This movie page looks at 145 1942 Top Grossing Movies. Finding box office information for movies made in the 1930s and 1940s is extremely difficult. For somebody looking for box office information on 1942 it is very very frustrating. Over the years, we have researched and collected information on over 23,000 movies. So we figured we would show all the 1942 movies in our database.
To make this list a movie had to be made in 1942. Obviously many movies (How Green Was My Valley and Ball of Fire) made in 1941 earned box office dollars in 1942. On the other side many movies made in 1942 made money in 1943 and later. This page will looks at 168 1942 Top Grossing Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
And now for the part of the movie page that the wife calls the “drivel” part of our movie pages. When we decided to do a page on 1942 box office grosses….the thought was this was going to be an easy and fast page to write…well 3 days later and we are finally finishing off the page. Guess the fact that we have collected so many sources of box office information is a good but very time consuming thing. Talk about confusing….Casablanca is listed by IMDb as a 1942 movie. Casablanca was not eligible for the Oscars® for movies made in 1942…but did qualify for the Oscars® for movies made in 1943…..so that is why we have two Best Picture Oscar® winners on one page.
Our UMR Top 50 of 1942
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1942
Casablanca (1942)
AA Best Picture Win
1942
Mrs. Miniver (1942)
AA Best Picture Win
1942
Yankee Doodle Dandy (1942)
AA Best Picture Nom
1942
The Pride of the Yankees (1942)
AA Best Picture Nom
1942
Random Harvest (1942)
AA Best Picture Nom
1942
Kings Row (1942)
AA Best Picture Nom
1942
Now, Voyager (1942)
1942
The Pied Piper (1942)
AA Best Picture Nom
1942
Holiday Inn (1942)
1942
Bambi (1942)
1942
The Major and the Minor (1942)
1942
Woman of the Year (1942)
1942
In Which We Serve (1942)
AA Best Picture Nom
1942
Road to Morocco (1942)
1942
Wake Island (1942)
AA Best Picture Nom
1942
My Favorite Blonde (1942)
1942
Gentleman Jim (1942)
1942
Who Done It? (1942)
1942
The Palm Beach Story (1942)
1942
For Me and My Gal (1942)
1942
To Be or Not to Be (1942)
1942
The Black Swan (1942)
1942
You Were Never Lovelier (1942)
1942
Tales of Manhattan (1942)
1942
My Sister Eileen (1942)
1942
The Man Who Came To Dinner (1942)
1942
Desperate Journey (1942)
1942
The Talk of the Town (1942)
AA Best Picture Nom
1942
Pardon My Sarong (1942)
1942
Tarzan's New York Adventure (1942)
1942
Keeper of the Flame (1942)
1942
Springtime in the Rockies (1942)
1942
Ten Gentlemen From West Point (1942)
1942
This Above All (1942)
1942
In This Our Life (1942)
1942
Once Upon a Honeymoon (1942)
1942
Beyond the Blue Horizon (1942)
1942
Ride 'em Cowboy (1942)
1942
To The Shores of Tripoli (1942)
1942
Captains of the Clouds (1942)
1942
Arabian Nights (1942)
1942
Andy Hardy's Double Life (1942)
1942
Eagle Squadron (1942)
1942
Rio Rita (1942)
1942
Stand By For Action (1942)
1942
The Gay Sisters (1942)
1942
Ship Ahoy (1942)
1942
Flying Tigers (1942)
1942
Son of Fury: The Story of Benjamin Blake (1942)
1942
Star Spangled Rhythm (1942)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1942 | Casablanca (1942) AA Best Picture Win |
||
1942 | Mrs. Miniver (1942) AA Best Picture Win |
||
1942 | Yankee Doodle Dandy (1942) AA Best Picture Nom |
||
1942 | The Pride of the Yankees (1942) AA Best Picture Nom |
||
1942 | Random Harvest (1942) AA Best Picture Nom |
||
1942 | Kings Row (1942) AA Best Picture Nom |
||
1942 | Now, Voyager (1942) | ||
1942 | The Pied Piper (1942) AA Best Picture Nom |
||
1942 | Holiday Inn (1942) | ||
1942 | Bambi (1942) | ||
1942 | The Major and the Minor (1942) | ||
1942 | Woman of the Year (1942) | ||
1942 | In Which We Serve (1942) AA Best Picture Nom |
||
1942 | Road to Morocco (1942) | ||
1942 | Wake Island (1942) AA Best Picture Nom |
||
1942 | My Favorite Blonde (1942) | ||
1942 | Gentleman Jim (1942) | ||
1942 | Who Done It? (1942) | ||
1942 | The Palm Beach Story (1942) | ||
1942 | For Me and My Gal (1942) | ||
1942 | To Be or Not to Be (1942) | ||
1942 | The Black Swan (1942) | ||
1942 | You Were Never Lovelier (1942) | ||
1942 | Tales of Manhattan (1942) | ||
1942 | My Sister Eileen (1942) | ||
1942 | The Man Who Came To Dinner (1942) | ||
1942 | Desperate Journey (1942) | ||
1942 | The Talk of the Town (1942) AA Best Picture Nom |
||
1942 | Pardon My Sarong (1942) | ||
1942 | Tarzan's New York Adventure (1942) | ||
1942 | Keeper of the Flame (1942) | ||
1942 | Springtime in the Rockies (1942) | ||
1942 | Ten Gentlemen From West Point (1942) | ||
1942 | This Above All (1942) | ||
1942 | In This Our Life (1942) | ||
1942 | Once Upon a Honeymoon (1942) | ||
1942 | Beyond the Blue Horizon (1942) | ||
1942 | Ride 'em Cowboy (1942) | ||
1942 | To The Shores of Tripoli (1942) | ||
1942 | Captains of the Clouds (1942) | ||
1942 | Arabian Nights (1942) | ||
1942 | Andy Hardy's Double Life (1942) | ||
1942 | Eagle Squadron (1942) | ||
1942 | Rio Rita (1942) | ||
1942 | Stand By For Action (1942) | ||
1942 | The Gay Sisters (1942) | ||
1942 | Ship Ahoy (1942) | ||
1942 | Flying Tigers (1942) | ||
1942 | Son of Fury: The Story of Benjamin Blake (1942) | ||
1942 | Star Spangled Rhythm (1942) |
1942 Top Grossing Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1942 Top Grossing Movies by the stars or in some cases the director of the movie.
- Sort 1942 Top Grossing Movies by domestic actual box office grosses
- Sort 1942 Top Grossing Movies by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort 1942 Top Grossing Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1942 Top Grossing Movies received.
