This movie page looks at 1950 Top Box Office Movies. Finding box office information for movies made in the 1940s and 1950s is extremely difficult. For somebody looking for box office information on 1950 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1950 movies in our database.
To make this list a movie had to be made in 1950. Obviously many movies made in 1949 earned box office dollars in 1950. On the other side many movies made in 1950 made money in 1951 and later. This page will looks at 174 1950 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1950 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis. *The box office totals for Cinderella include all of the re-releases it has had over the years.
Our UMR Top 50 of 1950
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1950
All About Eve (1950)
AA Best Picture Win
1950
Sunset Blvd. (1950)
AA Best Picture Nom
1950
Born Yesterday (1950)
AA Best Picture Nom
1950
Father of the Bride (1950)
AA Best Picture Nom
1950
Cinderella (1950)
1950
Annie Get Your Gun (1950)
1950
King Solomon's Mines (1950)
AA Best Picture Nom
1950
Harvey (1950)
1950
Broken Arrow (1950)
1950
Three Little Words (1950)
1950
Winchester '73 (1950)
1950
Cheaper by the Dozen (1950)
1950
The Flame and the Arrow (1950)
1950
Kim (1950)
1950
Summer Stock (1950)
1950
The Gunfighter (1950)
1950
Francis (1950)
1950
Fancy Pants (1950)
1950
At War with the Army (1950)
1950
Rio Grande (1950)
1950
Treasure Island (1950)
1950
Stars In My Crown (1950)
1950
Dallas (1950)
1950
Cyrano de Bergerac (1950)
1950
Duchess of Idaho (1950)
1950
In a Lonely Place (1950)
1950
I'll Get By (1950)
1950
Our Very Own (1950)
1950
Breakthrough (1950)
1950
My Blue Heaven (1950)
1950
Tea for Two (1950)
1950
Let's Dance (1950)
1950
The Asphalt Jungle (1950)
1950
Caged (1950)
1950
Ma and Pa Kettle Go To Town (1950)
Uncredited Role
1950
Panic in the Streets (1950)
1950
The Furies (1950)
1950
Three Came Home (1950)
1950
The Black Rose (1950)
1950
American Guerrilla in the Philippines (1950)
1950
Mr. Music (1950)
1950
Two Weeks with Love (1950)
1950
The Yellow Cab Man (1950)
1950
Kiss Tomorrow Goodbye (1950)
1950
Branded (1950)
1950
The West Point Story (1950)
1950
No Way Out (1950)
1950
My Friend Irma Goes West (1950)
1950
Wabash Avenue (1950)
1950
The Damned Don't Cry (1950)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1950 | All About Eve (1950) AA Best Picture Win |
||
1950 | Sunset Blvd. (1950) AA Best Picture Nom |
||
1950 | Born Yesterday (1950) AA Best Picture Nom |
||
1950 | Father of the Bride (1950) AA Best Picture Nom |
||
1950 | Cinderella (1950) | ||
1950 | Annie Get Your Gun (1950) | ||
1950 | King Solomon's Mines (1950) AA Best Picture Nom |
||
1950 | Harvey (1950) | ||
1950 | Broken Arrow (1950) | ||
1950 | Three Little Words (1950) | ||
1950 | Winchester '73 (1950) | ||
1950 | Cheaper by the Dozen (1950) | ||
1950 | The Flame and the Arrow (1950) | ||
1950 | Kim (1950) | ||
1950 | Summer Stock (1950) | ||
1950 | The Gunfighter (1950) | ||
1950 | Francis (1950) | ||
1950 | Fancy Pants (1950) | ||
1950 | At War with the Army (1950) | ||
1950 | Rio Grande (1950) | ||
1950 | Treasure Island (1950) | ||
1950 | Stars In My Crown (1950) | ||
1950 | Dallas (1950) | ||
1950 | Cyrano de Bergerac (1950) | ||
1950 | Duchess of Idaho (1950) | ||
1950 | In a Lonely Place (1950) | ||
1950 | I'll Get By (1950) | ||
1950 | Our Very Own (1950) | ||
1950 | Breakthrough (1950) | ||
1950 | My Blue Heaven (1950) | ||
1950 | Tea for Two (1950) | ||
1950 | Let's Dance (1950) | ||
1950 | The Asphalt Jungle (1950) | ||
1950 | Caged (1950) | ||
1950 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
||
1950 | Panic in the Streets (1950) | ||
1950 | The Furies (1950) | ||
1950 | Three Came Home (1950) | ||
1950 | The Black Rose (1950) | ||
1950 | American Guerrilla in the Philippines (1950) | ||
1950 | Mr. Music (1950) | ||
1950 | Two Weeks with Love (1950) | ||
1950 | The Yellow Cab Man (1950) | ||
1950 | Kiss Tomorrow Goodbye (1950) | ||
1950 | Branded (1950) | ||
1950 | The West Point Story (1950) | ||
1950 | No Way Out (1950) | ||
1950 | My Friend Irma Goes West (1950) | ||
1950 | Wabash Avenue (1950) | ||
1950 | The Damned Don't Cry (1950) |
1950 Top Box Office Movies Can Be Ranked 7 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1950 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1950 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1950 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions).
- Sort 1950 Top Box Office Movies by yearly domestic box office rank
- Sort 1950 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1950 Top Box Office Movies received.
