This movie page looks at 1950 Top Box Office Movies. Finding box office information for movies made in the 1940s and 1950s is extremely difficult. For somebody looking for box office information on 1950 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1950 movies in our database.
To make this list a movie had to be made in 1950. Obviously many movies made in 1949 earned box office dollars in 1950. On the other side many movies made in 1950 made money in 1951 and later. This page will looks at 174 1950 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1950 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis. *The box office totals for Cinderella include all of the re-releases it has had over the years.
Our UMR Top 50 of 1950
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1950
All About Eve (1950)
AA Best Picture Win
1950
Sunset Blvd. (1950)
AA Best Picture Nom
1950
Born Yesterday (1950)
AA Best Picture Nom
1950
Father of the Bride (1950)
AA Best Picture Nom
1950
Cinderella (1950)
1950
Annie Get Your Gun (1950)
1950
King Solomon's Mines (1950)
AA Best Picture Nom
1950
Harvey (1950)
1950
Broken Arrow (1950)
1950
Three Little Words (1950)
1950
Winchester '73 (1950)
1950
Cheaper by the Dozen (1950)
1950
The Flame and the Arrow (1950)
1950
Kim (1950)
1950
Summer Stock (1950)
1950
The Gunfighter (1950)
1950
Francis (1950)
1950
Fancy Pants (1950)
1950
At War with the Army (1950)
1950
Rio Grande (1950)
1950
Treasure Island (1950)
1950
Stars In My Crown (1950)
1950
Dallas (1950)
1950
Cyrano de Bergerac (1950)
1950
Duchess of Idaho (1950)
1950
In a Lonely Place (1950)
1950
I'll Get By (1950)
1950
Our Very Own (1950)
1950
Breakthrough (1950)
1950
My Blue Heaven (1950)
1950
Tea for Two (1950)
1950
Let's Dance (1950)
1950
The Asphalt Jungle (1950)
1950
Caged (1950)
1950
Ma and Pa Kettle Go To Town (1950)
Uncredited Role
1950
Panic in the Streets (1950)
1950
The Furies (1950)
1950
Three Came Home (1950)
1950
The Black Rose (1950)
1950
American Guerrilla in the Philippines (1950)
1950
Mr. Music (1950)
1950
Two Weeks with Love (1950)
1950
The Yellow Cab Man (1950)
1950
Kiss Tomorrow Goodbye (1950)
1950
Branded (1950)
1950
The West Point Story (1950)
1950
No Way Out (1950)
1950
My Friend Irma Goes West (1950)
1950
Wabash Avenue (1950)
1950
The Damned Don't Cry (1950)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1950 | All About Eve (1950) AA Best Picture Win |
||
1950 | Sunset Blvd. (1950) AA Best Picture Nom |
||
1950 | Born Yesterday (1950) AA Best Picture Nom |
||
1950 | Father of the Bride (1950) AA Best Picture Nom |
||
1950 | Cinderella (1950) | ||
1950 | Annie Get Your Gun (1950) | ||
1950 | King Solomon's Mines (1950) AA Best Picture Nom |
||
1950 | Harvey (1950) | ||
1950 | Broken Arrow (1950) | ||
1950 | Three Little Words (1950) | ||
1950 | Winchester '73 (1950) | ||
1950 | Cheaper by the Dozen (1950) | ||
1950 | The Flame and the Arrow (1950) | ||
1950 | Kim (1950) | ||
1950 | Summer Stock (1950) | ||
1950 | The Gunfighter (1950) | ||
1950 | Francis (1950) | ||
1950 | Fancy Pants (1950) | ||
1950 | At War with the Army (1950) | ||
1950 | Rio Grande (1950) | ||
1950 | Treasure Island (1950) | ||
1950 | Stars In My Crown (1950) | ||
1950 | Dallas (1950) | ||
1950 | Cyrano de Bergerac (1950) | ||
1950 | Duchess of Idaho (1950) | ||
1950 | In a Lonely Place (1950) | ||
1950 | I'll Get By (1950) | ||
1950 | Our Very Own (1950) | ||
1950 | Breakthrough (1950) | ||
1950 | My Blue Heaven (1950) | ||
1950 | Tea for Two (1950) | ||
1950 | Let's Dance (1950) | ||
1950 | The Asphalt Jungle (1950) | ||
1950 | Caged (1950) | ||
1950 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
||
1950 | Panic in the Streets (1950) | ||
1950 | The Furies (1950) | ||
1950 | Three Came Home (1950) | ||
1950 | The Black Rose (1950) | ||
1950 | American Guerrilla in the Philippines (1950) | ||
1950 | Mr. Music (1950) | ||
1950 | Two Weeks with Love (1950) | ||
1950 | The Yellow Cab Man (1950) | ||
1950 | Kiss Tomorrow Goodbye (1950) | ||
1950 | Branded (1950) | ||
1950 | The West Point Story (1950) | ||
1950 | No Way Out (1950) | ||
1950 | My Friend Irma Goes West (1950) | ||
1950 | Wabash Avenue (1950) | ||
1950 | The Damned Don't Cry (1950) |
1950 Top Box Office Movies Can Be Ranked 7 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1950 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1950 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1950 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions).
- Sort 1950 Top Box Office Movies by yearly domestic box office rank
- Sort 1950 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1950 Top Box Office Movies received.