- Sort 1942 Top Grossing Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Casablanca (1942) AA Best Picture Win |
Humphrey Bogart & Claude Rains |
11.8 | 440.2 | 807.80 | 5 | 95 | 08 / 03 | 100.0 | |
2 | Mrs. Miniver (1942) AA Best Picture Win |
Greer Garson & Walter Pidgeon |
15.3 | 569.1 | 942.90 | 2 | 81 | 12 / 06 | 99.9 | |
3 | Yankee Doodle Dandy (1942) AA Best Picture Nom |
James Cagney & Walter Huston |
13.5 | 501.3 | 702.20 | 3 | 84 | 08 / 03 | 99.5 | |
4 | The Pride of the Yankees (1942) AA Best Picture Nom |
Gary Cooper & Teresa Wright |
10.5 | 389.9 | 389.90 | 9 | 84 | 11 / 01 | 99.5 | |
5 | Random Harvest (1942) AA Best Picture Nom |
Ronald Coleman & Greer Garson |
13.3 | 495.5 | 866.90 | 4 | 83 | 07 / 00 | 99.2 | |
6 | Kings Row (1942) AA Best Picture Nom |
Robert Cummings & Ronald Reagan |
9.0 | 333.8 | 540.90 | 11 | 80 | 03 / 00 | 98.8 | |
7 | Now, Voyager (1942) | Bette Davis & Claude Rains |
6.1 | 226.2 | 443.60 | 25 | 84 | 03 / 01 | 98.7 | |
8 | The Pied Piper (1942) AA Best Picture Nom |
Monty Woolley & Roddy McDowall |
5.7 | 212.4 | 212.40 | 30 | 77 | 03 / 00 | 98.4 | |
8 | Holiday Inn (1942) | Bing Crosby & Fred Astaire |
10.9 | 403.7 | 654.00 | 8 | 81 | 03 / 01 | 98.3 | |
9 | Bambi (1942) | Disney Animated Movies | 18.4 | 684.3 | 863.20 | 1 | 82 | 03 / 00 | 98.2 | |
10 | The Major and the Minor (1942) | Ginger Rogers & Ray Milland |
8.3 | 308.0 | 308.00 | 14 | 84 | 00 / 00 | 98.2 | |
12 | Woman of the Year (1942) | Spencer Tracy & Katharine Hepburn |
5.5 | 205.5 | 287.60 | 32 | 81 | 02 / 01 | 98.1 | |
14 | In Which We Serve (1942) AA Best Picture Nom |
Noel Coward & John Mills |
5.1 | 191.2 | 191.20 | 39 | 78 | 02 / 00 | 98.0 | |
14 | Road to Morocco (1942) | Bob Hope & Bing Crosby |
11.4 | 424.8 | 424.80 | 7 | 80 | 02 / 00 | 97.8 | |
13 | Wake Island (1942) AA Best Picture Nom |
Robert Preston & William Bendix |
10.0 | 371.7 | 371.70 | 10 | 70 | 04 / 00 | 97.3 | |
15 | My Favorite Blonde (1942) | Bob Hope & Madeleine Carroll |
7.1 | 265.5 | 265.50 | 19 | 79 | 00 / 00 | 97.3 | |
17 | Gentleman Jim (1942) | Erroll Flynn & Alan Hale |
5.1 | 188.5 | 408.00 | 41 | 82 | 00 / 00 | 97.2 | |
18 | Who Done It? (1942) | Bud Abbott | 5.0 | 185.9 | 185.90 | 43 | 81 | 00 / 00 | 96.7 | |
21 | The Palm Beach Story (1942) | Claudette Colbert & Joel McCrea |
4.9 | 180.6 | 180.60 | 50 | 82 | 00 / 00 | 96.5 | |
18 | For Me and My Gal (1942) | Judy Garland & Gene Kelly |
8.3 | 307.4 | 464.20 | 15 | 74 | 01 / 00 | 96.3 | |
22 | To Be or Not to Be (1942) | Jack Benny & Carole Lombard |
4.3 | 159.3 | 159.30 | 64 | 87 | 01 / 00 | 96.2 | |
22 | The Black Swan (1942) | Tyrone Power & Maureen O'Hara |
8.6 | 318.6 | 318.60 | 12 | 71 | 03 / 01 | 96.2 | |
24 | You Were Never Lovelier (1942) | Fred Astaire & Rita Hayworth |
4.6 | 169.9 | 275.30 | 57 | 80 | 03 / 00 | 95.9 | |
23 | Tales of Manhattan (1942) | Henry Fonda & Ginger Rogers |
7.1 | 265.5 | 265.50 | 18 | 73 | 00 / 00 | 95.8 | |
25 | My Sister Eileen (1942) | Rosalind Russell & Janet Blair |
6.3 | 233.7 | 233.70 | 23 | 70 | 01 / 00 | 95.3 | |
27 | The Man Who Came To Dinner (1942) | Bette Davis & Monty Woolley |
4.8 | 176.9 | 272.40 | 52 | 78 | 00 / 00 | 95.3 | |
26 | Desperate Journey (1942) | Errol Flynn & Ronald Reagan |
5.7 | 213.5 | 297.60 | 28 | 69 | 01 / 00 | 95.0 | |
29 | The Talk of the Town (1942) AA Best Picture Nom |
Cary Grant & Jean Arthur |
3.1 | 116.8 | 162.00 | 87 | 84 | 07 / 00 | 95.0 | |
28 | Pardon My Sarong (1942) | Abbott & Costello |
7.1 | 265.5 | 265.50 | 20 | 69 | 00 / 00 | 94.9 | |
32 | Tarzan's New York Adventure (1942) | Johnny Weissmuller & Maureen O'Sullivan |
5.1 | 188.0 | 358.10 | 42 | 72 | 00 / 00 | 94.8 | |
30 | Keeper of the Flame (1942) | Spencer Tracy & Katharine Hepburn |
6.3 | 232.6 | 342.20 | 24 | 68 | 00 / 00 | 94.8 | |
31 | Springtime in the Rockies (1942) | Betty Grable & John Payne |
5.7 | 212.4 | 212.40 | 29 | 67 | 00 / 00 | 94.5 | |
33 | Ten Gentlemen From West Point (1942) | Maureen O'Hara & George Montgomery |
4.6 | 169.9 | 169.90 | 56 | 75 | 01 / 00 | 94.3 | |
34 | This Above All (1942) | Tyrone Power & Joan Fontaine |
6.3 | 233.7 | 233.70 | 22 | 61 | 04 / 01 | 93.9 | |
35 | In This Our Life (1942) | Bette Davis & Olivia de Havilland |
4.7 | 175.3 | 296.70 | 54 | 72 | 00 / 00 | 93.7 | |
36 | Once Upon a Honeymoon (1942) | Cary Grant & Ginger Rogers |
5.2 | 191.7 | 268.20 | 36 | 65 | 01 / 00 | 93.3 | |
36 | Beyond the Blue Horizon (1942) | Dorothy Lamour & Jack Haley |
5.7 | 212.4 | 212.40 | 31 | 63 | 00 / 00 | 93.2 | |
37 | Ride 'em Cowboy (1942) | Abbott & Costello |
7.4 | 276.1 | 276.10 | 17 | 63 | 00 / 00 | 93.2 | |
38 | To The Shores of Tripoli (1942) | Maureen O'Hara & John Payne |
6.6 | 244.3 | 244.30 | 21 | 61 | 01 / 00 | 92.8 | |
38 | Captains of the Clouds (1942) | James Cagney & Dennis Morgan |
6.0 | 224.7 | 364.10 | 26 | 60 | 02 / 00 | 92.8 | |
42 | Arabian Nights (1942) | John Hall & Sabu |
4.9 | 183.4 | 446.90 | 48 | 63 | 04 / 00 | 92.6 | |
44 | Andy Hardy's Double Life (1942) | Mickey Rooney & Lewis Stone |
5.1 | 189.3 | 281.10 | 40 | 64 | 00 / 00 | 92.5 | |
45 | Eagle Squadron (1942) | Robert Stack & Eddie Albert |
