Finding box office information for movies made before 1980 is not an easy task. For somebody looking for box office information on 1968 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1968 movies in our database.
To make this list a movie had to be made in 1968. This page will looks at 140 1968 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information. This only represents about 25% of the movies made in 1968….but should cover the top box office movies.
Our UMR Top 50 of 1968
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1968
Oliver! (1968)
AA Best Picture Win
1968
The Lion in Winter (1968)
AA Best Picture Nom
1968
2001: A Space Odyssey (1968)
1968
Funny Girl (1968)
AA Best Picture Nom
1968
Rosemary's Baby (1968)
1968
Bullitt (1968)
1968
Planet of the Apes (1968)
1968
The Odd Couple (1968)
1968
Romeo and Juliet (1968)
AA Best Picture Nom
1968
The Boston Strangler (1968)
1968
Charly (1968)
1968
Where Eagles Dare (1968)
1968
Yours, Mine and Ours (1968)
1968
Chitty Chitty Bang Bang (1968)
1968
The Thomas Crown Affair (1968)
1968
Hang 'em High (1968)
1968
Candy (1968)
1968
Rachel, Rachel (1968)
AA Best Picture Nom
1968
The Green Berets (1968)
1968
Star! (1968)
1968
The Detective (1968)
1968
Once Upon a Time in the West (1968)
1968
Barbarella (1968)
1968
Blackbeard's Ghost (1968)
1968
The Party (1968)
1968
Finian's Rainbow (1968)
1968
The Devil's Brigade (1968)
1968
No Way To Treat a Lady (1968)
1968
Yellow Submarine (1968)
1968
Night of the Living Dead (1968)
1968
If.... (1968)
1968
The Impossible Years (1968)
1968
With Six You Get Eggroll (1968)
1968
Never a Dull Moment (1968)
1968
Ice Station Zebra (1968)
1968
The Killing of Sister George (1968)
1968
The Horse in the Gray Flannel Suit (1968)
1968
The Scalphunters (1968)
1968
For Love of Ivy (1968)
1968
Three In The Attic (1968)
1968
The Subject Was Roses (1968)
1968
5 Card Stud (1968)
1968
Targets (1968)
1968
Prudence and the Pill (1968)
1968
Wild in The Streets (1968)
1968
Petulia (1968)
1968
Faces (1968)
1968
Coogan's Bluff (1968)
1968
Pretty Poison (1968)
1968
The Swimmer (1968)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1968 | Oliver! (1968) AA Best Picture Win |
||
1968 | The Lion in Winter (1968) AA Best Picture Nom |
||
1968 | 2001: A Space Odyssey (1968) | ||
1968 | Funny Girl (1968) AA Best Picture Nom |
||
1968 | Rosemary's Baby (1968) | ||
1968 | Bullitt (1968) | ||
1968 | Planet of the Apes (1968) | ||
1968 | The Odd Couple (1968) | ||
1968 | Romeo and Juliet (1968) AA Best Picture Nom |
||
1968 | The Boston Strangler (1968) | ||
1968 | Charly (1968) | ||
1968 | Where Eagles Dare (1968) | ||
1968 | Yours, Mine and Ours (1968) | ||
1968 | Chitty Chitty Bang Bang (1968) | ||
1968 | The Thomas Crown Affair (1968) | ||
1968 | Hang 'em High (1968) | ||
1968 | Candy (1968) | ||
1968 | Rachel, Rachel (1968) AA Best Picture Nom |
||
1968 | The Green Berets (1968) | ||
1968 | Star! (1968) | ||
1968 | The Detective (1968) | ||
1968 | Once Upon a Time in the West (1968) | ||
1968 | Barbarella (1968) | ||
1968 | Blackbeard's Ghost (1968) | ||
1968 | The Party (1968) | ||
1968 | Finian's Rainbow (1968) | ||
1968 | The Devil's Brigade (1968) | ||
1968 | No Way To Treat a Lady (1968) | ||
1968 | Yellow Submarine (1968) | ||
1968 | Night of the Living Dead (1968) | ||
1968 | If.... (1968) | ||
1968 | The Impossible Years (1968) | ||
1968 | With Six You Get Eggroll (1968) | ||
1968 | Never a Dull Moment (1968) | ||
1968 | Ice Station Zebra (1968) | ||
1968 | The Killing of Sister George (1968) | ||
1968 | The Horse in the Gray Flannel Suit (1968) | ||
1968 | The Scalphunters (1968) | ||
1968 | For Love of Ivy (1968) | ||
1968 | Three In The Attic (1968) | ||
1968 | The Subject Was Roses (1968) | ||
1968 | 5 Card Stud (1968) | ||
1968 | Targets (1968) | ||
1968 | Prudence and the Pill (1968) | ||
1968 | Wild in The Streets (1968) | ||
1968 | Petulia (1968) | ||
1968 | Faces (1968) | ||
1968 | Coogan's Bluff (1968) | ||
1968 | Pretty Poison (1968) | ||
1968 | The Swimmer (1968) |
1968 Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1968 Movies by movie titles and movie trailers
- Sort 1968 Movies by the stars or in some cases the director of the movie.
- Sort 1968 Movies by stars of the movie
- Sort 1968 Movies by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort 1968 Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each 1968 Movies received and how many Oscar® wins each 1968 Movies received.