- Sort 1950 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
8.9 | 198.9 | 282.30 | 9 | 92 | 14 / 06 | 100.0 | |
3 | Sunset Blvd. (1950) AA Best Picture Nom |
William Holden & Gloria Swanson |
6.7 | 150.8 | 150.80 | 24 | 90 | 11 / 03 | 99.0 | |
2 | Born Yesterday (1950) AA Best Picture Nom |
William Holden & Judy Holliday |
11.8 | 264.0 | 264.00 | 5 | 81 | 05 / 01 | 99.0 | |
4 | Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
11.5 | 259.0 | 390.40 | 6 | 82 | 03 / 00 | 98.9 | |
6 | Cinderella (1950) | Disney Animated Movies | 28.9 | 649.7 | 832.60 | 1 | 84 | 03 / 00 | 98.5 | |
7 | Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
13.3 | 298.4 | 494.00 | 3 | 78 | 04 / 01 | 98.0 | |
5 | King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
14.4 | 323.8 | 638.80 | 2 | 71 | 03 / 02 | 97.8 | |
8 | Harvey (1950) | James Stewart | 7.4 | 166.8 | 166.80 | 17 | 87 | 02 / 01 | 97.2 | |
9 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.1 | 227.8 | 227.80 | 7 | 71 | 03 / 00 | 96.0 | |
11 | Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
8.6 | 193.7 | 290.40 | 10 | 73 | 01 / 00 | 95.6 | |
12 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.4 | 144.4 | 144.40 | 32 | 87 | 00 / 00 | 95.0 | |
10 | Cheaper by the Dozen (1950) | Myrna Loy & Clifton Webb |
12.6 | 283.9 | 283.90 | 4 | 68 | 00 / 00 | 94.8 | |
13 | The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
7.8 | 175.6 | 361.00 | 15 | 74 | 02 / 00 | 94.7 | |
15 | Kim (1950) | Errol Flynn & Dean Stockwell |
8.3 | 185.8 | 344.00 | 12 | 68 | 00 / 00 | 93.5 | |
16 | Summer Stock (1950) | Judy Garland & Gene Kelly |
7.1 | 160.3 | 215.40 | 19 | 75 | 00 / 00 | 93.2 | |
14 | The Gunfighter (1950) | Gregory Peck | 5.6 | 125.1 | 125.10 | 48 | 84 | 01 / 00 | 92.8 | |
19 | Francis (1950) | Donald O'Connor | 8.3 | 186.1 | 186.10 | 11 | 65 | 00 / 00 | 92.6 | |
19 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.4 | 166.8 | 166.80 | 18 | 70 | 00 / 00 | 92.2 | |
17 | At War with the Army (1950) | Jerry Lewis & Dean Martin |
9.4 | 211.7 | 211.70 | 8 | 59 | 00 / 00 | 92.2 | |
20 | Rio Grande (1950) | John Wayne & Maureen O'Hara |
6.4 | 144.4 | 144.40 | 31 | 74 | 00 / 00 | 91.1 | |
23 | Treasure Island (1950) | Bobby Driscoll | 6.0 | 134.8 | 263.10 | 41 | 77 | 00 / 00 | 91.1 | |
20 | Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
5.6 | 125.9 | 137.70 | 46 | 79 | 00 / 00 | 91.1 | |
24 | Dallas (1950) | Gary Cooper | 7.9 | 177.4 | 288.10 | 14 | 63 | 00 / 00 | 91.0 | |
22 | Cyrano de Bergerac (1950) | José Ferrer | 5.4 | 121.9 | 121.90 | 50 | 78 | 01 / 01 | 90.9 | |
26 | Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
8.1 | 182.9 | 271.80 | 13 | 60 | 00 / 00 | 90.6 | |
25 | In a Lonely Place (1950) | Humphrey Bogart & Gloria Graham |
3.9 | 88.2 | 88.20 | 82 | 87 | 00 / 00 | 89.4 | |
29 | I'll Get By (1950) | Thelma Ritter & June Haver |
7.0 | 157.2 | 157.20 | 20 | 63 | 01 / 00 | 89.2 | |
29 | Our Very Own (1950) | Natalie Wood & Jane Wyatt |
6.9 | 154.0 | 224.60 | 22 | 64 | 01 / 00 | 89.2 | |
29 | Breakthrough (1950) | John Agar | 6.0 | 134.4 | 193.50 | 42 | 71 | 00 / 00 | 89.1 | |
30 | My Blue Heaven (1950) | Betty Grable & Dan Dailey |
6.5 | 146.0 | 146.00 | 30 | 66 | 00 / 00 | 88.7 | |
31 | Tea for Two (1950) | Doris Day & Gordon MacRae |
6.6 | 149.0 | 234.30 | 26 | 65 | 00 / 00 | 88.6 | |
32 | Let's Dance (1950) | Fred Astaire & Betty Hutton |
6.9 | 154.0 | 249.50 | 23 | 63 | 00 / 00 | 88.5 | |
31 | The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
3.1 | 69.1 | 137.50 | 104 | 87 | 04 / 00 | 88.5 | |
33 | Caged (1950) | Eleanor Parker | 4.3 | 96.2 | 96.20 | 71 | 79 | 03 / 00 | 88.4 | |
35 | Ma and Pa Kettle Go To Town (1950) Uncredited Role |
Marjorie Main | 6.2 | 139.6 | 139.60 | 36 | 67 | 00 / 00 | 88.1 | |
36 | Panic in the Streets (1950) | Richard Widmark & Jack Palance |
3.4 | 77.0 | 77.00 | 97 | 84 | 01 / 01 | 87.9 | |
35 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.6 | 102.7 | 102.70 | 65 | 77 | 01 / 00 | 87.8 | |
38 | Three Came Home (1950) | Claudette Colbert | 5.4 | 121.9 | 121.90 | 49 | 71 | 00 / 00 | 87.6 | |
39 | The Black Rose (1950) | Tyrone Power & Orson Welles |
7.6 | 170.0 | 170.00 | 16 | 54 | 01 / 00 | 87.3 | |
40 | American Guerrilla in the Philippines (1950) | Tyrone Power | 6.5 | 146.3 | 146.30 | 29 | 62 | 00 / 00 | 87.2 | |
41 | Mr. Music (1950) | Bing Crosby | 6.6 | 147.6 | 147.60 | 27 | 61 | 00 / 00 | 87.1 | |
42 | Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
4.8 | 108.8 | 179.30 | 58 | 73 | 00 / 00 | 86.8 | |
43 | The Yellow Cab Man (1950) | Red Skelton | 5.6 | 125.2 | 166.80 | 47 | 67 | 00 / 00 | 86.7 | |
44 | Kiss Tomorrow Goodbye (1950) | James Cagney | 4.9 | 109.1 | 109.10 | 54 | 72 | 00 / 00 | 86.5 | |
46 | Branded (1950) | Alan Ladd & Charles Bickford |
6.3 | 141.2 | 141.20 | 34 | 61 | 00 / 00 | 86.3 | |
