This movie page looks at 1941 Top Grossing Movies. Finding box office information for movies made in the 1930s and 1940s is extremely difficult. For somebody looking for box office information on 1941 it is very very frustrating. Over the years, we have researched and collected information on over 33,000 movies. So we figured we would show all the 1941 movies in our database.
To make this list a movie had to be made in 1941. Obviously many movies made in 1940 earned box office dollars in 1941. On the other side many movies made in 1941 made money in 1942 and later. This page will looks at 139 1941 Top Grossing Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1941 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.
Our UMR Top 50 of 1941
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1941
How Green Was My Valley (1941)
AA Best Picture Win
1941
Sergeant York (1941)
AA Best Picture Nom
1941
Suspicion (1941)
AA Best Picture Nom
1941
The Little Foxes (1941)
AA Best Picture Nom
1941
Ball of Fire (1941)
1941
Dumbo (1941)
1941
Hold That Ghost (1941)
1941
Citizen Kane (1941)
AA Best Picture Nom
1941
Meet John Doe (1941)
1941
Here Comes Mr. Jordan (1941)
AA Best Picture Nom
1941
The Lady Eve (1941)
1941
Sun Valley Serenade (1941)
1941
Blood and Sand (1941)
1941
The Maltese Falcon (1941)
AA Best Picture Nom
1941
They Died with Their Boots On (1941)
1941
Babes on Broadway (1941)
1941
Honky Tonk (1941)
1941
Johnny Eager (1941)
1941
Hellzapoppin' (1941)
1941
They Met in Bombay (1941)
1941
The Strawberry Blonde (1941)
1941
49th Parallel (1941)
AA Best Picture Nom
1941
Love Crazy (1941)
1941
Men of Boys Town (1941)
1941
Shadow of the Thin Man (1941)
1941
Birth of the Blues (1941)
1941
Ziegfeld Girl (1941)
1941
The Devil and Miss Jones (1941)
1941
Man Hunt (1941)
1941
That Hamilton Woman (1941)
1941
Sullivan's Travels (1941)
1941
Road to Zanzibar (1941)
1941
Hold Back the Dawn (1941)
AA Best Picture Nom
1941
Louisiana Purchase (1941)
1941
The Sea Wolf (1941)
1941
Charley's Aunt (1941)
1941
Caught in The Draft (1941)
1941
Week-End in Havana (1941)
1941
That Night in Rio (1941)
1941
High Sierra (1941)
1941
H.M. Pulham, Esq. (1941)
1941
One Foot in Heaven (1941)
AA Best Picture Nom
1941
Blossoms in the Dust (1941)
AA Best Picture Nom
1941
A Woman's Face (1941)
1941
The Bride Came C.O.D. (1941)
1941
I Wake Up Screaming (1941)
1941
Life Begins for Andy Hardy (1941)
1941
Tobacco Road (1941)
1941
Buck Privates (1941)
1941
Dive Bomber (1941)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1941 | How Green Was My Valley (1941) AA Best Picture Win |
||
1941 | Sergeant York (1941) AA Best Picture Nom |
||
1941 | Suspicion (1941) AA Best Picture Nom |
||
1941 | The Little Foxes (1941) AA Best Picture Nom |
||
1941 | Ball of Fire (1941) | ||
1941 | Dumbo (1941) | ||
1941 | Hold That Ghost (1941) | ||
1941 | Citizen Kane (1941) AA Best Picture Nom |
||
1941 | Meet John Doe (1941) | ||
1941 | Here Comes Mr. Jordan (1941) AA Best Picture Nom |
||
1941 | The Lady Eve (1941) | ||
1941 | Sun Valley Serenade (1941) | ||
1941 | Blood and Sand (1941) | ||
1941 | The Maltese Falcon (1941) AA Best Picture Nom |
||
1941 | They Died with Their Boots On (1941) | ||
1941 | Babes on Broadway (1941) | ||
1941 | Honky Tonk (1941) | ||
1941 | Johnny Eager (1941) | ||
1941 | Hellzapoppin' (1941) | ||
1941 | They Met in Bombay (1941) | ||
1941 | The Strawberry Blonde (1941) | ||
1941 | 49th Parallel (1941) AA Best Picture Nom |
||
1941 | Love Crazy (1941) | ||
1941 | Men of Boys Town (1941) | ||
1941 | Shadow of the Thin Man (1941) | ||
1941 | Birth of the Blues (1941) | ||
1941 | Ziegfeld Girl (1941) | ||
1941 | The Devil and Miss Jones (1941) | ||
1941 | Man Hunt (1941) | ||
1941 | That Hamilton Woman (1941) | ||
1941 | Sullivan's Travels (1941) | ||
1941 | Road to Zanzibar (1941) | ||
1941 | Hold Back the Dawn (1941) AA Best Picture Nom |
||
1941 | Louisiana Purchase (1941) | ||
1941 | The Sea Wolf (1941) | ||
1941 | Charley's Aunt (1941) | ||
1941 | Caught in The Draft (1941) | ||
1941 | Week-End in Havana (1941) | ||
1941 | That Night in Rio (1941) | ||
1941 | High Sierra (1941) | ||
1941 | H.M. Pulham, Esq. (1941) | ||
1941 | One Foot in Heaven (1941) AA Best Picture Nom |
||
1941 | Blossoms in the Dust (1941) AA Best Picture Nom |
||
1941 | A Woman's Face (1941) | ||
1941 | The Bride Came C.O.D. (1941) | ||
1941 | I Wake Up Screaming (1941) | ||
1941 | Life Begins for Andy Hardy (1941) | ||
1941 | Tobacco Road (1941) | ||
1941 | Buck Privates (1941) | ||
1941 | Dive Bomber (1941) |
1941 Top Grossing Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1941 Top Grossing Movies by the stars or in some cases the director of the movie.
- Sort 1941 Top Grossing Movies by domestic actual box office grosses (in millions)
- Sort 1941 Top Grossing Movies by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort 1941 Top Grossing Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1941 Top Grossing Movies received.
