This movie page looks at 1933 Top Box Office Movies. Finding box office information for movies made in the 1930s and 1940s is extremely difficult. For somebody looking for box office information on 1933 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1933 movies in our database.
To make this list a movie had to be made in 1933. Obviously many movies made in 1932 earned box office dollars in 1933. On the other side many movies made in 1933 made money in 1934 and later. This page will looks at 133 1933 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1933 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.
Our UMR Top 50 of 1933
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1933
King Kong (1933)
1933
Little Women (1933)
AA Best Picture Nom
1933
42nd Street (1933)
AA Best Picture Nom
1933
Footlight Parade (1933)
1933
She Done Him Wrong (1933)
AA Best Picture Nom
1933
Gold Diggers of 1933 (1933)
1933
Cavalcade (1933)
AA Best Picture Win
1933
I'm No Angel (1933)
1933
Dinner at Eight (1933)
1933
Tugboat Annie (1933)
1933
Sons of the Desert (1933)
1933
Ecstasy (1933)
1933
Dancing Lady (1933)
1933
State Fair (1933)
AA Best Picture Nom
1933
Queen Christina (1933)
1933
The Bowery (1933)
1933
Roman Scandals (1933)
1933
The Private Life of Henry VIII. (1933)
AA Best Picture Nom
1933
The Invisible Man (1933)
1933
Duck Soup (1933)
1933
Pilgrimage (1933)
1933
Lady for a Day (1933)
AA Best Picture Nom
1933
Counselor At Law (1933)
1933
Flying Down to Rio (1933)
1933
Eskimo (1933)
1933
Penthouse (1933)
1933
Secrets (1933)
1933
Jennie Gerhardt (1933)
1933
The Devil's Brother (1933)
1933
Hold Your Man (1933)
1933
Pick-Up (1933)
1933
Only Yesterday (1933)
1933
International House (1933)
1933
The Silver Cord (1933)
1933
Bombshell (1933)
1933
The Barbarian (1933)
1933
Zoo In Budapest (1933)
1933
When Ladies Meet (1933)
1933
The Song of Songs (1933)
1933
Design for Living (1933)
1933
The Eagle And The Hawk (1933)
1933
Man's Castle (1933)
1933
Topaze (1933)
1933
Gabriel Over The White House (1933)
1933
The Prizefighter and the Lady (1933)
1933
The White Sister (1933)
1933
Gallant Lady (1933)
1933
The Narrow Corner (1933)
1933
Christopher Bean (1933)
1933
College Humor (1933)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1933 | King Kong (1933) | ||
1933 | Little Women (1933) AA Best Picture Nom |
||
1933 | 42nd Street (1933) AA Best Picture Nom |
||
1933 | Footlight Parade (1933) | ||
1933 | She Done Him Wrong (1933) AA Best Picture Nom |
||
1933 | Gold Diggers of 1933 (1933) | ||
1933 | Cavalcade (1933) AA Best Picture Win |
||
1933 | I'm No Angel (1933) | ||
1933 | Dinner at Eight (1933) | ||
1933 | Tugboat Annie (1933) | ||
1933 | Sons of the Desert (1933) | ||
1933 | Ecstasy (1933) | ||
1933 | Dancing Lady (1933) | ||
1933 | State Fair (1933) AA Best Picture Nom |
||
1933 | Queen Christina (1933) | ||
1933 | The Bowery (1933) | ||
1933 | Roman Scandals (1933) | ||
1933 | The Private Life of Henry VIII. (1933) AA Best Picture Nom |
||
1933 | The Invisible Man (1933) | ||
1933 | Duck Soup (1933) | ||
1933 | Pilgrimage (1933) | ||
1933 | Lady for a Day (1933) AA Best Picture Nom |
||
1933 | Counselor At Law (1933) | ||
1933 | Flying Down to Rio (1933) | ||
1933 | Eskimo (1933) | ||
1933 | Penthouse (1933) | ||
1933 | Secrets (1933) | ||
1933 | Jennie Gerhardt (1933) | ||
1933 | The Devil's Brother (1933) | ||
1933 | Hold Your Man (1933) | ||
1933 | Pick-Up (1933) | ||
1933 | Only Yesterday (1933) | ||
1933 | International House (1933) | ||
1933 | The Silver Cord (1933) | ||
1933 | Bombshell (1933) | ||
1933 | The Barbarian (1933) | ||
1933 | Zoo In Budapest (1933) | ||
1933 | When Ladies Meet (1933) | ||
1933 | The Song of Songs (1933) | ||
1933 | Design for Living (1933) | ||
1933 | The Eagle And The Hawk (1933) | ||
1933 | Man's Castle (1933) | ||
1933 | Topaze (1933) | ||
1933 | Gabriel Over The White House (1933) | ||
1933 | The Prizefighter and the Lady (1933) | ||
1933 | The White Sister (1933) | ||
1933 | Gallant Lady (1933) | ||
1933 | The Narrow Corner (1933) | ||
1933 | Christopher Bean (1933) | ||
1933 | College Humor (1933) |
1933 Top Box Office Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1933 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1933 Top Box Office Movies by domestic actual box office grosses
- Sort 1933 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost.
- Sort 1933 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1933 Top Box Office Movies received.
