This movie page looks at 1950 Top Box Office Movies. Finding box office information for movies made in the 1940s and 1950s is extremely difficult. For somebody looking for box office information on 1950 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1950 movies in our database.
To make this list a movie had to be made in 1950. Obviously many movies made in 1949 earned box office dollars in 1950. On the other side many movies made in 1950 made money in 1951 and later. This page will looks at 174 1950 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1950 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis. *The box office totals for Cinderella include all of the re-releases it has had over the years.
Our UMR Top 50 of 1950
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1950
All About Eve (1950)
AA Best Picture Win
1950
Sunset Blvd. (1950)
AA Best Picture Nom
1950
Born Yesterday (1950)
AA Best Picture Nom
1950
Father of the Bride (1950)
AA Best Picture Nom
1950
Cinderella (1950)
1950
Harvey (1950)
1950
Annie Get Your Gun (1950)
1950
King Solomon's Mines (1950)
AA Best Picture Nom
1950
Broken Arrow (1950)
1950
Winchester '73 (1950)
1950
Three Little Words (1950)
1950
The Flame and the Arrow (1950)
1950
Cheaper by the Dozen (1950)
1950
Kim (1950)
1950
Summer Stock (1950)
1950
Francis (1950)
1950
The Gunfighter (1950)
1950
Fancy Pants (1950)
1950
Dallas (1950)
1950
Rio Grande (1950)
1950
Duchess of Idaho (1950)
1950
Treasure Island (1950)
1950
Stars In My Crown (1950)
1950
At War with the Army (1950)
1950
Cyrano de Bergerac (1950)
1950
I'll Get By (1950)
1950
Our Very Own (1950)
1950
Breakthrough (1950)
1950
In a Lonely Place (1950)
1950
My Blue Heaven (1950)
1950
Tea for Two (1950)
1950
Let's Dance (1950)
1950
Ma and Pa Kettle Go To Town (1950)
Uncredited Role
1950
Caged (1950)
1950
The Asphalt Jungle (1950)
1950
The Black Rose (1950)
1950
The Furies (1950)
1950
Three Came Home (1950)
1950
Panic in the Streets (1950)
1950
American Guerrilla in the Philippines (1950)
1950
Mr. Music (1950)
1950
The Yellow Cab Man (1950)
1950
Two Weeks with Love (1950)
1950
Branded (1950)
1950
Kiss Tomorrow Goodbye (1950)
1950
The West Point Story (1950)
1950
My Friend Irma Goes West (1950)
1950
Wabash Avenue (1950)
1950
No Way Out (1950)
1950
Ambush (1950)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1950 | All About Eve (1950) AA Best Picture Win |
||
1950 | Sunset Blvd. (1950) AA Best Picture Nom |
||
1950 | Born Yesterday (1950) AA Best Picture Nom |
||
1950 | Father of the Bride (1950) AA Best Picture Nom |
||
1950 | Cinderella (1950) | ||
1950 | Harvey (1950) | ||
1950 | Annie Get Your Gun (1950) | ||
1950 | King Solomon's Mines (1950) AA Best Picture Nom |
||
1950 | Broken Arrow (1950) | ||
1950 | Winchester '73 (1950) | ||
1950 | Three Little Words (1950) | ||
1950 | The Flame and the Arrow (1950) | ||
1950 | Cheaper by the Dozen (1950) | ||
1950 | Kim (1950) | ||
1950 | Summer Stock (1950) | ||
1950 | Francis (1950) | ||
1950 | The Gunfighter (1950) | ||
1950 | Fancy Pants (1950) | ||
1950 | Dallas (1950) | ||
1950 | Rio Grande (1950) | ||
1950 | Duchess of Idaho (1950) | ||
1950 | Treasure Island (1950) | ||
1950 | Stars In My Crown (1950) | ||
1950 | At War with the Army (1950) | ||
1950 | Cyrano de Bergerac (1950) | ||
1950 | I'll Get By (1950) | ||
1950 | Our Very Own (1950) | ||
1950 | Breakthrough (1950) | ||
1950 | In a Lonely Place (1950) | ||
1950 | My Blue Heaven (1950) | ||
1950 | Tea for Two (1950) | ||
1950 | Let's Dance (1950) | ||
1950 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
||
1950 | Caged (1950) | ||
1950 | The Asphalt Jungle (1950) | ||
1950 | The Black Rose (1950) | ||
1950 | The Furies (1950) | ||
1950 | Three Came Home (1950) | ||
1950 | Panic in the Streets (1950) | ||
1950 | American Guerrilla in the Philippines (1950) | ||
1950 | Mr. Music (1950) | ||
1950 | The Yellow Cab Man (1950) | ||
1950 | Two Weeks with Love (1950) | ||
1950 | Branded (1950) | ||
1950 | Kiss Tomorrow Goodbye (1950) | ||
1950 | The West Point Story (1950) | ||
1950 | My Friend Irma Goes West (1950) | ||
1950 | Wabash Avenue (1950) | ||
1950 | No Way Out (1950) | ||
1950 | Ambush (1950) |
1950 Top Box Office Movies Can Be Ranked 7 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1950 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1950 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1950 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions).
- Sort 1950 Top Box Office Movies by yearly domestic box office rank
- Sort 1950 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1950 Top Box Office Movies received.