- Sort 1941 Top Grossing Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | How Green Was My Valley (1941) AA Best Picture Win |
Maureen O'Hara & Walter Pidgeon |
9.7 | 372.6 | 372.60 | 3 | 81 | 10 / 05 | 99.9 | |
2 | Sergeant York (1941) AA Best Picture Nom |
Gary Cooper & Walter Brennan |
13.5 | 521.1 | 521.10 | 1 | 81 | 11 / 02 | 99.4 | |
4 | Suspicion (1941) AA Best Picture Nom |
Joan Fontaine & Cary Grant |
5.2 | 198.7 | 312.80 | 26 | 86 | 03 / 01 | 99.2 | |
5 | The Little Foxes (1941) AA Best Picture Nom |
Bette Davis & Teresa Wright |
4.4 | 168.5 | 274.00 | 39 | 87 | 09 / 00 | 98.9 | |
4 | Ball of Fire (1941) | Barbara Stanwyck & Gary Cooper |
6.0 | 230.5 | 328.00 | 16 | 86 | 04 / 00 | 98.8 | |
5 | Dumbo (1941) | Disney Animated Movies | 9.7 | 372.6 | 514.80 | 2 | 85 | 02 / 01 | 98.7 | |
8 | Hold That Ghost (1941) | Bud Abbott & Richard Carlson |
5.2 | 198.7 | 198.70 | 25 | 85 | 00 / 00 | 98.2 | |
9 | Citizen Kane (1941) AA Best Picture Nom |
Orson Welles & Joseph Cotten |
3.2 | 123.0 | 160.20 | 76 | 93 | 09 / 01 | 98.1 | |
9 | Meet John Doe (1941) | Gary Cooper & Barbara Stanwyck |
5.3 | 202.6 | 297.60 | 23 | 82 | 01 / 00 | 98.0 | |
12 | Here Comes Mr. Jordan (1941) AA Best Picture Nom |
Robert Montgomery & Claude Rains |
3.9 | 149.0 | 149.00 | 55 | 84 | 07 / 02 | 97.8 | |
13 | The Lady Eve (1941) | Barbara Stanwyck & Henry Fonda |
4.5 | 173.9 | 173.90 | 36 | 87 | 01 / 00 | 97.4 | |
11 | Sun Valley Serenade (1941) | Sonja Henie | 7.3 | 279.4 | 279.40 | 9 | 77 | 03 / 00 | 97.4 | |
12 | Blood and Sand (1941) | Tyrone Power & Rita Hayworth |
5.6 | 217.3 | 217.30 | 18 | 77 | 02 / 01 | 97.3 | |
14 | The Maltese Falcon (1941) AA Best Picture Nom |
Humphrey Bogart & Peter Lorre |
3.4 | 132.5 | 232.50 | 68 | 91 | 03 / 00 | 97.1 | |
15 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.0 | 232.4 | 498.50 | 15 | 77 | 00 / 00 | 96.7 | |
16 | Babes on Broadway (1941) | Judy Garland & Mickey Rooney |
7.6 | 293.5 | 479.30 | 8 | 75 | 01 / 00 | 96.5 | |
17 | Honky Tonk (1941) | Clark Gable & Lana Turner |
8.5 | 329.1 | 464.10 | 6 | 75 | 00 / 00 | 96.3 | |
17 | Johnny Eager (1941) | Van Heflin & Lana Turner |
6.4 | 247.9 | 370.80 | 12 | 72 | 01 / 01 | 96.1 | |
21 | Hellzapoppin' (1941) | Martha Raye | 5.5 | 211.1 | 211.10 | 20 | 73 | 01 / 00 | 96.0 | |
20 | They Met in Bombay (1941) | Clark Gable & Peter Lorre |
5.0 | 193.0 | 312.30 | 27 | 75 | 00 / 00 | 95.8 | |
22 | The Strawberry Blonde (1941) | James Cagney & Olivia de Havilland |
4.5 | 172.6 | 231.90 | 38 | 80 | 01 / 00 | 95.7 | |
24 | 49th Parallel (1941) AA Best Picture Nom |
Laurence Olivier & Leslie Howard |
3.9 | 149.0 | 149.00 | 57 | 78 | 03 / 01 | 95.6 | |
24 | Love Crazy (1941) | Myrna Loy & William Powell |
4.3 | 165.8 | 255.80 | 40 | 82 | 00 / 00 | 95.5 | |
24 | Men of Boys Town (1941) | Spencer Tracy & Mickey Rooney |
6.9 | 267.0 | 267.00 | 11 | 71 | 00 / 00 | 95.5 | |
26 | Shadow of the Thin Man (1941) | Myrna Loy & William Powell |
4.7 | 180.5 | 285.80 | 34 | 77 | 00 / 00 | 95.3 | |
27 | Birth of the Blues (1941) | Bing Crosby & Mary Martin |
5.0 | 192.5 | 192.50 | 28 | 72 | 01 / 00 | 95.2 | |
25 | Ziegfeld Girl (1941) | James Stewart & Lana Turner |
6.1 | 234.8 | 385.10 | 14 | 70 | 00 / 00 | 95.2 | |
28 | The Devil and Miss Jones (1941) | Charles Coburn & Jean Arthur |
3.9 | 148.5 | 148.50 | 58 | 83 | 02 / 00 | 94.7 | |
30 | Man Hunt (1941) | Walter Pidgeon & Joan Bennett |
4.5 | 173.9 | 173.90 | 37 | 76 | 00 / 00 | 94.7 | |
31 | That Hamilton Woman (1941) | Vivien Leigh & Laurence Olivier |
3.5 | 136.6 | 136.60 | 64 | 83 | 04 / 01 | 94.5 | |
31 | Sullivan's Travels (1941) | Joel McCrea & Veronica Lake |
3.7 | 142.8 | 142.80 | 62 | 85 | 00 / 00 | 94.4 | |
34 | Road to Zanzibar (1941) | Bing Crosby & Bob Hope & Dorothy La |
4.2 | 163.6 | 163.60 | 41 | 78 | 00 / 00 | 94.4 | |
33 | Hold Back the Dawn (1941) AA Best Picture Nom |
Olivia de Havilland & Paulette Goddard |
2.9 | 111.8 | 111.80 | 86 | 84 | 06 / 00 | 94.4 | |
34 | Louisiana Purchase (1941) | Bob Hope | 8.9 | 341.5 | 341.50 | 4 | 65 | 02 / 00 | 94.3 | |
35 | The Sea Wolf (1941) | John Garfield & Edward G. Robinson |
4.0 | 153.6 | 233.60 | 52 | 79 | 01 / 00 | 94.0 | |
35 | Charley's Aunt (1941) | Kay Francis | 7.7 | 298.1 | 298.10 | 7 | 65 | 00 / 00 | 93.9 | |