- Sort 1968 Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
3 | Oliver! (1968) AA Best Picture Win |
Ron Moody & Jack Wild |
48.0 | 395.0 | 395.00 | 5 | 71 | 11 / 05 | 99.8 | |
1 | The Lion in Winter (1968) AA Best Picture Nom |
Katharine Hepburn & Peter O'Toole |
28.6 | 235.2 | 235.20 | 10 | 88 | 07 / 03 | 99.6 | |
5 | 2001: A Space Odyssey (1968) | Keir Dullea | 56.9 | 468.4 | 468.40 | 1 | 92 | 04 / 01 | 99.3 | |
2 | Funny Girl (1968) AA Best Picture Nom |
Barbra Streisand & Directed by William Wyler |
52.4 | 430.8 | 430.80 | 3 | 82 | 08 / 01 | 99.3 | |
6 | Rosemary's Baby (1968) | Ruth Gordon | 42.9 | 352.7 | 352.70 | 8 | 89 | 02 / 01 | 99.0 | |
7 | Bullitt (1968) | Steve McQueen & Robert Duvall |
54.3 | 446.7 | 446.70 | 2 | 87 | 02 / 01 | 98.9 | |
8 | Planet of the Apes (1968) | Charlton Heston & Roddy McDowall |
42.9 | 352.7 | 352.70 | 7 | 86 | 02 / 00 | 98.6 | |
9 | The Odd Couple (1968) | Jack Lemmon & Walter Matthau |
44.5 | 366.4 | 366.40 | 6 | 81 | 02 / 00 | 97.9 | |
9 | Romeo and Juliet (1968) AA Best Picture Nom |
Olivia Hussey | 49.9 | 410.8 | 410.80 | 4 | 76 | 00 / 00 | 97.7 | |
12 | The Boston Strangler (1968) | Henry Fonda & Tony Curtis |
22.9 | 188.1 | 188.10 | 12 | 76 | 00 / 00 | 95.7 | |
11 | Charly (1968) | Cliff Robertson | 20.7 | 170.7 | 170.70 | 14 | 71 | 01 / 01 | 93.4 | |
12 | Where Eagles Dare (1968) | Clint Eastwood & Richard Burton |
15.7 | 129.4 | 129.40 | 20 | 83 | 00 / 00 | 92.6 | |
13 | Yours, Mine and Ours (1968) | Henry Fonda & Lucille Ball |
33.2 | 273.0 | 273.00 | 9 | 59 | 00 / 00 | 92.2 | |
16 | Chitty Chitty Bang Bang (1968) | Dick Van Dyke | 20.2 | 166.3 | 166.30 | 15 | 68 | 01 / 00 | 91.7 | |
17 | The Thomas Crown Affair (1968) | Steve McQueen & Faye Dunaway |
17.9 | 146.9 | 146.90 | 17 | 70 | 02 / 01 | 91.2 | |
16 | Hang 'em High (1968) | Clint Eastwood & Bruce Dern |
14.8 | 121.5 | 121.50 | 25 | 77 | 00 / 00 | 89.7 | |
17 | Candy (1968) | Marlon Brando & James Coburn |
21.1 | 173.3 | 173.30 | 13 | 59 | 00 / 00 | 89.3 | |
19 | Rachel, Rachel (1968) AA Best Picture Nom |
Joanne Woodward & Directed by Paul Newman |
8.6 | 70.5 | 70.50 | 43 | 81 | 04 / 00 | 88.7 | |
18 | The Green Berets (1968) | John Wayne & Jim Hutton |
27.9 | 229.2 | 417.30 | 11 | 48 | 00 / 00 | 88.4 | |
21 | Star! (1968) | Julie Andrews | 12.0 | 98.7 | 98.70 | 33 | 71 | 07 / 00 | 87.2 | |
23 | The Detective (1968) | Robert Duvall & Frank Sinatra |
18.6 | 152.8 | 152.80 | 16 | 59 | 00 / 00 | 86.7 | |
22 | Once Upon a Time in the West (1968) | Henry Fonda & Charles Bronson |
5.3 | 43.5 | 43.50 | 60 | 90 | 00 / 00 | 85.4 | |
23 | Barbarella (1968) | Jane Fonda & John Phillip Law |
15.7 | 129.3 | 129.30 | 22 | 61 | 00 / 00 | 84.4 | |
26 | Blackbeard's Ghost (1968) | Peter Ustinov | 12.9 | 105.8 | 105.80 | 29 | 68 | 00 / 00 | 84.2 | |
24 | The Party (1968) | Peter Sellers | 8.3 | 68.2 | 68.20 | 47 | 79 | 00 / 00 | 83.8 | |
26 | Finian's Rainbow (1968) | Fred Astaire | 15.7 | 129.3 | 209.50 | 21 | 57 | 02 / 00 | 83.3 | |
27 | The Devil's Brigade (1968) | William Holden & Cliff Robertson |
12.0 | 98.7 | 98.70 | 32 | 68 | 00 / 00 | 83.1 | |
28 | No Way To Treat a Lady (1968) | George Segal & Rod Steiger |
8.9 | 72.9 | 72.90 | 40 | 76 | 00 / 00 | 83.0 | |
29 | Yellow Submarine (1968) | The Beatles | 8.6 | 70.5 | 70.50 | 44 | 76 | 00 / 00 | 83.0 | |
30 | Night of the Living Dead (1968) | Directed by George Romero | 3.5 | 28.8 | 28.80 | 83 | 89 | 00 / 00 | 82.5 | |
31 | If.... (1968) | Malcolm McDowell | 6.6 | 54.1 | 54.10 | 56 | 79 | 00 / 00 | 81.5 | |
33 | The Impossible Years (1968) | David Niven & Lola Albright |
