Want to know the best Barbara Stanwyck (1907-1990) movies? How about the worst Barbara Stanwyck movies? Curious about Barbara Stanwyck box office grosses or which Barbara Stanwyck movie picked up the most Oscar® nominations? Need to know which Barbara Stanwyck movie got the best reviews from critics and audiences and which got the worst reviews? Well you have come to the right place….because we have all of that information.
Ok before we get started on this Barbara Stanwyck movie page let’s get some behind the scenes information out of the way. This page comes from the suggestion from Alecia Murphy . Also, I consider myself to be a huge movie buff, but looking at Barbara Stanwyck’s movie list, I realize I have only seen two of her movies. So how can I write a movie page that ranks all of her movies from best to worst? Other than the fact that I have watched many episodes of The Big Valley…..the answer is with Ultimate Movie Rankings Score. Ultimate Movie Rankings (UMR) Score looks at the box office success, the critical response from critics and audiences and award recognition. UMR Score then takes all the information and through a mathematical equation gives each movie a score……100 would be a perfect score.
After a successful stage career, Barbara Stanwyck moved to Hollywood in 1928. She proved herself to be versatile enough to appear in all genres of the movies. She was equally at home in dramas like 1937’s Stella Dallas and 1941’s Ball of Fire as well as comedies like 1940’s Remember the Night and 1941’s The Lady Eve. She also excelled in playing femme fatales in movies like 1944’s Double Indemnity and 1946’s The Strange Loves of Martha Ivers. Yet another genre she specialized in was westerns, as she appeared in many westerns though out her career.
Her peak years were between 1937 and 1949. The 1950s saw her constantly working but the quality of the movies started to diminish. One of her last starring roles was opposite Ronald Reagan in 1954’s The Cattle Queen of Montana. Cattle Queen is the movie that made Reagan think about other career options…that turned out well for him. As the 1960s came into play Stanwyck stopped making movies and concentrated her career on television projects. She starred in The Barbara Stanwyck Show (1961-62), The Big Valley (1965-1969), and The Colbys (1985-86). In her later years, Stanwyck did lots of work for charity. She passed away January 20, 1990.
Her IMDb page shows 107 acting credits from 1927-1986. This page will rank 79 Barbara Stanwyck movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos, some hard to find information on movies and movies not released in North American theaters were not included in the rankings.
Barbara Stanwyck Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1944
Double Indemnity (1944)
AA Best Picture Nom
AA Best Actress Nom
1941
Ball of Fire (1941)
AA Best Actress Nom
1941
The Lady Eve (1941)
1941
Meet John Doe (1941)
1954
Executive Suite (1954)
1948
Sorry, Wrong Number (1948)
AA Best Actress Nom
1946
The Strange Love of Martha Ivers (1946)
1945
Christmas in Connecticut (1945)
1937
Stella Dallas (1937)
AA Best Actress Nom
1939
Union Pacific (1939)
1946
My Reputation (1946)
1947
The Two Mrs. Carrolls (1947)
1942
The Gay Sisters (1942)
1937
This Is My Affair (1937)
1943
Flesh and Fantasy (1943)
1943
Lady of Burlesque (1943)
1930
Ladies of Leisure (1930)
1947
California (1947)
1940
Remember the Night (1940)
1953
Titanic (1953)
1936
His Brother's Wife (1936)
1932
The Bitter Tea of General Yen (1932)
1932
Forbidden (1932)
1950
The Furies (1950)
1955
The Violent Men (1955)
1947
The Other Love (1947)
1937
Breakfast for Two (1937)
1931
The Miracle Woman (1931)
1936
A Message to Garcia (1936)
1937
Internes Can't Take Money (1937)
1962
Walk on the Wild Side (1962)
1941
You Belong To Me (1941)
1952
Clash by Night (1952)
1949
East Side, West Side (1949)
1931
Night Nurse (1931)
1938
The Mad Miss Manton (1938)
1953
All I Desire (1953)
1938
Always Goodbye (1938)
1932
Shopworn (1932)
1948
B.F.'s Daughter (1948)
1939
Golden Boy (1939)
1942
The Great Man's Lady (1942)
1964
Roustabout (1964)
1949
The File on Thelma Jordon (1949)
1955
There's Always Tomorrow (1955)
1957
Forty Guns (1957)
1936
Banjo On My Knee (1936)
1947
Cry Wolf (1947)
1954
Witness to Murder (1954)
1934
Gambling Lady (1934)
1950
To Please a Lady (1950)
1933
Baby Face (1933)
1931
Illicit (1931)
1949
The Lady Gambles (1949)
1950
No Man of Her Own (1950)
1935
Annie Oakley (1935)
1953
Jeopardy (1953)
1953
Blowing Wild (1953)
1933
Ladies They Talk About (1933)
1957
Trooper Hook (1957)
1936
The Plough and the Stars (1936)
1932
So Big! (1932)
1931
Ten Cents a Dance (1931)
1946
The Bride Wore Boots (1946)
1956
Crime of Passion (1956)
1955
Escape to Burma (1955)
1933
Ever in My Heart (1933)
1935
The Woman in Red (1935)
1964
The Night Walker (1964)
1934
A Lost Lady (1934)
1932
The Purchase Price (1932)
1929
The Locked Door (1929)
1929
Mexicali Rose (1929)
1956
These Wilder Years (1956)
1934
The Secret Bride (1934)
1953
The Moonlighter (1953)
1951
The Man With A Cloak (1951)
1936
The Bride Walks Out (1936)
1935
Red Salute (1935)
1954
Cattle Queen of Montana (1954)
1956
The Maverick Queen (1956)
Barbara Stanwyck Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Barbara Stanwyck movies by co-stars of her movies
- Sort Barbara Stanwyck movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Barbara Stanwyck movies by yearly domestic box office rank
- Sort Barbara Stanwyck movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Barbara Stanwyck movie received.
