This movie page looks at 1951 Top Box Office Movies. Finding box office information for movies made in the 1940s and 1950s is extremely difficult. For somebody looking for box office information on 1951 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1951 movies in our database.
To make this list a movie had to be made in 1951. Obviously many movies made in 1950 earned box office dollars in 1951. On the other side many movies made in 1951 made money in 1952 and later. This page will looks at 199 1951 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information.
The following massive table only includes the movies made in 1951 that are in our database. Since we are constantly adding new movies to our database….this page will quickly become obsolete. We will try and update this page on a regular basis.
Our UMR Top 50 of 1951
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1951
An American in Paris (1951)
AA Best Picture Win
1951
A Streetcar Named Desire (1951)
AA Best Picture Nom
1951
A Place in the Sun (1951)
AA Best Picture Nom
1951
The African Queen (1951)
1951
Quo Vadis (1951)
AA Best Picture Nom
1951
Alice in Wonderland (1951)
1951
Show Boat (1951)
1951
The Thing from Another World (1951)
1951
The Stooge (1951)
1951
The Lemon Drop Kid (1951)
1951
Father's Little Dividend (1951)
1951
The Great Caruso (1951)
1951
On Moonlight Bay (1951)
1951
Across the Wide Missouri (1951)
1951
Captain Horatio Hornblower (1951)
1951
Detective Story (1951)
1951
Royal Wedding (1951)
1951
Westward the Women (1951)
1951
Halls of Montezuma (1951)
1951
Strangers on a Train (1951)
1951
Flying Leathernecks (1951)
1951
Go For Broke! (1951)
1951
Operation Pacific (1951)
1951
Here Comes the Groom (1951)
1951
David and Bathsheba (1951)
1951
The Day the Earth Stood Still (1951)
1951
My Favorite Spy (1951)
1951
The Desert Fox: The Story of Rommel (1951)
1951
On the Riviera (1951)
1951
The Blue Veil (1951)
1951
Distant Drums (1951)
1951
Ma and Pa Kettle Back on the Farm (1951)
1951
People Will Talk (1951)
1951
Painting The Clouds With Sunshine (1951)
1951
The Enforcer (1951)
1951
Ace in the Hole (1951)
1951
Decision before Dawn (1951)
AA Best Picture Nom
1951
His Kind of Woman (1951)
1951
I'll See You in My Dreams (1951)
1951
Francis Goes To The Races (1951)
1951
Lullaby of Broadway (1951)
1951
Jim Thorpe -- All-American (1951)
1951
That's My Boy (1951)
1951
Abbott & Costello Meet the Invisible Man (1951)
1951
Rawhide (1951)
1951
The Lavender Hill Mob (1951)
1951
Call Me Mister (1951)
1951
Up Front (1951)
1951
Meet Me After The Show (1951)
1951
Death of a Salesman (1951)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1951 | An American in Paris (1951) AA Best Picture Win |
||
1951 | A Streetcar Named Desire (1951) AA Best Picture Nom |
||
1951 | A Place in the Sun (1951) AA Best Picture Nom |
||
1951 | The African Queen (1951) | ||
1951 | Quo Vadis (1951) AA Best Picture Nom |
||
1951 | Alice in Wonderland (1951) | ||
1951 | Show Boat (1951) | ||
1951 | The Thing from Another World (1951) | ||
1951 | The Stooge (1951) | ||
1951 | The Lemon Drop Kid (1951) | ||
1951 | Father's Little Dividend (1951) | ||
1951 | The Great Caruso (1951) | ||
1951 | On Moonlight Bay (1951) | ||
1951 | Across the Wide Missouri (1951) | ||
1951 | Captain Horatio Hornblower (1951) | ||
1951 | Detective Story (1951) | ||
1951 | Royal Wedding (1951) | ||
1951 | Westward the Women (1951) | ||
1951 | Halls of Montezuma (1951) | ||
1951 | Strangers on a Train (1951) | ||
1951 | Flying Leathernecks (1951) | ||
1951 | Go For Broke! (1951) | ||
1951 | Operation Pacific (1951) | ||
1951 | Here Comes the Groom (1951) | ||
1951 | David and Bathsheba (1951) | ||
1951 | The Day the Earth Stood Still (1951) | ||
1951 | My Favorite Spy (1951) | ||
1951 | The Desert Fox: The Story of Rommel (1951) | ||
1951 | On the Riviera (1951) | ||
1951 | The Blue Veil (1951) | ||
1951 | Distant Drums (1951) | ||
1951 | Ma and Pa Kettle Back on the Farm (1951) | ||
1951 | People Will Talk (1951) | ||
1951 | Painting The Clouds With Sunshine (1951) | ||
1951 | The Enforcer (1951) | ||
1951 | Ace in the Hole (1951) | ||
1951 | Decision before Dawn (1951) AA Best Picture Nom |
||
1951 | His Kind of Woman (1951) | ||
1951 | I'll See You in My Dreams (1951) | ||
1951 | Francis Goes To The Races (1951) | ||
1951 | Lullaby of Broadway (1951) | ||
1951 | Jim Thorpe -- All-American (1951) | ||
1951 | That's My Boy (1951) | ||
1951 | Abbott & Costello Meet the Invisible Man (1951) | ||
1951 | Rawhide (1951) | ||
1951 | The Lavender Hill Mob (1951) | ||
1951 | Call Me Mister (1951) | ||
1951 | Up Front (1951) | ||
1951 | Meet Me After The Show (1951) | ||
1951 | Death of a Salesman (1951) |
1951 Top Box Office Movies Can Be Ranked 7 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1951 Top Box Office Movies by the stars or in some cases the director of the movie.
- Sort 1951 Top Box Office Movies by domestic actual box office grosses (in millions)
- Sort 1951 Top Box Office Movies by domestic adjusted box office grosses using current movie ticket cost (in millions).
- Sort 1951 Top Box Office Movies by yearly domestic box office rank
- Sort 1951 Top Box Office Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each 1951 Top Box Office Movies received.
