Want to know the best Western Movies movies? How about the worst Western Movies movies? Curious about Western Movies box office grosses or which Western Movies movie picked up the most Oscar® nominations? Need to know which Western Movies movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information…and alot more.
Recently got a request to do a Westerns page from Chris. This page represents page two of that request. The first page looked at the Top 100 Westerns based on critic reviews and audience voting. This page lists all the movies we researched (252 movies currently) but did not make the Top 100. When I played football in high school….the 3rd stringers had to ride the bus with the cheerleaders (not really a problem) and the equipment. Think of this page as that bus….they all want to get to the first bus…..and all the people on the first bus want to avoid the 2nd bus.
Obviously they are way more Westerns out there. Is your favorite western missing?….just commented at the bottom and I will research and include that movie. If your favorite is good enough….it might even make it to the Top 100 Western page.
Western Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Western Movies by the stars of the movies
- Sort movies by adjusted domestic box office grosses based on actual ticket sells (in millions)
- Sort movies by yearly domestic box office rank
- Sort by how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each movie received.
- Sort Western Movies movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Unforgiven (1992) AA Best Picture Win |
Clint Eastwood & Gene Hackman |
101.20 | 262.8 | 413.40 | 11 | 92 | 09 / 04 | 100.0 | |
2 | Dances with Wolves (1990) AA Best Picture Win |
Kevin Costner | 185.00 | 471.5 | 1,083.10 | 3 | 81 | 12 / 07 | 99.8 | |
3 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.40 | 185.1 | 185.10 | 12 | 92 | 07 / 04 | 99.6 | |
3 | Giant (1956) AA Best Picture Nom |
Elizabeth Taylor & Rock Hudson |
27.10 | 532.0 | 795.20 | 3 | 86 | 10 / 01 | 99.5 | |
5 | Django Unchained (2012) AA Best Picture Nom |
Jamie Foxx & Leonardo DiCaprio |
162.80 | 220.5 | 572.60 | 15 | 88 | 05 / 02 | 99.5 | |
6 | Shane (1953) AA Best Picture Nom |
Alan Ladd | 22.70 | 408.3 | 577.10 | 5 | 87 | 06 / 01 | 99.5 | |
7 | The Revenant (2015) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
183.60 | 234.8 | 681.50 | 13 | 82 | 12 / 03 | 99.4 | |
8 | True Grit (2010) AA Best Picture Nom |
Jeff Bridges & Matt Damon |
171.10 | 233.7 | 344.40 | 13 | 85 | 10 / 00 | 99.4 | |
7 | Butch Cassidy and the Sundance Kid (1969) AA Best Picture Nom |
Paul Newman & Robert Redford |
100.10 | 760.0 | 931.40 | 1 | 79 | 07 / 04 | 99.3 | |
11 | Stagecoach (1939) AA Best Picture Nom |
John Wayne & Directed by John Ford |
5.00 | 191.3 | 298.80 | 30 | 83 | 07 / 02 | 99.2 | |
12 | The Good, the Bad and the Ugly (1966) | Clint Eastwood | 25.00 | 245.0 | 245.00 | 6 | 94 | 00 / 00 | 99.1 | |
12 | How the West Was Won (1962) AA Best Picture Nom |
Gregory Peck & Debbie Reynolds |
36.10 | 518.8 | 1,237.40 | 2 | 76 | 08 / 03 | 99.0 | |
13 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Humphrey Bogart & Walter Huston |
6.10 | 163.1 | 290.40 | 45 | 90 | 04 / 03 | 99.0 | |
15 | Cimarron (1931) AA Best Picture Win |
Richard Dix & Irene Dunne |
3.60 | 183.5 | 223.10 | 14 | 59 | 07 / 03 | 98.8 | |
13 | The Searchers (1956) | John Wayne & Directed by John Ford |
14.00 | 274.4 | 371.40 | 14 | 89 | 00 / 00 | 98.8 | |
16 | The Big Country (1958) | Gregory Peck | 10.60 | 191.2 | 191.20 | 11 | 89 | 02 / 01 | 98.8 | |
19 | My Darling Clementine (1946) | Henry Fonda & Victor Mature |
7.40 | 228.9 | 228.90 | 43 | 85 | 00 / 00 | 98.3 | |
19 | Rio Bravo (1959) | John Wayne & Dean Martin |
16.40 | 295.2 | 517.30 | 11 | 85 | 00 / 00 | 98.3 | |
19 | The Professionals (1966) | Burt Lancaster & Lee Marvin |
22.00 | 215.6 | 215.60 | 10 | 83 | 03 / 00 | 98.3 | |
20 | Red River (1948) | John Wayne & Montgomery Clift |
11.80 | 317.4 | 317.40 | 1 | 83 | 02 / 00 | 98.3 | |
21 | Jeremiah Johnson (1972) | Robert Redford | 57.30 | 363.2 | 363.20 | 6 | 84 | 00 / 00 | 98.1 | |
22 | True Grit (1969) | John Wayne & Robert Duvall |
40.70 | 309.1 | 309.10 | 7 | 81 | 02 / 01 | 98.1 | |
22 | Blazing Saddles (1974) | Mel Brooks & Gene Wilder |
118.10 | 680.8 | 680.80 | 1 | 81 | 03 / 00 | 98.1 | |
24 | Little Big Man (1970) | Dustin Hoffman & Faye Dunaway |
45.50 | 316.1 | 316.10 | 6 | 81 | 01 / 00 | 97.8 | |
25 | Cat Ballou (1965) | Lee Marvin & Jane Fonda |
25.10 | 265.6 | 265.60 | 7 | 77 | 05 / 01 | 97.8 | |
27 | The Man From Laramie (1955) | James Stewart | 9.40 | 195.5 | 195.50 | 31 | 83 | 00 / 00 | 97.8 | |
27 | Fort Apache (1948) | John Wayne & Directed by John Ford |
8.30 | 224.5 | 314.90 | 17 | 81 | 00 / 00 | 97.6 | |
26 | Gunfight at the O.K. Corral (1957) | Burt Lancaster & Kirk Douglas |
13.40 | 258.5 | 258.50 | 9 | 77 | 02 / 00 | 97.1 | |
30 | The Virginian (1929) | Gary Cooper | 6.20 | 191.9 | 191.90 | 6 | 81 | 00 / 00 | 97.1 | |
30 | She Wore a Yellow Ribbon (1949) | John Wayne & Directed by John Ford |
7.60 | 191.5 | 261.10 | 23 | 78 | 01 / 01 | 96.9 | |
29 | Pursued (1947) | Robert Mitchum | 7.80 | 228.4 | 228.40 | 31 | 77 | 00 / 00 | 96.9 | |
31 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.00 | 232.4 | 498.50 | 15 | 77 | 00 / 00 | 96.7 | |
32 | Hondo (1953) | John Wayne & Geraldine Page |
11.50 | 207.1 | 296.10 | 12 | 75 | 02 / 00 | 96.7 | |
33 | The Alamo (1960) AA Best Picture Nom |
John Wayne & Richard Widmark |
22.60 | 353.1 | 708.40 | 5 | 63 | 07 / 01 | 96.7 | |
35 | The Paleface (1948) | Bob Hope & Jane Russell |
9.20 | 248.2 | 248.20 | 11 | 74 | 01 / 01 | 96.6 | |
37 | Shenandoah (1965) | James Stewart | 19.20 | 202.8 | 202.80 | 10 | 75 | 01 / 00 | 96.6 | |
36 | Dodge City (1939) | Errol Flynn & Olivia de Havilland |
6.80 | 260.0 | 389.90 | 14 | 76 | 00 / 00 | 96.6 | |
40 | Johnny Guitar (1954) | Joan Crawford & Ernest Borgnine |
7.10 | 167.4 | 167.40 | 45 | 86 | 00 / 00 | 96.5 | |
38 | Vera Cruz (1954) | Gary Cooper & Burt Lancaster |
13.00 | 305.8 | 305.80 | 14 | 75 | 00 / 00 | 96.4 | |
39 | Honky Tonk (1941) | Clark Gable & Lana Turner |
8.50 | 329.1 | 464.10 | 6 | 75 | 00 / 00 | 96.3 | |
42 | Yellow Sky (1948) | Richard Widmark & Gregory Peck |
7.40 | 198.6 | 198.60 | 28 | 75 | 00 / 00 | 96.2 | |
43 | The Horse Soldiers (1959) | John Wayne & William Holden |
10.90 | 195.1 | 195.10 | 21 | 76 | 00 / 00 | 96.1 | |
41 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.10 | 227.8 | 227.80 | 7 | 71 | 03 / 00 | 96.0 | |
44 | Son of Paleface (1952) | Bob Hope | 9.40 | 185.1 | 185.10 | 13 | 77 | 01 / 00 | 96.0 | |
45 | The Misfits (1961) | Clark Gable & Marilyn Monroe |
11.40 | 166.5 | 218.50 | 18 | 84 | 00 / 00 | 96.0 | |
48 | My Little Chickadee (1940) | Mae West & W.C. Fields |
4.60 | 176.0 | 176.00 | 22 | 80 | 00 / 00 | 95.8 | |
45 | Maverick (1994) | Mel Gibson & James Garner |
101.60 | 268.5 | 483.60 | 12 | 71 | 01 / 00 | 95.6 | |
47 | Duel in the Sun (1946) | Gregory Peck & Jennifer Jones |
17.80 | 548.6 | 548.60 | 2 | 70 | 02 / 00 | 95.5 | |