- Sort 1950 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
8.9 | 216.8 | 307.70 | 9 | 92 | 14 / 06 | 100.0 | |
3 | Sunset Blvd. (1950) AA Best Picture Nom |
William Holden & Gloria Swanson |
6.7 | 164.4 | 164.40 | 24 | 90 | 11 / 03 | 99.3 | |
2 | Born Yesterday (1950) AA Best Picture Nom |
William Holden & Judy Holliday |
11.8 | 287.8 | 287.80 | 5 | 81 | 05 / 01 | 99.0 | |
4 | Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
11.5 | 282.3 | 425.50 | 6 | 82 | 03 / 00 | 98.9 | |
6 | Cinderella (1950) | Disney Animated Movies | 28.9 | 708.1 | 907.50 | 1 | 84 | 03 / 00 | 98.4 | |
8 | Harvey (1950) | James Stewart | 7.4 | 181.8 | 181.80 | 17 | 87 | 02 / 01 | 97.9 | |
7 | Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
13.3 | 325.2 | 538.40 | 3 | 78 | 04 / 01 | 97.8 | |
8 | King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
14.4 | 353.0 | 696.30 | 2 | 71 | 03 / 02 | 97.6 | |
9 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.1 | 248.3 | 248.30 | 7 | 71 | 03 / 00 | 95.7 | |
12 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.4 | 157.4 | 157.40 | 32 | 87 | 00 / 00 | 95.7 | |
11 | Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
8.6 | 211.2 | 316.60 | 10 | 73 | 01 / 00 | 95.7 | |
13 | The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
7.8 | 191.4 | 393.50 | 15 | 74 | 02 / 00 | 95.6 | |
13 | Cheaper by the Dozen (1950) | Myrna Loy & Clifton Webb |
12.6 | 309.5 | 309.50 | 4 | 68 | 00 / 00 | 94.3 | |
15 | Kim (1950) | Errol Flynn & Dean Stockwell |
8.3 | 202.5 | 375.00 | 12 | 68 | 00 / 00 | 94.3 | |
16 | Summer Stock (1950) | Judy Garland & Gene Kelly |
7.1 | 174.7 | 234.80 | 19 | 75 | 00 / 00 | 93.9 | |
16 | Francis (1950) | Donald O'Connor | 8.3 | 202.8 | 202.80 | 11 | 65 | 00 / 00 | 93.3 | |
17 | The Gunfighter (1950) | Gregory Peck | 5.6 | 136.4 | 136.40 | 48 | 84 | 01 / 00 | 93.2 | |
19 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.4 | 181.8 | 181.80 | 18 | 70 | 00 / 00 | 93.0 | |
19 | Dallas (1950) | Gary Cooper | 7.9 | 193.4 | 314.00 | 14 | 63 | 00 / 00 | 91.8 | |
20 | Rio Grande (1950) | John Wayne & Maureen O'Hara |
6.4 | 157.4 | 157.40 | 31 | 74 | 00 / 00 | 91.7 | |
21 | Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
8.1 | 199.4 | 296.30 | 13 | 60 | 00 / 00 | 91.5 | |
23 | Treasure Island (1950) | Bobby Driscoll | 6.0 | 146.9 | 286.80 | 41 | 77 | 00 / 00 | 91.5 | |
23 | Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
5.6 | 137.2 | 150.10 | 46 | 79 | 00 / 00 | 91.4 | |
24 | At War with the Army (1950) | Jerry Lewis & Dean Martin |
9.4 | 230.8 | 230.80 | 8 | 59 | 00 / 00 | 91.3 | |
25 | Cyrano de Bergerac (1950) | José Ferrer | 5.4 | 132.9 | 132.90 | 50 | 78 | 01 / 01 | 91.2 | |
26 | I'll Get By (1950) | Thelma Ritter & June Haver |
7.0 | 171.4 | 171.40 | 20 | 63 | 01 / 00 | 89.7 | |
29 | Our Very Own (1950) | Natalie Wood & Jane Wyatt |
6.9 | 167.9 | 244.80 | 22 | 64 | 01 / 00 | 89.7 | |
29 | Breakthrough (1950) | John Agar | 6.0 | 146.5 | 210.90 | 42 | 71 | 00 / 00 | 89.5 | |
29 | In a Lonely Place (1950) | Humphrey Bogart & Gloria Graham |
3.9 | 96.2 | 96.20 | 82 | 87 | 00 / 00 | 89.4 | |
30 | My Blue Heaven (1950) | Betty Grable & Dan Dailey |
6.5 | 159.1 | 159.10 | 30 | 66 | 00 / 00 | 89.2 | |
31 | Tea for Two (1950) | Doris Day & Gordon MacRae |
6.6 | 162.4 | 255.40 | 26 | 65 | 00 / 00 | 89.1 | |
32 | Let's Dance (1950) | Fred Astaire & Betty Hutton |
6.9 | 167.9 | 271.90 | 23 | 63 | 00 / 00 | 89.1 | |
35 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
Marjorie Main | 6.2 | 152.1 | 152.10 | 36 | 67 | 00 / 00 | 88.5 | |
33 | Caged (1950) | Eleanor Parker | 4.3 | 104.9 | 104.90 | 71 | 79 | 03 / 00 | 88.3 | |
35 | The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
3.1 | 75.3 | 149.90 | 104 | 87 | 04 / 00 | 88.2 | |
36 | The Black Rose (1950) | Tyrone Power & Orson Welles |
7.6 | 185.3 | 185.30 | 16 | 54 | 01 / 00 | 88.0 | |
35 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.6 | 111.9 | 111.90 | 65 | 77 | 01 / 00 | 87.8 | |
38 | Three Came Home (1950) | Claudette Colbert | 5.4 | 132.9 | 132.90 | 49 | 71 | 00 / 00 | 87.8 | |
39 | Panic in the Streets (1950) | Richard Widmark & Jack Palance |
3.4 | 83.9 | 83.90 | 97 | 84 | 01 / 01 | 87.7 | |
