Want to know the best Western Movies movies? How about the worst Western Movies movies? Curious about Western Movies box office grosses or which Western Movies movie picked up the most Oscar® nominations? Need to know which Western Movies movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information…and alot more.
Recently got a request to do a Westerns page from Chris. This page represents page two of that request. The first page looked at the Top 100 Westerns based on critic reviews and audience voting. This page lists all the movies we researched (252 movies currently) but did not make the Top 100. When I played football in high school….the 3rd stringers had to ride the bus with the cheerleaders (not really a problem) and the equipment. Think of this page as that bus….they all want to get to the first bus…..and all the people on the first bus want to avoid the 2nd bus.
Obviously they are way more Westerns out there. Is your favorite western missing?….just commented at the bottom and I will research and include that movie. If your favorite is good enough….it might even make it to the Top 100 Western page.
Western Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Western Movies by the stars of the movies
- Sort movies by adjusted domestic box office grosses based on actual ticket sells (in millions)
- Sort movies by yearly domestic box office rank
- Sort by how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each movie received.
- Sort Western Movies movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Unforgiven (1992) AA Best Picture Win |
Clint Eastwood & Gene Hackman |
101.20 | 286.4 | 450.60 | 11 | 92 | 09 / 04 | 100.0 | |
2 | Dances with Wolves (1990) AA Best Picture Win |
Kevin Costner | 185.00 | 513.9 | 1,180.60 | 3 | 81 | 12 / 07 | 99.8 | |
3 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.40 | 201.8 | 201.80 | 12 | 92 | 07 / 04 | 99.7 | |
3 | Giant (1956) AA Best Picture Nom |
Elizabeth Taylor & Rock Hudson |
27.10 | 579.9 | 866.80 | 3 | 86 | 10 / 01 | 99.5 | |
5 | Django Unchained (2012) AA Best Picture Nom |
Jamie Foxx & Leonardo DiCaprio |
162.80 | 240.3 | 624.10 | 15 | 88 | 05 / 02 | 99.5 | |
6 | Shane (1953) AA Best Picture Nom |
Alan Ladd | 22.70 | 445.1 | 629.00 | 5 | 87 | 06 / 01 | 99.5 | |
7 | The Revenant (2015) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
183.60 | 256.0 | 742.80 | 13 | 82 | 12 / 03 | 99.4 | |
8 | True Grit (2010) AA Best Picture Nom |
Jeff Bridges & Matt Damon |
171.10 | 254.7 | 375.40 | 13 | 85 | 10 / 00 | 99.4 | |
11 | Stagecoach (1939) AA Best Picture Nom |
John Wayne & Directed by John Ford |
5.00 | 208.5 | 325.60 | 30 | 83 | 07 / 02 | 99.3 | |
10 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Humphrey Bogart & Walter Huston |
6.10 | 177.8 | 316.60 | 45 | 90 | 04 / 03 | 99.2 | |
11 | Butch Cassidy and the Sundance Kid (1969) AA Best Picture Nom |
Paul Newman & Robert Redford |