- Sort 1933 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
3 | King Kong (1933) | Fay Wray & Bruce Cabot |
9.1 | 428.5 | 666.60 | 1 | 89 | 00 / 00 | 98.8 | |
2 | Little Women (1933) AA Best Picture Nom |
Katharine Hepburn & Joan Bennett |
4.0 | 187.1 | 277.20 | 13 | 82 | 03 / 01 | 98.7 | |
3 | 42nd Street (1933) AA Best Picture Nom |
Ginger Rogers & Dick Powell |
4.1 | 192.6 | 305.50 | 11 | 81 | 02 / 00 | 98.4 | |
4 | Footlight Parade (1933) | James Cagney & Dick Powell |
4.6 | 214.4 | 323.50 | 7 | 82 | 00 / 00 | 97.8 | |
5 | She Done Him Wrong (1933) AA Best Picture Nom |
Cary Grant & Mae West |
6.3 | 294.6 | 294.60 | 5 | 75 | 01 / 00 | 97.7 | |
5 | Gold Diggers of 1933 (1933) | Ginger Rogers & Joan Blondell |
6.3 | 294.9 | 432.70 | 4 | 80 | 01 / 00 | 97.6 | |
7 | Cavalcade (1933) AA Best Picture Win |
Diana Wynyard & Frank Lloyd |
2.9 | 133.9 | 401.70 | 17 | 67 | 04 / 03 | 97.4 | |
7 | I'm No Angel (1933) | Cary Grant & Mae West |
6.6 | 308.0 | 308.00 | 3 | 77 | 00 / 00 | 96.8 | |
9 | Dinner at Eight (1933) | John Barrymore & Jean Harlow |
4.0 | 187.2 | 288.70 | 12 | 80 | 00 / 00 | 96.6 | |
9 | Tugboat Annie (1933) | Marie Dressler & Wallace Beery |
5.5 | 256.7 | 344.40 | 6 | 76 | 00 / 00 | 96.5 | |
10 | Sons of the Desert (1933) | Laurel and Hardy | 3.7 | 174.4 | 174.40 | 14 | 83 | 00 / 00 | 96.4 | |
13 | Ecstasy (1933) | Hedy Lamarr | 4.1 | 194.2 | 194.20 | 10 | 70 | 00 / 00 | 94.8 | |
14 | Dancing Lady (1933) | Clark Gable & Joan Crawford |
4.3 | 199.5 | 322.20 | 9 | 67 | 00 / 00 | 94.3 | |
15 | State Fair (1933) AA Best Picture Nom |
Will Rogers & Janet Gaynor |
3.5 | 161.8 | 219.20 | 15 | 69 | 02 / 00 | 93.7 | |
15 | Queen Christina (1933) | Greta Garbo & John Gilbert |
2.8 | 131.4 | 447.00 | 18 | 85 | 00 / 00 | 93.3 | |
16 | The Bowery (1933) | Wallace Beery | 4.3 | 200.1 | 267.90 | 8 | 62 | 00 / 00 | 93.0 | |
17 | Roman Scandals (1933) | Edward Arnold | 7.0 | 327.1 | 327.10 | 2 | 62 | 00 / 00 | 92.9 | |
17 | The Private Life of Henry VIII. (1933) AA Best Picture Nom |
Charles Laughton & Merle Oberon |
2.4 | 113.8 | 113.80 | 23 | 79 | 02 / 01 | 92.5 | |
20 | The Invisible Man (1933) | Claude Rains | 2.8 | 130.7 | 130.70 | 19 | 82 | 00 / 00 | 92.3 | |
21 | Duck Soup (1933) | Marx Brothers | 2.1 | 99.9 | 99.90 | 32 | 86 | 00 / 00 | 90.6 | |
21 | Pilgrimage (1933) | Henrietta Crosman | 2.9 | 134.0 | 134.00 | 16 | 73 | 00 / 00 | 89.6 | |
21 | Lady for a Day (1933) AA Best Picture Nom |
May Robson | 1.7 | 80.3 | 80.30 | 49 | 80 | 04 / 00 | 89.4 | |
23 | Counselor At Law (1933) | John Barrymore & Melvyn Douglas |
2.0 | 95.7 | 95.70 | 34 | 82 | 00 / 00 | 88.7 | |
24 | Flying Down to Rio (1933) | Fred Astaire & Ginger Rogers |
2.6 | 123.6 | 206.90 | 21 | 72 | 01 / 00 | 88.6 | |
26 | Eskimo (1933) | Edward Dearing | 2.3 | 108.9 | 224.60 | 27 | 74 | 01 / 01 | 87.9 | |
26 | Penthouse (1933) | Myrna Loy | 2.3 | 109.0 | 109.00 | 26 | 75 | 00 / 00 | 87.6 | |
27 | Secrets (1933) | Mary Pickford & Leslie Howard |
2.0 | 93.4 | 93.40 | 37 | 76 | 00 / 00 | 86.0 | |
28 | Jennie Gerhardt (1933) | Sylvia Sidney | 2.3 | 108.8 | 108.80 | 28 | 68 | 00 / 00 | 85.0 | |
30 | The Devil's Brother (1933) | Laurel and Hardy | 2.4 | 110.7 | 110.70 | 25 | 67 | 00 / 00 | 84.4 | |
29 | Hold Your Man (1933) | Clark Gable & Jean Harlow |
1.9 | 87.6 | 143.70 | 40 | 74 | 00 / 00 | 84.4 | |
31 | Pick-Up (1933) | Sylvia Sidney | 2.7 | 125.9 | 125.90 | 20 | 61 | 00 / 00 | 84.0 | |
31 | Only Yesterday (1933) | Margaret Sullavan | 1.7 | 78.6 | 78.60 | 54 | 75 | 00 / 00 | 83.6 | |
33 | International House (1933) | George Burns | 1.8 | 85.0 | 85.00 | 42 | 73 | 00 / 00 | 83.6 | |
35 | The Silver Cord (1933) | Irene Dunne & Joel McCrea & Laura Hope Crews |
2.3 | 106.7 | 106.70 | 30 | 65 | 00 / 00 | 83.2 | |
33 | Bombshell (1933) | Jean Harlow & Frank Morgan |
1.5 | 71.1 | 97.40 | 60 | 76 | 00 / 00 | 83.0 | |
38 | The Barbarian (1933) | Myrna Loy | 2.4 | 112.9 | 112.90 | 24 | 63 | 00 / 00 | 82.9 | |
36 | Zoo In Budapest (1933) | 2.0 | 94.2 | 94.20 | 35 | 69 | 00 / 00 | 82.9 | ||
38 | When Ladies Meet (1933) | Myrna Loy & Robert Montgomery |
2.5 | 115.4 | 115.40 | 22 | 61 | 01 / 00 | 82.7 | |
37 | The Song of Songs (1933) | Marlene Dietrich & Lionel Atwill |
1.7 | 80.3 | 80.30 | 50 | 72 | 00 / 00 | 82.4 | |