- Sort 1950 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
8.9 | 198.9 | 282.30 | 9 | 92 | 14 / 06 | 100.0 | |
3 | Sunset Blvd. (1950) AA Best Picture Nom |
William Holden & Gloria Swanson |
6.7 | 150.8 | 150.80 | 24 | 90 | 11 / 03 | 99.0 | |
2 | Born Yesterday (1950) AA Best Picture Nom |
William Holden & Judy Holliday |
11.8 | 264.0 | 264.00 | 5 | 81 | 05 / 01 | 99.0 | |
4 | Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
11.5 | 259.0 | 390.40 | 6 | 82 | 03 / 00 | 98.9 | |
6 | Cinderella (1950) | Disney Animated Movies | 28.9 | 649.7 | 832.60 | 1 | 84 | 03 / 00 | 98.5 | |
7 | Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
13.3 | 298.4 | 494.00 | 3 | 78 | 04 / 01 | 98.0 | |
5 | King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
14.4 | 323.8 | 638.80 | 2 | 71 | 03 / 02 | 97.8 | |
8 | Harvey (1950) | James Stewart | 7.4 | 166.8 | 166.80 | 17 | 87 | 02 / 01 | 97.2 | |
9 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.1 | 227.8 | 227.80 | 7 | 71 | 03 / 00 | 96.0 | |
11 | Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
8.6 | 193.7 | 290.40 | 10 | 73 | 01 / 00 | 95.6 | |
12 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.4 | 144.4 | 144.40 | 32 | 87 | 00 / 00 | 95.0 | |
10 | Cheaper by the Dozen (1950) | Myrna Loy & Clifton Webb |
12.6 | 283.9 | 283.90 | 4 | 68 | 00 / 00 | 94.8 | |
13 | The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
7.8 | 175.6 | 361.00 | 15 | 74 | 02 / 00 | 94.7 | |
15 | Kim (1950) | Errol Flynn & Dean Stockwell |
8.3 | 185.8 | 344.00 | 12 | 68 | 00 / 00 | 93.5 | |
16 | Summer Stock (1950) | Judy Garland & Gene Kelly |
7.1 | 160.3 | 215.40 | 19 | 75 | 00 / 00 | 93.2 | |
14 | The Gunfighter (1950) | Gregory Peck | 5.6 | 125.1 | 125.10 | 48 | 84 | 01 / 00 | 92.8 | |
19 | Francis (1950) | Donald O'Connor | 8.3 | 186.1 | 186.10 | 11 | 65 | 00 / 00 | 92.6 | |
19 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.4 | 166.8 | 166.80 | 18 | 70 | 00 / 00 | 92.2 | |
17 | At War with the Army (1950) | Jerry Lewis & Dean Martin |
9.4 | 211.7 | 211.70 | 8 | 59 | 00 / 00 | 92.2 | |
20 | Rio Grande (1950) | John Wayne & Maureen O'Hara |
6.4 | 144.4 | 144.40 | 31 | 74 | 00 / 00 | 91.1 | |
23 | Treasure Island (1950) | Bobby Driscoll | 6.0 | 134.8 | 263.10 | 41 | 77 | 00 / 00 | 91.1 | |
20 | Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
5.6 | 125.9 | 137.70 | 46 | 79 | 00 / 00 | 91.1 | |
24 | Dallas (1950) | Gary Cooper | 7.9 | 177.4 | 288.10 | 14 | 63 | 00 / 00 | 91.0 | |
22 | Cyrano de Bergerac (1950) | José Ferrer | 5.4 | 121.9 | 121.90 | 50 | 78 | 01 / 01 | 90.9 | |
26 | Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
8.1 | 182.9 | 271.80 | 13 | 60 | 00 / 00 | 90.6 | |
25 | In a Lonely Place (1950) | Humphrey Bogart & Gloria Graham |
3.9 | 88.2 | 88.20 | 82 | 87 | 00 / 00 | 89.4 | |
29 | I'll Get By (1950) | Thelma Ritter & June Haver |
7.0 | 157.2 | 157.20 | 20 | 63 | 01 / 00 | 89.2 | |
29 | Our Very Own (1950) | Natalie Wood & Jane Wyatt |
6.9 | 154.0 | 224.60 | 22 | 64 | 01 / 00 | 89.2 | |
29 | Breakthrough (1950) | John Agar | 6.0 | 134.4 | 193.50 | 42 | 71 | 00 / 00 | 89.1 | |
30 | My Blue Heaven (1950) | Betty Grable & Dan Dailey |
6.5 | 146.0 | 146.00 | 30 | 66 | 00 / 00 | 88.7 | |
31 | Tea for Two (1950) | Doris Day & Gordon MacRae |
6.6 | 149.0 | 234.30 | 26 | 65 | 00 / 00 | 88.6 | |
32 | Let's Dance (1950) | Fred Astaire & Betty Hutton |
6.9 | 154.0 | 249.50 | 23 | 63 | 00 / 00 | 88.5 | |
31 | The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
3.1 | 69.1 | 137.50 | 104 | 87 | 04 / 00 | 88.5 | |
33 | Caged (1950) | Eleanor Parker | 4.3 | 96.2 | 96.20 | 71 | 79 | 03 / 00 | 88.4 | |
35 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
Marjorie Main | 6.2 | 139.6 | 139.60 | 36 | 67 | 00 / 00 | 88.1 | |
36 | Panic in the Streets (1950) | Richard Widmark & Jack Palance |
3.4 | 77.0 | 77.00 | 97 | 84 | 01 / 01 | 87.9 | |
35 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.6 | 102.7 | 102.70 | 65 | 77 | 01 / 00 | 87.8 | |
38 | Three Came Home (1950) | Claudette Colbert | 5.4 | 121.9 | 121.90 | 49 | 71 | 00 / 00 | 87.6 | |
39 | The Black Rose (1950) | Tyrone Power & Orson Welles |
7.6 | 170.0 | 170.00 | 16 | 54 | 01 / 00 | 87.3 | |