47 | The West Point Story (1950) | James Cagney & Doris Day |
6.1 | 137.7 | 185.40 | 39 | 61 | 01 / 00 | 86.1 | |
45 | No Way Out (1950) | Richard Widmark & Sidney Poitier |
3.9 | 86.6 | 86.60 | 83 | 77 | 01 / 00 | 85.9 | |
49 | My Friend Irma Goes West (1950) | Dean Martin & Jerry Lewis |
6.9 | 154.0 | 154.00 | 21 | 56 | 00 / 00 | 85.7 | |
48 | Wabash Avenue (1950) | Victor Mature & Betty Grable |
5.9 | 131.5 | 131.50 | 44 | 62 | 01 / 00 | 85.6 | |
48 | The Damned Don't Cry (1950) | Joan Crawford | 4.4 | 98.8 | 141.90 | 69 | 72 | 00 / 00 | 85.3 | |
52 | Ambush (1950) | Robert Taylor & Arlene Dahl |
6.0 | 135.3 | 206.30 | 40 | 60 | 00 / 00 | 85.1 | |
52 | Night and the City (1950) | Richard Widmark & Gene Tierney |
3.6 | 80.1 | 80.10 | 95 | 77 | 00 / 00 | 84.9 | |
54 | Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
4.7 | 105.3 | 149.00 | 64 | 69 | 00 / 00 | 84.9 | |
54 | The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
6.2 | 138.5 | 179.90 | 37 | 59 | 00 / 00 | 84.9 | |
54 | Where the Sidewalk Ends (1950) | Dana Andrews & Gene Tierney |
2.9 | 64.2 | 64.20 | 110 | 82 | 00 / 00 | 84.7 | |
56 | Rocky Mountain (1950) | Errol Flynn | 4.9 | 109.1 | 176.50 | 56 | 67 | 00 / 00 | 84.5 | |
57 | Kon-Tiki (1950) | Thor Heyerdahl | 2.4 | 54.5 | 99.50 | 123 | 82 | 01 / 01 | 84.2 | |
58 | The Breaking Point (1950) | John Garfield & Patricia Neal |
3.0 | 67.4 | 110.40 | 105 | 78 | 00 / 00 | 83.5 | |
61 | Key to the City (1950) | Clark Gable & Loretta Young |
6.6 | 147.3 | 190.80 | 28 | 53 | 00 / 00 | 83.4 | |
62 | When Willie Comes Marching Home (1950) | Dan Dailey & Directed by John Ford |
4.9 | 109.1 | 109.10 | 57 | 64 | 01 / 00 | 83.2 | |
59 | Harriet Craig (1950) | Joan Crawford | 3.1 | 70.6 | 70.60 | 103 | 77 | 00 / 00 | 83.2 | |
60 | Wagon Master (1950) | Ben Johnson & Directed by John Ford |
3.2 | 72.2 | 91.40 | 101 | 76 | 00 / 00 | 82.9 | |
64 | Riding High (1950) | Bing Crosby & Directed by Frank Capra |
6.7 | 150.8 | 150.80 | 25 | 51 | 00 / 00 | 82.9 | |
63 | Three Secrets (1950) | Eleanor Parker & Patricia Neal |
4.0 | 89.8 | 89.80 | 79 | 70 | 00 / 00 | 82.7 | |
65 | Gun Crazy (1950) | Peggy Cummins & John Dall |
2.4 | 52.9 | 52.90 | 134 | 81 | 00 / 00 | 82.3 | |
65 | Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
3.8 | 84.6 | 118.30 | 86 | 70 | 00 / 00 | 82.0 | |
69 | The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
4.8 | 107.2 | 208.60 | 60 | 62 | 01 / 00 | 81.8 | |
70 | 711 Ocean Drive (1950) | Edmond O'Brien | 4.4 | 99.5 | 99.50 | 67 | 65 | 00 / 00 | 81.6 | |
67 | Devil's Doorway (1950) | Robert Taylor | 3.9 | 86.6 | 134.50 | 84 | 69 | 00 / 00 | 81.6 | |
71 | Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
5.3 | 118.0 | 183.90 | 51 | 59 | 00 / 00 | 81.6 | |
70 | Commache Territory (1950) | Maureen O'Hara | 4.6 | 102.7 | 102.70 | 66 | 63 | 00 / 00 | 81.3 | |
74 | September Affair (1950) | Jospeh Cotten & Joan Fontaine |
4.1 | 91.4 | 91.40 | 77 | 66 | 00 / 00 | 80.7 | |
73 | Copper Canyon (1950) | Ray Milland & Hedy Lamarr |
6.3 | 141.2 | 141.20 | 35 | 50 | 00 / 00 | 80.6 | |
76 | For Heaven's Sake (1950) | Clifton Webb & Joan Bennett |
4.9 | 109.1 | 109.10 | 55 | 59 | 00 / 00 | 80.3 | |
73 | Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
2.9 | 64.9 | 122.40 | 108 | 73 | 00 / 00 | 80.1 | |
76 | Champagne For Caesar (1950) | Ronald Colman & Vincent Price |
2.4 | 54.5 | 54.50 | 126 | 76 | 00 / 00 | 80.1 | |
77 | Chain Lightning (1950) | Eleanor Parker | 4.8 | 106.8 | 163.90 | 61 | 60 | 00 / 00 | 80.1 | |
78 | Whirlpool (1950) | Gene Tierney & Directed by Otto Preminger |
3.3 | 73.8 | 73.80 | 100 | 70 | 00 / 00 | 80.1 | |
78 | Tripoli (1950) | Maureen O'Hara | 4.7 | 105.9 | 105.90 | 62 | 60 | 00 / 00 | 79.9 | |
80 | Pagan Love Song (1950) | Esther Williams & Howard Keel |
6.2 | 138.4 | 215.60 | 38 | 49 | 00 / 00 | 79.8 | |
81 | Montana (1950) | Errol Flynn & Alexis Smith |
6.3 | 141.4 | 234.00 | 33 | 48 | 00 / 00 | 79.8 | |
82 | Mister 880 (1950) | Burt Lancaster & Dorothy McGuire |
4.9 | 109.1 | 109.10 | 53 | 57 | 01 / 00 | 79.4 | |
84 | Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
4.9 | 109.2 | 157.00 | 52 | 58 | 00 / 00 | 79.2 | |
84 | Destination Moon (1950) | Science Fiction Movies | 3.7 | 83.4 | 83.40 | 88 | 63 | 02 / 01 | 79.1 | |
84 | Abbott and Costello in the Foreign Legion (1950) | Bud Abbott | 3.6 | 81.8 | 81.80 | 91 | 66 | 00 / 00 | 78.8 | |
86 | Storm Warning (1950) | Doris Day & Ronald Reagan |
3.6 | 80.2 | 80.20 | 93 | 66 | 00 / 00 | 78.7 | |
88 | Frenchie (1950) | Joel McCrea & Shelley Winters |
4.0 | 89.8 | 89.80 | 80 | 62 | 00 / 00 | 78.2 | |
86 | Rashomon (1950) | Toshirô Mifune | 0.9 | 20.9 | 20.90 | 188 | 83 | 01 / 00 | 77.9 | |
90 | Union Station (1950) | William Holden | 4.1 | 91.4 | 91.40 | 76 | 61 | 00 / 00 | 77.8 | |
88 | The Men (1950) | Marlon Brando & Directed by Fred Zinnemann |
