Want to know the best Anthony Quinn movies? How about the worst Anthony Quinn movies? Curious about Anthony Quinn’s box office grosses or which Anthony Quinn movie picked up the most Oscar® nominations? Need to know which Anthony Quinn movie got the best reviews from critics and audiences and which got the worst reviews? Well you have come to the right place….because we have all of that information.
Anthony Quinn (1915-2001) was a Mexican-born American actor, painter and writer. He starred in numerous critically acclaimed and commercially successful films, including La Strada, The Guns of Navarone, Zorba the Greek, Guns for San Sebastian, Lawrence of Arabia, The Message and Lion of the Desert. He won two Best Supporting Actor Oscars®: for Viva Zapata! in 1952 and Lust for Life in 1956.
His IMDb page shows 168 acting credits from 1936-2002. This page ranks 90 Anthony Quinn movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos movies not released in North America and some of his movies that barely made a dent at the box office were not included in the rankings. (Hey Lyle….since this was your request….if you see a movie that needs to be added just let me know….and we will try and find the actual box office grosses for the missing movie.)
Anthony Quinn Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1962
Lawrence of Arabia (1962)
AA Best Picture Win
1961
The Guns of Navarone (1961)
AA Best Picture Nom
1942
Road to Morocco (1942)
1941
Blood and Sand (1941)
1964
Zorba the Greek (1964)
AA Best Picture Nom
AA Best Actor Nom
1941
They Died with Their Boots On (1941)
1942
The Black Swan (1942)
1947
Sinbad, the Sailor (1947)
1940
The Ghost Breakers (1940)
1944
Irish Eyes are Smiling (1944)
1939
Union Pacific (1939)
1943
Guadalcanal Diary (1943)
1947
Tycoon (1947)
1947
California (1947)
1945
Back to Bataan (1945)
1938
The Buccaneer (1938)
1958
The Buccaneer (1958)
1942
The Ox-Bow Incident (1942)
AA Best Picture Nom
1940
City for Conquest (1940)
1944
Buffalo Bill (1944)
1937
Swing High, Swing Low (1937)
1956
Lust for Life (1956)
AA Best Supp Actor Win
1937
Waikiki Wedding (1937)
1936
The Plainsman (1936)
1961
Barabbas (1961)
1946
The Imperfect Lady (1946)
1952
Viva Zapata! (1952)
AA Best Supp Actor Win
1959
Last Train from Gun Hill (1959)
1960
Portrait in Black (1960)
1945
Where Do We Go From Here? (1945)
Uncredited Role
1952
The World in His Arms (1952)
1956
The Hunchback of Notre Dame (1956)
1976
The Message (1976)
1954
Ulysses (1954)
1942
Larceny Inc./A Night Before Christmas (1942)
1957
Wild Is the Wind (1957)
AA Best Actor Nom
1991
Jungle Fever (1991)
1962
Requiem For a Heavyweight (1962)
1945
China Sky (1945)
1969
The Secret of Santa Vittoria (1969)
1954
La Strada (1954)
1972
Across 110th Street (1972)
1953
Ride, Vaquero! (1953)
1938
King of Alcatraz (1938)
1954
The Long Wait (1954)
1995
A Walk in the Clouds (1995)
1964
Behold a Pale Horse (1964)
1952
Against All Flags (1952)
1993
Last Action Hero (1993)
1980
Lion of the Desert (1980)
1959
Warlock (1959)
1941
The Perfect Snob (1941)
1953
Seminole (1953)
1958
Hot Spell (1958)
1964
The Visit (1964)
1955
Seven Cities of Gold (1955)
1960
The Savage Innocents (1960)
1939
Island of Lost Men (1939)
1947
Black Gold (1947)
1953
City Beneath The Sea (1953)
1991
Only the Lonely (1991)
1944
Roger Touhy, Gangster (1944)
1956
The Wild Party (1956)
1953
Blowing Wild (1953)
1968
The Shoes of the Fisherman (1968)
1955
The Naked Street (1955)
1954
Attila (1954)
1937
The Last Train from Madrid (1937)
1953
East of Sumatra (1953)
1951
The Brave Bulls (1951)
1965
A High Wind in Jamaica (1965)
1968
Guns for San Sebastian (1968)
1954
Angels of Darkness (1954)
1967
The 25th Hour (1967)
1966
Lost Command (1966)
1967
The Happening (1967)
1941
Thieves Fall Out (1941)
1978
Caravans (1978)
1940
Texas Rangers Ride Again (1940)
2000
Oriundi (2000)
1991
Mobsters (1991)
1979
The Passage (1979)
1956
Man From Del Rio (1956)
1978
The Greek Tycoon (1978)
1957
The River's Edge (1957)
1967
The Rover (1967)
1960
Heller in Pink Tights (1960)
1955
The Magnificent Matador (1955)
1965
Marco the Magnificent (1965)
1970
Flap (1970)
1958
The Black Orchid (1958)
1981
High Risk (1981)
1941
Knockout (1941)
1990
Revenge (1990)
1973
The Don Is Dead (1973)
1970
A Walk in the Spring Rain (1970)
1968
The Magus (1968)
1974
The Destructors/The Marseille Contract (1974)
1981
The Salamander (1981)
1970
R.P.M. (1970)
1994
Somebody to Love (1994)
2002
Avenging Angelo (2002)
1990
Ghosts Can't Do It (1990)
Anthony Quinn Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Anthony Quinn movies by movie title and movie trailers.