- Sort Barbara Stanwyck movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the sort and search button to make this a very interactive page. For example type in Henry Fonda in the search box to see all of the Fonda/Stanwyck movies….or type Clark Gable in the search box to bring up all of the Gable/Stanwyck movies….or type in….I think you get the idea.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Double Indemnity (1944) AA Best Picture Nom AA Best Actress Nom |
Fred MacMurray & Edward G. Robinson |
8.40 | 307.8 | 307.80 | 21 | 94 | 07 / 00 | 99.7 | |
2 | Ball of Fire (1941) AA Best Actress Nom |
Gary Cooper & Directed by Howard Hawks |
6.00 | 251.2 | 357.50 | 16 | 86 | 04 / 00 | 98.8 | |
3 | The Lady Eve (1941) | Henry Fonda | 4.50 | 189.5 | 189.50 | 36 | 87 | 01 / 00 | 98.1 | |
3 | Meet John Doe (1941) | Gary Cooper & Directed by Frank Capra |
5.30 | 220.8 | 324.30 | 23 | 82 | 01 / 00 | 97.8 | |
5 | Executive Suite (1954) | William Holden & Shelley Winters |
7.70 | 195.7 | 261.60 | 36 | 80 | 04 / 00 | 97.6 | |
4 | Sorry, Wrong Number (1948) AA Best Actress Nom |
Burt Lancaster | 7.50 | 220.3 | 220.30 | 25 | 80 | 01 / 00 | 97.4 | |
7 | The Strange Love of Martha Ivers (1946) | Kirk Douglas | 8.90 | 299.4 | 299.40 | 28 | 80 | 01 / 00 | 97.3 | |
8 | Christmas in Connecticut (1945) | Dennis Morgan | 9.10 | 314.2 | 396.70 | 22 | 80 | 00 / 00 | 97.2 | |
8 | Stella Dallas (1937) AA Best Actress Nom |
Anne Shirley | 6.00 | 271.2 | 271.20 | 12 | 77 | 02 / 00 | 97.0 | |
12 | Union Pacific (1939) | Joel McCrea | 5.50 | 230.8 | 230.80 | 25 | 66 | 01 / 00 | 93.9 | |
10 | My Reputation (1946) | George Brent | 7.50 | 251.8 | 363.00 | 42 | 65 | 00 / 00 | 93.3 | |
13 | The Two Mrs. Carrolls (1947) | Humphrey Bogart | 6.20 | 196.7 | 306.30 | 46 | 66 | 00 / 00 | 93.1 | |
15 | The Gay Sisters (1942) | George Brent & Donald Crisp |
4.90 | 200.0 | 299.20 | 47 | 64 | 00 / 00 | 92.8 | |
14 | This Is My Affair (1937) | Robert Taylor | 4.00 | 180.8 | 239.70 | 45 | 69 | 00 / 00 | 92.7 | |
15 | Flesh and Fantasy (1943) | Edward G. Robinson | 5.10 | 201.4 | 201.40 | 55 | 63 | 00 / 00 | 92.6 | |
18 | Lady of Burlesque (1943) | Iris Adrian | 5.20 | 204.2 | 204.20 | 54 | 62 | 00 / 00 | 92.3 | |
17 | Ladies of Leisure (1930) | Ralph Graves | 3.10 | 182.6 | 182.60 | 19 | 67 | 00 / 00 | 92.2 | |
18 | California (1947) | Ray Milland & Anthony Quinn |
10.50 | 334.7 | 334.70 | 13 | 61 | 00 / 00 | 91.9 | |
17 | Remember the Night (1940) | Fred MacMurray & Written by Preston Sturges |
2.90 | 120.0 | 120.00 | 51 | 84 | 00 / 00 | 91.0 | |
20 | Titanic (1953) | Clifton Webb | 6.80 | 133.5 | 133.50 | 40 | 77 | 02 / 01 | 91.0 | |
23 | His Brother's Wife (1936) | Robert Taylor | 4.00 | 187.4 | 260.40 | 30 | 58 | 00 / 00 | 89.3 | |
21 | The Bitter Tea of General Yen (1932) | Directed by Frank Capra | 2.40 | 128.9 | 128.90 | 21 | 75 | 00 / 00 | 88.9 | |
24 | Forbidden (1932) | Directed by Frank Capra | 2.30 | 124.4 | 124.40 | 22 | 74 | 00 / 00 | 87.9 | |
23 | The Furies (1950) | Walter Huston | 4.60 | 111.9 | 111.90 | 65 | 77 | 01 / 00 | 87.8 | |
25 | The Violent Men (1955) | Glenn Ford | 5.60 | 125.9 | 125.90 | 60 | 73 | 00 / 00 | 87.7 | |
28 | The Other Love (1947) | David Niven | 5.00 | 158.8 | 158.80 | 66 | 61 | 00 / 00 | 87.2 | |
27 | Breakfast for Two (1937) | Herbert Marshall | 2.90 | 131.1 | 131.10 | 77 | 69 | 00 / 00 | 87.1 | |
26 | The Miracle Woman (1931) | Directed by Frank Capra | 1.60 | 86.9 | 86.90 | 82 | 81 | 00 / 00 | 86.1 | |
30 | A Message to Garcia (1936) | Wallace Beery | 3.30 | 156.7 | 156.70 | 48 | 57 | 00 / 00 | 85.2 | |
30 | Internes Can't Take Money (1937) | Joel McCrea | 3.30 | 147.3 | 147.30 | 66 | 59 | 00 / 00 | 85.1 | |
33 | Walk on the Wild Side (1962) | Jane Fonda | 8.60 | 134.3 | 134.30 | 28 | 61 | 01 / 00 | 84.5 | |
33 | You Belong To Me (1941) | Henry Fonda | 3.90 | 162.4 | 162.40 | 56 | 53 | 00 / 00 | 84.4 | |
