Finding box office information for movies made before 1980 is not an easy task. For somebody looking for box office information on 1969 it is very very frustrating. Over the years, we have researched and collected information on over 36,000 movies. So we figured we would show all the 1969 movies in our database.
To make this list a movie had to be made in 1969. This page will looks at 123 1969 Top Box Office Movies. The movies are listed in a massive table that lets you rank the movies from Best to Worst in six different sortable columns of information. This only represents about 33% of the movies made in 1969….but should cover the top box office movies.
Our UMR Top 50 of 1969
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1969
Midnight Cowboy (1969)
AA Best Picture Win
1969
Z (1969)
AA Best Picture Nom
1969
Butch Cassidy and the Sundance Kid (1969)
AA Best Picture Nom
1969
Easy Rider (1969)
1969
True Grit (1969)
1969
Hello, Dolly! (1969)
AA Best Picture Nom
1969
Cactus Flower (1969)
1969
Bob & Carol & Ted & Alice (1969)
1969
The Love Bug (1969)
1969
Goodbye, Columbus (1969)
1969
They Shoot Horses, Don't They? (1969)
1969
Anne of the Thousand Days (1969)
AA Best Picture Nom
1969
The Wild Bunch (1969)
1969
On Her Majesty's Secret Service (1969)
1969
The Reivers (1969)
1969
A Boy Named Charlie Brown (1969)
1969
Paint Your Wagon (1969)
1969
Alice's Restaurant (1969)
1969
Women in Love (1969)
1969
Support Your Local Sheriff! (1969)
1969
The Sterile Cuckoo (1969)
1969
Winning (1969)
1969
The April Fools (1969)
1969
The Prime of Miss Jean Brodie (1969)
1969
Take the Money and Run (1969)
1969
The Italian Job (1969)
1969
The Secret of Santa Vittoria (1969)
1969
The Computer Wore Tennis Shoes (1969)
1969
Downhill Racer (1969)
1969
Last Summer (1969)
1969
The Undefeated (1969)
1969
Marooned (1969)
1969
The Passion Of Anna (1969)
1969
Let It Be (1969)
1969
Me, Natalie (1969)
1969
Goodbye, Mr. Chips (1969)
1969
Angel In My Pocket (1969)
1969
The Learning Tree (1969)
1969
The Damned (1969)
1969
The Stewardesses (1969)
1969
Topaz (1969)
1969
If It's Tuesday, This Must Be Belgium (1969)
1969
Medium Cool (1969)
1969
Battle of Britain (1969)
1969
Burn! (1969)
1969
The Sicilian Clan (1969)
1969
Army Of Shadows (1969)
1969
My Side of the Mountain (1969)
1969
Popi (1969)
1969
Oh! What a Lovely War (1969)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1969 | Midnight Cowboy (1969) AA Best Picture Win |
||
1969 | Z (1969) AA Best Picture Nom |
||
1969 | Butch Cassidy and the Sundance Kid (1969) AA Best Picture Nom |
||
1969 | Easy Rider (1969) | ||
1969 | True Grit (1969) | ||
1969 | Hello, Dolly! (1969) AA Best Picture Nom |
||
1969 | Cactus Flower (1969) | ||
1969 | Bob & Carol & Ted & Alice (1969) | ||
1969 | The Love Bug (1969) | ||
1969 | Goodbye, Columbus (1969) | ||
1969 | They Shoot Horses, Don't They? (1969) | ||
1969 | Anne of the Thousand Days (1969) AA Best Picture Nom |
||
1969 | The Wild Bunch (1969) | ||
1969 | On Her Majesty's Secret Service (1969) | ||
1969 | The Reivers (1969) | ||
1969 | A Boy Named Charlie Brown (1969) | ||
1969 | Paint Your Wagon (1969) | ||
1969 | Alice's Restaurant (1969) | ||
1969 | Women in Love (1969) | ||
1969 | Support Your Local Sheriff! (1969) | ||
1969 | The Sterile Cuckoo (1969) | ||
1969 | Winning (1969) | ||
1969 | The April Fools (1969) | ||
1969 | The Prime of Miss Jean Brodie (1969) | ||
1969 | Take the Money and Run (1969) | ||
1969 | The Italian Job (1969) | ||
1969 | The Secret of Santa Vittoria (1969) | ||
1969 | The Computer Wore Tennis Shoes (1969) | ||
1969 | Downhill Racer (1969) | ||
1969 | Last Summer (1969) | ||
1969 | The Undefeated (1969) | ||
1969 | Marooned (1969) | ||
1969 | The Passion Of Anna (1969) | ||
1969 | Let It Be (1969) | ||
1969 | Me, Natalie (1969) | ||
1969 | Goodbye, Mr. Chips (1969) | ||
1969 | Angel In My Pocket (1969) | ||
1969 | The Learning Tree (1969) | ||
1969 | The Damned (1969) | ||
1969 | The Stewardesses (1969) | ||
1969 | Topaz (1969) | ||
1969 | If It's Tuesday, This Must Be Belgium (1969) | ||
1969 | Medium Cool (1969) | ||
1969 | Battle of Britain (1969) | ||
1969 | Burn! (1969) | ||
1969 | The Sicilian Clan (1969) | ||
1969 | Army Of Shadows (1969) | ||
1969 | My Side of the Mountain (1969) | ||
1969 | Popi (1969) | ||
1969 | Oh! What a Lovely War (1969) |
1969 Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort 1969 Movies by movie titles and movie trailers
- Sort 1969 Movies by the stars or in some cases the director of the movie.
- Sort 1969 Movies by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort 1969 Movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each 1969 Movies received and how many Oscar® wins each 1969 Movies received.