- Sort Anthony Quinn movies by co-stars of his movies.
- Sort Anthony Quinn movies by adjusted domestic box office grosses using current movie ticket cost
- Sort Anthony Quinn movies by yearly domestic box office rank
- Sort Anthony Quinnmovies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each Anthony Quinn movie received and how many Oscar® wins each Anthony Quinn movie won.
- Sort Anthony Quinn movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Lawrence of Arabia (1962) AA Best Picture Win |
Peter O'Toole & Alec Guinness |
41.50 | 595.9 | 595.90 | 1 | 94 | 10 / 07 | 100.0 | |
2 | The Guns of Navarone (1961) AA Best Picture Nom |
Gregory Peck & David Niven |
37.10 | 541.1 | 1,040.50 | 3 | 84 | 07 / 01 | 99.3 | |
4 | Road to Morocco (1942) | Bob Hope & Bing Crosby |
11.40 | 424.8 | 424.80 | 7 | 80 | 02 / 00 | 97.8 | |
6 | Blood and Sand (1941) | Tyrone Power & Rita Hayworth |
5.60 | 217.3 | 217.30 | 18 | 77 | 02 / 01 | 97.3 | |
7 | Zorba the Greek (1964) AA Best Picture Nom AA Best Actor Nom |
Lila Kedrova & Alan Bates |
12.60 | 144.2 | 144.20 | 17 | 81 | 07 / 03 | 97.2 | |
5 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.00 | 232.4 | 498.50 | 15 | 77 | 00 / 00 | 96.7 | |
7 | The Black Swan (1942) | Tyrone Power & Maureen O'Hara |
8.60 | 318.6 | 318.60 | 12 | 71 | 03 / 01 | 96.2 | |
9 | Sinbad, the Sailor (1947) | Maureen O'Hara & Douglas Fairbanks Jr. |
7.60 | 220.5 | 383.90 | 33 | 71 | 00 / 00 | 95.4 | |
11 | The Ghost Breakers (1940) | Bob Hope | 4.60 | 176.0 | 176.00 | 21 | 78 | 00 / 00 | 95.2 | |
8 | Irish Eyes are Smiling (1944) | Monty Woolley | 7.30 | 244.5 | 244.50 | 31 | 68 | 01 / 00 | 94.8 | |
11 | Union Pacific (1939) | Barbara Stanwyck | 5.50 | 211.8 | 211.80 | 25 | 66 | 01 / 00 | 94.4 | |
10 | Guadalcanal Diary (1943) | Preston Foster | 8.60 | 308.0 | 308.00 | 15 | 65 | 00 / 00 | 93.9 | |
15 | Tycoon (1947) | John Wayne | 7.60 | 222.5 | 301.20 | 32 | 61 | 00 / 00 | 92.8 | |
13 | California (1947) | Barbara Stanwyck & Ray Milland |
10.50 | 307.1 | 307.10 | 13 | 61 | 00 / 00 | 92.6 | |
17 | Back to Bataan (1945) | John Wayne | 5.70 | 179.2 | 245.70 | 58 | 67 | 00 / 00 | 92.4 | |
16 | The Buccaneer (1938) | Fredric March & Directed by Cecil B. DeMille |
5.60 | 221.8 | 221.80 | 22 | 55 | 01 / 00 | 91.1 | |
17 | The Buccaneer (1958) | Yul Brynner & Claire Bloom |
9.10 | 164.3 | 164.30 | 20 | 65 | 01 / 00 | 90.6 | |
17 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Dana Andrews |
2.10 | 79.7 | 79.70 | 122 | 85 | 01 / 00 | 90.2 | |
19 | City for Conquest (1940) | James Cagney | 3.30 | 127.2 | 197.30 | 45 | 76 | 00 / 00 | 90.1 | |
19 | Buffalo Bill (1944) | Maureen O'Hara | 6.50 | 217.3 | 217.30 | 38 | 53 | 00 / 00 | 90.1 | |
23 | Swing High, Swing Low (1937) | Carole Lombard & Fred MacMurray |
4.00 | 165.8 | 165.80 | 43 | 64 | 00 / 00 | 90.0 | |
21 | Lust for Life (1956) AA Best Supp Actor Win |
Kirk Douglas | 4.60 | 89.3 | 150.90 | 67 | 83 | 04 / 01 | 89.8 | |
24 | Waikiki Wedding (1937) | Bing Crosby | 3.60 | 151.1 | 151.10 | 55 | 65 | 02 / 01 | 89.7 | |