39 | Design for Living (1933) | Gary Cooper & Fredric March |
1.9 | 90.9 | 90.90 | 38 | 69 | 00 / 00 | 82.3 | |
42 | The Eagle And The Hawk (1933) | Carole Lombard & Cary Grant |
2.1 | 97.1 | 97.10 | 33 | 67 | 00 / 00 | 82.3 | |
40 | Man's Castle (1933) | Spencer Tracy | 1.4 | 63.6 | 63.60 | 67 | 76 | 00 / 00 | 81.8 | |
43 | Topaze (1933) | Myrna Loy & John Barrymore |
2.3 | 107.5 | 107.50 | 29 | 62 | 00 / 00 | 81.7 | |
44 | Gabriel Over The White House (1933) | Walter Wanger | 1.8 | 85.0 | 85.00 | 43 | 67 | 00 / 00 | 80.5 | |
45 | The Prizefighter and the Lady (1933) | Myrna Loy & Max Baer |
1.6 | 73.9 | 159.80 | 58 | 69 | 01 / 00 | 80.1 | |
47 | The White Sister (1933) | Clark Gable | 2.1 | 100.4 | 223.90 | 31 | 61 | 00 / 00 | 79.3 | |
46 | Gallant Lady (1933) | 1.7 | 80.9 | 80.90 | 48 | 66 | 00 / 00 | 79.0 | ||
48 | The Narrow Corner (1933) | Ralph Bellamy & Douglas Fairbanks, Jr. |
2.0 | 93.9 | 93.90 | 36 | 62 | 00 / 00 | 78.7 | |
51 | Christopher Bean (1933) | Marie Dressler & Lionel Barrymore |
1.8 | 85.7 | 85.70 | 41 | 64 | 00 / 00 | 78.4 | |
51 | College Humor (1933) | Bing Crosby & Jack Oakie |
1.8 | 82.4 | 82.40 | 47 | 65 | 00 / 00 | 78.2 | |
50 | Night Flight (1933) | Clark Gable & Myrna Loy |
1.6 | 77.1 | 144.50 | 55 | 66 | 00 / 00 | 78.2 | |
54 | Going Hollywood (1933) | Marion Davies & Bing Crosby |
1.8 | 83.0 | 128.80 | 46 | 64 | 00 / 00 | 77.8 | |
52 | Alice in Wonderland (1933) | Gary Cooper & Cary Grant |
1.5 | 69.8 | 69.80 | 61 | 68 | 00 / 00 | 77.5 | |
53 | Midnight Mary (1933) | 1.2 | 55.9 | 55.90 | 75 | 72 | 00 / 00 | 77.2 | ||
57 | Brief Moment (1933) | Carole Lombard & Gene Raymond |
1.8 | 83.4 | 83.40 | 45 | 63 | 00 / 00 | 77.0 | |
58 | The Power and the Glory (1933) | Spencer Tracy | 1.6 | 75.4 | 75.40 | 56 | 65 | 00 / 00 | 76.4 | |
56 | Morning Glory (1933) | Katharine Hepburn | 1.1 | 50.5 | 77.90 | 92 | 70 | 01 / 01 | 76.2 | |
58 | The Keyhole (1933) | Kay Francis | 0.9 | 40.3 | 70.70 | 124 | 75 | 00 / 00 | 76.0 | |
59 | The Little Giant (1933) | Edward G. Robinson | 1.1 | 50.6 | 86.20 | 91 | 72 | 00 / 00 | 75.8 | |
61 | The Kennel Murder Case (1933) | William Powell & Mary Astor |
1.3 | 59.1 | 91.30 | 69 | 69 | 00 / 00 | 75.4 | |
63 | A Bedtime Story (1933) | Maurice Chevalier | 1.7 | 79.4 | 79.40 | 52 | 62 | 00 / 00 | 75.3 | |
60 | Baby Face (1933) | Barbara Stanwyck & John Wayne |
0.9 | 41.2 | 60.50 | 119 | 74 | 00 / 00 | 75.1 | |
64 | Too Much Harmony (1933) | Bing Crosby | 1.5 | 72.3 | 72.30 | 59 | 64 | 00 / 00 | 74.7 | |
62 | Mystery of the Wax Musuem (1933) | Fay Wray & Directed by Michael Curtiz |
1.0 | 47.1 | 151.70 | 103 | 72 | 00 / 00 | 74.7 | |
65 | Hell Below (1933) | Robert Montgomery & Robert Young |
1.8 | 84.9 | 186.00 | 44 | 59 | 00 / 00 | 74.3 | |
65 | The House on 56th Street (1933) | Kay Francis | 1.2 | 54.9 | 92.90 | 79 | 68 | 00 / 00 | 73.8 | |
68 | Berkeley Square (1933) | Leslie Howard | 1.2 | 56.9 | 56.90 | 73 | 67 | 00 / 00 | 73.4 | |
67 | The Stranger's Return (1933) | Miriam Hopkins & Lionel Barrymore |
1.3 | 58.8 | 58.80 | 70 | 67 | 00 / 00 | 73.4 | |
69 | The Mayor of Hell (1933) | James Cagney | 1.0 | 48.2 | 88.00 | 100 | 70 | 00 / 00 | 73.1 | |
72 | Ann Vickers (1933) | Irene Dunne | 1.6 | 74.9 | 90.30 | 57 | 61 | 00 / 00 | 72.9 | |
70 | The Way To Love (1933) | 1.2 | 57.1 | 57.10 | 72 | 66 | 00 / 00 | 72.4 | ||
72 | Torch Singer (1933) | Claudette Colbert | 1.4 | 64.5 | 64.50 | 65 | 64 | 00 / 00 | 72.2 | |
71 | Picture Snatcher (1933) | James Cagney | 1.0 | 44.9 | 69.50 | 109 | 70 | 00 / 00 | 72.0 | |
74 | One Sunday Afternoon (1933) | Gary Cooper | 1.2 | 55.6 | 55.60 | 78 | 66 | 00 / 00 | 71.2 | |
76 | Sitting Pretty (1933) | Jack Oakie | 1.7 | 80.2 | 80.20 | 51 | 58 | 00 / 00 | 71.0 | |
76 | Hoopla (1933) | Clara Bow | 1.4 | 63.9 | 63.90 | 66 | 63 | 00 / 00 | 70.9 | |
76 | Doctor Bull (1933) | Will Rogers | 1.5 | 69.8 | 69.80 | 62 | 61 | 00 / 00 | 70.7 | |
76 | Wild Boys of the Road (1933) | Frankie Darro | 0.8 | 36.7 | 50.50 | 134 | 71 | 00 / 00 | 70.7 | |
77 | Take A Chance (1933) | 0.9 | 40.7 | 40.70 | 122 | 69 | 00 / 00 | 70.0 | ||
78 | The Life of Jimmy Dolan (1933) | Douglas Fairbanks, Jr. & Loretta Young |
1.1 | 53.4 | 53.40 | 81 | 65 | 00 / 00 | 69.9 | |