- Sort 1969 Movies by Ultimate Movie Ranking Score (UMR). Our UMR score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Midnight Cowboy (1969) AA Best Picture Win |
Dustin Hoffman & Jon Voight |
58.6 | 444.6 | 444.60 | 2 | 85 | 07 / 03 | 99.9 | |
2 | Z (1969) AA Best Picture Nom |
Directed by Costa-Gavras | 27.3 | 207.4 | 207.40 | 11 | 86 | 05 / 02 | 99.5 | |
3 | Butch Cassidy and the Sundance Kid (1969) AA Best Picture Nom |
Paul Newman & Robert Redford |
100.1 | 760.0 | 931.40 | 1 | 79 | 07 / 04 | 99.3 | |
4 | Easy Rider (1969) | Jack Nicholson & Peter Fonda |
54.6 | 414.3 | 414.30 | 3 | 86 | 02 / 00 | 98.6 | |
5 | True Grit (1969) | John Wayne & Robert Duvall |
40.7 | 309.1 | 309.10 | 7 | 81 | 02 / 01 | 98.1 | |
6 | Hello, Dolly! (1969) AA Best Picture Nom |
Barbra Streisand & Walter Matthau |
43.4 | 329.7 | 329.70 | 5 | 66 | 07 / 03 | 97.7 | |
7 | Cactus Flower (1969) | Goldie Hawn & Ingrid Bergman |
33.9 | 257.0 | 257.00 | 9 | 76 | 01 / 01 | 97.0 | |
8 | Bob & Carol & Ted & Alice (1969) | Dyan Cannon & Natalie Wood |
41.7 | 316.7 | 316.70 | 6 | 67 | 04 / 00 | 95.2 | |
9 | The Love Bug (1969) | Dean Jones | 51.3 | 389.2 | 389.20 | 4 | 68 | 00 / 00 | 94.8 | |
10 | Goodbye, Columbus (1969) | Richard Benjamin & Ali MacGraw |
30.0 | 227.7 | 227.70 | 10 | 67 | 01 / 00 | 94.7 | |
11 | They Shoot Horses, Don't They? (1969) | Jane Fonda & Gig Young |
16.9 | 128.0 | 128.00 | 20 | 81 | 09 / 01 | 94.4 | |
12 | Anne of the Thousand Days (1969) AA Best Picture Nom |
Richard Burton & Genevieve Bujold |
17.3 | 131.4 | 131.40 | 17 | 72 | 10 / 01 | 94.0 | |
13 | The Wild Bunch (1969) | William Holden & Ernest Borgnine |
15.1 | 115.0 | 115.00 | 21 | 89 | 02 / 00 | 93.4 | |
14 | On Her Majesty's Secret Service (1969) | Diana Rigg & Telly Savalas |
22.8 | 172.9 | 622.30 | 13 | 70 | 00 / 00 | 92.9 | |
15 | The Reivers (1969) | Rupert Crosse & Steve McQueen |
24.3 | 184.4 | 184.40 | 12 | 58 | 02 / 00 | 90.7 | |
16 | A Boy Named Charlie Brown (1969) | Peter Robbins | 17.1 | 130.1 | 130.10 | 19 | 75 | 01 / 00 | 90.2 | |
17 | Paint Your Wagon (1969) | Clint Eastwood & Lee Marvin |
40.0 | 303.7 | 303.70 | 8 | 50 | 01 / 00 | 89.4 | |
18 | Alice's Restaurant (1969) | Directed by Arthur Penn | 18.3 | 139.1 | 139.10 | 16 | 63 | 01 / 00 | 87.0 | |
19 | Women in Love (1969) | Glenda Jackson | 8.4 | 63.4 | 63.40 | 34 | 81 | 04 / 01 | 86.3 | |
20 | Support Your Local Sheriff! (1969) | James Garner & Walter Brennan |
14.7 | 111.4 | 111.40 | 22 | 70 | 00 / 00 | 85.9 | |
21 | The Sterile Cuckoo (1969) | Liza Minnelli | 14.0 | 106.1 | 106.10 | 24 | 69 | 00 / 00 | 84.8 | |
22 | Winning (1969) | Paul Newman & Joanne Woodward |
19.2 | 145.4 | 145.40 | 15 | 54 | 00 / 00 | 83.8 | |
23 | The April Fools (1969) | Jack Lemmon & Myrna Loy |
14.3 | 108.5 | 108.50 | 23 | 65 | 00 / 00 | 83.5 | |
24 | The Prime of Miss Jean Brodie (1969) | Maggie Smith | 5.7 | 43.4 | 43.40 | 48 | 82 | 02 / 01 | 83.0 | |
25 | Take the Money and Run (1969) | Woody Allen | 7.4 | 56.2 | 56.20 | 37 | 79 | 00 / 00 | 82.1 | |
26 | The Italian Job (1969) | Michael Caine | 6.6 | 49.9 | 49.90 | 41 | 79 | 00 / 00 | 81.1 | |
27 | The Secret of Santa Vittoria (1969) | Anthony Quinn & Anna Magnani |
7.7 | 58.6 | 58.60 | 36 | 75 | 02 / 00 | 81.0 | |
28 | The Computer Wore Tennis Shoes (1969) | Kurt Russell | 17.1 | 130.1 | 130.10 | 18 | 53 | 00 / 00 | 80.4 | |
29 | Downhill Racer (1969) | Gene Hackman & Robert Redford |
5.5 | 41.8 | 41.80 | 49 | 80 | 00 / 00 | 79.7 | |
30 | Last Summer (1969) | Catherine Burns | 8.6 | 65.1 | 65.10 | 32 | 71 | 00 / 00 | 78.7 | |