- Sort 1951 Top Box Office Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | An American in Paris (1951) AA Best Picture Win |
Gene Kelly & Leslie Caron |
12.0 | 259.5 | 458.50 | 7 | 77 | 08 / 06 | 99.8 | |
2 | A Streetcar Named Desire (1951) AA Best Picture Nom |
Marlon Brando & Vivien Leigh |
13.7 | 295.7 | 295.70 | 4 | 85 | 12 / 04 | 99.6 | |
3 | A Place in the Sun (1951) AA Best Picture Nom |
Montgomery Clift & Elizabeth Taylor |
10.0 | 215.6 | 425.00 | 10 | 76 | 09 / 06 | 99.2 | |
5 | The African Queen (1951) | Humphrey Bogart & Katharine Hepburn |
11.8 | 254.4 | 254.40 | 8 | 87 | 04 / 01 | 99.0 | |
4 | Quo Vadis (1951) AA Best Picture Nom |
Robert Taylor & Deborah Kerr |
26.1 | 563.2 | 1,172.70 | 1 | 75 | 08 / 00 | 98.6 | |
6 | Alice in Wonderland (1951) | Disney Animated Movies | 19.1 | 412.7 | 412.70 | 2 | 77 | 01 / 00 | 96.9 | |
7 | Show Boat (1951) | Ava Gardner & Kathryn Grayson |
15.1 | 326.0 | 469.50 | 3 | 73 | 02 / 00 | 96.2 | |
7 | The Thing from Another World (1951) | James Arness & Directed by Howard Hawks |
7.6 | 163.2 | 209.40 | 19 | 86 | 00 / 00 | 96.2 | |
9 | The Stooge (1951) | Dean Martin & Jerry Lewis |
10.0 | 215.6 | 215.60 | 11 | 74 | 00 / 00 | 96.1 | |
11 | The Lemon Drop Kid (1951) | Bob Hope | 9.4 | 221.6 | 221.60 | 12 | 73 | 00 / 00 | 95.5 | |
12 | Father's Little Dividend (1951) | Spencer Tracy & Elizabeth Taylor |
9.1 | 197.1 | 289.50 | 13 | 72 | 00 / 00 | 95.5 | |
11 | The Great Caruso (1951) | Mario Lanza | 12.9 | 279.1 | 584.60 | 6 | 66 | 03 / 01 | 95.1 | |
14 | On Moonlight Bay (1951) | Doris Day & Gordon MacRae |
7.8 | 168.7 | 229.80 | 18 | 78 | 00 / 00 | 94.6 | |
16 | Across the Wide Missouri (1951) | Clark Gable & Ricardo Montalbán |
8.0 | 171.8 | 283.40 | 17 | 76 | 00 / 00 | 94.3 | |
15 | Captain Horatio Hornblower (1951) | Gregory Peck & Virginia Mayo |
7.4 | 160.0 | 328.50 | 24 | 79 | 00 / 00 | 94.3 | |
17 | Detective Story (1951) | Kirk Douglas & Eleanor Parker |
8.0 | 172.5 | 172.50 | 15 | 72 | 04 / 00 | 94.2 | |
17 | Royal Wedding (1951) | Fred Astaire & Jane Powell |
7.3 | 157.0 | 240.40 | 27 | 77 | 01 / 00 | 93.6 | |
18 | Westward the Women (1951) | Robert Taylor | 7.5 | 162.6 | 246.20 | 21 | 76 | 00 / 00 | 93.5 | |
21 | Halls of Montezuma (1951) | Richard Widmark & Robert Wagner |
7.6 | 163.2 | 163.20 | 20 | 74 | 00 / 00 | 93.2 | |
19 | Strangers on a Train (1951) | Robert Walker & Directed by Alfred Hitchcock |
5.1 | 110.1 | 180.90 | 57 | 90 | 00 / 00 | 93.0 | |
22 | Flying Leathernecks (1951) | John Wayne & Robert Ryan |
7.4 | 160.2 | 243.30 | 22 | 70 | 00 / 00 | 91.5 | |
23 | Go For Broke! (1951) | Van Johnson | 7.2 | 155.9 | 205.60 | 28 | 70 | 01 / 00 | 91.3 | |
25 | Operation Pacific (1951) | John Wayne & Patricia Neal |
7.3 | 157.9 | 238.00 | 25 | 69 | 00 / 00 | 91.0 | |
26 | Here Comes the Groom (1951) | Bing Crosby & Directed by Frank Capra |
7.3 | 157.1 | 157.10 | 26 | 66 | 02 / 01 | 90.9 | |
24 | David and Bathsheba (1951) | Gregory Peck & Susan Hayward |
13.5 | 290.8 | 290.80 | 5 | 50 | 05 / 00 | 90.5 | |
24 | The Day the Earth Stood Still (1951) | Michael Rennie & Science Fiction Movies |
5.3 | 114.0 | 114.00 | 54 | 81 | 00 / 00 | 90.4 | |
27 | My Favorite Spy (1951) | Bob Hope & Hedy Lamarr |
7.4 | 160.2 | 160.20 | 23 | 66 | 00 / 00 | 90.3 | |
28 | The Desert Fox: The Story of Rommel (1951) | James Mason & Jessica Tandy |
6.9 | 147.8 | 147.80 | 31 | 70 | 00 / 00 | 90.2 | |
31 | On the Riviera (1951) | Danny Kaye & Gene Tierney |
7.1 | 154.0 | 154.00 | 29 | 66 | 02 / 00 | 90.1 | |
29 | The Blue Veil (1951) | Charles Laughton & Natalie Wood |
6.3 | 135.5 | 135.50 | 36 | 72 | 02 / 00 | 90.0 | |
31 | Distant Drums (1951) | Gary Cooper | 8.6 | 185.8 | 201.50 | 14 | 57 | 00 / 00 | 89.9 | |
30 | Ma and Pa Kettle Back on the Farm (1951) | Marjorie Main & Percy Kilbride |
6.7 | 144.8 | 144.80 | 33 | 70 | 00 / 00 | 89.9 | |
33 | People Will Talk (1951) | Cary Grant & Jeanne Crain |
6.0 | 129.4 | 129.40 | 40 | 74 | 00 / 00 | 89.6 | |
35 | Painting The Clouds With Sunshine (1951) | Virginia Mayo & Dennis Morgan |
8.0 | 172.5 | 294.60 | 16 | 60 | 00 / 00 | 89.5 | |
37 | The Enforcer (1951) | Humphrey Bogart | 4.5 | 97.6 | 177.00 | 74 | 79 | 00 / 00 | 87.9 | |
38 | Ace in the Hole (1951) | Kirk Douglas & Directed by Billy Wilder |
3.7 | 80.1 | 80.10 | 96 | 83 | 01 / 00 | 87.6 | |
38 | Decision before Dawn (1951) AA Best Picture Nom |
Richard Basehart | 4.4 | 95.5 | 95.50 | 75 | 71 | 02 / 00 | 87.6 | |
40 | His Kind of Woman (1951) | Robert Mitchum & Vincent Price |
5.7 | 123.2 | 123.20 | 46 | 69 | 00 / 00 | 87.3 | |
40 | I'll See You in My Dreams (1951) | Doris Day & Danny Thomas |
7.0 | 150.2 | 196.90 | 30 | 59 | 00 / 00 | 86.6 | |
41 | Francis Goes To The Races (1951) | Donald O'Connor | 6.6 | 141.7 | 141.70 | 34 | 62 | 00 / 00 | 86.6 | |
41 | Lullaby of Broadway (1951) | Doris Day | 6.0 | 129.5 | 190.00 | 39 | 65 | 00 / 00 | 86.4 | |
43 | Jim Thorpe -- All-American (1951) | Burt Lancaster | 6.4 | 138.4 | 177.90 | 35 | 62 | 00 / 00 | 86.2 | |
42 | That's My Boy (1951) | Dean Martin & Jerry Lewis |
10.9 | 234.1 | 234.10 | 9 | 42 | 00 / 00 | 86.0 | |
42 | Abbott & Costello Meet the Invisible Man (1951) | Bud Abbott | 4.6 | 98.6 | 98.60 | 71 | 74 | 00 / 00 | 85.9 | |
45 | Rawhide (1951) | Tyrone Power & Susan Hayward |
5.6 | 120.1 | 120.10 | 52 | 67 | 00 / 00 | 85.8 | |
46 | The Lavender Hill Mob (1951) | Alec Guinness & Audrey Hepburn |
2.4 | 52.4 | 52.40 | 138 | 85 | 02 / 01 | 85.5 | |
47 | Call Me Mister (1951) | Betty Grable & Danny Thomas |
6.2 | 134.0 | 134.00 | 37 | 60 | 00 / 00 | 84.7 | |
48 | Up Front (1951) | David Wayne | 5.6 | 120.1 | 120.10 | 51 | 64 | 00 / 00 | 84.5 | |
49 | Meet Me After The Show (1951) | Betty Grable | 5.7 | 123.2 | 123.20 | 45 | 63 | 00 / 00 | 84.5 | |
50 | Death of a Salesman (1951) | Fredric March | 3.4 | 73.9 | 73.90 | 107 | 74 | 05 / 00 | 84.4 | |
51 | Pandora and the Flying Dutchman (1951) | James Mason & Ava Gardner |
3.6 | 77.0 | 77.00 | 102 | 77 | 00 / 00 | 84.4 | |