36 | Caught in The Draft (1941) | Bob Hope & Dorothy Lamour |
7.1 | 273.2 | 273.20 | 10 | 65 | 00 / 00 | 93.8 | |
37 | Week-End in Havana (1941) | Alice Faye & Musicals |
5.6 | 217.3 | 217.30 | 19 | 65 | 00 / 00 | 93.7 | |
39 | That Night in Rio (1941) | Don Ameche | 5.2 | 198.7 | 198.70 | 24 | 64 | 00 / 00 | 93.5 | |
39 | High Sierra (1941) | Humphrey Bogart | 3.4 | 132.0 | 184.90 | 69 | 85 | 00 / 00 | 93.3 | |
41 | H.M. Pulham, Esq. (1941) | Van Heflin & Hedy Lamarr |
4.7 | 182.0 | 182.00 | 32 | 69 | 00 / 00 | 93.3 | |
42 | One Foot in Heaven (1941) AA Best Picture Nom |
Fredric March | 4.0 | 154.2 | 188.00 | 49 | 70 | 01 / 00 | 93.0 | |
43 | Blossoms in the Dust (1941) AA Best Picture Nom |
Greer Garson & Walter Pidgeon |
4.1 | 158.0 | 330.10 | 44 | 64 | 04 / 01 | 92.7 | |
43 | A Woman's Face (1941) | Joan Crawford & Melvyn Douglas |
3.5 | 133.8 | 236.80 | 67 | 82 | 00 / 00 | 92.6 | |
45 | The Bride Came C.O.D. (1941) | James Cagney & Bette Davis |
4.7 | 180.8 | 265.40 | 33 | 66 | 00 / 00 | 92.4 | |
46 | I Wake Up Screaming (1941) | Betty Grable & Victor Mature |
4.0 | 155.2 | 155.20 | 46 | 73 | 00 / 00 | 91.9 | |
46 | Life Begins for Andy Hardy (1941) | Judy Garland & Mickey Rooney |
5.4 | 209.1 | 309.70 | 21 | 58 | 00 / 00 | 91.8 | |
47 | Tobacco Road (1941) | Dana Andrews & Gene Tierney |
5.3 | 204.9 | 204.90 | 22 | 58 | 00 / 00 | 91.8 | |
49 | Buck Privates (1941) | Bud Abbott & Andrews Sisters |
4.0 | 154.0 | 154.00 | 51 | 73 | 00 / 00 | 91.8 | |
50 | Dive Bomber (1941) | Errol Flynn & Fred MacMurray |
5.7 | 218.0 | 324.50 | 17 | 57 | 01 / 00 | 91.8 | |
51 | Tarzan's Secret Treasure (1941) | Johnny Weissmuller & Maureen O'Sullivan |
4.6 | 177.0 | 403.80 | 35 | 65 | 00 / 00 | 91.7 | |
53 | Dr. Jekyll and Mr. Hyde (1941) | Spencer Tracy & Ingrid Bergman |
4.1 | 158.8 | 292.00 | 43 | 68 | 03 / 00 | 91.5 | |
55 | The Corsican Brothers (1941) | 4.2 | 161.5 | 161.50 | 42 | 68 | 01 / 00 | 91.4 | ||
53 | A Yank in the RAF (1941) | Tyrone Power & Betty Grable |
8.9 | 341.5 | 341.50 | 5 | 55 | 01 / 00 | 91.1 | |
55 | Billy The Kid (1941) | Robert Taylor | 6.3 | 241.3 | 354.80 | 13 | 55 | 01 / 00 | 91.1 | |
55 | Penny Serenade (1941) | Cary Grant & Irene Dunne |
3.2 | 124.2 | 167.20 | 72 | 79 | 01 / 00 | 91.1 | |
58 | Manpower (1941) | Edward G. Robinson & Marlene Dietrich |
3.8 | 146.5 | 228.80 | 60 | 72 | 00 / 00 | 90.8 | |
59 | The Great Lie (1941) | Mary Astor & Bette Davis |
3.9 | 150.4 | 248.60 | 54 | 69 | 01 / 01 | 90.7 | |
57 | It Started with Eve (1941) | Deanna Durbin & Charles Laughton |
2.9 | 111.8 | 111.80 | 85 | 82 | 01 / 00 | 90.6 | |
61 | Ladies in Retirement (1941) | 3.5 | 136.6 | 136.60 | 66 | 72 | 02 / 00 | 90.3 | ||
63 | Aloma of the South Seas (1941) | Dorothy Lamour | 4.8 | 186.3 | 186.30 | 31 | 56 | 02 / 00 | 90.2 | |
61 | Keep 'Em Flying (1941) | Bud Abbott & Martha Raye |
4.0 | 154.4 | 154.40 | 47 | 68 | 00 / 00 | 90.1 | |
62 | In The Navy (1941) | Bud Abbott & Dick Powell |
4.0 | 154.2 | 154.20 | 50 | 68 | 00 / 00 | 90.1 | |
64 | The Shanghai Gesture (1941) | Gene Tierney & Victor Mature |
3.5 | 136.6 | 136.60 | 65 | 68 | 02 / 00 | 88.9 | |
67 | Andy Hardy's Private Secretary (1941) | Mickey Rooney & Kathryn Grayson |
4.9 | 189.5 | 298.30 | 29 | 52 | 00 / 00 | 88.6 | |
66 | Remember The Day (1941) | Claudette Colbert & John Payne |
3.5 | 136.6 | 136.60 | 63 | 68 | 00 / 00 | 88.2 | |
65 | Topper Returns (1941) | Joan Blondell | 2.6 | 100.9 | 100.90 | 93 | 77 | 02 / 00 | 88.1 | |
68 | Belle Starr (1941) | Randolph Scott & Gene Tierney |
4.8 | 186.3 | 186.30 | 30 | 52 | 00 / 00 | 88.1 | |
68 | Moon Over Miami (1941) | Betty Grable & Don Ameche |
3.1 | 118.0 | 118.00 | 81 | 71 | 00 / 00 | 87.3 | |
70 | Look Who's Laughing (1941) | Lucille Ball | 3.8 | 148.2 | 158.20 | 59 | 61 | 00 / 00 | 87.2 | |
70 | The Wolf Man (1941) | Claude Rains & Bela Lugosi |
2.4 | 91.4 | 91.40 | 100 | 78 | 00 / 00 | 86.9 | |
72 | Nothing But The Truth (1941) | Bob Hope & Paulette Goddard |
4.1 | 156.3 | 156.30 | 45 | 58 | 00 / 00 | 86.8 | |
72 | Come Live with Me (1941) | James Stewart & Hedy Lamarr |
2.7 | 105.0 | 105.00 | 92 | 74 | 00 / 00 | 86.7 | |
74 | So Ends Our Night (1941) | Fredric March & Margaret Sullavan |
2.4 | 91.3 | 91.30 | 101 | 77 | 01 / 00 | 86.7 | |