49 | The Far Country (1954) | James Stewart | 7.10 | 167.4 | 167.40 | 43 | 81 | 00 / 00 | 95.4 | |
51 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.30 | 163.3 | 163.30 | 16 | 82 | 00 / 00 | 95.2 | |
53 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.40 | 144.4 | 144.40 | 32 | 87 | 00 / 00 | 95.0 | |
50 | Apache (1954) | Burt Lancaster & Charles Bronson |
10.00 | 234.3 | 234.30 | 27 | 69 | 00 / 00 | 95.0 | |
53 | Tall in the Saddle (1944) | John Wayne & Ward Bond |
5.90 | 200.0 | 263.50 | 54 | 69 | 00 / 00 | 94.9 | |
54 | The Sons of Katie Elder (1965) | John Wayne & Dean Martin |
16.20 | 171.4 | 171.40 | 15 | 78 | 00 / 00 | 94.8 | |
55 | Canyon Passage (1946) | Dana Andrews & Susan Hayward |
7.80 | 241.4 | 341.30 | 36 | 68 | 01 / 00 | 94.8 | |
54 | Garden of Evil (1954) | Gary Cooper & Richard Widmark |
8.90 | 207.6 | 207.60 | 30 | 68 | 00 / 00 | 94.8 | |
55 | Back to the Future Part III (1990) | Michael J. Fox & Christopher Lloyd |
108.00 | 275.1 | 674.70 | 9 | 68 | 00 / 00 | 94.7 | |
58 | The Man Who Shot Liberty Valance (1962) | John Wayne & James Stewart |
10.10 | 145.8 | 287.50 | 22 | 84 | 01 / 00 | 94.6 | |
59 | Jesse James (1939) | Tyrone Power & Henry Fonda |
9.50 | 364.2 | 364.20 | 4 | 68 | 00 / 00 | 94.6 | |
60 | The Winning of Barbara Worth (1926) | Ronald Colman & Gary Cooper |
6.20 | 222.1 | 222.10 | 2 | 68 | 00 / 00 | 94.6 | |
60 | Union Pacific (1939) | Barbara Stanwyck & Joel McCrea |
5.50 | 211.8 | 211.80 | 25 | 66 | 01 / 00 | 94.4 | |
62 | The Outlaw Josey Wales (1976) | Clint Eastwood | 29.70 | 150.3 | 150.30 | 21 | 82 | 01 / 00 | 94.4 | |
63 | Cheyenne (1947) | Jane Wyman | 6.80 | 197.3 | 260.10 | 39 | 68 | 00 / 00 | 94.3 | |
64 | Urban Cowboy (1980) | 46.90 | 194.5 | 194.50 | 16 | 68 | 00 / 00 | 94.2 | ||
67 | McLintock! (1963) | John Wayne & Maureen O'Hara |
12.90 | 162.1 | 162.10 | 22 | 77 | 00 / 00 | 93.8 | |
65 | The Electric Horseman (1979) | Robert Redford & Jane Fonda |
81.90 | 351.7 | 351.70 | 7 | 64 | 01 / 00 | 93.7 | |
68 | The Iron Horse (1924) | George O'Brien | 4.00 | 172.5 | 172.50 | 5 | 73 | 00 / 00 | 93.6 | |
68 | Westward the Women (1951) | Robert Taylor | 7.50 | 162.6 | 246.20 | 21 | 76 | 00 / 00 | 93.5 | |
69 | Broken Lance (1954) | Spencer Tracy & Richard Widmark |
10.90 | 254.4 | 254.40 | 26 | 61 | 02 / 01 | 93.4 | |
72 | Ruggles of Red Gap (1935) AA Best Picture Nom |
Charles Laughton | 2.90 | 128.3 | 128.30 | 34 | 79 | 01 / 00 | 93.4 | |
70 | The Wild Bunch (1969) | William Holden & Warren Oates |
15.10 | 115.0 | 115.00 | 21 | 89 | 02 / 00 | 93.4 | |
73 | Bad Bascomb (1946) | Wallace Beery | 6.40 | 198.5 | 198.50 | 55 | 64 | 00 / 00 | 93.4 | |
73 | The Covered Wagon (1923) | Ernest Torrence | 9.90 | 443.5 | 443.50 | 2 | 63 | 00 / 00 | 93.2 | |
74 | Tombstone (1993) | Kurt Russell & Val Kilmer |
56.50 | 147.1 | 190.60 | 20 | 80 | 00 / 00 | 93.1 | |
76 | The Westerner (1940) | Gary Cooper & Walter Brennan |
3.50 | 134.2 | 134.20 | 41 | 79 | 03 / 01 | 92.9 | |
76 | The Horse Whisperer (1998) | Robert Redford & Kristin Scott Thomas |
75.40 | 173.3 | 429.60 | 25 | 70 | 01 / 00 | 92.8 | |
78 | The Big Trail (1930) | John Wayne | 2.90 | 156.7 | 196.90 | 24 | 75 | 00 / 00 | 92.8 | |
77 | The Gunfighter (1950) | Gregory Peck & Helen Westcott |
5.60 | 125.1 | 125.10 | 48 | 84 | 01 / 00 | 92.8 | |
79 | The Apple Dumpling Gang (1975) | Bill Bixby & Susan Clark |
50.20 | 264.2 | 264.20 | 7 | 61 | 00 / 00 | 92.7 | |
81 | A Fistful of Dollars (1964) | Clint Eastwood & Directed by Sergio Leone |
12.00 | 137.6 | 137.60 | 21 | 81 | 00 / 00 | 92.7 | |
82 | El Dorado (1967) | John Wayne & Robert Mitchum |
15.00 | 133.6 | 133.60 | 19 | 82 | 00 / 00 | 92.6 | |
82 | One-Eyed Jacks (1961) | Marlon Brando & Karl Malden |
12.30 | 179.0 | 179.00 | 14 | 66 | 01 / 00 | 92.5 | |
83 | Love Me Tender (1956) | Elvis & Richard Egan |
12.00 | 235.2 | 235.20 | 20 | 60 | 00 / 00 | 92.4 | |
86 | The Naked Spur (1953) | James Stewart & Janet Leigh |
6.80 | 122.5 | 122.50 | 38 | 84 | 01 / 00 | 92.4 | |
83 | North to Alaska (1960) | John Wayne & Stewart Granger |
13.40 | 209.8 | 209.80 | 14 | 60 | 00 / 00 | 92.3 | |
84 | In Old Arizona (1928) AA Best Picture Nom |
Warner Baxter | 7.80 | 247.3 | 247.30 | 3 | 48 | 05 / 01 | 92.3 | |
88 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.40 | 166.8 | 166.80 | 18 | 70 | 00 / 00 | 92.2 | |
90 | Hombre (1967) | Paul Newman & Fredric March |
14.00 | 124.9 | 124.90 | 20 | 83 | 00 / 00 | 92.1 | |
90 | The Cowboys (1972) | John Wayne & Bruce Dern |
22.70 | 144.1 | 144.10 | 16 | 77 | 00 / 00 | 92.0 | |
90 | North West Mounted Police (1940) | Gary Cooper & Directed by Cecil B. DeMille |
4.30 | 165.0 | 165.00 | 28 | 65 | 05 / 01 | 92.0 | |
91 | 3 Godfathers (1948) | John Wayne & Directed by John Ford |
5.50 | 147.4 | 201.50 | 62 | 75 | 00 / 00 | 92.0 | |
92 | The Outlaw (1943) | Jane Russell & Directed by Howard Hawks |
14.50 | 521.0 | 521.00 | 3 | 59 | 00 / 00 | 92.0 | |
93 | For a Few Dollars More (1965) | Clint Eastwood & Directed by Sergio Leone |
10.80 | 113.6 | 113.60 | 20 | 85 | 00 / 00 | 91.7 | |
92 | The Oklahoma Kid (1939) | James Cagney & Humphrey Bogart |
6.10 | 236.1 | 462.60 | 17 | 58 | 00 / 00 | 91.6 | |
95 | Pale Rider (1985) | Clint Eastwood & Carrie Snodgress |
41.40 | 125.7 | 125.70 | 18 | 80 | 00 / 00 | 91.6 | |
98 | Santa Fe Trail (1940) | Errol Flynn & Olivia de Havilland |
5.00 | 192.3 | 278.60 | 16 | 60 | 00 / 00 | 91.5 | |
96 | Pardners (1956) | Dean Martin & Jerry Lewis |
10.30 | 201.6 | 201.60 | 25 | 57 | 00 / 00 | 91.5 | |
100 | The Life and Times of Judge Roy Bean (1972) | Paul Newman & Ava Gardner |
24.50 | 155.6 | 155.60 | 14 | 70 | 01 / 00 | 91.2 | |
99 | Destry Rides Again (1939) | James Stewart & Marlene Dietrich |
2.90 | 111.6 | 111.60 | 82 | 84 | 00 / 00 | 91.2 | |
102 | Rio Grande (1950) | John Wayne & Directed by John Ford |
6.40 | 144.4 | 144.40 | 31 | 74 | 00 / 00 | 91.1 | |
101 | Billy The Kid (1941) | Robert Taylor | 6.30 | 241.3 | 354.80 | 13 | 55 | 01 / 00 | 91.1 | |
103 | The Spoilers (1942) | John Wayne & Randolph Scott |
5.00 | 185.9 | 185.90 | 44 | 59 | 01 / 00 | 90.7 | |
102 | The Return of Frank James (1940) | Henry Fonda & Gene Tierney |
3.70 | 143.0 | 143.00 | 37 | 73 | 00 / 00 | 90.6 | |
104 | The Magnificent Seven (1960) | Yul Brynner & Steve McQueen |
6.40 | 100.4 | 546.80 | 44 | 85 | 01 / 00 | 90.5 | |
104 | High Plains Drifter (1973) | Clint Eastwood | 16.90 | 103.1 | 103.10 | 22 | 85 | 00 / 00 | 90.4 | |
107 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Anthony Quinn |
2.10 | 79.7 | 79.70 | 122 | 85 | 01 / 00 | 90.2 | |
105 | Buffalo Bill (1944) | Joel McCrea & Maureen O'Hara |
6.50 | 217.3 | 217.30 | 38 | 53 | 00 / 00 | 90.1 | |
108 | Distant Drums (1951) | Gary Cooper | 8.60 | 185.8 | 201.50 | 14 | 57 | 00 / 00 | 89.9 | |
108 | The Virginian (1946) | Joel McCrea | 9.20 | 283.0 | 283.00 | 24 | 53 | 00 / 00 | 89.9 | |
109 | Davy Crockett: King of the Wild Frontier (1955) | Fess Parker | 6.10 | 127.3 | 127.30 | 52 | 76 | 00 / 00 | 89.9 | |
112 | The War Wagon (1967) | John Wayne & Kirk Douglas |
15.20 | 135.4 | 238.30 | 18 | 73 | 00 / 00 | 89.9 | |
