Want to know the best Leo G. Carroll movies? How about the worst Leo G. Carroll movies? Curious about Leo G. Carroll box office grosses or which Leo G. Carroll movie picked up the most Oscar® nominations? Need to know which Leo G. Carroll movie got the best reviews from critics and audiences and which got the worst reviews? Well, you have come to the right place….because we have all of that information.
Leo G. Carroll (1886-1972) was an English actor. Carroll appeared in movies in 4 different decades. His most famous roles are probable the six movies he made with Alfred Hitchcock. His IMDb page shows 75 credits from 1934 to 1970. This page will rank Leo G. Carroll movies from Best to Worst in six different sortable columns of information. Television shows, cameos, and movies not released in North America theaters were not included in the rankings.
Leo G. Carroll Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1940 | Rebecca (1940) AA Best Picture Win |
||
1939 | Wuthering Heights (1939) AA Best Picture Nom |
||
1937 | Captains Courageous (1937) AA Best Picture Nom |
||
1959 | North by Northwest (1959) | ||
1941 | Suspicion (1941) AA Best Picture Nom |
||
1950 | Father of the Bride (1950) AA Best Picture Nom |
||
1945 | Spellbound (1945) AA Best Picture Nom |
||
1961 | The Parent Trap (1961) | ||
1952 | The Bad and the Beautiful (1952) | ||
1955 | We're No Angels (1955) | ||
1934 | The Barretts of Wimpole Street (1934) AA Best Picture Nom |
||
1945 | The House on 92nd Street (1945) | ||
1952 | The Snows of Kilimanjaro (1952) | ||
1947 | Song of Love (1947) | ||
1951 | Strangers on a Train (1951) | ||
1940 | Waterloo Bridge (1940) | ||
1939 | The Private Lives of Elizabeth and Essex (1939) | ||
1947 | Forever Amber (1947) | ||
1947 | The Paradine Case (1947) | ||
1951 | The Desert Fox: The Story of Rommel (1951) | ||
1934 | Sadie McKee (1934) | ||
1963 | The Prize (1963) | ||
1948 | Enchantment (1948) | ||
1956 | The Swan (1956) | ||
1938 | A Christmas Carol (1938) | ||
1935 | Clive of India (1935) | ||
1953 | Young Bess (1953) | ||
1939 | Tower of London (1939) | ||
1955 | Tarantula (1955) | ||
1948 | So Evil My Love (1948) | ||
1941 | Bahama Passage (1941) | ||
1940 | Charlie Chan's Murder Cruise (1940) | ||
1953 | Treasure of the Golden Condor (1953) | ||
1934 | Stamboul Quest (1934) | ||
1941 | Scotland Yard (1941) | ||
1935 | Murder on a Honeymoon (1935) | ||
1939 | City in Darkness (1939) | ||
1965 | That Funny Feeling (1965) | ||
1950 | The Happy Years (1950) | ||
1947 | Time Out Of Mind (1947) | ||
1935 | The Right to Live (1935) | ||
1951 | The First Legion (1951) | ||
1939 | Bulldog Drummond's Secret Police (1939) | ||
1937 | London By Night (1937) | ||
1934 | Outcast Lady (1934) | ||
1953 | Rogue's March (1953) | ||
1935 | The Casino Murder Case (1935) | ||
1961 | One Plus One (1961) | ||
1941 | This Woman Is Mine (1941) | ||
1969 | From Nashville with Music (1969) |
Leo G. Carroll Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies any way you want.
- Sort Leo G. Carroll movies by co-stars of his movies.
- Sort Leo G. Carroll movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Leo G. Carroll movies by yearly domestic box office rank
- Sort Leo G. Carroll movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each Leo G. Carroll movie received and how many Oscar® wins each Leo G. Carroll movie won.