33 | Clash by Night (1952) | Robert Ryan & Marilyn Monroe |
4.20 | 89.0 | 89.00 | 84 | 75 | 00 / 00 | 84.2 | |
36 | East Side, West Side (1949) | James Mason & Ava Gardner |
4.20 | 115.2 | 192.80 | 76 | 66 | 00 / 00 | 83.8 | |
34 | Night Nurse (1931) | Clark Gable | 1.80 | 98.7 | 113.70 | 67 | 71 | 00 / 00 | 83.6 | |
37 | The Mad Miss Manton (1938) | Henry Fonda | 2.00 | 86.3 | 86.30 | 118 | 74 | 00 / 00 | 83.2 | |
36 | All I Desire (1953) | Maureen O'Sullivan | 3.70 | 72.1 | 72.10 | 100 | 78 | 00 / 00 | 83.0 | |
38 | Always Goodbye (1938) | Herbert Marshall | 2.60 | 114.0 | 114.00 | 86 | 64 | 00 / 00 | 82.5 | |
39 | Shopworn (1932) | Regis Toomey | 2.60 | 137.3 | 137.30 | 20 | 57 | 00 / 00 | 82.4 | |
40 | B.F.'s Daughter (1948) | Van Heflin & Charles Coburn |
3.80 | 112.0 | 147.60 | 91 | 62 | 01 / 00 | 81.4 | |
43 | Golden Boy (1939) | William Holden | 3.00 | 126.7 | 126.70 | 75 | 56 | 01 / 00 | 80.9 | |
43 | The Great Man's Lady (1942) | Joel McCrea | 3.10 | 127.3 | 127.30 | 88 | 56 | 00 / 00 | 80.2 | |
45 | Roustabout (1964) | Elvis Presley | 9.00 | 112.5 | 112.50 | 29 | 60 | 00 / 00 | 79.8 | |
42 | The File on Thelma Jordon (1949) | Paul Kelly | 2.60 | 72.1 | 72.10 | 122 | 72 | 00 / 00 | 79.6 | |
44 | There's Always Tomorrow (1955) | Fred MacMurray | 2.90 | 64.6 | 64.60 | 109 | 73 | 00 / 00 | 78.8 | |
45 | Forty Guns (1957) | Barry Sullivan & Dean Jagger |
2.60 | 54.0 | 54.00 | 96 | 76 | 00 / 00 | 78.7 | |
47 | Banjo On My Knee (1936) | Joel McCrea & Walter Brennan |
3.00 | 141.0 | 141.00 | 60 | 48 | 01 / 00 | 78.5 | |
48 | Cry Wolf (1947) | Errol Flynn | 5.00 | 158.1 | 230.90 | 69 | 42 | 00 / 00 | 77.6 | |
47 | Witness to Murder (1954) | George Sanders | 2.90 | 73.0 | 73.00 | 106 | 67 | 00 / 00 | 76.6 | |
49 | Gambling Lady (1934) | Joel McCrea | 1.40 | 72.3 | 95.30 | 81 | 66 | 00 / 00 | 75.6 | |
51 | To Please a Lady (1950) | Clark Gable | 5.90 | 144.1 | 204.40 | 43 | 43 | 00 / 00 | 75.2 | |
51 | Baby Face (1933) | John Wayne | 0.90 | 45.0 | 66.00 | 119 | 74 | 00 / 00 | 74.8 | |
52 | Illicit (1931) | Joan Blondell | 1.50 | 82.6 | 90.70 | 87 | 60 | 00 / 00 | 72.5 | |
54 | The Lady Gambles (1949) | Robert Preston | 3.10 | 83.5 | 83.50 | 115 | 59 | 00 / 00 | 71.8 | |
55 | No Man of Her Own (1950) | John Lund | 1.60 | 39.5 | 39.50 | 160 | 71 | 00 / 00 | 69.7 | |
56 | Annie Oakley (1935) | Melvyn Douglas & Directed by George Stevens |
1.20 | 60.8 | 86.70 | 109 | 62 | 00 / 00 | 67.5 | |
57 | Jeopardy (1953) | Barry Sullivan & Ralph Meeker |
3.70 | 71.6 | 95.80 | 102 | 58 | 00 / 00 | 66.9 | |
58 | Blowing Wild (1953) | Gary Cooper & Anthony Quinn |
5.80 | 113.0 | 198.70 | 51 | 43 | 00 / 00 | 64.4 | |
58 | Ladies They Talk About (1933) | Preston Foster | 0.80 | 40.3 | 54.70 | 132 | 64 | 00 / 00 | 61.7 | |
59 | Trooper Hook (1957) | Joel McCrea | 2.00 | 42.0 | 42.00 | 115 | 63 | 00 / 00 | 60.3 | |
60 | The Plough and the Stars (1936) | Barry Fitzgerald & Directed by John Ford |
1.10 | 49.5 | 49.50 | 140 | 60 | 00 / 00 | 59.9 | |
62 | So Big! (1932) | Bette Davis | 1.10 | 60.1 | 72.20 | 105 | 56 | 00 / 00 | 58.1 | |
63 | Ten Cents a Dance (1931) | Ricardo Cortez | 0.60 | 35.3 | 35.30 | 181 | 62 | 00 / 00 | 55.2 | |
66 | The Bride Wore Boots (1946) | Robert Cummings & Natalie Wood |
3.00 | 100.0 | 100.00 | 103 | 41 | 00 / 00 | 54.9 | |
64 | Crime of Passion (1956) | Sterling Hayden | 1.40 | 30.5 | 30.50 | 158 | 62 | 00 / 00 | 53.4 | |
68 | Escape to Burma (1955) | Robert Ryan | 2.50 | 56.3 | 56.30 | 121 | 53 | 00 / 00 | 51.9 | |
65 | Ever in My Heart (1933) | Ralph Bellamy | 0.80 | 39.8 | 70.40 | 135 | 58 | 00 / 00 | 51.7 | |
67 | The Woman in Red (1935) | Gene Raymond | 0.90 | 42.4 | 61.00 | 152 | 57 | 00 / 00 | 51.1 | |
67 | The Night Walker (1964) | Robert Taylor | 2.70 | 33.9 | 33.90 | 92 | 59 | 00 / 00 | 49.9 | |
69 | A Lost Lady (1934) | Frank Morgan | 0.80 | 39.7 | 55.50 | 137 | 57 | 00 / 00 | 48.3 | |
73 | The Purchase Price (1932) | George Brent | 0.90 | 45.6 | 52.50 | 131 | 53 | 00 / 00 | 44.3 | |