52 | When Worlds Collide (1951) | Science Fiction Movies | 4.6 | 98.6 | 98.60 | 73 | 67 | 02 / 01 | 84.3 | |
53 | I'll Climb The Highest Mountain (1951) | Susan Hayward | 6.1 | 132.4 | 132.40 | 38 | 59 | 00 / 00 | 84.3 | |
53 | The Mating Season (1951) | Gene Tierney & Thelma Ritter |
4.6 | 100.1 | 100.10 | 67 | 69 | 01 / 00 | 84.3 | |
54 | Mr. Belvedere Rings The Bell (1951) | Clifton Webb & Joanne Dru |
5.0 | 107.8 | 107.80 | 61 | 67 | 00 / 00 | 84.1 | |
56 | Anne of the Indies (1951) | Jean Peters & Louis Jourdan |
4.4 | 95.5 | 95.50 | 78 | 70 | 00 / 00 | 83.9 | |
58 | Tales of Robin Hood (1951) | Robert Clarke | 6.0 | 129.4 | 129.40 | 41 | 59 | 00 / 00 | 83.5 | |
59 | Three Guys Named Mike (1951) | Van Johnson & Howard Keel |
4.9 | 105.2 | 137.40 | 63 | 66 | 00 / 00 | 83.5 | |
61 | Tomahawk (1951) | Rock Hudson & Van Heflin |
5.7 | 123.2 | 123.20 | 49 | 60 | 00 / 00 | 83.2 | |
60 | The Model and the Marriage Broker (1951) | Thelma Ritter & Directed by George Cukor |
3.3 | 70.8 | 70.80 | 110 | 76 | 01 / 00 | 83.1 | |
62 | Angels in the Outfield (1951) | Janet Leigh & Baseball Movies |
4.2 | 90.3 | 102.60 | 85 | 69 | 00 / 00 | 82.6 | |
62 | Vengeance Valley (1951) | Burt Lancaster & Robert Walker |
5.7 | 123.0 | 193.80 | 50 | 59 | 00 / 00 | 82.4 | |
65 | Fixed Bayonets! (1951) | Richard Basehart & Directed by Sam Fuller |
4.1 | 89.3 | 89.30 | 87 | 69 | 00 / 00 | 82.1 | |
63 | He Ran All The Way (1951) | John Garfield | 2.9 | 61.6 | 61.60 | 131 | 77 | 00 / 00 | 81.9 | |
65 | Elopement (1951) | Clifton Webb | 5.7 | 123.2 | 123.20 | 47 | 58 | 00 / 00 | 81.9 | |
64 | The Tales of Hoffmann (1951) | Moira Shearer | 3.6 | 77.0 | 77.00 | 104 | 72 | 00 / 00 | 81.8 | |
66 | The Red Badge of Courage (1951) | Audie Murphy & Directed by John Huston |
2.3 | 48.6 | 66.50 | 143 | 81 | 00 / 00 | 81.6 | |
70 | Bird of Paradise (1951) | Debra Paget & Jeff Chandler |
4.7 | 101.6 | 101.60 | 65 | 64 | 00 / 00 | 81.6 | |
69 | Ten Tall Men (1951) | Burt Lancaster | 5.1 | 110.9 | 110.90 | 56 | 61 | 00 / 00 | 81.4 | |
70 | The Frogmen (1951) | Richard Widmark & Dana Andrews |
6.0 | 129.4 | 129.40 | 42 | 53 | 02 / 00 | 81.4 | |
71 | Red Mountain (1951) | Alan Ladd & Lizabeth Scott |
5.7 | 123.2 | 123.20 | 43 | 57 | 00 / 00 | 81.3 | |
72 | Texas Carnival (1951) | Esther Williams & Red Skelton |
6.8 | 145.7 | 235.30 | 32 | 48 | 00 / 00 | 80.6 | |
71 | No Highway in the Sky (1951) | James Stewart & Marlene Dietrich |
3.3 | 70.8 | 70.80 | 108 | 72 | 00 / 00 | 80.6 | |
73 | The Prowler (1951) | Van Heflin | 2.2 | 47.1 | 47.10 | 148 | 79 | 00 / 00 | 80.5 | |
74 | Bright Victory (1951) | Rock Hudson & Arthur Kennedy |
2.6 | 55.4 | 55.40 | 136 | 75 | 02 / 00 | 80.4 | |
78 | You're in the Navy Now (1951) | Gary Cooper & Eddie Albert |
4.6 | 98.6 | 98.60 | 69 | 63 | 00 / 00 | 80.4 | |
79 | Flame of Araby (1951) | Maureen O'Hara | 4.3 | 92.4 | 92.40 | 81 | 64 | 00 / 00 | 80.1 | |
80 | Rhubarb (1951) | Ray Milland & Gene Lockhart |
4.1 | 89.3 | 89.30 | 86 | 65 | 00 / 00 | 79.6 | |
79 | Cry Danger (1951) | Dick Powell & Rhonda Fleming |
2.4 | 52.4 | 67.80 | 139 | 76 | 00 / 00 | 79.6 | |
80 | On Dangerous Ground (1951) | Robert Ryan & Ida Lupino |
1.9 | 40.3 | 40.30 | 159 | 80 | 00 / 00 | 79.3 | |
82 | Sugarfoot (1951) | Randolph Scott & Raymond Massey |
4.6 | 98.6 | 98.60 | 72 | 61 | 00 / 00 | 79.2 | |
81 | Fourteen Hours (1951) | Grace Kelly | 2.0 | 43.1 | 43.10 | 156 | 78 | 01 / 00 | 79.1 | |
83 | Only the Vailiant (1951) | Gregory Peck & Gig Young |
5.7 | 123.2 | 123.20 | 44 | 53 | 00 / 00 | 79.1 | |
86 | Too Young To Kiss (1951) | Van Johnson & Gig Young |
4.6 | 98.7 | 142.20 | 68 | 60 | 01 / 00 | 78.9 | |
83 | The Secret of Convict Lake (1951) | Glenn Ford & Gene Tierney |
3.9 | 83.2 | 83.20 | 91 | 65 | 00 / 00 | 78.8 | |
85 | Along the Great Divide (1951) | Kirk Douglas & Virginia Mayo |
3.8 | 81.2 | 120.70 | 93 | 66 | 00 / 00 | 78.7 | |
87 | Follow The Sun (1951) | Glenn Ford & Golf Movies |
3.3 | 70.8 | 70.80 | 111 | 69 | 00 / 00 | 78.5 | |
88 | I Want You (1951) | Dana Andrews & Farley Granger |
4.6 | 98.6 | 98.60 | 70 | 58 | 01 / 00 | 78.0 | |
89 | The Mob (1951) | Ernest Borgnine & Charles Bronson |
3.0 | 64.7 | 64.70 | 123 | 69 | 00 / 00 | 77.5 | |
92 | Excuse My Dust (1951) | Red Skelton | 4.7 | 101.3 | 141.60 | 66 | 58 | 00 / 00 | 77.5 | |
91 | Two Tickets To Broadway (1951) | Janet Leigh & Tony Martin |
5.7 | 123.2 | 123.20 | 48 | 50 | 01 / 00 | 77.3 | |
92 | Fort Worth (1951) | Randolph Scott | 5.0 | 106.9 | 144.30 | 62 | 56 | 00 / 00 | 77.3 | |
93 | The Racket (1951) | Robert Mitchum & Robert Ryan |
5.0 | 107.8 | 107.80 | 59 | 55 | 00 / 00 | 77.2 | |
93 | The Steel Helmet (1951) | Gene Evans & Directed by Sam Fulller |
2.0 | 43.4 | 43.40 | 153 | 75 | 00 / 00 | 76.9 | |
96 | The Golden Horde (1951) | Ann Blyth | 4.3 | 92.4 | 92.40 | 82 | 60 | 00 / 00 | 76.9 | |
97 | Valentino (1951) | Eleanor Parker | 4.4 | 95.5 | 95.50 | 76 | 59 | 00 / 00 | 76.9 | |
98 | Come Fill the Cup (1951) | James Cagney & Gig Young |
5.1 | 109.8 | 157.00 | 58 | 53 | 01 / 00 | 76.7 | |
100 | I Was a Communist for the F.B.I. (1951) | Frank Lovejoy | 3.8 | 81.3 | 108.40 | 92 | 62 | 01 / 00 | 76.3 | |
99 | Force of Arms (1951) | William Holden | 4.0 | 86.9 | 121.70 | 89 | 61 | 00 / 00 | 76.2 | |
99 | The River (1951) | Patricia Walters | 2.9 | 61.6 | 61.60 | 129 | 69 | 00 / 00 | 76.2 | |
102 | I'll Never Forget You (1951) | Tyrone Power | 5.0 | 107.8 | 107.80 | 60 | 54 | 00 / 00 | 75.9 | |
103 | Comin' Round The Mountain (1951) | Bud Abbott | 4.4 | 95.5 | 95.50 | 77 | 58 | 00 / 00 | 75.9 | |
104 | The Prince Who Was A Thief (1951) | Tony Curtis & Piper Laurie |
4.2 | 90.9 | 90.90 | 84 | 59 | 00 / 00 | 75.5 | |
104 | Warpath (1951) | Edmond O'Brien | 3.6 | 77.0 | 77.00 | 101 | 63 | 00 / 00 | 75.2 | |
106 | The Redhead and the Cowboy (1951) | Glenn Ford & Rhonda Fleming |
3.6 | 77.0 | 77.00 | 105 | 62 | 00 / 00 | 74.6 | |
107 | I Can Get It For You Wholesale (1951) | Susan Hayward & George Sanders |
4.1 | 87.8 | 87.80 | 88 | 59 | 00 / 00 | 74.5 | |