5.0 | 184.5 | 293.80 | 46 | 65 | 00 / 00 | 92.3 | |
44 | Rio Rita (1942) | Abbott & Costello |
5.5 | 204.7 | 342.00 | 33 | 60 | 00 / 00 | 92.3 | |
43 | Stand By For Action (1942) | Charles Laughton & Robert Taylor |
5.8 | 213.8 | 339.60 | 27 | 58 | 01 / 00 | 92.1 | |
46 | The Gay Sisters (1942) | Barbara Stanwyck & George Brent |
4.9 | 183.5 | 274.50 | 47 | 64 | 00 / 00 | 91.9 | |
47 | Ship Ahoy (1942) | Eleanor Powell & Red Skelton |
5.2 | 194.5 | 266.30 | 35 | 60 | 00 / 00 | 91.9 | |
49 | Flying Tigers (1942) | John Wayne & John Carroll |
4.3 | 159.3 | 159.30 | 62 | 68 | 03 / 00 | 91.5 | |
51 | Son of Fury: The Story of Benjamin Blake (1942) | Tyrone Power & Gene Tierney |
4.6 | 169.9 | 169.90 | 55 | 67 | 00 / 00 | 91.5 | |
48 | Star Spangled Rhythm (1942) | Bob Hope | 8.3 | 308.0 | 308.00 | 13 | 55 | 02 / 00 | 91.4 | |
52 | Cat People (1942) | Simone Simon & Tom Conway |
3.4 | 127.4 | 127.40 | 80 | 80 | 00 / 00 | 91.4 | |
50 | Reap the Wild Wind (1942) | John Wayne & Susan Hayward |
11.4 | 424.8 | 424.80 | 6 | 52 | 03 / 01 | 91.1 | |
53 | The Spoilers (1942) | John Wayne & Marlene Dietrich |
5.0 | 185.9 | 185.90 | 44 | 59 | 01 / 00 | 90.7 | |
55 | Take a Letter, Darling (1942) | Rosalind Russell & Fred MacMurray |
5.1 | 191.2 | 191.20 | 37 | 55 | 03 / 00 | 90.7 | |
54 | The Fleet's in (1942) | William Holden & Eddie Bracken |
5.0 | 185.9 | 185.90 | 45 | 59 | 00 / 00 | 90.7 | |
58 | My Gal Sal (1942) | Rita Hayworth & Victor Mature |
4.9 | 183.2 | 183.20 | 49 | 57 | 02 / 01 | 90.4 | |
58 | Saboteur (1942) | Directed by Alfred Hitchcock | 3.6 | 132.8 | 132.80 | 75 | 75 | 00 / 00 | 90.2 | |
57 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Anthony Quinn |
2.1 | 79.7 | 79.70 | 122 | 85 | 01 / 00 | 90.2 | |
60 | Roxie Hart (1942) | Ginger Rogers & Adolphe Menjou |
3.1 | 116.8 | 159.20 | 84 | 80 | 00 / 00 | 90.2 | |
60 | Somewhere I'll Find You (1942) | Clark Gable & Lana Turner |
8.2 | 306.4 | 426.30 | 16 | 53 | 00 / 00 | 90.1 | |
61 | Commandos Strike at Dawn (1942) | Paul Muni & Lillian Gish |
4.3 | 159.3 | 159.30 | 61 | 65 | 01 / 00 | 90.1 | |
63 | I Married a Witch (1942) | Susan Hayward & Fredric March |
3.1 | 116.8 | 116.80 | 85 | 78 | 01 / 00 | 90.0 | |
61 | The Magnificent Ambersons (1942) AA Best Picture Nom |
Agnes Moorehead & Directed by Orson Welles |
1.9 | 69.0 | 69.00 | 130 | 85 | 04 / 00 | 89.9 | |
64 | This Gun For Hire (1942) | Alan Ladd & Veronica Lake |
3.1 | 113.6 | 113.60 | 89 | 80 | 00 / 00 | 89.8 | |
65 | George Washington Slept Here (1942) | Ann Sheridan | 3.7 | 138.1 | 138.10 | 71 | 71 | 01 / 00 | 89.8 | |
66 | The Forest Rangers (1942) | Fred MacMurray & Susan Hayward |
4.3 | 159.3 | 159.30 | 63 | 65 | 00 / 00 | 89.8 | |
68 | Tortilla Flat (1942) | Spencer Tracy & John Garfield |
5.3 | 198.1 | 277.30 | 34 | 52 | 01 / 00 | 89.6 | |
69 | Orchestra Wives (1942) | George Montgomery & Glenn Miller |
3.4 | 127.4 | 127.40 | 78 | 72 | 01 / 00 | 89.0 | |
71 | Song of the Islands (1942) | Betty Grable & Victor Mature |
4.0 | 148.7 | 148.70 | 66 | 66 | 00 / 00 | 88.8 | |
70 | The Jungle Book (1942) | Sabu & Joseph Calleia |
3.7 | 138.1 | 138.10 | 69 | 65 | 04 / 00 | 88.6 | |
72 | Panama Hattie (1942) | Red Skelton & Ann Sothern |
5.1 | 191.2 | 247.20 | 38 | 51 | 00 / 00 | 88.4 | |
72 | All Through the Night (1942) | Humphrey Bogart & Conrad Veidt |
2.9 | 107.2 | 209.00 | 95 | 78 | 00 / 00 | 88.4 | |
75 | Footlight Serenade (1942) | Betty Grable & Victor Mature |
4.0 | 148.7 | 148.70 | 67 | 63 | 00 / 00 | 87.8 | |
74 | China Girl (1942) | Gene Tierney & George Montgomery |
4.0 | 148.7 | 148.70 | 65 | 62 | 00 / 00 | 87.4 | |
75 | The Courtship of Andy Hardy (1942) | Mickey Rooney & Lewis Stone |
4.4 | 164.7 | 255.90 | 58 | 57 | 00 / 00 | 87.4 | |
74 | Whistling in Dixie (1942) | Red Skelton & Ann Rutherford |
3.0 | 113.2 | 142.80 | 91 | 73 | 00 / 00 | 87.4 | |
77 | Saludos Amigos (1942) | Disney Animation | 2.9 | 106.2 | 172.10 | 100 | 72 | 03 / 00 | 87.2 | |
76 | The Glass Key (1942) | Alan Ladd & Veronica Lake |
2.8 | 105.1 | 105.10 | 102 | 74 | 00 / 00 | 86.9 | |
79 | The Lady Has Plans (1942) | Ray Milland & Paulette Goddard |
3.6 | 132.8 | 132.80 | 76 | 65 | 00 / 00 | 86.9 | |
80 | Iceland (1942) | Sonja Henie & John Payne |
4.9 | 180.6 | 180.60 | 51 | 50 | 00 / 00 | 86.7 | |
80 | Across the Pacific (1942) | Humphrey Bogart & Mary Astor |
3.9 | 146.7 | 252.20 | 68 | 60 | 00 / 00 | 86.6 | |
82 | Crossroads (1942) | William Powell & Basil Rathbone |
4.4 | 161.8 | 246.50 | 60 | 54 | 00 / 00 | 86.0 | |
82 | The Moon and Sixpence (1942) | George Sanders & Herbert Marshall |
3.4 | 127.4 | 127.40 | 79 | 64 | 01 / 00 | 85.9 | |
84 | Rings On Her Fingers (1942) | Henry Fonda | 2.9 | 106.2 | 106.20 | 98 | 71 | 00 / 00 | 85.9 | |
86 | The Bugle Sounds (1942) | Wallace Beery & Donna Reed |
3.6 | 132.8 | 132.80 | 72 | 61 | 00 / 00 | 85.2 | |
86 | What's Cookin' (1942) | Donald O'Connor | 2.5 | 91.7 | 91.70 | 106 | 74 | 00 / 00 | 85.0 | |
89 | White Cargo (1942) | Walter Pidgeon & Hedy Lamarr |
4.7 | 175.7 | 282.80 | 53 | 46 | 00 / 00 | 84.5 | |
88 | The Male Animal (1942) | Henry Fonda & Olivia de Havilland |
3.1 | 113.5 | 131.00 | 90 | 65 | 00 / 00 | 84.2 | |