100.10 | 828.4 | 1,015.20 | 1 | 79 | 07 / 04 | 99.2 | |
12 | Cimarron (1931) AA Best Picture Win |
Richard Dix & Irene Dunne |
3.60 | 200.0 | 243.20 | 14 | 59 | 07 / 03 | 99.1 | |
12 | The Good, the Bad and the Ugly (1966) | Clint Eastwood | 25.00 | 267.0 | 267.00 | 6 | 94 | 00 / 00 | 99.1 | |
12 | How the West Was Won (1962) AA Best Picture Nom |
Gregory Peck & Debbie Reynolds |
36.10 | 565.4 | 1,348.80 | 2 | 76 | 08 / 03 | 99.0 | |
16 | The Big Country (1958) | Gregory Peck | 10.60 | 208.4 | 208.40 | 11 | 89 | 02 / 01 | 98.9 | |
16 | The Searchers (1956) | John Wayne & Directed by John Ford |
14.00 | 299.1 | 404.80 | 14 | 89 | 00 / 00 | 98.7 | |
19 | My Darling Clementine (1946) | Henry Fonda & Victor Mature |
7.40 | 249.5 | 249.50 | 43 | 85 | 00 / 00 | 98.2 | |
19 | The Professionals (1966) | Burt Lancaster & Lee Marvin |
22.00 | 235.0 | 235.00 | 10 | 83 | 03 / 00 | 98.2 | |
19 | Rio Bravo (1959) | John Wayne & Dean Martin |
16.40 | 321.7 | 563.90 | 11 | 85 | 00 / 00 | 98.2 | |
20 | Red River (1948) | John Wayne & Montgomery Clift |
11.80 | 345.9 | 345.90 | 1 | 83 | 02 / 00 | 98.1 | |
21 | Jeremiah Johnson (1972) | Robert Redford | 57.30 | 395.9 | 395.90 | 6 | 84 | 00 / 00 | 98.0 | |
22 | True Grit (1969) | John Wayne & Robert Duvall |
40.70 | 336.9 | 336.90 | 7 | 81 | 02 / 01 | 97.9 | |
22 | Blazing Saddles (1974) | Mel Brooks & Gene Wilder |
118.10 | 742.1 | 742.10 | 1 | 81 | 03 / 00 | 97.9 | |
24 | The Man From Laramie (1955) | James Stewart | 9.40 | 213.0 | 213.00 | 31 | 83 | 00 / 00 | 97.9 | |
24 | Little Big Man (1970) | Dustin Hoffman & Faye Dunaway |
45.50 | 344.6 | 344.60 | 6 | 81 | 01 / 00 | 97.7 | |
25 | Cat Ballou (1965) | Lee Marvin & Jane Fonda |
25.10 | 289.5 | 289.50 | 7 | 77 | 05 / 01 | 97.6 | |
27 | Fort Apache (1948) | John Wayne & Directed by John Ford |
8.30 | 244.7 | 343.20 | 17 | 81 | 00 / 00 | 97.4 | |
30 | The Virginian (1929) | Gary Cooper | 6.20 | 209.2 | 209.20 | 6 | 81 | 00 / 00 | 97.4 | |
30 | She Wore a Yellow Ribbon (1949) | John Wayne & Directed by John Ford |
7.60 | 208.7 | 284.60 | 23 | 78 | 01 / 01 | 97.3 | |
30 | Johnny Guitar (1954) | Joan Crawford & Ernest Borgnine |
7.10 | 182.5 | 182.50 | 45 | 86 | 00 / 00 | 97.2 | |
31 | Gunfight at the O.K. Corral (1957) | Burt Lancaster & Kirk Douglas |
13.40 | 281.8 | 281.80 | 9 | 77 | 02 / 00 | 96.9 | |
32 | Son of Paleface (1952) | Bob Hope | 9.40 | 201.8 | 201.80 | 13 | 77 | 01 / 00 | 96.8 | |
33 | The Misfits (1961) | Clark Gable & Marilyn Monroe |
11.40 | 181.5 | 238.20 | 18 | 84 | 00 / 00 | 96.8 | |
34 | My Little Chickadee (1940) | Mae West & W.C. Fields |
4.60 | 191.8 | 191.80 | 22 | 80 | 00 / 00 | 96.7 | |
35 | Pursued (1947) | Robert Mitchum | 7.80 | 248.9 | 248.90 | 31 | 77 | 00 / 00 | 96.6 | |
36 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.00 | 253.3 | 543.40 | 15 | 77 | 00 / 00 | 96.5 | |
37 | Hondo (1953) | John Wayne & Geraldine Page |
11.50 | 225.7 | 322.80 | 12 | 75 | 02 / 00 | 96.4 | |