110 | Viva Villa! (1934) AA Best Picture Nom |
Wallace Beery & Fay Wray |
2.70 | 126.0 | 251.10 | 28 | 65 | 04 / 01 | 89.8 | |
113 | A Man Called Horse (1970) | Richard Harris | 19.70 | 137.0 | 137.00 | 18 | 72 | 00 / 00 | 89.7 | |
113 | Hang 'em High (1968) | Clint Eastwood & Bruce Dern |
14.80 | 121.5 | 121.50 | 25 | 77 | 00 / 00 | 89.7 | |
115 | Wichita (1955) | Joel McCrea & Vera Miles |
6.90 | 142.2 | 142.20 | 44 | 70 | 00 / 00 | 89.5 | |
116 | The Plainsman (1936) | Gary Cooper & Directed by Cecil B. DeMille |
4.10 | 175.6 | 175.60 | 28 | 59 | 00 / 00 | 89.3 | |
117 | Angel and the Badman (1947) | John Wayne & Gail Russell |
5.00 | 145.7 | 145.70 | 67 | 68 | 00 / 00 | 89.2 | |
120 | Belle of the Nineties (1934) | Mae West & Randolph Scott |
3.40 | 160.7 | 160.70 | 9 | 63 | 00 / 00 | 89.1 | |
118 | Shanghai Noon (2000) | Owen Wilson & Jackie Chan |
56.90 | 113.9 | 198.50 | 46 | 77 | 00 / 00 | 89.0 | |
118 | 3:10 to Yuma (1957) | Glenn Ford & Van Heflin |
5.30 | 101.7 | 101.70 | 44 | 79 | 00 / 00 | 88.4 | |
122 | Night Passage (1957) | James Stewart & Audie Murphy |
7.40 | 143.0 | 143.00 | 28 | 66 | 00 / 00 | 88.3 | |
122 | The Fastest Gun Alive (1956) | Glenn Ford & Broderick Crawford |
6.30 | 124.3 | 124.30 | 39 | 72 | 00 / 00 | 88.2 | |
123 | The Shootist (1976) | John Wayne & James Stewart |
18.10 | 91.8 | 91.80 | 38 | 81 | 01 / 00 | 88.2 | |
125 | Virginia City (1940) | Errol Flynn & Humprhey Bogart |
4.30 | 167.0 | 233.20 | 25 | 57 | 00 / 00 | 87.9 | |
123 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.60 | 102.7 | 102.70 | 65 | 77 | 01 / 00 | 87.8 | |
126 | Open Range (2003) | Kevin Costner & Robert Duvall |
58.30 | 104.3 | 122.10 | 51 | 76 | 00 / 00 | 87.5 | |
129 | Silver River (1948) | Errol Flynn & Ann Sheridan |
5.70 | 154.2 | 247.10 | 55 | 60 | 00 / 00 | 87.5 | |
128 | Last Train from Gun Hill (1959) | Kirk Douglas & Anthony Quinn |
6.70 | 120.6 | 120.60 | 37 | 71 | 00 / 00 | 87.5 | |
127 | 3:10 to Yuma (2007) | Russell Crowe & Christian Bale |
53.60 | 84.0 | 109.70 | 48 | 79 | 02 / 00 | 87.4 | |
131 | Nevada Smith (1966) Uncredited Role |
Steve McQueen & Karl Malden |
13.80 | 134.8 | 134.80 | 23 | 66 | 00 / 00 | 87.4 | |
130 | Man Without a Star (1955) | Kirk Douglas | 6.30 | 130.3 | 130.30 | 51 | 67 | 00 / 00 | 87.3 | |
132 | McCabe & Mrs. Miller (1971) | Warren Beatty & Directed by Robert Altman |
12.40 | 81.2 | 81.20 | 25 | 81 | 01 / 00 | 87.0 | |
133 | The Big Sky (1952) | Kirk Douglas & Dewey Martin |
4.60 | 89.8 | 89.80 | 68 | 77 | 02 / 00 | 86.9 | |
133 | The Hanging Tree (1959) | Gary Cooper & George C. Scott |
6.30 | 112.9 | 112.90 | 40 | 71 | 01 / 00 | 86.9 | |
135 | Badman's Territory (1946) | Randolph Scott | 5.00 | 153.2 | 153.20 | 64 | 59 | 00 / 00 | 86.8 | |
138 | Chisum (1970) | John Wayne | 18.20 | 126.5 | 202.30 | 20 | 67 | 00 / 00 | 86.6 | |
137 | The Unforgiven (1960) | Burt Lancaster & Audrey Hepburn |
8.90 | 138.4 | 138.40 | 30 | 63 | 00 / 00 | 86.6 | |
139 | Across the Great Divide (1976) | Robert Logan & Heather Rattray |
24.60 | 124.3 | 124.30 | 27 | 66 | 00 / 00 | 86.2 | |
139 | Texas Across the River (1966) | Dean Martin & Alain Delon |
10.90 | 106.7 | 138.30 | 27 | 72 | 00 / 00 | 86.2 | |
142 | The Rainmaker (1956) | Burt Lancaster & Katharine Hepburn |
6.00 | 117.6 | 117.60 | 44 | 67 | 02 / 00 | 86.2 | |
141 | Silverado (1985) | Kevin Costner & Kevin Kline |
32.20 | 97.8 | 97.80 | 27 | 73 | 02 / 00 | 86.1 | |
142 | Secrets (1933) | Mary Pickford & Leslie Howard |
2.00 | 93.4 | 93.40 | 37 | 76 | 00 / 00 | 86.0 | |
143 | Support Your Local Sheriff! (1969) | James Garner & Walter Brennan |
14.70 | 111.4 | 111.40 | 22 | 70 | 00 / 00 | 85.9 | |
144 | Man of the West (1958) | Gary Cooper | 5.00 | 89.8 | 89.80 | 49 | 76 | 00 / 00 | 85.8 | |
147 | Rawhide (1951) | Tyrone Power & Susan Hayward |
5.60 | 120.1 | 120.10 | 52 | 67 | 00 / 00 | 85.8 | |
146 | The Texans (1938) | Randolph Scott | 3.50 | 138.2 | 138.20 | 54 | 61 | 00 / 00 | 85.7 | |
149 | The Bravados (1958) | Gregory Peck & Joan Collins |
6.30 | 112.9 | 112.90 | 40 | 68 | 00 / 00 | 85.5 | |
147 | Once Upon a Time in the West (1968) | Henry Fonda & Charles Bronson |
5.30 | 43.5 | 43.50 | 60 | 90 | 00 / 00 | 85.4 | |
150 | Chief Crazy Horse (1955) | Victor Mature | 5.00 | 103.7 | 103.70 | 68 | 71 | 00 / 00 | 85.3 | |
150 | The Magnificent Seven (2016) | Denzel Washington & Chris Pratt |
93.40 | 116.4 | 202.30 | 33 | 65 | 00 / 00 | 85.1 | |
150 | The Hateful Eight (2015) | Kurt Russell & Samuel L. Jackson |
54.10 | 69.2 | 199.20 | 51 | 77 | 03 / 01 | 85.1 | |
151 | The Comancheros (1961) | John Wayne & Lee Marvin |
7.00 | 102.0 | 102.00 | 32 | 71 | 00 / 00 | 85.1 | |
153 | The Kentuckian (1955) | Burt Lancaster & Diana Lynn |
7.40 | 154.0 | 154.00 | 38 | 54 | 00 / 00 | 85.1 | |
155 | Big Jake (1971) | John Wayne & Maureen O'Hara |
22.70 | 148.5 | 148.50 | 16 | 55 | 00 / 00 | 84.9 | |
154 | Go West (1940) | Marx Brothers | 2.60 | 98.6 | 155.10 | 74 | 71 | 00 / 00 | 84.8 | |
157 | Springfield Rifle (1952) | Gary Cooper & Phyllis Thaxter |
6.70 | 130.7 | 130.70 | 35 | 61 | 00 / 00 | 84.7 | |
156 | Rocky Mountain (1950) | Errol Flynn | 4.90 | 109.1 | 176.50 | 56 | 67 | 00 / 00 | 84.5 | |
158 | The Indian Fighter (1955) | Kirk Douglas & Walter Matthau |
7.00 | 145.1 | 145.10 | 43 | 55 | 00 / 00 | 84.2 | |
160 | Sergeants 3 (1962) | Frank Sinatra & Dean Martin |
12.40 | 177.5 | 177.50 | 16 | 45 | 00 / 00 | 84.1 | |
159 | The Cheyenne Social Club (1970) | James Stewart & Henry Fonda |
15.90 | 110.6 | 110.60 | 23 | 65 | 00 / 00 | 83.9 | |
161 | Blood on the Moon (1948) | Robert Mitchum | 5.60 | 150.0 | 187.20 | 58 | 53 | 00 / 00 | 83.8 | |
163 | Cowboys & Aliens (2011) | Daniel Craig & Harrison Ford |
100.20 | 136.3 | 237.70 | 30 | 56 | 00 / 00 | 83.8 | |
162 | The Wild North (1952) | Stewart Granger & Wendell Corey |
5.90 | 114.9 | 218.20 | 43 | 64 | 00 / 00 | 83.8 | |
164 | Rio Lobo (1970) | John Wayne & Directed by Howard Hawks |
12.90 | 89.6 | 89.60 | 31 | 72 | 00 / 00 | 83.8 | |
164 | Buck Benny Rides Again (1940) | Jack Benny & Ellen Drew |
2.60 | 99.0 | 99.00 | 71 | 68 | 00 / 00 | 83.5 | |
168 | The Squaw Man (1914) | Directed by Cecil B. DeMille | 1.60 | 143.1 | 143.10 | 4 | 54 | 00 / 00 | 83.2 | |
167 | 7 Men from Now (1956) | Randoph Scott & Lee Marvin |
2.60 | 51.4 | 63.10 | 122 | 83 | 00 / 00 | 83.2 | |
166 | Wild Wild West (1999) | Will Smith & Kevin Kline |
113.80 | 242.5 | 473.20 | 17 | 35 | 00 / 00 | 83.0 | |
169 | Wagon Master (1950) | Ward Bond & Directed by John Ford |
3.20 | 72.2 | 91.40 | 101 | 76 | 00 / 00 | 82.9 | |
170 | Go West (1925) | Buster Keaton | 1.60 | 63.0 | 63.00 | 19 | 78 | 00 / 00 | 82.8 | |
171 | The Lone Ranger (1956) | Clayton Moore | 3.90 | 76.7 | 107.40 | 88 | 74 | 00 / 00 | 82.7 | |
174 | Billy the Kid (1930) | Wallace Beery | 2.20 | 117.6 | 139.30 | 54 | 61 | 00 / 00 | 82.6 | |
172 | The Tall T (1957) | Randolph Scott & Richard Boone |
2.90 | 55.0 | 55.00 | 87 | 80 | 00 / 00 | 82.4 | |
176 | Joe Kidd (1972) | Clint Eastwood | 17.20 | 109.0 | 109.00 | 24 | 63 | 00 / 00 | 82.4 | |
175 | The Last Sunset (1961) | Rock Hudson & Kirk Douglas |