2.4 | 54.5 | 54.50 | 124 | 72 | 01 / 00 | 77.7 | |
89 | Saddle Tramp (1950) | Joel McCrea | 3.4 | 77.0 | 77.00 | 98 | 66 | 00 / 00 | 77.7 | |
93 | The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
4.8 | 108.3 | 136.50 | 59 | 56 | 00 / 00 | 77.6 | |
92 | Louisa (1950) | Ronald Reagan | 4.1 | 91.5 | 91.50 | 75 | 60 | 01 / 00 | 77.6 | |
94 | Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
5.7 | 128.5 | 200.30 | 45 | 49 | 00 / 00 | 77.2 | |
95 | The Jackie Robinson Story (1950) | Jackie Robinson | 2.7 | 61.0 | 61.00 | 115 | 70 | 00 / 00 | 77.0 | |
97 | Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
3.9 | 88.2 | 117.10 | 81 | 60 | 00 / 00 | 75.7 | |
96 | One Way Street (1950) | James Mason & Dan Duryea |
3.7 | 83.4 | 83.40 | 89 | 61 | 00 / 00 | 75.6 | |
97 | The Outriders (1950) | Joel McCrea & Arlene Dahl |
4.4 | 98.8 | 139.80 | 68 | 56 | 00 / 00 | 75.6 | |
99 | The White Tower (1950) | Glenn Ford & Claude Rains |
3.7 | 82.5 | 140.20 | 90 | 61 | 00 / 00 | 75.3 | |
99 | Appointment with Danger (1950) | Alan Ladd & Jack Webb |
4.1 | 93.0 | 93.00 | 74 | 58 | 00 / 00 | 75.2 | |
100 | Stromboli (1950) | Ingrid Bergman | 1.6 | 35.9 | 101.70 | 161 | 75 | 00 / 00 | 74.6 | |
101 | Convicted (1950) | Glenn Ford & Broderick Crawford |
3.3 | 73.8 | 73.80 | 99 | 63 | 00 / 00 | 74.6 | |
102 | Under My Skin (1950) | John Garfield | 3.1 | 70.6 | 70.60 | 102 | 64 | 00 / 00 | 74.6 | |
105 | A Ticket to Tomahawk (1950) | Dan Dailey & Anne Baxter |
3.7 | 83.4 | 83.40 | 87 | 60 | 00 / 00 | 74.2 | |
105 | The Eagle and the Hawk (1950) | John Payne | 4.3 | 96.2 | 96.20 | 72 | 56 | 00 / 00 | 74.1 | |
107 | A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
4.0 | 90.7 | 123.00 | 78 | 57 | 00 / 00 | 74.1 | |
107 | Kill the Umpire (1950) | Baseball Movies | 2.3 | 51.3 | 51.30 | 138 | 70 | 00 / 00 | 74.1 | |
108 | Captain China (1950) | Gail Russell | 4.2 | 93.4 | 93.40 | 73 | 56 | 00 / 00 | 73.9 | |
109 | The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
3.8 | 85.0 | 104.70 | 85 | 59 | 00 / 00 | 73.7 | |
110 | So Young, So Bad (1950) | Paul Henreid | 4.7 | 105.4 | 105.40 | 63 | 52 | 00 / 00 | 73.6 | |
111 | The Jackpot (1950) | James Stewart & Natalie Wood |
4.4 | 97.9 | 97.90 | 70 | 54 | 00 / 00 | 73.5 | |
112 | To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
5.9 | 132.2 | 187.50 | 43 | 43 | 00 / 00 | 73.1 | |
113 | La Ronde (1950) | 0.7 | 16.0 | 16.00 | 198 | 78 | 02 / 00 | 73.1 | ||
113 | Crisis (1950) | Cary Grant & José Ferrer |
2.5 | 57.2 | 90.00 | 120 | 66 | 00 / 00 | 72.4 | |
115 | The Mudlark (1950) | Irene Dunne & Alec Guinness |
2.9 | 64.2 | 64.20 | 109 | 62 | 01 / 00 | 71.2 | |
117 | Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
2.7 | 61.0 | 91.40 | 116 | 64 | 00 / 00 | 71.1 | |
117 | Paid In Full (1950) | Robert Cummings | 2.3 | 51.5 | 51.50 | 136 | 67 | 00 / 00 | 70.9 | |
118 | The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
2.4 | 54.5 | 83.40 | 125 | 65 | 00 / 00 | 70.4 | |
118 | Side Street (1950) | Farley Granger | 1.3 | 28.7 | 49.50 | 172 | 73 | 00 / 00 | 70.1 | |
119 | No Man of Her Own (1950) | Barbara Stanwyck | 1.6 | 36.3 | 36.30 | 160 | 71 | 00 / 00 | 70.1 | |
121 | The Big Lift (1950) | Montgomery Clift | 3.6 | 81.8 | 81.80 | 92 | 56 | 00 / 00 | 69.9 | |
122 | Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
2.2 | 49.5 | 58.70 | 141 | 66 | 00 / 00 | 69.6 | |
123 | The Nevadan (1950) | Randolph Scott & Dorothy Malone |
2.5 | 56.2 | 56.20 | 121 | 64 | 00 / 00 | 69.2 | |
124 | Sierra (1950) | Audie Murphy & Tony Curtis |
2.4 | 54.0 | 54.00 | 128 | 64 | 00 / 00 | 68.9 | |
126 | The Petty Girl (1950) | Robert Cummings | 3.6 | 80.2 | 80.20 | 94 | 56 | 00 / 00 | 68.5 | |
124 | Woman On The Run (1950) | Ann Sheridan | 0.9 | 19.4 | 19.40 | 190 | 75 | 00 / 00 | 68.4 | |
126 | The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
1.9 | 42.9 | 50.60 | 151 | 67 | 00 / 00 | 68.3 | |
127 | Kansas Raiders (1950) | Audie Murphy & Tony Curtis |
3.4 | 77.0 | 77.00 | 96 | 56 | 00 / 00 | 68.0 | |
128 | Julius Caesar (1950) | Charlton Heston | 0.1 | 1.9 | 1.90 | 216 | 79 | 00 / 00 | 67.0 | |
129 | Mother Didn't Tell Me (1950) | Dorothy McGuire | 2.8 | 62.0 | 62.00 | 113 | 60 | 00 / 00 | 66.8 | |
131 | The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
2.8 | 63.5 | 142.70 | 111 | 59 | 00 / 00 | 66.2 | |
130 | Madeline (1950) | Directed by David Lean | 0.7 | 16.1 | 16.10 | 197 | 74 | 00 / 00 | 66.1 | |
134 | The Kid From Texas (1950) | Audie Murphy | 2.3 | 51.0 | 51.00 | 139 | 63 | 00 / 00 | 66.1 | |
135 | Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
2.4 | 53.9 | 82.80 | 129 | 62 | 00 / 00 | 66.0 | |
134 | Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
1.2 | 27.5 | 49.70 | 175 | 69 | 01 / 00 | 65.6 | |
135 | The Great Manhunt (1950) | Douglas Fairbanks Jr. | 1.2 | 27.3 | 27.30 | 176 | 70 | 00 / 00 | 65.5 | |