31 | The Undefeated (1969) | John Wayne & Rock Hudson |
11.4 | 86.8 | 86.80 | 28 | 61 | 00 / 00 | 76.4 | |
32 | Marooned (1969) | Gregory Peck & Gene Hackman |
12.4 | 94.4 | 94.40 | 25 | 54 | 03 / 01 | 76.0 | |
33 | The Passion Of Anna (1969) | 1.0 | 7.9 | 7.90 | 133 | 83 | 00 / 00 | 73.8 | ||
34 | Let It Be (1969) | 1.0 | 7.8 | 7.80 | 134 | 81 | 01 / 01 | 73.4 | ||
35 | Me, Natalie (1969) | Al Pacino | 5.4 | 41.2 | 41.20 | 50 | 72 | 00 / 00 | 72.9 | |
36 | Goodbye, Mr. Chips (1969) | Peter O'Toole & Siân Phillips |
2.9 | 21.7 | 21.70 | 76 | 76 | 02 / 00 | 72.2 | |
38 | Angel In My Pocket (1969) | Andy Griffith & Jerry Van Dyke |
5.1 | 39.0 | 39.00 | 54 | 72 | 00 / 00 | 72.1 | |
37 | The Learning Tree (1969) | Kyle Johnson | 4.3 | 32.5 | 32.50 | 57 | 74 | 00 / 00 | 72.1 | |
39 | The Damned (1969) | Dirk Borgard | 3.4 | 26.0 | 26.00 | 62 | 75 | 01 / 00 | 71.9 | |
40 | The Stewardesses (1969) | Christina Hart | 19.7 | 149.2 | 149.20 | 14 | 37 | 00 / 00 | 71.9 | |
42 | Topaz (1969) | Directed by Alfred Hitchcock | 11.0 | 83.3 | 83.30 | 29 | 57 | 00 / 00 | 71.4 | |
41 | If It's Tuesday, This Must Be Belgium (1969) | Suzanne Pleshette & Ian McShane |
8.6 | 65.1 | 65.10 | 33 | 63 | 00 / 00 | 71.4 | |
43 | Medium Cool (1969) | Robert Forster | 2.9 | 21.7 | 21.70 | 72 | 76 | 00 / 00 | 71.1 | |
44 | Battle of Britain (1969) | Michael Caine & Robert Shaw |
5.7 | 43.4 | 43.40 | 44 | 69 | 00 / 00 | 71.0 | |
45 | Burn! (1969) | Marlon Brando | 2.7 | 20.8 | 20.80 | 80 | 76 | 00 / 00 | 70.0 | |
46 | The Sicilian Clan (1969) | Alain Delon | 3.4 | 26.0 | 106.30 | 63 | 74 | 00 / 00 | 69.8 | |
47 | Army Of Shadows (1969) | 0.1 | 1.1 | 1.10 | 171 | 81 | 00 / 00 | 69.1 | ||
48 | My Side of the Mountain (1969) | Theodore Bikel | 5.7 | 43.4 | 43.40 | 45 | 67 | 00 / 00 | 67.7 | |
49 | Popi (1969) | Alan Arkin | 5.7 | 43.4 | 43.40 | 47 | 67 | 00 / 00 | 67.7 | |
50 | Oh! What a Lovely War (1969) | Laurence Olivier & John Gielgud |
2.9 | 21.7 | 21.70 | 75 | 73 | 00 / 00 | 67.1 | |
51 | Fellini Satyricon (1969) | Directed by Frederico Fellini | 4.0 | 30.4 | 30.40 | 58 | 69 | 01 / 00 | 66.8 | |
53 | John and Mary (1969) | Dustin Hoffman | 12.0 | 91.1 | 91.10 | 26 | 51 | 00 / 00 | 66.5 | |
52 | Sweet Charity (1969) | Shirley MacLaine | 3.1 | 23.9 | 23.90 | 68 | 69 | 03 / 00 | 66.1 | |
54 | The Arrangement (1969) | Kirk Douglas & Faye Dunaway |
11.4 | 86.8 | 86.80 | 27 | 52 | 00 / 00 | 66.0 | |
55 | MacKenna's Gold (1969) | Gregory Peck & Edward G. Robinson |
8.9 | 67.2 | 67.20 | 31 | 57 | 00 / 00 | 64.5 | |
56 | The Bridge at Remagen (1969) | George Segal | 4.6 | 34.7 | 34.70 | 55 | 67 | 00 / 00 | 64.0 | |
59 | 100 Rifles (1969) | Burt Reynolds & Raquel Welch |
10.0 | 75.9 | 75.90 | 30 | 52 | 00 / 00 | 61.7 | |
57 | The Red Tent (1969) | Sean Connery | 2.0 | 15.0 | 15.00 | 100 | 71 | 00 / 00 | 61.7 | |
58 | The Brain (1969) | 2.1 | 16.3 | 120.60 | 96 | 71 | 00 / 00 | 61.3 | ||
60 | Rascal (1969) | Walter Pidgeon | 5.7 | 43.4 | 43.40 | 46 | 61 | 00 / 00 | 59.8 | |
61 | The Battle Of Neretva (1969) | Orson Welles & Yul Brynner |
1.7 | 13.0 | 13.00 | 113 | 70 | 01 / 00 | 59.4 | |
63 | The Night of the Following Day (1969) | Marlon Brando & Richard Boone |
2.7 | 20.6 | 20.60 | 82 | 67 | 00 / 00 | 58.2 | |
62 | The Rain People (1969) | Robert Duvall & James Caan |
1.6 | 12.1 | 12.10 | 116 | 70 | 00 / 00 | 58.2 | |
64 | Mississippi Mermaid (1969) | 0.5 | 3.8 | 68.30 | 159 | 72 | 00 / 00 | 57.2 | ||
65 | What Ever Happened to Aunt Alice? (1969) | Geraldine Page & Ruth Gordon |