87 | Larceny Inc./A Night Before Christmas (1942) | Edward G. Robinson | 2.1 | 77.0 | 77.00 | 123 | 76 | 00 / 00 | 84.0 | |
91 | Broadway (1942) | George Raft & Pat O'Brien |
3.1 | 116.8 | 116.80 | 83 | 62 | 00 / 00 | 83.0 | |
92 | Here We Go Again (1942) | Edgar Bergen & Gale Gordon |
3.7 | 138.1 | 138.10 | 70 | 54 | 00 / 00 | 82.6 | |
91 | Jackass Mail (1942) | Wallace Beery | 2.9 | 107.6 | 138.60 | 94 | 64 | 00 / 00 | 82.6 | |
92 | Seven Days' Leave (1942) | Lucille Ball & Victor Mature |
3.3 | 121.6 | 188.50 | 81 | 59 | 00 / 00 | 82.5 | |
96 | Thunder Birds: Soldiers of the Air (1942) | Gene Tierney & Preston Foster |
3.6 | 132.8 | 132.80 | 74 | 56 | 00 / 00 | 82.4 | |
95 | A Yank At Eton (1942) | Mickey Rooney & Edmund Gwenn |
4.4 | 163.8 | 163.80 | 59 | 46 | 00 / 00 | 82.3 | |
94 | Between Us Girls (1942) | Robert Cummings & Kay Francis |
2.9 | 106.2 | 106.20 | 101 | 63 | 00 / 00 | 82.0 | |
97 | Spitfire / The First of the Few (1942) | David Niven & Leslie Howard |
2.4 | 90.3 | 90.30 | 107 | 68 | 00 / 00 | 81.7 | |
99 | The Magnificent Dope (1942) | Henry Fonda & Don Ameche |
3.6 | 132.8 | 132.80 | 73 | 54 | 00 / 00 | 81.7 | |
97 | Are Husbands Necessary? (1942) | Ray Milland & Anne Revere |
3.0 | 111.5 | 111.50 | 92 | 61 | 00 / 00 | 81.6 | |
100 | The Big Shot (1942) | Humphrey Bogart & Irene Manning |
2.7 | 99.7 | 189.40 | 103 | 63 | 00 / 00 | 80.8 | |
101 | Wings For The Eagle (1942) | Ann Sheridan & Dennis Morgan |
2.9 | 106.2 | 106.20 | 99 | 61 | 00 / 00 | 80.6 | |
102 | Journey for Margaret (1942) | Robert Young & Laraine Day |
2.2 | 82.7 | 162.90 | 119 | 67 | 00 / 00 | 80.1 | |
103 | Lucky Jordan (1942) | Alan Ladd | 2.5 | 92.9 | 92.90 | 104 | 64 | 00 / 00 | 79.9 | |
106 | The Navy Comes Through (1942) | Pat O'Brien & Jackie Cooper |
3.5 | 131.3 | 131.30 | 77 | 51 | 01 / 00 | 79.8 | |
105 | They All Kissed The Bride (1942) | Joan Crawford & Melvyn Douglas |
2.9 | 106.2 | 151.30 | 96 | 59 | 00 / 00 | 79.6 | |
104 | Get Hep To Love (1942) | 2.5 | 91.9 | 91.90 | 105 | 64 | 00 / 00 | 79.6 | ||
107 | A Night To Remember (1942) | Loretta Young & Brian Aherne |
2.2 | 83.2 | 83.20 | 117 | 66 | 00 / 00 | 79.4 | |
109 | The Great Man's Lady (1942) | Barbara Stanwyck & Joel McCrea |
3.1 | 116.8 | 116.80 | 88 | 56 | 00 / 00 | 79.4 | |
107 | Lady in a Jam (1942) | Irene Dunne | 2.3 | 85.0 | 85.00 | 114 | 65 | 00 / 00 | 79.1 | |
110 | Manilla Calling (1942) | Cornel Wilde | 2.0 | 73.1 | 73.10 | 127 | 69 | 00 / 00 | 78.9 | |
111 | Maisie Gets Her Man (1942) | Red Skelton & Ann Sothern |
2.4 | 87.5 | 110.40 | 110 | 64 | 00 / 00 | 78.8 | |
112 | Street of Chance (1942) | Burgess Meredith | 2.2 | 83.4 | 83.40 | 116 | 64 | 00 / 00 | 77.9 | |
114 | Sin Town (1942) | Broderick Crawford | 2.4 | 89.8 | 89.80 | 108 | 62 | 00 / 00 | 77.8 | |
112 | The War Against Mrs. Hadley (1942) | Edward Arnold & Van Johnson |
2.0 | 73.8 | 144.10 | 126 | 66 | 01 / 00 | 77.5 | |
117 | Juke Girl (1942) | Ronald Reagan & Ann Sheridan |
3.1 | 116.8 | 116.80 | 86 | 53 | 00 / 00 | 77.4 | |
114 | True To The Army (1942) | 1.4 | 51.6 | 51.60 | 157 | 73 | 00 / 00 | 77.0 | ||
116 | Always in My Heart (1942) | Walter Huston & Kay Francis |
1.5 | 55.7 | 222.80 | 148 | 70 | 01 / 00 | 76.1 | |
119 | Reunion in France (1942) | John Wayne & Joan Crawford |
3.0 | 111.1 | 197.90 | 93 | 52 | 00 / 00 | 75.3 | |
118 | Tombstone: The Town Too Tough To Die (1942) | Richard Dix & Edgar Buchanan |
2.2 | 80.3 | 80.30 | 121 | 62 | 00 / 00 | 75.2 | |
122 | Lady For A Night (1942) | Joan Blondell & John Wayne |
2.3 | 85.1 | 85.10 | 113 | 60 | 00 / 00 | 75.1 | |
122 | Pittsburgh (1942) | John Wayne & Marlene Dietrich |
3.2 | 117.9 | 117.90 | 82 | 50 | 00 / 00 | 75.0 | |
121 | Sherlock Holmes and the Secret Weapon (1942) | Basil Rathbone | 1.7 | 63.8 | 63.80 | 140 | 67 | 00 / 00 | 74.9 | |
123 | The Mad Martindales (1942) | 1.4 | 52.9 | 52.90 | 154 | 70 | 00 / 00 | 74.5 | ||
124 | Joan of Paris (1942) | Paul Henreid & Thomas Mitchell |
1.4 | 53.4 | 122.10 | 153 | 69 | 01 / 00 | 74.5 | |
126 | Invisible Agent (1942) | Peter Lorre & Jon Hall |
2.9 | 106.2 | 106.20 | 97 | 52 | 01 / 00 | 74.3 | |
126 | Seven Sweethearts (1942) | Van Heflin & Kathryn Grayson |
1.8 | 67.8 | 179.10 | 132 | 65 | 00 / 00 | 74.1 | |
127 | The Big Street (1942) | Henry Fonda | 1.8 | 66.9 | 66.90 | 134 | 64 | 00 / 00 | 73.5 | |
128 | Mrs. Wiggs of the Cabbage Patch (1942) | 1.2 | 45.7 | 45.70 | 162 | 71 | 00 / 00 | 73.3 | ||
129 | Eyes in the Night (1942) | Edward Arnold & Donna Reed |
1.5 | 54.5 | 103.90 | 152 | 68 | 00 / 00 | 73.0 | |
130 | Priorities on Parade (1942) | 1.7 | 63.9 | 63.90 | 139 | 65 | 00 / 00 | 72.9 | ||
132 | The Ghost of Frankenstein (1942) | Cedric Hardwicke | 2.1 | 76.3 | 76.30 | 125 | 60 | 00 / 00 | 72.3 | |
130 | Moontide (1942) | Claude Rains | 1.2 | 45.9 | 45.90 | 161 | 69 | 01 / 00 | 72.0 | |
135 | Butch Minds The Baby (1942) | 2.1 | 76.8 | 76.80 | 124 | 60 | 00 / 00 | 72.0 | ||
134 | Flight Lieutenant (1942) | Glenn Ford | 2.3 | 87.1 | 87.10 | 111 | 56 | 00 / 00 | 71.8 | |
135 | Tennessee Johnson (1942) | Van Heflin & Lionel Barrymore |
1.6 | 60.5 | 72.60 | 145 | 65 | 00 / 00 | 71.8 | |
