Want to know the best Alexis Smith movies? How about the worst Alexis Smith movies? Curious about Alexis Smith box office grosses or which Alexis Smith movie picked up the most Oscar® nominations? Need to know which Alexis Smith movie got the best reviews from critics and audiences? Well, you have come to the right place….because we have all of that information.
Alexis Smith (1921-1993) was a Canadian-born actress and singer. Smith was a very popular actress in the 1940s. She appeared in numerous hits in that decade. She had a notable career on Broadway in the 1970s, winning a Tony Award® in 1972 for the musical Follies. Her IMDb page shows 78 acting credits from 1941 to 1993. This page will rank Alexis Smith movies from Best to Worst in six different sortable columns of information. To do well in our overall rankings a movie has to do well at the box office, get good reviews by critics, be liked by audiences, and get some award recognition.
Alexis Smith Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1942 | Gentleman Jim (1942) |  |
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| 1949 | Any Number Can Play (1949) | |
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| 1943 | The Constant Nymph (1943) | |
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| 1945 | Conflict (1945) | |
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| 1944 | The Adventures of Mark Twain (1944) | |
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| 1947 | The Two Mrs. Carrolls (1947) | |
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| 1946 | One More Tomorrow (1946) | |
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| 1945 | San Antonio (1945) | |
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| 1945 | Rhapsody in Blue (1945) | |
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| 1951 | Here Comes the Groom (1951) | |
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| 1943 | Thank Your Lucky Stars (1943) | |
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| 1941 | Dive Bomber (1941) | |
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| 1959 | The Young Philadelphians (1959) | |
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| 1946 | Night and Day (1946) |  |
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| 1944 | The Doughgirls (1944) | |
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| 1993 | The Age of Innocence (1993) | |
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| 1947 | Stallion Road (1947) | |
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| 1957 | Beau James (1957) | |
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| 1945 | The Horn Blows at Midnight (1945) | |
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| 1950 | Montana (1950) | |
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| 1946 | Of Human Bondage (1946) |  |
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| 1949 | South of St. Louis (1949) | |
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| 1948 | Whiplash (1948) | |
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| 1986 | Tough Guys (1986) |  |
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| 1978 | Casey's Shadow (1978) | |
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| 1976 | The Little Girl Who Lives Down the Lane (1976) | |
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| 1958 | This Happy Feeling (1958) | |
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| 1975 | Once Is Not Enough (1975) | |
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| 1948 | The Woman In White (1948) | |
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| 1955 | The Eternal Sea (1955) | |
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| 1953 | Split Second (1953) | |
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| 1941 | The Smiling Ghost (1941) | |
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| 1952 | The Turning Point (1952) |  |
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| 1950 | Wyoming Mail (1950) | |
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| 1948 | The Decision of Christopher Blake (1948) |  |
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| 1941 | Steel Against the Sky (1941) | |
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| 1951 | Cave Of Outlaws (1951) | |
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| 1949 | One Last Fling (1949) | |
Alexis Smith Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies any way you want.
- Sort Alexis Smith movies by her co-stars
- Sort Alexis Smith movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Alexis Smith movies by yearly domestic box office rank