138 | Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
3.0 | 67.1 | 80.10 | 106 | 57 | 00 / 00 | 65.2 | |
137 | Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
2.4 | 52.9 | 91.40 | 131 | 62 | 00 / 00 | 65.2 | |
139 | Armored Car Robbery (1950) | 0.8 | 17.6 | 17.60 | 194 | 73 | 00 / 00 | 65.0 | ||
138 | The Underworld Story (1950) | Dan Duryea | 1.5 | 33.1 | 33.10 | 166 | 67 | 00 / 00 | 64.2 | |
140 | A Woman Of Distinction (1950) | Rosalind Russell & Ray Milland |
2.8 | 63.0 | 63.00 | 112 | 58 | 00 / 00 | 64.0 | |
142 | Quicksand (1950) | Mickey Rooney & Peter Lorre |
1.8 | 40.1 | 40.10 | 155 | 65 | 00 / 00 | 63.5 | |
141 | Hunt The Man Down (1950) | Gig Young | 1.5 | 34.1 | 34.10 | 163 | 66 | 00 / 00 | 63.2 | |
143 | The Flying Missile (1950) | Glenn Ford | 2.6 | 57.9 | 57.90 | 119 | 59 | 00 / 00 | 63.1 | |
144 | Operation Disaster/Morning Departure (1950) | John Mills | 0.5 | 11.8 | 11.80 | 202 | 73 | 00 / 00 | 62.4 | |
146 | Trio (1950) | Jean Simmons | 1.0 | 23.3 | 23.30 | 182 | 68 | 01 / 00 | 62.3 | |
145 | Pygmy Island (1950) | 1.5 | 33.0 | 33.00 | 167 | 66 | 00 / 00 | 61.6 | ||
149 | Dark City (1950) | Charlton Heston & Lizabeth Scott |
2.7 | 61.0 | 61.00 | 117 | 57 | 00 / 00 | 61.4 | |
149 | The Happy Years (1950) | Dean Stockwell | 1.9 | 43.6 | 54.90 | 147 | 62 | 00 / 00 | 60.9 | |
148 | Odette (1950) | 0.2 | 4.7 | 4.70 | 210 | 74 | 00 / 00 | 60.5 | ||
150 | The Magnificent Yankee (1950) | Directed by John Sturges | 1.4 | 31.2 | 36.10 | 169 | 63 | 02 / 00 | 59.4 | |
151 | Curtain Call at Cactus Creek (1950) | Donald O'Connor & Walter Brennan |
2.0 | 44.0 | 44.00 | 145 | 61 | 00 / 00 | 59.4 | |
155 | The Skipper Surprised His Wife (1950) | Robert Walker | 2.1 | 47.0 | 59.40 | 143 | 60 | 00 / 00 | 59.3 | |
154 | Vendetta (1950) | Faith Domergue | 1.7 | 39.1 | 64.80 | 157 | 62 | 00 / 00 | 59.2 | |
153 | Outrage (1950) | Mala Powers & Directed by Ida Lupino |
1.3 | 29.9 | 29.90 | 170 | 65 | 00 / 00 | 58.4 | |
157 | Gambling House (1950) | Victor Mature | 1.7 | 38.5 | 54.50 | 158 | 62 | 00 / 00 | 58.2 | |
159 | The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
2.9 | 65.5 | 94.80 | 107 | 53 | 00 / 00 | 58.1 | |
158 | Stella (1950) | Victor Mature | 1.8 | 41.4 | 41.40 | 154 | 61 | 00 / 00 | 57.9 | |
157 | The Clouded Yellow (1950) | Jean Simmons | 0.9 | 19.2 | 19.20 | 191 | 68 | 00 / 00 | 57.8 | |
160 | The Wooden Horse (1950) | 0.3 | 5.8 | 5.80 | 209 | 72 | 00 / 00 | 57.5 | ||
160 | Backfire (1950) | Virginia Mayo & Gordon MacRae |
2.5 | 56.1 | 56.10 | 122 | 56 | 00 / 00 | 57.2 | |
163 | Deported (1950) | Jeff Chandler | 1.9 | 43.5 | 43.50 | 148 | 59 | 00 / 00 | 56.7 | |
161 | Outside The Wall (1950) | 1.1 | 24.7 | 24.70 | 179 | 65 | 00 / 00 | 56.6 | ||
163 | The Man Who Cheated Himself (1950) | Lee J. Cobb | 1.3 | 29.9 | 29.90 | 171 | 63 | 00 / 00 | 55.9 | |
164 | Captive Girl (1950) | 1.4 | 32.0 | 32.00 | 168 | 62 | 00 / 00 | 55.4 | ||
167 | The Lawless (1950) | Gail Russell | 2.7 | 60.3 | 60.30 | 118 | 53 | 00 / 00 | 55.3 | |
166 | So Long At The Fair (1950) | 0.4 | 10.0 | 10.00 | 204 | 69 | 00 / 00 | 54.6 | ||
168 | Buccaneer's Girl (1950) | Yvonne De Carlo | 1.2 | 27.7 | 27.70 | 174 | 63 | 00 / 00 | 54.0 | |
168 | No Sad Songs For Me (1950) | Margaret Sullavan & Natalie Wood |
2.4 | 52.9 | 52.90 | 132 | 54 | 01 / 00 | 53.7 | |
169 | The Cariboo Trail (1950) | Randolph Scott | 2.3 | 52.3 | 52.30 | 135 | 54 | 00 / 00 | 52.4 | |
173 | Two Flags West (1950) | Joseph Cotten & Linda Darnell |
2.4 | 54.5 | 54.50 | 127 | 53 | 00 / 00 | 51.9 | |
172 | The Second Woman (1950) | Robert Young | 1.5 | 33.7 | 33.70 | 164 | 60 | 00 / 00 | 51.8 | |
172 | Shadow On The Wall (1950) | Ann Sothern | 1.2 | 27.8 | 40.10 | 173 | 61 | 00 / 00 | 50.9 | |
173 | The Milkman (1950) | 1.0 | 22.5 | 22.50 | 184 | 63 | 00 / 00 | 50.7 | ||
175 | The Great Rupert (1950) | Jimmy Durante | 1.2 | 27.3 | 27.30 | 177 | 61 | 00 / 00 | 50.5 | |
174 | Edge Of Doom (1950) | Dana Andrews & Farley Granger |
2.0 | 44.0 | 74.40 | 146 | 56 | 00 / 00 | 50.0 | |
177 | Highway 301 (1950) | Steve Cochran | 2.2 | 48.7 | 102.90 | 142 | 53 | 00 / 00 | 48.1 | |
178 | Black Hand (1950) | Gene Kelly | 2.2 | 49.5 | 77.60 | 140 | 53 | 00 / 00 | 47.7 | |
178 | The Good Humor Man (1950) | 0.7 | 16.8 | 16.80 | 195 | 63 | 00 / 00 | 47.0 | ||
181 | Please Believe Me (1950) | Deborah Kerr & Robert Walker |
1.7 | 37.2 | 49.50 | 159 | 56 | 00 / 00 | 45.6 | |
180 | Never Fear (1950) | Sally Forrest & Directed by Ida Lupino |
0.6 | 12.6 | 12.60 | 201 | 63 | 00 / 00 | 45.1 | |
182 | Barricade (1950) | 0.8 | 18.9 | 18.90 | 193 | 61 | 00 / 00 | 44.4 | ||
181 | Manèges (1950) | 0.1 | 3.3 | 3.30 | 213 | 66 | 00 / 00 | 44.0 | ||
182 | A Lady Without Passport (1950) | Hedy Lamarr | 1.9 | 42.9 | 64.40 | 150 | 53 | 00 / 00 | 43.6 | |
183 | Mark of the Gorilla (1950) | 1.5 | 33.5 | 33.50 | 165 | 55 | 00 / 00 | 42.6 | ||