17.1 | 141.1 | 141.10 | 18 | 51 | 00 / 00 | 81.2 | |
34 | With Six You Get Eggroll (1968) | Doris Day & Brian Keith |
14.3 | 117.6 | 117.60 | 26 | 58 | 00 / 00 | 81.2 | |
35 | Never a Dull Moment (1968) | Edward G. Robinson & Dick Van Dyke |
14.3 | 117.6 | 117.60 | 27 | 58 | 00 / 00 | 80.9 | |
35 | Ice Station Zebra (1968) | Rock Hudson & Ernest Borgnine |
13.3 | 109.4 | 109.40 | 28 | 57 | 02 / 00 | 80.1 | |
37 | The Killing of Sister George (1968) | Directed by Robert Aldrich | 9.9 | 81.1 | 125.20 | 38 | 67 | 00 / 00 | 79.7 | |
36 | The Horse in the Gray Flannel Suit (1968) | Kurt Russell & Dean Jones |
9.4 | 77.6 | 77.60 | 39 | 68 | 00 / 00 | 79.6 | |
37 | The Scalphunters (1968) | Burt Lancaster & Shelley Winters |
8.0 | 65.8 | 65.80 | 48 | 71 | 00 / 00 | 79.0 | |
41 | For Love of Ivy (1968) | Sidney Poitier | 15.9 | 130.7 | 130.70 | 19 | 49 | 01 / 00 | 78.8 | |
40 | Three In The Attic (1968) | Christopher Jones | 14.9 | 122.3 | 122.30 | 24 | 53 | 00 / 00 | 78.7 | |
39 | The Subject Was Roses (1968) | Jack Albertson & Martin Sheen |
3.9 | 32.3 | 32.30 | 77 | 78 | 02 / 01 | 78.7 | |
42 | 5 Card Stud (1968) | Robert Mitchum & Dean Martin |
12.1 | 99.9 | 99.90 | 31 | 59 | 00 / 00 | 78.4 | |
43 | Targets (1968) | Boris Karloff | 5.6 | 46.4 | 46.40 | 59 | 76 | 00 / 00 | 78.0 | |
44 | Prudence and the Pill (1968) | David Niven & Deborah Kerr |
12.9 | 105.8 | 105.80 | 30 | 57 | 00 / 00 | 77.8 | |
45 | Wild in The Streets (1968) | Shelley Winters & Richard Pryor |
11.4 | 94.0 | 94.00 | 35 | 59 | 01 / 00 | 77.6 | |
47 | Petulia (1968) | George C. Scott & Joseph Cotten |
4.3 | 35.3 | 35.30 | 73 | 78 | 00 / 00 | 76.8 | |
46 | Faces (1968) | Seymour Cassel & Lynn Carlin |
2.1 | 17.6 | 17.60 | 116 | 81 | 03 / 00 | 76.8 | |
46 | Coogan's Bluff (1968) | Clint Eastwood | 6.8 | 56.1 | 56.10 | 55 | 71 | 00 / 00 | 76.5 | |
49 | Pretty Poison (1968) | Anthony Perkins | 3.0 | 24.4 | 24.40 | 93 | 80 | 00 / 00 | 75.5 | |
50 | The Swimmer (1968) | Burt Lancaster | 1.8 | 15.2 | 15.20 | 127 | 82 | 00 / 00 | 75.0 | |
53 | Buona Sera, Mrs. Campbell (1968) | Shelley Winters & Gina Lollobrigida |
7.1 | 58.8 | 58.80 | 52 | 68 | 00 / 00 | 74.9 | |
51 | Isadora (1968) | Vanessa Redgrave | 3.6 | 29.4 | 29.40 | 81 | 77 | 01 / 00 | 74.9 | |
52 | The Heart Is a Lonely Hunter (1968) | Alan Arkin & Sondra Locke |
3.1 | 25.9 | 25.90 | 92 | 76 | 02 / 00 | 74.1 | |
55 | Bandolero! (1968) | James Stewart & Dean Martin |
15.7 | 129.3 | 129.30 | 23 | 43 | 00 / 00 | 71.9 | |
54 | Shame (1968) | Ingmar Bergman | 0.2 | 2.1 | 2.10 | 176 | 83 | 00 / 00 | 71.9 | |
55 | Interlude (1968) | Oskar Werner | 4.6 | 37.6 | 37.60 | 67 | 70 | 00 / 00 | 69.8 | |
56 | The Night They Raided Minsky's (1968) | Jason Robards | 8.6 | 70.5 | 70.50 | 46 | 60 | 00 / 00 | 69.8 | |
58 | Speedway (1968) | Elvis Presley | 8.6 | 70.5 | 70.50 | 42 | 59 | 00 / 00 | 69.3 | |
60 | Hellfighters (1968) | John Wayne | 11.6 | 95.2 | 95.20 | 34 | 51 | 00 / 00 | 68.3 | |
61 | The Private Navy of Sgt. O’Farrell (1968) | Bob Hope & Gina Lollobrigida |
6.9 | 56.4 | 56.40 | 54 | 63 | 00 / 00 | 68.0 | |
60 | Dark of the Sun (1968) | Rod Taylor | 5.1 | 42.3 | 42.30 | 62 | 67 | 00 / 00 | 67.1 | |
61 | Hell in The Pacific (1968) | Lee Marvin & Toshirô Mifune |
3.8 | 31.3 | 31.30 | 79 | 70 | 00 / 00 | 67.1 | |
63 | The One and Only, Genuine, Original Family Band (1968) | Kurt Russell & Goldie Hawn |
6.4 | 52.9 | 52.90 | 57 | 63 | 00 / 00 | 67.0 | |
66 | How Sweet It Is! (1968) | James Garner & Debbie Reynolds |
7.7 | 63.5 | 63.50 | 49 | 60 | 00 / 00 | 66.9 | |