40 | American Guerrilla in the Philippines (1950) | Tyrone Power | 6.5 | 159.5 | 159.50 | 29 | 62 | 00 / 00 | 87.6 | |
41 | Mr. Music (1950) | Bing Crosby | 6.6 | 160.9 | 160.90 | 27 | 61 | 00 / 00 | 87.6 | |
43 | The Yellow Cab Man (1950) | Red Skelton | 5.6 | 136.5 | 181.80 | 47 | 67 | 00 / 00 | 86.9 | |
42 | Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
4.8 | 118.5 | 195.50 | 58 | 73 | 00 / 00 | 86.9 | |
46 | Branded (1950) | Alan Ladd & Charles Bickford |
6.3 | 153.9 | 153.90 | 34 | 61 | 00 / 00 | 86.7 | |
44 | Kiss Tomorrow Goodbye (1950) | James Cagney | 4.9 | 118.9 | 118.90 | 54 | 72 | 00 / 00 | 86.6 | |
47 | The West Point Story (1950) | James Cagney & Doris Day |
6.1 | 150.1 | 202.10 | 39 | 61 | 01 / 00 | 86.5 | |
49 | My Friend Irma Goes West (1950) | Dean Martin & Jerry Lewis |
6.9 | 167.9 | 167.90 | 21 | 56 | 00 / 00 | 86.3 | |
48 | Wabash Avenue (1950) | Victor Mature & Betty Grable |
5.9 | 143.4 | 143.40 | 44 | 62 | 01 / 00 | 86.0 | |
49 | No Way Out (1950) | Richard Widmark & Sidney Poitier |
3.9 | 94.4 | 94.40 | 83 | 77 | 01 / 00 | 85.7 | |
52 | Ambush (1950) | Robert Taylor & Arlene Dahl |
6.0 | 147.4 | 224.90 | 40 | 60 | 00 / 00 | 85.5 | |
51 | The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
6.2 | 150.9 | 196.00 | 37 | 59 | 00 / 00 | 85.3 | |
52 | The Damned Don't Cry (1950) | Joan Crawford | 4.4 | 107.7 | 154.60 | 69 | 72 | 00 / 00 | 85.2 | |
54 | Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
4.7 | 114.8 | 162.40 | 64 | 69 | 00 / 00 | 85.0 | |
52 | Night and the City (1950) | Richard Widmark & Gene Tierney |
3.6 | 87.4 | 87.40 | 95 | 77 | 00 / 00 | 84.7 | |
56 | Rocky Mountain (1950) | Errol Flynn | 4.9 | 118.9 | 192.30 | 56 | 67 | 00 / 00 | 84.7 | |
54 | Where the Sidewalk Ends (1950) | Dana Andrews & Gene Tierney |
2.9 | 69.9 | 69.90 | 110 | 82 | 00 / 00 | 84.3 | |
57 | Key to the City (1950) | Clark Gable & Loretta Young |
6.6 | 160.6 | 207.90 | 28 | 53 | 00 / 00 | 84.2 | |
58 | Riding High (1950) | Bing Crosby & Directed by Frank Capra |
6.7 | 164.4 | 164.40 | 25 | 51 | 00 / 00 | 83.8 | |
57 | Kon-Tiki (1950) | Thor Heyerdahl | 2.4 | 59.4 | 108.40 | 123 | 82 | 01 / 01 | 83.8 | |
62 | When Willie Comes Marching Home (1950) | Dan Dailey & Directed by John Ford |
4.9 | 118.9 | 118.90 | 57 | 64 | 01 / 00 | 83.6 | |
61 | The Breaking Point (1950) | John Garfield & Patricia Neal |
3.0 | 73.4 | 120.30 | 105 | 78 | 00 / 00 | 83.2 | |
62 | Harriet Craig (1950) | Joan Crawford | 3.1 | 76.9 | 76.90 | 103 | 77 | 00 / 00 | 82.9 | |
63 | Three Secrets (1950) | Eleanor Parker & Patricia Neal |
4.0 | 97.9 | 97.90 | 79 | 70 | 00 / 00 | 82.8 | |
64 | Wagon Master (1950) | Ben Johnson & Directed by John Ford |
3.2 | 78.7 | 99.70 | 101 | 76 | 00 / 00 | 82.7 | |
65 | The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
4.8 | 116.9 | 227.40 | 60 | 62 | 01 / 00 | 82.1 | |
66 | Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
5.3 | 128.6 | 200.40 | 51 | 59 | 00 / 00 | 82.1 | |
65 | Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
3.8 | 92.2 | 129.00 | 86 | 70 | 00 / 00 | 82.0 | |
68 | Gun Crazy (1950) | Peggy Cummins & John Dall |
2.4 | 57.7 | 57.70 | 134 | 81 | 00 / 00 | 81.9 | |
70 | 711 Ocean Drive (1950) | Edmond O'Brien | 4.4 | 108.4 | 108.40 | 67 | 65 | 00 / 00 | 81.8 | |
70 | Commache Territory (1950) | Maureen O'Hara | 4.6 | 111.9 | 111.90 | 66 | 63 | 00 / 00 | 81.7 | |
71 | Devil's Doorway (1950) | Robert Taylor | 3.9 | 94.3 | 146.60 | 84 | 69 | 00 / 00 | 81.6 | |
73 | Copper Canyon (1950) | Ray Milland & Hedy Lamarr |
6.3 | 153.9 | 153.90 | 35 | 50 | 00 / 00 | 81.6 | |
74 | September Affair (1950) | Jospeh Cotten & Joan Fontaine |
4.1 | 99.7 | 99.70 | 77 | 66 | 00 / 00 | 80.9 | |
74 | Montana (1950) | Errol Flynn & Alexis Smith |
6.3 | 154.1 | 255.10 | 33 | 48 | 00 / 00 | 80.9 | |
75 | Pagan Love Song (1950) | Esther Williams & Howard Keel |
6.2 | 150.9 | 235.00 | 38 | 49 | 00 / 00 | 80.9 | |
76 | For Heaven's Sake (1950) | Clifton Webb & Joan Bennett |
4.9 | 118.9 | 118.90 | 55 | 59 | 00 / 00 | 80.8 | |
77 | Chain Lightning (1950) | Eleanor Parker | 4.8 | 116.5 | 178.70 | 61 | 60 | 00 / 00 | 80.6 | |