185 | The Admiral Was A Lady (1950) | Edmond O'Brien | 1.9 | 41.7 | 41.70 | 153 | 52 | 00 / 00 | 41.5 | |
187 | Wyoming Mail (1950) | Ed Begley | 1.0 | 22.2 | 22.20 | 186 | 58 | 00 / 00 | 40.3 | |
186 | Captain Blackjack (1950) | Agnes Moorehead | 1.0 | 23.4 | 23.40 | 181 | 57 | 00 / 00 | 40.2 | |
188 | The Fireball (1950) | Mickey Rooney & Marilyn Monroe |
2.4 | 52.9 | 52.90 | 133 | 48 | 00 / 00 | 39.2 | |
189 | Rocketship X-M (1950) | 1.6 | 34.9 | 34.90 | 162 | 53 | 00 / 00 | 38.7 | ||
192 | Love That Brute (1950) | Jean Peters | 1.0 | 22.9 | 22.90 | 183 | 57 | 00 / 00 | 38.1 | |
190 | Volcano (1950) | 0.1 | 3.3 | 3.30 | 212 | 63 | 00 / 00 | 37.5 | ||
193 | Dial 1119 (1950) | Marshall Thompson | 1.1 | 25.8 | 38.70 | 178 | 56 | 00 / 00 | 37.5 | |
193 | This Side of the Law (1950) | Viveca Lindfors | 0.8 | 19.1 | 32.80 | 192 | 58 | 00 / 00 | 37.4 | |
196 | Tarzan and the Slave Girl (1950) | Lex Barker | 2.3 | 51.3 | 110.70 | 137 | 47 | 00 / 00 | 37.1 | |
195 | I Was A Shoplifter (1950) | Tony Curtis & Rock Hudson |
1.8 | 40.1 | 40.10 | 156 | 51 | 00 / 00 | 36.9 | |
196 | Right Cross (1950) | Dick Powell & Lionel Barrymore |
2.7 | 61.3 | 83.50 | 114 | 44 | 00 / 00 | 36.3 | |
197 | Father is a Bachelor (1950) | William Holden | 1.9 | 42.0 | 42.00 | 152 | 50 | 00 / 00 | 36.1 | |
200 | The Capture (1950) | Lew Ayres & Directed by John Sturges |
2.0 | 45.8 | 45.80 | 144 | 47 | 00 / 00 | 32.7 | |
198 | Singing Guns (1950) | 0.6 | 12.6 | 12.60 | 200 | 58 | 00 / 00 | 32.6 | ||
201 | Four Days Leave/Swiss Tour (1950) | Cornel Wilde | 0.7 | 15.6 | 15.60 | 199 | 57 | 00 / 00 | 32.5 | |
201 | Bordeline (1950) | Fred MacMurray & Claire Trevor |
1.9 | 43.0 | 43.00 | 149 | 47 | 00 / 00 | 31.3 | |
205 | Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
2.4 | 53.2 | 68.40 | 130 | 44 | 00 / 00 | 30.5 | |
204 | Rider From Tucson (1950) | Tim Holt | 0.4 | 9.0 | 10.30 | 205 | 58 | 00 / 00 | 30.4 | |
204 | Mule Train (1950) | 0.4 | 10.0 | 10.00 | 203 | 57 | 00 / 00 | 30.3 | ||
206 | Golden Salamander (1950) | 0.1 | 2.2 | 2.20 | 214 | 60 | 00 / 00 | 30.2 | ||
208 | Three Husbands (1950) | Eve Arden | 1.0 | 22.2 | 22.20 | 187 | 53 | 00 / 00 | 29.9 | |
206 | Eye Witness (1950) | Robert Montgomery | 0.4 | 9.0 | 9.00 | 206 | 57 | 00 / 00 | 29.6 | |
208 | State Penitentiary (1950) | 0.3 | 6.4 | 6.40 | 208 | 56 | 00 / 00 | 25.0 | ||
210 | The Torch (1950) | Paulette Goddard | 1.1 | 24.1 | 24.10 | 180 | 50 | 00 / 00 | 24.6 | |
209 | High Lonesome (1950) | 0.9 | 20.2 | 20.20 | 189 | 50 | 00 / 00 | 22.9 | ||
210 | Mystery Submarine (1950) | 0.1 | 3.3 | 3.30 | 211 | 55 | 00 / 00 | 22.4 | ||
212 | Utopia (1950) | Laurel and Hardy | 0.7 | 16.1 | 16.10 | 196 | 51 | 00 / 00 | 22.3 | |
214 | Last of the Buccaneers (1950) | Paul Henreid | 1.0 | 22.3 | 22.30 | 185 | 47 | 00 / 00 | 19.0 | |
214 | Paper Gallows/Torment (1950) Limited Release |
Directed by John Guillermin | 0.1 | 1.9 | 1.90 | 215 | 52 | 00 / 00 | 16.0 | |
215 | The Thief of Venice (1950) | 0.3 | 7.2 | 7.20 | 207 | 49 | 00 / 00 | 14.1 |
1950 Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Cinderella (1950) | Disney Animated Movies | 832.60 | |
King Solomon's Mines (1950) AA Best Picture Nom |
Stewart Granger & Deborah Kerr |
638.80 | |
Annie Get Your Gun (1950) | Betty Hutton & Howard Keel |
494.00 | |
Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
390.40 | |
The Flame and the Arrow (1950) | Burt Lancaster & Virginia Mayo |
361.00 | |
Kim (1950) | Errol Flynn & Dean Stockwell |
344.00 | |
Three Little Words (1950) | Fred Astaire & Debbie Reynolds |
290.40 | |
Dallas (1950) | Gary Cooper | 288.10 | |
All About Eve (1950) AA Best Picture Win |
Bette Davis & Marilyn Monroe |
282.30 | |
Duchess of Idaho (1950) | Van Johnson & Eleanor Powell |
271.80 | |
Treasure Island (1950) | Bobby Driscoll | 263.10 | |
Let's Dance (1950) | Fred Astaire & Betty Hutton |
249.50 | |
Tea for Two (1950) | Doris Day & Gordon MacRae |
234.30 | |
Montana (1950) | Errol Flynn & Alexis Smith |
234.00 | |
Our Very Own (1950) | Natalie Wood & Jane Wyatt |
224.60 | |
Pagan Love Song (1950) | Esther Williams & Howard Keel |
215.60 | |
Summer Stock (1950) | Judy Garland & Gene Kelly |
215.40 | |
The Toast of New Orleans (1950) | David Niven & Kathryn Grayson |
208.60 | |
Ambush (1950) | Robert Taylor & Arlene Dahl |
206.30 | |
Colt .45 (1950) | Randolph Scott & Lloyd Bridges |
200.30 | |
Breakthrough (1950) | John Agar | 193.50 | |
Key to the City (1950) | Clark Gable & Loretta Young |
190.80 | |
To Please a Lady (1950) | Clark Gable & Barbara Stanwyck |
187.50 | |
The West Point Story (1950) | James Cagney & Doris Day |
185.40 | |
Nancy Goes To Rio (1950) | Jane Powell & Ann Sothern |
183.90 | |
The Daughter of Rose O'Grady (1950) | Debbie Reynolds & Gordon MacRae |
179.90 | |
Two Weeks with Love (1950) | Jane Powell & Debbie Reynolds |