79 | Diplomaniacs (1933) | Bert Wheeler & Robert Woolsey |
0.9 | 41.1 | 41.10 | 121 | 69 | 00 / 00 | 69.4 | |
81 | Lady Killer (1933) | James Cagney | 1.0 | 47.9 | 80.30 | 101 | 66 | 00 / 00 | 69.0 | |
83 | Double Harness (1933) | William Powell & Ann Harding |
1.1 | 50.8 | 66.00 | 90 | 65 | 00 / 00 | 68.9 | |
82 | Employees' Entrance (1933) | Loretta Young | 0.8 | 39.2 | 58.40 | 128 | 69 | 00 / 00 | 68.6 | |
83 | Fast Workers (1933) | 0.6 | 25.8 | 37.60 | 164 | 73 | 00 / 00 | 68.4 | ||
85 | Supernatural (1933) | Carole Lombard & Randolph Scott |
1.5 | 68.6 | 68.60 | 64 | 59 | 00 / 00 | 67.7 | |
85 | White Woman (1933) | Carole Lombard & Charles Laughton |
1.5 | 68.9 | 68.90 | 63 | 58 | 00 / 00 | 67.2 | |
87 | Our Betters (1933) | George Cukor | 1.2 | 55.8 | 55.80 | 76 | 62 | 00 / 00 | 66.9 | |
89 | The World Changes (1933) | Paul Muni & Mickey Rooney |
1.1 | 50.4 | 91.20 | 93 | 64 | 00 / 00 | 66.7 | |
89 | The Masquerader (1933) | Ronald Colman & Elissa Landi |
1.1 | 52.9 | 52.90 | 83 | 63 | 00 / 00 | 66.4 | |
90 | Six Hours To Live (1933) | 0.8 | 39.4 | 39.40 | 127 | 67 | 00 / 00 | 65.9 | ||
90 | Captured! (1933) | Leslie Howard | 1.0 | 49.0 | 49.00 | 95 | 63 | 00 / 00 | 65.4 | |
92 | Elmer The Great (1933) | Joe E. Brown | 1.2 | 55.7 | 70.70 | 77 | 61 | 00 / 00 | 65.0 | |
93 | Blood Money (1933) | 1.0 | 48.5 | 48.50 | 97 | 63 | 00 / 00 | 64.7 | ||
94 | Mr. Skitch (1933) | Will Rogers & Zasu Pitts |
1.3 | 60.6 | 60.60 | 68 | 59 | 00 / 00 | 64.4 | |
96 | Midnight Club (1933) | George Raft | 1.0 | 45.9 | 45.90 | 107 | 63 | 00 / 00 | 64.1 | |
95 | Bed Of Roses (1933) | 1.1 | 50.2 | 50.20 | 94 | 62 | 00 / 00 | 64.0 | ||
97 | The Story Of Temple Drake (1933) | 0.6 | 30.3 | 30.30 | 154 | 67 | 00 / 00 | 62.9 | ||
99 | Made on Broadway (1933) | Robert Montgomery | 0.9 | 41.1 | 59.60 | 120 | 64 | 00 / 00 | 62.8 | |
98 | Friday the Thirteenth (1933) | Ralph Richardson | 0.2 | 9.5 | 9.50 | 184 | 74 | 00 / 00 | 62.8 | |
101 | Hallelujah I'm a Bum (1933) | Directed by Lewis Milestone | 0.8 | 36.1 | 36.10 | 136 | 65 | 00 / 00 | 62.6 | |
101 | Broadway Bad (1933) | Ginger Rogers & Donald Crisp |
1.0 | 46.0 | 46.00 | 106 | 62 | 00 / 00 | 62.0 | |
105 | This Day And Age (1933) | Charles Bickford | 1.9 | 88.5 | 88.50 | 39 | 48 | 00 / 00 | 61.9 | |
104 | Sailor's Luck (1933) | 0.9 | 41.9 | 41.90 | 117 | 63 | 00 / 00 | 61.6 | ||
103 | I Was A Spy (1933) | Herbert Marshall | 0.1 | 6.8 | 6.80 | 191 | 74 | 00 / 00 | 61.4 | |
105 | Female (1933) | Directed by Michael Curtiz | 0.8 | 38.3 | 60.40 | 130 | 64 | 00 / 00 | 61.4 | |
106 | Ladies They Talk About (1933) | Barbara Stanwyck & Lyle Talbot |
0.8 | 37.0 | 50.20 | 132 | 64 | 00 / 00 | 61.4 | |
108 | Sweepings (1933) | 0.9 | 41.9 | 41.90 | 116 | 62 | 00 / 00 | 60.6 | ||
108 | Central Airport (1933) | 1.1 | 52.6 | 100.00 | 84 | 59 | 00 / 00 | 60.5 | ||
109 | Voltaire (1933) | George Arliss | 1.1 | 52.6 | 102.40 | 85 | 59 | 00 / 00 | 60.5 | |
109 | Paddy the Next Best Thing (1933) | 1.0 | 47.7 | 47.70 | 102 | 60 | 00 / 00 | 60.3 | ||
110 | Convention City (1933) | Dick Powell & Joan Blondell |
0.9 | 42.2 | 42.20 | 114 | 62 | 00 / 00 | 60.1 | |
111 | The Right To Romance (1933) | 1.1 | 52.4 | 52.40 | 86 | 58 | 00 / 00 | 59.7 | ||
114 | Parachute Jumper (1933) | Bette Davis | 0.7 | 31.9 | 52.80 | 147 | 65 | 00 / 00 | 59.4 | |
114 | I Loved You Wednesday (1933) | Warner Baxter | 1.2 | 57.7 | 57.70 | 71 | 56 | 00 / 00 | 59.2 | |
116 | Son of a Sailor (1933) | Joe E. Brown | 1.2 | 56.0 | 86.50 | 74 | 57 | 00 / 00 | 58.9 | |
117 | Mary Stevens M.D. (1933) | Kay Francis & Lyle Talbot |
1.0 | 48.2 | 66.80 | 99 | 59 | 00 / 00 | 58.2 | |
116 | The Woman Accused (1933) | Cary Grant | 0.9 | 43.5 | 43.50 | 112 | 60 | 00 / 00 | 58.1 | |
120 | Today We Live (1933) | Gary Cooper & Joan Crawford |
1.7 | 79.0 | 138.60 | 53 | 49 | 00 / 00 | 57.7 | |
120 | Melody Cruise (1933) | Charles Ruggle | 0.9 | 42.3 | 64.90 | 113 | 60 | 00 / 00 | 57.5 | |
122 | The Working Man (1933) | Bette Davis | 1.1 | 53.7 | 110.10 | 80 | 56 | 00 / 00 | 56.9 | |
120 | If I Were Free (1933) | Irene Dunne | 0.8 | 36.1 | 36.10 | 137 | 62 | 00 / 00 | 56.8 | |
121 | Looking Forward (1933) | Lionel Barrymore | 0.5 | 25.0 | 25.00 | 165 | 65 | 00 / 00 | 56.8 | |
123 | Beauty For Sale (1933) | 0.7 | 31.4 | 31.40 | 149 | 63 | 00 / 00 | 56.7 | ||