78 | Tripoli (1950) | Maureen O'Hara | 4.7 | 115.4 | 115.40 | 62 | 60 | 00 / 00 | 80.4 | |
79 | Mister 880 (1950) | Burt Lancaster & Dorothy McGuire |
4.9 | 118.9 | 118.90 | 53 | 57 | 01 / 00 | 80.1 | |
78 | Whirlpool (1950) | Gene Tierney & Directed by Otto Preminger |
3.3 | 80.4 | 80.40 | 100 | 70 | 00 / 00 | 80.0 | |
81 | Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
2.9 | 70.8 | 133.40 | 108 | 73 | 00 / 00 | 79.9 | |
84 | Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
4.9 | 119.0 | 171.10 | 52 | 58 | 00 / 00 | 79.8 | |
83 | Champagne For Caesar (1950) | Ronald Colman & Vincent Price |
2.4 | 59.4 | 59.40 | 126 | 76 | 00 / 00 | 79.7 | |
84 | Destination Moon (1950) | Science Fiction Movies | 3.7 | 90.9 | 90.90 | 88 | 63 | 02 / 01 | 79.3 | |
84 | Abbott and Costello in the Foreign Legion (1950) | Bud Abbott | 3.6 | 89.2 | 89.20 | 91 | 66 | 00 / 00 | 79.0 | |
86 | Storm Warning (1950) | Doris Day & Ronald Reagan |
3.6 | 87.4 | 87.40 | 93 | 66 | 00 / 00 | 78.9 | |
88 | Frenchie (1950) | Joel McCrea & Shelley Winters |
4.0 | 97.9 | 97.90 | 80 | 62 | 00 / 00 | 78.6 | |
88 | Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
5.7 | 140.1 | 218.30 | 45 | 49 | 00 / 00 | 78.5 | |
89 | The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
4.8 | 118.1 | 148.80 | 59 | 56 | 00 / 00 | 78.4 | |
90 | Union Station (1950) | William Holden | 4.1 | 99.7 | 99.70 | 76 | 61 | 00 / 00 | 78.2 | |
92 | Louisa (1950) | Ronald Reagan | 4.1 | 99.7 | 99.70 | 75 | 60 | 01 / 00 | 78.1 | |
92 | Saddle Tramp (1950) | Joel McCrea | 3.4 | 83.9 | 83.90 | 98 | 66 | 00 / 00 | 77.8 | |
93 | The Men (1950) | Marlon Brando & Directed by Fred Zinnemann |
2.4 | 59.4 | 59.40 | 124 | 72 | 01 / 00 | 77.4 | |
94 | Rashomon (1950) | Toshirô Mifune | 0.9 | 22.7 | 22.70 | 188 | 83 | 01 / 00 | 76.9 | |
95 | The Jackie Robinson Story (1950) | Jackie Robinson | 2.7 | 66.4 | 66.40 | 115 | 70 | 00 / 00 | 76.8 | |
97 | The Outriders (1950) | Joel McCrea & Arlene Dahl |
4.4 | 107.7 | 152.40 | 68 | 56 | 00 / 00 | 76.5 | |
97 | Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
3.9 | 96.2 | 127.60 | 81 | 60 | 00 / 00 | 76.4 | |
96 | One Way Street (1950) | James Mason & Dan Duryea |
3.7 | 90.9 | 90.90 | 89 | 61 | 00 / 00 | 76.2 | |
99 | Appointment with Danger (1950) | Alan Ladd & Jack Webb |
4.1 | 101.4 | 101.40 | 74 | 58 | 00 / 00 | 76.1 | |
99 | The White Tower (1950) | Glenn Ford & Claude Rains |
3.7 | 89.9 | 152.80 | 90 | 61 | 00 / 00 | 75.9 | |
101 | The Eagle and the Hawk (1950) | John Payne | 4.3 | 104.9 | 104.90 | 72 | 56 | 00 / 00 | 75.3 | |
102 | To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
5.9 | 144.1 | 204.40 | 43 | 43 | 00 / 00 | 75.2 | |
101 | Convicted (1950) | Glenn Ford & Broderick Crawford |
3.3 | 80.4 | 80.40 | 99 | 63 | 00 / 00 | 75.1 | |
102 | Under My Skin (1950) | John Garfield | 3.1 | 76.9 | 76.90 | 102 | 64 | 00 / 00 | 75.0 | |
107 | A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
4.0 | 98.8 | 134.10 | 78 | 57 | 00 / 00 | 75.0 | |
106 | So Young, So Bad (1950) | Paul Henreid | 4.7 | 114.9 | 114.90 | 63 | 52 | 00 / 00 | 75.0 | |
105 | A Ticket to Tomahawk (1950) | Dan Dailey & Anne Baxter |
3.7 | 90.9 | 90.90 | 87 | 60 | 00 / 00 | 74.9 | |
108 | Captain China (1950) | Gail Russell | 4.2 | 101.8 | 101.80 | 73 | 56 | 00 / 00 | 74.9 | |
111 | The Jackpot (1950) | James Stewart & Natalie Wood |
4.4 | 106.7 | 106.70 | 70 | 54 | 00 / 00 | 74.7 | |
109 | The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
3.8 | 92.7 | 114.10 | 85 | 59 | 00 / 00 | 74.6 | |
111 | Stromboli (1950) | Ingrid Bergman | 1.6 | 39.2 | 110.90 | 161 | 75 | 00 / 00 | 74.2 | |
112 | Kill the Umpire (1950) | Baseball Movies | 2.3 | 56.0 | 56.00 | 138 | 70 | 00 / 00 | 74.0 | |
113 | Crisis (1950) | Cary Grant & José Ferrer |
2.5 | 62.3 | 98.10 | 120 | 66 | 00 / 00 | 72.6 | |
113 | La Ronde (1950) | 0.7 | 17.5 | 17.50 | 198 | 78 | 02 / 00 | 72.1 | ||
115 | The Mudlark (1950) | Irene Dunne & Alec Guinness |
2.9 | 69.9 | 69.90 | 109 | 62 | 01 / 00 | 71.7 | |
117 | Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
2.7 | 66.4 | 99.70 | 116 | 64 | 00 / 00 | 71.4 | |
117 | The Big Lift (1950) | Montgomery Clift | 3.6 | 89.2 | 89.20 | 92 | 56 | 00 / 00 | 71.1 | |