109 | Raton Pass (1951) | Patricia Neal & Dennis Morgan |
3.7 | 80.1 | 80.10 | 95 | 61 | 00 / 00 | 74.2 | |
109 | Starlift (1951) | Doris Day & Randolph Scott |
4.8 | 104.4 | 141.80 | 64 | 53 | 00 / 00 | 73.9 | |
110 | Golden Girl (1951) | Mitzi Gaynor | 4.3 | 92.5 | 92.50 | 80 | 56 | 01 / 00 | 73.9 | |
110 | Half Angel (1951) | Joseph Cotten & Loretta Young |
4.3 | 92.4 | 92.40 | 83 | 56 | 00 / 00 | 73.6 | |
111 | Crosswinds (1951) | John Payne & Rhonda Fleming |
3.6 | 77.0 | 77.00 | 103 | 61 | 00 / 00 | 73.2 | |
113 | Apache Drums (1951) | Stephen McNally | 4.0 | 86.2 | 86.20 | 90 | 58 | 00 / 00 | 73.0 | |
114 | Close To My Heart (1951) | Ray Milland & Gene Tierney |
2.5 | 53.9 | 53.90 | 137 | 68 | 00 / 00 | 72.8 | |
115 | Let's Make It Legal (1951) | Claudette Colbert & Marilyn Monroe |
3.6 | 77.0 | 77.00 | 99 | 59 | 00 / 00 | 71.7 | |
115 | Take Care of My Little Girl (1951) | Jeanne Crain | 5.3 | 114.0 | 114.00 | 55 | 47 | 00 / 00 | 71.3 | |
117 | Another Man's Poison (1951) | Bette Davis & Gary Merrill |
2.4 | 52.1 | 52.10 | 140 | 67 | 00 / 00 | 71.1 | |
117 | Rich, Young and Pretty (1951) | Jane Powell & Danielle Darrieux |
5.5 | 119.2 | 184.70 | 53 | 45 | 01 / 00 | 71.1 | |
119 | Grounds For Marriage (1951) | Van Johnson & Red Skelton |
3.2 | 68.7 | 97.80 | 113 | 61 | 00 / 00 | 70.8 | |
120 | Little Egypt (1951) | Rhonda Fleming | 3.1 | 67.8 | 67.80 | 116 | 61 | 00 / 00 | 70.5 | |
121 | Man in The Saddle (1951) | Randolph Scott | 3.3 | 70.8 | 70.80 | 109 | 60 | 00 / 00 | 70.4 | |
121 | The 13th Letter (1951) | Linda Darnell | 2.1 | 46.2 | 46.20 | 150 | 68 | 00 / 00 | 70.1 | |
116 | A Christmas Carol (1951) | Alastair Sim | 0.9 | 21.8 | 21.80 | 211 | 77 | 00 / 00 | 70.1 | |
124 | Chicago Calling (1951) | Dan Duryea | 1.4 | 31.1 | 31.10 | 175 | 72 | 00 / 00 | 69.8 | |
125 | Cattle Drive (1951) | Joel McCrea & Dean Stockwell |
2.7 | 58.9 | 58.90 | 134 | 63 | 00 / 00 | 69.5 | |
125 | Saturday's Hero (1951) | Donna Reed & John Derek |
3.3 | 70.8 | 70.80 | 112 | 59 | 00 / 00 | 69.4 | |
126 | Darling, How Could You! (1951) | Joan Fontaine | 2.7 | 58.5 | 58.50 | 135 | 63 | 00 / 00 | 69.4 | |
129 | The Tanks Are Coming (1951) | Steve Cochran | 3.7 | 79.0 | 115.10 | 98 | 57 | 00 / 00 | 69.3 | |
128 | Othello (1951) | Orson Welles & Doris Dowling |
0.1 | 2.5 | 2.50 | 240 | 81 | 00 / 00 | 69.2 | |
129 | The Browning Version (1951) | 0.9 | 18.6 | 18.60 | 213 | 76 | 00 / 00 | 69.2 | ||
132 | Payment on Demand (1951) | Bette Davis | 4.4 | 93.9 | 143.20 | 79 | 52 | 00 / 00 | 69.1 | |
133 | The Wild Blue Yonder (1951) | Walter Brennan & Wendell Corey |
2.9 | 61.6 | 61.60 | 130 | 62 | 00 / 00 | 68.8 | |
131 | As Young As You Feel (1951) | Marilyn Monroe & Thelma Ritter |
2.3 | 49.3 | 49.30 | 142 | 66 | 00 / 00 | 68.8 | |
134 | Submarine Command (1951) | William Holden | 3.1 | 66.5 | 66.50 | 118 | 60 | 00 / 00 | 68.7 | |
135 | Week-End with Father (1951) | Van Heflin & Patricia Neal |
3.6 | 77.0 | 77.00 | 100 | 57 | 00 / 00 | 68.5 | |
136 | Thunder on the Hill (1951) | Claudette Colbert | 2.1 | 44.5 | 44.50 | 152 | 67 | 00 / 00 | 68.1 | |
137 | Night Into Morning (1951) | Ray Milland | 1.6 | 34.2 | 50.50 | 165 | 70 | 00 / 00 | 67.9 | |
138 | The Tall Target (1951) | Dick Powell & Adolphe Menjou |
1.4 | 29.1 | 38.20 | 180 | 71 | 00 / 00 | 67.6 | |
138 | Iron Man (1951) | Rock Hudson & Jeff Chandler |
2.9 | 61.6 | 61.60 | 127 | 61 | 00 / 00 | 67.5 | |
140 | Smuggler's Island (1951) | Jeff Chandler | 3.0 | 64.7 | 64.70 | 124 | 60 | 00 / 00 | 67.4 | |
139 | Tomorrow Is Another Day (1951) | Steve Cochran & Ruth Roman |
1.7 | 35.9 | 57.20 | 162 | 69 | 00 / 00 | 67.1 | |
142 | The Well (1951) | Harry Morgan | 0.9 | 20.1 | 20.10 | 208 | 72 | 02 / 00 | 66.8 | |
143 | Goodbye, My Fancy (1951) | Joan Crawford & Robert Young |
3.7 | 80.1 | 94.10 | 94 | 54 | 00 / 00 | 66.5 | |
144 | Lightning Strikes Twice (1951) | Ruth Roman | 2.2 | 48.4 | 70.50 | 144 | 64 | 00 / 00 | 65.9 | |
145 | The Tooth Will Out (1951) | 0.1 | 3.1 | 3.10 | 237 | 78 | 00 / 00 | 65.4 | ||
145 | Dear Brat (1951) | Natalie Wood & Edward Arnold |
2.2 | 48.3 | 48.30 | 145 | 63 | 00 / 00 | 64.6 | |
146 | Inside the Walls of Folsom Prison (1951) | Steve Cochran | 2.2 | 47.5 | 71.80 | 147 | 63 | 00 / 00 | 64.2 | |
148 | Outcast of the Islands (1951) | Ralph Richardson & Trevor Howard |
0.6 | 13.1 | 13.10 | 222 | 73 | 00 / 00 | 63.6 | |
149 | The Man in the White Suit (1951) | Alec Guinness | 0.6 | 13.3 | 13.30 | 219 | 72 | 01 / 00 | 63.3 | |
150 | Bedtime For Bonzo (1951) | Ronald Reagan | 3.5 | 75.5 | 75.50 | 106 | 53 | 00 / 00 | 63.2 | |
152 | Sealed Cargo (1951) | Dana Andrews & Claude Rains |
2.4 | 50.8 | 73.90 | 141 | 61 | 00 / 00 | 62.8 | |
151 | Inside Straight (1951) | Arlene Dahl | 1.6 | 34.0 | 47.40 | 166 | 66 | 00 / 00 | 62.2 | |
152 | Bellissima/Beautiful (1951) | 0.3 | 6.2 | 6.20 | 234 | 74 | 00 / 00 | 61.8 | ||
155 | Silver City (1951) | Barry Fitzgerald | 3.1 | 66.2 | 66.20 | 119 | 55 | 00 / 00 | 61.7 | |
153 | A Millionaire for Christy (1951) | Fred MacMurray & Eleanor Parker |
2.9 | 61.6 | 61.60 | 132 | 57 | 00 / 00 | 61.7 | |
156 | Passage West (1951) | John Payne | 2.9 | 63.1 | 63.10 | 125 | 56 | 00 / 00 | 60.9 | |
156 | When I Grow Up (1951) | Robert Preston | 1.1 | 24.3 | 24.30 | 197 | 68 | 00 / 00 | 60.5 | |
157 | M (1951) | Norman Lloyd & Raymond Burr |
1.2 | 25.4 | 25.40 | 194 | 67 | 00 / 00 | 59.4 | |
158 | Laughter in Paradise (1951) | Audrey Hepburn | 0.8 | 16.9 | 16.90 | 214 | 69 | 00 / 00 | 59.3 | |
160 | Callaway Went Thataway (1951) | Fred MacMurray & Howard Keel |
3.1 | 66.0 | 82.40 | 121 | 53 | 00 / 00 | 58.4 | |
160 | Kind Lady (1951) | Angela Lansbury & Directed by John Sturges |
1.0 | 22.2 | 30.80 | 204 | 66 | 01 / 00 | 57.4 | |
163 | The Harlem Globetrotters (1951) | Dorothy Dandridge | 1.8 | 39.6 | 39.60 | 161 | 61 | 00 / 00 | 57.0 | |
164 | Santa Fe (1951) | Randolph Scott | 3.1 | 66.2 | 66.20 | 120 | 52 | 00 / 00 | 56.7 | |
162 | The House on Telegraph Hill (1951) | Richard Basehart | 1.5 | 31.9 | 31.90 | 173 | 62 | 01 / 00 | 56.6 | |