40 | American Guerrilla in the Philippines (1950) | Tyrone Power | 6.5 | 146.3 | 146.30 | 29 | 62 | 00 / 00 | 87.2 | |
41 | Mr. Music (1950) | Bing Crosby | 6.6 | 147.6 | 147.60 | 27 | 61 | 00 / 00 | 87.1 | |
42 | Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
4.8 | 108.8 | 179.30 | 58 | 73 | 00 / 00 | 86.8 | |
43 | The Yellow Cab Man (1950) | Red Skelton | 5.6 | 125.2 | 166.80 | 47 | 67 | 00 / 00 | 86.7 | |
44 | Kiss Tomorrow Goodbye (1950) | James Cagney | 4.9 | 109.1 | 109.10 | 54 | 72 | 00 / 00 | 86.5 | |
46 | Branded (1950) | Alan Ladd & Charles Bickford |
6.3 | 141.2 | 141.20 | 34 | 61 | 00 / 00 | 86.3 | |
47 | The West Point Story (1950) | James Cagney & Doris Day |
6.1 | 137.7 | 185.40 | 39 | 61 | 01 / 00 | 86.1 | |
45 | No Way Out (1950) | Richard Widmark & Sidney Poitier |
3.9 | 86.6 | 86.60 | 83 | 77 | 01 / 00 | 85.9 | |
49 | My Friend Irma Goes West (1950) | Dean Martin & Jerry Lewis |
6.9 | 154.0 | 154.00 | 21 | 56 | 00 / 00 | 85.7 | |
48 | Wabash Avenue (1950) | Victor Mature & Betty Grable |
5.9 | 131.5 | 131.50 | 44 | 62 | 01 / 00 | 85.6 | |
48 | The Damned Don't Cry (1950) | Joan Crawford | 4.4 | 98.8 | 141.90 | 69 | 72 | 00 / 00 | 85.3 | |
52 | Ambush (1950) | Robert Taylor & Arlene Dahl |
6.0 | 135.3 | 206.30 | 40 | 60 | 00 / 00 | 85.1 | |
52 | Night and the City (1950) | Richard Widmark & Gene Tierney |
3.6 | 80.1 | 80.10 | 95 | 77 | 00 / 00 | 84.9 | |
54 | Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
4.7 | 105.3 | 149.00 | 64 | 69 | 00 / 00 | 84.9 | |
54 | The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
6.2 | 138.5 | 179.90 | 37 | 59 | 00 / 00 | 84.9 | |
54 | Where the Sidewalk Ends (1950) | Dana Andrews & Gene Tierney |
2.9 | 64.2 | 64.20 | 110 | 82 | 00 / 00 | 84.7 | |
56 | Rocky Mountain (1950) | Errol Flynn | 4.9 | 109.1 | 176.50 | 56 | 67 | 00 / 00 | 84.5 | |
57 | Kon-Tiki (1950) | Thor Heyerdahl | 2.4 | 54.5 | 99.50 | 123 | 82 | 01 / 01 | 84.2 | |
58 | The Breaking Point (1950) | John Garfield & Patricia Neal |
3.0 | 67.4 | 110.40 | 105 | 78 | 00 / 00 | 83.5 | |
61 | Key to the City (1950) | Clark Gable & Loretta Young |
6.6 | 147.3 | 190.80 | 28 | 53 | 00 / 00 | 83.4 | |
62 | When Willie Comes Marching Home (1950) | Dan Dailey & Directed by John Ford |
4.9 | 109.1 | 109.10 | 57 | 64 | 01 / 00 | 83.2 | |
59 | Harriet Craig (1950) | Joan Crawford | 3.1 | 70.6 | 70.60 | 103 | 77 | 00 / 00 | 83.2 | |
60 | Wagon Master (1950) | Ben Johnson & Directed by John Ford |
3.2 | 72.2 | 91.40 | 101 | 76 | 00 / 00 | 82.9 | |
64 | Riding High (1950) | Bing Crosby & Directed by Frank Capra |
6.7 | 150.8 | 150.80 | 25 | 51 | 00 / 00 | 82.9 | |
63 | Three Secrets (1950) | Eleanor Parker & Patricia Neal |
4.0 | 89.8 | 89.80 | 79 | 70 | 00 / 00 | 82.7 | |
65 | Gun Crazy (1950) | Peggy Cummins & John Dall |
2.4 | 52.9 | 52.90 | 134 | 81 | 00 / 00 | 82.3 | |
65 | Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
3.8 | 84.6 | 118.30 | 86 | 70 | 00 / 00 | 82.0 | |
69 | The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
4.8 | 107.2 | 208.60 | 60 | 62 | 01 / 00 | 81.8 | |
70 | 711 Ocean Drive (1950) | Edmond O'Brien | 4.4 | 99.5 | 99.50 | 67 | 65 | 00 / 00 | 81.6 | |
67 | Devil's Doorway (1950) | Robert Taylor | 3.9 | 86.6 | 134.50 | 84 | 69 | 00 / 00 | 81.6 | |
71 | Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
5.3 | 118.0 | 183.90 | 51 | 59 | 00 / 00 | 81.6 | |
70 | Commache Territory (1950) | Maureen O'Hara | 4.6 | 102.7 | 102.70 | 66 | 63 | 00 / 00 | 81.3 | |
74 | September Affair (1950) | Jospeh Cotten & Joan Fontaine |
4.1 | 91.4 | 91.40 | 77 | 66 | 00 / 00 | 80.7 | |
73 | Copper Canyon (1950) | Ray Milland & Hedy Lamarr |
6.3 | 141.2 | 141.20 | 35 | 50 | 00 / 00 | 80.6 | |
76 | For Heaven's Sake (1950) | Clifton Webb & Joan Bennett |
4.9 | 109.1 | 109.10 | 55 | 59 | 00 / 00 | 80.3 | |
73 | Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
2.9 | 64.9 | 122.40 | 108 | 73 | 00 / 00 | 80.1 | |
76 | Champagne For Caesar (1950) | Ronald Colman & Vincent Price |
2.4 | 54.5 | 54.50 | 126 | 76 | 00 / 00 | 80.1 | |
77 | Chain Lightning (1950) | Eleanor Parker | 4.8 | 106.8 | 163.90 | 61 | 60 | 00 / 00 | 80.1 | |