7.90 | 114.5 | 114.50 | 27 | 61 | 00 / 00 | 82.3 | |
175 | Cheyenne Autumn (1964) | James Stewart & Richard Widmark |
8.80 | 100.7 | 256.40 | 30 | 64 | 01 / 00 | 82.1 | |
177 | Bite the Bullet (1975) | Gene Hackman & James Coburn |
16.00 | 84.0 | 84.00 | 43 | 69 | 02 / 00 | 82.0 | |
179 | Cimarron (1960) | Glenn Ford | 6.60 | 103.8 | 215.40 | 43 | 62 | 02 / 00 | 81.7 | |
179 | Devil's Doorway (1950) | Robert Taylor | 3.90 | 86.6 | 134.50 | 84 | 69 | 00 / 00 | 81.6 | |
178 | Lonely Are The Brave (1962) | Kirk Douglas & Gena Rowlands |
2.80 | 40.7 | 40.70 | 87 | 83 | 00 / 00 | 81.6 | |
181 | The Left Handed Gun (1958) | Paul Newman | 4.40 | 79.1 | 79.10 | 54 | 71 | 00 / 00 | 81.4 | |
182 | Frontier Marshall (1939) | Randolph Scott & Cesar Romero |
2.60 | 99.3 | 99.30 | 94 | 64 | 00 / 00 | 81.3 | |
183 | Destry (1954) | Audie Murphy | 4.30 | 100.4 | 100.40 | 72 | 64 | 00 / 00 | 81.3 | |
185 | Jubal (1956) | Glenn Ford & Ernest Borgnine |
5.10 | 100.8 | 100.80 | 58 | 63 | 00 / 00 | 81.1 | |
184 | The Last Hunt (1956) | Robert Taylor | 4.60 | 89.8 | 167.00 | 64 | 67 | 00 / 00 | 81.0 | |
187 | The Last Wagon (1956) | Richard Widmark | 4.30 | 84.0 | 84.00 | 73 | 68 | 00 / 00 | 80.9 | |
185 | Four Faces West (1948) | Joel McCrea & Charles Bickford |
2.90 | 78.0 | 78.00 | 105 | 70 | 00 / 00 | 80.9 | |
188 | White Feather (1955) | Robert Wagner & Jeffrey Hunter |
4.70 | 97.7 | 97.70 | 72 | 64 | 00 / 00 | 80.8 | |
189 | Many Rivers To Cross (1955) | Robert Taylor & Eleanor Parker |
6.00 | 123.4 | 227.00 | 55 | 55 | 00 / 00 | 80.6 | |
192 | Dark Command (1940) | John Wayne & Walter Pidgeon |
2.10 | 80.8 | 80.80 | 95 | 67 | 02 / 00 | 80.5 | |
189 | Pat Garrett & Billy the Kid (1973) | James Coburn | 8.20 | 49.8 | 49.80 | 44 | 78 | 00 / 00 | 80.5 | |
191 | The Wind (1928) | Lillian Gish | 1.40 | 43.5 | 43.50 | 66 | 80 | 00 / 00 | 80.4 | |
194 | Johnny Concho (1956) | Frank Sinatra | 5.40 | 106.4 | 106.40 | 54 | 60 | 00 / 00 | 80.3 | |
192 | Duck You Sucker or A Fistful of Dynamite (1971) | James Coburn | 6.10 | 39.6 | 39.60 | 55 | 81 | 00 / 00 | 80.2 | |
197 | The Missouri Breaks (1976) | Jack Nicholson & Marlon Brando |
15.40 | 77.9 | 77.90 | 43 | 69 | 00 / 00 | 80.0 | |
196 | The Apple Dumpling Gang Rides Again (1979) | Tim Conway & Don Knotts |
24.90 | 107.0 | 107.00 | 40 | 59 | 00 / 00 | 79.9 | |
199 | Hot Lead and Cold Feet (1978) | Don Knotts & Joel Hirschhorn & Darren McGavin |
22.20 | 102.4 | 102.40 | 28 | 61 | 00 / 00 | 79.9 | |
196 | Ride Lonesome (1959) | Randolph Scott | 2.70 | 48.8 | 48.80 | 87 | 78 | 00 / 00 | 79.8 | |
199 | Man in The Wilderness (1971) | Richard Harris & John Huston |
8.30 | 54.4 | 54.40 | 42 | 76 | 00 / 00 | 79.6 | |
198 | Rancho Notorious (1952) | Marlene Dietrich & Arthur Kennedy |
2.50 | 49.0 | 49.00 | 136 | 77 | 00 / 00 | 79.5 | |
203 | Young Guns (1988) | Emilio Estevez & Charlie Sheen |
45.70 | 119.8 | 119.80 | 22 | 54 | 00 / 00 | 79.5 | |
202 | Hell's Heroes (1929) | Charles Bickford & Directed by William Wyler |
2.30 | 71.3 | 71.30 | 52 | 70 | 00 / 00 | 79.5 | |
201 | Monte Walsh (1970) | Lee Marvin & Jack Palance |
7.00 | 48.5 | 48.50 | 44 | 77 | 00 / 00 | 79.4 | |
205 | The Scalphunters (1968) | Burt Lancaster & Shelley Winters |
8.00 | 65.8 | 65.80 | 48 | 71 | 00 / 00 | 79.0 | |
204 | Forty Guns (1957) | Barbara Stanwyck | 2.60 | 49.5 | 49.50 | 96 | 76 | 00 / 00 | 79.0 | |
206 | The Long Riders (1980) | Dennis Quaid | 13.70 | 56.8 | 56.80 | 57 | 74 | 00 / 00 | 78.9 | |
207 | 5 Card Stud (1968) | Dean Martin & Robert Mitchum |
12.10 | 99.9 | 99.90 | 31 | 59 | 00 / 00 | 78.4 | |
210 | The Sheriff of Fractured Jaw (1958) | Jayne Mansfield | 5.50 | 98.8 | 127.60 | 47 | 58 | 00 / 00 | 77.3 | |
210 | Major Dundee (1965) | Charlton Heston & James Coburn |
5.50 | 58.6 | 58.60 | 51 | 71 | 00 / 00 | 77.3 | |
210 | Ride the High Country (1962) | Randolph Scott & Joel McCrea |
2.10 | 30.5 | 30.50 | 96 | 80 | 00 / 00 | 77.2 | |
211 | The Spoilers (1930) | Gary Cooper | 1.60 | 86.2 | 86.20 | 80 | 62 | 00 / 00 | 77.0 | |
212 | The Sheepman (1958) | Glenn Ford | 4.30 | 77.0 | 77.00 | 55 | 64 | 01 / 00 | 76.9 | |
213 | Will Penny (1967) | Charlton Heston & Lee Majors |
4.50 | 40.1 | 40.10 | 55 | 76 | 00 / 00 | 76.9 | |
215 | City Slickers II: The Legend of Curly's Gold (1994) | Billy Crystal & Jack Palance |
43.60 | 115.3 | 115.30 | 32 | 52 | 00 / 00 | 76.8 | |
215 | Sergeant Rutledge (1960) | Jeffrey Hunter & Directed by John Ford |
2.20 | 35.0 | 35.00 | 96 | 78 | 00 / 00 | 76.7 | |
216 | Man with the Gun (1955) | Robert Mitchum | 5.10 | 106.6 | 106.60 | 65 | 55 | 00 / 00 | 76.5 | |
217 | The Undefeated (1969) | John Wayne & Rock Hudson |
11.40 | 86.8 | 86.80 | 27 | 61 | 00 / 00 | 76.4 | |
220 | The True Story of Jesse James (1957) | Robert Wagner & Agnes Moorehead |
4.30 | 82.5 | 82.50 | 54 | 62 | 00 / 00 | 76.3 | |
218 | Comanche Station (1960) | Randolph Scott & Nancy Gates |
2.50 | 39.1 | 39.10 | 93 | 76 | 00 / 00 | 76.0 | |
220 | Comes a Horseman (1978) | James Caan & Jane Fonda |
9.60 | 44.2 | 44.20 | 60 | 73 | 01 / 00 | 76.0 | |
221 | Decision At Sundown (1957) | Randolph Scott | 2.60 | 49.5 | 49.50 | 97 | 72 | 00 / 00 | 75.8 | |
222 | The Stranger Wore a Gun (1953) | Randolph Scott & Claire Trevor |
4.80 | 87.1 | 87.10 | 66 | 60 | 00 / 00 | 75.7 | |
223 | Warlock (1959) | Henry Fonda & Richard Widmark |
4.30 | 77.0 | 77.00 | 61 | 63 | 00 / 00 | 75.6 | |
225 | Stagecoach (1966) | Bing Crosby & Ann-Margret |
10.00 | 98.0 | 98.00 | 30 | 56 | 00 / 00 | 74.7 | |
224 | My Name Is Nobody (1973) | Henry Fonda | 5.30 | 32.3 | 32.30 | 60 | 76 | 00 / 00 | 74.6 | |
226 | 7 Faces of Dr. Lao (1964) | Tony Randall & Barbara Eden |
3.60 | 41.0 | 41.00 | 75 | 72 | 01 / 00 | 74.1 | |
227 | Kit Carson (1940) | Jon Hall & Lynn Bari |
1.60 | 61.9 | 61.90 | 131 | 66 | 00 / 00 | 73.9 | |
228 | Cahill United States Marshal (1973) | John Wayne & George Kennedy |
12.40 | 75.7 | 114.40 | 28 | 62 | 00 / 00 | 73.8 | |
228 | Stranger on Horseback (1955) | Joel McCrea & Miroslava |
2.10 | 44.0 | 44.00 | 135 | 72 | 00 / 00 | 73.8 | |
229 | Buchanan Rides Alone (1958) | Randolph Scott & Craig Stevens |
2.90 | 51.3 | 51.30 | 81 | 69 | 00 / 00 | 73.7 | |
232 | Rooster Cogburn (1975) | John Wayne & Katharine Hepburn |
24.30 | 127.8 | 127.80 | 26 | 45 | 00 / 00 | 73.6 | |
233 | Fighting Caravans (1931) | Gary Cooper | 2.40 | 125.7 | 125.70 | 37 | 46 | 00 / 00 | 73.5 | |
233 | Bad Company (1972) | Jeff Bridges & Barry Brown |
2.30 | 14.4 | 14.40 | 115 | 81 | 00 / 00 | 73.5 | |
235 | The Tin Star (1957) | Henry Fonda | 2.70 | 52.3 | 52.30 | 90 | 68 | 00 / 00 | 72.9 | |
235 | Cowboy (1958) | Jack Lemmon & Glenn Ford |
3.60 | 63.9 | 63.90 | 62 | 64 | 01 / 00 | 72.9 | |
237 | The Cimarron Kid (1952) | Audie Murphy | 3.50 | 68.3 | 68.30 | 98 | 63 | 00 / 00 | 72.9 | |
237 | They Call Me Trinity (1970) | Terrence Hill | 3.60 | 25.3 | 25.30 | 73 | 77 | 00 / 00 | 72.7 | |
238 | The Beautiful Blonde from Bashful Bend (1949) | Betty Grable & Cesar Romero |
2.90 | 72.4 | 72.40 | 118 | 62 | 00 / 00 | 72.7 | |
238 | Hostiles (2017) | Christian Bale | 29.80 | 35.8 | 42.90 | 82 | 73 | 00 / 00 | 72.6 | |