179.30 | |
Rocky Mountain (1950) | Errol Flynn | 176.50 | |
The Yellow Cab Man (1950) | Red Skelton | 166.80 | |
Chain Lightning (1950) | Eleanor Parker | 163.90 | |
Bright Leaf (1950) | Gary Cooper & Lauren Bacall |
157.00 | |
Young Man with a Horn (1950) | Kirk Douglas & Doris Day |
149.00 | |
The Miniver Story (1950) | Greer Garson & Walter Pidgeon |
142.70 | |
The Damned Don't Cry (1950) | Joan Crawford | 141.90 | |
The White Tower (1950) | Glenn Ford & Claude Rains |
140.20 | |
The Outriders (1950) | Joel McCrea & Arlene Dahl |
139.80 | |
Stars In My Crown (1950) | Joel McCrea & Dean Stockwell |
137.70 | |
The Asphalt Jungle (1950) | Sterling Hayden & Directed by John Huston |
137.50 | |
The Reformer and the Redhead (1950) | Dick Powell & June Allyson |
136.50 | |
Devil's Doorway (1950) | Robert Taylor | 134.50 | |
A Life of Her Own (1950) | Lana Turner & Directed by George Cukor |
123.00 | |
Stage Fright (1950) | Marlene Dietrich & Directed by Alfred Hitchcock |
122.40 | |
Watch The Birdie (1950) | Red Skelton & Arlene Dahl |
118.30 | |
Never a Dull Moment (1950) | Irene Dunne & Fred MacMurray |
117.10 | |
Tarzan and the Slave Girl (1950) | Lex Barker | 110.70 | |
The Breaking Point (1950) | John Garfield & Patricia Neal |
110.40 | |
The Big Hangover (1950) | Elizabeth Taylor & Van Johnson |
104.70 | |
Highway 301 (1950) | Steve Cochran | 102.90 | |
Stromboli (1950) | Ingrid Bergman | 101.70 | |
Kon-Tiki (1950) | Thor Heyerdahl | 99.50 | |
The Glass Menagerie (1950) | Kirk Douglas & Jane Wyman |
94.80 | |
Born To Be Bad (1950) | Robert Ryan & Joan Fontaine |
91.40 | |
Wagon Master (1950) | Ben Johnson & Directed by John Ford |
91.40 | |
Walk Softly, Stranger (1950) | Joseph Cotten & Jack Parr |
91.40 | |
Crisis (1950) | Cary Grant & José Ferrer |
90.00 | |
Right Cross (1950) | Dick Powell & Lionel Barrymore |
83.50 | |
The Secret Fury (1950) | Claudette Colbert & Robert Ryan |
83.40 | |
Where Danger Lives (1950) | Robert Mitchum & Maureen O'Sullivan |
82.80 | |
Pretty Baby (1950) | Dennis Morgan & Betsy Drake |
80.10 | |
Black Hand (1950) | Gene Kelly | 77.60 | |
Edge Of Doom (1950) | Dana Andrews & Farley Granger |
74.40 | |
Perfect Strangers (1950) | Ginger Rogers & Thelma Ritter |
68.40 | |
Vendetta (1950) | Faith Domergue | 64.80 | |
A Lady Without Passport (1950) | Hedy Lamarr | 64.40 | |
The Skipper Surprised His Wife (1950) | Robert Walker | 59.40 | |
Mrs. O'Malley and Mr. Malone (1950) | Marjorie Main & James Whitmore |
58.70 | |
The Happy Years (1950) | Dean Stockwell | 54.90 | |
Gambling House (1950) | Victor Mature | 54.50 | |
The Next Voice You Hear... (1950) | Nancy Reagan & James Whitmore |
50.60 | |
Mystery Street (1950) | Ricardo Montalban & Directed by John Sturges |
49.70 | |
Please Believe Me (1950) | Deborah Kerr & Robert Walker |
49.50 | |
Side Street (1950) | Farley Granger | 49.50 | |
Shadow On The Wall (1950) | Ann Sothern | 40.10 | |
Dial 1119 (1950) | Marshall Thompson | 38.70 | |
The Magnificent Yankee (1950) | Directed by John Sturges | 36.10 | |
This Side of the Law (1950) | Viveca Lindfors | 32.80 | |
Rider From Tucson (1950) | Tim Holt | 10.30 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
Hey Bruce,
As I guess you know by now,I just love those year by year stats 😉
I have seen 73 of the films that opened in 1950 according to your list. Obvious favs are Sunset Boulevard, All about Eve and Born Yesterday. But there are those others that don’t come to mind immediately: Mystery Street,with an eccentric supporting performance by Elsa Lanchester, two movies starring Jane Wyman, The Glass Menagerie and Hitch’s Stage Fright, Montgomery Clift’s The Big Lift, Margaret Sullavan’s swansong No Sad Songs For Me, The Mudlark with a great performance by Irene Dunne, Three Came Home and The Secret Fury, both starring Claudette Colbert entering her last phase of movie stardom, Thelma Jordan and No Man Of Her Own with the fantastic Stanwyck in two totally different parts, Louisa, with funny oldtimers Charles Coburn and Spring Byington taking the movie away right under the nose of nominal star Ronald Reagan, a menacing performance by Richard Widmark with more than able support as a slowly softening, hard boiled Dame from Linda Darnell in No Way Out, DOA, a noir with a different storyline and a good cast, Caged with a high voltage performance by Eleanor Parker. I also enjoyed some of the Doris Day/Betty Grable/June Haver musicals and Brando’s debut in Zinnemann’s The Men. Special mention to Stromboli and Rashomon, non american movies highly regarded by film critics nowadays and another Richard Widmark movie costarring the lovely Gene Tierney, Night and the City as well as Miss Crawford’s tackling of Harriet Craig. Finally, Gun Crazy and two brit’s, The Clouded Yellow and Trio. Seemed to have been a good year for movies!