3.2 | 24.3 | 24.30 | 67 | 66 | 00 / 00 | 57.1 | |
66 | The Happy Ending (1969) | Jean Simmons | 1.8 | 13.3 | 13.30 | 112 | 66 | 02 / 00 | 55.0 | |
67 | The Assassination Bureau (1969) | 1.8 | 13.6 | 13.60 | 110 | 68 | 00 / 00 | 54.8 | ||
69 | Daddy's Gone A-Hunting (1969) | John Williams | 8.3 | 62.9 | 62.90 | 35 | 52 | 00 / 00 | 54.2 | |
68 | Death of a Gunfighter (1969) | Richard Widmark | 2.6 | 19.5 | 19.50 | 84 | 65 | 00 / 00 | 53.8 | |
70 | Marlowe (1969) | James Garner & Bruce Lee |
2.8 | 21.1 | 21.10 | 78 | 65 | 00 / 00 | 53.6 | |
73 | The Chairman (1969) | Gregory Peck & Anne Heywood |
7.1 | 54.2 | 54.20 | 38 | 54 | 00 / 00 | 52.9 | |
72 | Those Daring Young Men in Their Jaunty Jalopies (1969) | Tony Curtis | 3.2 | 24.4 | 24.40 | 66 | 63 | 00 / 00 | 52.8 | |
71 | Hannibal Brooks (1969) | 0.9 | 6.8 | 6.80 | 141 | 69 | 00 / 00 | 52.7 | ||
74 | Tell Them Willie Boy Is Here (1969) | Robert Redford | 6.9 | 52.3 | 52.30 | 40 | 54 | 00 / 00 | 52.4 | |
75 | Gaily, Gaily (1969) | Brian Keith | 2.9 | 21.7 | 21.70 | 71 | 61 | 03 / 00 | 51.1 | |
76 | Trilogy (1969) | Geraldine Page & Conrad L. Hall |
0.5 | 3.6 | 3.60 | 161 | 69 | 00 / 00 | 50.6 | |
77 | The Valley of Gwangi (1969) | Ray Harryhausen | 1.9 | 14.1 | 14.10 | 108 | 65 | 00 / 00 | 50.2 | |
78 | The Swimming Pool/La piscine (1969) | 2.3 | 17.8 | 103.90 | 93 | 63 | 00 / 00 | 48.7 | ||
79 | Hamlet (1969) | Anthony Hopkins & Nicol Williamson |
0.9 | 6.5 | 6.50 | 144 | 67 | 00 / 00 | 48.2 | |
80 | Play Dirty (1969) | Michael Caine | 1.4 | 10.8 | 10.80 | 126 | 65 | 00 / 00 | 48.1 | |
81 | The Comic (1969) | Mickey Rooney & Dick Van Dyke |
2.1 | 16.3 | 16.30 | 95 | 63 | 00 / 00 | 47.6 | |
82 | The Lost Man (1969) | Sidney Poitier | 5.3 | 40.1 | 40.10 | 52 | 56 | 00 / 00 | 47.4 | |
83 | Alfred The Great (1969) | Ian McKellen | 0.6 | 4.3 | 4.30 | 157 | 67 | 00 / 00 | 46.9 | |
84 | The Magic Christian (1969) | Peter Sellers | 2.0 | 15.2 | 15.20 | 98 | 63 | 00 / 00 | 46.9 | |
85 | Pendulum (1969) | George Peppard | 1.5 | 11.3 | 11.30 | 121 | 64 | 00 / 00 | 46.5 | |
86 | Charro! (1969) | Elvis Presley | 3.9 | 29.8 | 29.80 | 59 | 58 | 00 / 00 | 46.2 | |
87 | The Dance of Death (1969) | Laurence Olivier & Robert Lang |
0.3 | 2.2 | 2.20 | 169 | 67 | 00 / 00 | 45.5 | |
88 | Generation (1969) | 1.9 | 14.3 | 14.30 | 101 | 63 | 00 / 00 | 45.4 | ||
89 | Che! (1969) | Jack Palance | 7.1 | 54.2 | 54.20 | 39 | 50 | 00 / 00 | 45.3 | |
90 | The Love God? (1969) | Don Knotts | 1.9 | 14.1 | 14.10 | 105 | 62 | 00 / 00 | 44.0 | |
91 | Smith! (1969) | Glenn Ford & Warren Oates |
3.7 | 28.2 | 28.20 | 61 | 58 | 00 / 00 | 43.9 | |
92 | Age of Consent (1969) | James Mason & Helen Mirren |
2.6 | 19.5 | 19.50 | 86 | 60 | 00 / 00 | 43.4 | |
93 | Viva Max (1969) | Peter Ustinov | 2.7 | 20.7 | 20.70 | 81 | 60 | 00 / 00 | 43.3 | |
94 | A Walk with Love and Death (1969) | Directed by John Huston | 1.9 | 14.1 | 14.10 | 106 | 62 | 00 / 00 | 43.2 | |
95 | Number One (1969) | Charlton Heston & Bruce Dern |
2.9 | 21.7 | 21.70 | 73 | 59 | 00 / 00 | 41.9 | |
98 | Justine (1969) | George Cukor | 6.3 | 47.7 | 47.70 | 42 | 50 | 00 / 00 | 41.2 | |
96 | The Royal Hunt of the Sun (1969) | Christopher Plummer & Robert Shaw |
0.6 | 4.3 | 4.30 | 156 | 64 | 00 / 00 | 41.1 | |
97 | A Touch of Love (1969) | Sandy Dennis & Ian McKellan |
0.9 | 7.2 | 7.20 | 136 | 63 | 00 / 00 | 41.0 | |
99 | Pit Stop (1969) | Brian Donlevy | 0.1 | 0.4 | 0.40 | 172 | 65 | 00 / 00 | 40.4 | |
100 | Laughter in the Dark (1969) | Nicol Williamson | 0.8 | 5.9 | 5.90 | 147 | 63 | 00 / 00 | 39.6 | |