242 | Bandolero! (1968) | James Stewart & Dean Martin |
15.70 | 129.3 | 129.30 | 23 | 43 | 00 / 00 | 71.9 | |
241 | Young Guns II (1990) | Emilio Estevez & James Coburn |
44.10 | 112.5 | 112.50 | 29 | 48 | 01 / 00 | 71.6 | |
243 | Dakota (1945) | John Wayne | 3.20 | 100.5 | 100.50 | 94 | 52 | 00 / 00 | 71.6 | |
241 | Gunsmoke (1953) | Audie Murphy & Susan Cabot |
3.90 | 70.8 | 70.80 | 92 | 61 | 00 / 00 | 71.5 | |
244 | Take Me To Town (1953) | Ann Sheridan & Sterling Hayden |
3.00 | 54.4 | 54.40 | 126 | 66 | 00 / 00 | 71.5 | |
245 | The Lone Ranger (2013) | Johnny Depp | 89.30 | 118.4 | 345.40 | 40 | 44 | 02 / 00 | 71.3 | |
246 | Two Rode Together (1961) | James Stewart & Richard Widmark |
4.10 | 60.4 | 60.40 | 55 | 64 | 00 / 00 | 70.8 | |
247 | Junior Bonner (1972) | Steve McQueen & Robert Preston |
5.60 | 35.4 | 35.40 | 61 | 71 | 00 / 00 | 70.5 | |
249 | Bugles in the Afternoon (1952) | Ray Milland & Helena Carter |
4.20 | 81.7 | 81.70 | 79 | 57 | 00 / 00 | 70.4 | |
248 | Ulzana's Raid (1972) | Burt Lancaster | 2.00 | 12.6 | 12.60 | 120 | 78 | 00 / 00 | 70.1 | |
249 | Quigley Down Under (1990) | Tom Selleck | 21.40 | 54.6 | 54.60 | 58 | 65 | 00 / 00 | 69.6 | |
251 | Appaloosa (2008) | Ed Harris & Viggo Mortensen |
20.20 | 30.3 | 41.50 | 116 | 71 | 00 / 00 | 68.4 | |
251 | Goin' South (1978) | Jack Nicholson | 7.40 | 34.3 | 34.30 | 68 | 70 | 00 / 00 | 68.2 | |
254 | The Legend of Zorro (2005) | Antonio Banderas & Catherine Zeta-Jones |
46.50 | 78.3 | 239.80 | 67 | 56 | 00 / 00 | 67.7 | |
253 | The Proposition (2005) | Guy Pearce | 1.90 | 3.2 | 3.20 | 187 | 79 | 00 / 00 | 67.6 | |
256 | Thunder Over The Plains (1953) | Randolph Scott & Lex Barker |
3.40 | 61.2 | 92.90 | 112 | 61 | 00 / 00 | 67.2 | |
255 | The Hired Hand (1971) | Warren Oates & Peter Fonda |
2.20 | 14.7 | 14.70 | 112 | 75 | 00 / 00 | 66.9 | |
257 | Annie Oakley (1935) | Barbara Stanwyck & Melvyn Douglas |
1.20 | 55.8 | 79.60 | 109 | 62 | 00 / 00 | 66.9 | |
258 | Tribute to a Bad Man (1956) | James Cagney & Don Dubbins |
3.40 | 66.8 | 114.40 | 101 | 59 | 00 / 00 | 66.9 | |
259 | Support Your Local Gunfighter (1971) | James Garner | 6.10 | 39.6 | 39.60 | 53 | 67 | 00 / 00 | 66.9 | |
262 | Tom Horn (1980) | Steve McQueen | 10.20 | 42.4 | 42.40 | 71 | 66 | 00 / 00 | 66.6 | |
263 | Scarlet Angel (1952) | Rock Hudson & Yvonne De Carlo |
4.20 | 81.7 | 81.70 | 81 | 54 | 00 / 00 | 66.6 | |
262 | The Assassination of Jesse James by the Coward Robert Ford (2007) | Brad Pitt & Casey Affleck |
3.90 | 6.1 | 23.50 | 181 | 76 | 02 / 00 | 66.6 | |
264 | Alias Jesse James (1959) | Bob Hope & Rhonda Fleming |
5.00 | 89.8 | 89.80 | 50 | 51 | 00 / 00 | 66.5 | |
264 | Meek's Cutoff (2010) | Michell Williams & Bruce Greenwood |
1.00 | 1.3 | 1.30 | 184 | 79 | 00 / 00 | 66.4 | |
266 | The Burning Hills (1956) | Tab Hunter & Natalie Wood |
4.30 | 84.0 | 84.00 | 68 | 53 | 00 / 00 | 66.2 | |
268 | The Squaw Man (1918) | Directed by Cecil B. DeMille | 1.60 | 102.7 | 102.70 | 4 | 47 | 00 / 00 | 66.0 | |
269 | Comanche (1956) | Dana Andrews & Kent Smith |
3.30 | 64.4 | 64.40 | 104 | 59 | 00 / 00 | 65.9 | |
268 | Breakheart Pass (1975) | Charles Bronson & Ben Johnson |
6.50 | 33.9 | 33.90 | 60 | 68 | 00 / 00 | 65.8 | |
267 | The Train Robbers (1973) | Ann-Margret & Ben Johnson |
9.40 | 57.2 | 118.10 | 36 | 61 | 00 / 00 | 65.6 | |
270 | Ride a Crooked Trail (1958) | Audie Murphy & Gia Scala |
2.30 | 41.1 | 41.10 | 98 | 66 | 00 / 00 | 65.3 | |
271 | Skin Game (1971) | James Garner & Louis Gossett Jr. |
6.70 | 43.6 | 43.60 | 48 | 65 | 00 / 00 | 65.0 | |
272 | The Jayhawkers! (1959) | Jeff Chandler & Fess Parker |
2.90 | 51.3 | 51.30 | 82 | 62 | 00 / 00 | 65.0 | |
272 | The Wonderful Country (1959) | Robert Mitchum | 2.90 | 51.3 | 51.30 | 83 | 62 | 00 / 00 | 65.0 | |
276 | The Virginian (1914) | Directed by Cecil B. Demille | 0.70 | 61.5 | 61.50 | 5 | 59 | 00 / 00 | 64.7 | |
274 | The Missouri Traveler (1958) | Brandon De Wilde & Lee Marvin |
2.40 | 43.8 | 43.80 | 91 | 64 | 00 / 00 | 64.6 | |
277 | The Last Command (1955) | Sterling Hayden & Anna Maria Alberghetti |
2.90 | 59.2 | 59.20 | 113 | 59 | 00 / 00 | 64.6 | |
278 | MacKenna's Gold (1969) | Gregory Peck & Edward G. Robinson |
8.90 | 67.2 | 67.20 | 31 | 57 | 00 / 00 | 64.5 | |
279 | The Duel at Silver Creek (1952) | Audie Murphy | 3.50 | 68.1 | 68.10 | 108 | 56 | 00 / 00 | 64.3 | |
279 | Bone Tomahawk (2015) | Kurt Russell | 0.10 | 0.1 | 0.60 | 223 | 78 | 00 / 00 | 64.1 | |
280 | Backlash (1956) | Richard Widmark & Donna Reed |
4.60 | 89.6 | 89.60 | 66 | 49 | 00 / 00 | 64.0 | |
281 | The Second Time Around (1961) | Debbie Reynolds & Steve Forrest |
2.10 | 31.2 | 31.20 | 91 | 67 | 00 / 00 | 63.3 | |
282 | Red Sun (1971) | 6.70 | 43.6 | 205.90 | 49 | 63 | 00 / 00 | 63.1 | ||
282 | Return to Snowy River (1988) | 13.70 | 35.9 | 35.90 | 71 | 66 | 00 / 00 | 63.1 | ||
284 | The Sun Shines Bright (1953) | Charles Winninger & Arleen Whelan |
0.70 | 12.2 | 12.20 | 222 | 73 | 00 / 00 | 62.5 | |
287 | Kangaroo (1952) | 3.50 | 68.1 | 68.10 | 101 | 55 | 00 / 00 | 62.2 | ||
288 | The Man Who Loved Cat Dancing (1973) | Burt Reynolds & Sarah Miles |
9.10 | 55.4 | 55.40 | 39 | 59 | 00 / 00 | 61.8 | |
285 | Posse (1975) | Kirk Douglas | 2.60 | 13.5 | 13.50 | 99 | 72 | 00 / 00 | 61.6 | |
287 | The Missing (2003) | Cate Blanchett & Directed by Ron Howard |
27.00 | 48.3 | 68.60 | 94 | 61 | 00 / 00 | 61.5 | |
288 | Ten Wanted Men (1955) | Randolph Scott | 2.90 | 59.2 | 59.20 | 111 | 57 | 00 / 00 | 61.5 | |
290 | The Homesman (2014) | Tommy Lee Jones & Hilary Swank |
2.40 | 3.2 | 3.20 | 166 | 75 | 00 / 00 | 61.4 | |
292 | The Big Land (1957) | Alan Ladd & Virginia Mayo |
4.50 | 87.3 | 169.40 | 50 | 48 | 00 / 00 | 61.3 | |
291 | Valley of The Sun (1942) | Lucille Ball | 1.40 | 50.4 | 75.90 | 159 | 60 | 00 / 00 | 61.0 | |
293 | Smoke Signal (1955) | Dana Andrews & Piper Laurie |
2.90 | 59.2 | 59.20 | 103 | 57 | 00 / 00 | 60.6 | |
295 | Hangman's Knot (1952) | Randolph Scott & Donna Reed |
3.50 | 68.1 | 68.10 | 107 | 54 | 00 / 00 | 60.5 | |
296 | The Treasure of Pancho Villa (1955) | Rory Calhoun & Shelley Winters |
3.30 | 68.1 | 68.10 | 97 | 54 | 00 / 00 | 60.5 | |
294 | The Harder They Fall (2021) Netflix |
Idris Elba | 0.10 | 0.1 | 0.10 | 180 | 75 | 00 / 00 | 59.7 | |
295 | The Rounders (1965) | Glenn Ford & Henry Fonda |
3.90 | 40.7 | 40.70 | 69 | 62 | 00 / 00 | 59.3 | |
299 | The Far Horizons (1955) | Fred MacMurray & Charlton Heston |
4.60 | 94.8 | 94.80 | 75 | 45 | 00 / 00 | 59.3 | |
300 | Wyatt Earp (1994) | Kevin Costner & Gene Hackman |
25.10 | 66.2 | 147.80 | 55 | 53 | 01 / 00 | 58.9 | |
301 | Pocket Money (1972) | Paul Newman & Lee Marvin |
8.80 | 55.7 | 55.70 | 45 | 57 | 00 / 00 | 58.8 | |
301 | The Duchess and the Dirtwater Fox (1976) | George Segal & Goldie Hawn |
15.10 | 76.3 | 76.30 | 45 | 50 | 00 / 00 | 58.8 | |
302 | Last of the Dogmen (1995) | Tom Berenger & Barbara Hershey |
7.00 | 17.4 | 17.40 | 131 | 69 | 00 / 00 | 58.6 | |
303 | Rough Night in Jericho (1967) | Dean Martin & Jean Simmons |
4.40 | 39.0 | 39.00 | 57 | 62 | 00 / 00 | 58.4 | |