78 | Whirlpool (1950) | Gene Tierney & Directed by Otto Preminger |
3.3 | 73.8 | 73.80 | 100 | 70 | 00 / 00 | 80.1 | |
78 | Tripoli (1950) | Maureen O'Hara | 4.7 | 105.9 | 105.90 | 62 | 60 | 00 / 00 | 79.9 | |
80 | Pagan Love Song (1950) | Esther Williams & Howard Keel |
6.2 | 138.4 | 215.60 | 38 | 49 | 00 / 00 | 79.8 | |
81 | Montana (1950) | Errol Flynn & Alexis Smith |
6.3 | 141.4 | 234.00 | 33 | 48 | 00 / 00 | 79.8 | |
82 | Mister 880 (1950) | Burt Lancaster & Dorothy McGuire |
4.9 | 109.1 | 109.10 | 53 | 57 | 01 / 00 | 79.4 | |
84 | Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
4.9 | 109.2 | 157.00 | 52 | 58 | 00 / 00 | 79.2 | |
84 | Destination Moon (1950) | Science Fiction Movies | 3.7 | 83.4 | 83.40 | 88 | 63 | 02 / 01 | 79.1 | |
84 | Abbott and Costello in the Foreign Legion (1950) | Bud Abbott | 3.6 | 81.8 | 81.80 | 91 | 66 | 00 / 00 | 78.8 | |
86 | Storm Warning (1950) | Doris Day & Ronald Reagan |
3.6 | 80.2 | 80.20 | 93 | 66 | 00 / 00 | 78.7 | |
88 | Frenchie (1950) | Joel McCrea & Shelley Winters |
4.0 | 89.8 | 89.80 | 80 | 62 | 00 / 00 | 78.2 | |
86 | Rashomon (1950) | Toshirô Mifune | 0.9 | 20.9 | 20.90 | 188 | 83 | 01 / 00 | 77.9 | |
90 | Union Station (1950) | William Holden | 4.1 | 91.4 | 91.40 | 76 | 61 | 00 / 00 | 77.8 | |
88 | The Men (1950) | Marlon Brando & Directed by Fred Zinnemann |
2.4 | 54.5 | 54.50 | 124 | 72 | 01 / 00 | 77.7 | |
89 | Saddle Tramp (1950) | Joel McCrea | 3.4 | 77.0 | 77.00 | 98 | 66 | 00 / 00 | 77.7 | |
93 | The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
4.8 | 108.3 | 136.50 | 59 | 56 | 00 / 00 | 77.6 | |
92 | Louisa (1950) | Ronald Reagan | 4.1 | 91.5 | 91.50 | 75 | 60 | 01 / 00 | 77.6 | |
94 | Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
5.7 | 128.5 | 200.30 | 45 | 49 | 00 / 00 | 77.2 | |
95 | The Jackie Robinson Story (1950) | Jackie Robinson | 2.7 | 61.0 | 61.00 | 115 | 70 | 00 / 00 | 77.0 | |
97 | Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
3.9 | 88.2 | 117.10 | 81 | 60 | 00 / 00 | 75.7 | |
96 | One Way Street (1950) | James Mason & Dan Duryea |
3.7 | 83.4 | 83.40 | 89 | 61 | 00 / 00 | 75.6 | |
97 | The Outriders (1950) | Joel McCrea & Arlene Dahl |
4.4 | 98.8 | 139.80 | 68 | 56 | 00 / 00 | 75.6 | |
99 | The White Tower (1950) | Glenn Ford & Claude Rains |
3.7 | 82.5 | 140.20 | 90 | 61 | 00 / 00 | 75.3 | |
99 | Appointment with Danger (1950) | Alan Ladd & Jack Webb |
4.1 | 93.0 | 93.00 | 74 | 58 | 00 / 00 | 75.2 | |
100 | Stromboli (1950) | Ingrid Bergman | 1.6 | 35.9 | 101.70 | 161 | 75 | 00 / 00 | 74.6 | |
101 | Convicted (1950) | Glenn Ford & Broderick Crawford |
3.3 | 73.8 | 73.80 | 99 | 63 | 00 / 00 | 74.6 | |
102 | Under My Skin (1950) | John Garfield | 3.1 | 70.6 | 70.60 | 102 | 64 | 00 / 00 | 74.6 | |
105 | A Ticket to Tomahawk (1950) | Dan Dailey & Anne Baxter |
3.7 | 83.4 | 83.40 | 87 | 60 | 00 / 00 | 74.2 | |
105 | The Eagle and the Hawk (1950) | John Payne | 4.3 | 96.2 | 96.20 | 72 | 56 | 00 / 00 | 74.1 | |
107 | A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
4.0 | 90.7 | 123.00 | 78 | 57 | 00 / 00 | 74.1 | |
107 | Kill the Umpire (1950) | Baseball Movies | 2.3 | 51.3 | 51.30 | 138 | 70 | 00 / 00 | 74.1 | |
108 | Captain China (1950) | Gail Russell | 4.2 | 93.4 | 93.40 | 73 | 56 | 00 / 00 | 73.9 | |
109 | The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
3.8 | 85.0 | 104.70 | 85 | 59 | 00 / 00 | 73.7 | |
110 | So Young, So Bad (1950) | Paul Henreid | 4.7 | 105.4 | 105.40 | 63 | 52 | 00 / 00 | 73.6 | |
111 | The Jackpot (1950) | James Stewart & Natalie Wood |
4.4 | 97.9 | 97.90 | 70 | 54 | 00 / 00 | 73.5 | |
112 | To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
5.9 | 132.2 | 187.50 | 43 | 43 | 00 / 00 | 73.1 | |
113 | La Ronde (1950) | 0.7 | 16.0 | 16.00 | 198 | 78 | 02 / 00 | 73.1 | ||
113 | Crisis (1950) | Cary Grant & José Ferrer |
2.5 | 57.2 | 90.00 | 120 | 66 | 00 / 00 | 72.4 | |
115 | The Mudlark (1950) | Irene Dunne & Alec Guinness |
2.9 | 64.2 | 64.20 | 109 | 62 | 01 / 00 | 71.2 | |
117 | Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
2.7 | 61.0 | 91.40 | 116 | 64 | 00 / 00 | 71.1 | |
117 | Paid In Full (1950) | Robert Cummings | 2.3 | 51.5 | 51.50 | 136 | 67 | 00 / 00 | 70.9 | |