- Sort Alexis Smith movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Alexis Smith movie received.
- Sort Alexis Smith movies by Ultimate Movie Rankings (UMR) Score. UMR puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | Gentleman Jim (1942) | Errol Flynn & Alan Hale |
5.10 | 205.5 | 444.80 | 41 | 82 | 00 / 00 | 97.7 | |
| 2 | Any Number Can Play (1949) | Clark Gable | 6.80 | 187.2 | 243.30 | 28 | 82 | 00 / 00 | 96.8 | |
| 3 | The Constant Nymph (1943) | Joan Fontaine & Peter Lorre |
5.40 | 212.6 | 393.80 | 50 | 74 | 01 / 00 | 96.0 | |
| 6 | Conflict (1945) | Humphrey Bogart & Sydney Greenstreet |
6.30 | 217.4 | 350.30 | 48 | 70 | 00 / 00 | 94.8 | |
| 5 | The Adventures of Mark Twain (1944) | Donald Crisp & Fredric March |
5.60 | 205.6 | 278.40 | 61 | 67 | 03 / 00 | 94.5 | |
| 6 | The Two Mrs. Carrolls (1947) | Humphrey Bogart & Barbara Stanwyck |
6.20 | 196.7 | 306.30 | 46 | 66 | 00 / 00 | 93.1 | |
| 7 | One More Tomorrow (1946) | Dennis Morgan | 6.40 | 213.9 | 273.70 | 56 | 64 | 00 / 00 | 92.8 | |
| 7 | San Antonio (1945) | Errol Flynn | 9.90 | 341.1 | 566.30 | 15 | 61 | 02 / 00 | 92.4 | |
| 8 | Rhapsody in Blue (1945) | Charles Coburn | 9.30 | 320.8 | 466.20 | 21 | 59 | 02 / 00 | 91.9 | |
| 10 | Here Comes the Groom (1951) | Bing Crosby & Directed by Frank Capra |
7.30 | 171.2 | 171.20 | 26 | 66 | 02 / 01 | 91.5 | |
| 10 | Thank Your Lucky Stars (1943) | John Garfiled & Olivia de Havilland |
7.20 | 280.1 | 405.20 | 27 | 58 | 01 / 00 | 91.0 | |
| 10 | Dive Bomber (1941) | Errol Flynn & Fred MacMurray |
5.70 | 237.6 | 353.70 | 17 | 57 | 01 / 00 | 90.8 | |
| 15 | The Young Philadelphians (1959) | Paul Newman & Barbara Rush |
7.70 | 151.1 | 151.10 | 31 | 69 | 03 / 00 | 90.2 | |
| 13 | Night and Day (1946) | Cary Grant | 10.80 | 362.9 | 583.20 | 16 | 54 | 00 / 00 | 89.5 | |
| 16 | The Doughgirls (1944) | Ann Sheridan & Jane Wyman |
5.10 | 186.6 | 186.60 | 67 | 58 | 00 / 00 | 89.2 | |
| 16 | The Age of Innocence (1993) | Daniel Day-Lewis & Directed by Martin Scorsese |
32.30 | 91.5 | 91.50 | 50 | 82 | 05 / 01 | 89.2 | |
| 18 | Stallion Road (1947) | Ronald Reagan | 5.70 | 179.5 | 238.40 | 58 | 54 | 00 / 00 | 87.0 | |
| 17 | Beau James (1957) | Bob Hope & Vera Miles |
5.00 | 104.9 | 104.90 | 46 | 74 | 00 / 00 | 85.6 | |
| 19 | The Horn Blows at Midnight (1945) | Directed by Raoul Walsh | 2.50 | 85.9 | 93.10 | 113 | 72 | 00 / 00 | 82.0 | |
| 20 | Montana (1950) | Errol Flynn & Alexis Smith |
6.30 | 154.1 | 255.10 | 33 | 48 | 00 / 00 | 80.9 | |
| 21 | Of Human Bondage (1946) | Paul Henreid & Eleanor Parker |
3.30 | 110.4 | 110.40 | 93 | 58 | 00 / 00 | 78.6 | |
| 23 | South of St. Louis (1949) | Joel McCrea | 2.90 | 79.7 | 79.70 | 116 | 59 | 00 / 00 | 71.1 | |
| 24 | Whiplash (1948) | Dane Clark | 2.80 | 83.5 | 115.00 | 108 | 58 | 00 / 00 | 70.7 | |
| 26 | Tough Guys (1986) | Burt Lancaster & Kirk Douglas |
21.50 | 68.0 | 68.00 | 42 | 60 | 00 / 00 | 67.8 | |
| 25 | Casey's Shadow (1978) | Walter Matthau & Robert Webber |
9.60 | 48.0 | 48.00 | 61 | 66 | 00 / 00 | 67.5 | |
| 26 | The Little Girl Who Lives Down the Lane (1976) | Martin Sheen & Jodie Foster |
1.80 | 10.0 | 10.00 | 126 | 78 | 00 / 00 | 66.8 | |
| 27 | This Happy Feeling (1958) | Debbie Reynolds & Directed by Blake Edwards |
2.30 | 44.7 | 44.70 | 100 | 65 | 00 / 00 | 64.2 | |
| 28 | Once Is Not Enough (1975) | Kirk Douglas | 26.90 | 154.1 | 154.10 | 23 | 29 | 01 / 00 | 63.6 | |
| 28 | The Woman In White (1948) | Sydney Greenstreet & Eleanor Parker |
1.80 | 52.1 | 96.20 | 149 | 62 | 00 / 00 | 63.5 | |
| 29 | The Eternal Sea (1955) | Sterling Hayden & Dean Jagger |
1.80 | 40.4 | 40.40 | 142 | 62 | 00 / 00 | 58.6 | |
| 30 | Split Second (1953) | Stephen McNally & Alexis Smith |
1.40 | 27.6 | 27.60 | 187 | 63 | 00 / 00 | 52.8 | |
| 32 | The Smiling Ghost (1941) | Wayne Morris | 1.00 | 43.6 | 58.90 | 171 | 57 | 00 / 00 | 52.0 | |
| 33 | The Turning Point (1952) | William Holden & Edmond O'Brien |
1.10 | 23.7 | 23.70 | 196 | 59 | 00 / 00 | 42.3 | |
| 34 | Wyoming Mail (1950) | Ed Begley | 1.00 | 24.2 | 24.20 | 186 | 58 | 00 / 00 | 40.7 | |
| 36 | The Decision of Christopher Blake (1948) | Robert Douglas | 0.70 | 19.2 | 19.20 | 185 | 52 | 00 / 00 | 25.7 | |
| 37 | Steel Against the Sky (1941) | Lloyd Nolan | 0.20 | 9.9 | 13.60 | 225 | 55 | 00 / 00 | 25.3 | |
| 35 | Cave Of Outlaws (1951) | Macdonald Carey | 0.20 | 3.5 | 3.50 | 236 | 57 | 00 / 00 | 25.0 | |
| 37 | One Last Fling (1949) | Zachary Scott | 1.00 | 27.5 | 31.30 | 181 | 49 | 00 / 00 | 24.2 |
Check out Alexis Smith’s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
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HI BRUCE:
Thanks a lot for your very comprehensive reply.