303 | The Hallelujah Trail (1965) | Burt Lancaster & Lee Remick |
3.20 | 34.3 | 34.30 | 78 | 63 | 00 / 00 | 58.4 | |
305 | Geronimo: An American Legend (1993) | Gene Hackman & Matt Damon |
18.60 | 48.5 | 48.50 | 77 | 58 | 01 / 00 | 58.1 | |
307 | Dirty Dingus Magee (1970) | Frank Sinatra & George Kennedy |
8.20 | 56.9 | 56.90 | 40 | 56 | 00 / 00 | 57.7 | |
308 | The Last Frontier (1955) | Victor Mature & Guy Madison |
2.90 | 59.2 | 59.20 | 104 | 55 | 00 / 00 | 57.5 | |
306 | Hour of the Gun (1967) | James Garner & Robert Ryan |
2.10 | 18.4 | 18.40 | 96 | 68 | 00 / 00 | 57.4 | |
309 | Django (1966) | Franco Nero & José Canalejas |
0.00 | 0.3 | 0.30 | 164 | 73 | 00 / 00 | 56.3 | |
311 | The Glory Guys (1965) | Tom Tryon & Harve Presnell |
2.40 | 25.7 | 25.70 | 94 | 65 | 00 / 00 | 56.0 | |
311 | The Quick and the Dead (1995) | Gene Hackman & Leonardo DiCaprio |
18.60 | 46.2 | 115.60 | 84 | 57 | 00 / 00 | 55.9 | |
310 | Dead Man (1995) | Johnny Depp & Robert Mitchum |
1.00 | 2.6 | 2.60 | 188 | 72 | 00 / 00 | 55.9 | |
312 | Hannie Caulder (1971) | Raquel Welch & Robert Culp |
4.50 | 29.7 | 29.70 | 63 | 63 | 00 / 00 | 55.8 | |
314 | One Little Indian (1973) | James Garner & Vera Miles |
6.70 | 40.6 | 40.60 | 53 | 60 | 00 / 00 | 55.8 | |
317 | The Law and Jake Wade (1958) | Richard Widmark & Robert Taylor |
2.80 | 49.8 | 143.50 | 83 | 56 | 00 / 00 | 54.9 | |
316 | Wings of the Hawk (1953) | Van Heflin & Julie Adams |
2.90 | 51.7 | 51.70 | 135 | 56 | 00 / 00 | 54.8 | |
317 | The Savage (1952) | Charlton Heston & Susan Morrow |
1.80 | 35.4 | 35.40 | 166 | 61 | 00 / 00 | 54.7 | |
319 | The Frisco Kid (1979) | Gene Wilder & Harrison Ford |
12.40 | 53.1 | 53.10 | 59 | 55 | 00 / 00 | 54.1 | |
320 | Circus World (1964) | John Wayne & Rita Hayworth |
5.70 | 65.5 | 65.50 | 46 | 51 | 00 / 00 | 53.9 | |
318 | Thousand Pieces of Gold (1991) | Rosalind Chao & Chris Cooper |
0.70 | 1.8 | 1.80 | 177 | 71 | 00 / 00 | 53.6 | |
321 | The Americano (1955) | Glenn Ford & Frank Lovejoy |
3.60 | 74.0 | 74.00 | 93 | 48 | 00 / 00 | 53.1 | |
322 | Texas (1941) | William Holden & Glenn Ford |
2.40 | 92.6 | 92.60 | 99 | 42 | 00 / 00 | 53.0 | |
323 | The Badlanders (1958) | Alan Ladd & Ernest Borgnine |
2.80 | 49.8 | 108.10 | 84 | 55 | 00 / 00 | 52.9 | |
324 | Love's Abiding Joy (2006) | Erin Cottrell & Dale Midkiff |
0.30 | 0.4 | 0.40 | 271 | 71 | 00 / 00 | 52.8 | |
326 | Tell Them Willie Boy Is Here (1969) | Robert Redford | 6.90 | 52.3 | 52.30 | 40 | 54 | 00 / 00 | 52.4 | |
327 | Mail Order Bride (1964) | Buddy Ebsen & Keir Dullea |
3.40 | 39.3 | 39.30 | 77 | 58 | 00 / 00 | 52.3 | |
326 | Barbarosa (1982) | Willie Nelson & Gary Busey |
1.70 | 6.4 | 6.40 | 122 | 69 | 00 / 00 | 52.3 | |
328 | Gold of the Seven Saints (1961) | Clint Walker & Roger Moore |
1.50 | 21.9 | 21.90 | 107 | 63 | 00 / 00 | 51.1 | |
329 | The Squaw Man (1931) | Directed by Cecil B. DeMille | 1.40 | 70.5 | 106.20 | 99 | 48 | 00 / 00 | 50.9 | |
330 | Firecreek (1968) | James Stewart & Henry Fonda |
3.10 | 25.9 | 25.90 | 90 | 62 | 00 / 00 | 50.9 | |
331 | Waterhole #3 (1967) | James Coburn | 3.10 | 27.8 | 27.80 | 73 | 61 | 00 / 00 | 50.8 | |
332 | Forsaken (2015) | Keifer Sutherland & Donald Sutherland |
0.10 | 0.1 | 0.10 | 217 | 70 | 00 / 00 | 50.4 | |
333 | The Wild and the Innocent (1959) | Audie Murphy & Joanne Dru |
2.00 | 35.9 | 35.90 | 111 | 58 | 00 / 00 | 50.1 | |
332 | The Halliday Brand (1957) | Joseph Cotten & Viveca Lindfors |
1.60 | 30.9 | 30.90 | 127 | 60 | 00 / 00 | 49.9 | |
335 | Gunfight at Comanche Creek (1963) | Audie Murphy & Ben Cooper |
1.30 | 16.1 | 16.10 | 115 | 64 | 00 / 00 | 48.9 | |
337 | The Rare Breed (1966) | 5.00 | 49.0 | 49.00 | 56 | 53 | 00 / 00 | 48.8 | ||
335 | Seven Alone (1974) | Dewey Martin & Anne Collings |
7.20 | 41.8 | 41.80 | 56 | 56 | 00 / 00 | 48.8 | |
339 | Rangers of Fortune (1940) | Fred MacMurray | 1.00 | 38.5 | 38.50 | 169 | 56 | 00 / 00 | 47.8 | |
340 | The Outrage (1964) | Paul Newman & Edward G. Robinson |
4.60 | 52.4 | 52.40 | 64 | 52 | 00 / 00 | 47.4 | |
339 | The Ballad of Little Jo (1993) | Suzy Amis & Bo Hopkins |
0.50 | 1.4 | 1.40 | 200 | 68 | 00 / 00 | 47.1 | |
341 | Lightning Jack (1994) | Paul Hogan & Cuba Gooding Jr. |
16.80 | 44.4 | 44.40 | 85 | 54 | 00 / 00 | 46.6 | |
342 | Charro! (1969) | Elvis Presley | 3.90 | 29.8 | 29.80 | 59 | 58 | 00 / 00 | 46.2 | |
345 | Bad Lands (1939) | Robert Barrat & Noah Berry Jr. |
0.40 | 16.6 | 21.70 | 222 | 62 | 00 / 00 | 44.9 | |
343 | The Great Northfield Minnesota Raid (1972) | Cliff Robertson & Robert Duvall |
2.30 | 14.6 | 14.60 | 114 | 62 | 00 / 00 | 44.8 | |
345 | A Million Ways To Die in The West (2014) | Charlize Theron | 43.10 | 56.9 | 115.00 | 79 | 49 | 00 / 00 | 44.5 | |
344 | My Heroes Have Always Been Cowboys (1991) | Scott Glenn & Kate Capshaw |
3.60 | 9.2 | 9.20 | 133 | 64 | 00 / 00 | 44.4 | |
345 | The Work and the Glory II: American Zion (2005) | Sam Hennings & Brenda Strong |
2.00 | 3.4 | 3.40 | 186 | 66 | 00 / 00 | 44.3 | |
347 | Red Hill (2010) | Ryan Kwanten & Steve Bisley |
0.00 | 0.0 | 0.00 | 399 | 67 | 00 / 00 | 44.0 | |
350 | The Way West (1967) | Richard Widmark & Sally Field |
4.20 | 37.2 | 37.20 | 60 | 55 | 00 / 00 | 43.9 | |
351 | A Man Alone (1955) | Ray Milland & Mary Murphy |
1.80 | 37.0 | 37.00 | 143 | 55 | 00 / 00 | 43.9 | |
349 | The Work and the Glory III: A House Divided (2006) | Sam Hennings & Brenda Strong |
1.30 | 2.2 | 2.20 | 221 | 66 | 00 / 00 | 43.6 | |
352 | Invitation to a Gunfighter (1964) | Yul Brynner & Janice Rule |
3.10 | 36.0 | 36.00 | 81 | 55 | 00 / 00 | 43.2 | |
353 | The Claim (2000) | Milla Jovovich | 0.70 | 1.3 | 1.30 | 200 | 65 | 00 / 00 | 42.7 | |
354 | Man From Del Rio (1956) | Anthony Quinn & Katy Jurado |
2.00 | 40.0 | 40.00 | 138 | 53 | 00 / 00 | 41.7 | |
357 | Oklahoma Crude (1973) | George C. Scott & Faye Dunaway |
7.60 | 46.1 | 46.10 | 46 | 51 | 00 / 00 | 41.5 | |
358 | The Mountain Men (1980) | Charlton Heston & Brian Keith |
7.60 | 31.7 | 31.70 | 84 | 55 | 00 / 00 | 41.3 | |
356 | Against A Crooked Sky (1975) | Richard Boone & Stewart Petersen |
6.90 | 36.2 | 36.20 | 59 | 54 | 00 / 00 | 41.3 | |
357 | Something Big (1971) | Dean Martin & Brian Keith |
2.90 | 18.8 | 18.80 | 94 | 59 | 00 / 00 | 41.2 | |
359 | Villa Rides (1968) | Yul Brynner & Robert Mitchum |
3.40 | 28.2 | 28.20 | 86 | 56 | 00 / 00 | 41.1 | |
362 | The Appaloosa (1966) | Marlon Brando | 3.50 | 34.3 | 34.30 | 70 | 54 | 00 / 00 | 41.0 | |
362 | Pony Express (1953) | Charlton Heston | 4.20 | 76.2 | 76.20 | 85 | 41 | 00 / 00 | 40.6 | |
361 | From Noon Till Three (1976) | Charles Bronson & Jill Ireland |
2.70 | 13.8 | 13.80 | 111 | 60 | 00 / 00 | 39.4 | |
364 | Posse (1993) | Mario Van Peebles | 18.30 | 47.6 | 47.60 | 78 | 49 | 00 / 00 | 39.1 | |
366 | Arena (1953) | Gig Young & Jean Hagen |
2.30 | 41.5 | 55.60 | 153 | 51 | 00 / 00 | 38.9 | |
363 | Seraphim Falls (2006) | Liam Neeson & Pierce Brosnan |
0.40 | 0.7 | 2.00 | 258 | 64 | 00 / 00 | 38.3 | |
366 | The Outlaws Is Coming (1965) | Larry Fine & Joe DeRita |
0.60 | 6.4 | 6.40 | 142 | 62 | 00 / 00 | 37.4 | |
368 | The Legend of the Lone Ranger (1981) | Klinton Spilsbury & Christopher Lloyd |