71 | The Locked Door (1929) | Rod La Rocque | 0.80 | 26.8 | 26.80 | 127 | 59 | 00 / 00 | 44.3 | |
72 | Mexicali Rose (1929) | Sam Hardy | 1.00 | 34.9 | 34.90 | 111 | 56 | 00 / 00 | 43.3 | |
75 | These Wilder Years (1956) | James Cagney & Walter Pidgeon |
1.60 | 34.9 | 53.50 | 151 | 55 | 00 / 00 | 41.8 | |
75 | The Secret Bride (1934) | Warren William | 0.60 | 31.2 | 31.20 | 165 | 56 | 00 / 00 | 41.0 | |
77 | The Moonlighter (1953) | Fred MacMurray | 2.30 | 45.3 | 57.30 | 152 | 50 | 00 / 00 | 38.5 | |
76 | The Man With A Cloak (1951) | Joseph Cotten | 1.30 | 29.6 | 51.20 | 183 | 55 | 00 / 00 | 37.8 | |
80 | The Bride Walks Out (1936) | Robert Young | 1.70 | 78.6 | 105.00 | 111 | 38 | 00 / 00 | 33.9 | |
78 | Red Salute (1935) | Robert Young | 0.60 | 30.2 | 30.20 | 179 | 53 | 00 / 00 | 33.6 | |
79 | Cattle Queen of Montana (1954) | Ronald Reagan | 1.90 | 49.3 | 49.30 | 124 | 46 | 00 / 00 | 32.6 | |
79 | The Maverick Queen (1956) | Barry Sullivan | 1.30 | 27.5 | 27.50 | 163 | 50 | 00 / 00 | 26.2 |
Stats and Possibly Interesting Things From The Above Barbara Stanwyck Table
- Twenty-seven Barbara Stanwyck movies crossed the magical $100 million domestic gross mark. That is a percentage of 34.17% of her movies listed. California (1946) was her biggest box office hit….I excluded Hollywood Canteen from this question.
- An average Barbara Stanwyck movie grosses $87.10 million in adjusted box office gross.
- Using RottenTomatoes.com’s 60% fresh meter. 50 of Barbara Stanwyck’s movies are rated as good movies…or 63.29% of her movies. Double Indemnity (1944) was her highest rated movie while The Bride Walks Out (1936) was her lowest rated movie.
- Fifteen Barbara Stanwyck movies received at least one Oscar® nomination in any category…..or 18.98% of her movies.
- One Barbara Stanwyck movie (1953’s Titanic) won at least one Oscar® in any category…..or 1.26% of her movies.
- A “good movie” Ultimate Movie Rankings (UMR) Score is 60.00. 450 Barbara Stanwyck movies scored higher than that average….or 63.29% of her movies. Double Indemnity (1944) got the the highest UMR Score while The Maverick Queen (1956) got the lowest UMR Score.
Possibly Interesting Facts About Barbara Stanwyck
1. Barbara Stanwyck’s birth name was Ruby Catherine Stevens. She became an orphan at the age of four when her mother passed away and her father went looking for work in Central America and was never heard from again.
2. So how did Ruby Catherine Stevens become Barbara Stanwyck? In 1926 she was appearing in a play called The Noose. After the success of the The Noose she decided to change her name. Her character’s first name in the play was Barbara while another one of the actresses in the play had a last name of Stanwyck. So she put the two names together and created Barbara Stanwyck.
3. Barbara Stanwyck received 4 Oscar® nominations for Best Actress. Those four movies were…1937’s Stella Dallas, 1941’s Ball of Fire, 1944’s Double Indemnity and 1948’s Sorry Wrong Number. She never won an Oscar® but she received an Honorary Oscar® Award in 1982: “For superlative creativity and unique contribution to the art of screen acting.”
4. Speaking of Oscar® talk….here is a crazy piece of trivia. Barbara Stanwyck’s 82 movies received 28 Oscar® nominations in various categories over the years. The only Stanwyck movie to win an Oscar®?…..1953’s Titanic.
5. With earnings of $400,000 in 1944, Stanwyck earned the title of highest paid woman in the United States.
6. Barbara Stanwyck was married twice in her life. Her first marriage was to Frank Fay from 1928-1935. During their marriage they adopted Dion Anthony as their son. Her second marriage was to fellow actor Robert Taylor. They were married 1939 to 1950. Another relationship of note was between Stanwyck and Robert Wagner. They started their relationship when he was 22 and she was 45….it lasted 4 years.