165 | Bullfighter and the Lady (1951) | Robert Stack | 1.0 | 21.3 | 21.30 | 207 | 65 | 01 / 00 | 56.1 | |
167 | Hotel Sahara (1951) | Peter Ustinov | 1.6 | 34.8 | 34.80 | 163 | 62 | 00 / 00 | 56.1 | |
168 | Cause for Alarm! (1951) | Loretta Young | 1.5 | 31.9 | 47.30 | 172 | 62 | 00 / 00 | 55.3 | |
167 | The Magic Box (1951) | Peter Ustinov & Robert Donat |
0.4 | 7.7 | 7.70 | 231 | 70 | 00 / 00 | 55.1 | |
169 | The Guy Who Came Back (1951) | Joan Bennett & Linda Darnell |
1.2 | 26.2 | 26.20 | 188 | 64 | 00 / 00 | 55.0 | |
169 | F.B.I. Girl (1951) | Raymond Burr | 1.5 | 31.6 | 31.60 | 174 | 62 | 00 / 00 | 54.3 | |
170 | Little Big Horn/The Fighting Seventh (1951) | Lloyd Bridges | 0.5 | 10.8 | 10.80 | 224 | 68 | 00 / 00 | 54.2 | |
173 | The Company She Keeps (1951) | Lizabeth Scott | 1.4 | 30.5 | 30.50 | 176 | 62 | 00 / 00 | 53.8 | |
172 | The People Against O'Hara (1951) | Spencer Tracy | 3.2 | 68.2 | 104.40 | 114 | 50 | 00 / 00 | 53.6 | |
173 | The Strip (1951) | Mickey Rooney | 1.9 | 40.4 | 60.50 | 158 | 58 | 01 / 00 | 53.6 | |
174 | The Brave Bulls (1951) | Anthony Quinn & Mel Ferrer |
2.9 | 61.6 | 61.60 | 133 | 52 | 00 / 00 | 53.5 | |
176 | Peking Express (1951) | Joseph Cotten | 3.1 | 67.8 | 67.80 | 117 | 50 | 00 / 00 | 53.3 | |
177 | Sirocco (1951) | Humphrey Bogart | 3.7 | 80.1 | 80.10 | 97 | 45 | 00 / 00 | 52.1 | |
179 | Strictly Dishonorable (1951) | Ezio Pinza | 1.9 | 40.7 | 54.30 | 157 | 57 | 00 / 00 | 51.2 | |
178 | The Scarf (1951) | Mercedes McCambridge | 1.1 | 23.1 | 23.10 | 200 | 63 | 00 / 00 | 51.1 | |
180 | The Man From Planet X (1951) | Robert Clarke | 1.2 | 25.9 | 25.90 | 190 | 62 | 00 / 00 | 50.9 | |
180 | Air Cadet (1951) | Rock Hudson & Gail Russell |
2.0 | 43.2 | 43.20 | 154 | 56 | 00 / 00 | 50.8 | |
183 | The Mark of the Renegade (1951) | Cyd Charisse & Ricardo Montalban |
1.3 | 28.5 | 28.50 | 181 | 61 | 00 / 00 | 50.3 | |
182 | Journey Into Light (1951) | Sterling Hayden & Thomas Mitchell |
1.1 | 23.9 | 23.90 | 198 | 62 | 00 / 00 | 50.2 | |
184 | The Law And The Lady (1951) | Greer Garson | 1.6 | 34.7 | 83.80 | 164 | 59 | 00 / 00 | 50.1 | |
186 | Hard, Fast and Beautiful! (1951) | Directed by Ida Lupino | 1.4 | 30.2 | 30.20 | 178 | 60 | 00 / 00 | 49.5 | |
185 | The First Legion (1951) | Charles Boyer & William Demarest |
0.5 | 11.4 | 11.40 | 223 | 66 | 00 / 00 | 49.4 | |
188 | Behave Yourself! (1951) | Shelley Winters & Farley Granger |
2.9 | 61.6 | 61.60 | 128 | 50 | 00 / 00 | 49.4 | |
187 | My Forbidden Past (1951) | Robert Mitchum & Ava Gardner |
3.1 | 67.8 | 97.00 | 115 | 48 | 00 / 00 | 49.2 | |
188 | The Lady From Texas (1951) | Ed Begley | 1.1 | 24.8 | 24.80 | 195 | 61 | 00 / 00 | 49.0 | |
190 | The Lady Pays Off (1951) | Linda Darnell | 1.9 | 40.0 | 40.00 | 160 | 56 | 00 / 00 | 48.8 | |
189 | Fury of the Congo (1951) | 1.2 | 25.6 | 25.60 | 191 | 61 | 00 / 00 | 48.7 | ||
192 | Der Verlorene (1951) | Peter Lorre | 0.0 | 0.4 | 0.40 | 241 | 68 | 00 / 00 | 47.7 | |
193 | Fighting Coast Guard (1951) | Brian Donlevy | 0.7 | 15.4 | 15.40 | 216 | 63 | 00 / 00 | 46.0 | |
194 | Al Jennings of Oklahoma (1951) | Dan Duryea | 1.1 | 23.1 | 23.10 | 201 | 60 | 00 / 00 | 45.7 | |
196 | You Never Can Tell (1951) | Dick Powell | 1.2 | 26.3 | 26.30 | 185 | 59 | 00 / 00 | 44.9 | |
195 | Adventures of Captain Fabian (1951) | Errol Flynn & Vincent Price |
1.2 | 26.2 | 26.20 | 186 | 59 | 00 / 00 | 44.8 | |
198 | Tarzan's Peril (1951) | Lex Barker & Tarzan Movies |
2.1 | 46.2 | 103.20 | 149 | 52 | 00 / 00 | 44.5 | |
199 | Best of the Badmen (1951) | Robert Ryan & Walter Brennan |
3.0 | 64.7 | 101.60 | 122 | 46 | 00 / 00 | 44.4 | |
197 | Stronghold (1951) | Veronica Lake & Zachary Scott |
1.0 | 21.8 | 21.80 | 205 | 60 | 00 / 00 | 43.9 | |
198 | The Unknown Man (1951) | Walter Pidegeon & Ann Harding |
1.1 | 23.5 | 43.80 | 199 | 59 | 00 / 00 | 43.1 | |
200 | Pardon My French/The Lady From Boston (1951) | Merle Oberon & Paul Henreid |
1.5 | 32.8 | 32.80 | 169 | 56 | 00 / 00 | 42.8 | |
201 | Cry, the Beloved Country (1951) | Sidney Poitier | 1.1 | 24.6 | 24.60 | 196 | 58 | 00 / 00 | 41.7 | |
204 | Love Nest (1951) | Marilyn Monroe & June Haver |
2.0 | 43.1 | 43.10 | 155 | 52 | 00 / 00 | 41.6 | |
204 | Soldiers Three (1951) | David Niven & Stewart Granger |
2.9 | 62.6 | 137.80 | 126 | 45 | 00 / 00 | 40.9 | |
205 | Gunplay (1951) | Tim Holt | 0.4 | 8.9 | 8.90 | 229 | 62 | 00 / 00 | 39.5 | |
205 | Double Crossbones (1951) | Donald O'Connor | 1.2 | 26.2 | 26.20 | 189 | 56 | 00 / 00 | 38.2 | |
205 | Mister Universe (1951) | 0.4 | 9.3 | 9.30 | 227 | 61 | 00 / 00 | 37.3 | ||
207 | The Man With A Cloak (1951) | Joseph Cotten & Barbara Stanwyck |
1.3 | 27.2 | 47.00 | 183 | 55 | 00 / 00 | 36.9 | |
210 | New Mexico (1951) | Raymond Burr | 1.6 | 33.6 | 33.60 | 168 | 53 | 00 / 00 | 36.9 | |
207 | Target Unknown (1951) | Gig Young | 1.2 | 25.6 | 25.60 | 192 | 55 | 00 / 00 | 36.7 | |
212 | No Questions Asked (1951) | Arlene Dahl | 1.4 | 29.8 | 40.40 | 179 | 54 | 00 / 00 | 36.4 | |
212 | The Long Dark Hall (1951) | Rex Harrison | 0.9 | 20.1 | 20.10 | 209 | 57 | 00 / 00 | 36.1 | |
212 | Saddle Legion (1951) | Tim Holt | 0.4 | 7.7 | 8.90 | 232 | 59 | 00 / 00 | 32.7 | |
214 | Flame of Stamboul (1951) | Norman Lloyd | 1.5 | 32.4 | 32.40 | 170 | 51 | 00 / 00 | 32.2 | |
214 | The Last Outpost (1951) | Ronald Reagan & Rhonda Fleming |
0.9 | 19.4 | 19.40 | 212 | 55 | 00 / 00 | 32.2 | |
216 | Teresa (1951) | Directed by Fred Zinnemann | 2.1 | 45.8 | 107.60 | 151 | 45 | 01 / 00 | 29.3 | |
215 | The Great Missouri Raid (1951) | 0.4 | 9.3 | 9.30 | 228 | 57 | 00 / 00 | 28.6 | ||
217 | The Basketball Fix (1951) | John Ireland | 1.6 | 33.9 | 33.90 | 167 | 49 | 00 / 00 | 28.4 | |
218 | The Light Touch (1951) | George Sanders | 1.3 | 27.0 | 78.90 | 184 | 51 | 00 / 00 | 28.1 | |
220 | On The Loose (1951) | Melvyn Douglas | 1.2 | 25.6 | 25.60 | 193 | 51 | 00 / 00 | 27.6 | |
221 | Young Wives' Tale (1951) | Audrey Hepburn | 0.6 | 13.2 | 13.20 | 220 | 54 | 00 / 00 | 26.6 | |