101 | Castle Keep (1969) | Burt Lancaster & Bruce Dern |
5.1 | 39.0 | 39.00 | 53 | 52 | 00 / 00 | 38.4 | |
102 | That Cold Day In The Park (1969) | Sandy Dennis & Directed by Robert Altman |
1.6 | 11.9 | 11.90 | 119 | 60 | 00 / 00 | 38.0 | |
103 | Hello Down There (1969) | Richard Dreyfuss & Janet Leigh |
2.6 | 19.5 | 19.50 | 83 | 58 | 00 / 00 | 37.8 | |
104 | The Oblong Box (1969) | Vincent Price & Christopher Lee |
2.9 | 22.1 | 22.10 | 70 | 57 | 00 / 00 | 37.3 | |
105 | Run Wild, Run Free (1969) | 0.6 | 4.9 | 4.90 | 152 | 62 | 00 / 00 | 36.7 | ||
106 | Three Into Two Won't Go (1969) | 0.7 | 5.6 | 5.60 | 148 | 61 | 00 / 00 | 35.9 | ||
107 | The Trouble with Girls (1969) | Elvis Presley & Vincent Price |
2.7 | 20.9 | 20.90 | 79 | 56 | 00 / 00 | 35.8 | |
108 | The Bed Sitting Room (1969) | Dudley Moore | 0.7 | 5.0 | 5.00 | 151 | 61 | 00 / 00 | 34.3 | |
109 | Hard Contract (1969) | James Coburn & Lee Remick |
2.0 | 15.2 | 15.20 | 99 | 57 | 00 / 00 | 33.7 | |
110 | Machine Gun McCain (1969) | Peter Falk | 1.3 | 9.8 | 9.80 | 128 | 59 | 00 / 00 | 33.0 | |
111 | How To Commit Marriage (1969) | Bob Hope | 2.9 | 21.7 | 21.70 | 74 | 55 | 00 / 00 | 32.6 | |
112 | Eye of the Cat (1969) | Eleanor Parker | 3.4 | 26.0 | 26.00 | 64 | 53 | 00 / 00 | 32.3 | |
113 | More Dead Than Alive (1969) | 0.4 | 3.3 | 3.30 | 163 | 60 | 00 / 00 | 31.7 | ||
114 | From Nashville with Music (1969) | 0.4 | 3.3 | 3.30 | 164 | 60 | 00 / 00 | 31.7 | ||
117 | Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969) | Anthony Newley & Joan Collins |
6.0 | 45.5 | 45.50 | 43 | 47 | 00 / 00 | 31.6 | |
116 | Boot Hill (1969) | 0.9 | 6.8 | 6.80 | 142 | 59 | 00 / 00 | 31.2 | ||
115 | Super Colt 38 (1969) | 0.0 | 0.2 | 0.20 | 175 | 61 | 00 / 00 | 31.1 | ||
118 | Heaven With A Gun (1969) | 0.9 | 6.6 | 6.60 | 143 | 59 | 00 / 00 | 30.8 | ||
119 | Grimm's Fairy Tales For Adults (1969) | Marie Liljedahl | 3.1 | 23.9 | 23.90 | 69 | 53 | 00 / 00 | 30.1 | |
120 | Hell's Angels '69 (1969) | Tom Stern | 3.4 | 26.0 | 26.00 | 65 | 52 | 00 / 00 | 29.4 | |
121 | Staircase (1969) | Richard Burton & Rex Harrison |
5.3 | 40.1 | 40.10 | 51 | 47 | 00 / 00 | 29.4 | |
122 | The Appointment (1969) | Sidney Lumet | 0.9 | 7.0 | 7.00 | 138 | 57 | 00 / 00 | 28.5 | |
123 | Horror House (1969) | 2.3 | 17.8 | 17.80 | 92 | 54 | 00 / 00 | 28.4 | ||
124 | Midas Run (1969) | Fred Astaire & Roddy McDowall |
0.9 | 6.5 | 10.80 | 145 | 57 | 00 / 00 | 28.2 | |
125 | Out Of It (1969) | 0.9 | 7.0 | 7.00 | 140 | 57 | 00 / 00 | 27.6 | ||
126 | The Gypsy Moths (1969) | Gene Hackman & Burt Lancaster |
1.6 | 11.9 | 11.90 | 117 | 55 | 00 / 00 | 26.9 | |
127 | Childish Things (1969) | Don Murray | 0.4 | 2.7 | 2.70 | 168 | 58 | 00 / 00 | 26.9 | |
129 | Target: Harry (1969) | 1.8 | 13.5 | 13.50 | 111 | 54 | 00 / 00 | 26.0 | ||
128 | Love Is a Funny Thing (1969) | 1.0 | 7.6 | 54.00 | 135 | 56 | 00 / 00 | 26.0 | ||
130 | The Illustrated Man (1969) | Rod Steiger | 0.9 | 7.1 | 7.10 | 137 | 56 | 00 / 00 | 25.8 | |
131 | Hook, Line and Sinker (1969) | Jerry Lewis & Peter Lawford |
1.6 | 12.3 | 12.30 | 114 | 54 | 00 / 00 | 25.1 | |
132 | Guns of the Magnificent Seven (1969) | George Kennedy | 1.6 | 11.9 | 11.90 | 120 | 54 | 00 / 00 | 24.9 | |
133 | Don't Drink The Water (1969) | Woody Allen | 0.4 | 3.3 | 3.30 | 165 | 56 | 00 / 00 | 24.3 | |
134 | The Great Bank Robbery (1969) | Kim Novak | 4.3 | 32.5 | 32.50 | 56 | 47 | 00 / 00 | 24.0 | |
135 | La Promesse/Secret World (1969) | 2.4 | 17.9 | 17.90 | 90 | 51 | 00 / 00 | 23.8 | ||
136 | Once You Kiss a Stranger... (1969) | Carol Lynley | 0.6 | 4.7 | 4.70 | 154 | 55 | 00 / 00 | 22.6 | |