12.60 | 48.9 | 48.90 | 63 | 48 | 00 / 00 | 37.4 | |
370 | The Tall Stranger (1957) | Joel McCrea & Virginia Mayo |
2.40 | 47.1 | 47.10 | 101 | 49 | 00 / 00 | 37.2 | |
367 | Lust in the Dust (1985) | Tab Hunter & Divine |
0.70 | 2.2 | 2.20 | 159 | 63 | 00 / 00 | 37.0 | |
369 | Heaven's Gate (1980) | Jeff Bridges & Christopher Walken |
3.50 | 14.4 | 14.40 | 122 | 58 | 01 / 00 | 37.0 | |
372 | Arrowhead (1953) | Charlton Heston & Jack Palance |
3.60 | 65.3 | 65.30 | 104 | 43 | 00 / 00 | 37.0 | |
371 | The Big Trees (1952) | Kirk Douglas & Patrice Wymore |
2.40 | 46.3 | 46.30 | 141 | 49 | 00 / 00 | 36.8 | |
375 | Advance To The Rear (1964) | Glenn Ford & Stella Stevens |
3.10 | 36.0 | 36.00 | 80 | 52 | 00 / 00 | 36.3 | |
373 | The Man from Monterey (1933) | John Wayne | 0.40 | 18.3 | 25.80 | 172 | 57 | 00 / 00 | 36.2 | |
375 | The First Traveling Saleslady (1956) | Ginger Rogers & Barry Nelson |
2.10 | 42.0 | 42.00 | 132 | 50 | 00 / 00 | 36.1 | |
376 | Butch and Sundance: The Early Days (1979) | Tom Berenger & Will Kaat |
5.10 | 22.1 | 22.10 | 81 | 56 | 00 / 00 | 34.8 | |
377 | Navajo Joe (1968) | Burt Reynolds | 0.90 | 7.1 | 7.10 | 151 | 60 | 00 / 00 | 34.4 | |
378 | 'Doc' (1971) | Stacy Keach & Faye Dunaway |
2.40 | 15.8 | 15.80 | 104 | 57 | 00 / 00 | 34.2 | |
379 | Almost Heroes (1998) | Chris Farley & Matthew Perry |
6.10 | 14.1 | 14.10 | 138 | 58 | 00 / 00 | 33.8 | |
380 | The Magnificent Seven Ride! (1972) | Lee Van Cleef | 3.20 | 20.2 | 20.20 | 83 | 56 | 00 / 00 | 33.6 | |
383 | Guns of the Timberland (1960) | Alan Ladd & Jeanne Crain |
2.00 | 31.9 | 31.90 | 100 | 52 | 00 / 00 | 33.3 | |
381 | Cattle Annie and Little Britches (1981) | Scott Glenn & Diane Lane |
0.50 | 2.1 | 2.10 | 152 | 61 | 00 / 00 | 33.3 | |
381 | Scalawag (1973) | Kirk Douglas & Mark Lester |
2.40 | 14.8 | 14.80 | 113 | 57 | 00 / 00 | 32.1 | |
385 | Alvarez Kelly (1966) | William Holden & Richard Widmark |
3.50 | 34.3 | 34.30 | 72 | 50 | 00 / 00 | 31.5 | |
386 | War Arrow (1953) | 3.00 | 54.4 | 54.40 | 125 | 43 | 00 / 00 | 30.2 | ||
384 | Grey Owl (1999) | Pierce Brosnan & Stewart Bick |
0.60 | 1.3 | 1.30 | 202 | 60 | 00 / 00 | 29.6 | |
386 | All the Pretty Horses (2000) | 15.50 | 31.1 | 36.30 | 108 | 50 | 00 / 00 | 29.5 | ||
389 | Nevada (1944) | Robert Mitchum | 1.30 | 42.2 | 52.30 | 137 | 47 | 00 / 00 | 29.5 | |
390 | The Lonely Man (1957) | Jack Palance & Anthony Perkins |
2.30 | 44.0 | 44.00 | 105 | 46 | 00 / 00 | 28.6 | |
390 | The Alamo (2004) | Dennis Quaid | 22.40 | 38.9 | 44.80 | 100 | 47 | 00 / 00 | 28.5 | |
391 | The Hunting Party (1971) | Gene Hackman & Candice Bergen & <a href='https://www.ultimatemovierankings.com/oliver-reed-movies/' |
2.70 | 17.8 | 17.80 | 95 | 54 | 00 / 00 | 28.4 | |
392 | A Gunfight (1971) | Kirk Douglas & Johnny Cash |
3.80 | 24.7 | 24.70 | 74 | 51 | 00 / 00 | 27.7 | |
393 | The Hi-Lo Country (1998) | Billy Crudup & Woody Harrelson |
0.20 | 0.4 | 0.40 | 231 | 58 | 00 / 00 | 26.8 | |
395 | Rustlers' Rhapsody (1985) | Andy Griffith & Patrick Wayne |
6.10 | 18.5 | 18.50 | 108 | 52 | 00 / 00 | 26.0 | |
395 | Ten Who Dared (1960) | Brian Keith & John Beal |
2.30 | 35.7 | 35.70 | 95 | 47 | 00 / 00 | 25.9 | |
395 | Straight to Hell (1987) | Sy Richardson & Joe Strummer |
0.20 | 0.6 | 0.60 | 220 | 58 | 00 / 00 | 25.9 | |
396 | Guns of the Magnificent Seven (1969) | George Kennedy | 1.60 | 11.9 | 11.90 | 120 | 54 | 00 / 00 | 24.9 | |
397 | 40 Guns to Apache Pass (1967) | Audie Murphy & Michael Burns |
1.50 | 13.4 | 13.40 | 120 | 53 | 00 / 00 | 24.7 | |
399 | The Spikes Gang (1974) | Lee Marvin & Gary Grimes |
2.60 | 14.8 | 14.80 | 97 | 52 | 00 / 00 | 23.8 | |
400 | Bad Girls (1994) | Drew Barrymore | 15.20 | 40.3 | 40.30 | 92 | 42 | 00 / 00 | 22.9 | |
401 | The Raiders (1963) | Brian Keith & Robert Culp |
2.10 | 26.6 | 26.60 | 88 | 48 | 00 / 00 | 22.1 | |
402 | Guns of Diablo (1964) | Charles Bronson & Susan Oliver |
2.10 | 24.6 | 24.60 | 108 | 48 | 00 / 00 | 22.1 | |
403 | The Warrior's Way (2010) | Kate Bosworth & Geoffrey Rush |
5.70 | 7.7 | 15.10 | 140 | 53 | 00 / 00 | 21.8 | |
404 | Jane Got a Gun (2015) | Natalie Portman & Ewan McGregor |
1.50 | 1.9 | 1.90 | 170 | 55 | 00 / 00 | 21.0 | |
407 | Westward Ho (1935) | John Wayne | 0.50 | 22.5 | 22.50 | 191 | 48 | 00 / 00 | 20.9 | |
408 | The Good Guys and the Bad Guys (1969) | Robert Mitchum & George Kennedy |
2.40 | 18.4 | 18.40 | 89 | 49 | 00 / 00 | 20.4 | |
406 | Casa De Mi Padre (2012) | Will Ferrell & Gael García Bernal |
5.90 | 8.0 | 10.90 | 145 | 52 | 00 / 00 | 20.3 | |
408 | Ghost Town (1988) | Franc Luz & Catherine Hickland |
0.10 | 0.2 | 0.20 | 259 | 55 | 00 / 00 | 20.2 | |
409 | The Wrath of God (1972) | Robert Mitchum & Frank Langella |
2.20 | 13.9 | 13.90 | 116 | 50 | 00 / 00 | 18.6 | |
411 | Ride Him Cowboy (1932) | John Wayne | 0.50 | 23.0 | 31.40 | 166 | 47 | 00 / 00 | 18.4 | |
410 | Young Billy Young (1969) | Robert Mitchum | 2.60 | 19.5 | 19.50 | 85 | 48 | 00 / 00 | 18.1 | |
412 | Welcome To Hard Times (1967) | Henry Fonda & Janice Rule |
1.50 | 13.4 | 13.40 | 118 | 49 | 00 / 00 | 17.0 | |
413 | Catlow (1971) | Yul Brynner & Richard Crenna |
2.00 | 13.0 | 13.00 | 121 | 49 | 00 / 00 | 16.8 | |
414 | Wild Bill (1995) | Jeff Bridges | 2.20 | 5.4 | 5.40 | 174 | 49 | 00 / 00 | 14.2 | |
415 | Billy Two Hats (1974) | Gregory Peck & Desi Arnaz Jr. |
1.20 | 6.9 | 6.90 | 129 | 49 | 00 / 00 | 14.0 | |
416 | Shalako (1968) | Sean Connery | 2.90 | 23.7 | 80.20 | 94 | 43 | 00 / 00 | 13.4 | |
417 | Sam Whiskey (1969) | Burt Reynolds & Angie Dickinson |
2.40 | 17.9 | 17.90 | 91 | 44 | 00 / 00 | 12.6 | |
418 | American Outlaws (2001) | Colin Farrell | 13.30 | 25.5 | 26.10 | 121 | 42 | 00 / 00 | 12.6 | |
419 | Journey to Shiloh (1968) | Harrison Ford & James Caan |
0.40 | 3.4 | 3.40 | 170 | 45 | 00 / 00 | 8.9 | |
421 | The Oregon Trail (1959) | Fred MacMurray | 1.10 | 19.8 | 19.80 | 141 | 39 | 00 / 00 | 8.1 | |
420 | Land Raiders (1970) | Telly Savalas & George Maharis |
1.00 | 6.8 | 6.80 | 147 | 43 | 00 / 00 | 8.0 | |
422 | Wagons East (1994) | John Candy | 4.40 | 11.7 | 11.70 | 143 | 37 | 00 / 00 | 4.2 | |
423 | Tonight For Sure (1962) | Karl Schanzer & Don Kenney |
0.00 | 0.2 | 0.20 | 146 | 37 | 00 / 00 | 2.8 | |
424 | Jonah Hex (2010) | Josh Brolin | 10.50 | 14.4 | 14.90 | 128 | 32 | 00 / 00 | 2.4 | |
425 | Blood Red (1989) | Eric Roberts & Giancarlo Giannini |
0.00 | 0.1 | 0.10 | 237 | 31 | 00 / 00 | 0.9 | |
426 | Gang of Roses (2003) | 0.00 | 0.1 | 0.10 | 362 | 23 | 00 / 00 | 0.2 |
Sorry but they messed up. I have saw each and every one of these movies except maybe three that I can’t remember, I love western movies and TV shows. This is not the ranking I would put on some of them and NO comedies. Comedies are not true westerns. If you want to include them, then Support Your Local Sheriff with James Garner should have been there. Blazing Saddles, Son of Pale Face, and My Little Chickadee?? Come on people. They were written in a western setting but to put them above the Magnificent Seven and some of the other westerns on that list is just messed up.