7. The American Film Institute ranks Barbara Stanwyck as the 11th greatest actress of all-time. While Entertainment Weekly ranks her as the 40th Greatest Movie Star of All-Time.
8. Barbara Stanwyck’s nicknames on the set were Missy or The Queen.
9. Barbara Stanwyck is the Godmother of Tori Spelling.
10. Check out Barbara Stanwyck‘s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Barbara Stanwyck appeared in 82 movies from 1929-1964. Of those movies, I was unable to find all the information needed to calculate Movie Scores for 3 of her movies. Those movies were 1927’s Dance Magic 1929’s The Locked Door and 1929’s Mexicali Rose
Not enough stats for you? Well here are Adjusted Worldwide Grosses On 30 Barbara Stanwyck Movies (in millions)
- Annie Oakley (1935) $62.70 million adjusted worldwide box office
- Baby Face (1933) $47.30 million adjusted worldwide box office
- Ball of Fire (1941) $256.30 million adjusted worldwide box office
- BF’s Daughter (1948) $105.40 million adjusted worldwide box office
- Blowing Wild (1953) $143.10 million adjusted worldwide box office
- Bride Walks Out, The (1936) $75.40 million adjusted worldwide box office
- Christmas in Connecticut (1945) $284.40 million adjusted worldwide box office
- Cry Wolf (1947) $165.40 million adjusted worldwide box office
- East Side, West Side (1949) $138.70 million adjusted worldwide box office
- Ever in My Heart (1933) $50.60 million adjusted worldwide box office
- Executive Suite (1954) $187.40 million adjusted worldwide box office
- Gambling Lady (1934) $68.80 million adjusted worldwide box office
- Gay Sisters, The (1942) $214.50 million adjusted worldwide box office
- His Brother’s Wife (1936) $186.40 million adjusted worldwide box office
- Illicit (1931) $65.30 million adjusted worldwide box office
- Jeopardy (1953) $69.30 million adjusted worldwide box office
- Ladies They Talk About (1933) $38.90 million adjusted worldwide box office
- Lost Lady, A (1934) $39.50 million adjusted worldwide box office
- Man With The Cloak, The (1951) $36.20 million adjusted worldwide box office
- Meet John Doe (1941) $232.40 million adjusted worldwide box office
- Moonlighter, The (1953) $40.50 million adjusted worldwide box office
- My Reputation (1946) $260.60 million adjusted worldwide box office
- Night Nurse (1931) $81.80 million adjusted worldwide box office
- Purchase Price, The (1932) $37.70 million adjusted worldwide box office
- So Big! (1932) $51.10 million adjusted worldwide box office
- These Wilder Years (1956) $38.00 million adjusted worldwide box office
- This Is My Affair (1937) $171.70 million adjusted worldwide box office
- To Please A Lady (1950) $146.40 million adjusted worldwide box office
- Two Mrs. Carrolls, The (1947) $219.10 million adjusted worldwide box office
- Woman in Red, The (1935) $43.40 million adjusted worldwide box office
Steve’s Barbara Stanwyck’s You Tube Video
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For comments….all you need is a name and a comment….please ignore the rest.
I have seen 22 Barbara Stanwyck movies. The highest ranked movie I have seen is DOUBLE INDEMNITY. The lowest ranked movie I have seen is ANNIE OAKLEY. The highest ranked movie I have not seen is UNION PACIFIC. Favorites include STELLA DALLAS, REMEMBER THE NIGHT, THE LADY EVE, MEET JOHN DOE, DOUBLE INDEMNITY, CHRISTMAS IN CONNECTICUT, THE STRANGE LOVE OF MARTHA IVERS, SORRY WRONG NUMBER, THE LADY GAMBLES, THE FURIES, and CLASH BY NIGHT. Other Stanwyck movies I have seen include NIGHT NURSE, BABY FACE, ANNIE OAKLEY, THE WOMAN RED, GOLDEN BOY, BALL OF FIRE, THE GREAT MAN’S LADY, MY REPUTATION, EXECUTIVE SUITE, WALK ON THE WILD SIDE, and ROUSTABOUT. Just my opinion but Miss Stanwyck should have won the Best Actress Oscar in 1937 for STELLA DALLAS as well as in 1944 for her performance in DOUBLE INDEMNITY
Hey Greg….with you revisiting these classic UMR pages…I am seeing that I have to do some updates on the page…we now have a worldwide gross table that updates automatically….so thanks for adding more work to me….lol.
So you have seen 22 of her movies….I have now seen…..counting…22….so I had you by one on the great Kate page…and trailing by two on Stanwyck’s page. I have seen and enjoyed all of your favorites except for They Clash By Night….which I have not seen.
She at least got an Oscar nomination for Stella….in Danny Peary’s Alternate Oscar book…he gave the Oscar to Irene Dunne in The Awful Truth….not to mention he gave Cary Grant the Oscar that year too…..the movie The Awful Truth. Good feedback.
Yep Greg…
She’s nails the femme fatale in Double Indemnity, and breaks your heart in Stella Dallas.
Adding these to her ability to do crackling comedic dialogue in so many films, she
may be the best actress of her generation, and certainly the best to never win best actress.