38 | The Alamo (1960) AA Best Picture Nom |
John Wayne & Richard Widmark |
22.60 | 384.9 | 772.10 | 5 | 63 | 07 / 01 | 96.4 | |
40 | The Paleface (1948) | Bob Hope & Jane Russell |
9.20 | 270.6 | 270.60 | 11 | 74 | 01 / 01 | 96.3 | |
37 | Shenandoah (1965) | James Stewart | 19.20 | 221.1 | 221.10 | 10 | 75 | 01 / 00 | 96.2 | |
41 | The Far Country (1954) | James Stewart | 7.10 | 182.5 | 182.50 | 43 | 81 | 00 / 00 | 96.2 | |
42 | Dodge City (1939) | Errol Flynn & Olivia de Havilland |
6.80 | 283.3 | 425.00 | 14 | 76 | 00 / 00 | 96.2 | |
43 | The Horse Soldiers (1959) | John Wayne & William Holden |
10.90 | 212.6 | 212.60 | 21 | 76 | 00 / 00 | 96.2 | |
44 | Vera Cruz (1954) | Gary Cooper & Burt Lancaster |
13.00 | 333.3 | 333.30 | 14 | 75 | 00 / 00 | 96.1 | |
45 | Honky Tonk (1941) | Clark Gable & Lana Turner |
8.50 | 358.7 | 505.90 | 6 | 75 | 00 / 00 | 96.0 | |
46 | Yellow Sky (1948) | Richard Widmark & Gregory Peck |
7.40 | 216.4 | 216.40 | 28 | 75 | 00 / 00 | 95.9 | |
47 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.30 | 178.0 | 178.00 | 16 | 82 | 00 / 00 | 95.9 | |
48 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.10 | 248.3 | 248.30 | 7 | 71 | 03 / 00 | 95.7 | |
49 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.40 | 157.4 | 157.40 | 32 | 87 | 00 / 00 | 95.7 | |
50 | The Sons of Katie Elder (1965) | John Wayne & Dean Martin |
16.20 | 186.8 | 186.80 | 15 | 78 | 00 / 00 | 95.7 | |
51 | The Man Who Shot Liberty Valance (1962) | John Wayne & James Stewart |
10.10 | 158.9 | 313.30 | 22 | 84 | 01 / 00 | 95.3 | |
52 | Maverick (1994) | Mel Gibson & James Garner |
101.60 | 292.7 | 527.10 | 12 | 71 | 01 / 00 | 95.3 | |
53 | Duel in the Sun (1946) | Gregory Peck & Jennifer Jones |
17.80 | 597.9 | 597.90 | 2 | 70 | 02 / 00 | 95.2 | |
54 | The Outlaw Josey Wales (1976) | Clint Eastwood | 29.70 | 163.8 | 163.80 | 21 | 82 | 01 / 00 | 95.0 | |
55 | Apache (1954) | Burt Lancaster & Charles Bronson |
10.00 | 255.4 | 255.40 | 27 | 69 | 00 / 00 | 94.6 | |
56 | McLintock! (1963) | John Wayne & Maureen O'Hara |
12.90 | 176.6 | 176.60 | 22 | 77 | 00 / 00 | 94.5 | |
57 | The Iron Horse (1924) | George O'Brien | 4.00 | 188.0 | 188.00 | 5 | 73 | 00 / 00 | 94.5 | |
58 | Tall in the Saddle (1944) | John Wayne & Ward Bond |
5.90 | 217.9 | 287.20 | 54 | 69 | 00 / 00 | 94.4 | |
59 | Canyon Passage (1946) | Dana Andrews & Susan Hayward |
7.80 | 263.1 | 372.00 | 36 | 68 | 01 / 00 | 94.3 | |
60 | Westward the Women (1951) | Robert Taylor | 7.50 | 177.3 | 268.30 | 21 | 76 | 00 / 00 | 94.3 | |
61 | Garden of Evil (1954) | Gary Cooper & Richard Widmark |
8.90 | 226.2 | 226.20 | 30 | 68 | 00 / 00 | 94.3 | |
62 | Back to the Future Part III (1990) | Michael J. Fox & Christopher Lloyd |
108.00 | 299.9 | 735.40 | 9 | 68 | 00 / 00 | 94.2 | |
64 | Urban Cowboy (1980) | 46.90 | 212.0 | 212.00 | 16 | 68 | 00 / 00 | 94.2 | ||
63 | Cheyenne (1947) | Jane Wyman | 6.80 | 215.1 | 283.50 | 39 | 68 | 00 / 00 | 94.1 | |