Alexis was never in the same mega-star bracket as Thins of course and it does say a lot for The Thin Woman that she was prepared to ‘stoop down’ to contiue to ply her craft in solid supporting roles on TV and in movies in roles such as Doris Day’s aunt in 1960s Midnight Lace.
Do you think that Old Cantankerous if he had still been around would have been
prepared to play 2nd fiddle to Peter’ Falk’s Columbo; whereas you could say that Myrna forged a new contract with The Curse so that she could keep working. Fair play to her – Benny Green too would have approved!.
Again: have a good day.
I have no doubt that The Work Horse will most likely remember Alexis best from Night and Day as Mrs Cole Porter opposite a miscast Al Leach as The Great Man himself. However my own fondest memories of her are from those late forties/early 50s westerns that I Loved so dearly when I started watching movies and their reruns around 1950: South of St Louis/Cave of Outlaws/Wyoming Mail all covered above.
I was a great Golden Holden fan too in those days so I also remember her well from his 1952’s The Turning Point though I agree with WH’s indication that it was one of Bill’s more disappointing films – but Stalag 17 and the great Holden heyday at the box office was just around the corner.
Other 1950s films of hers that I like are The Young Philadelphians [aka The City Jungle]; The Sleeping Tiger a thriller starring also my Dirk Bogarde; and Beau James starring Leslie Townes Hope in a rare dramatic role as Jimmy Walker, the colorful but controversial Mayor of New York City from 1926–32. I am pleased to see WH’s sources giving that ‘ancient’ but pleasing gem a 74% rating –
East Side, West Side, all around the town
The tots sang “ring-a-rosie,” “London Bridge is falling down”
Boys and girls together, me and Mamie O’Rourke
Tripped the light fantastic on the sidewalks of New York
I last saw her in Scorsese’s The Age of Innocence [which as WH indicates above was her final film] and I enjoyed her performance. However in hindsight I now think of Alexis as a Myrna Loy clone as well as her nostalgically being the heroine of some of my beloved early 1950s B westerns which Thins would not have suited.
Indeed a direct link between the pair is that they got to play ‘elderlies” in Paul Newman movies: Alexis at 38 when W o C’s The Curse of 39 was on its way in the 1959 Young Philadelphians; and The Thin Woman in 1960s From The Terrace in which the 55 year old Myrna was Paul’s alcoholic mother. Paul was 34/35 in those days. Anyway WH’s fine profile of the veteran Alexis is “Voted Up!” as she is an actress that I personally can well-relate to.
Hey Bob. This is an excellent comment. Lots of information that is both interesting and useful. As for Night and Day….that is one of my least favorite Cary Grant movies. I have actually only seen it one time, but I do not really remember her part except for the kids in the park scene…which was the only time Cary got to demonstrate his on screen charm. The only thing that movie did was make a boatload of money. Everybody involved in the making of that movie was disappointed in the end result.
I am glad we were able to include some of her early B westerns. Sorry we struck out again with The Sleeping Tiger…one day we will unlock that movie. As for Beau James…not too aware of that one…but your recommendation and it’s high rating score makes me curious to check that one out.
I am sure William Holden wondered why The Turning Point did not work….that was definitely in his “Midas” days…..only everything he touched during that time period was box office, review and award magic.
Good comparison between Alexis Smith and the great M. Loy. I did not even notice her in The Age of Innocence…..that was a one and done movie for me, Good stuff as always.