118 | The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
2.4 | 54.5 | 83.40 | 125 | 65 | 00 / 00 | 70.4 | |
118 | Side Street (1950) | Farley Granger | 1.3 | 28.7 | 49.50 | 172 | 73 | 00 / 00 | 70.1 | |
119 | No Man of Her Own (1950) | Barbara Stanwyck | 1.6 | 36.3 | 36.30 | 160 | 71 | 00 / 00 | 70.1 | |
121 | The Big Lift (1950) | Montgomery Clift | 3.6 | 81.8 | 81.80 | 92 | 56 | 00 / 00 | 69.9 | |
122 | Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
2.2 | 49.5 | 58.70 | 141 | 66 | 00 / 00 | 69.6 | |
123 | The Nevadan (1950) | Randolph Scott & Dorothy Malone |
2.5 | 56.2 | 56.20 | 121 | 64 | 00 / 00 | 69.2 | |
124 | Sierra (1950) | Audie Murphy & Tony Curtis |
2.4 | 54.0 | 54.00 | 128 | 64 | 00 / 00 | 68.9 | |
126 | The Petty Girl (1950) | Robert Cummings | 3.6 | 80.2 | 80.20 | 94 | 56 | 00 / 00 | 68.5 | |
124 | Woman On The Run (1950) | Ann Sheridan | 0.9 | 19.4 | 19.40 | 190 | 75 | 00 / 00 | 68.4 | |
126 | The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
1.9 | 42.9 | 50.60 | 151 | 67 | 00 / 00 | 68.3 | |
127 | Kansas Raiders (1950) | Audie Murphy & Tony Curtis |
3.4 | 77.0 | 77.00 | 96 | 56 | 00 / 00 | 68.0 | |
128 | Julius Caesar (1950) | Charlton Heston | 0.1 | 1.9 | 1.90 | 216 | 79 | 00 / 00 | 67.0 | |
129 | Mother Didn't Tell Me (1950) | Dorothy McGuire | 2.8 | 62.0 | 62.00 | 113 | 60 | 00 / 00 | 66.8 | |
131 | The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
2.8 | 63.5 | 142.70 | 111 | 59 | 00 / 00 | 66.2 | |
130 | Madeline (1950) | Directed by David Lean | 0.7 | 16.1 | 16.10 | 197 | 74 | 00 / 00 | 66.1 | |
134 | The Kid From Texas (1950) | Audie Murphy | 2.3 | 51.0 | 51.00 | 139 | 63 | 00 / 00 | 66.1 | |
135 | Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
2.4 | 53.9 | 82.80 | 129 | 62 | 00 / 00 | 66.0 | |
134 | Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
1.2 | 27.5 | 49.70 | 175 | 69 | 01 / 00 | 65.6 | |
135 | The Great Manhunt (1950) | Douglas Fairbanks Jr. | 1.2 | 27.3 | 27.30 | 176 | 70 | 00 / 00 | 65.5 | |
138 | Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
3.0 | 67.1 | 80.10 | 106 | 57 | 00 / 00 | 65.2 | |
137 | Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
2.4 | 52.9 | 91.40 | 131 | 62 | 00 / 00 | 65.2 | |
139 | Armored Car Robbery (1950) | 0.8 | 17.6 | 17.60 | 194 | 73 | 00 / 00 | 65.0 | ||
138 | The Underworld Story (1950) | Dan Duryea | 1.5 | 33.1 | 33.10 | 166 | 67 | 00 / 00 | 64.2 | |
140 | A Woman Of Distinction (1950) | Rosalind Russell & Ray Milland |
2.8 | 63.0 | 63.00 | 112 | 58 | 00 / 00 | 64.0 | |
142 | Quicksand (1950) | Mickey Rooney & Peter Lorre |
1.8 | 40.1 | 40.10 | 155 | 65 | 00 / 00 | 63.5 | |
141 | Hunt The Man Down (1950) | Gig Young | 1.5 | 34.1 | 34.10 | 163 | 66 | 00 / 00 | 63.2 | |
143 | The Flying Missile (1950) | Glenn Ford | 2.6 | 57.9 | 57.90 | 119 | 59 | 00 / 00 | 63.1 | |
144 | Operation Disaster/Morning Departure (1950) | John Mills | 0.5 | 11.8 | 11.80 | 202 | 73 | 00 / 00 | 62.4 | |
146 | Trio (1950) | Jean Simmons | 1.0 | 23.3 | 23.30 | 182 | 68 | 01 / 00 | 62.3 | |
145 | Pygmy Island (1950) | 1.5 | 33.0 | 33.00 | 167 | 66 | 00 / 00 | 61.6 | ||
149 | Dark City (1950) | Charlton Heston & Lizabeth Scott |
2.7 | 61.0 | 61.00 | 117 | 57 | 00 / 00 | 61.4 | |
149 | The Happy Years (1950) | Dean Stockwell | 1.9 | 43.6 | 54.90 | 147 | 62 | 00 / 00 | 60.9 | |
148 | Odette (1950) | 0.2 | 4.7 | 4.70 | 210 | 74 | 00 / 00 | 60.5 | ||
150 | The Magnificent Yankee (1950) | Directed by John Sturges | 1.4 | 31.2 | 36.10 | 169 | 63 | 02 / 00 | 59.4 | |
151 | Curtain Call at Cactus Creek (1950) | Donald O'Connor & Walter Brennan |
2.0 | 44.0 | 44.00 | 145 | 61 | 00 / 00 | 59.4 | |
155 | The Skipper Surprised His Wife (1950) | Robert Walker | 2.1 | 47.0 | 59.40 | 143 | 60 | 00 / 00 | 59.3 | |
154 | Vendetta (1950) | Faith Domergue | 1.7 | 39.1 | 64.80 | 157 | 62 | 00 / 00 | 59.2 | |
153 | Outrage (1950) | Mala Powers & Directed by Ida Lupino |
1.3 | 29.9 | 29.90 | 170 | 65 | 00 / 00 | 58.4 | |
157 | Gambling House (1950) | Victor Mature | 1.7 | 38.5 | 54.50 | 158 | 62 | 00 / 00 | 58.2 | |
159 | The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
2.9 | 65.5 | 94.80 | 107 | 53 | 00 / 00 | 58.1 | |