65 | Jesse James (1939) | Tyrone Power & Henry Fonda |
9.50 | 397.0 | 397.00 | 4 | 68 | 00 / 00 | 94.1 | |
66 | The Winning of Barbara Worth (1926) | Ronald Colman & Gary Cooper |
6.20 | 242.1 | 242.10 | 2 | 68 | 00 / 00 | 94.1 | |
67 | Ruggles of Red Gap (1935) AA Best Picture Nom |
Charles Laughton | 2.90 | 139.9 | 139.90 | 34 | 79 | 01 / 00 | 93.9 | |
68 | Union Pacific (1939) | Barbara Stanwyck & Joel McCrea |
5.50 | 230.8 | 230.80 | 25 | 66 | 01 / 00 | 93.9 | |
70 | The Wild Bunch (1969) | William Holden & Warren Oates |
15.10 | 125.3 | 125.30 | 21 | 89 | 02 / 00 | 93.8 | |
70 | Tombstone (1993) | Kurt Russell & Val Kilmer |
56.50 | 160.4 | 207.80 | 20 | 80 | 00 / 00 | 93.7 | |
71 | The Horse Whisperer (1998) | Robert Redford & Kristin Scott Thomas |
75.40 | 188.9 | 468.20 | 25 | 70 | 01 / 00 | 93.7 | |
72 | The Big Trail (1930) | John Wayne | 2.90 | 170.8 | 214.60 | 24 | 75 | 00 / 00 | 93.6 | |
73 | The Westerner (1940) | Gary Cooper & Walter Brennan |
3.50 | 146.3 | 146.30 | 41 | 79 | 03 / 01 | 93.4 | |
74 | One-Eyed Jacks (1961) | Marlon Brando & Karl Malden |
12.30 | 195.1 | 195.10 | 14 | 66 | 01 / 00 | 93.4 | |
75 | A Fistful of Dollars (1964) | Clint Eastwood & Directed by Sergio Leone |
12.00 | 150.0 | 150.00 | 21 | 81 | 00 / 00 | 93.2 | |
77 | The Gunfighter (1950) | Gregory Peck & Helen Westcott |
5.60 | 136.4 | 136.40 | 48 | 84 | 01 / 00 | 93.2 | |
77 | The Electric Horseman (1979) | Robert Redford & Jane Fonda |
81.90 | 383.3 | 383.30 | 7 | 64 | 01 / 00 | 93.1 | |
78 | El Dorado (1967) | John Wayne & Robert Mitchum |
15.00 | 145.7 | 145.70 | 19 | 82 | 00 / 00 | 93.1 | |
79 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.40 | 181.8 | 181.80 | 18 | 70 | 00 / 00 | 93.0 | |
80 | Bad Bascomb (1946) | Wallace Beery | 6.40 | 216.3 | 216.30 | 55 | 64 | 00 / 00 | 92.9 | |
81 | Broken Lance (1954) | Spencer Tracy & Richard Widmark |
10.90 | 277.3 | 277.30 | 26 | 61 | 02 / 01 | 92.7 | |
82 | The Naked Spur (1953) | James Stewart & Janet Leigh |
6.80 | 133.5 | 133.50 | 38 | 84 | 01 / 00 | 92.7 | |
83 | North West Mounted Police (1940) | Gary Cooper & Directed by Cecil B. DeMille |
4.30 | 179.8 | 179.80 | 28 | 65 | 05 / 01 | 92.7 | |
84 | The Cowboys (1972) | John Wayne & Bruce Dern |
22.70 | 157.1 | 157.10 | 16 | 77 | 00 / 00 | 92.6 | |
85 | 3 Godfathers (1948) | John Wayne & Directed by John Ford |
5.50 | 160.6 | 219.60 | 62 | 75 | 00 / 00 | 92.6 | |
86 | Hombre (1967) | Paul Newman & Fredric March |
14.00 | 136.2 | 136.20 | 20 | 83 | 00 / 00 | 92.6 | |
87 | The Covered Wagon (1923) | Ernest Torrence | 9.90 | 483.4 | 483.40 | 2 | 63 | 00 / 00 | 92.5 | |
88 | The Apple Dumpling Gang (1975) | Bill Bixby & Susan Clark |
50.20 | 288.0 | 288.00 | 7 | 61 | 00 / 00 | 92.0 | |
89 | For a Few Dollars More (1965) | Clint Eastwood & Directed by Sergio Leone |
10.80 | 123.8 | 123.80 | 20 | 85 | 00 / 00 | 92.0 | |
90 | The Life and Times of Judge Roy Bean (1972) | Paul Newman & Ava Gardner |