117 | Paid In Full (1950) | Robert Cummings | 2.3 | 56.1 | 56.10 | 136 | 67 | 00 / 00 | 71.0 | |
118 | The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
2.4 | 59.4 | 90.90 | 125 | 65 | 00 / 00 | 70.6 | |
122 | Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
2.2 | 54.0 | 64.00 | 141 | 66 | 00 / 00 | 69.8 | |
121 | The Petty Girl (1950) | Robert Cummings | 3.6 | 87.4 | 87.40 | 94 | 56 | 00 / 00 | 69.8 | |
122 | No Man of Her Own (1950) | Barbara Stanwyck | 1.6 | 39.5 | 39.50 | 160 | 71 | 00 / 00 | 69.7 | |
123 | The Nevadan (1950) | Randolph Scott & Dorothy Malone |
2.5 | 61.2 | 61.20 | 121 | 64 | 00 / 00 | 69.6 | |
124 | Side Street (1950) | Farley Granger | 1.3 | 31.3 | 53.90 | 172 | 73 | 00 / 00 | 69.5 | |
124 | Sierra (1950) | Audie Murphy & Tony Curtis |
2.4 | 58.9 | 58.90 | 128 | 64 | 00 / 00 | 69.3 | |
127 | Kansas Raiders (1950) | Audie Murphy & Tony Curtis |
3.4 | 83.9 | 83.90 | 96 | 56 | 00 / 00 | 69.2 | |
126 | The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
1.9 | 46.7 | 55.10 | 151 | 67 | 00 / 00 | 68.3 | |
129 | Mother Didn't Tell Me (1950) | Dorothy McGuire | 2.8 | 67.6 | 67.60 | 113 | 60 | 00 / 00 | 67.6 | |
129 | Woman On The Run (1950) | Ann Sheridan | 0.9 | 21.1 | 21.10 | 190 | 75 | 00 / 00 | 67.6 | |
131 | The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
2.8 | 69.2 | 155.50 | 111 | 59 | 00 / 00 | 67.2 | |
131 | The Kid From Texas (1950) | Audie Murphy | 2.3 | 55.6 | 55.60 | 139 | 63 | 00 / 00 | 66.7 | |
132 | Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
2.4 | 58.8 | 90.20 | 129 | 62 | 00 / 00 | 66.7 | |
133 | Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
3.0 | 73.2 | 87.40 | 106 | 57 | 00 / 00 | 66.3 | |
134 | Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
2.4 | 57.7 | 99.70 | 131 | 62 | 00 / 00 | 65.8 | |
135 | Julius Caesar (1950) | Charlton Heston | 0.1 | 2.1 | 2.10 | 216 | 79 | 00 / 00 | 65.7 | |
136 | Madeline (1950) | Directed by David Lean | 0.7 | 17.5 | 17.50 | 197 | 74 | 00 / 00 | 65.4 | |
137 | Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
1.2 | 30.0 | 54.20 | 175 | 69 | 01 / 00 | 65.3 | |
138 | The Great Manhunt (1950) | Douglas Fairbanks Jr. | 1.2 | 29.8 | 29.80 | 176 | 70 | 00 / 00 | 65.2 | |
140 | A Woman Of Distinction (1950) | Rosalind Russell & Ray Milland |
2.8 | 68.7 | 68.70 | 112 | 58 | 00 / 00 | 65.0 | |
139 | Armored Car Robbery (1950) | 0.8 | 19.2 | 19.20 | 194 | 73 | 00 / 00 | 64.4 | ||
141 | The Underworld Story (1950) | Dan Duryea | 1.5 | 36.1 | 36.10 | 166 | 67 | 00 / 00 | 64.1 | |
143 | The Flying Missile (1950) | Glenn Ford | 2.6 | 63.1 | 63.10 | 119 | 59 | 00 / 00 | 64.0 | |
142 | Quicksand (1950) | Mickey Rooney & Peter Lorre |
1.8 | 43.7 | 43.70 | 155 | 65 | 00 / 00 | 63.8 | |
144 | Hunt The Man Down (1950) | Gig Young | 1.5 | 37.2 | 37.20 | 163 | 66 | 00 / 00 | 63.3 | |
145 | Dark City (1950) | Charlton Heston & Lizabeth Scott |
2.7 | 66.4 | 66.40 | 117 | 57 | 00 / 00 | 62.7 | |
146 | Trio (1950) | Jean Simmons | 1.0 | 25.4 | 25.40 | 182 | 68 | 01 / 00 | 62.0 | |
145 | Pygmy Island (1950) | 1.5 | 36.0 | 36.00 | 167 | 66 | 00 / 00 | 61.8 | ||
148 | Operation Disaster/Morning Departure (1950) | John Mills | 0.5 | 12.8 | 12.80 | 202 | 73 | 00 / 00 | 61.5 | |
149 | The Happy Years (1950) | Dean Stockwell | 1.9 | 47.6 | 59.80 | 147 | 62 | 00 / 00 | 61.5 | |
150 | The Skipper Surprised His Wife (1950) | Robert Walker | 2.1 | 51.3 | 64.80 | 143 | 60 | 00 / 00 | 60.2 | |
151 | Curtain Call at Cactus Creek (1950) | Donald O'Connor & Walter Brennan |
2.0 | 47.9 | 47.90 | 145 | 61 | 00 / 00 | 60.1 | |
152 | The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
2.9 | 71.3 | 103.30 | 107 | 53 | 00 / 00 | 59.8 | |
154 | Vendetta (1950) | Faith Domergue | 1.7 | 42.7 | 70.60 | 157 | 62 | 00 / 00 | 59.7 | |
154 | The Magnificent Yankee (1950) | Directed by John Sturges | 1.4 | 34.1 | 39.40 | 169 | 63 | 02 / 00 | 59.6 | |
155 | Odette (1950) | 0.2 | 5.1 | 5.10 | 210 | 74 | 00 / 00 | 59.4 | ||
157 | Gambling House (1950) | Victor Mature | 1.7 | 42.0 | 59.40 | 158 | 62 | 00 / 00 | 58.8 | |
157 | Backfire (1950) | Virginia Mayo & Gordon MacRae |
2.5 | 61.2 | 61.20 | 122 | 56 | 00 / 00 | 58.7 | |