25 | The Plainsman (1936) | Gary Cooper & Directed by Cecil B. DeMille |
4.10 | 175.6 | 175.60 | 28 | 59 | 00 / 00 | 89.3 | |
26 | Barabbas (1961) | Arthur Kennedy | 8.30 | 120.7 | 120.70 | 25 | 74 | 00 / 00 | 88.6 | |
28 | The Imperfect Lady (1946) | Ray Milland | 4.90 | 149.8 | 149.80 | 67 | 64 | 00 / 00 | 88.4 | |
27 | Viva Zapata! (1952) AA Best Supp Actor Win |
Marlon Brando | 5.30 | 103.4 | 103.40 | 60 | 73 | 05 / 01 | 88.1 | |
29 | Last Train from Gun Hill (1959) | Kirk Douglas | 6.70 | 120.6 | 120.60 | 37 | 71 | 00 / 00 | 87.5 | |
30 | Portrait in Black (1960) | Lana Turner | 10.00 | 156.2 | 156.20 | 23 | 59 | 00 / 00 | 87.4 | |
31 | Where Do We Go From Here? (1945) Uncredited Role |
Fred MacMurray | 4.90 | 154.1 | 154.10 | 75 | 58 | 00 / 00 | 86.6 | |
33 | The World in His Arms (1952) | Gregory Peck & Ann Blyth |
8.20 | 160.6 | 160.60 | 19 | 55 | 00 / 00 | 86.3 | |
34 | The Hunchback of Notre Dame (1956) | Gina Lollobrigida | 6.40 | 126.0 | 126.00 | 38 | 63 | 00 / 00 | 85.0 | |
32 | The Message (1976) | Irene Papas | 9.00 | 45.5 | 45.50 | 62 | 87 | 01 / 00 | 84.9 | |
36 | Ulysses (1954) | Kirk Douglas | 6.30 | 147.3 | 147.30 | 52 | 56 | 00 / 00 | 84.8 | |
35 | Larceny Inc./A Night Before Christmas (1942) | Edward G. Robinson | 2.10 | 77.0 | 77.00 | 123 | 76 | 00 / 00 | 84.0 | |
37 | Wild Is the Wind (1957) AA Best Actor Nom |
Anna Magnani & Directed by George Cukor |
4.30 | 82.5 | 82.50 | 56 | 71 | 03 / 00 | 83.6 | |
38 | Jungle Fever (1991) | Wesley Snipes & Halle Berry |
32.50 | 83.2 | 112.40 | 43 | 73 | 00 / 00 | 83.2 | |
39 | Requiem For a Heavyweight (1962) | Mickey Rooney & Jackie Gleason |
3.10 | 45.2 | 45.20 | 75 | 83 | 00 / 00 | 82.1 | |
41 | China Sky (1945) | Randolph Scott | 3.60 | 114.1 | 141.80 | 90 | 61 | 00 / 00 | 82.0 | |
42 | The Secret of Santa Vittoria (1969) | Anna Magnani | 7.70 | 58.6 | 58.60 | 36 | 75 | 02 / 00 | 81.0 | |
40 | La Strada (1954) | Directed by Federico Fellini | 0.60 | 15.1 | 15.10 | 173 | 86 | 02 / 01 | 80.4 | |
43 | Across 110th Street (1972) | Anthony Franciosa | 10.30 | 65.3 | 65.30 | 39 | 73 | 00 / 00 | 80.0 | |
43 | Ride, Vaquero! (1953) | Robert Taylor & Ava Gardner |
5.60 | 99.9 | 186.60 | 54 | 62 | 00 / 00 | 80.0 | |
44 | King of Alcatraz (1938) | Dennis Mogan & Robert Preston |
2.00 | 80.1 | 80.10 | 115 | 68 | 00 / 00 | 79.8 | |
47 | The Long Wait (1954) | Charles Coburn | 4.30 | 100.4 | 100.40 | 70 | 61 | 00 / 00 | 79.6 | |
46 | A Walk in the Clouds (1995) | Keanu Reeves | 50.00 | 123.9 | 123.90 | 37 | 54 | 00 / 00 | 79.5 | |
45 | Behold a Pale Horse (1964) | Gregory Peck | 5.10 | 59.0 | 59.00 | 56 | 73 | 00 / 00 | 78.9 | |
50 | Against All Flags (1952) | Errol Flynn & Maureen O'Hara |
4.40 | 87.1 | 87.10 | 73 | 62 | 00 / 00 | 77.4 | |
51 | Last Action Hero (1993) | Arnold Schwarzenegger | 50.00 | 130.2 | 357.50 | 26 | 49 | 00 / 00 | 77.4 | |
48 | Lion of the Desert (1980) | Olvier Reed | 3.50 | 14.5 | 14.50 | 117 | 85 | 00 / 00 | 77.1 | |
52 | Warlock (1959) | Henry Fonda & Richard Widmark |