Hey Lupino….glad you enjoy these yearly pages….I like them as well…..especially when they are published….not such a fan of them when I am in the middle of putting them together…lol. Good mini-reviews of so many movies. Your 73 movies watched is in second place….only behind Dan’s massive tally count. So No Sad Songs For Me was Sullavan’s swan song….sorry that it happened so soon for her. Looking at the movies you mentioned…seen your “obvious favs”…but have not seen any of the other ones you mentioned with the exception of DOA and Gun Crazy….that leaves many good movies for me to track down and watch. Thanks for sharing your thoughts on 1950 movies.
I can imagine it to be a lot of work! I guess we are all the more grateful because of that 🙂
1 This 1950s page is a most welcome addition to the existing schedule of Cogerson Annual Reviews. 1950 was my first year of movies awareness and although it took me years to catch up with many of the films on the list the top handful of flicks faithfully reflect the most popular movies that I can recall people talking about that year.
2 I regard this comprehensive page as a “must” for any movie buff with an interest in the classic era of Hollywood and look forward to any future additions to the overall Cogerson AR schedule, especially with regard to outstanding years.in the 50s decade.
Hey Bob……glad you like this page….working on the 1951 page….but my time is so limited these days for new pages…heck just finding time for comments has become a serious challenge. Good to know 1950 is the year you became aware of movies. Thanks for the kind words….after doing the 1951 page….that will give us a nice span of yearly reviews from 1936 to 1952. Good feedback as always….sorry if I have not been as responsive as I have been in the past.
Hey Bruce, Ah it’s dynamic for you, thanks for clarifying. Great that you’ve found a way to reduce your workload and enjoy more family quality time!
Hi Bruce,
In France, the three most succesfull movies of this list were, in order, The Flame and The Arrow, King Solomon’s Mines and Cinderella. The three movies attracted more than 4 millions people in theaters. It’s very big in France.
Hi Laurent, wow, interesting that in France, The Flame and the Arrow (La flèche et le flambeau as it’s called in French) was one of the top 3 hits of the year. Although, while I am a big Burt Lancaster fan, the film has aged a bit. But I can tell it must have been a family pleaser at the time.
Hello Phil,
I am not a Big fan of Lancaster i like him but i think in a Visconti s film which Is call in French. Le Guépard ,he Is exactly at the right place , at the right moment, of course he Is not alone Alain Delon and Claudia Cardinale, French and Italian Stars.
But he Is exactly the part , he Is very simply high class, he Is the film.
Hi Pierre, what, not a big Lancaster fan?? It’s ok, you are forgiven 🙂 Yes, I think his performance in The Leopard (English title) is one of his very best. I’m not sure if any other big Hollywood stars could have played the part of an Italian aristocrat with such class, depth and dignity. And that’s what I like about Lancaster, his ability to portray very different, complex characters as well energetic action heroes. By the way, I was thinking of you the other day as I was seeing American Grafitti and I remembered you really liked that film. It was fun to watch and it occurred to me how it influenced so many of the films of the same style that came afterwards.
Hello Bruce and WOC and Phil,
Thanks Phil for American Grafitti, tanks Bruce And WOC for all the News présentations i think it Is a Big work you do .
And in that 1950 i saw so Many films but i dont want to Count them,
From Cinderella to Stage Fright.
My fav are with out any questions Sunset boulevard and The ASphalt jungle..i always regret that Dietrich got not the part for All About Eve…but that Is the story of Hollywood and of course everything would be différent.
I like very much the page about G Sanders, he Is the Best in Irony and sardonique sentences with this English Flegme and he Was simply great in all the parts i saw.
Thank you so much for every new things you do…
See you
Pierre
Hey Laurent…..good to know that those three movies were so popular in France. Thanks for sharing that info.
Hi Bruce, I like the look of the page also. However, I may be technologically challenged, but what is dynamic about it as compared to other annual pages? And for me, the ranking column was useful. Anyway, 174 titles from 1950 is quite a feat, so congrats (to you and WoC) 🙂
My favourite film of the year is The Gunfighter with Gregory Peck. I think it was one of his best performances. Hard to believe he was only 33 the way he portrays the experienced and weary gunfighter. Sunset Boulevard, The Asphalt Jungle and Harvey are also among my favourites.
Bette Davis was wonderful in All ABout Eve, but 1950 was also a key year for several classic male stars. Marlon Brando in The Men and Sidney Poitier in No Way Out made impressive film debuts in major roles. Burt Lancaster moved from his film noir period toward acrobatic shawbuckling with The Flame and the Arrow, which made him a top box office attraction. William Holden had arguably his best films and performances up to that time with Sunset Boulevard and Born Yesterday. And Richard Widmark confirmed himself as a major star with no less than 4 notable films (Night and the City, Halla of Montezuma, Panic in the Streets, and No Way Out).
Hey Phil….when the website was static…..I had to manually change all the numbers on all the UMR webpages. So when we would use a new average ticket cost…all the box office totals were wrong until I changed each different website. With having almost 800 pages…it would take me months to do the manually update. By the time I finished the update….a new year would be here and we would get a new average ticket cost. It was a viscous circle. With the website being dynamic….I change a number in my database…and after I hit update….the change automatically goes to the website and makes the change. The next time we get a new average ticket cost, the update will take minutes to do versus the months it took before.
I really like The Gunfighter too….probably my favorite movie of the year too. Good point about all the young superstars who were just starting out. Thanks for checking out our latest yearly report.