74 | Bedtime Story (1941) | Fredric March | 3.2 | 123.3 | 123.30 | 75 | 67 | 00 / 00 | 86.5 | |
76 | You'll Never Get Rich (1941) | Fred Astaire & Rita Hayworth |
3.2 | 124.3 | 124.30 | 71 | 64 | 02 / 00 | 86.0 | |
79 | Navy Blues (1941) | Ann Sheridan | 4.0 | 154.4 | 226.80 | 48 | 56 | 00 / 00 | 86.0 | |
78 | Lady Be Good (1941) | Red Skelton & Eleanor Powell |
3.4 | 130.3 | 211.00 | 70 | 62 | 01 / 01 | 86.0 | |
77 | Whistling in the Dark (1941) | Red Skelton | 3.2 | 124.2 | 124.20 | 73 | 66 | 00 / 00 | 85.9 | |
80 | Tom, Dick and Harry (1941) | Ginger Rogers | 3.9 | 151.9 | 202.20 | 53 | 54 | 01 / 00 | 85.0 | |
80 | Unholy Partners (1941) | Edward G. Robinson | 3.1 | 121.0 | 121.00 | 78 | 64 | 00 / 00 | 84.7 | |
82 | Unfinished Business (1941) | Irene Dunne & Robert Montgomery |
3.1 | 118.0 | 118.00 | 80 | 64 | 00 / 00 | 84.4 | |
81 | Back Street (1941) | Margaret Sullavan | 2.9 | 113.3 | 113.30 | 84 | 66 | 00 / 00 | 84.4 | |
84 | When Ladies Meet (1941) | Joan Crawford & Greer Garson |
3.7 | 144.3 | 229.30 | 61 | 55 | 01 / 00 | 84.3 | |
84 | Nice Girl? (1941) | Deanna Durbin & Walter Brennan |
2.6 | 99.4 | 99.40 | 94 | 69 | 00 / 00 | 84.1 | |
86 | Never Give a Sucker an Even Break (1941) | W.C. Fields | 2.2 | 86.3 | 86.30 | 107 | 73 | 00 / 00 | 83.8 | |
88 | You Belong To Me (1941) | Barbara Stanwyck & Henry Fonda |
3.9 | 149.0 | 149.00 | 56 | 53 | 00 / 00 | 83.7 | |
89 | Great Guns (1941) | Laurel and Hardy | 3.1 | 120.1 | 120.10 | 79 | 62 | 00 / 00 | 83.6 | |
89 | Western Union (1941) | Randolph Scott & Robert Young |
2.6 | 98.8 | 98.80 | 95 | 68 | 00 / 00 | 83.5 | |
90 | I Wanted Wings (1941) | William Holden & Ray Milland |
3.1 | 118.0 | 118.00 | 82 | 62 | 00 / 00 | 83.2 | |
93 | The Shepherd of the Hills (1941) | John Wayne | 3.2 | 123.7 | 123.70 | 74 | 60 | 00 / 00 | 83.1 | |
91 | Footsteps in the Dark (1941) | Errol Flynn & Brenda Marshall |
2.3 | 89.9 | 147.50 | 103 | 69 | 00 / 00 | 82.5 | |
93 | The Great American Broadcast (1941) | Alice Faye | 3.0 | 113.7 | 113.70 | 83 | 62 | 00 / 00 | 82.5 | |
94 | Swamp Water (1941) | Dana Andrews & Walter Brennan |
2.5 | 94.5 | 94.50 | 97 | 67 | 00 / 00 | 82.2 | |
96 | Two-Faced Woman (1941) | Greta Garbo & Melvyn Douglas |
2.8 | 108.7 | 223.50 | 89 | 62 | 00 / 00 | 81.9 | |
95 | All That Money Can Buy/Devil & Daniel Webster (1941) | Walter Huston | 1.0 | 40.4 | 40.40 | 169 | 81 | 02 / 01 | 81.8 | |
99 | Mr. & Mrs. Smith (1941) | Carole Lombard & Robert Montgomery |
3.2 | 121.8 | 173.90 | 77 | 57 | 00 / 00 | 81.6 | |
98 | Smilin' Through (1941) | Jeanette MacDonald | 2.8 | 107.8 | 298.60 | 91 | 62 | 00 / 00 | 81.5 | |
97 | Reaching For The Sun (1941) | Joel McCrea | 1.6 | 62.8 | 62.80 | 142 | 75 | 00 / 00 | 80.8 | |
100 | The Trial of Mary Dugan (1941) | Robert Young | 2.3 | 88.9 | 88.90 | 104 | 66 | 00 / 00 | 80.3 | |
103 | Married Bachelor (1941) | Robert Young | 2.9 | 111.5 | 111.50 | 87 | 58 | 00 / 00 | 79.7 | |
104 | Four Mothers (1941) | Claude Rains & Priscilla Lane |
2.9 | 111.4 | 111.40 | 88 | 58 | 00 / 00 | 79.7 | |
102 | The Big Store (1941) | Marx Brothers | 2.5 | 98.0 | 163.20 | 96 | 62 | 00 / 00 | 79.5 | |
104 | 'Pimpernel' Smith (1941) | Leslie Howard | 1.4 | 52.9 | 52.90 | 150 | 76 | 00 / 00 | 79.3 | |
105 | Wild Geese Calling (1941) | Henry Fonda & Joan Bennett |
2.4 | 93.1 | 93.10 | 98 | 61 | 00 / 00 | 77.9 | |
105 | Blues in the Night (1941) | Priscilla Lane | 1.8 | 69.3 | 103.20 | 132 | 67 | 01 / 00 | 77.7 | |
106 | Dangerously They Live (1941) | John Garfield | 2.1 | 79.6 | 112.00 | 113 | 65 | 00 / 00 | 77.5 | |
107 | Maisie Was A Lady (1941) | Maureen O'Sullivan | 2.0 | 78.7 | 78.70 | 114 | 65 | 00 / 00 | 77.3 | |
110 | A Girl, a Guy, and a Gob (1941) | Lucille Ball | 1.9 | 71.8 | 105.30 | 123 | 66 | 00 / 00 | 76.3 | |
111 | The Lady From Cheyenne (1941) | Loretta Young | 2.1 | 80.4 | 80.40 | 112 | 63 | 00 / 00 | 76.2 | |
111 | Barnacle Bill (1941) | Wallace Beery | 1.8 | 67.8 | 67.80 | 135 | 67 | 00 / 00 | 76.1 | |
112 | Skylark (1941) | Claudette Colbert & Ray Milland |
1.7 | 65.1 | 65.10 | 139 | 67 | 01 / 00 | 76.1 | |
113 | That Uncertain Feeling (1941) | Merle Oberon & Melvyn Douglas |
1.8 | 71.2 | 71.20 | 125 | 65 | 01 / 00 | 76.0 | |
114 | The Reluctant Dragon (1941) | Alan Ladd & Robert Benchley |