136 | Two Yanks in Trinidad (1942) | Pat O'Brien | 2.4 | 89.8 | 89.80 | 109 | 55 | 00 / 00 | 71.7 | |
135 | Silver Queen (1942) | Priscilla Lane | 1.9 | 71.3 | 71.30 | 128 | 59 | 02 / 00 | 71.5 | |
137 | Heart of the Rio Grande (1942) | 1.5 | 55.4 | 55.40 | 149 | 65 | 00 / 00 | 70.7 | ||
139 | Cairo (1942) | Jeanette MacDonald & Robert Young |
1.8 | 65.4 | 126.20 | 136 | 62 | 00 / 00 | 70.3 | |
140 | A Yank on the Burma Road (1942) | Barry Nelson & Laraine Day |
2.2 | 82.9 | 82.90 | 118 | 56 | 00 / 00 | 69.6 | |
141 | My Favorite Spy (1942) | Jane Wyman & Kay Kyser |
1.8 | 66.7 | 66.70 | 135 | 61 | 00 / 00 | 69.5 | |
140 | Syncopation (1942) | Adolphe Menjou & Jackie Cooper |
1.6 | 60.0 | 60.00 | 146 | 63 | 00 / 00 | 69.4 | |
143 | In Old California (1942) | John Wayne | 2.2 | 81.8 | 81.80 | 120 | 56 | 00 / 00 | 69.2 | |
142 | The Tuttles of Tahiti (1942) | Charles Laughton & Jon Hall |
1.7 | 65.0 | 65.00 | 137 | 61 | 00 / 00 | 68.9 | |
146 | Girl Trouble (1942) | Don Ameche & Joan Bennett |
1.8 | 68.5 | 68.50 | 131 | 59 | 00 / 00 | 68.5 | |
147 | The Lady Is Willing (1942) | Marlene Dietrich & Fred MacMurray |
2.3 | 85.0 | 85.00 | 115 | 54 | 00 / 00 | 68.1 | |
146 | Life Begins at Eight-Thirty (1942) | 1.5 | 54.7 | 54.70 | 151 | 63 | 00 / 00 | 67.8 | ||
149 | We Were Dancing (1942) | Norma Shearer | 1.7 | 61.7 | 61.70 | 143 | 61 | 00 / 00 | 67.5 | |
151 | Tish (1942) | Marjorie Main & ZaSu Pitts |
1.6 | 61.2 | 61.20 | 144 | 61 | 00 / 00 | 67.2 | |
149 | When Johnny Comes Marching Home (1942) | 1.5 | 54.7 | 54.70 | 150 | 63 | 00 / 00 | 67.2 | ||
152 | A-Haunting We Go (1942) | Laurel and Hardy | 2.3 | 86.2 | 86.20 | 112 | 53 | 00 / 00 | 67.1 | |
152 | Kid Glove Killer (1942) | Van Heflin & Marsha Hunt |
1.0 | 35.7 | 35.70 | 180 | 69 | 00 / 00 | 67.1 | |
152 | Sherlock Holmes and the Voice of Terror (1942) | Basil Rathbone | 1.4 | 51.8 | 51.80 | 155 | 63 | 00 / 00 | 66.5 | |
154 | Nazi Agent (1942) | Conrad Veidt & Ann Ayars |
0.9 | 33.9 | 33.90 | 185 | 69 | 00 / 00 | 66.3 | |
156 | Her Cardboard Lover (1942) | Norma Shearer & Robert Taylor |
1.8 | 67.7 | 103.30 | 133 | 58 | 00 / 00 | 65.9 | |
154 | On The Sunny Side (1942) | Roddy McDowall | 1.2 | 45.2 | 45.20 | 164 | 65 | 00 / 00 | 65.7 | |
156 | Madame Spy (1942) | 1.4 | 50.6 | 50.60 | 158 | 62 | 00 / 00 | 64.2 | ||
158 | Joe Smith, American (1942) | Robert Young & Marsha Hunt |
1.4 | 51.7 | 75.20 | 156 | 61 | 00 / 00 | 63.8 | |
161 | You Can't Escape Forever (1942) | 1.7 | 62.2 | 85.00 | 142 | 57 | 00 / 00 | 63.0 | ||
162 | Murder In The Big House (1942) | Van Johnson | 1.6 | 59.5 | 59.50 | 147 | 58 | 00 / 00 | 62.3 | |
161 | Dr. Gillespie's New Assistant (1942) | Lionel Barrymore & Van Johnson |
1.2 | 46.2 | 71.50 | 160 | 62 | 00 / 00 | 62.1 | |
160 | The Daring Young Men (1942) | 1.0 | 38.4 | 38.40 | 177 | 64 | 00 / 00 | 62.1 | ||
164 | Valley of The Sun (1942) | Lucille Ball & James Craig |
1.4 | 50.4 | 75.90 | 159 | 60 | 00 / 00 | 61.0 | |
164 | The Young Mr. Pitt (1942) | Robert Donat | 1.1 | 40.1 | 40.10 | 172 | 63 | 00 / 00 | 60.7 | |
165 | The Remarkable Andrew (1942) | William Holden & Brian Donlevy |
1.1 | 42.5 | 42.50 | 169 | 62 | 00 / 00 | 60.3 | |
167 | Berlin Correspondent (1942) | Dana Andrews | 1.0 | 38.9 | 38.90 | 175 | 63 | 00 / 00 | 60.1 | |
165 | The Adventures of Martin Eden (1942) | Glenn Ford | 0.9 | 34.1 | 34.10 | 183 | 64 | 00 / 00 | 60.0 | |
169 | Calling Dr. Gillespie (1942) | Lionel Barrymore & Donna Reed |
1.2 | 44.5 | 68.20 | 166 | 61 | 00 / 00 | 59.7 | |
167 | Grand Central Murder (1942) | Tom Conway | 0.8 | 31.5 | 54.90 | 188 | 65 | 00 / 00 | 59.3 | |
169 | Night Monster (1942) | 0.9 | 32.0 | 32.00 | 187 | 64 | 00 / 00 | 58.9 | ||
172 | The Vanishing Virginian (1942) | Kathryn Grayson | 1.7 | 62.6 | 96.10 | 141 | 54 | 00 / 00 | 57.6 | |
172 | The Affairs of Martha (1942) | Marjorie Main & Richard Carlson |
0.7 | 24.6 | 24.60 | 201 | 66 | 00 / 00 | 57.3 | |
174 | Dr. Kildare's Victory (1942) | Lew Ayres & Lionel Barrymore |
0.9 | 34.1 | 34.10 | 184 | 62 | 00 / 00 | 55.8 | |
173 | Fingers at the Window (1942) | Lew Ayres & Laraine Day |
0.8 | 30.6 | 58.20 | 191 | 63 | 00 / 00 | 55.6 | |
176 | I Married An Angel (1942) | Jeanette MacDonald & Nelson Eddy |
1.9 | 70.5 | 131.30 | 129 | 50 | 00 / 00 | 55.6 | |
177 | Brooklyn Orchid (1942) | 1.0 | 38.5 | 38.50 | 176 | 60 | 00 / 00 | 55.4 | ||
176 | Somewhere in France (1942) | 0.7 | 25.0 | 25.00 | 199 | 64 | 00 / 00 | 55.0 | ||
178 | Men Of Texas (1942) | Ralph Bellamy | 1.1 | 42.3 | 42.30 | 171 | 59 | 00 / 00 | 55.0 | |
180 | Miss Annie Rooney (1942) | Shirley Temple | 1.1 | 42.5 | 42.50 | 170 | 58 | 00 / 00 | 53.2 | |
179 | Home in Wyomin' (1942) | 0.2 | 8.8 | 8.80 | 219 | 68 | 00 / 00 | 53.1 | ||
181 | Flying Fortress (1942) | Richard Greene | 1.7 | 64.1 | 64.10 | 138 | 51 | 00 / 00 | 53.0 | |
183 | The Great Impersonation (1942) | 1.2 | 43.8 | 43.80 | 168 | 57 | 00 / 00 | 52.0 | ||
182 | Thunder Rock (1942) | 0.6 | 21.8 | 21.80 | 204 | 63 | 00 / 00 | 51.1 | ||
185 | Not a Ladies' Man (1942) | 0.7 | 27.1 | 27.10 | 194 | 61 | 00 / 00 | 49.5 | ||
185 | The Boogie Man Will Get You (1942) | Boris Karloff & Peter Lorre |