Stanwyck is definitely one of the greats who certainly deserved an Oscar. The only other actress I can think of who should gotten some Oscar love but didn’t back then is Rosalind Russell. Both ladies were equally adept at playing both comedy and drama as far as I’m concerned. The only film Stanwyck did back in the day that I thought was overrated was BALL OF FIRE for which she got an Oscar nomination in 1941. She does an okay job in the film but BALL OF FIRE was supposed to be something of a comedy but I hardly laughed while watching it. (Just my opinion but her leading man in BALL OF FIRE, Gary Cooper. ain’t exactly all that good when it comes to comedy). However, I do she should have gotten an Oscar nomination in 1941 but it should have been for her performance in THE LADY EVE which a much better movie in my opinion.
BARBARA STANWYCK VIDEO 1-25 POSTERS that most pleased me were 40 Guns, The Two Mrs Carrolls, The Night Walker, the foreign language one for All I Desire, Titanic, the foreign language one for Sorry Wrong Number, Meet John Doe, the very saucy one for The Bitter Tea of General Yen, equally saucy the poster [and still] for Ball of Fire and poster for The Violent Men with a prominent Charles William Stuart iconically demonstrating how as an actor he was very productively using another of the lives that he had been granted.
[A thought has just struck me. We know that Charlie Bill believed in reincarnation and also in life on another planet as he allegedly told Bob Hope that a space ship had landed on their lawns and taken off again, and indeed YOU have said you have an open mind in general about the latter issue. Could it be that Charles was in fact an alien in one of his past lives and they landed at his home to take him back? I mean, as “Glenn Ford” he would undoubtedly have been a valuable piece of property that no race would want to lose. I mean can you see aliens coming all the way to Earth to reclaim Joel?]
Anyway back to business and I thought the standout STILLS were Lobby Card for Night Nurse, with George Brent [I presume?] in Baby Face, with Robert Preston in Union Pacific, terrified in her bed in Sorry Wrong Number, with the very young Heflin and Kirk in Strange Love of Martha Ivers, solo as Stella Dallas, with a happy Fred in Remember the Night and a sombre MacMurray in Double Indemnity.
Classy stuff from you easily worth the 98 % rating that my own totals bring it up to for all 50 entries.. You and WH agree on Babs’ Top 4 critically reviewed films and in exact same order. You have Stella Dallas as your 5th and he has Meet John Doe.
Hey Bob….good breakdown on the second half of Steve’s Stanwyck video. Good to know we agree on the Top 4…..not thinking that happens to often.
Hi Bob, thanks for the generous rating, review, info, trivia, observation and comparison, it is appreciated. Glad you liked the pictorial aspects of the presentation.
A newbie reading your post will wonder who you’re discussing in the first two paragraphs. I wonder, when you’re chatting with your movie buddies in the real world do you all use nicknames for your favorite movie stars?
That fella in the Baby Face still is none other than Marion Morrison would you believe! [Bob gasps] That’s John Wayne’s real name for any noob looking in. He had a small role in Baby Face and I was lucky to find that still with Babs.
Yeah Bruce’s sources weren’t that impressed with Stella Dallas, which was her signature role for a while back in the 1930s. And my sources weren’t impressed with Capra’s Meet John Doe. At least we agree on the top 4.
Stanwyck has 2 films scoring 10 out of 10 from my sources – The Lady Eve and Double Indemnity. Four more scored 9 including Ball of Fire.
Double Indemnity tops all sources with The Lady Eve at no.2 at all sauces.
Stanwyck on her fiance Robert Taylor – “That boy’s got a lot to learn and I’ve got a lot to teach.”
Stanwyck on Double Indemnity – “Fred MacMurray would go to see the rushes [viewings of daily completed shots]. I remember asking Fred, “How was I?” Fred’s response was “I don’t know about you, but I was wonderful!” Such a true remark. Actors only look at themselves.”
I always thought that Barbara Stanwyck had a very cold personality and whilst it suited parts like the homicidal women she played in Double Indemnity and The Violent Men [aka Rough Company] it never endeared her to me in the way that Crawford, Durbin and Day captured my affections. However Stanwyck was a fine actress and one thing that she had in common with the other 3 ladies I’ve just mentioned is a very prolific output of stand-alone movies as your video well demonstrates. As I’ve said before I used to watch them because she was married to The Cowboy of the Century.
BEST POSTERS for my money in your Stanwyck video 50-26 are His Brother’s Wife, The Maverick Queen, Cattle Queen of Montana California, Ladies They Talk About, Lady of Burlesque, Cry Wolf, Interns Can’t Take Money, Witness to Murder, the saucy one from My Reputation, and These Wilder Years with Cagney. I can vividly recall seeing in 1956 or 57 the latter one on a double bill with Charles William Stuart’s The Fastest Gun Alive.
STILLS – (1) the solo from You Belong to me (2) the quartet in Blowing Wild [“Once we lived in a shack. Drilled for oil, precious black”] (3) with Mason in East Side West Side and (4) with the Golden Boy himself. Holden claimed he was so grateful to Babs for getting him that part that he sent her a Christmas Card every year for the rest of his life.
To be continued………
Hey Steve…..just added your updated Stanwyck video to the page.
Hey Bob….good thoughts on Stanwyck’s movie career and Steve’s video……the most shocking thing to me is that one ONE of her movies won an Oscar in any category……all these great movies….and only 1953’s Titanic is the one that can claim to be an “Oscar winning movie”.
I like the friendship Holden and Stanwyck had…..that friendship has two wonderful Oscar moments……the last being when she got her Honorary Oscar…..and mentioned him in her speech…..sadly Bill was no longer living to see her finally hold her Oscar….good stuff as always.
Thanks Bruce, appreciate the share. These expanded videos also give me an excuse to show off some high quality movie stills. I think my previous Barbara Stanwyck top 30 only had 4 stills, this one has 15.