220 | The Whip Hand (1951) | Raymond Burr | 0.6 | 13.1 | 13.10 | 221 | 54 | 00 / 00 | 26.6 | |
222 | Cave Of Outlaws (1951) | 0.2 | 3.3 | 3.30 | 236 | 57 | 00 / 00 | 25.1 | ||
224 | Flight To Mars (1951) | Cameron Mitchell | 0.6 | 13.9 | 13.90 | 218 | 53 | 00 / 00 | 24.9 | |
224 | The Sea Hornet (1951) | Rod Cameron | 0.1 | 2.8 | 2.80 | 239 | 57 | 00 / 00 | 24.9 | |
225 | No Resting Place (1951) | Maureen O'Sullivan | 0.4 | 7.7 | 7.70 | 230 | 55 | 00 / 00 | 24.3 | |
227 | St. Benny the Dip (1951) | 0.3 | 6.2 | 6.20 | 235 | 55 | 00 / 00 | 24.2 | ||
227 | Double Dynamite (1951) | Frank Sinatra & Jane Russell |
1.4 | 30.5 | 30.50 | 177 | 47 | 00 / 00 | 23.9 | |
228 | Footlight Varieties (1951) | Jack Paar | 0.4 | 9.5 | 13.60 | 226 | 53 | 00 / 00 | 22.3 | |
228 | The Magic Carpet (1951) | Lucille Ball & Raymond Burr |
1.2 | 26.2 | 26.20 | 187 | 48 | 00 / 00 | 22.0 | |
230 | It's a Big Country (1951) | Gary Cooper & Gene Kelly |
1.5 | 32.4 | 40.30 | 171 | 46 | 00 / 00 | 21.8 | |
232 | Mr Drake's Duck (1951) | Douglas Fairbanks Jr. | 0.9 | 20.0 | 20.00 | 210 | 49 | 00 / 00 | 21.2 | |
231 | Shadow And Light (1951) | 0.1 | 3.1 | 3.10 | 238 | 54 | 00 / 00 | 19.5 | ||
232 | Mr. Imperium (1951) | Debbie Reynolds & Lana Turner |
1.3 | 28.3 | 46.50 | 182 | 43 | 00 / 00 | 14.8 | |
233 | Calling Bulldog Drummond (1951) | Walter Pidgeon | 1.1 | 22.9 | 54.80 | 203 | 44 | 00 / 00 | 14.6 | |
236 | Bannerline (1951) | Lionel Barrymore | 1.0 | 21.6 | 28.20 | 206 | 43 | 00 / 00 | 12.8 | |
235 | Home Town Story (1951) | Marilyn Monroe & Donald Crisp |
0.7 | 15.0 | 20.60 | 217 | 45 | 00 / 00 | 12.7 | |
238 | My Outlaw Brother (1951) | Mickey Rooney & Robert Preston |
0.4 | 9.6 | 9.60 | 225 | 47 | 00 / 00 | 12.4 | |
237 | Slaughter Trail (1951) | Gig Young | 0.8 | 16.9 | 16.90 | 215 | 43 | 00 / 00 | 10.7 | |
238 | The Groom Wore Spurs (1951) | Ginger Rogers & Jack Carson |
1.1 | 23.1 | 23.10 | 202 | 40 | 00 / 00 | 9.7 | |
239 | The Painted Hills (1951) | Lassie | 2.2 | 48.2 | 66.80 | 146 | 32 | 00 / 00 | 9.7 | |
240 | Bride of the Gorilla (1951) | Raymond Burr | 0.3 | 6.3 | 6.30 | 233 | 39 | 00 / 00 | 4.8 |
1951 Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Quo Vadis (1951) AA Best Picture Nom |
Robert Taylor & Deborah Kerr |
1,172.70 | |
The Great Caruso (1951) | Mario Lanza | 584.60 | |
Show Boat (1951) | Ava Gardner & Kathryn Grayson |
469.50 | |
An American in Paris (1951) AA Best Picture Win |
Gene Kelly & Leslie Caron |
458.50 | |
A Place in the Sun (1951) AA Best Picture Nom |
Montgomery Clift & Elizabeth Taylor |
425.00 | |
Captain Horatio Hornblower (1951) | Gregory Peck & Virginia Mayo |
328.50 | |
Painting The Clouds With Sunshine (1951) | Virginia Mayo & Dennis Morgan |
294.60 | |
Father's Little Dividend (1951) | Spencer Tracy & Elizabeth Taylor |
289.50 | |
Across the Wide Missouri (1951) | Clark Gable & Ricardo Montalbán |
283.40 | |
Westward the Women (1951) | Robert Taylor | 246.20 | |
Flying Leathernecks (1951) | John Wayne & Robert Ryan |
243.30 | |
Royal Wedding (1951) | Fred Astaire & Jane Powell |
240.40 | |
Operation Pacific (1951) | John Wayne & Patricia Neal |
238.00 | |
Texas Carnival (1951) | Esther Williams & Red Skelton |
235.30 | |
On Moonlight Bay (1951) | Doris Day & Gordon MacRae |
229.80 | |
The Thing from Another World (1951) | James Arness & Directed by Howard Hawks |
209.40 | |
Go For Broke! (1951) | Van Johnson | 205.60 | |
Distant Drums (1951) | Gary Cooper | 201.50 | |
I'll See You in My Dreams (1951) | Doris Day & Danny Thomas |
196.90 | |
Vengeance Valley (1951) | Burt Lancaster & Robert Walker |
193.80 | |
Lullaby of Broadway (1951) | Doris Day | 190.00 | |
Rich, Young and Pretty (1951) | Jane Powell & Danielle Darrieux |
184.70 | |
Strangers on a Train (1951) | Robert Walker & Directed by Alfred Hitchcock |
180.90 | |
Jim Thorpe -- All-American (1951) | Burt Lancaster | 177.90 | |
The Enforcer (1951) | Humphrey Bogart | 177.00 | |
Come Fill the Cup (1951) | James Cagney & Gig Young |
157.00 | |
Fort Worth (1951) | Randolph Scott | 144.30 | |
Payment on Demand (1951) | Bette Davis | 143.20 | |
Too Young To Kiss (1951) | Van Johnson & Gig Young |
142.20 | |
Starlift (1951) | Doris Day & Randolph Scott |
141.80 | |
Excuse My Dust (1951) | Red Skelton | 141.60 | |
Soldiers Three (1951) | David Niven & Stewart Granger |
137.80 | |
Three Guys Named Mike (1951) | Van Johnson & Howard Keel |
137.40 | |
Force of Arms (1951) | William Holden | 121.70 | |
Along the Great Divide (1951) | Kirk Douglas & Virginia Mayo |
120.70 | |
The Tanks Are Coming (1951) | Steve Cochran | 115.10 | |
I Was a Communist for the F.B.I. (1951) | Frank Lovejoy | 108.40 | |
Teresa (1951) | Directed by Fred Zinnemann | 107.60 | |
The People Against O'Hara (1951) | Spencer Tracy | 104.40 | |
Tarzan's Peril (1951) | Lex Barker & Tarzan Movies |
103.20 | |
Angels in the Outfield (1951) | Janet Leigh & Baseball Movies |
102.60 | |
Best of the Badmen (1951) | Robert Ryan & Walter Brennan |
101.60 | |
Grounds For Marriage (1951) | Van Johnson & Red Skelton |
97.80 | |
My Forbidden Past (1951) | Robert Mitchum & Ava Gardner |
97.00 | |
Goodbye, My Fancy (1951) | Joan Crawford & Robert Young |
94.10 | |
The Law And The Lady (1951) | Greer Garson | 83.80 | |
Callaway Went Thataway (1951) | Fred MacMurray & Howard Keel |
82.40 | |
The Light Touch (1951) | George Sanders | 78.90 | |
Sealed Cargo (1951) | Dana Andrews & Claude Rains |
73.90 | |
Inside the Walls of Folsom Prison (1951) | Steve Cochran | 71.80 | |
Lightning Strikes Twice (1951) | Ruth Roman | 70.50 | |
Cry Danger (1951) | Dick Powell & Rhonda Fleming |
67.80 | |
The Painted Hills (1951) | Lassie | 66.80 | |
The Red Badge of Courage (1951) | Audie Murphy & Directed by John Huston |
66.50 | |
The Strip (1951) | Mickey Rooney | 60.50 | |
Tomorrow Is Another Day (1951) | Steve Cochran & Ruth Roman |
57.20 | |
Calling Bulldog Drummond (1951) | Walter Pidgeon | 54.80 | |
Strictly Dishonorable (1951) | Ezio Pinza | 54.30 | |