1.5 | 57.1 | 57.10 | 145 | 70 | 00 / 00 | 75.8 | |
115 | Last of the Duanes (1941) | 1.5 | 56.6 | 56.60 | 147 | 70 | 00 / 00 | 75.7 | ||
118 | Million Dollar Baby (1941) | Ronald Reagan | 2.3 | 86.8 | 114.00 | 106 | 60 | 00 / 00 | 75.6 | |
116 | Major Barbara (1941) | Rex Harrison | 1.7 | 63.6 | 63.60 | 141 | 67 | 00 / 00 | 75.4 | |
117 | Ridin’ on a Rainbow (1941) | 1.8 | 68.2 | 68.20 | 133 | 65 | 01 / 00 | 75.0 | ||
120 | International Lady (1941) | George Brent | 2.0 | 77.2 | 77.20 | 119 | 62 | 00 / 00 | 74.7 | |
122 | Adam Had Four Sons (1941) | Ingrid Bergman & Susan Hayward |
2.2 | 85.4 | 85.40 | 108 | 59 | 00 / 00 | 74.4 | |
120 | You're In The Army Now (1941) | Jane Wyman | 1.8 | 68.1 | 68.10 | 134 | 65 | 00 / 00 | 74.3 | |
120 | The Perfect Snob (1941) | 1.8 | 70.1 | 70.10 | 129 | 64 | 00 / 00 | 74.1 | ||
123 | The Bad Man (1941) | Ronald Reagan & Lionel Barrymore |
2.3 | 88.8 | 88.80 | 105 | 57 | 00 / 00 | 73.5 | |
125 | Go West, Young Lady (1941) | Glenn Ford | 2.2 | 83.8 | 83.80 | 110 | 59 | 00 / 00 | 73.3 | |
123 | One Night in Lisbon (1941) | Fred MacMurray | 1.4 | 53.0 | 53.00 | 149 | 68 | 00 / 00 | 73.2 | |
127 | Appointment For Love (1941) | Margaret Sullavan | 2.0 | 77.4 | 77.40 | 117 | 59 | 01 / 00 | 72.7 | |
127 | Three Girls About Town (1941) | Joan Blondell | 1.2 | 47.0 | 47.00 | 160 | 70 | 00 / 00 | 72.7 | |
129 | The People vs. Dr. Kildare (1941) | Red Skelton & Lionel Barrymore |
2.2 | 85.0 | 85.00 | 109 | 57 | 00 / 00 | 72.2 | |
128 | The Wagons Roll at Night (1941) | Humphrey Bogart & Sylvia Sidney |
1.8 | 70.2 | 113.80 | 127 | 62 | 00 / 00 | 72.0 | |
129 | Adventure in Washington (1941) | Herbert Marshall | 1.8 | 67.8 | 67.80 | 137 | 62 | 00 / 00 | 71.2 | |
131 | Sundown (1941) | Gene Tierney & George Sanders |
2.8 | 108.5 | 159.70 | 90 | 46 | 03 / 00 | 71.0 | |
131 | She Knew All The Answers (1941) | Joan Bennett | 2.0 | 75.6 | 75.60 | 121 | 59 | 00 / 00 | 70.5 | |
132 | Design For Scandal (1941) | Walter Pidgeon & Rosalind Russell |
2.1 | 81.8 | 131.30 | 111 | 57 | 00 / 00 | 70.5 | |
134 | Dr. Kildare's Wedding Day (1941) | Red Skelton & Lionel Barrymore |
2.0 | 76.4 | 76.40 | 120 | 57 | 00 / 00 | 69.1 | |
135 | Playmates (1941) | John Barrymore | 2.3 | 90.4 | 102.10 | 102 | 53 | 00 / 00 | 69.0 | |
136 | They Dare Not Love (1941) | Paul Lukas | 1.5 | 56.7 | 56.70 | 146 | 63 | 00 / 00 | 68.7 | |
138 | Kathleen (1941) | Shirley Temple & Herbert Marshall |
1.7 | 64.0 | 64.00 | 140 | 61 | 00 / 00 | 68.5 | |
138 | Flight From Destiny (1941) | Geraldine Fitzgerald | 1.6 | 60.7 | 60.70 | 144 | 62 | 00 / 00 | 68.4 | |
138 | Rise and Shine (1941) | Linda Darnell & Walter Brennan |
2.0 | 77.7 | 77.70 | 115 | 56 | 00 / 00 | 68.2 | |
142 | My Life with Caroline (1941) | Ronald Colman & Anna Lee |
1.7 | 65.8 | 103.10 | 138 | 59 | 00 / 00 | 67.3 | |
141 | The Getaway (1941) | Donna Reed | 1.8 | 70.1 | 70.10 | 130 | 58 | 00 / 00 | 66.9 | |
140 | Virginia (1941) | Fred MacMurray | 1.3 | 49.0 | 49.00 | 159 | 64 | 00 / 00 | 66.7 | |
142 | Bahama Passage (1941) | Dorothy Dandridge | 1.3 | 51.4 | 51.40 | 154 | 63 | 00 / 00 | 66.4 | |
144 | The Feminine Touch (1941) | Kay Francis & Van Heflin |
2.0 | 77.4 | 77.40 | 118 | 55 | 00 / 00 | 66.1 | |
144 | Cheers For Miss Bishop (1941) | Edmund Gwenn | 0.8 | 31.5 | 31.50 | 186 | 68 | 01 / 00 | 65.8 | |
146 | Rage in Heaven (1941) | Ingrid Bergman & Robert Montgomery |
2.0 | 77.6 | 77.60 | 116 | 54 | 00 / 00 | 65.5 | |
148 | Paris Calling (1941) | Randolph Scott | 1.8 | 67.8 | 67.80 | 136 | 57 | 00 / 00 | 65.4 | |
148 | Shining Victory (1941) | Donald Crisp | 1.2 | 45.8 | 45.80 | 162 | 64 | 00 / 00 | 65.4 | |
150 | Scotland Yard (1941) | 1.5 | 55.9 | 55.90 | 148 | 60 | 00 / 00 | 64.3 | ||
149 | Lydia (1941) | Joseph Cotten & Merle Oberon |
1.0 | 38.8 | 38.80 | 176 | 65 | 01 / 00 | 64.1 | |
149 | The Flame of New Orleans (1941) | Marlene Dietrich & Bruce Cabot |
1.3 | 49.7 | 49.70 | 157 | 61 | 01 / 00 | 64.0 | |
153 | Model Wife (1941) | Dick Powell & Joan Blondell |
1.9 | 72.2 | 72.20 | 122 | 54 | 00 / 00 | 62.5 | |
154 | Honeymoon for Three (1941) | Ann Sheridan | 1.8 | 70.2 | 94.80 | 128 | 54 | 00 / 00 | 62.2 | |
152 | Pacific Blackout (1941) | Robert Preston | 1.0 | 39.9 | 39.90 | 172 | 64 | 00 / 00 | 62.2 | |
154 | The Black Cat (1941) | Basil Rathbone & Alan Ladd |