24.50 | 169.7 | 169.70 | 14 | 70 | 01 / 00 | 91.9 | |
91 | Pale Rider (1985) | Clint Eastwood & Carrie Snodgress |
41.40 | 137.1 | 137.10 | 18 | 80 | 00 / 00 | 91.9 | |
92 | Rio Grande (1950) | John Wayne & Directed by John Ford |
6.40 | 157.4 | 157.40 | 31 | 74 | 00 / 00 | 91.7 | |
93 | Love Me Tender (1956) | Elvis & Richard Egan |
12.00 | 256.4 | 256.40 | 20 | 60 | 00 / 00 | 91.6 | |
94 | North to Alaska (1960) | John Wayne & Stewart Granger |
13.40 | 228.7 | 228.70 | 14 | 60 | 00 / 00 | 91.4 | |
95 | Santa Fe Trail (1940) | Errol Flynn & Olivia de Havilland |
5.00 | 209.6 | 303.70 | 16 | 60 | 00 / 00 | 91.4 | |
96 | In Old Arizona (1928) AA Best Picture Nom |
Warner Baxter | 7.80 | 269.6 | 269.60 | 3 | 48 | 05 / 01 | 91.4 | |
99 | Destry Rides Again (1939) | James Stewart & Marlene Dietrich |
2.90 | 121.7 | 121.70 | 82 | 84 | 00 / 00 | 91.4 | |
98 | The Spoilers (1942) | John Wayne & Randolph Scott |
5.00 | 202.6 | 202.60 | 44 | 59 | 01 / 00 | 91.4 | |
99 | The Return of Frank James (1940) | Henry Fonda & Gene Tierney |
3.70 | 155.9 | 155.90 | 37 | 73 | 00 / 00 | 91.1 | |
100 | The Outlaw (1943) | Jane Russell & Directed by Howard Hawks |
14.50 | 567.9 | 567.90 | 3 | 59 | 00 / 00 | 91.0 | |
101 | The Oklahoma Kid (1939) | James Cagney & Humphrey Bogart |
6.10 | 257.3 | 504.20 | 17 | 58 | 00 / 00 | 90.7 | |
102 | Pardners (1956) | Dean Martin & Jerry Lewis |
10.30 | 219.7 | 219.70 | 25 | 57 | 00 / 00 | 90.6 | |
103 | Distant Drums (1951) | Gary Cooper | 8.60 | 202.6 | 219.60 | 14 | 57 | 00 / 00 | 90.6 | |
104 | The Magnificent Seven (1960) | Yul Brynner & Steve McQueen |
6.40 | 109.5 | 596.00 | 44 | 85 | 01 / 00 | 90.5 | |
104 | High Plains Drifter (1973) | Clint Eastwood | 16.90 | 112.4 | 112.40 | 22 | 85 | 00 / 00 | 90.4 | |
106 | The War Wagon (1967) | John Wayne & Kirk Douglas |
15.20 | 147.6 | 259.80 | 18 | 73 | 00 / 00 | 90.2 | |
109 | Davy Crockett: King of the Wild Frontier (1955) | Fess Parker | 6.10 | 138.8 | 138.80 | 52 | 76 | 00 / 00 | 90.2 | |
108 | A Man Called Horse (1970) | Richard Harris | 19.70 | 149.3 | 149.30 | 18 | 72 | 00 / 00 | 90.1 | |
109 | Billy The Kid (1941) | Robert Taylor | 6.30 | 263.0 | 386.70 | 13 | 55 | 01 / 00 | 90.1 | |
110 | Viva Villa! (1934) AA Best Picture Nom |
Wallace Beery & Fay Wray |
2.70 | 137.4 | 273.70 | 28 | 65 | 04 / 01 | 90.1 | |
111 | The Plainsman (1936) | Gary Cooper & Directed by Cecil B. DeMille |
4.10 | 191.4 | 191.40 | 28 | 59 | 00 / 00 | 90.1 | |
112 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Anthony Quinn |
2.10 | 86.8 | 86.80 | 122 | 85 | 01 / 00 | 90.0 | |
113 | Hang 'em High (1968) | Clint Eastwood & Bruce Dern |
14.80 | 132.4 | 132.40 | 25 | 77 | 00 / 00 | 90.0 | |
115 | Wichita (1955) | Joel McCrea & Vera Miles |
6.90 | 154.9 | 154.90 | 44 | 70 | 00 / 00 | 89.9 | |
115 | Belle of the Nineties (1934) | Mae West & Randolph Scott |
3.40 | 175.2 | 175.20 | 9 | 63 | 00 / 00 | 89.7 | |