- Sort Leo G. Carroll movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews, and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Rebecca (1940) AA Best Picture Win |
Laurence Olivier & Joan Fontaine |
8.60 | 330.0 | 330.00 | 5 | 87 | 11 / 02 | 99.9 | |
2 | Wuthering Heights (1939) AA Best Picture Nom |
Laurence Olivier & Merle Oberon |
6.60 | 254.1 | 254.10 | 15 | 85 | 08 / 01 | 99.4 | |
3 | Captains Courageous (1937) AA Best Picture Nom |
Spencer Tracy & Lionel Barrymore |
6.80 | 279.9 | 519.60 | 9 | 85 | 04 / 01 | 99.2 | |
4 | North by Northwest (1959) | Cary Grant & Directed by Alfred Hitchcock |
19.20 | 344.1 | 554.50 | 7 | 93 | 03 / 00 | 99.2 | |
6 | Suspicion (1941) AA Best Picture Nom |
Cary Grant & Joan Fontaine |
5.20 | 198.7 | 312.80 | 26 | 86 | 03 / 01 | 99.2 | |
4 | Father of the Bride (1950) AA Best Picture Nom |
Spencer Tracy & Elizabeth Taylor |
11.50 | 259.0 | 390.40 | 6 | 82 | 03 / 00 | 98.9 | |
5 | Spellbound (1945) AA Best Picture Nom |
Ingrid Bergman & Norman Lloyd |
12.50 | 395.4 | 395.40 | 8 | 78 | 06 / 01 | 98.9 | |
8 | The Parent Trap (1961) | Maureen O'Hara & Brian Keith |
29.90 | 435.2 | 435.20 | 5 | 79 | 02 / 00 | 97.5 | |
10 | The Bad and the Beautiful (1952) | Kirk Douglas & Lana Turner |
6.60 | 128.9 | 183.60 | 37 | 85 | 06 / 05 | 95.9 | |
10 | We're No Angels (1955) | Humphrey Bogart & Joan Bennett |
8.60 | 177.7 | 177.70 | 35 | 76 | 00 / 00 | 95.0 | |
11 | The Barretts of Wimpole Street (1934) AA Best Picture Nom |
Norma Shearer & Charles Laughton |
3.60 | 168.5 | 313.80 | 7 | 71 | 02 / 00 | 94.8 | |
13 | The House on 92nd Street (1945) | Directed by Henry Hathaway | 6.90 | 220.2 | 220.20 | 38 | 64 | 01 / 01 | 94.1 | |
11 | The Snows of Kilimanjaro (1952) | Gregory Peck & Susan Hayward |
18.10 | 353.9 | 353.90 | 3 | 64 | 02 / 00 | 94.0 | |
12 | Song of Love (1947) | Katharine Hepburn & Paul Henreid |
8.40 | 244.1 | 344.00 | 25 | 62 | 00 / 00 | 93.0 | |
15 | Strangers on a Train (1951) | Farley Granger & Directed by Alfred Hitchcock |
5.10 | 110.1 | 180.90 | 57 | 90 | 00 / 00 | 93.0 | |
17 | Waterloo Bridge (1940) | Vivien Leigh & Robert Taylor |
3.60 | 137.5 | 271.40 | 40 | 78 | 02 / 00 | 92.2 | |
18 | The Private Lives of Elizabeth and Essex (1939) | Bette Davis & Errol Flynn |
3.80 | 147.1 | 248.40 | 50 | 71 | 05 / 00 | 91.8 | |
16 | Forever Amber (1947) | Linda Darnell & Cornel Wilde |
13.50 | 393.7 | 393.70 | 5 | 55 | 00 / 00 | 90.8 | |
20 | The Paradine Case (1947) | Gregory Peck & Directed by Alfred Hitchcock |
5.90 | 173.2 | 173.20 | 54 | 62 | 01 / 00 | 90.4 | |
19 | The Desert Fox: The Story of Rommel (1951) | James Mason & Jessica Tandy |
6.90 | 147.8 | 147.80 | 31 | 70 | 00 / 00 | 90.2 | |
21 | Sadie McKee (1934) | Joan Crawford & Franchot Tone |
2.40 | 112.2 | 174.40 | 39 | 73 | 00 / 00 | 87.3 | |
23 | The Prize (1963) | Paul Newman & Edward G. Robinson |
9.90 | 123.6 | 123.60 | 29 | 67 | 00 / 00 | 86.3 | |
22 | Enchantment (1948) | David Niven & Teresa Wright |
4.00 | 107.1 | 160.30 | 89 | 72 | 00 / 00 | 86.2 | |
24 | The Swan (1956) | Alec Guinness & Grace Kelly |
5.40 | 106.4 | 106.40 | 55 | 63 | 00 / 00 | 82.0 | |
26 | A Christmas Carol (1938) | Reginald Owen | 1.20 | 49.8 | 49.80 | 155 | 78 | 00 / 00 | 80.1 | |
26 | Clive of India (1935) | Ronald Colman & Loretta Young |
2.00 | 90.7 | 90.70 | 66 | 63 | 00 / 00 | 79.0 | |
27 | Young Bess (1953) | Charles Laughton & Deborah Kerr |
5.00 | 89.6 | 222.90 | 63 | 62 | 02 / 00 | 78.9 | |
28 | Tower of London (1939) | Basil Rathbone & Boris Karloff |
1.70 | 63.6 | 63.60 | 141 | 66 | 00 / 00 | 74.4 | |
30 | Tarantula (1955) | John Agar & Mara Corday |
3.10 | 65.2 | 65.20 | 99 | 66 | 00 / 00 | 74.3 | |
30 | So Evil My Love (1948) | Ray Milland | 1.60 | 44.3 | 44.30 | 151 | 67 | 00 / 00 | 68.0 | |
32 | Bahama Passage (1941) | Dorothy Dandridge & Sterling Hayden |
1.30 | 51.4 | 51.40 | 154 | 63 | 00 / 00 | 66.4 | |
31 | Charlie Chan's Murder Cruise (1940) | Sidney Toler & Marjorie Weaver |
0.60 | 24.8 | 24.80 | 196 | 71 | 00 / 00 | 65.3 | |
34 | Treasure of the Golden Condor (1953) | Cornel Wilde & Anne Bancroft |