Glad the longer videos allow for more stills….no problem sharing your videos…..the “Steve Video Page” was the number one trending page on the website a few days ago……the Lensman pull is pretty impressive!
Thanks Bruce, glad that video page isn’t a waste of space here at UMR.
Btw my old Keira Knightley video seems to have suddenly gone viral, 1000 views a day, it’s one of the great mysteries of our age.
BRUCE/STEVE
Thanks for your respective feedback on my Stanwyck posts. I would never have gotten the Baby Faced Duke in that still – he’d be disappointed in me!
The Stanwyck/MacMurray story reminds me of Crawford when she was asked if she’d like the part in Cukor’s 1939 The Women and she replied “Oh The WOMAN – I’d like to do that very much!”
Bruce’s tables suggest that Fred and Babs made 4 movies together and Double Indemnity was the only one in which Fred got billed first [though my notes suggest that one of your posters wrongly gives Babs first billing]. Presumably Fred’s unique top billing generally was because he had the real lead in the film, the story being told in voice -over as well through his eyes and he was seldom if ever off the screen. Eddie Robinson who was probably bigger than both of them in 1944 got 3rd billed in what was a supporting role but his name was in bigger letters than Fred and Barbara’s.
Hi Bob, thanks for reviewing the first half of my expanded Barbara Stanwyck video. Glad you liked the posters and stills.
I see the previous comments here were for my Top 30 video, 19 months ago!
Look forward to p.2 of your review.
1 When I was growing up in the 1950s we boys were not too interested in female stars as we were heavily into action movies especially westerns with the likes of Laddie, Widmark, Stewart and Tweedie being our idols. However Barbara was one actress that I did watch probably because she had been married to Robert Taylor who was also one of our favourite heroes.
2 COMMENTS ON VIDEO (1) you know Steve until I read your opening quote it never occurred to me how piercing Stanwyck’s eyes were (2) I was pleased that your selection included 10 of her 1950s movies.(3) again you and Bruce are agreed on only 3 of the Top 5 (4) your No 5 The Bitter Tea of General Yen is so atmospheric it should be historically preserved (5)
best posters – 2 Mrs Carrolls, Violent Men and Golden Boy the latter being a raunchy one that I would not normally associate with the usually circumspect Golden Holden (6) ironically I recall that on 20 Oct 1990 I had just finished watching Union Pacific starring Babs and Joel McCrea when I turned over to the news.channel to find out that Joel’s death was being announced. .
3 Overall another wonderful trip down Memory Lane for me so I am again obliged to you Steve. Best wishes BOB
Thanks Bob, glad you’re enjoying these videos. Have to confess that once I’ve finished them I rarely give them another look, unless I’ve completely forgotten about them. I know how actors feel when they say they never watch their movies. 😉
Your comments do tempt me to give them a peek though, I appreciate that. For me the poster artwork comes first and the ratings come second, I mean it’s all opinion isn’t it? Many of my favorite films aren’t highly rated, even Ben-Hur with all it’s Oscars isn’t as highly rated as Billy Wilder’s Double Indemnity or Carol Reed’s The Third Man.
Looking at my files I’ve so far ranked and rated just over 3100 films, most of them pre-1980, The Godfather sits comfortably at the top with a rating of 9.6. Wow! There are still 4000 films on my list waiting to be scored.
Hey Steve….we do have the same overall top movie….The Godfather…..seems we normally have the same top movie. My main sources for classic movies are IMDb (which I consider the audience voice) Rotten Tomatoes (try to use the critic section….but for some of the really old ones…there are not enough critic reviews) Leonard Maltin’s Classic Movie Review books, Roger Ebert (for movies from the late 1960s to his passing), Joel Hirschhorn’s Rating The Movie Stars book (I recommend you buying that one….it has all the performances ranked that can be viewed in one quick look), and VideoHound…..plus some emergency sources if I strike out with these normally reliable sources.
Actually you can buy the Ratings The Movie Star Book…for .54 cents. https://www.amazon.com/Rating-Movie-Stars-Joel-Hirschhorn/dp/0517414449
My overall Top 10
#1 The Godfather, #2 Schlinder’s List #3 Casablanca #4 Godfather Part 2 #5 Rear Window #6 Tokyo Story #7 Good,Bad & Ugly #8 12 Angry Men #9 North by Northwest #10 Star Wars: Empire Strikes Back
Hi Bruce, I haven’t rated Schindler’s List yet, but Casablanca is currently 2nd after The Godfather, I’ve seen all your top 10 apart from Tokyo Story. The big one missing from there is Citizen Kane, I dread to think where on your chart it’s placed. Don’t tell me it’s below The Light at the Edge of the World? [cue gasps, a high-pitched scream and a fainting] 😉
Sorry couldn’t resist. Happy to see Good the Bad and the Ugly rated so highly, one of my top favorites, right up there with the Light at the[STOP IT STEVE!]
Thanks for the ratings sources tips, the late Roger Ebert was good, I enjoyed reading his reviews even if he was sometimes tempted to give away a few spoilers. I use three of the sources you use (and we still don’t mesh!)
Bob, I can’t imagine any film topping The Godfather’s 9.6 score, Schindler’s List? meh, Shawshank Redemption? thppt, the prequel to The Light at the Edge of the World, starring Bruce Willis and Dwayne Johnson [that’s enough Steve!) 🙂
MUST BE A CARY GRANT MOVIE OUT THERE SOMEWHERE THAT MERITS A 9.7
Hey Steve…Citizen Kane is ranked 51st on my Top 100 Best Reviewed movies….it is in 66th place at IMDb….so I have it ranked higher than them. I think The Light At The Edge of the World…had a hard time cracking the Top 12,000 in my database.