Hey Lona….thanks for the feedback… The Magnificent Seven ended up as the 19th best reviewed western. The table started with the 100th movie and moved down to the top movie. We went back and forth on the comedies….but in the end….every list, book and video listed Blazing Saddles as one of the best movies ever. So when included that one…it brought Cat Ballau, Support Your…and others with it. As for My Little Chickadee….yes it is a comedy….but it is all western. Outlaws, gunfights, saloons, ranchers…can’t get more Western than that.
Thanks Cogerson for your comments to me. I appreciate it. They were all made for entertainment and I was entertained by each and every one of them. I just have a different rating in mind for some of them. I know that none of them are true life but I do like the ones that try to be more true to life than comedies, but that is just me. Life was rough back then. There wasn’t too much funny about it. I love comedies but I give them a world of their own. I suppose that I am still influenced by my dad. Westerns was “our thing” to share and he was not amused by comedies in Westerns. He has been gone a long time now and watching them are the way I feel close to him. That must also be the reason I watch them over and over and over and…………ha ha.
Hey Lona…. Thanks for sharing your memories of you, your dad and westerns. In my house it was World War 2 movies….he was born 1936….and as a young boy the war fascinated him and he never forgot. On the western side…my best friend’s father loved John Wayne. When VHS became popular we would search for Wayne movies at the video store (an ancient relic of the 1980s) and bring them for him to watch. I can fully understand….about comedies and westerns…I worked on this page for about 3 weeks….and I only caved at the very end….lol. Thanks for the great feedback.
Once Upon a Time in the West airs often on a channel we get in Canada called Silver Screen Classics.
Hi
I decided to comment on this page as you’ve done probably every Western that’s worth mentioning. No doubt a couple didn’t make the list but as said before, lists are always problematic. As a kid, Westerns were cowboy films, and one cowboy above all was John Wayne. Practically all my school friends loved Wayne. One friend in particular actually walked like Wayne. His favourite movie was The Alamo and his party piece was the famous death scene.
I think to most people, Wayne was black and white, always the good guy. Admittedly in movies like The Searchers and Red River, the lines were blurred. But mostly, he was the good guy. Two of my favourite Wayne movies, although not critically considered, but I always enjoyed, was The Commoncheros and The Undefeated. I seen both in the cinema.
When Wayne died, I think it had a massive impact on many people’s lives of my generation, he was somebody we all grew up with. Somebody wrote at the time that the world doesn’t seem quite as safe without Wayne. That was some testimony to his power as a movie icon.
Of course there were other Western stars, Stewart Cooper, Fonda, Scott. But I don’t think any of them were comparable to Wayne. Stewart had a terrific run of movies with Anthony Mann, but my 2 favourite would be Destiny Rides Again and Shenandoah. I watched it recently and it’s a terrific show. Catherine Ross is in it (whatever happened to her!)
I loved Fonda in My Darling Clemintine and Jesse James.
To be honest Spaghetti Westerns never did it for me and I wouldn’t be a particular fan of Clint Eastwood. I appreciate the guy’s talent but he doesn’t do it for me.
My three favourite Westerns are The Big Country, High Noon and Shane. I could never understand why so many people hated High Noon, Wayne hated it. He felt it was unrealistic that the Sheriff couldn’t get anyone to help him out in the town with the bad guys. Well I think Cooper was brilliant in it and deserved his Oscar.
The Big Country is more a soap opera than a Western in a way, two warring families fighting over land. Burl Ives for me stole the show. I’m glad he got the Oscar.
But as I said before, my favourite would be Shane. Not a great fan of Alan Ladd but in this film he was absolutely magic and so right for the part. In fact everybody was superb, especially the wee boy played by Brandon De Wilde. Sad that he died so tragically in a car crash.
You’ve done a fantastic page and the work and effort is really appreciated.
Hey Chris.
1. Happy to report that both pages….have been very popular. The top 100 westerns page was actually the fastest page to reach 9,000 impressions from any of our 3 websites we have had over the years.
2. I agree with you Wayne….even his “bad guy” roles….he usually ended up doing the right thing.
3. When reading about friend doing the Wayne walk I was picture Leon from The Professional doing the same walk.
4. Katharine Ross turned 40 and that is pretty much the kiss of death for actresses.
5. I loved the Eastwood\Leone westerns…. But we can not agree on all movies….lol.
6. I like you Top 3….,especially The Big Country….a great movie that gets better with each new viewing.
7. Glad you enjoyed your requested page….it was a difficult one to do…..but now that it is done I am very happy with the results.
The Tin Star…..#179…..and The Fastest Gun Alive #110…..are now on the table.
🙂 Thanks Bruce.
The page is starting to grow….but so far only one movie has cracked the Top 100….about to share on TCM….I imagine they will throw out some names that I have never heard of before…lol.
That’s quite a list Bruce, I’m impressed. And there are a couple there I’d never heard of before, Meek’s Cutoff?
As a western fan it was easier to count the ones I hadn’t seen than the ones I have, from your current list of 251 westerns I have seen 193. Assuming you might be adding more to the list.
Looking at my movie files, I have 401 westerns in my collection, not sure if I’ve watched them all.
Flora mentioned The Fastest Gun Alive, a minor western classic I watched again recently, that’s missing from this list. Also missing is The Tin Star starring Henry Fonda and Anthony Perkins.
I’ve seen all the films topping the UMR chart right up to In Old Arizona at no.39. I’m siding with the critics chart on this one, the top 10 are all favorites of mine.
I will go and check out your top 100 westerns now. Good work Bruce. Voted Up!
Hey Steve. So far none of the missing movies…have had to be added to the Top 100 page. I will add in The Fastest Gun and The Tin Star….as soon as I finish this comment. Already added in 3 Audie Murphy movies since I first published.
Tally count…you at 193….Flora at 129…Laurent at 135…me at 140. You easily get the top spot…the rest of us were pretty close.
Hopefully I did this smarter this time…..as this will be the “working table” as I add in “missing movies”…and only really good movies….I think 77.5% critical rating is the 100th movie on the Top 100…..will make the Top 100 page.
Critics ranking seemed to be the best way to rank these movies….but the UMR score still puts some really good movies near the top.
Thanks for all the suggestions….it is greatly appreciated.