63 | The Anniversary (1968) | Bette Davis | 3.9 | 31.8 | 31.80 | 78 | 70 | 00 / 00 | 66.8 | |
67 | The Stalking Moon (1968) | Gregory Peck & Eva Marie Saint |
7.4 | 61.1 | 61.10 | 50 | 60 | 00 / 00 | 66.3 | |
67 | The Secret War of Harry Frigg (1968) | Paul Newman & Sylva Koscina |
10.0 | 82.3 | 82.30 | 36 | 53 | 00 / 00 | 65.6 | |
70 | Secret Ceremony (1968) | Elizabeth Taylor & Robert Mitchum |
8.6 | 70.5 | 70.50 | 45 | 56 | 00 / 00 | 65.3 | |
68 | The Secret Life of an American Wife (1968) | Walter Matthau & Patrick O'Neal |
8.6 | 70.5 | 70.50 | 41 | 56 | 00 / 00 | 65.3 | |
68 | Sweet November (1968) | Sandy Dennis | 3.1 | 25.9 | 25.90 | 88 | 70 | 00 / 00 | 64.9 | |
72 | How to Save a Marriage and Ruin Your Life (1968) | Dean Martin | 7.1 | 58.8 | 58.80 | 51 | 59 | 00 / 00 | 64.4 | |
71 | Farewell Friend/Adieu l'ami (1968) | Charles Bronson | 2.6 | 21.2 | 82.30 | 104 | 71 | 00 / 00 | 64.4 | |
73 | The Shakiest Gun in the West (1968) | Don Knotts | 4.7 | 38.8 | 38.80 | 66 | 65 | 00 / 00 | 62.9 | |
74 | Madigan (1968) | Richard Widmark & Henry Fonda |
3.1 | 25.9 | 25.90 | 87 | 68 | 00 / 00 | 62.3 | |
75 | The Conqueror Worm/Witchfinder General (1968) | Vincent Price & Ian Ogilvy |
4.3 | 35.3 | 35.30 | 72 | 65 | 00 / 00 | 62.2 | |
76 | Head (1968) | Victor Mature & Jack Nicholson |
2.1 | 17.6 | 17.60 | 114 | 69 | 00 / 00 | 59.8 | |
77 | The Split (1968) | Gene Hackman & Ernest Borgnine |
2.4 | 19.4 | 19.40 | 110 | 69 | 00 / 00 | 59.7 | |
79 | Hot Millions (1968) | Peter Ustinov | 1.9 | 15.4 | 15.40 | 120 | 69 | 01 / 00 | 59.0 | |
78 | Spirits of the Dead/Histoires extraordinaires (1968) | Jane Fonda & Peter Fonda |
1.2 | 10.0 | 10.00 | 143 | 71 | 00 / 00 | 58.8 | |
82 | The Shoes of the Fisherman (1968) | Laurence Olivier & Anthony Quinn |
4.6 | 37.6 | 37.60 | 68 | 61 | 02 / 00 | 58.8 | |
81 | The Brotherhood (1968) | Kirk Douglas & Alex Cord |
2.4 | 20.0 | 20.00 | 108 | 68 | 00 / 00 | 58.3 | |
83 | Where Angels Go Trouble Follows! (1968) | Rosalind Russell & Robert Taylor |
4.0 | 32.9 | 47.60 | 76 | 63 | 00 / 00 | 57.6 | |
83 | Hour Of The Wolf (1968) | Max Von Sydow | 0.2 | 2.1 | 2.10 | 177 | 73 | 00 / 00 | 57.3 | |
86 | Anzio (1968) | Robert Ryan & Peter Falk |
4.0 | 32.9 | 32.90 | 75 | 63 | 00 / 00 | 56.8 | |
85 | What's So Bad About Feeling Good? (1968) | George Peppard | 2.3 | 18.8 | 18.80 | 112 | 67 | 00 / 00 | 55.8 | |
88 | Greetings (1968) | Robert De Niro | 2.4 | 20.0 | 20.00 | 109 | 66 | 00 / 00 | 55.8 | |
87 | Twisted Nerve (1968) | Hayley Mills | 1.0 | 8.3 | 8.30 | 146 | 70 | 00 / 00 | 55.4 | |
88 | The Charge of the Light Brigade (1968) | John Gielgud | 2.9 | 23.5 | 23.50 | 98 | 65 | 00 / 00 | 55.0 | |
89 | The Wrecking Crew (1968) | Dean Martin | 6.9 | 56.4 | 56.40 | 53 | 54 | 00 / 00 | 54.1 | |
91 | Joanna (1968) | Donald Sutherland | 3.7 | 30.6 | 30.60 | 80 | 62 | 00 / 00 | 53.8 | |
89 | P.J. (1968) | George Peppard | 2.9 | 23.5 | 23.50 | 96 | 64 | 00 / 00 | 53.5 | |
90 | Guns for San Sebastian (1968) | Anthony Quinn & Charles Bronson |
2.6 | 21.7 | 21.70 | 103 | 64 | 00 / 00 | 53.1 | |
93 | Lady in Cement (1968) | Frank Sinatra | 5.1 | 42.3 | 42.30 | 61 | 57 | 00 / 00 | 52.2 | |
95 | Firecreek (1968) | James Stewart & Henry Fonda |
3.1 | 25.9 | 25.90 | 90 | 62 | 00 / 00 | 50.9 | |
95 | The Fixer (1968) | Alan Bates | 0.6 | 5.3 | 5.30 | 161 | 67 | 01 / 00 | 50.3 | |
98 | The Sea Gull (1968) | James Mason & Vanessa Redgrave |
1.8 | 14.7 | 14.70 | 130 | 65 | 00 / 00 | 49.5 | |
97 | Sebastian (1968) | John Gielgud | 0.8 | 6.3 | 6.30 | 153 | 67 | 00 / 00 | 49.4 | |
98 | Inga (1968) | 5.1 | 42.3 | 42.30 | 63 | 56 | 00 / 00 | 49.1 | ||