124 | Peg O' My Heart (1933) | 0.9 | 42.2 | 42.20 | 115 | 60 | 00 / 00 | 56.6 | ||
125 | The Mind Reader (1933) | Warren William | 0.6 | 26.4 | 42.00 | 162 | 65 | 00 / 00 | 56.5 | |
127 | Broadway to Hollywood (1933) | Alice Brady | 1.1 | 53.2 | 86.10 | 82 | 56 | 00 / 00 | 55.7 | |
128 | The Women In His Life (1933) | Una Merkel | 0.7 | 30.8 | 46.10 | 150 | 62 | 00 / 00 | 54.7 | |
129 | Saturday's Millions (1933) | Robert Young | 0.8 | 35.2 | 35.20 | 140 | 61 | 00 / 00 | 54.6 | |
130 | The Warrior's Husband (1933) | Directed by Walter Lang | 0.7 | 34.9 | 34.90 | 141 | 61 | 00 / 00 | 54.3 | |
129 | Aggie Appleby Maker of Men (1933) | Charles Farrell | 0.7 | 31.4 | 31.40 | 148 | 62 | 00 / 00 | 54.2 | |
130 | Private Detective 62 (1933) | William Powell | 0.8 | 38.7 | 59.10 | 129 | 59 | 00 / 00 | 54.0 | |
131 | Out All Night (1933) | 0.6 | 30.1 | 30.10 | 157 | 62 | 00 / 00 | 53.6 | ||
134 | The Son Of Kong (1933) | Robert Armstrong | 0.9 | 44.3 | 82.50 | 111 | 57 | 00 / 00 | 53.6 | |
135 | Reunion in Vienna (1933) | John Barrymore | 1.1 | 50.8 | 86.10 | 89 | 54 | 01 / 00 | 53.1 | |
137 | From Headquarters (1933) | Margaret Lindsay | 0.7 | 30.5 | 45.30 | 153 | 61 | 00 / 00 | 52.6 | |
136 | The Good Companions (1933) | John Gielgud | 0.4 | 19.4 | 19.40 | 170 | 65 | 00 / 00 | 52.4 | |
136 | The King's Vacation (1933) | Dick Powell & George Arliss |
1.0 | 44.6 | 79.40 | 110 | 57 | 00 / 00 | 52.4 | |
139 | His Double Life (1933) | Lillian Gish & Roland Young |
0.7 | 34.3 | 34.30 | 144 | 60 | 00 / 00 | 52.1 | |
140 | After Tonight (1933) | Constance Bennett | 0.7 | 33.5 | 50.90 | 145 | 60 | 00 / 00 | 51.7 | |
140 | Ever in My Heart (1933) | Barbara Stanwyck & Laura Hope Crews |
0.8 | 36.6 | 64.50 | 135 | 58 | 00 / 00 | 50.7 | |
141 | The Kiss Before the Mirror (1933) | Walter Pidgeon | 0.6 | 28.8 | 28.80 | 159 | 61 | 00 / 00 | 50.6 | |
141 | My Weakness (1933) | Lew Ayres | 0.6 | 30.3 | 30.30 | 155 | 60 | 00 / 00 | 50.2 | |
145 | College Coach (1933) | Dick Powell & Lyle Talbot |
1.0 | 46.9 | 55.30 | 104 | 55 | 00 / 00 | 50.1 | |
146 | Hard To Handle (1933) | James Cagney | 1.0 | 48.5 | 68.70 | 98 | 54 | 00 / 00 | 50.0 | |
144 | Tillie and Gus (1933) | 0.2 | 8.9 | 8.90 | 187 | 67 | 00 / 00 | 49.8 | ||
147 | Lucky Devils (1933) | William Boyd | 0.5 | 24.0 | 38.20 | 167 | 62 | 00 / 00 | 49.6 | |
148 | Another Language (1933) | Robert Montgomery & Walter Wanger |
0.7 | 34.5 | 62.60 | 142 | 58 | 00 / 00 | 49.3 | |
151 | The Devil's In Love (1933) | 0.8 | 39.4 | 39.40 | 126 | 57 | 00 / 00 | 49.2 | ||
150 | Christopher Strong (1933) | Katharine Hepburn | 0.8 | 36.1 | 36.10 | 138 | 58 | 00 / 00 | 49.2 | |
150 | Blondie Johnson (1933) | Joan Blondell | 0.7 | 32.9 | 44.70 | 146 | 59 | 00 / 00 | 49.2 | |
152 | Adorable (1933) | 0.8 | 39.6 | 39.60 | 125 | 56 | 00 / 00 | 48.6 | ||
153 | For Love Or Money (1933) | 0.6 | 27.0 | 27.00 | 161 | 60 | 00 / 00 | 47.3 | ||
154 | A Lady's Profession (1933) | 0.3 | 12.2 | 12.20 | 180 | 64 | 00 / 00 | 47.0 | ||
156 | Ex-Lady (1933) | Bette Davis | 0.7 | 30.5 | 37.90 | 152 | 58 | 00 / 00 | 46.8 | |
155 | Lilly Turner (1933) | 0.3 | 16.2 | 16.20 | 175 | 63 | 00 / 00 | 46.7 | ||
156 | Professional Sweetheart (1933) | Ginger Rogers | 0.8 | 38.3 | 38.30 | 131 | 56 | 00 / 00 | 46.4 | |
158 | Hello Sister! (1933) | James Dunn | 0.2 | 9.4 | 9.40 | 185 | 65 | 00 / 00 | 45.9 | |
157 | Meet The Baron (1933) | Jimmy Durante | 1.1 | 51.1 | 51.10 | 87 | 51 | 00 / 00 | 44.7 | |
158 | Stage Mother (1933) | 0.5 | 23.7 | 23.70 | 168 | 59 | 00 / 00 | 43.2 | ||
162 | As Husbands Go (1933) | 0.9 | 41.6 | 41.60 | 118 | 53 | 00 / 00 | 42.8 | ||
161 | The Wandering Jew (1933) | 0.1 | 6.8 | 6.80 | 190 | 64 | 00 / 00 | 42.7 | ||
163 | Pleasure Cruise (1933) | 0.3 | 13.8 | 13.80 | 179 | 61 | 00 / 00 | 41.8 | ||
162 | No Other Woman (1933) | Irene Dunne | 0.2 | 10.5 | 10.50 | 181 | 61 | 00 / 00 | 39.3 | |
164 | Bureau of Missing Persons (1933) | Bette Davis | 1.0 | 45.3 | 45.30 | 108 | 50 | 00 / 00 | 39.3 | |
165 | Mr. Broadway (1933) | 0.4 | 18.1 | 18.10 | 173 | 59 | 00 / 00 | 39.2 | ||
165 | The Man from Monterey (1933) | John Wayne | 0.4 | 18.3 | 25.80 | 172 | 57 | 00 / 00 | 36.2 | |