4.30 | 77.0 | 77.00 | 61 | 63 | 00 / 00 | 75.6 | |
53 | The Perfect Snob (1941) | Cornel Wilde | 1.80 | 70.1 | 70.10 | 129 | 64 | 00 / 00 | 74.1 | |
54 | Seminole (1953) | Rock Hudson | 4.20 | 76.2 | 76.20 | 83 | 62 | 00 / 00 | 74.0 | |
56 | Hot Spell (1958) | Shirley MacLaine | 2.60 | 46.2 | 46.20 | 89 | 68 | 00 / 00 | 70.1 | |
55 | The Visit (1964) | Ingrid Bergman | 2.30 | 26.2 | 26.20 | 104 | 73 | 01 / 00 | 69.6 | |
58 | Seven Cities of Gold (1955) | Richard Egan & Jeffrey Hunter |
2.60 | 54.2 | 54.20 | 120 | 64 | 00 / 00 | 68.4 | |
57 | The Savage Innocents (1960) | Peter O'Toole | 1.20 | 19.0 | 19.00 | 121 | 75 | 00 / 00 | 68.2 | |
59 | Island of Lost Men (1939) | Broderick Crawford | 1.30 | 49.5 | 49.50 | 158 | 65 | 00 / 00 | 67.5 | |
60 | Black Gold (1947) | Katherine DeMille | 1.80 | 53.2 | 53.20 | 141 | 63 | 00 / 00 | 66.6 | |
61 | City Beneath The Sea (1953) | Robert Ryan | 3.80 | 68.1 | 68.10 | 96 | 58 | 00 / 00 | 66.1 | |
62 | Only the Lonely (1991) | John Candy & Maureen O'Hara |
21.80 | 55.9 | 55.90 | 60 | 61 | 00 / 00 | 65.4 | |
63 | Roger Touhy, Gangster (1944) | Harry Morgan & Victor McLaglen |
1.10 | 38.3 | 38.30 | 141 | 65 | 00 / 00 | 62.7 | |
64 | The Wild Party (1956) | Carol Ohmart | 2.00 | 39.2 | 39.20 | 139 | 64 | 00 / 00 | 62.5 | |
64 | Blowing Wild (1953) | Gary Cooper & Barbara Stanwyck |
5.80 | 103.7 | 182.30 | 51 | 43 | 00 / 00 | 61.5 | |
66 | The Shoes of the Fisherman (1968) | Laurence Olivier | 4.60 | 37.6 | 37.60 | 68 | 61 | 02 / 00 | 58.8 | |
65 | The Naked Street (1955) | Anne Bancroft & Farley Granger |
1.10 | 23.0 | 23.00 | 167 | 67 | 00 / 00 | 58.2 | |
68 | Attila (1954) | Sophia Loren | 2.90 | 67.0 | 67.00 | 108 | 52 | 00 / 00 | 56.5 | |
67 | The Last Train from Madrid (1937) | Dorothy Lamour | 0.40 | 16.4 | 16.40 | 206 | 68 | 00 / 00 | 56.3 | |
69 | East of Sumatra (1953) | Jeff Chandler | 2.60 | 47.1 | 47.10 | 140 | 57 | 00 / 00 | 54.0 | |
72 | The Brave Bulls (1951) | Mel Ferrer | 2.90 | 61.6 | 61.60 | 133 | 52 | 00 / 00 | 53.5 | |
70 | A High Wind in Jamaica (1965) | James Coburn | 2.70 | 28.6 | 28.60 | 84 | 62 | 00 / 00 | 53.5 | |
71 | Guns for San Sebastian (1968) | Charles Bronson | 2.60 | 21.7 | 21.70 | 103 | 64 | 00 / 00 | 53.1 | |
73 | Angels of Darkness (1954) | Linda Darnell | 0.40 | 8.4 | 8.40 | 184 | 68 | 00 / 00 | 51.7 | |
73 | The 25th Hour (1967) | Michael Redgrave | 0.90 | 8.0 | 8.00 | 144 | 68 | 00 / 00 | 51.5 | |
76 | Lost Command (1966) | George Segal & Alain Delon |
2.90 | 28.2 | 120.10 | 79 | 60 | 00 / 00 | 49.1 | |
77 | The Happening (1967) | Faye Dunaway | 2.00 | 17.8 | 17.80 | 97 | 62 | 00 / 00 | 46.5 | |
77 | Thieves Fall Out (1941) | Eddie Albert | 0.90 | 32.9 | 32.90 | 184 | 57 | 00 / 00 | 45.0 | |
78 | Caravans (1978) | Christopher Lee | 4.40 | 20.5 | 20.50 | 87 | 60 | 01 / 00 | 44.9 | |
79 | Texas Rangers Ride Again (1940) | John Howard | 0.90 | 35.1 | 35.10 | 172 | 56 | 00 / 00 | 44.4 | |
79 | Oriundi (2000) | Paulo Betti | 0.00 | 0.0 | 0.00 | 378 | 66 | 00 / 00 | 43.3 | |