100 | The Sweet Ride (1968) | Anthony Franciosa | 4.3 | 35.3 | 35.30 | 70 | 58 | 00 / 00 | 48.7 | |
100 | Zita (1968) Limited Release |
Katina Paxinou | 0.1 | 1.2 | 1.20 | 182 | 68 | 00 / 00 | 48.2 | |
99 | Nobody's Perfect (1968) | Doug McClure | 0.7 | 6.0 | 6.00 | 155 | 66 | 00 / 00 | 45.8 | |
103 | Honor Among Thieves (1968) | Charles Bronson | 2.6 | 21.2 | 21.20 | 105 | 61 | 00 / 00 | 45.7 | |
104 | Where Were You When the Lights Went Out? (1968) | Doris Day | 10.0 | 82.3 | 82.30 | 37 | 41 | 00 / 00 | 45.6 | |
102 | Destroy All Monsters (1968) | 1.2 | 9.9 | 22.10 | 144 | 64 | 00 / 00 | 44.7 | ||
104 | Live a Little, Love a Little (1968) | Elvis Presley | 2.7 | 22.3 | 22.30 | 102 | 60 | 00 / 00 | 44.5 | |
106 | Counterpoint (1968) | Charlton Heston | 2.1 | 17.6 | 17.60 | 115 | 61 | 00 / 00 | 43.5 | |
108 | The Sergeant (1968) | Rod Steiger | 3.4 | 28.2 | 28.20 | 85 | 57 | 00 / 00 | 43.2 | |
106 | The Pink Jungle (1968) | James Garner & George Kennedy |
2.3 | 18.8 | 18.80 | 113 | 60 | 00 / 00 | 42.9 | |
109 | Sergeant Ryker (1968) | Lee Marvin | 2.9 | 23.5 | 23.50 | 99 | 58 | 00 / 00 | 42.4 | |
110 | The Savage Seven (1968) | Robert Walker, Jr. | 4.3 | 35.3 | 35.30 | 74 | 54 | 00 / 00 | 41.6 | |
112 | Villa Rides (1968) | Robert Mitchum & Charles Bronson |
3.4 | 28.2 | 28.20 | 86 | 56 | 00 / 00 | 41.1 | |
111 | Black Jesus (1968) | 0.3 | 2.6 | 2.60 | 174 | 64 | 00 / 00 | 40.9 | ||
112 | Charlie Bubbles (1968) | 1.8 | 14.7 | 14.70 | 134 | 60 | 00 / 00 | 40.5 | ||
114 | Day Of The Evil Gun (1968) | 1.7 | 14.4 | 14.40 | 138 | 60 | 00 / 00 | 40.2 | ||
115 | The Birthday Party (1968) | Robert Shaw | 0.1 | 1.2 | 9.40 | 190 | 64 | 00 / 00 | 39.5 | |
116 | Ace High (1968) | Eli Wallach | 0.2 | 1.2 | 1.20 | 178 | 64 | 00 / 00 | 38.6 | |
117 | Dracula Has Risen from the Grave (1968) | 0.4 | 2.9 | 2.90 | 172 | 63 | 00 / 00 | 38.5 | ||
118 | Don't Just Stand There (1968) | Robert Wagner | 1.8 | 14.5 | 14.50 | 136 | 59 | 00 / 00 | 38.1 | |
119 | Salt and Pepper (1968) | Sammy Davis, Jr. & Peter Lawford |
5.0 | 41.1 | 41.10 | 64 | 51 | 00 / 00 | 37.4 | |
120 | I Love You, Alice B. Toklas! (1968) | Peter Sellers | 3.1 | 25.9 | 25.90 | 89 | 55 | 00 / 00 | 36.9 | |
119 | A Quiet Place In The Country (1968) | 0.1 | 1.2 | 1.20 | 180 | 63 | 00 / 00 | 36.3 | ||
124 | The Power (1968) | Yvonne De Carlo | 1.9 | 15.4 | 15.40 | 122 | 58 | 00 / 00 | 34.6 | |
125 | A Lovely Way To Die (1968) | Kirk Douglas | 2.0 | 16.5 | 16.50 | 119 | 57 | 00 / 00 | 34.6 | |
122 | Navajo Joe (1968) | Burt Reynolds & Fernando Rey |
0.9 | 7.1 | 7.10 | 151 | 60 | 00 / 00 | 34.4 | |
126 | Psych-Out (1968) | Jack Nicholson & Bruce Dern |
1.5 | 12.7 | 12.70 | 139 | 58 | 00 / 00 | 34.3 | |
125 | Heartbeat (1968) | 0.4 | 3.6 | 3.60 | 169 | 61 | 00 / 00 | 34.3 | ||
127 | The Castle (1968) | 0.1 | 1.2 | 1.20 | 184 | 61 | 00 / 00 | 32.4 | ||
128 | A Dandy in Aspic (1968) | Mia Farrow | 1.9 | 15.3 | 15.30 | 126 | 57 | 00 / 00 | 32.4 | |
129 | Bye Bye Braverman (1968) | George Segal & Sidney Lumet |
2.0 | 16.5 | 16.50 | 117 | 56 | 00 / 00 | 31.3 | |
130 | The Young Runaways (1968) | Richard Dreyfuss | 1.9 | 15.3 | 15.30 | 125 | 56 | 00 / 00 | 30.3 | |
132 | Paper Lion (1968) | Football Movies & Alan Alda |
4.9 | 40.0 | 40.00 | 65 | 48 | 00 / 00 | 30.1 | |
131 | The Legend of Lylah Clare (1968) | Ernest Borgnine | 1.8 | 14.7 | 14.70 | 132 | 56 | 00 / 00 | 30.1 | |
132 | Assignment to Kill (1968) | 0.9 | 7.1 | 7.10 | 149 | 58 | 00 / 00 | 29.4 | ||
133 | Isabel (1968) | 1.8 | 14.7 | 14.70 | 133 | 55 | 00 / 00 | 29.3 | ||