168 | Should Ladies Behave (1933) | 0.6 | 30.2 | 30.20 | 156 | 53 | 00 / 00 | 34.3 | ||
167 | Her First Mate (1933) | Zasu Pitts | 0.8 | 36.9 | 36.90 | 133 | 50 | 00 / 00 | 33.2 | |
170 | Men Must Fight (1933) | Robert Young | 0.7 | 30.7 | 58.10 | 151 | 52 | 00 / 00 | 32.4 | |
172 | I Loved a Woman (1933) | Kay Francis & Edward G. Robinson |
1.1 | 51.0 | 86.60 | 88 | 45 | 00 / 00 | 32.2 | |
172 | Havana Widows (1933) | Joan Blondell | 0.3 | 14.5 | 14.50 | 178 | 57 | 00 / 00 | 32.0 | |
171 | The Ghoul (1933) | Boris Karloff | 0.6 | 28.3 | 28.30 | 160 | 52 | 00 / 00 | 31.7 | |
172 | Arizona to Broadway (1933) | Joan Bennett | 0.6 | 29.4 | 29.40 | 158 | 52 | 00 / 00 | 31.6 | |
173 | I Love That Man (1933) | Nancy Carroll | 0.2 | 8.4 | 8.40 | 188 | 58 | 00 / 00 | 30.1 | |
176 | What-No Beer? (1933) | Buster Keaton & Jimmy Durante |
1.0 | 46.1 | 84.80 | 105 | 45 | 00 / 00 | 28.0 | |
177 | Ann Carver's Profession (1933) | 0.3 | 15.7 | 15.70 | 176 | 54 | 00 / 00 | 28.0 | ||
178 | Somewhere in Sonora (1933) | John Wayne | 0.4 | 18.5 | 26.40 | 171 | 53 | 00 / 00 | 27.9 | |
178 | Storm at Daybreak (1933) | Kay Francis | 0.9 | 40.4 | 85.20 | 123 | 46 | 00 / 00 | 27.8 | |
180 | The Vampire Bat (1933) | Melvyn Douglas | 0.6 | 26.1 | 26.10 | 163 | 51 | 00 / 00 | 27.8 | |
179 | The Telegraph Trail (1933) | John Wayne | 0.4 | 20.5 | 28.00 | 169 | 52 | 00 / 00 | 26.2 | |
183 | The Chief (1933) | Ed Wynn | 0.8 | 35.6 | 42.20 | 139 | 45 | 00 / 00 | 22.8 | |
183 | Don't Bet On Love (1933) | 0.2 | 10.4 | 10.40 | 182 | 53 | 00 / 00 | 22.8 | ||
184 | Love Honor and Oh Baby! (1933) | Slim Summerville | 0.3 | 14.8 | 14.80 | 177 | 52 | 00 / 00 | 22.8 | |
185 | Cross Fire (1933) | Thomas Keene | 0.2 | 9.9 | 13.10 | 183 | 53 | 00 / 00 | 22.6 | |
184 | Gambling Ship (1933) | 0.2 | 9.0 | 9.00 | 186 | 53 | 00 / 00 | 21.2 | ||
186 | From Hell To Heaven (1933) | Carole Lombard & Jack Oakie |
1.0 | 48.9 | 48.90 | 96 | 40 | 00 / 00 | 20.5 | |
187 | Private Jones (1933) | 0.5 | 24.6 | 24.60 | 166 | 47 | 00 / 00 | 20.3 | ||
187 | Hold Me Tight (1933) | 0.2 | 8.3 | 8.30 | 189 | 52 | 00 / 00 | 19.4 | ||
190 | The Girl In 419 (1933) | James Dunn & Gloria Stuart |
0.1 | 3.1 | 3.10 | 192 | 54 | 00 / 00 | 19.4 | |
191 | In The Wake of the Bounty (1933) | Errol Flynn & Arthur Greenway |
0.0 | 1.3 | 1.30 | 193 | 54 | 00 / 00 | 19.3 | |
192 | Nagana (1933) | Melvyn Douglas | 0.7 | 34.4 | 34.40 | 143 | 43 | 00 / 00 | 17.9 | |
193 | Perfect Understanding (1933) | Laurence Olivier & Gloria Swanson |
0.4 | 16.7 | 16.70 | 174 | 46 | 00 / 00 | 14.6 |
Top earners in 1933 for Adjusted USA Box Office:
Name | Number of Movies | Total Adj World Wide (mil) | Total Adj USA (mil) |
---|---|---|---|
Edward Arnold | 6 | 1,134.1 | 1,010.6 |
Dick Powell | 6 | 1,238.6 | 835.6 |
Cary Grant | 6 | 822.0 | 822.0 |
Ginger Rogers | 7 | 1,120.0 | 786.0 |
Fay Wray | 6 | 1,183.6 | 773.1 |
Jane Darwell | 6 | 751.3 | 735.9 |
Joan Blondell | 6 | 903.6 | 644.9 |
Wallace Beery | 3 | 901.0 | 644.0 |
Mae West | 2 | 602.6 | 602.6 |
Myrna Loy | 6 | 749.1 | 595.8 |
Franchot Tone | 7 | 781.6 | 573.0 |
Gloria Stuart | 6 | 556.2 | 556.2 |
Robert Young | 6 | 814.7 | 538.9 |
Marie Dressler | 3 | 718.8 | 529.6 |
John Barrymore | 5 | 722.5 | 518.3 |
Lionel Barrymore | 7 | 674.8 | 505.9 |
Warner Baxter | 6 | 600.9 | 488.0 |
Clark Gable | 4 | 834.3 | 464.6 |
Jack Oakie | 6 | 450.7 | 450.7 |
George Cukor | 3 | 621.7 | 430.1 |
Bruce Cabot | 1 | 666.6 | 428.5 |
Robert Armstrong | 1 | 666.6 | 428.5 |
Frank Reicher | 1 | 666.6 | 428.5 |
James Cagney | 5 | 630.0 | 403.9 |
George Raft | 3 | 439.7 | 371.9 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
Adjusted 1933 Worldwide Box Office
Gold Diggers of 1933 (1933) | $360,025,742.00 |
Queen Christina (1933) | $297,637,264.00 |
Tugboat Annie (1933) | $293,303,883.00 |
Footlight Parade (1933) | $275,514,034.00 |
Dancing Lady (1933) | $274,373,685.00 |
42nd Street (1933) | $260,118,972.00 |
Dinner at Eight (1933) | $245,864,342.00 |
Little Women (1933) | $236,057,164.00 |
The Bowery (1933) | $228,132,217.00 |
The White Sister (1933) | $190,670,317.00 |
Flying Down to Rio (1933) | $176,187,581.00 |
Mystery of the Wax Musuem (1933) | $166,266,324.00 |
Hell Below (1933) | $158,397,788.00 |
The Working Man (1933) | $139,467,545.00 |