158 | Stella (1950) | Victor Mature | 1.8 | 41.4 | 41.40 | 154 | 61 | 00 / 00 | 57.9 | |
157 | The Clouded Yellow (1950) | Jean Simmons | 0.9 | 19.2 | 19.20 | 191 | 68 | 00 / 00 | 57.8 | |
160 | The Wooden Horse (1950) | 0.3 | 5.8 | 5.80 | 209 | 72 | 00 / 00 | 57.5 | ||
160 | Backfire (1950) | Virginia Mayo & Gordon MacRae |
2.5 | 56.1 | 56.10 | 122 | 56 | 00 / 00 | 57.2 | |
163 | Deported (1950) | Jeff Chandler | 1.9 | 43.5 | 43.50 | 148 | 59 | 00 / 00 | 56.7 | |
161 | Outside The Wall (1950) | 1.1 | 24.7 | 24.70 | 179 | 65 | 00 / 00 | 56.6 | ||
163 | The Man Who Cheated Himself (1950) | Lee J. Cobb | 1.3 | 29.9 | 29.90 | 171 | 63 | 00 / 00 | 55.9 | |
164 | Captive Girl (1950) | 1.4 | 32.0 | 32.00 | 168 | 62 | 00 / 00 | 55.4 | ||
167 | The Lawless (1950) | Gail Russell | 2.7 | 60.3 | 60.30 | 118 | 53 | 00 / 00 | 55.3 | |
166 | So Long At The Fair (1950) | 0.4 | 10.0 | 10.00 | 204 | 69 | 00 / 00 | 54.6 | ||
168 | Buccaneer's Girl (1950) | Yvonne De Carlo | 1.2 | 27.7 | 27.70 | 174 | 63 | 00 / 00 | 54.0 | |
168 | No Sad Songs For Me (1950) | Margaret Sullavan & Natalie Wood |
2.4 | 52.9 | 52.90 | 132 | 54 | 01 / 00 | 53.7 | |
169 | The Cariboo Trail (1950) | Randolph Scott | 2.3 | 52.3 | 52.30 | 135 | 54 | 00 / 00 | 52.4 | |
173 | Two Flags West (1950) | Joseph Cotten & Linda Darnell |
2.4 | 54.5 | 54.50 | 127 | 53 | 00 / 00 | 51.9 | |
172 | The Second Woman (1950) | Robert Young | 1.5 | 33.7 | 33.70 | 164 | 60 | 00 / 00 | 51.8 | |
172 | Shadow On The Wall (1950) | Ann Sothern | 1.2 | 27.8 | 40.10 | 173 | 61 | 00 / 00 | 50.9 | |
173 | The Milkman (1950) | 1.0 | 22.5 | 22.50 | 184 | 63 | 00 / 00 | 50.7 | ||
175 | The Great Rupert (1950) | Jimmy Durante | 1.2 | 27.3 | 27.30 | 177 | 61 | 00 / 00 | 50.5 | |
174 | Edge Of Doom (1950) | Dana Andrews & Farley Granger |
2.0 | 44.0 | 74.40 | 146 | 56 | 00 / 00 | 50.0 | |
177 | Highway 301 (1950) | Steve Cochran | 2.2 | 48.7 | 102.90 | 142 | 53 | 00 / 00 | 48.1 | |
178 | Black Hand (1950) | Gene Kelly | 2.2 | 49.5 | 77.60 | 140 | 53 | 00 / 00 | 47.7 | |
178 | The Good Humor Man (1950) | 0.7 | 16.8 | 16.80 | 195 | 63 | 00 / 00 | 47.0 | ||
181 | Please Believe Me (1950) | Deborah Kerr & Robert Walker |
1.7 | 37.2 | 49.50 | 159 | 56 | 00 / 00 | 45.6 | |
180 | Never Fear (1950) | Sally Forrest & Directed by Ida Lupino |
0.6 | 12.6 | 12.60 | 201 | 63 | 00 / 00 | 45.1 | |
182 | Barricade (1950) | 0.8 | 18.9 | 18.90 | 193 | 61 | 00 / 00 | 44.4 | ||
181 | Manèges (1950) | 0.1 | 3.3 | 3.30 | 213 | 66 | 00 / 00 | 44.0 | ||
182 | A Lady Without Passport (1950) | Hedy Lamarr | 1.9 | 42.9 | 64.40 | 150 | 53 | 00 / 00 | 43.6 | |
183 | Mark of the Gorilla (1950) | 1.5 | 33.5 | 33.50 | 165 | 55 | 00 / 00 | 42.6 | ||
185 | The Admiral Was A Lady (1950) | Edmond O'Brien | 1.9 | 41.7 | 41.70 | 153 | 52 | 00 / 00 | 41.5 | |
187 | Wyoming Mail (1950) | Ed Begley | 1.0 | 22.2 | 22.20 | 186 | 58 | 00 / 00 | 40.3 | |
186 | Captain Blackjack (1950) | Agnes Moorehead | 1.0 | 23.4 | 23.40 | 181 | 57 | 00 / 00 | 40.2 | |
188 | The Fireball (1950) | Mickey Rooney & Marilyn Monroe |
2.4 | 52.9 | 52.90 | 133 | 48 | 00 / 00 | 39.2 | |
189 | Rocketship X-M (1950) | 1.6 | 34.9 | 34.90 | 162 | 53 | 00 / 00 | 38.7 | ||
192 | Love That Brute (1950) | Jean Peters | 1.0 | 22.9 | 22.90 | 183 | 57 | 00 / 00 | 38.1 | |
190 | Volcano (1950) | 0.1 | 3.3 | 3.30 | 212 | 63 | 00 / 00 | 37.5 | ||
193 | Dial 1119 (1950) | Marshall Thompson | 1.1 | 25.8 | 38.70 | 178 | 56 | 00 / 00 | 37.5 | |
193 | This Side of the Law (1950) | Viveca Lindfors | 0.8 | 19.1 | 32.80 | 192 | 58 | 00 / 00 | 37.4 | |
196 | Tarzan and the Slave Girl (1950) | Lex Barker | 2.3 | 51.3 | 110.70 | 137 | 47 | 00 / 00 | 37.1 | |
195 | I Was A Shoplifter (1950) | Tony Curtis & Rock Hudson |
1.8 | 40.1 | 40.10 | 156 | 51 | 00 / 00 | 36.9 | |
196 | Right Cross (1950) | Dick Powell & Lionel Barrymore |
2.7 | 61.3 | 83.50 | 114 | 44 | 00 / 00 | 36.3 | |
197 | Father is a Bachelor (1950) | William Holden | 1.9 | 42.0 | 42.00 | 152 | 50 | 00 / 00 | 36.1 | |
200 | The Capture (1950) | Lew Ayres & Directed by John Sturges |
2.0 | 45.8 | 45.80 | 144 | 47 | 00 / 00 | 32.7 | |
198 | Singing Guns (1950) | 0.6 | 12.6 | 12.60 | 200 | 58 | 00 / 00 | 32.6 | ||