Night Into Morning (1951) | Ray Milland | 50.50 | |
Inside Straight (1951) | Arlene Dahl | 47.40 | |
Cause for Alarm! (1951) | Loretta Young | 47.30 | |
The Man With A Cloak (1951) | Joseph Cotten & Barbara Stanwyck |
47.00 | |
Mr. Imperium (1951) | Debbie Reynolds & Lana Turner |
46.50 | |
The Unknown Man (1951) | Walter Pidegeon & Ann Harding |
43.80 | |
No Questions Asked (1951) | Arlene Dahl | 40.40 | |
It's a Big Country (1951) | Gary Cooper & Gene Kelly |
40.30 | |
The Tall Target (1951) | Dick Powell & Adolphe Menjou |
38.20 | |
Kind Lady (1951) | Angela Lansbury & Directed by John Sturges |
30.80 | |
Bannerline (1951) | Lionel Barrymore | 28.20 | |
Home Town Story (1951) | Marilyn Monroe & Donald Crisp |
20.60 | |
Footlight Varieties (1951) | Jack Paar | 13.60 | |
Saddle Legion (1951) | Tim Holt | 8.90 |
Top earners in 1951 for Adjusted USA Box Office:
Name | Number of Movies | Total Adj World Wide (mil) | Total Adj USA (mil) |
---|---|---|---|
Robert Taylor | 2 | 1,418.9 | 725.8 |
Everett Sloane | 6 | 732.9 | 653.5 |
Howard Keel | 4 | 924.6 | 642.9 |
Jim Backus | 8 | 700.5 | 634.0 |
Susan Hayward | 4 | 631.1 | 631.1 |
Peter Ustinov | 3 | 1,215.2 | 605.7 |
Gregory Peck | 3 | 742.5 | 574.0 |
Deborah Kerr | 1 | 1,172.7 | 563.2 |
Leo Genn | 1 | 1,172.7 | 563.2 |
Doris Day | 4 | 758.5 | 552.8 |
Agnes Moorehead | 4 | 674.3 | 530.8 |
Ann Blyth | 4 | 829.3 | 523.8 |
Virginia Mayo | 4 | 885.6 | 518.1 |
Jane Wyman | 4 | 571.8 | 502.2 |
Raymond Massey | 3 | 546.4 | 499.2 |
Raymond Burr | 8 | 684.4 | 475.0 |
Ava Gardner | 3 | 643.5 | 470.8 |
Van Johnson | 5 | 623.3 | 460.9 |
Karl Malden | 2 | 458.9 | 458.9 |
Vincente Minnelli | 2 | 748.0 | 456.6 |
Jerry Lewis | 2 | 449.7 | 449.7 |
Dean Martin | 2 | 449.7 | 449.7 |
Keenan Wynn | 5 | 649.4 | 447.6 |
Randolph Scott | 5 | 521.7 | 446.9 |
Richard Boone | 3 | 445.0 | 445.0 |
My Main Sources
Source 1: Eddie Mannix MGM Ledgers
Source 2: C.J. Tevlin RKO Ledgers
Source 3: William Schaefer Warner Brothers Ledgers
Source 4: Year In Review Variety Editions
Source 5: Grand Design: Hollywood As A Modern Business Enterprise 1930-1942 by Tino Balio
Source 6: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 7: Wikipedia
Source 8: IMDb.com
Source 9: “Revenue sharing and the coming of sound” by H. Mark Glancy
Source 10: Hollywood Power Stats by Christopher Reynolds
Worldwide Adjusted Box Office Grosses (in millions)
- Quo Vadis (1951) $1,039,828,818.00
- The Great Caruso (1951) $469,126,591.00
- Show Boat (1951) $376,695,148.00
- An American in Paris (1951) $367,935,224.00
- A Place in the Sun (1951) $341,057,148.00
- Captain Horatio Hornblower (1951) $263,602,574.00
- Painting The Clouds With Sunshine (1951) $236,416,852.00
- Father’s Little Dividend (1951) $232,314,278.00
- Across the Wide Missouri (1951) $227,420,852.00
- Westward the Women (1951) $197,516,574.00
- Flying Leathernecks (1951) $195,242,852.00
- Royal Wedding (1951) $192,870,278.00
- Operation Pacific (1951) $190,942,574.00
- Texas Carnival (1951) $188,817,148.00
- On Moonlight Bay (1951) $184,368,574.00
- The Thing from Another World (1951) $168,057,148.00
- Go For Broke! (1951) $164,943,148.00
- Distant Drums (1951) $161,680,852.00
- I’ll See You in My Dreams (1951) $157,973,722.00
- Vengenance Valley (1951) $155,502,278.00
- Lullaby of Broadway (1951) $152,487,148.00
- Rich Young and Pretty (1951) $148,236,278.00
- Strangers on a Train (1951) $145,122,278.00
- Jim Thorpe–All American (1951) $142,749,722.00
- The Enforcer (1951) $142,008,278.00
- Come Fill the Cup (1951) $125,993,426.00
- Fort Worth (1951) $115,761,722.00
- Payment on Demand (1951) $114,921,426.00
- Too Young To Kiss (1951) $114,081,148.00
- Starlift (1951) $113,784,574.00
- Excuse My Dust (1951) $113,586,852.00
- Soldiers Three (1951) $110,571,722.00
- Three Guys Named Mike (1951) $110,225,722.00
- Force of Arms (1951) $97,621,443.00
- Along the Great Divide (1951) $96,880,000.00
- The Tanks Are Coming (1951) $92,332,574.00
- I Was a Communist for the F.B.I. (1951) $86,944,852.00
- Teresa (1951) $86,351,722.00
- The People Against O’Hara (1951) $83,781,426.00
- Tarzan’s Peril (1951) $82,792,852.00
- Angels in the Outfield (1951) $82,348,000.00
- Best of the Badmen (1951) $81,557,148.00
- Grounds For Marriage (1951) $78,443,148.00
- My Forbidden Past (1951) $77,850,000.00
- Goodbye My Fancy (1951) $75,526,852.00
- The Law And The Lady (1951) $67,222,852.00
- Callaway Went Thataway (1951) $66,135,426.00
- The Light Touch (1951) $63,318,000.00
- Sealed Cargo (1951) $59,314,278.00
- Inside the Walls of Folsom Prison (1951) $57,584,278.00
- Lightning Strikes Twice (1951) $56,546,278.00
- Cry Danger (1951) $54,371,426.00
- The Painted Hills (1951) $53,630,000.00
- Red Badge of Courage (1951) $53,382,852.00
- The Strip (1951) $48,538,852.00
- Tomorrow Is Another Day (1951) $45,919,148.00
- Calling Bulldog Drummond (1951) $43,942,000.00
- Strictly Dishonorable (1951) $43,546,574.00
- Night Into Morning (1951) $40,482,000.00
- Inside Straight (1951) $38,010,574.00
- Cause for Alarm! (1951) $37,961,148.00
- The Man with the Cloak (1951) $37,714,000.00
- Mr. Imperium (1951) $37,318,574.00
- The Unknown Man (1951) $35,143,722.00
- No Questions Asked (1951) $32,425,148.00
- It’s a Big Country (1951) $32,375,722.00
- The Tall Target (1951) $30,645,722.00
- Kind Lady (1951) $24,714,278.00
- Bannerline (1951) $22,588,852.00
- Home Town Story (1951) $16,509,148.00
- Footlight Varieties (1951) $10,874,278.00
- Saddle Legion (1951) $7,167,148.00
My Yearly Review Pages
- 1936 Movies Ranked Best to Worst Our movie of the year? Mr. Deeds Goes To Town
- 1937 Movies Ranked Best to Worst Our movie of the year? The Good Earth
- 1938 Movies Ranked Best to Worst Our movie of the year? The Adventures of Robin Hood
- 1939 Movies Ranked Best to Worst Our movie of the year? Gone With The Wind
- 1940 Movies Ranked Best to Worst Our movie of the year? Rebecca
- 1941 Movies Ranked Best to Worst Our movie of the year? How Green Was My Valley