3.60 | 65.3 | 65.30 | 106 | 58 | 00 / 00 | 64.9 | |
35 | Stamboul Quest (1934) | Myrna Loy & George Brent |
2.00 | 95.7 | 95.70 | 55 | 48 | 00 / 00 | 64.5 | |
36 | Scotland Yard (1941) | Edmund Gwenn | 1.50 | 55.9 | 55.90 | 148 | 60 | 00 / 00 | 64.3 | |
36 | Murder on a Honeymoon (1935) | Edna May Oliver | 0.50 | 22.0 | 22.00 | 193 | 70 | 00 / 00 | 63.2 | |
35 | City in Darkness (1939) | Sidney Tolar | 0.40 | 15.2 | 15.20 | 224 | 72 | 00 / 00 | 62.5 | |
37 | That Funny Feeling (1965) | Sandra Dee & Bobby Darin |
2.70 | 28.6 | 28.60 | 82 | 67 | 00 / 00 | 62.0 | |
39 | The Happy Years (1950) | Dean Stockwell | 1.90 | 43.6 | 54.90 | 147 | 62 | 00 / 00 | 60.9 | |
40 | Time Out Of Mind (1947) | Phyliss Calvert & Eddie Albert |
0.80 | 23.8 | 23.80 | 168 | 65 | 00 / 00 | 55.1 | |
41 | The Right to Live (1935) | Colin Clive & George Brent |
0.60 | 27.1 | 43.90 | 182 | 62 | 00 / 00 | 51.7 | |
42 | The First Legion (1951) | Charles Boyer & William Demarest |
0.50 | 11.4 | 11.40 | 223 | 66 | 00 / 00 | 49.4 | |
43 | Bulldog Drummond's Secret Police (1939) | John Howard | 0.30 | 11.9 | 11.90 | 226 | 65 | 00 / 00 | 47.7 | |
44 | London By Night (1937) | George Murphy | 0.70 | 31.0 | 53.20 | 186 | 58 | 00 / 00 | 45.7 | |
45 | Outcast Lady (1934) | Constance Bennett | 0.80 | 38.2 | 63.90 | 134 | 55 | 00 / 00 | 44.7 | |
46 | Rogue's March (1953) | Peter Lawford & Lee J. Cobb |
1.10 | 20.6 | 38.50 | 201 | 59 | 00 / 00 | 41.2 | |
48 | The Casino Murder Case (1935) | Rosalind Russell & Paul Lukas |
0.80 | 33.7 | 33.70 | 163 | 54 | 00 / 00 | 39.3 | |
47 | One Plus One (1961) | Hilldy Brooks | 0.10 | 2.1 | 2.10 | 143 | 63 | 00 / 00 | 38.0 | |
50 | This Woman Is Mine (1941) | Franchot Tone & Walter Brennan |
0.40 | 15.5 | 15.50 | 219 | 56 | 01 / 00 | 32.2 | |
49 | From Nashville with Music (1969) | Marilyn Maxwell | 0.40 | 3.3 | 3.30 | 164 | 60 | 00 / 00 | 31.7 |
Check out Leo G. Carroll’s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences. Golden Globes® are the registered trademark of the Hollywood Foreign Press.
BOB – HAVE SEEN LEO G MOVIES
1/Captains Courageous
2/Wuthering Heights
3/Elizabeth and Essex
4/Rebecca
5/Suspicion
6/Spellbound
7/Father of the Bride
8/Strangers on a Train
9/Bad and the Beautiful
10/Treasure of Golden Condor
11/Rogue’s March – I saw it on a double bill with Jimmy Stewart western The Naked Spur
12/We’re No Angels
13/Tarantula – lead actor John Agar [aka Mr Shirley Temple]
14/North by North West
15/The Prize
16/The Desert Fox
I have seen 16 of Leo G’s films which I list in Part 2. My favorites among them would be North by Northwest and Treasure of the Golden Condor which is a 1953 remake of Tyrone Power’s 1942 Son of Fury. The latter is the more acclaimed and commercially successful version but I have long-preferred the 1953 one with Cornel Wilde in the lead and indeed did not care much for Tyrone’s offering even though he was one of my top 1950s idols.
As Bruce suggests above the Hitchcock films would probably be Leo’s most important ones; and indeed Leo’s spy chief in N by NW may well have been the inspiration for casting Leo in the very popular TV series The Man from Uncle which ran from 1964 to 1968 with Robert Vaughn and David McCallum as the Bond-type good-guy spies and Leo G as their boss in all 105 episodes of the series.
In fact a number of the episodes from the TV series were joined together and released in cinemas as full-length supporting features or double bills and I saw 4 of those composites in the cinemas and if the four were credited to my total of 16 I could boast of 20 Leo G “have-seen” movies as he was in all of them.
However I have already beaten WH and can’t catch Flora’s massive total and whilst 20 would take me 1 above Steve I’ll not be greedy and will stick with 16; but for the record the 4 ‘omnibus’ Man from Uncle movies that I’ve watched in theaters [as said all featuring Leo G] are: To Trap a Spy; One of Our Spies is Missing; One Spy too Many; and The Spy with My Face.
Hey Mr. Lensman. My dad says he fixed the mistake you found.