1.1 | 39.8 | 39.80 | 173 | 57 | 00 / 00 | 49.4 | |
188 | Private Buckaroo (1942) | 1.2 | 45.3 | 45.30 | 163 | 55 | 00 / 00 | 49.3 | ||
186 | The Wife Takes A Flyer (1942) | Joan Bennett | 1.1 | 39.5 | 39.50 | 174 | 56 | 00 / 00 | 48.3 | |
188 | Powder Town (1942) | 1.2 | 43.8 | 43.80 | 167 | 55 | 00 / 00 | 48.2 | ||
189 | Junior Army (1942) | Peter Lawford | 0.9 | 34.7 | 34.70 | 182 | 57 | 00 / 00 | 45.9 | |
190 | Cowboy Serenade (1942) | 0.3 | 11.3 | 11.30 | 216 | 64 | 00 / 00 | 45.5 | ||
189 | Thundering Hoofs (1942) | Tim Holt & Ray Whitley |
0.2 | 8.6 | 8.60 | 220 | 65 | 00 / 00 | 45.5 | |
194 | Northwest Rangers (1942) | James Craig & John Carradine |
0.9 | 33.2 | 33.20 | 186 | 57 | 00 / 00 | 45.1 | |
193 | A Gentleman After Dark (1942) | Miriam Hopkins | 0.7 | 26.7 | 26.70 | 196 | 59 | 00 / 00 | 45.1 | |
194 | Mexican Spitfire's Elephant (1942) | Lyle Talbot | 1.0 | 36.3 | 36.30 | 179 | 56 | 00 / 00 | 45.1 | |
196 | Sunday Punch (1942) | William Lundigan & Jean Rogers |
0.7 | 24.3 | 39.60 | 202 | 59 | 00 / 00 | 43.7 | |
197 | The Hidden Hand (1942) | 0.6 | 21.7 | 22.20 | 205 | 59 | 00 / 00 | 41.9 | ||
199 | The Omaha Trail (1942) | James Craig & Dean Jagger |
0.8 | 31.1 | 31.10 | 189 | 55 | 00 / 00 | 39.8 | |
198 | Call of the Canyon (1942) | 0.1 | 2.1 | 2.10 | 224 | 64 | 00 / 00 | 39.3 | ||
201 | Pacific Rendezvous (1942) | Lee Bowman & Jean Rogers |
0.7 | 26.9 | 26.90 | 195 | 56 | 00 / 00 | 38.5 | |
200 | Secret Enemies (1942) | Craig Stevens | 0.7 | 25.0 | 25.00 | 200 | 56 | 00 / 00 | 37.1 | |
200 | Come on Danger (1942) | Tim Holt & Glenn Strange |
0.2 | 8.6 | 8.60 | 221 | 61 | 00 / 00 | 37.0 | |
202 | Sing Your Worries Away (1942) | Buddy Edsen & Bert Lahr |
0.5 | 17.8 | 17.80 | 212 | 58 | 00 / 00 | 36.7 | |
205 | Four Jacks and a Jill (1942) | Ray Bolger | 1.0 | 37.8 | 37.80 | 178 | 51 | 00 / 00 | 34.9 | |
204 | The McGuerins from Brooklyn (1942) | 0.5 | 19.6 | 19.60 | 210 | 56 | 00 / 00 | 34.5 | ||
205 | Obliging Young Lady (1942) | 0.8 | 30.2 | 30.20 | 192 | 53 | 00 / 00 | 34.4 | ||
206 | Shut My Big Mouth (1942) | 0.5 | 20.1 | 20.10 | 209 | 55 | 00 / 00 | 32.5 | ||
207 | Pierre of the Plains (1942) | John Carroll & Bruce Cabot |
0.8 | 30.7 | 45.40 | 190 | 52 | 00 / 00 | 32.3 | |
206 | Mystery of Marie Roget (1942) | 0.6 | 20.9 | 20.90 | 207 | 55 | 00 / 00 | 32.3 | ||
209 | Wild Bill Hickok Rides (1942) | Constance Bennett | 0.4 | 16.3 | 16.30 | 214 | 56 | 00 / 00 | 32.3 | |
212 | Meet The Stewarts (1942) | William Holden & Frances Dee |
0.9 | 35.0 | 35.00 | 181 | 50 | 00 / 00 | 30.8 | |
209 | The Mayor of 44th Street (1942) | 0.6 | 20.5 | 20.50 | 208 | 54 | 00 / 00 | 30.6 | ||
210 | There's One Born Every Second (1942) | Elizabeth Taylor | 0.6 | 21.3 | 21.30 | 206 | 54 | 00 / 00 | 30.4 | |
212 | Red River Robin Hood (1942) | Tim Holt & Cliff Edwards |
0.3 | 10.0 | 10.00 | 217 | 57 | 00 / 00 | 29.2 | |
215 | Apache Trail (1942) | Donna Reed | 0.7 | 27.7 | 27.70 | 193 | 50 | 00 / 00 | 26.8 | |
214 | The Avengers (1942) | 0.1 | 4.6 | 4.60 | 223 | 57 | 00 / 00 | 26.1 | ||
215 | Bombay Clipper (1942) | 0.2 | 7.5 | 7.50 | 222 | 56 | 00 / 00 | 25.9 | ||
216 | The Loves of Edgar Allan Poe (1942) | Linda Darnell | 0.7 | 25.4 | 25.40 | 198 | 49 | 00 / 00 | 23.7 | |
217 | Bowery At Midnight (1942) | 0.4 | 13.3 | 13.30 | 215 | 51 | 00 / 00 | 20.2 | ||
219 | Cadets On Parade (1942) | Freddie Bartholomew | 0.3 | 9.8 | 9.80 | 218 | 52 | 00 / 00 | 20.0 | |
218 | Twin Beds (1942) | Joan Bennett | 1.2 | 44.8 | 44.80 | 165 | 40 | 00 / 00 | 18.9 | |
220 | Call Out The Marines (1942) | 0.7 | 26.5 | 26.50 | 197 | 44 | 00 / 00 | 15.6 | ||
220 | Mokey (1942) | Dan Dailey & Donna Reed |
0.5 | 19.0 | 29.40 | 211 | 46 | 00 / 00 | 14.7 | |
222 | Drums of the Congo (1942) | 0.6 | 22.7 | 22.70 | 203 | 39 | 00 / 00 | 8.9 | ||
223 | I Was Framed (1942) | Tod Andrews & Julie Bishop |
0.5 | 16.9 | 16.90 | 213 | 39 | 00 / 00 | 6.8 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: Variety Magazine – January 6th 1943
Source 4: Year In Review Variety Editions – 1941,1942,1947,1954,1961,1968,1971,1974
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
How the Box Office Numbers were Calculated
Sadly in 1942….BoxOfficeMojo was not around to keep track of box office earnings. Back then earnings seem to be a secret and a secret that needed to be safely locked up. When studios did report box office stats they used “box office rentals”. Box office rentals were the amount of money the studio got back from the theaters. It is NOT the box office gross. We created a computer program that looked at box office rentals and known box office grosses in my database. My program found over 2,000 movies that matched that criteria and came up with an average of 2.2. Meaning that box office gross was 2.2 times greater than box office rentals. It is not an exact calculation….but it is the multiplier I used to calculate the grosses. For example: Lets look at Errol Flynn’s Desperate Journey. Desperate Journey returned to RKO studies $2,029,000 million in box office rentals. Using my multiplier of 2.2….I calculate that the box office gross was $4,463,000 million in 1942.