Those are my sources….but they have a weighted percentage….as much as I love Ebert and Maltin….their combined influence on my rating is only 10%. Shawshanks tops the Godfather at IMDb….but that is the only place that happens.
As always…thanks for the visit, the comment and the feedback. It is always good to read.
STEVE
1 9.6 out of 10 is as good as it gets. I remember once having a paper marked 9 out of 10 and the examiner wrote that I had lost a mark because of an error that he pointed out. He was wrong and when I demonstrated that to him he withdrew the comment but would not change his marking. “I never give anyone 10/10” he explained
2 Can’t help feeling though that in the archives there is a Tweedie movie somewhere that’ hasn’t been released and is just waiting for an outing and a 10/10.
Hey Bob….the highest score in my database is just short of 95%….the way my calculation works…there will never be a 10….it is statistically impossible. Comment 2…..I hope you are right….but as time passes that becomes less and less of a possibility. Thanks for the feedback.
Hey Bob….yes….Steve once again…got his Top 5 all messed up again…lol……though we do agree on the top one. I would have guessed Robert Taylor would be one of your favorites…westerns….the 1950s…..count little Bobby in! I have heard the marriage of Taylor and Stanwyck might have been a “beard” for her….not that it matters….just interesting if that was the case. It is amazing how you remember when you heard about someone’s passing. I don’t remember McCrea’s passing….but I remember Cary Grant’s passing……heck they reported he got sick and was headed to the hospital…..and then they were reporting he passed….which is why I do not go to hospitals…lol.
1 Watching Union Pacific and then hearing the news connected the two up or obviously I wouldn’t have remember at all when I heard about Joel though to pinpoint the exact I had to look up Joel’s obituary.t
2 I remember seeing a TV movie called The Night Elvis Died about a DJ who was a Presley fanatic and played nothing but Elvis songs on the air. When he heard of the King’s death it was in the wee small hours of the morning and he ran around waking up all his friends to cry on their shoulder and he couldn’t understand how they were still asleep ! “Nobody should be asleep tonight!” he strictured. I take it you didn’t wake up half the neighbourhood when Cary died?
Hey Bob….interesting memory about McCrea and Union Pacific. Elvis’ passing affected lots of people…my best friend’s mom was very very upset. Nope I grieved by myself when Grant died….but I did keep lots of articles that came out after he passed….including a People magazine with him on the cover, many different newspapers that covered his passing. Hard to believe that was 30 years ago.
1 I read that when Valentino died some women committed suicide but I never heard of that happening because of Elvis’ death though I gather that it nearly happened with one of your female readers when Gregory Peck passed away !
2 The old silent Greats such as Rudolph, Fairbanks Sr, Pickford etc are almost the forgotten era of Hollywood. I know you’ve given a few of them pages but generally it’s as if none of them ever existed Charlie apart.
3 That friend of mine who claimed that Duke would hide if the bad guys came looking for him was a complete cynic and he detested movie stars and I remember
we were sitting in a hotel drinking once and he told me that if a lot of the Greats had been staying at that hotel he wouldn’t gave been curious enough to even go into another room to see any of them with the exception of Brando and Cary Grant. There’s always been a great hullabaloo about Bud but it’s seldom remarked about the effect Cary had on all types of people. Another pal of mine who is not an idolater and who also has little interest in movie stars nevertheless confided me once that he liked Grant. Anyway thanks for your own Grant revelations.
BOB
Hey Bob.
1. I did not hear that about Elvis’ fans either……a star’s passing hits me different ways….if I feel connected to them….I feel a UMR page helps me deal with the death….but I do not do that unless I am connected. Gene Wilder….yes….and he got a page. Alan Rickman……not really…so he did not get a page….which of course had Cogerson Daughter #1 wanting to know where his page was.
2. I have pages on Pickford, Gish and DeMille…..but those are one of the few silent stars to get that treatment.
3. The power of Cary Grant…..he connected with so many different people. Thanks for sharing those movie thoughts….even if you put Marion in a bad light….lol.
1 The guy whose interest in movie stars is virtually confined to Cary Grant is actually called Barry and we movie buffs therefore nicknamed him Barry Grant which got me wondering whether Bruce was actually a nickname that they’ve given you over there.
2 It’s true that most of us have our fixations and I can remember an occasion when several of my shipyard mates got into a fierce debate about who was the Greatest Movie Star ever and one guy kept insisting that “Big Wayne’s the daddy of them all.” I though him rather self-opinionated but he was twice my size so I’m sure you’ll appreciate I had to offer him some support.
BOB
Hey Bob….I agree we all have our favorites….thanks for sharing the stories of Barry Grant and Mr. Wayne….they are greatly appreciated.
My comment is that it is a surprise to me that she did somewhat better than Bette Davis at the box office. She did better in the early thirties, and through most of the fifties. Davis’ edge seems to be entirely due to her huge number of AA nominations and two wins, but I wonder how much of that is due to the block voting of WB and her position as their only female prestige star for several years.
Stanwyck was the more versatile, I think, and might actually have done better in her later years, but on TV with The Big Valley and The Thorn Birds.
*my own take is that Stanwyck was the better actress.
Hey John….Stanwyck has the box office stats…..but Davis has all of the Oscar hardware….which when people look back into history that always gives Davis the age…though in fairness to Stanwyck she did finish in 11th place on the AFI list….so her peers thought she was one of the best….too bad she is almost forgotten by non-classic movie fans. Not sure the block voting was much more different than today when Meryl Streep pretty much gets nominated every single year….even if her performances are ok at best…..Streep like Davis benefit from the image of being a great actress.