Night Flight (1933) | $123,046,205.00 |
Hold Your Man (1933) | $122,361,983.00 |
Today We Live (1933) | $118,028,582.00 |
Going Hollywood (1933) | $109,703,874.00 |
The Prizefighter and the Lady (1933) | $106,396,797.00 |
Voltaire (1933) | $87,238,504.00 |
Bombshell (1933) | $82,958,705.00 |
The House on 56th Street (1933) | $79,141,900.00 |
The Kennel Murder Case (1933) | $77,773,401.00 |
The World Changes (1933) | $77,659,403.00 |
Mayor of Hell (1933) | $74,922,451.00 |
I Loved a Woman (1933) | $73,782,102.00 |
Son of a Sailor (1933) | $73,668,105.00 |
Little Giant (1933) | $73,440,000.00 |
Reunion in Vienna (1933) | $73,325,966.00 |
Broadway to Hollywood (1933) | $73,325,966.00 |
Storm at Daybreak (1933) | $72,527,710.00 |
What No Beer? (1933) | $72,185,581.00 |
The Son Of Kong (1933) | $70,246,957.00 |
Lady Killer (1933) | $68,422,368.00 |
The King’s Vacation (1933) | $67,624,112.00 |
Winner Takes All (1933) | $66,027,545.00 |
Elmer The Great (1933) | $60,211,657.00 |
The Keyhole (1933) | $60,211,656.00 |
Picture Snatcher (1933) | $59,185,332.00 |
Hard To Handle (1933) | $58,501,147.00 |
Mary Stevens M.D. (1933) | $56,904,590.00 |
Double Harness (1933) | $56,220,358.00 |
Melody Cruise (1933) | $55,308,059.00 |
Ever in My Heart (1933) | $54,965,966.00 |
Baby Face (1933) | $51,544,865.00 |
Female (1933) | $51,430,830.00 |
Made on Broadway (1933) | $50,746,600.00 |
Private Detective 62 (1933) | $50,290,436.00 |
Employees’ Entrance (1933) | $49,720,238.00 |
Men Must Fight (1933) | $49,492,171.00 |
Parachute Jumper (1933) | $44,930,675.00 |
After Tonight (1933) | $43,334,190.00 |
Wild Boys On The Road (1933) | $42,992,052.00 |
Ladies They Talk About (1933) | $42,763,956.00 |
The Women In His Life (1933) | $39,228,821.00 |
From Headquarters (1933) | $38,544,626.00 |
Blondie Johnson (1933) | $38,088,463.00 |
The Mind Reader (1933) | $35,807,701.00 |
Lucky Devils (1933) | $32,500,634.00 |
Ex Lady (1933) | $32,272,565.00 |
Fast Workers (1933) | $32,044,516.00 |
The Chief (1933) | $28,053,162.00 |
The Telegraph Trail (1933) | $23,833,795.00 |
Somewhere in Sonora (1933) | $22,465,333.00 |
The Man from Monterey (1933) | $22,009,206.00 |
Cross Fire (1933) | $11,175,649.00 |
Hi there,
I don’t get how you are coming up with these numbers. In Variety Jan. 21, 1953, it claims that King Kong made $1,600,00, for 1952 re-issue of the film, making the gross of the combined releases of the film, $3,900,00, which put it $100,000 shy of getting on their Golden Circle of money making charmers list, which need 4 million to get on. This is Domestic, US and Canada. Funny I did not think they added Canada to Domestic, but they do, or at least did back in the 50’s.
I am just confused at how Variety could be so off.
Thanks in advance for any help you can give me on this.
These are the figures for King Kong that I have researched:
Domestic, which is US and CANADA
1933 $ 745,000
1938 $ 155,000
1942 $ 170,000
1952 $ 1,608,000
Total Rental Income to 1952 $2,678,000
There was a 1956 and a 1971 re-issue which Variety estimated at $2,300,000 for both and placed King Kong at $5,000,000 in the 70’s. I do think, though, that included foreign and just listed it as domestic, but i am not totally sure. { Variety was never known for being accurate, just as close estimate as possible }. Foreign totals I also have, but I do believe in 1933 foreign total was $1,145,000 and there was other foreign releases also. I believe the 1938 foreign was $151,000 and there was a 1944 foreign release that brought in I think $515,000 off the top of my head, and the 1952 foreign release was $900,000
So, I am guessing from the $3,200,000 that is listed here that the domestic is taking into account $522K from 1956 and 1971 domestic totals. ? as an estimate? or maybe just the 1956 domestic? I’m going to look back into that one myself. I see hundreds of movie theaters played it in 1956 from my online newspaper subscription. It would be an interesting question for UMR on how the figures were arrived at. That is my guess. This is an excellent website but not everything is an exact science without digging into a lot of research into every movie, and as stated, there is a lot of movies to research…. and we all probably have day jobs and a life.