81 | Mobsters (1991) | Christian Slater | 20.20 | 51.8 | 51.80 | 63 | 50 | 00 / 00 | 43.0 | |
81 | The Passage (1979) | James Mason | 2.90 | 12.4 | 12.40 | 93 | 62 | 00 / 00 | 43.0 | |
85 | Man From Del Rio (1956) | Katy Jurado | 2.00 | 40.0 | 40.00 | 138 | 53 | 00 / 00 | 41.7 | |
84 | The Greek Tycoon (1978) | Jacqueline Bisset | 14.70 | 67.6 | 67.60 | 48 | 44 | 00 / 00 | 41.2 | |
84 | The River's Edge (1957) | Ray Milland | 0.90 | 16.6 | 16.60 | 168 | 60 | 00 / 00 | 40.8 | |
86 | The Rover (1967) | Rita Hayworth | 0.70 | 6.6 | 6.60 | 151 | 63 | 00 / 00 | 40.6 | |
87 | Heller in Pink Tights (1960) | Sophia Loren | 2.70 | 42.4 | 42.40 | 83 | 51 | 00 / 00 | 39.5 | |
90 | The Magnificent Matador (1955) | Maureen O'Hara | 2.40 | 50.4 | 50.40 | 124 | 47 | 00 / 00 | 36.4 | |
89 | Marco the Magnificent (1965) | Orson Welles | 0.30 | 3.6 | 3.60 | 148 | 61 | 00 / 00 | 33.4 | |
91 | Flap (1970) | Shelley Winters | 1.80 | 12.6 | 12.60 | 112 | 56 | 00 / 00 | 28.7 | |
92 | The Black Orchid (1958) | Sophia Loren | 2.90 | 51.3 | 51.30 | 73 | 43 | 00 / 00 | 28.4 | |
92 | High Risk (1981) | James Coburn | 2.20 | 8.5 | 8.50 | 113 | 57 | 00 / 00 | 28.2 | |
93 | Knockout (1941) | Arthur Kennedy | 0.70 | 28.6 | 28.60 | 190 | 50 | 00 / 00 | 28.0 | |
96 | Revenge (1990) | Kevin Costner | 15.60 | 39.9 | 39.90 | 78 | 46 | 00 / 00 | 27.9 | |
95 | The Don Is Dead (1973) | Directed by Richard Fleischer | 1.70 | 10.2 | 10.20 | 134 | 56 | 00 / 00 | 27.6 | |
94 | A Walk in the Spring Rain (1970) | Ingrid Bergman | 2.00 | 14.2 | 14.20 | 105 | 54 | 00 / 00 | 27.1 | |
98 | The Magus (1968) | Michael Caine | 2.90 | 23.5 | 23.50 | 97 | 51 | 00 / 00 | 26.2 | |
99 | The Destructors/The Marseille Contract (1974) | Michael Caine & James Mason |
0.50 | 2.7 | 2.70 | 145 | 56 | 00 / 00 | 24.2 | |
98 | The Salamander (1981) | Christopher Lee | 0.00 | 0.1 | 0.10 | 187 | 55 | 00 / 00 | 19.6 | |
101 | R.P.M. (1970) | Ann-Margret & Directed by Stanley Kramer |
1.30 | 9.0 | 9.00 | 132 | 48 | 00 / 00 | 13.3 | |
102 | Somebody to Love (1994) | Harvey Keitel & Steve Buscemi |
0.10 | 0.2 | 0.20 | 228 | 45 | 00 / 00 | 8.0 | |
103 | Avenging Angelo (2002) | Sylvester Stallone | 0.10 | 0.1 | 1.60 | 307 | 37 | 00 / 00 | 2.7 | |
104 | Ghosts Can't Do It (1990) | Bo Derek | 0.10 | 0.1 | 0.10 | 225 | 16 | 00 / 00 | 0.0 |
Possibly Interesting Facts About Anthony Quinn
1. Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca on April 21, 1915 in Chihuahua, Mexico during the Mexican Revolution
2. Before acting…..Anthony Quinn boxed professionally to earn money, then studied art and architecture under Frank Lloyd Wright. It was Wright’s suggestion that Quinn go after an acting career.
3. Anthony Quinn appeared in more movies with other Oscar-winning actors than any other Oscar-winning actor – a total of 46 Oscar®-winning co-stars (28 male, 18 female).
4. Anthony Quinn was nominated for four acting Oscars®. He won a Best Supporting Actor Oscars® for Viva Zapata! in 1952 and Lust for Life in 1956. He received two Best Actor Oscar® nominations for 1957’s Wild Is The Wind and 1964’s Zorba the Greek. Quinn was the first Mexican-American to win an Academy Award®.