If a big budget movie made $4.43 million today it would be considered a huge box office bomb (can you say The Adventures of Pluto Nash?). To compare box office results from movies from different eras you have to use tickets sold as the common denominator. Back in 1942 the average movie admission was .28 cents (Box Office Mojo says it is .23 cents…but I disagree with their number). So you take the box office gross and divide it by average movie admission….in this case…$4.43 million divided by $.23 you get 15.8 million tickets sold in 1942. Now (have I lost you yet?) you take the average movie admission price today ($8.14) and multiply that by tickets sold. 15.8 * $8.14 = $128.61 million So if Desperate Journey was released this year it would earn about $125.00 million. Desperate Journey’s unadjusted box office total of 4.43 million would rank as the 153rd highest grossing film of 2014….right behind The Skelton Twins. But if we look at Desperate Journey’s adjusted box office total of $125.00 million…it would rank as the 23rd highest grossing movie of 2014….one spot ahead of Lucy.
Not Enough Stats? How About A 1942 Adjusted Worldwide Box Office Table?
1942 Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Mrs. Miniver (1942) AA Best Picture Win |
Greer Garson & Walter Pidgeon |
942.90 | |
Random Harvest (1942) AA Best Picture Nom |
Ronald Coleman & Greer Garson |
866.90 | |
Bambi (1942) | Disney Animated Movies | 863.20 | |
Casablanca (1942) AA Best Picture Win |
Humphrey Bogart & Claude Rains |
807.80 | |
Yankee Doodle Dandy (1942) AA Best Picture Nom |
James Cagney & Walter Huston |
702.20 | |
Holiday Inn (1942) | Bing Crosby & Fred Astaire |
654.00 | |
Kings Row (1942) AA Best Picture Nom |
Robert Cummings & Ronald Reagan |
540.90 | |
For Me and My Gal (1942) | Judy Garland & Gene Kelly |
464.20 | |
Arabian Nights (1942) | John Hall & Sabu |
446.90 | |
Now, Voyager (1942) | Bette Davis & Claude Rains |
443.60 | |
Somewhere I'll Find You (1942) | Clark Gable & Lana Turner |
426.30 | |
Gentleman Jim (1942) | Erroll Flynn & Alan Hale |
408.00 | |
Captains of the Clouds (1942) | James Cagney & Dennis Morgan |
364.10 | |
Tarzan's New York Adventure (1942) | Johnny Weissmuller & Maureen O'Sullivan |
358.10 | |
Keeper of the Flame (1942) | Spencer Tracy & Katharine Hepburn |
342.20 | |
Rio Rita (1942) | Abbott & Costello |
342.00 | |
Stand By For Action (1942) | Charles Laughton & Robert Taylor |
339.60 | |
Desperate Journey (1942) | Errol Flynn & Ronald Reagan |
297.60 | |
In This Our Life (1942) | Bette Davis & Olivia de Havilland |
296.70 | |
Eagle Squadron (1942) | Robert Stack & Eddie Albert |
293.80 | |
Woman of the Year (1942) | Spencer Tracy & Katharine Hepburn |
287.60 | |
White Cargo (1942) | Walter Pidgeon & Hedy Lamarr |
282.80 | |
Andy Hardy's Double Life (1942) | Mickey Rooney & Lewis Stone |
281.10 | |
Tortilla Flat (1942) | Spencer Tracy & John Garfield |
277.30 | |
You Were Never Lovelier (1942) | Fred Astaire & Rita Hayworth |
275.30 | |
The Gay Sisters (1942) | Barbara Stanwyck & George Brent |
274.50 | |
The Man Who Came To Dinner (1942) | Bette Davis & Monty Woolley |
272.40 | |
Once Upon a Honeymoon (1942) | Cary Grant & Ginger Rogers |
268.20 | |
Ship Ahoy (1942) | Eleanor Powell & Red Skelton |
266.30 | |
The Courtship of Andy Hardy (1942) | Mickey Rooney & Lewis Stone |
255.90 | |
Across the Pacific (1942) | Humphrey Bogart & Mary Astor |
252.20 | |
Panama Hattie (1942) | Red Skelton & Ann Sothern |
247.20 | |
Crossroads (1942) | William Powell & Basil Rathbone |
246.50 | |
Always in My Heart (1942) | Walter Huston & Kay Francis |
222.80 | |
All Through the Night (1942) | Humphrey Bogart & Conrad Veidt |
209.00 | |
Reunion in France (1942) | John Wayne & Joan Crawford |
197.90 | |
The Big Shot (1942) | Humphrey Bogart & Irene Manning |
189.40 | |
Seven Days' Leave (1942) | Lucille Ball & Victor Mature |
188.50 | |
Seven Sweethearts (1942) | Van Heflin & Kathryn Grayson |
179.10 | |
Saludos Amigos (1942) | Disney Animation | 172.10 | |
Journey for Margaret (1942) | Robert Young & Laraine Day |
162.90 | |
The Talk of the Town (1942) AA Best Picture Nom |
Cary Grant & Jean Arthur |
162.00 | |
Roxie Hart (1942) | Ginger Rogers & Adolphe Menjou |
159.20 | |
They All Kissed The Bride (1942) | Joan Crawford & Melvyn Douglas |
151.30 | |
The War Against Mrs. Hadley (1942) | Edward Arnold & Van Johnson |
144.10 | |
Whistling in Dixie (1942) | Red Skelton & Ann Rutherford |
142.80 | |
Jackass Mail (1942) | Wallace Beery | 138.60 | |
I Married An Angel (1942) | Jeanette MacDonald & Nelson Eddy |
131.30 | |
The Male Animal (1942) | Henry Fonda & Olivia de Havilland |
131.00 | |
Cairo (1942) | Jeanette MacDonald & Robert Young |
126.20 | |
Joan of Paris (1942) | Paul Henreid & Thomas Mitchell |
122.10 | |
Maisie Gets Her Man (1942) | Red Skelton & Ann Sothern |
110.40 | |
Eyes in the Night (1942) | Edward Arnold & Donna Reed |
103.90 | |
Her Cardboard Lover (1942) | Norma Shearer & Robert Taylor |
103.30 | |
The Vanishing Virginian (1942) | Kathryn Grayson | 96.10 | |
You Can't Escape Forever (1942) | 85.00 | ||
Valley of The Sun (1942) | Lucille Ball & James Craig |
75.90 | |
Joe Smith, American (1942) | Robert Young & Marsha Hunt |
75.20 | |
Tennessee Johnson (1942) | Van Heflin & Lionel Barrymore |
72.60 | |
Dr. Gillespie's New Assistant (1942) | Lionel Barrymore & Van Johnson |
71.50 | |
Calling Dr. Gillespie (1942) | Lionel Barrymore & Donna Reed |
68.20 | |
Fingers at the Window (1942) | Lew Ayres & Laraine Day |
58.20 | |
Grand Central Murder (1942) | Tom Conway | 54.90 | |
Pierre of the Plains (1942) | John Carroll & Bruce Cabot |
45.40 | |
Sunday Punch (1942) | William Lundigan & Jean Rogers |
39.60 | |
Mokey (1942) | Dan Dailey & Donna Reed |
29.40 | |
The Hidden Hand (1942) | 22.20 |
My Yearly Review Pages
- 1937 Movies Ranked Best to Worst Our movie of the year? Snow White & Seven Dwarfs
- 1938 Movies Ranked Best to Worst Our movie of the year? The Adventures of Robin Hood
- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1940 Movies Ranked Best to Worst Our movie of the year? Rebecca
- 1941 Movies Ranked Best to Worst Our movie of the year? How Green Was My Valley
- 1942 Movies Ranked Best to Worst Our movie of the year? Mrs. Miniver
- 1943 Movies Ranked Best to Worst Our movie of the year? The Song of Bernadette
- 1944 Movies Ranked Best to Worst Our movie of the year? Double Indemnity
- 1945 Movies Ranked Best to Worst Our movie of the year? The Lost Weekend
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 1947 Movies Ranked Best to Worst Our movie of the year? Gentleman’s Agreement
- 1948 Movies Ranked Best to Worst Our movie of the year? The Red Shoes
- 1949 Movies Ranked Best to Worst Our movie of the year? Battleground
- 1952 Movies Ranked Best to Worst Our movie of the year? Greatest Show On Earth
- 1959 Movies Ranked Best to Worst Our movie of the year? Ben-Hur
- 1976 Movies Ranked Best to Worst Our movie of the year? Rocky
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
- 2016 Movies Ranked Best to Worst Our movie of the year? La La Land
If you do a comment….please ignore the email address and website section.