I have another article that has an exact Domestic Figure of King Kong at $711,xxx.xx dollars in exact figures somewhere, so which one is correct or not is beyond me at the moment.
These are the figure’s I have listed from various sources. These are off the top of my head as I was reading your question. I believe it to be accurate except maybe the 1944 foreign release. My head is fuzzy on that one.
The worldwide gross for Gold Diggers of 1933. I had to do some math to figure that one out. It is a mistake. What you have is based on the Domestic Rentals + Worldwide Rentals instead of Domestic Rentals + International Rentals = Worldwide Rentals … So the figure is ballooned. Just thought I’d let you know so it can be corrected. 🙂
Hey Chris….hmmmm…..your comment sent me scrabbling around the house. Currently in the data base I have the domestic rentals at 2,202,000 million and at the international rentals at 3,231,000 million in worldwide rentals for a total of 5,433,000 million. Somewhere are the house I have a list of the Top 15 Warner Brothers movies of 1933….my first go around informed me that I have no idea where that Ledger notebook is…..but I will track it down after I get off work today. What rental numbers do you have? I can see the mistake you are saying….just want to see the actual ledger numbers again before switching it. Thanks as always for the heads up.
3.,231,000 is worldwide Total. $2,202,000 Domestic and $1,029,000 International …
Hey Chris…..that error is fixed. Thanks for letting us know….not sure which is more frustrating….make the mistake….or not being able to find my first Warner Brothers Ledger notebook I had…..tore the house apart looking for it. Thanks again for the help.
No problem.
Hello Bruce,
Great year for movie, great job for team Cogerson and very interresting to read and of course with a glass of white Alsace wine, Riesling, very good, that normal for a very good page;
I saw 13 films, my favorites Kong, Life of Henri WIII, Dinner at eight with a memorable scene between Marie Dressler and Jean Harlow, of course Mae West with No Angel and She doing wrong and of course Laurel and Hardy;
I never see The Song of Songs, with Dietrich, but i know that in this picture, that was the beginning of the contrôle of her image by herself and the contrôle of the lights to recreate the Marlene of JVS.
For me, i am very surprised that in the same year of Kong there is already a film which is call The son of Kong.
I Know that Kong was a very great and huge box office …so why not!
And 1933 is the last year if my memory is good before the CODE HAYES for the moralisation of the Movie and the Stars….on the silver screen!
When i read the top earners, i never heard about Dick Powell, who is first but in the mean time i know Marie Dressler,Bruce Cabot , Will Rogers and Fay Wray who have no page on UMR.
Bravo et excellente journée à tous
Pierre
Hey Pierre. Thanks for checking out our 1933 yearly page. 13 is a pretty impressive taly. Of your favorites…..King Kong, The Private Lives of Henry VIII and She Done Him Wrong are my favorites too. Pretty sure Son Of Kong…was a low budget movie that probably took 7 to 10 days to make…their attempt to capitalize on Kong’s success…..as it rarely gets mentioned whenever Kong movies are mentioned.
Good thoughts on Song Of Songs. Dick Powell had a pretty amazing career…..at this point he was a boy wonder….he eventually excelled at directing and starring in film noir classics. Rogers, Dressler and Wray will eventually get UMR pages……it might take awhile for Cabot to get one……thanks for the visit and the comment.
Big fan of KONG here! Ever since I’ve seen that movie as a young man, I wanted to stand on top of the Empire State Building myself…well, done it twice, so mission completed 🙂
Other favs are Dinner at Eight, the Mae West movies, Little Women,Queen Christina, Jenny Gerhardt, Pick-Up, The Private Live of Henry VIII (I just adore Elsa Lanchester’s portrayal as Anne of Cleves), Golddiggers, 42nd Street (saw it at the London West End as a stage show last year, just amazingly imaginative), Song of Songs, the first american Dietrich movie not directed by Josef von Sternberg (reportetly, Dietrich was heard whispering during takes “Joe, where are you now that I need you”, driving Mamoulian nuts), Bombshell, Mystery at the Wax Museum, Design for Living and The bitter Tea of General Yen. Margaret Sullavan’s debut in Only Yesterday is one of the few films of her career I have not been able to track down yet. Great piece of work, Team Cogerson!
Hey Lupino
1. So you are in the Kong fan club with Steve….sounds like a cool club.
2. That is awesome that you have been on top of the Empire State Building….I am 7 hours away by car from that and have never been to do that.
3. I have seen about half of your favorites….with the West movies (though I admit I get She Done Him Wrong and I’m No Angel mixed up all the time), Henry VIII and Wax Musuem being my favorites too.
4. What? A Margaret Sullavan movie you have not seen…..”say it ain’t so Joe”.
Thanks as always for the kind words.
I’ve seen 22 of the 133 films listed on the chart. Favorites include- King Kong, Duck Soup, 42nd Street, Golddiggers of 1933, Footlight Parade and The Invisible Man.
I have 46 films from 1933 in my movie collection. I haven’t seen them all.
Good to see Kong was such a huge hit in 1933, the Jurassic Park of it’s time. No worldwide figures on this landmark film?
Looking at the worldwide grosses chart, musicals were massive in 1933. The success of 42nd Street early that year heralded the beginning of 4 decades of successful musicals.
Good work as always Bruce. Vote Up!
Hey Steve
1. Thanks for checking out our 1933 movie review page. We now have 1933 through 1961 covered….pretty happy with that.
2. I have seen 4 of your favorites…have not seen all of the Invisible Man or Gold Diggers.
3. I included a picture of Kong at the beginning of the page….just for you.
4. No love for Son Of Kong?…..I imagine that put that one together pretty quickly….in the aftermath of the success of King Kong.
5. I agree those musicals were massive back then…….a trend that would last almost a quarter of a century……then having a rebirth in the 1960s.
Thanks for the vote up.