137 | In Search of Gregory (1969) | Julie Christie | 1.9 | 14.1 | 14.10 | 104 | 52 | 00 / 00 | 22.3 | |
138 | The Christmas Tree (1969) | William Holden & Virna Lisi |
1.3 | 10.1 | 10.10 | 127 | 52 | 00 / 00 | 20.9 | |
139 | The Good Guys and the Bad Guys (1969) | Robert Mitchum | 2.4 | 18.4 | 18.40 | 89 | 49 | 00 / 00 | 20.4 | |
140 | The Thousand Plane Raid (1969) | 0.9 | 7.0 | 7.00 | 139 | 53 | 00 / 00 | 20.3 | ||
141 | 80 Steps to Jonah (1969) | Mickey Rooney | 0.6 | 4.6 | 4.60 | 155 | 53 | 00 / 00 | 18.7 | |
142 | Uncle Tom's Fairy Tales (1969) | Richard Pryor | 0.0 | 0.2 | 0.20 | 177 | 54 | 00 / 00 | 18.4 | |
143 | Young Billy Young (1969) | Robert Mitchum | 2.6 | 19.5 | 19.50 | 85 | 48 | 00 / 00 | 18.1 | |
144 | Jeff (1969) | 1.1 | 8.2 | 30.40 | 132 | 51 | 00 / 00 | 18.0 | ||
145 | The Women/Les femmes (1969) | 0.5 | 3.8 | 4.40 | 158 | 52 | 00 / 00 | 17.0 | ||
146 | Mafia Mob (1969) | 0.0 | 0.2 | 0.20 | 178 | 53 | 00 / 00 | 17.0 | ||
147 | The Big Bounce (1969) | Van Heflin | 2.1 | 16.2 | 16.20 | 97 | 48 | 00 / 00 | 16.3 | |
148 | It Takes All Kinds (1969) | 1.2 | 9.4 | 9.40 | 129 | 49 | 00 / 00 | 15.9 | ||
149 | Lock Up Your Daughters! (1969) | Christopher Plummer | 2.4 | 18.5 | 18.50 | 88 | 46 | 00 / 00 | 15.5 | |
150 | Riot (1969) | Gene Hackman | 3.7 | 28.2 | 28.20 | 60 | 42 | 00 / 00 | 14.2 | |
151 | The File of the Golden Goose (1969) | Yul Brynner | 1.5 | 11.2 | 11.20 | 122 | 47 | 00 / 00 | 13.9 | |
152 | Angel, Angel, Down We Go (1969) | Jennifer Jones & Roddy McDowall |
1.4 | 10.9 | 10.90 | 124 | 47 | 00 / 00 | 12.8 | |
153 | Sam Whiskey (1969) | Burt Reynolds | 2.4 | 17.9 | 17.90 | 91 | 44 | 00 / 00 | 12.6 | |
154 | Where It's At (1969) | 1.9 | 14.2 | 14.20 | 103 | 45 | 00 / 00 | 12.4 | ||
155 | The Picasso Summer (1969) | Albert Finney | 0.7 | 5.4 | 5.40 | 150 | 48 | 00 / 00 | 12.2 | |
156 | Sinful Davy (1969) | John Hurt & John Huston |
1.6 | 11.9 | 11.90 | 118 | 45 | 00 / 00 | 11.8 | |
157 | Slaves (1969) | Gale Sondergaard | 0.0 | 0.2 | 0.20 | 176 | 49 | 00 / 00 | 11.6 | |
158 | Flareup (1969) | Raquel Welch | 0.7 | 5.5 | 5.50 | 149 | 47 | 00 / 00 | 11.0 | |
159 | The First Time (1969) | Jacqueline Bisset | 1.8 | 13.6 | 13.60 | 109 | 43 | 00 / 00 | 10.2 | |
160 | The Monitors (1969) | Alan Arkin | 0.5 | 3.8 | 3.80 | 160 | 46 | 00 / 00 | 9.6 | |
161 | Some Kind of a Nut (1969) | Dick Van Dyke | 2.4 | 18.5 | 18.50 | 87 | 41 | 00 / 00 | 8.9 | |
163 | The Big Cube (1969) | Lana Turner | 2.3 | 17.4 | 17.40 | 94 | 41 | 00 / 00 | 8.7 | |
162 | The Maltese Bippy (1969) | 1.4 | 10.9 | 10.90 | 123 | 43 | 00 / 00 | 8.7 | ||
164 | The Southern Star (1969) | George Segal | 1.4 | 10.8 | 10.80 | 125 | 42 | 00 / 00 | 8.1 | |
165 | The Wedding Party (1969) | Robert DeNiro | 0.4 | 3.0 | 3.00 | 167 | 44 | 00 / 00 | 7.7 | |
166 | Crossplot (1969) | Roger Moore | 0.4 | 3.3 | 3.30 | 162 | 44 | 00 / 00 | 7.6 | |
167 | Impasse (1969) | Burt Reynolds & Anne Francis |
1.9 | 14.1 | 14.10 | 107 | 40 | 00 / 00 | 6.8 | |
168 | The Madwoman of Chaillot (1969) | Katharine Hepburn & Danny Kaye |
1.9 | 14.2 | 14.20 | 102 | 39 | 00 / 00 | 6.4 | |
169 | Shark (1969) | Burt Reynolds & Arthur Kennedy |
2.9 | 21.7 | 21.70 | 77 | 37 | 00 / 00 | 6.3 | |
170 | Tarzan's Jungle Rebellion (1969) | Ron Ely & Tarzan Movies |
0.6 | 4.8 | 4.80 | 153 | 42 | 00 / 00 | 6.2 | |
171 | The Minx (1969) | 0.1 | 0.4 | 0.40 | 173 | 43 | 00 / 00 | 6.0 | ||
172 | Stiletto (1969) | Roy Scheider & Britt Ekland |
1.1 | 8.6 | 8.60 | 131 | 39 | 00 / 00 | 4.8 | |