135 | Fanny Hill (1968) | Shirley Corrigan | 3.4 | 28.2 | 28.20 | 84 | 51 | 00 / 00 | 28.7 | |
135 | The Hell With Heroes (1968) | Rod Taylor | 1.8 | 14.7 | 14.70 | 131 | 55 | 00 / 00 | 28.5 | |
137 | Daring Game (1968) | Lloyd Bridges | 0.5 | 4.4 | 4.40 | 164 | 58 | 00 / 00 | 27.9 | |
136 | The High Commissioner (1968) | Christopher Plummer | 1.3 | 10.7 | 14.20 | 142 | 56 | 00 / 00 | 27.8 | |
141 | A Flea In Her Ear (1968) | Rex Harrison | 1.9 | 15.3 | 15.30 | 123 | 54 | 00 / 00 | 27.0 | |
139 | Rogue's Gallery (1968) | Dennis Morgan | 0.8 | 6.2 | 6.20 | 154 | 57 | 00 / 00 | 27.0 | |
141 | The Magus (1968) | Michael Caine & Anthony Quinn |
2.9 | 23.5 | 23.50 | 97 | 51 | 00 / 00 | 26.2 | |
140 | If He Hollers Let Him Go! (1968) Limited Release |
Kevin McCarthy | 0.1 | 1.2 | 1.20 | 187 | 58 | 00 / 00 | 26.0 | |
144 | Stay Away, Joe (1968) | Elvis Presley & Joan Blondell |
4.3 | 35.3 | 35.30 | 69 | 47 | 00 / 00 | 25.7 | |
142 | A Black Veil for Lisa (1968) | 0.4 | 3.6 | 3.60 | 168 | 57 | 00 / 00 | 25.7 | ||
143 | The Crimson Cult (1968) | 0.4 | 2.9 | 2.90 | 173 | 57 | 00 / 00 | 24.9 | ||
148 | Maryjane (1968) | Fabian | 2.9 | 23.5 | 23.50 | 95 | 50 | 00 / 00 | 24.9 | |
147 | Don't Raise the Bridge, Lower the River (1968) | Jerry Lewis & Terry-Thomas |
3.1 | 25.9 | 25.90 | 91 | 49 | 00 / 00 | 24.8 | |
147 | Panice in The City (1968) | 1.8 | 14.4 | 14.40 | 137 | 53 | 00 / 00 | 24.6 | ||
149 | The Virgin President (1968) | 0.1 | 1.2 | 1.20 | 188 | 57 | 00 / 00 | 24.1 | ||
151 | Angels From Hell (1968) | Tom Stern | 3.6 | 29.4 | 29.40 | 82 | 48 | 00 / 00 | 24.0 | |
152 | Deadfall (1968) | 1.0 | 8.2 | 21.20 | 148 | 54 | 00 / 00 | 23.8 | ||
150 | Only When I Larf (1968) | 0.1 | 0.4 | 0.40 | 191 | 57 | 00 / 00 | 23.7 | ||
153 | Sol Madrid (1968) | Telly Salavas | 1.5 | 12.1 | 12.10 | 141 | 53 | 00 / 00 | 23.0 | |
154 | Emma Hamilton (1968) | 0.1 | 0.4 | 0.40 | 192 | 56 | 00 / 00 | 22.7 | ||
157 | Mayerling (1968) | James Mason & Ava Gardner |
2.6 | 21.2 | 21.20 | 107 | 49 | 00 / 00 | 22.1 | |
156 | A Place For Lovers (1968) | Faye Dunaway | 1.0 | 8.2 | 8.20 | 147 | 53 | 00 / 00 | 21.8 | |
155 | Before Winter Comes (1968) | David Niven | 0.3 | 2.5 | 2.50 | 175 | 55 | 00 / 00 | 21.1 | |
158 | Jigsaw (1968) Limited Release |
Hope Lange & Diana Hyland |
0.1 | 1.2 | 1.20 | 189 | 55 | 00 / 00 | 20.6 | |
158 | Skidoo (1968) | Mickey Rooney | 2.9 | 23.5 | 23.50 | 100 | 48 | 00 / 00 | 20.4 | |
158 | The Bamboo Saucer (1968) | Dan Duryea | 0.4 | 3.7 | 3.70 | 167 | 54 | 00 / 00 | 20.2 | |
160 | Kenner (1968) | 1.8 | 15.0 | 15.00 | 128 | 50 | 00 / 00 | 20.1 | ||
162 | Blue (1968) | 0.2 | 1.2 | 1.20 | 179 | 54 | 00 / 00 | 19.2 | ||
165 | The Mini-Skirt Mob (1968) | Jeremy Slate | 4.3 | 35.3 | 35.30 | 71 | 43 | 00 / 00 | 19.0 | |
162 | Great Catherine (1968) | 0.9 | 7.1 | 7.10 | 152 | 52 | 00 / 00 | 18.5 | ||
163 | In Enemy Country (1968) | Anthony Franciosa | 0.4 | 3.4 | 3.40 | 171 | 53 | 00 / 00 | 18.4 | |
164 | Assignment K (1968) | 0.7 | 5.9 | 5.90 | 157 | 52 | 00 / 00 | 17.9 | ||
166 | Tarzan and the Jungle Boy (1968) | Mike Henry | 1.5 | 12.3 | 12.30 | 140 | 49 | 00 / 00 | 17.3 | |
167 | A Man Called Gannon (1968) | Gavin MacLeod | 0.7 | 5.9 | 5.90 | 159 | 51 | 00 / 00 | 16.2 | |
168 | Inspector Clouseau (1968) | Alan Arkin | 1.9 | 15.3 | 15.30 | 124 | 48 | 00 / 00 | 16.1 | |
170 | The Bliss of Mrs. Blossom (1968) | Shirley MacLaine | 2.0 | 16.5 | 16.50 | 118 | 47 | 00 / 00 | 16.1 | |
171 | A Fine Pair (1968) | Rock Hudson & Claudia Cardinale |
2.6 | 21.2 | 21.20 | 106 | 46 | 00 / 00 | 16.0 | |