201 | Four Days Leave/Swiss Tour (1950) | Cornel Wilde | 0.7 | 15.6 | 15.60 | 199 | 57 | 00 / 00 | 32.5 | |
201 | Bordeline (1950) | Fred MacMurray & Claire Trevor |
1.9 | 43.0 | 43.00 | 149 | 47 | 00 / 00 | 31.3 | |
205 | Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
2.4 | 53.2 | 68.40 | 130 | 44 | 00 / 00 | 30.5 | |
204 | Rider From Tucson (1950) | Tim Holt | 0.4 | 9.0 | 10.30 | 205 | 58 | 00 / 00 | 30.4 | |
204 | Mule Train (1950) | 0.4 | 10.0 | 10.00 | 203 | 57 | 00 / 00 | 30.3 | ||
206 | Golden Salamander (1950) | 0.1 | 2.2 | 2.20 | 214 | 60 | 00 / 00 | 30.2 | ||
208 | Three Husbands (1950) | Eve Arden | 1.0 | 22.2 | 22.20 | 187 | 53 | 00 / 00 | 29.9 | |
206 | Eye Witness (1950) | Robert Montgomery | 0.4 | 9.0 | 9.00 | 206 | 57 | 00 / 00 | 29.6 | |
208 | State Penitentiary (1950) | 0.3 | 6.4 | 6.40 | 208 | 56 | 00 / 00 | 25.0 | ||
210 | The Torch (1950) | Paulette Goddard | 1.1 | 24.1 | 24.10 | 180 | 50 | 00 / 00 | 24.6 | |
209 | High Lonesome (1950) | 0.9 | 20.2 | 20.20 | 189 | 50 | 00 / 00 | 22.9 | ||
210 | Mystery Submarine (1950) | 0.1 | 3.3 | 3.30 | 211 | 55 | 00 / 00 | 22.4 | ||
212 | Utopia (1950) | Laurel and Hardy | 0.7 | 16.1 | 16.10 | 196 | 51 | 00 / 00 | 22.3 | |
214 | Last of the Buccaneers (1950) | Paul Henreid | 1.0 | 22.3 | 22.30 | 185 | 47 | 00 / 00 | 19.0 | |
214 | Paper Gallows/Torment (1950) Limited Release |
Directed by John Guillermin | 0.1 | 1.9 | 1.90 | 215 | 52 | 00 / 00 | 16.0 | |
215 | The Thief of Venice (1950) | 0.3 | 7.2 | 7.20 | 207 | 49 | 00 / 00 | 14.1 |
1950 Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Cinderella (1950) | Disney Animated Movies | 832.60 | |
King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
638.80 | |
Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
494.00 | |
Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
390.40 | |
The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
361.00 | |
Kim (1950) | Errol Flynn & Dean Stockwell |
344.00 | |
Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
290.40 | |
Dallas (1950) | Gary Cooper | 288.10 | |
All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
282.30 | |
Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
271.80 | |
Treasure Island (1950) | Bobby Driscoll | 263.10 | |
Let's Dance (1950) | Fred Astaire & Betty Hutton |
249.50 | |
Tea for Two (1950) | Doris Day & Gordon MacRae |
234.30 | |
Montana (1950) | Errol Flynn & Alexis Smith |
234.00 | |
Our Very Own (1950) | Natalie Wood & Jane Wyatt |
224.60 | |
Pagan Love Song (1950) | Esther Williams & Howard Keel |
215.60 | |
Summer Stock (1950) | Judy Garland & Gene Kelly |
215.40 | |
The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
208.60 | |
Ambush (1950) | Robert Taylor & Arlene Dahl |
206.30 | |
Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
200.30 | |
Breakthrough (1950) | John Agar | 193.50 | |
Key to the City (1950) | Clark Gable & Loretta Young |
190.80 | |
To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
187.50 | |
The West Point Story (1950) | James Cagney & Doris Day |
185.40 | |
Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
183.90 | |
The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
179.90 | |
Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
179.30 | |
Rocky Mountain (1950) | Errol Flynn | 176.50 | |
The Yellow Cab Man (1950) | Red Skelton | 166.80 | |
Chain Lightning (1950) | Eleanor Parker | 163.90 | |
Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
157.00 | |
Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
149.00 | |
The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
142.70 | |
The Damned Don't Cry (1950) | Joan Crawford | 141.90 | |
The White Tower (1950) | Glenn Ford & Claude Rains |
140.20 | |
The Outriders (1950) | Joel McCrea & Arlene Dahl |
139.80 | |
Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
137.70 | |
The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
137.50 | |
The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
136.50 | |
Devil's Doorway (1950) | Robert Taylor | 134.50 | |
A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
123.00 | |
Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