173 | Hail, Hero! (1969) | Michael Douglas | 1.1 | 8.7 | 8.70 | 130 | 38 | 00 / 00 | 4.6 | |
174 | All Monsters Attack/Godzilla's Revenge (1969) | 0.0 | 0.3 | 7.60 | 174 | 37 | 00 / 00 | 2.6 | ||
175 | Change of Habit (1969) | Elvis Presley | 1.6 | 12.2 | 12.20 | 115 | 31 | 00 / 00 | 1.9 | |
176 | Sam's Song (1969) | Robert DeNiro | 0.2 | 1.1 | 1.10 | 170 | 33 | 00 / 00 | 1.4 | |
177 | Chasity (1969) | 0.4 | 3.2 | 3.20 | 166 | 31 | 00 / 00 | 1.0 | ||
178 | The Extraordinary Seaman (1969) | Faye Dunaway & Mickey Rooney |
0.9 | 6.5 | 6.50 | 146 | 24 | 00 / 00 | 0.4 |
Top earners in 1969 for Adjusted USA Box Office:
Name | Number of Movies | Total Adj World Wide (mil) | Total Adj USA (mil) |
---|---|---|---|
Strother Martin | 3 | 1,355.5 | 1,184.1 |
Paul Newman | 2 | 1,076.8 | 905.4 |
Robert Redford | 3 | 1,025.5 | 854.1 |
Conrad L. Hall | 4 | 1,000.6 | 829.2 |
Katharine Ross | 2 | 983.7 | 812.3 |
Cloris Leachman | 1 | 931.4 | 760.0 |
Dennis Hopper | 2 | 723.4 | 723.4 |
M. Emmet Walsh | 3 | 592.3 | 592.3 |
Walter Matthau | 2 | 586.7 | 586.7 |
Dustin Hoffman | 2 | 535.7 | 535.7 |
Joe Flynn | 2 | 519.3 | 519.3 |
Jon Voight | 2 | 451.6 | 451.6 |
Sylvia Miles | 1 | 444.6 | 444.6 |
Jack Nicholson | 1 | 414.3 | 414.3 |
Peter Fonda | 1 | 414.3 | 414.3 |
John Wayne | 2 | 395.9 | 395.9 |
Michele Lee | 1 | 389.2 | 389.2 |
David Tomlinson | 1 | 389.2 | 389.2 |
Dean Jones | 1 | 389.2 | 389.2 |
Scatman Crothers | 2 | 342.0 | 342.0 |
Barbra Streisand | 1 | 329.7 | 329.7 |
Ernest Lehman | 1 | 329.7 | 329.7 |
Robert Duvall | 2 | 321.2 | 321.2 |
Dyan Cannon | 1 | 316.7 | 316.7 |
Elliott Gould | 1 | 316.7 | 316.7 |
My Main Sources
Source 1: Variety – January 7th, 1970, January 6th, 1971
Source 2: Twentieth Century-Fox A Corporate and Financial History by Aubrey Solomon
Source 3: Wikipedia
Source 4: IMDb.com
Source 5: BoxOfficeMojo.com
No box office numbers for the 1969 Raquel Welch film FLAREUP?
Hi,
I checked the Box Office data 1969-1970.
1.Flareup appeared first on 11/26/1969 and made $26,000.
2.Second appearance was 12/17/1969 total was $ 95,571.
3. Last appearance was 2/4/1970 total was $145,897.
4. I went all the way thru 6/2/1970 and the movie never was listed again.
I hope this helps
The Passion of Anna
https://www.imdb.com/title/tt0064793
Another highly rated Ingmar Bergman directed film
Hey Sidney…I guess I should do an Ingmar Bergman page….that would get your most recent suggestions in the database. I will start to do some research on his movies….he is considered one of the greatest directors of all-time.
Hi Mr. Cogerson,
Please review the following changes and additions to the year 1969.
1969
Madigan’s Millions (1969). IMDB states 1968. Should this be changed?
Madigan’s Millions (1968)
Tarzan’s Jungle Rebellion (1969). IMDB states 1967. Should this be changed?
Tarzan’s Jungle Rebellion (1967)
1969 Alfred the Great $197,788 (US) Wikipedia-source-“U.S. Films’ Share-of-Market Profile”, Variety, 12 May 1971 p 179
1969 The Best House in London $374,655 (US) Wikipedia-source-“U.S. Films’ Share-of-Market Profile”, Variety, 12 May 1971 p 179
1969 Laughter in the Dark $780,000 Wikipedia-source-Tino Balio, United Artists: The Company That Changed the Film Industry, University of Wisconsin Press, 1987 p. 246
1969 Ring of Bright Water US$2,400,000 Wikipedia-source-BC’s 5 Years of Film Production Profits & Losses”. Variety. Los Angeles. 31 May 1973. p. 3.
1969 De Sade $1,250,000 “Wikipedia-source-De Sade – Details””. AFI Catalog of Feature Films. American Film Institute. Retrieved May 8, 2019.