5. Anthony Quinn only appeared on screen for a total of 23 minutes and 40 seconds in 1956’s Lust for Life. Though his screen time was short…..he did get an Oscar® for those 23 minutes.
6. Anthony Quinn was good friends with actress Maureen O’Hara, they starred together six times. The films are The Black Swan (1942), Buffalo Bill (1944), Sinbad, the Sailor (1947), Against All Flags (1952), The Magnificent Matador (1955) and Only the Lonely (1991).
7. Anthony Quinn was married 3 times. He had ten children. Quinn was married to Katharine DeMille from 1937-1965. That made Quinn the son-in-law of legendary director Cecil B. DeMille.
8. Anthony Quinn and two extremes. We have 25,103 movies in our database. Quinn’s Lawrence of Arabia (1962) is the 6th highest rated movie in our database. Meanwhile….coming in 25,101st (or 3rd worst) place is Quinn’s Ghosts Can’t Do It (1990).
Check out Anthony Quinn‘s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Steve Lensman’s Anthony Quinn New You Tube Video
Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences. Golden Globe® is a registered trademark of the Hollywood Foreign Press.
For comments….all you need is a name and a comment….please ignore the rest.
What a detailed conversation about Anthony Quinn between Steve and Bob. Glad Bob shared such great thoughts on Quinn after seeing Steve’s video. He has one of the largest pages in our database. Great information…that was both fun and informative. And now I go to bed….long day tomorrow (but it is already tomorrow)..lol.
TONY QUINN PART ONE
Anthony graduated from early supporting roles to stardom but I always regarded him as mainly Bottom of A List/Top of B List among Hollywood stars in that if there were other prominent players in his films such as Kirk Douglas, Widmark, Fonda and Peck Tony’s role and billing would usually be subordinate.
However he was a terrific actor and some movie historians have admired his extensive range and opined that he was wasted inn those early supporting roles as in Power’s The Black Swan and Cooper’s The Plainsman and Blowing Wild.
Tony himself though seemed quite happy, expressing great satisfaction with the wealth that his Hollywood career brought him. I enjoyed many of his performances – for example off the top of my head his “big rancher who owned the town” Craig Belden in 1959’s Last Train from Gun Hill with Kirk and his Tom Morgan, embittered crippled sidekick of Fonda’s in Warlock the same year.
Best POSTERS in 50-26 in your video are in my opinion Raunchy ones for Attila the Hun and Heller in Pink Tights. The Mumbler is Dead, The Passage, Revenge, 1st one for Portrait in Black, two great ones for Hunchback of Notre-Dame, all foreign language ones for Lost Command and Magnificent Matador. The Savage Innocents and Sinbad the Sailor- [Derryabar! Derryabar! The Paradise Island of Derryabar! [ah nostalgia!]
