from the British Film Institute of the number of feature westerns produced during the 1930 to 1960 era. A feature film is defined by the BFI as a movie of 40 minutes or more. There are a lot of borderline westerns (Mountie films, for example) and I don’t know how the BFI defines westerns, but here are their totals decade by decade.
1930’s
Total films—–5029
westerns——-1073
percentage—-21.3%
1940’s
Total films—–4076
westerns——–1089
percentage—–26.7%
1950’s
Total films—–2922
westerns——–822
percentage—–28.1%
1930-1959
Total films—–12,041
westerns——–2984
percentage—–24.8%
so during the classic era, about a quarter of all films were westerns. I think by far the most popular genre, except perhaps comedy if comedy is broadly defined. Why so many? Well, they provided action and good guy-bad guy conflicts. But certainly a contributing factor was that most westerns were relatively cheap to produce. They were the bottom line profit makers which were the foundation for the occasional big budget prestige production.