172 | 30 Is a Dangerous Age, Cynthia (1968) | Dudley Moore | 0.5 | 3.9 | 3.90 | 166 | 51 | 00 / 00 | 15.4 | |
172 | Attack On The Iron Coast (1968) | 0.7 | 5.9 | 5.90 | 158 | 50 | 00 / 00 | 14.7 | ||
173 | Find A Place To Die (1968) | 0.1 | 0.4 | 0.40 | 193 | 51 | 00 / 00 | 14.0 | ||
175 | Shalako (1968) | Sean Connery | 2.9 | 23.7 | 80.20 | 94 | 43 | 00 / 00 | 13.4 | |
174 | Submarine X-1 (1968) | James Caan | 2.3 | 18.8 | 18.80 | 111 | 45 | 00 / 00 | 13.3 | |
177 | Duffy (1968) | James Mason & James Coburn |
2.9 | 23.5 | 23.50 | 101 | 43 | 00 / 00 | 13.1 | |
176 | The Counterfeit Killer (1968) | Mercedes McCambridge | 0.7 | 6.0 | 6.00 | 156 | 48 | 00 / 00 | 12.3 | |
178 | The Girl on a Motorcycle/La motocyclette (1968) | 0.6 | 5.3 | 6.40 | 160 | 47 | 00 / 00 | 11.8 | ||
179 | House of Cards (1968) | Orson Welles & George Peppard |
1.8 | 14.7 | 14.70 | 129 | 44 | 00 / 00 | 11.1 | |
180 | Krakatoa: East of Java (1968) | Brian Keith | 1.8 | 14.5 | 14.50 | 135 | 42 | 01 / 00 | 10.2 | |
181 | The Last Roman (1968) | Laurence Harvey | 0.1 | 1.2 | 1.20 | 181 | 46 | 00 / 00 | 9.0 | |
182 | Journey to Shiloh (1968) | Harrison Ford & James Caan |
0.4 | 3.4 | 3.40 | 170 | 45 | 00 / 00 | 8.9 | |
183 | The Day the Hot Line Got Hot (1968) | 0.1 | 1.2 | 1.20 | 183 | 45 | 00 / 00 | 8.1 | ||
184 | Boom! (1968) | Elizabeth Taylor & Richard Burton |
5.7 | 47.0 | 47.00 | 58 | 31 | 00 / 00 | 8.1 | |
184 | The Green Slime (1968) | Richard Jaeckel | 0.9 | 7.1 | 7.10 | 150 | 43 | 00 / 00 | 7.7 | |
185 | Birds In Peru (1968) | 0.1 | 1.2 | 1.20 | 185 | 44 | 00 / 00 | 7.2 | ||
186 | The Biggest Bundle of Them All (1968) | Edward G. Robinson | 1.1 | 8.9 | 8.90 | 145 | 42 | 00 / 00 | 7.2 | |
187 | Arizona Bushwhackers (1968) | Howard Keel | 0.6 | 5.1 | 5.10 | 162 | 43 | 00 / 00 | 7.1 | |
189 | The Blood of Fu Manchu (1968) | 0.6 | 4.7 | 4.70 | 163 | 41 | 00 / 00 | 5.6 | ||
190 | Kona Coast (1968) | Joan Blondell | 1.9 | 15.4 | 15.40 | 121 | 38 | 00 / 00 | 5.5 | |
191 | Sexy Susie Sins Again (1968) | 0.0 | 0.4 | 0.40 | 194 | 40 | 00 / 00 | 3.9 | ||
192 | Madigan's Millions (1968) | Dustin Hoffman | 0.5 | 4.1 | 4.10 | 165 | 32 | 00 / 00 | 1.4 | |
193 | Voyage to the Planet of Prehistoric Women (1968) | 0.1 | 1.2 | 1.20 | 186 | 32 | 00 / 00 | 1.2 |
Top earners in 1968 for Adjusted USA Box Office:
Name | Number of Movies | Total Adj World Wide (mil) | Total Adj USA (mil) |
---|---|---|---|
Jacqueline Bisset | 3 | 634.8 | 634.8 |
Walter Matthau | 3 | 610.2 | 610.2 |
Robert Duvall | 2 | 599.5 | 599.5 |
Steve McQueen | 2 | 593.6 | 593.6 |
Henry Fonda | 5 | 556.4 | 556.4 |
Keir Dullea | 1 | 468.4 | 468.4 |
Roddy McDowall | 2 | 452.6 | 452.6 |
Omar Sharif | 2 | 452.0 | 452.0 |
Don Gordon | 1 | 446.7 | 446.7 |
Robert Vaughn | 1 | 446.7 | 446.7 |
Mia Farrow | 3 | 438.5 | 438.5 |
Walter Pidgeon | 1 | 430.8 | 430.8 |
Barbra Streisand | 1 | 430.8 | 430.8 |
Kay Medford | 1 | 430.8 | 430.8 |
Olivia Hussey | 1 | 410.8 | 410.8 |
Michael York | 1 | 410.8 | 410.8 |
James Whitmore | 4 | 404.0 | 404.0 |
Hugh Griffith | 2 | 400.3 | 400.3 |
Jack Wild | 1 | 395.0 | 395.0 |
Ron Moody | 1 | 395.0 | 395.0 |
Oliver Reed | 1 | 395.0 | 395.0 |
Charlton Heston | 2 | 370.3 | 370.3 |
John Cassavetes | 2 | 370.3 | 370.3 |
Kim Hunter | 2 | 367.9 | 367.9 |
Jack Lemmon | 1 | 366.4 | 366.4 |
My Main Sources
Source 1: Variety – January 4th, 1968, January 7th, 1969
Source 2: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 3: Wikipedia
Source 4: IMDb.com
Source 5: BoxOfficeMojo.com
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Hi Mr. Cogerson,
Please review the following changes and additions to the year 1968.