158 | Stella (1950) | Victor Mature | 1.8 | 45.1 | 45.10 | 154 | 61 | 00 / 00 | 58.7 | |
159 | Outrage (1950) | Mala Powers & Directed by Ida Lupino |
1.3 | 32.6 | 32.60 | 170 | 65 | 00 / 00 | 58.6 | |
160 | Deported (1950) | Jeff Chandler | 1.9 | 47.5 | 47.50 | 148 | 59 | 00 / 00 | 57.7 | |
161 | The Clouded Yellow (1950) | Jean Simmons | 0.9 | 20.9 | 20.90 | 191 | 68 | 00 / 00 | 57.6 | |
162 | The Lawless (1950) | Gail Russell | 2.7 | 65.8 | 65.80 | 118 | 53 | 00 / 00 | 57.0 | |
161 | Outside The Wall (1950) | 1.1 | 27.0 | 27.00 | 179 | 65 | 00 / 00 | 56.6 | ||
164 | The Wooden Horse (1950) | 0.3 | 6.3 | 6.30 | 209 | 72 | 00 / 00 | 56.6 | ||
163 | The Man Who Cheated Himself (1950) | Lee J. Cobb | 1.3 | 32.6 | 32.60 | 171 | 63 | 00 / 00 | 56.3 | |
164 | Captive Girl (1950) | 1.4 | 34.9 | 34.90 | 168 | 62 | 00 / 00 | 55.7 | ||
168 | No Sad Songs For Me (1950) | Margaret Sullavan & Natalie Wood |
2.4 | 57.7 | 57.70 | 132 | 54 | 01 / 00 | 55.1 | |
168 | Buccaneer's Girl (1950) | Yvonne De Carlo | 1.2 | 30.2 | 30.20 | 174 | 63 | 00 / 00 | 54.3 | |
169 | The Cariboo Trail (1950) | Randolph Scott | 2.3 | 57.0 | 57.00 | 135 | 54 | 00 / 00 | 54.1 | |
170 | So Long At The Fair (1950) | 0.4 | 10.9 | 10.90 | 204 | 69 | 00 / 00 | 53.9 | ||
173 | Two Flags West (1950) | Joseph Cotten & Linda Darnell |
2.4 | 59.4 | 59.40 | 127 | 53 | 00 / 00 | 53.6 | |
172 | The Second Woman (1950) | Robert Young | 1.5 | 36.8 | 36.80 | 164 | 60 | 00 / 00 | 52.5 | |
174 | Edge Of Doom (1950) | Dana Andrews & Farley Granger |
2.0 | 47.9 | 81.10 | 146 | 56 | 00 / 00 | 51.4 | |
172 | Shadow On The Wall (1950) | Ann Sothern | 1.2 | 30.3 | 43.70 | 173 | 61 | 00 / 00 | 51.2 | |
175 | The Great Rupert (1950) | Jimmy Durante | 1.2 | 29.7 | 29.70 | 177 | 61 | 00 / 00 | 50.8 | |
173 | The Milkman (1950) | 1.0 | 24.5 | 24.50 | 184 | 63 | 00 / 00 | 50.8 | ||
177 | Highway 301 (1950) | Steve Cochran | 2.2 | 53.1 | 112.20 | 142 | 53 | 00 / 00 | 49.8 | |
178 | Black Hand (1950) | Gene Kelly | 2.2 | 54.0 | 84.60 | 140 | 53 | 00 / 00 | 49.6 | |
178 | The Good Humor Man (1950) | 0.7 | 18.3 | 18.30 | 195 | 63 | 00 / 00 | 47.0 | ||
181 | Please Believe Me (1950) | Deborah Kerr & Robert Walker |
1.7 | 40.5 | 53.90 | 159 | 56 | 00 / 00 | 46.8 | |
182 | A Lady Without Passport (1950) | Hedy Lamarr | 1.9 | 46.7 | 70.20 | 150 | 53 | 00 / 00 | 44.9 | |
180 | Never Fear (1950) | Sally Forrest & Directed by Ida Lupino |
0.6 | 13.7 | 13.70 | 201 | 63 | 00 / 00 | 44.9 | |
182 | Barricade (1950) | 0.8 | 20.6 | 20.60 | 193 | 61 | 00 / 00 | 44.4 | ||
184 | Manèges (1950) | 0.1 | 3.6 | 3.60 | 213 | 66 | 00 / 00 | 43.7 | ||
183 | Mark of the Gorilla (1950) | 1.5 | 36.5 | 36.50 | 165 | 55 | 00 / 00 | 43.7 | ||
185 | The Admiral Was A Lady (1950) | Edmond O'Brien | 1.9 | 45.5 | 45.50 | 153 | 52 | 00 / 00 | 43.0 | |
188 | The Fireball (1950) | Mickey Rooney & Marilyn Monroe |
2.4 | 57.7 | 57.70 | 133 | 48 | 00 / 00 | 41.9 | |
186 | Captain Blackjack (1950) | Agnes Moorehead | 1.0 | 25.5 | 25.50 | 181 | 57 | 00 / 00 | 40.7 | |
187 | Wyoming Mail (1950) | Ed Begley | 1.0 | 24.2 | 24.20 | 186 | 58 | 00 / 00 | 40.7 | |
189 | Rocketship X-M (1950) | 1.6 | 38.0 | 38.00 | 162 | 53 | 00 / 00 | 40.3 | ||
191 | Tarzan and the Slave Girl (1950) | Lex Barker | 2.3 | 56.0 | 120.60 | 137 | 47 | 00 / 00 | 40.0 | |
192 | Right Cross (1950) | Dick Powell & Lionel Barrymore |
2.7 | 66.8 | 91.10 | 114 | 44 | 00 / 00 | 39.8 | |
195 | I Was A Shoplifter (1950) | Tony Curtis & Rock Hudson |
1.8 | 43.7 | 43.70 | 156 | 51 | 00 / 00 | 38.6 | |
192 | Love That Brute (1950) | Jean Peters | 1.0 | 24.9 | 24.90 | 183 | 57 | 00 / 00 | 38.6 | |
193 | Dial 1119 (1950) | Marshall Thompson | 1.1 | 28.1 | 42.20 | 178 | 56 | 00 / 00 | 38.6 | |
196 | This Side of the Law (1950) | Viveca Lindfors | 0.8 | 20.8 | 35.70 | 192 | 58 | 00 / 00 | 37.9 | |
197 | Father is a Bachelor (1950) | William Holden | 1.9 | 45.7 | 45.70 | 152 | 50 | 00 / 00 | 37.8 | |
198 | Volcano (1950) | 0.1 | 3.6 | 3.60 | 212 | 63 | 00 / 00 | 37.4 | ||
200 | The Capture (1950) | Lew Ayres & Directed by John Sturges |
2.0 | 50.0 | 50.00 | 144 | 47 | 00 / 00 | 35.5 | |
200 | Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