117 | Angel and the Badman (1947) | John Wayne & Gail Russell |
5.00 | 158.8 | 158.80 | 67 | 68 | 00 / 00 | 89.6 | |
118 | Shanghai Noon (2000) | Owen Wilson & Jackie Chan |
56.90 | 124.1 | 216.40 | 46 | 77 | 00 / 00 | 89.1 | |
118 | Buffalo Bill (1944) | Joel McCrea & Maureen O'Hara |
6.50 | 236.9 | 236.90 | 38 | 53 | 00 / 00 | 89.1 | |
119 | The Virginian (1946) | Joel McCrea | 9.20 | 308.5 | 308.50 | 24 | 53 | 00 / 00 | 88.9 | |
122 | Night Passage (1957) | James Stewart & Audie Murphy |
7.40 | 155.9 | 155.90 | 28 | 66 | 00 / 00 | 88.7 | |
121 | Virginia City (1940) | Errol Flynn & Humprhey Bogart |
4.30 | 182.0 | 254.20 | 25 | 57 | 00 / 00 | 88.5 | |
122 | The Fastest Gun Alive (1956) | Glenn Ford & Broderick Crawford |
6.30 | 135.5 | 135.50 | 39 | 72 | 00 / 00 | 88.4 | |
123 | 3:10 to Yuma (1957) | Glenn Ford & Van Heflin |
5.30 | 110.9 | 110.90 | 44 | 79 | 00 / 00 | 88.3 | |
123 | The Shootist (1976) | John Wayne & James Stewart |
18.10 | 100.1 | 100.10 | 38 | 81 | 01 / 00 | 88.1 | |
125 | Silver River (1948) | Errol Flynn & Ann Sheridan |
5.70 | 168.1 | 269.30 | 55 | 60 | 00 / 00 | 88.0 | |
126 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.60 | 111.9 | 111.90 | 65 | 77 | 01 / 00 | 87.8 | |
127 | Nevada Smith (1966) Uncredited Role |
Steve McQueen & Karl Malden |
13.80 | 146.9 | 146.90 | 23 | 66 | 00 / 00 | 87.7 | |
128 | Last Train from Gun Hill (1959) | Kirk Douglas & Anthony Quinn |
6.70 | 131.5 | 131.50 | 37 | 71 | 00 / 00 | 87.6 | |
130 | Man Without a Star (1955) | Kirk Douglas | 6.30 | 142.0 | 142.00 | 51 | 67 | 00 / 00 | 87.6 | |
130 | Open Range (2003) | Kevin Costner & Robert Duvall |
58.30 | 113.7 | 133.10 | 51 | 76 | 00 / 00 | 87.5 | |
131 | Badman's Territory (1946) | Randolph Scott | 5.00 | 166.9 | 166.90 | 64 | 59 | 00 / 00 | 87.3 | |
132 | 3:10 to Yuma (2007) | Russell Crowe & Christian Bale |
53.60 | 91.6 | 119.60 | 48 | 79 | 02 / 00 | 87.2 | |
133 | The Hanging Tree (1959) | Gary Cooper & George C. Scott |
6.30 | 123.1 | 123.10 | 40 | 71 | 01 / 00 | 87.0 | |
134 | The Unforgiven (1960) | Burt Lancaster & Audrey Hepburn |
8.90 | 150.8 | 150.80 | 30 | 63 | 00 / 00 | 87.0 | |
135 | Chisum (1970) | John Wayne | 18.20 | 137.8 | 220.50 | 20 | 67 | 00 / 00 | 86.9 | |
136 | McCabe & Mrs. Miller (1971) | Warren Beatty & Directed by Robert Altman |
12.40 | 88.5 | 88.50 | 25 | 81 | 01 / 00 | 86.8 | |
137 | The Big Sky (1952) | Kirk Douglas & Dewey Martin |
4.60 | 97.9 | 97.90 | 68 | 77 | 02 / 00 | 86.7 | |
139 | Across the Great Divide (1976) | Robert Logan & Heather Rattray |
24.60 | 135.5 | 135.50 | 27 | 66 | 00 / 00 | 86.5 | |
139 | The Rainmaker (1956) | Burt Lancaster & Katharine Hepburn |
6.00 | 128.2 | 128.20 | 44 | 67 | 02 / 00 | 86.3 | |
139 | Texas Across the River (1966) | Dean Martin & Alain Delon |
10.90 | 116.3 | 150.70 | 27 | 72 | 00 / 00 | 86.2 | |
141 | The Texans (1938) | Randolph Scott | 3.50 | 150.6 | 150.60 | 54 | 61 | 00 / 00 | 86.2 | |