- 1942 Movies Ranked Best to Worst Our movie of the year? Mrs. Miniver
- 1943 Movies Ranked Best to Worst Our movie of the year? Casablanca
- 1944 Movies Ranked Best to Worst Our movie of the year? Going My Way
- 1945 Movies Ranked Best to Worst Our movie of the year? The Lost Weekend
- 1946 Movies Ranked Best to Worst Our movie of the year? The Best Years of Our Lives
- 1947 Movies Ranked Best to Worst Our movie of the year? Gentleman’s Agreement
- 1948 Movies Ranked Best to Worst Our movie of the year? The Red Shoes
- 1949 Movies Ranked Best to Worst Our movie of the year? Battleground
- 1950 Movies Ranked Best to Worst Our movie of the year? All About Eve
- 1951 Movies Ranked Best to Worst Our movie of the year? A Streetcar Named Desire
- 1952 Movies Ranked Best to Worst Our movie of the year? Greatest Show On Earth
- 1959 Movies Ranked Best to Worst Our movie of the year? Ben-Hur
- 1976 Movies Ranked Best to Worst Our movie of the year? Rocky
- 2011 Movies Ranked Best to Worst Our movie of the year? The Help
- 2012 Movies Ranked Best to Worst Our movie of the year? Argo
- 2013 Movies Ranked Best to Worst Our movie of the year? Gravity
- 2014 Movies Ranked Best to Worst Our movie of the year? American Sniper
- 2015 Movies Ranked Best to Worst Our movie of the year? The Martian
- 2016 Movies Ranked Best to Worst Our movie of the year? La La Land
Hi
I’ve seen quite a lot of the top 20 movies. As I mentioned before I love Streetcar. Of course The African Queen. And I recently seen for the first time, Detective Story. As for American in Paris, it didn’t do a lot for me. I much preferred Showboat.
Quo Vadis is shown regularly on television. Personally I find it so-so. It’s not up with the likes of Ben Hur or Spartacus. But it has some good moments.
Disney’s offering of Alice in Wonderland wasn’t highly praised at the time. But I always found it highly entertaining. By ’51 you could see a big change in the whole star system. Doris Day’s career was really starting to take off while some of the more older star’s careers were fading out and television was starting to take hold in America.
One particular British film worth looking for is Man in the White Suit.
Hello WOC,
Thank a lot for theses informations, i am impress by the BO of Quo Vadis, i saw the picture several Time and i think Peter Ustinov Was simply great.
May i ask you a question, do you get the BO of No high way in the sky?
The film Was not Paramount, but maybe it Was with a minor studio?
Anyway Thanks for the job and have a good night
Pierre
Hi Bruce,
1951 is not my favorite year, but of the 28 movies I saw there is one of my cult films: African Queen. I also liked Fixed Baionets, Captain Horatio, Across the Wide Missouri and, of course, Howard Hawks’s Thing.
A big thank you to WoC for the worldwide grosses.
Still an awesome job from you Bruce. Congratulations.
Hey Laurent…..your 28 has me beat by 10 movies….so congrats there. I am actually surprised my total is so low….as my grandmother loved The African Queen and my dad loved The Thing…..so it always seemed I was well versed in 1951’s movies….turns out that was almost the only two 1951 movies that I have seen. WoC not only fixed the worldwide box office issue I was having….but also made it even easier for me in the future….she is awesome!
Impressive, one more movie and you could have made it a Top 200!
Worldwide figures on 72 movies is not to be sneezed at either, good stuff!
As a sci-fi fan 1951 is one of my favorite years – The Day the Earth Stood Still, When Worlds Collide and The Thing!
Other favorites include – An American in Paris, Quo Vadis, Strangers on a Train, Show Boat, Alice in Wonderland, The African Queen and Captain Horatio Hornblower.
I’ve seen 35 of the 199 films listed, probably more but those are ones I know for sure.
Top rated films I haven’t seen include – A Place in the Sun (which is surprisingly low on the chart), The Prowler and On Dangerous Ground.
There are 60 films from 1951 in my movie collection, a few of them such as – Scrooge, Flight to Mars, The Man from Planet X and The Strange Door – not on this chart.
Quo Vadis was a monster hit at the box office, domestic and worldwide, but no film would surpass Gone With the Wind until little old Sound of Music in 1965.
Another epic page Bruce, roll on 1952. Vote Up!
Hey Steve
1. I actually thought it was a nice even 200…..but when I transferred the information from the database to the website….I realized I had a duplicate movie….so disappointing…lol.
2. The ledgers of RKO, Warner Brothers and MGM helped us reach that 72 worldwide grosses.
3. I know you do not think I am a huge science fiction fan…but of the 18 1951 movies that I have seen….I have seen all three of your science fiction movies. The Thing is one of my favorites as well….plus one of the movies my dad loved to mention all the time.
4. Tally counts….Dan 150, Flora 61, you 35, Laurent 28 and me….18…..such a horrible total for me.
5. I figured you would be happy to see Strangers on a Train in first place when sorting by audience and critic reviews. I would say Strangers on a Train, African Queen and The Thing are my Top 3 movies from 1951.
6. As massive as 199 movies is…..it is only about 40% of the movies made that year….so some of the movies in your collection are not listed….but Scrooge is…..it is just under the American title….A Christmas Carol.
7. Quo Vadis was massive….for a very long time it was listed as an all-time Top 20 hit…..Box Office Mojo does not seem to know the movie even existed.
As always….great feedback.
Hey that’s great that you found all of the information from the ledgers! I know those ledgers contain international box office information, so how come that’s not shown here?
Oh nvm. I missed the global list below the table. I guess it’d just be cool if that was part of the table.
Also in that case, my question is still directed to the other year pages.
72 Worldwide Adjusted Grosses now included.