All STILLS covered in Part 2
Apologies my Part One Quinn covered entries 55-28 and not 50-26
Tony Quinn played many tough, villainous and unsympathetic characters during the course of his long 65 year career but he could also bring out a humorous streak in the some of the roles he played.
For example in the 1953 City beneath the Sea [covered in your video]he and Robert Ryan both casually dressed and playing ship salvage reclamation experts are talking while slowly disembarking down a ship’s gangway when am impatient and smartly dressed businessman with a Joel Hirschhorn sense of his own importance and carrying a briefcase tries to push past them saying “Excuse me I am trying to get ashore!” to which Quinn refusing to yield retorts “What a coincidence– so are we!” [I saw that movie on a double bill with Willie and Joe in Tokyo starring Harvey Lembeck and Tom Ewell of 7 Year itch fame]
Best POSTERS in Quinn video 1-27 are in my view Guns for San Sebastian, Buccaneer [Tony directs Chuck!] Across 110th Street, Blood and Sand, both Viva Zapata ones, all foreign Language ones for Last Train from Gun Hill, Warlock, They Died with Boots On, La Strada and Guns of Navarone and a magnificent 1st one for Lawrence.
STILLS in entire video Barabbas, Blood Money, fooling around with Bing and Bob, as Paul Gauguin, with “Ollie” as Zorba [possibly Quinn’s most famous LEAD role with that wonderful dance music] the Guns of Navarone ensemble, in the desert with “Orance” and closing solo of a happy Tony.
A par excellence 98% rated presentation overall from you in my estimation. You and The Invisible Man [a guy who is definitely TOP of A list in my book] agree on 5 of Tony’s Top 6 best reviewed with you putting Zorba in you 6 but Claude Rains going instead for The Message.
Hi Bob, thanks for reviewing and rating my extra long Anthony Quinn video, appreciate the info, trivia, quotes and comparison.
Glad you liked the posters and stills.
Quinn appeared in so many films this could easily have been a Top 100, I had to leave a lot of well known movies out in which he had a minor role. But I think I got the balance right.
Quinn played so many Greeks I used to think he was from Greece or Cyprus, found out later he was Mexican.
Quinn had 5 films scoring 10 out of 10 from my sources, they are –
Lawrence of Arabia
La Strada
Ox-Bow Incident ,The
Viva Zapata
Lust for Life
Two more scoring 9 – The Guns of Navarone and Zorba the Greek.
At IMDB it’s a three way tie – Lawrence of Arabia, Lion of the Desert and The Message each scored 8.4. Lawrence is no.1 at Rotten Tomatoes and tops the charts at the UMR.
Quinn on Tracy – “Spencer Tracy’s a dangerous actor. You never know what he’s going to do. He’s one of the few actors you can never steal a scene from. He and Olivier and Jean Gabin.”
Quinn on Brando – “We forget how he revolutionized acting. Look at the chances he takes – think of all the stars who drift along playing themselves.”
Quinn on his signature role – “I held out my arms, in a traditional Greek stance, and shuffled along the sands. Soon Alan Bates picked up on the move … We were born-again Greeks, joyously celebrating life. We had no idea what we were doing, but it felt right, and good.”
HI STEVE
Thanks for feedback, ratings explanations and amplifications and of course more of those fantastic quotes.
Nicholson, Babs, Dustin Hoffman and now Tony Quinn – what is it that these people, themselves all great entertainment icons, have seen in Mr Mumbles that Joel has missed?
My own take in the matter is -and I’ve said it before – that Widmark, Peck Stewart and Laddie are my very favourite male stars because they have ENTERTAINED me the most over a consistently long period along with of course a bit further down the list The Duke, Glenn Ford and Chuck, Michael Caine and Dirk Bogarde
Brando has entertained me in some of his films such as Godpop and Guys and Dolls but a lot of the time his stuff has been “dry goods” in my opinion and I think that I ADMIRE him more than I am entertained by him because of the way he changed acting and the risks that he has taken as Quinn says.
Because Mr M was the pathfinder a lot of today’s actors who would hitherto have been confined to the status of character actors can and have become stars in offbeat parts Each of the Great stars is unique in his or her own way but for me in the Hollywood of the Classic era he was almost the most unusual one to achieve the kind he did stardom among the men.