143 | Support Your Local Sheriff! (1969) | James Garner & Walter Brennan |
14.70 | 121.4 | 121.40 | 22 | 70 | 00 / 00 | 86.1 | |
143 | Rawhide (1951) | Tyrone Power & Susan Hayward |
5.60 | 130.9 | 130.90 | 52 | 67 | 00 / 00 | 86.0 | |
144 | Silverado (1985) | Kevin Costner & Kevin Kline |
32.20 | 106.6 | 106.60 | 27 | 73 | 02 / 00 | 86.0 | |
145 | Secrets (1933) | Mary Pickford & Leslie Howard |
2.00 | 101.8 | 101.80 | 37 | 76 | 00 / 00 | 85.9 | |
146 | The Kentuckian (1955) | Burt Lancaster & Diana Lynn |
7.40 | 167.9 | 167.90 | 38 | 54 | 00 / 00 | 85.7 | |
149 | The Bravados (1958) | Gregory Peck & Joan Collins |
6.30 | 123.1 | 123.10 | 40 | 68 | 00 / 00 | 85.7 | |
148 | Man of the West (1958) | Gary Cooper | 5.00 | 97.9 | 97.90 | 49 | 76 | 00 / 00 | 85.7 | |
149 | Big Jake (1971) | John Wayne & Maureen O'Hara |
22.70 | 161.8 | 161.80 | 16 | 55 | 00 / 00 | 85.4 | |
150 | Chief Crazy Horse (1955) | Victor Mature | 5.00 | 113.0 | 113.00 | 68 | 71 | 00 / 00 | 85.4 | |
150 | The Magnificent Seven (2016) | Denzel Washington & Chris Pratt |
93.40 | 126.9 | 220.50 | 33 | 65 | 00 / 00 | 85.3 | |
151 | The Comancheros (1961) | John Wayne & Lee Marvin |
7.00 | 111.1 | 111.10 | 32 | 71 | 00 / 00 | 85.1 | |
153 | Sergeants 3 (1962) | Frank Sinatra & Dean Martin |
12.40 | 193.5 | 193.50 | 16 | 45 | 00 / 00 | 85.1 | |
154 | Springfield Rifle (1952) | Gary Cooper & Phyllis Thaxter |
6.70 | 142.4 | 142.40 | 35 | 61 | 00 / 00 | 85.1 | |
155 | The Indian Fighter (1955) | Kirk Douglas & Walter Matthau |
7.00 | 158.2 | 158.20 | 43 | 55 | 00 / 00 | 84.8 | |
154 | Go West (1940) | Marx Brothers | 2.60 | 107.4 | 169.10 | 74 | 71 | 00 / 00 | 84.8 | |
157 | Once Upon a Time in the West (1968) | Henry Fonda & Charles Bronson |
5.30 | 47.4 | 47.40 | 60 | 90 | 00 / 00 | 84.7 | |
158 | The Hateful Eight (2015) | Kurt Russell & Samuel L. Jackson |
54.10 | 75.4 | 217.10 | 51 | 77 | 03 / 01 | 84.7 | |
159 | Rocky Mountain (1950) | Errol Flynn | 4.90 | 118.9 | 192.30 | 56 | 67 | 00 / 00 | 84.7 | |
161 | Blood on the Moon (1948) | Robert Mitchum | 5.60 | 163.5 | 204.10 | 58 | 53 | 00 / 00 | 84.5 | |
163 | Cowboys & Aliens (2011) | Daniel Craig & Harrison Ford |
100.20 | 148.5 | 259.00 | 30 | 56 | 00 / 00 | 84.3 | |
162 | The Cheyenne Social Club (1970) | James Stewart & Henry Fonda |
15.90 | 120.6 | 120.60 | 23 | 65 | 00 / 00 | 84.2 | |
162 | The Wild North (1952) | Stewart Granger & Wendell Corey |
5.90 | 125.3 | 237.80 | 43 | 64 | 00 / 00 | 84.1 | |
164 | The Squaw Man (1914) | Directed by Cecil B. DeMille | 1.60 | 156.0 | 156.00 | 4 | 54 | 00 / 00 | 84.0 | |
164 | Rio Lobo (1970) | John Wayne & Directed by Howard Hawks |
12.90 | 97.6 | 97.60 | 31 | 72 | 00 / 00 | 83.8 | |
164 | Buck Benny Rides Again (1940) | Jack Benny & Ellen Drew |
2.60 | 107.9 | 107.90 | 71 | 68 | 00 / 00 | 83.7 | |
167 | Billy the Kid (1930) | Wallace Beery | 2.20 | 128.2 | 151.80 | 54 | 61 | 00 / 00 | 83.1 | |
168 | The Last Sunset (1961) | Rock Hudson & Kirk Douglas |