2.4 | 58.0 | 74.60 | 130 | 44 | 00 / 00 | 33.1 | |
201 | Bordeline (1950) | Fred MacMurray & Claire Trevor |
1.9 | 46.9 | 46.90 | 149 | 47 | 00 / 00 | 33.0 | |
201 | Four Days Leave/Swiss Tour (1950) | Cornel Wilde | 0.7 | 17.0 | 17.00 | 199 | 57 | 00 / 00 | 32.9 | |
203 | Singing Guns (1950) | 0.6 | 13.8 | 13.80 | 200 | 58 | 00 / 00 | 32.9 | ||
204 | Three Husbands (1950) | Eve Arden | 1.0 | 24.2 | 24.20 | 187 | 53 | 00 / 00 | 30.7 | |
204 | Rider From Tucson (1950) | Tim Holt | 0.4 | 9.8 | 11.20 | 205 | 58 | 00 / 00 | 30.1 | |
204 | Mule Train (1950) | 0.4 | 10.9 | 10.90 | 203 | 57 | 00 / 00 | 30.0 | ||
206 | Golden Salamander (1950) | 0.1 | 2.4 | 2.40 | 214 | 60 | 00 / 00 | 29.7 | ||
206 | Eye Witness (1950) | Robert Montgomery | 0.4 | 9.8 | 9.80 | 206 | 57 | 00 / 00 | 29.6 | |
210 | The Torch (1950) | Paulette Goddard | 1.1 | 26.2 | 26.20 | 180 | 50 | 00 / 00 | 25.4 | |
208 | State Penitentiary (1950) | 0.3 | 7.0 | 7.00 | 208 | 56 | 00 / 00 | 25.2 | ||
209 | High Lonesome (1950) | 0.9 | 22.0 | 22.00 | 189 | 50 | 00 / 00 | 23.6 | ||
212 | Utopia (1950) | Laurel and Hardy | 0.7 | 17.6 | 17.60 | 196 | 51 | 00 / 00 | 23.1 | |
213 | Mystery Submarine (1950) | 0.1 | 3.6 | 3.60 | 211 | 55 | 00 / 00 | 22.2 | ||
214 | Last of the Buccaneers (1950) | Paul Henreid | 1.0 | 24.3 | 24.30 | 185 | 47 | 00 / 00 | 19.9 | |
214 | Paper Gallows/Torment (1950) Limited Release |
Directed by John Guillermin | 0.1 | 2.1 | 2.10 | 215 | 52 | 00 / 00 | 15.7 | |
215 | The Thief of Venice (1950) | 0.3 | 7.8 | 7.80 | 207 | 49 | 00 / 00 | 14.0 |
1950 Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Cinderella (1950) | Disney Animated Movies | 907.50 | |
King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
696.30 | |
Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
538.40 | |
Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
425.50 | |
The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
393.50 | |
Kim (1950) | Errol Flynn & Dean Stockwell |
375.00 | |
Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
316.60 | |
Dallas (1950) | Gary Cooper | 314.00 | |
All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
307.70 | |
Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
296.30 | |
Treasure Island (1950) | Bobby Driscoll | 286.80 | |
Let's Dance (1950) | Fred Astaire & Betty Hutton |
271.90 | |
Tea for Two (1950) | Doris Day & Gordon MacRae |
255.40 | |
Montana (1950) | Errol Flynn & Alexis Smith |
255.10 | |
Our Very Own (1950) | Natalie Wood & Jane Wyatt |
244.80 | |
Pagan Love Song (1950) | Esther Williams & Howard Keel |
235.00 | |
Summer Stock (1950) | Judy Garland & Gene Kelly |
234.80 | |
The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
227.40 | |
Ambush (1950) | Robert Taylor & Arlene Dahl |
224.90 | |
Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
218.30 | |
Breakthrough (1950) | John Agar | 210.90 | |
Key to the City (1950) | Clark Gable & Loretta Young |
207.90 | |
To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
204.40 | |
The West Point Story (1950) | James Cagney & Doris Day |
202.10 | |
Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
200.40 | |
The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
196.00 | |
Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
195.50 | |
Rocky Mountain (1950) | Errol Flynn | 192.30 | |
The Yellow Cab Man (1950) | Red Skelton | 181.80 | |
Chain Lightning (1950) | Eleanor Parker | 178.70 | |
Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
171.10 | |
Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
162.40 | |
The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
155.50 | |
The Damned Don't Cry (1950) | Joan Crawford | 154.60 | |
The White Tower (1950) | Glenn Ford & Claude Rains |
152.80 | |
The Outriders (1950) | Joel McCrea & Arlene Dahl |
152.40 | |
Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
150.10 | |
The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
149.90 | |
The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
148.80 | |
Devil's Doorway (1950) | Robert Taylor | 146.60 | |
A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
134.10 | |
Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