Almost everybody else in the AFI male legends list such as Gable, Grant, Cagney make for very easy viewing and it has always astonished me that someone who played the kind of the strange parts Marlon has played [such as that weird guy in Candy] was able to become one of AFI’s Top 10 Male Legends.
STEVE
My last post was meant for you and not Bruce. Apologies
It seems to be the only way we can get to communicate with him, albeit in a one-sided dialogue, these days.is to send him by mistake posts meant for other people!
Hi Bruce, sorry I mean, Bob. I know what you mean about trying to get Bruce’s attention, he seems to disappear for days on end. The site running on autopilot. Might just be the busiest man on the face of the Earth. If President Trump was boss here he’d be more available. 😉
Thanks for posting your views on your movie idols. I’m with you on Brando, great actor no doubt, but few of his films are beloved favorites.
RE: Nationality: Anthony Quinn was 3/4 Mexican and 1/4 Irish. Quinn was a family name. He did indeed play a lot of roles of various nationalities. Because he was Mexican it was considered okay for him to dance with Lena Horne. Blacks were not allowed in the Golden Age of Hollywood to dance while touching with all white partners.
Another actor who played a lot of nationalities was Omar Sharif who was Egyptian. This was most likely because Sharif could speak nine languages fluently. I don’t think you have done a video on Sharif, have you Steve?
Hi Flora, thanks for the interesting info on Quinn.
I did indeed do a video on Omar Sharif late last year. What I didn’t know was that he and Barbra Streisand were quite close after making Funny Girl together. More than just friends if you get my meaning. I mean really close… [Stop winking Steve!] 🙂
Added Steve’s New Anthony Quinn Updated Video To This Page….My comments on that video.
“Nice expanded video. I have seen 14 of the movies listed. I have seen 4 of of the Top 5…..I have not seen La Strada (#2) but I want to. Others that I enjoyed would be #15 Warlock…an underrated western. #45 Last Action Hero….one of the few that seem to like this one. #44 Revenge…..love the ending. Ones I disliked #46 The Desructors…what a waste of time….#31 Behold a Pale Horse….what a wasted cast. Nice video. Voted up. Shared at UMR.”
Hi Bruce, only 14? I’ve seen nearly twice as many, maybe you saw some of the ones I didn’t include and are on your chart page.
As I was telling Flora – Quinn had appeared in well over 100 films so I left out some of his minor roles in classic movies to get a better balance of major and supporting roles. Some of the films I removed were The Black Swan, Ghost Breakers and Road to Singapore. But I did leave in Road to Morocco where he played the main villain.
I haven’t seen La Strada either but I have read up on it, I don’t think I’ll enjoy it much. Thanks again for the vote, share and comment.
When I look at the movies on this table…I get up to 24 Quinn movies watched….but many are at the bottom of the rankings…so they probably did not make your Top 55. I am still surprised that The Destructors made your Top 55. Michael Caine thinks that is one of his worst movies….along with another movie he made with Quinn…The Magus….which is a very confusing movie. My list….has all his roles we could find box office on….from his many minor roles of the 1930s and 1940s….to his starring roles in the 1950s and 1960s…and back to his supporting roles he ended up getting. I actually know nothing about La Strada….other than it is considered a great movie. Glad to share your video.
I read the wikipedia synopsis on La Strada and the film does seem pretty downbeat, not something I’d enjoy. But the performances and direction have been highly lauded.
Reading a movie synopsis at wikipedia is one of my pasttimes, especially classic movies I don’t really want to sit thru – like Bob’s favorite Magnificent Obsession. 🙂
I included The Destructors because it had some well known actors, looked like an action movie plus I liked the poster art. The rating didn’t matter to me, 😉
Hey Steve….I try and stay away from the synopsis until I see the movie…..then read them after seeing the movie….if I am trying to understand something I missed.
Debbie looks up the “Parents Guide To The Movie”…..it tells her what violence or language is coming…..she used to read it out aloud…until I requested that she keep the information to herself. Nothing worse than seating down in a theater and hearing…..an “Ice pick in the eye” scene is coming….I then spend the entire movie looking for that ice pick.
I am not complaining about including a Michael Caine movie…..just surprised it made the Top 55. Good stuff as always….and now I go to work.
Excellent page enjoyed the fun facts about his life.
Thanks for the nice words on our Anthony Quinn page.
The updated overall gross of almost $7.7 billion for Tony Quinn if taken at face value puts him among the highest grossing actors in history and suggests that he was a more successful box office star than for example Flynn or Power, the likes of whom he always merely supported, whereas he was never in the top box office league at any point in his career. However he was one of the most important supporting actors of his times and well-deserving of this page and its update.