“”De Sade – History””. AFI Catalog of Feature Films. American Film Institute. Retrieved May 8, 2019.
“”De Sade (1969) – Box office / business””. Internet Movie Database. Amazon.com. Retrieved March 18, 2014.”
The numbers-source-https://www.the-numbers.com/market/1969/top-grossing-movies
http://www.teako170.com/box1900s.html
1969 Sabata $232,000 IMDB
Thx
Mike
Gaily Gaily
should be
Gaily, Gaily
Hey Sidney…Gaily, Gaily is listed that way in the database….but for some reason, commas cause us some problems when the data base movies information to the website….so at this time I can not fix that title…but thanks for the heads up.
what database are you using? MySQL? If so commas may need to be proceeded by escape characters like backslash. If you provide more environment context I may be able to help. DB software, programming language etc.
The Battle on the River Neretva
Should be
The Battle of Neretva
HI SIDNEY: I must confess that am a bit of a pedant myself when it comes to getting movie titles correct and I try to wind up Bruce at times when he gets the odd one wrong, as we can all do from time to time. So it’s good to see that someone else like you shares my diligence.
The only mistake that I consider that Bruce has made in the list of corrections that you are suggesting is the slight spelling error in Arizona Bushwhackers; and again we all make spelling errors and, dealing with such a huge bulk of titles daily as Bruce does it always amazes me that he makes so relatively few errors.
There has long been a school of thought that opines that as titles are not texts, commas are optional and indeed at times can appear ugly and over-formal on marquees, where it is thought the shortest, snappiest titles will appeal to the eye of the man in the street most.
Usually before I enter titles int my own databases I double check them against alternative sources. I cross-checked all the ones that you mention and [leaving aside Arizona Bushwhackers] I found Bruce’s versions of the titles OK and I have them in my own databases the way that Bruce does; and as I am perfectly happy with that I will not be altering the titles. See Part 2 for my reasons.
It is good though as I say to see other regulars doing what they can to help this site be as perfect as possible. Bruce, unlike some sources with large editorial and other office staff, has had just the support of his immediate family in creating, maintaining and always expanding and updatingthis massive site.
Nice to compare notes with you. Keep safe and best wishes BOB
1/IMDB states that the WORLDWIDE title for Satyricon is Fellini’s Satyricon [as Bruce shows it]and in West Germany the title is Fellinis Satyricon without the comma.
2/Goodbye Mr Chips without a comma was the USA alternative title for that movie in 1939 and the comma is also dropped in a number of foreign markets in the 1969 title. Numerous internet sources drop the comma in both versions.
3/Battle of the River Neretva is the movie’s alternative title in the USA and is used in many countries.
4/Nobody Runs Forever was that movie’s original title in the USA and has been used elsewhere [for example here in the UK]. Wikipedia has published the movie under that title and IMDB quotes both titles.
5/The comma in 30 is a Dangerous Age Cynthia is dropped in many internet references to the movie and I have seen it without the comma on marquees and in television adverts. As I have done here I leave the comma out in my own databases.
6/ Gaily Gaily
should be
Gaily, Gaily – Such an edict would be impractical and unenforceable: for example where marquees have consisted of neon lighting blocks and space has been limited, I have seen it often necessary for theatre owners to leave even words out of titles, so that commas are definitely an expendable luxury. Foir example The Man Who Shot Liberty Valance was Man Who Shot L Valance on a marquee near me.
In short whilst commas are usually grammatically necessary or at least advisable when for example they will form part of a narrative in a publication, it seems to me that (1) the use of commas and/or (2) selection of a title where there are alternatives are a case of “You pays your money and takes your choice.”
In my opinion, given the enormous task that Bruce undertakes daily to maintain, update and expand this massive site on top of his “day job(s)” he would be crackers to start worrying about commas in titles and torturing himself about which title to use where there are one or more alternatives that have been or are being been widely used. I feel that he should have all the support that his viewers can give him
Personally I prefer to omit commas from titles as much as possible; and where I like one of the alternative titles better than another I use in my database the one that I prefer. For example Jimmy Stewart’s 1952 classic western called Bend of the River in the USA is known as Where the River Bends over here in the UK; and Natalie Wood’s USA-released Bombers B 52 [or Bombers B-52 if one is pedantic] is called No Sleep till Dawn over here. I prefer our alternatives in both cases and that’s how they appear in my databases – but it all comes down to personal choice.
Hey Bob…thanks for all the research on these titles that Sidney mentions. Not sure why, but commas and UMR do not seem to get along very well. Typically I try and stick with what IMDb lists the title. Some of the errors are title changes, many are me being careless while typing in the movies and some are titles that had many different names….like the ones you mentioned in your two comments. As for Arizona Bushwhackers…that title has been fixed as well. So many errors….but even with these errors…the percent correct is still pretty high. I think with the help of you and Sidney….we might be able to get the 30,000 plus movies in the database 100% accurately spelled. Good comment as always.
HI BRUCE
Thanks for the response.
By way of information about a movie “Goodbye, Mr Cogerson” does not add anything for me to “Goodbye Mr Cogerson.” I see the distinction as purely presentational and is negligible.
As I understand it you have viewers across the globe and many movies will have different titles or variations of same to suit local tastes and languages.
I had never heard of The High Commissioner and knew the Rod Taylor film by the title you used, Noboody Runs Forever. That’s the title I still prefer though I used to confuse it with Joihn Garfield’s 1946 Nobody Lives Forever.
Keep safe.
I’ll try to remember to change my “should be” to “could be” in my title review posts. Regardless of the final choice, making comments regarding alternative titles in each yearly page would be helpful to viewers.
Hey Sidney….that one is fixed…thanks for the heads up on that issue.