0.9 | 34.9 | 34.90 | 181 | 65 | 00 / 00 | 61.0 | |
154 | Sunset in Wyoming (1941) | 0.4 | 16.8 | 16.80 | 218 | 70 | 00 / 00 | 60.7 | ||
156 | Man At Large (1941) | 1.2 | 45.0 | 45.00 | 164 | 61 | 00 / 00 | 60.6 | ||
156 | The Singing Hill (1941) | 0.8 | 31.3 | 31.30 | 187 | 65 | 00 / 00 | 60.1 | ||
160 | Sunny (1941) | Edward Everett Horton | 1.8 | 69.5 | 136.10 | 131 | 52 | 01 / 00 | 59.9 | |
160 | Sing For Your Supper (1941) | 1.0 | 40.3 | 40.30 | 170 | 62 | 00 / 00 | 59.8 | ||
161 | Parachute Battalion (1941) | Robert Preston | 1.6 | 60.8 | 60.80 | 143 | 56 | 00 / 00 | 59.7 | |
161 | Kiss The Boys Goodbye (1941) | Don Ameche | 1.3 | 51.6 | 51.60 | 152 | 58 | 00 / 00 | 59.3 | |
163 | The Chocolate Soldier (1941) | 1.1 | 40.7 | 40.70 | 167 | 59 | 03 / 00 | 58.3 | ||
164 | Out of the Fog (1941) | John Garfield | 1.9 | 71.4 | 71.40 | 124 | 51 | 00 / 00 | 57.8 | |
165 | Ellery Queen and the Murder Ring (1941) | 0.9 | 35.9 | 35.90 | 179 | 62 | 00 / 00 | 56.7 | ||
166 | Ellery Queen and the Perfect Crime (1941) | 1.0 | 38.0 | 38.00 | 177 | 61 | 00 / 00 | 56.1 | ||
167 | Down Mexico Way (1941) | 0.5 | 19.5 | 19.50 | 214 | 66 | 00 / 00 | 55.5 | ||
170 | Bad Men of Missouri (1941) | Jane Wyman & Dennis Morgan |
1.3 | 49.1 | 49.10 | 158 | 57 | 00 / 00 | 55.2 | |
169 | Strange Alibi (1941) | 0.7 | 28.2 | 38.00 | 192 | 63 | 00 / 00 | 55.0 | ||
169 | A Man Betrayed (1941) | John Wayne | 1.0 | 38.9 | 38.90 | 174 | 60 | 00 / 00 | 54.9 | |
171 | The Penalty (1941) | Edward Arnold | 0.6 | 22.9 | 22.90 | 209 | 65 | 00 / 00 | 54.6 | |
172 | Confirm Or Deny (1941) | Don Ameche & Joan Bennett |
1.1 | 42.1 | 42.10 | 166 | 58 | 00 / 00 | 54.1 | |
175 | Among The Living (1941) | Susan Hayward | 1.3 | 51.7 | 51.70 | 151 | 55 | 00 / 00 | 54.1 | |
174 | Father Takes a Wife (1941) | 1.3 | 49.8 | 49.80 | 155 | 56 | 00 / 00 | 53.8 | ||
175 | The Night of January 16th (1941) | 0.9 | 35.3 | 35.30 | 180 | 60 | 00 / 00 | 53.6 | ||
176 | Lady from Louisana (1941) | John Wayne | 1.2 | 46.2 | 46.20 | 161 | 57 | 00 / 00 | 53.6 | |
177 | Our Wife (1941) | 1.3 | 51.6 | 51.60 | 153 | 55 | 00 / 00 | 53.3 | ||
177 | Naval Academy (1941) | 0.7 | 26.4 | 26.40 | 198 | 63 | 00 / 00 | 53.2 | ||
179 | Texas (1941) | William Holden & Glenn Ford |
2.4 | 92.6 | 92.60 | 99 | 42 | 00 / 00 | 53.0 | |
178 | Back in the Saddle (1941) | 0.6 | 21.8 | 21.80 | 211 | 64 | 00 / 00 | 52.3 | ||
180 | Quiet Wedding (1941) | 0.6 | 23.2 | 23.20 | 208 | 63 | 00 / 00 | 52.0 | ||
181 | Sis Hoskins (1941) | Susan Hayward | 1.0 | 39.2 | 39.20 | 173 | 57 | 01 / 00 | 52.0 | |
182 | The Men In Her Life (1941) | 0.8 | 29.7 | 29.70 | 188 | 60 | 01 / 00 | 51.7 | ||
183 | Jeannie (1941) | 0.2 | 5.8 | 5.80 | 228 | 68 | 00 / 00 | 51.2 | ||
186 | The Smiling Ghost (1941) | Alexis Smith | 1.0 | 40.0 | 54.00 | 171 | 57 | 00 / 00 | 50.8 | |
185 | Highway West (1941) | 0.7 | 25.6 | 25.60 | 201 | 62 | 00 / 00 | 50.7 | ||
185 | The Devil Commands (1941) | Boris Karloff | 0.7 | 26.8 | 26.80 | 195 | 61 | 00 / 00 | 49.3 | |
188 | The Mad Doctor (1941) | 0.5 | 20.0 | 20.00 | 212 | 63 | 00 / 00 | 49.2 | ||
188 | Under Fiesta Stars (1941) | 0.6 | 24.9 | 24.90 | 203 | 61 | 00 / 00 | 49.0 | ||
192 | International Squadron (1941) | Ronald Reagan | 1.8 | 70.5 | 70.50 | 126 | 47 | 00 / 00 | 49.0 | |
190 | They Meet in Argentina (1941) | Maureen O'Hara | 1.2 | 44.3 | 44.30 | 165 | 55 | 00 / 00 | 48.7 | |
192 | Nine Lives Are Not Enough (1941) | Ronald Reagan | 0.7 | 26.2 | 37.10 | 199 | 60 | 00 / 00 | 47.7 | |
192 | Ringside Maisie (1941) | 0.4 | 13.8 | 13.80 | 221 | 64 | 00 / 00 | 47.2 | ||
192 | Free And Easy (1941) | Robert Cummings | 0.7 | 25.5 | 41.40 | 202 | 60 | 00 / 00 | 46.5 | |
195 | Pot O' Gold (1941) | James Stewart & Paulette Goddard |
1.0 | 38.8 | 38.80 | 175 | 55 | 00 / 00 | 45.3 | |
194 | The Monster and the Girl (1941) | 0.9 | 33.6 | 33.60 | 182 | 57 | 00 / 00 | 45.3 | ||
197 | Thieves Fall Out (1941) | Anthony Quinn | 0.9 | 32.9 | 32.90 | 184 | 57 | 00 / 00 | 45.0 | |
197 | Niagara Falls (1941) | Zasu Pitts | 0.5 | 19.5 | 27.20 | 213 | 61 | 00 / 00 | 44.7 | |
199 | World Premire (1941) | John Barrymore | 0.7 | 26.1 | 26.10 | 200 | 58 | 00 / 00 | 43.9 | |
200 | Law of the Tropics (1941) | Constance Bennett | 1.2 | 45.7 | 68.90 | 163 | 52 | 00 / 00 | 43.2 | |