133.40 | |
Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
129.00 | |
Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
127.60 | |
Tarzan and the Slave Girl (1950) | Lex Barker | 120.60 | |
The Breaking Point (1950) | John Garfield & Patricia Neal |
120.30 | |
The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
114.10 | |
Highway 301 (1950) | Steve Cochran | 112.20 | |
Stromboli (1950) | Ingrid Bergman | 110.90 | |
Kon-Tiki (1950) | Thor Heyerdahl | 108.40 | |
The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
103.30 | |
Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
99.70 | |
Wagon Master (1950) | Ben Johnson & Directed by John Ford |
99.70 | |
Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
99.70 | |
Crisis (1950) | Cary Grant & José Ferrer |
98.10 | |
Right Cross (1950) | Dick Powell & Lionel Barrymore |
91.10 | |
The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
90.90 | |
Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
90.20 | |
Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
87.40 | |
Black Hand (1950) | Gene Kelly | 84.60 | |
Edge Of Doom (1950) | Dana Andrews & Farley Granger |
81.10 | |
Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
74.60 | |
Vendetta (1950) | Faith Domergue | 70.60 | |
A Lady Without Passport (1950) | Hedy Lamarr | 70.20 | |
The Skipper Surprised His Wife (1950) | Robert Walker | 64.80 | |
Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
64.00 | |
The Happy Years (1950) | Dean Stockwell | 59.80 | |
Gambling House (1950) | Victor Mature | 59.40 | |
The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
55.10 | |
Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
54.20 | |
Please Believe Me (1950) | Deborah Kerr & Robert Walker |
53.90 | |
Side Street (1950) | Farley Granger | 53.90 | |
Shadow On The Wall (1950) | Ann Sothern | 43.70 | |
Dial 1119 (1950) | Marshall Thompson | 42.20 | |
The Magnificent Yankee (1950) | Directed by John Sturges | 39.40 | |
This Side of the Law (1950) | Viveca Lindfors | 35.70 | |
Rider From Tucson (1950) | Tim Holt | 11.20 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
Bitter Rice
Highly rated and acclaimed Italian Drama
Oscar Nominee for Best Writing
http://www.imdb.com/title/tt0040737
I think the allocation to a particular year is difficult. To line up with the 1951 Oscars you would put it in 1950 but to line up with the original release at Cannes Film Festival it might go to 1949. Or if you really feal like hedging you create two entries and span them both.
80 The File of Thelma Jordan (1950)
title could be “The File on Thelma Jordon”
Thank you Sidney……that error has been fixed.
The Damned Don’t Cry title could use a ! at the end if it is an allowable character in your app/db.
Thank you Sidney……that error has been fixed. Our database does not have too many issues with ! marks. Good catch.
HI BRUCE
1 I look forward to the 1951 page.
2 Thought-association can be a wonderful thing. I was working on my De Niro post to Steve when I noticed that you and Joel had been corresponding again.
3 That reminded me of De Niro’s 1991 Guilty by Suspicion in which a 3rd rate Hollywood B movie producer had been pursuing to make a film the important director David Merrill whom Robert was playing.
4 The producer again confronts David as he is entering a restaurant and says to him “If we join forces for that movie we’ll walk up the isle together at Oscar time,” to which Merrill brushing past him dismissively replies “What, are we gonna get married or something?”
5 Few could do sarcasm better than Bobby D but things do seem to be getting serious between you and Joel and one can only hope W o C is not the jealous type!
ADDITIONAL TRIVIA Guilty by Suspicion is probably my favourite De Niro flick. You and Steve don’t seem to think over-much of it but for once I can maybe claim the high ground as Roger Ebert praised it and gave it 3 and 1/2 out of 4 stars. Martin Scorsese had a supporting role and his character was based on blacklisted director Joseph Losey while De Niro’s David Merrill was supposed to have been inspired by director John Berry, also blacklisted in the McCarthy era.