1968
The Monitors (1968).IMDB states this was made in 1969. Should this be changed?
The Monitors (1969)
Who’s That Knocking at My Door? (1968).MDB states this was made in 1967. Should this be changed?
Who’s That Knocking at My Door (1967)
Navajo Joe (1968).MDB states this was made in 1966. Should this be changed?
Navajo Joe (1966)
typo
Panice in The City (1968)
Panic in The City (1968)
1968 Vixen! $8 million wikipedia-source-King of the Nudies on Biggest Film Caper Yet Thomas, Kevin. Los Angeles Times 30 Nov 1969: s18.
1968 The Killing of Sister George $5,325,000 wikipedia-source-ABC’s 5 Years of Film Production Profits & Losses”. Variety. 31 May 1973. p. 3.
1968 The Bride Wore Black $9.6 million wikipedia-source- Data for “La Mariée était en noir” jpbox-office.com, accessed 5 January 2019
1968 Hour of the Wolf $250,000 (U.S wikipedia-source-Balio 1987, p. 231.
1968 Shame $250,000 (U.S wikipedia-source-Balio 1987, p. 231.
1968 Je t’aime, je t’aime $3 million wikipedia-source-Je t\’aime, je t\’aime (1968)- JPBox-Office”. Retrieved 1 February 2016.
Thx
Mike
Hey Mike..I will check these suggestions out. Thanks for the research on these 1968 movies.
As it always does word of that got out and other supervisors who were furious at me for setting a precedent asked me why I hadn’t just approved the report with an explanatory note about the halfpenny. I retorted that employees had to be taught a lesson that would keep them “on their toes” and that is how I became known throughout Government departments as The Halfpenny Man.
All that was as said half a century ago and since then I have waited for a kindred spirit to come along. I think I may have found him because I see that there is now a guy on this site who seems to be working hard to earn him self the nickname of The Comma Man.
You will note how what I have written here and in Part One is comma free. I could have filled the passages with not just commas but colons and semi colons but note how not being weighed down with punctuation allows the narrative to briskly canter along at a nice merry pace. A lot of stuff written by that Hirschhorn chappie and quoted on this site like something from Moses’ Ten Commandments has too may commas in it for my liking. There is no need for half ot them.
Long may The Comma Man continue as he is doing though so that we can keep that Work Horse character “on his toes”. My goodness -The Work Horse and The Halfpenny Man and The Comma Man – we sound like a group who are “-off to see The Wizard. The wonderful Wizard of oz!”
I like the story of the Halfpenny Man. Thanks for sharing it Bob. I like your final part of the comment…..Oz 2 it could be called….lol.
MY GOODNESS WORK HORSE! – I wrote that post way back in Feb so I’m surprised that true to the ethos of the Cogerson site you haven’t adjusted the title for inflation!
Anyone reading this will probably say why is he called The Halfpenny Man. Halfpennies no longer exist but they did half a century ago when my story begins though being just one fortieth of a British pound in cash they were negligible even then.
I was a supervisor in a Government department back then and I controlled a £50 million budget and one of your regulars on this site worked under my control. I respect his privacy so I will refer to him as just X.
Each year X had to prepare for me a statement of how the £50 million was spent and it usually took him a couple of days to do that because it had to be handwritten as there were no spreadsheets and computers etc about in those days.
One year X duly submitted his report which came to $48 million and one halfpenny but X had left out the halfpenny in the opening section of the report so that subsequent sections and subsections were all a halfpenny out in domino style.
Other supervisors would simply have accepted the report and scribbled at the bottom of it something like “figures halfpenny out all through – but approved.” However I insisted that your poor X rewrite the entire report with the halfpenny included at each stage and that took him another two days.
Continued in Part 2
Arizona Buschwhackers
should be
Arizona Bushwhackers
30 Is a Dangerous Age Cynthia
Should be
30 Is a Dangerous Age, Cynthia
Hey Sidney…..our comma error strikes again….looking to get this issue fixed in the near future. Good eye as always.