122.40 | |
Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
118.30 | |
Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
117.10 | |
Tarzan and the Slave Girl (1950) | Lex Barker | 110.70 | |
The Breaking Point (1950) | John Garfield & Patricia Neal |
110.40 | |
The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
104.70 | |
Highway 301 (1950) | Steve Cochran | 102.90 | |
Stromboli (1950) | Ingrid Bergman | 101.70 | |
Kon-Tiki (1950) | Thor Heyerdahl | 99.50 | |
The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
94.80 | |
Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
91.40 | |
Wagon Master (1950) | Ben Johnson & Directed by John Ford |
91.40 | |
Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
91.40 | |
Crisis (1950) | Cary Grant & José Ferrer |
90.00 | |
Right Cross (1950) | Dick Powell & Lionel Barrymore |
83.50 | |
The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
83.40 | |
Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
82.80 | |
Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
80.10 | |
Black Hand (1950) | Gene Kelly | 77.60 | |
Edge Of Doom (1950) | Dana Andrews & Farley Granger |
74.40 | |
Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
68.40 | |
Vendetta (1950) | Faith Domergue | 64.80 | |
A Lady Without Passport (1950) | Hedy Lamarr | 64.40 | |
The Skipper Surprised His Wife (1950) | Robert Walker | 59.40 | |
Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
58.70 | |
The Happy Years (1950) | Dean Stockwell | 54.90 | |
Gambling House (1950) | Victor Mature | 54.50 | |
The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
50.60 | |
Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
49.70 | |
Please Believe Me (1950) | Deborah Kerr & Robert Walker |
49.50 | |
Side Street (1950) | Farley Granger | 49.50 | |
Shadow On The Wall (1950) | Ann Sothern | 40.10 | |
Dial 1119 (1950) | Marshall Thompson | 38.70 | |
The Magnificent Yankee (1950) | Directed by John Sturges | 36.10 | |
This Side of the Law (1950) | Viveca Lindfors | 32.80 | |
Rider From Tucson (1950) | Tim Holt | 10.30 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
Bitter Rice
Highly rated and acclaimed Italian Drama
Oscar Nominee for Best Writing
http://www.imdb.com/title/tt0040737
I think the allocation to a particular year is difficult. To line up with the 1951 Oscars you would put it in 1950 but to line up with the original release at Cannes Film Festival it might go to 1949. Or if you really feal like hedging you create two entries and span them both.
80 The File of Thelma Jordan (1950)
title could be “The File on Thelma Jordon”
Thank you Sidney……that error has been fixed.
The Damned Don’t Cry title could use a ! at the end if it is an allowable character in your app/db.
Thank you Sidney……that error has been fixed. Our database does not have too many issues with ! marks. Good catch.
HI BRUCE
1 I look forward to the 1951 page.
2 Thought-association can be a wonderful thing. I was working on my De Niro post to Steve when I noticed that you and Joel had been corresponding again.
3 That reminded me of De Niro’s 1991 Guilty by Suspicion in which a 3rd rate Hollywood B movie producer had been pursuing to make a film the important director David Merrill whom Robert was playing.
4 The producer again confronts David as he is entering a restaurant and says to him “If we join forces for that movie we’ll walk up the isle together at Oscar time,” to which Merrill brushing past him dismissively replies “What, are we gonna get married or something?”
5 Few could do sarcasm better than Bobby D but things do seem to be getting serious between you and Joel and one can only hope W o C is not the jealous type!
ADDITIONAL TRIVIA Guilty by Suspicion is probably my favourite De Niro flick. You and Steve don’t seem to think over-much of it but for once I can maybe claim the high ground as Roger Ebert praised it and gave it 3 and 1/2 out of 4 stars. Martin Scorsese had a supporting role and his character was based on blacklisted director Joseph Losey while De Niro’s David Merrill was supposed to have been inspired by director John Berry, also blacklisted in the McCarthy era.