200 | I'll Wait for You (1941) | Marsha Hunt | 0.5 | 19.4 | 19.40 | 215 | 59 | 00 / 00 | 41.7 | |
200 | Peer Gynt (1941) | Charlton Heston | 0.1 | 3.1 | 3.10 | 229 | 64 | 00 / 00 | 41.2 | |
203 | Affectionately Yours (1941) | Rita Hayworth & Merle Oberon |
1.3 | 49.7 | 76.00 | 156 | 49 | 00 / 00 | 40.9 | |
203 | Broadway Limited (1941) | Victor McLaglen | 0.8 | 32.0 | 32.00 | 185 | 54 | 00 / 00 | 38.1 | |
204 | The Body Disappears (1941) | Jane Wyman | 0.3 | 10.9 | 14.10 | 224 | 60 | 00 / 00 | 37.2 | |
206 | Week-End for Three (1941) | Dennis O'Keefe | 1.1 | 40.6 | 40.60 | 168 | 51 | 00 / 00 | 37.2 | |
207 | The Remarkable Mr. Kipps (1941) | Michael Redgrave | 0.2 | 7.4 | 7.40 | 226 | 61 | 00 / 00 | 37.1 | |
206 | The Man Who Lost Himself (1941) | Kay Francis | 1.0 | 37.1 | 37.10 | 178 | 51 | 00 / 00 | 35.9 | |
208 | Three Sons o' Guns (1941) | Susan Peters | 0.7 | 28.1 | 31.00 | 193 | 54 | 00 / 00 | 34.9 | |
208 | Spooks Run Wild (1941) | 0.9 | 33.0 | 33.00 | 183 | 52 | 00 / 00 | 34.8 | ||
210 | This Was Paris (1941) | 0.6 | 23.5 | 23.50 | 207 | 55 | 00 / 00 | 34.2 | ||
211 | Badlands of Dakota (1941) | Francis Farmer | 0.7 | 26.6 | 26.60 | 196 | 54 | 00 / 00 | 33.9 | |
212 | The Deadly Game (1941) | 0.3 | 12.5 | 12.50 | 222 | 58 | 00 / 00 | 32.6 | ||
214 | This Woman Is Mine (1941) | Franchot Tone & Leo G. Carroll |
0.4 | 15.5 | 15.50 | 219 | 56 | 01 / 00 | 32.2 | |
213 | Scattergood Pulls the Strings (1941) | 0.6 | 23.6 | 23.60 | 206 | 54 | 00 / 00 | 32.1 | ||
215 | Lady Scarface (1941) | 0.6 | 24.9 | 24.90 | 204 | 53 | 00 / 00 | 31.6 | ||
218 | Paper Bullets (1941) | Alan Ladd & Joan Woodbury |
0.6 | 24.8 | 24.80 | 205 | 53 | 00 / 00 | 30.5 | |
217 | Sierra Sue (1941) | 0.0 | 1.2 | 1.20 | 231 | 60 | 00 / 00 | 30.3 | ||
218 | Unexpected Uncle (1941) | 0.7 | 28.3 | 28.30 | 191 | 51 | 00 / 00 | 29.6 | ||
220 | Atlantic Ferry (1941) | 0.4 | 14.8 | 14.80 | 220 | 55 | 00 / 00 | 29.3 | ||
220 | Miss Polly (1941) | Zasu Pitts | 0.5 | 18.0 | 25.20 | 217 | 54 | 00 / 00 | 28.5 | |
221 | Moonlight in Hawaii (1941) | 0.7 | 28.8 | 28.80 | 189 | 50 | 00 / 00 | 28.1 | ||
222 | Knockout (1941) | Anthony Quinn | 0.7 | 28.6 | 28.60 | 190 | 50 | 00 / 00 | 28.0 | |
223 | Melody For Three (1941) | 0.6 | 21.9 | 21.90 | 210 | 52 | 00 / 00 | 27.0 | ||
226 | New York Town (1941) | Fred MacMurray | 0.7 | 26.5 | 26.50 | 197 | 49 | 00 / 00 | 25.1 | |
224 | Steel Against the Sky (1941) | Alexis Smith | 0.2 | 9.0 | 12.50 | 225 | 55 | 00 / 00 | 25.0 | |
226 | The Prime Minister (1941) | 0.1 | 2.0 | 4.60 | 230 | 57 | 00 / 00 | 24.3 | ||
228 | Play Girl (1941) | Kay Francis | 0.7 | 27.2 | 39.00 | 194 | 48 | 00 / 00 | 22.4 | |
228 | Forced Landing (1941) | 0.3 | 11.8 | 11.80 | 223 | 52 | 00 / 00 | 21.9 | ||
229 | South of Tahiti (1941) | Broderick Crawford | 0.2 | 6.3 | 6.30 | 227 | 51 | 00 / 00 | 17.2 | |
230 | Raiders of the Desert (1941) | 0.5 | 18.7 | 18.70 | 216 | 45 | 00 / 00 | 14.2 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: Variety Magazine – January 6th 1943
Source 4: Year In Review Variety Editions – 1941,1942,1947,1954,1961,1968,1971,1974
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
My Yearly Review Pages
- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1942 Movies Ranked Best to Worst Our movie of the year? Mrs. Miniver
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 1952 Movies Ranked Best to Worst Our movie of the year? Greatest Show On Earth
- 1959 Movies Ranked Best to Worst Our movie of the year? Ben-Hur
- 1976 Movies Ranked Best to Worst Our movie of the year? Rocky
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
- 2016 Movies Ranked Best to Worst Our movie of the year? La La Land
If you do a comment….please ignore the email address and website section.
Hello Bruce.
I’ve been noticing that some of the gross figures are actually worldwide gross. For instance you have THE MALTESE FALCON having grossed $5,700,000. Warner Bros. reports that the film had
$967,000 domestic rentals, $805,000 foreign rentals and $1,772,000 worldwide rentals. You have
Bright Eyes (1934) having a gross of $5,800,000, and I’m wondering if this is a worldwide gross as
well. Please let me know if I’m wrong.
Thanks, Bruce, this is still a favorite site for box office information.