Once again, a great job. It’s a very good idea to make yearly top grossing. I saw only 20 movies but my favorites is Mrs Miniver. This movie was a big success with over 10 millions admissions ($3 millions). It stay the 61° biggest success of all-time in Great Britain. In France it was a success too with almost 4 millions admissions ($1.15millions).
Hey laurent…..thanks for the comment and the compliment. Mrs. Miniver is one of the highest ranked movies in my entire database…..so your favorite is very well thought of. It is not often that a movie like Mrs. Miniver was so important to a country….I love how Churchill thought Mrs. Miniver was vital in winning the war. Thanks for the stats in France and England.
An epic movie page Bruce, well done! 1942 isn’t one of my favorite movie years I’ve seen just 39 of the 145 films you’ve listed. My favorite movies? Yankee Doodle Dandy, Road to Morocco, Bambi and of course Casablanca… oh wait a sec where is Casablanca? Oh lordy lord it ain’t there.
I know it won Best Picture in 1944 but it did receive a New York premiere in 1942. Mrs Miniver won Best Picture at the 1943 ceremony, confusing isn’t it? 🙂
I still haven’t seen Mrs. Miniver or Pride of the Yankees, but they are on my to see list. Half a billion dollars in adjusted grosses for Mrs. Miniver is rather a lot isn’t it. I can’t imagine millions of people queuing up to see that one. I know Bambi was a huge hit, adjusted is $534m for just the North American grosses! So Bambi should be about a billion gross worldwide? 🙂
Hey Steve.
1. Thanks for reading, commenting and visiting my latest page.
2. My tally count is 29….maybe 30…as I think I have seen the John Wayne movie In Old California….but I am not 100% sure.
3. Casablanca is confusing….but if I had included it on this page…then I think things would have gotten even more confusing…with two pictures earning Best Picture Oscars.
4. I only listed Bambi’s 1942 box office here…..but yes Bambi is over $517 million in North America and almost $500 million in worldwide box office…..in adjusted box office grosses and looking at all of the re-releases.
5. I thought Mrs. Miniver was one of England’s favorite movies….Winston Churchill once said that this film had done more for the war effort than a flotilla of destroyers.
6. Mrs. Miniver was the 18th biggest hit of the 1940s….the 1940s was the greatest decade of movie admissions ever….so yes people were lined up to see that movie.
7. As always….you are the man.
Hello Bruce. I am glad to see you’ve done another year of classic films. 1942 was a good year for films and I’ve seen many of them. You missed putting “All Through the Night” on this impressive List. But you have listed on your very good Humphrey Bogart page at $2.22m. I was very happy to see that you had “This Gun for Hire” listed here. I was always curious as to how much this had done. Do you have any box office info on Alan Ladd’s other film noir classic of 1942 “The Glass Key”. I was also wondering if you had any information on the 1965 film “King Rat” starring George Segal in an early star turn. Thanks for anther Yearly Film Box Office page.
Hey Lyle…..All Through The Night has a IMDb 1941 year listed…..so I went back to my Bogart page and corrected it to 1941….good catch I am impressed. I was surprised that This Gun For Hire did not do better at the box office….many times when a movie becomes a classic the assumption is the movie did great at the box office…..I am sure in 50 years somebody will be shocked to see that Shawshank Redemption struggled at the box office.
As for the Glass Key…..I have admissions in France via Wiki which does not help….while my The Paramount Story book says “but it became a box-office howitzer because of the immediate popularity of Alan Ladd and Veronica Lake”….hard to give a number value to a “howitzer:.it did not make Variety’s Golden 1,000,000 Club.
King Rat was the number one movie in North America from Nov.7th through Nov. 21st earning $5.69 million during those three weeks. It is not listed on Variety’s Top Grossers of 1965 or 1966….nor did it make any of the Variety 4 million rentals collections….so an educated guess using the ceiling (4.0 million in rentals) and the floor (2.60 million in rentals for a gross of $5.69 million) would be $3.20 million in rentals, $7.04 million in adjusted gross or about $56.90 million in adjusted gross.
Glad you liked the page….I hope to do more of these pages in the near future.
Hi
It was certainly big box office, a great year for Greer Garson, Bing Crosby, James Cagney and Bob Hope. To be honest I’ve never heard of a lot of the movies you mentioned, but I’ve seen all the big ones. I particularly like The Palm Beach Story and I Married a Witch. I always get confused about Casablanca, some commentators say 42 and others say 43. I suppose its a great movie, no matter what year.
The fact that over 50 movies grossed over 100 million was the norm at that time, how much would today’s producers love to be in the same position.
Hey Chris…..I agree with you…as there are lots of movies on this list that time has forgotten. I think even a huge Henry Fonda would have to name 40 or 50 movies before they got to The Male Animal. I liked I Married A Witch too….I want to see The Palm Beach Story….especially since one of these days I will be doing a Claudette Colbert page.
Casablanca is very confusing when it comes to release date. IMDb list Casablanca as 1942….but it won the Oscar for Best Picture for the movies released in 1943. So Casablanca should be on the list…..but one day I will do a 1943 page….and I want to include Casablanca on that one since it won the big prize. Not sure how it was eligible for the 1943 Oscars and not the 1942 Oscars….as you say….CONFUSING! I will go back and address that issue in the page in the “drivel” section.
Looking at the last few years…2013 saw 35 movies reach $100 million….while 2014 saw 33 movies reach $100 million….so far 19 have made it in 2015…..so yes I am sure the producers want to see those glory days to return. Thanks for stopping by and commenting.
Have to admit I am not aware of many of these movies; but you seem to have put together an excellent reference. Impressive!
Hey Timlin….thanks for stopping by and thanks for the nice compliment.