Hey Lyle……it seems I remember a reason for having the box office a little higher than the domestic rentals would calculate to on Maltese Falcon…..but I do not remember why. I know it got re-released a few times but did not make enough to give it such a higher gross. You are correct if you look at the worldwide gross it would be what I had listed for the domestic. So I went back and fixed that….with a little added in for the re-releases I have info on. It will show up on the tables in the correct order the next time I can get the entire website to do an update…which right now is driving me crazy since the bridge from database to website is out of service…like I-95 in Philadelphia…lol.
As for Bright Eyes….that number comes from Variety and a Fox Studio Book….it says it is the domestic total…it was one of the first Temple features to take off….so I that would I am willing to stick with. Good stuff as always.
Thank you Bruce.
35 Weekend in Havana (1941)
the title might be Week-end in Havana
Happy holidays
Hey Sidney…fixed that one a while back. Thanks for the catch.
Hi Bruce, i just have a question about the domestic rentals of Tarzan’s Secret Treasure …
Variety didn’t list the movie in his list of films that made more than 1 million $ in theatrical rentals … I find it nowhere … So, because it’s an MGM movie what says the eddie mannix ledger ? Did the movie made more than 1 million rental domestically or not ?
Thanks !
Hey Max. My MGM ledger numbers show a domestic rental of $1,425,000 and a worldwide rental of $1,826,000 for a grand total of $3,251,000 in rentals. Movie cost $978,000 to make. Returned a profit of $1,271,000 or a 130% return on investment. That unloads all the information that I have on that movie. Hope that helps.
Ok thanks a lot for sharing this with me !….
I just have three another questions….
1) concerning the ledgers from MGM/RKO/WB….vs ….. Variety
What is the most reliable source between the rentals figures from the different editions of the “all time rental champs of variety + top grossers of the year” and the rentals coming from the 3 studios ledgers ?
I asked this question simply because when i compare the sources i have for the same movie ; sometimes the domestic rental figure coming from the eddie mannix ledger for exemple is not the same as the domestic rental figure published in Variety …..I take the 1961 movie “King of Kings” Variety gives a domestic rental of 6 520 000 million dollars and eddie mannix ledger 8 million domestically ….Why ? And this is just an exemple among others because i have found a lot of differences …. I know that concerning Variety all time rental champs and top grosser of the year, it’s better to look at the more recent version because they sometimes make adjustments but even in this case there are differences…. The exemple i gave above “Tarzan secret treasure” is also a good one … The ledgers says it make 1 425 000 domestic rentals but this movie never appears in any ranking from Variety in their list of movies that have made more than 1 million in rentals (i’m 100% sure of that) …..So who to believe between Variety box office surveys or the ledgers figures ?
2) Has Variety already published yearly box office domestic grosses like Box Office Mojo did in 1980 when rentals were discontinued or have they always published rentals until today?
3) Is Variety the main reference in box office figures from movies from 1930 to 1979 ? (during “the rental era” i mean….)
Thanks a lot for your time and keep going, your website rules !!
Hey Max.
1. I view the ‘ledgers” as the best source. Many times Variety used the estimations that the studio executive provided. I am thinking….based on how many times I have seen it happened….that Variety asked for the domestic totals….and the studio provided the worldwide totals.
2. Studio bean counters were always trying to hide the grosses….especially when bonuses were attached to box office levels. So that makes the Variety estimates even more suspect.
3. Growing up and for years…I thought Variety was the gospel…after spending almost a decade of research…I think they are a good number….but not as accurate whenever a “ledger” number is available.
4. As for the Tarzan movie…Variety did not really start showing massive yearly lists until 1942. Before that they would include some movies but would exclude lots of other movies. I have a set of notes from a Variety article that lists about 40 1941 movies….it does not provide any grosses…but ranks by success….Tarzan’s Secret Treasure made that list….and it was listed with the 1 million rental movies.
5. As for Kong….my RKO ledger provides information for it’s first release…which covers about 2 years….all the re-releases are not listed in the ledgers….Variety’s 4 million rental number includes all the re-releases (I think)…..it gets confusing….too bad Box Office Mojo was not around.
6. I do not think Variety still does the rental numbers…..think the total gross has become the be all way to look at movies. But…I have not looked at a new Variety in many many moons.
7. As for your last question….I would say between 1941 and 1980 Variety is indeed the main reference for many movies…especially those movies made by studios other than Fox, MGM, RKO and Warners.
Hope that helps….thanks for the kind words about the website….Merry Christmas.
Thanks a lot for all those explanations !
I was not speaking about king kong but king of kings 1961 lol variety lists the movie around 6 million domestic vs the ledger 8 million…and i think you use the variety number ….
For your variety article that lists 40 1941 movies , is it the article called 101 pixels in millions dating back from 1943 ? Or another one ? If you still have the reference i will be so happy to see it because it is very difficult to find those articles today … it could be interesting to see what films they listed at the time ..
Thanks a lot again and merry christmas to you and all you family !
Hey Max….sorry…I got the wrong King. I am currently away from my beloved database….so can not access my “research” on that movie…..but will when I get home. As for the article….that is in one of my first notebooks…..I will see if I can get the source as well. Hope your holiday went well.
Hi
I suppose 1941 will be remembered for the year of Citizen Kane. A film I can say I admire but not particularly like. Nevertheless it done quite well at the box office. It was a great year for Barbara Stanwyck, Ball of Fire, The Lady Eve, Meet John Doe, and yet surprisingly her name never appeared in the top 10 list throughout the 40’s which would have been her peak time. Of course it was Bogart’s big breakthrough year with The Maltese Falcon. Ingrid Bergman, Betty Grable and Greer Garson were all starting to make waves.
Crawford, although her star fading with MGM, still had 2 big hits. A Woman’s Face is really worth watching. I would say one of my favourites of the year is The Little Foxes. One of Davis best films, in fact the whole cast were superb.
Just a request, could you list the movies by gross like before, instead of alphabetically?
Thanks
Hey Chris
1. Thanks for your movie thoughts on our 1941 movie page.
2. I am right there with you about Citizen Kane. Roger Ebert loved that movie…the last couple of times I have watched Kane it was while listening to Ebert’s DVD commentary. I am glad he loved the movie so much and his enthusiasm is very apparent but it is not my favorite movie at all.
3. I agree a huge year for Stanwyck….and a breakthrough year for Bogie.
4. The Little Foxes is one of Davis’ best roles…..I will have to check out Joan in A Woman’s Face.
5. One of the glitches in our database is it will not let me sort by box office from Best to worst…but once it gets to this table the sort button works….so if you use the sort button it will put the movies from biggest hit to least hit. When I do it…I have to place the movies in the right order…WoC is trying to fix this problem in the near future.
Good comment as always.