7.90 | 124.8 | 124.80 | 27 | 61 | 00 / 00 | 82.7 | |
169 | Joe Kidd (1972) | Clint Eastwood | 17.20 | 118.9 | 118.90 | 24 | 63 | 00 / 00 | 82.7 | |
169 | Wagon Master (1950) | Ward Bond & Directed by John Ford |
3.20 | 78.7 | 99.70 | 101 | 76 | 00 / 00 | 82.7 | |
171 | 7 Men from Now (1956) | Randoph Scott & Lee Marvin |
2.60 | 56.0 | 68.70 | 122 | 83 | 00 / 00 | 82.7 | |
171 | The Lone Ranger (1956) | Clayton Moore | 3.90 | 83.6 | 117.00 | 88 | 74 | 00 / 00 | 82.5 | |
173 | Go West (1925) | Buster Keaton | 1.60 | 68.7 | 68.70 | 19 | 78 | 00 / 00 | 82.4 | |
175 | Cheyenne Autumn (1964) | James Stewart & Richard Widmark |
8.80 | 109.8 | 279.40 | 30 | 64 | 01 / 00 | 82.3 | |
177 | Bite the Bullet (1975) | Gene Hackman & James Coburn |
16.00 | 91.6 | 91.60 | 43 | 69 | 02 / 00 | 82.0 | |
176 | Cimarron (1960) | Glenn Ford | 6.60 | 113.1 | 234.80 | 43 | 62 | 02 / 00 | 82.0 | |
177 | The Tall T (1957) | Randolph Scott & Richard Boone |
2.90 | 59.9 | 59.90 | 87 | 80 | 00 / 00 | 81.9 | |
178 | Wild Wild West (1999) | Will Smith & Kevin Kline |
113.80 | 264.3 | 515.80 | 17 | 35 | 00 / 00 | 81.7 | |
179 | Devil's Doorway (1950) | Robert Taylor | 3.90 | 94.3 | 146.60 | 84 | 69 | 00 / 00 | 81.6 | |
182 | Frontier Marshall (1939) | Randolph Scott & Cesar Romero |
2.60 | 108.3 | 108.30 | 94 | 64 | 00 / 00 | 81.6 | |
183 | Destry (1954) | Audie Murphy | 4.30 | 109.5 | 109.50 | 72 | 64 | 00 / 00 | 81.6 | |
181 | The Left Handed Gun (1958) | Paul Newman | 4.40 | 86.2 | 86.20 | 54 | 71 | 00 / 00 | 81.4 | |
185 | Jubal (1956) | Glenn Ford & Ernest Borgnine |
5.10 | 109.9 | 109.90 | 58 | 63 | 00 / 00 | 81.3 | |
184 | Many Rivers To Cross (1955) | Robert Taylor & Eleanor Parker |
6.00 | 134.5 | 247.40 | 55 | 55 | 00 / 00 | 81.3 | |
184 | The Last Hunt (1956) | Robert Taylor | 4.60 | 97.9 | 182.10 | 64 | 67 | 00 / 00 | 81.2 | |
188 | White Feather (1955) | Robert Wagner & Jeffrey Hunter |
4.70 | 106.5 | 106.50 | 72 | 64 | 00 / 00 | 81.1 | |
187 | The Last Wagon (1956) | Richard Widmark | 4.30 | 91.6 | 91.60 | 73 | 68 | 00 / 00 | 81.0 | |
188 | Lonely Are The Brave (1962) | Kirk Douglas & Gena Rowlands |
2.80 | 44.3 | 44.30 | 87 | 83 | 00 / 00 | 80.9 | |
189 | Four Faces West (1948) | Joel McCrea & Charles Bickford |
2.90 | 85.0 | 85.00 | 105 | 70 | 00 / 00 | 80.9 | |
190 | Johnny Concho (1956) | Frank Sinatra | 5.40 | 116.0 | 116.00 | 54 | 60 | 00 / 00 | 80.7 | |
192 | Dark Command (1940) | John Wayne & Walter Pidgeon |
2.10 | 88.1 | 88.10 | 95 | 67 | 02 / 00 | 80.6 | |
192 | The Apple Dumpling Gang Rides Again (1979) | Tim Conway & Don Knotts |
24.90 | 116.6 | 116.60 | 40 | 59 | 00 / 00 | 80.4 | |
193 | Hot Lead and Cold Feet (1978) | Don Knotts & Joel Hirschhorn & Darren McGavin |
22.20 | 111.6 | 111.60 | 28 | 61 | 00 / 00 | 80.3 | |
194 | Young Guns (1988) | Emilio Estevez & Charlie Sheen |
45.70 | 130.5 | 130.50 | 22 | 54 | 00 / 00 | 80.3 | |
197 | The Missouri Breaks (1976) | Jack Nicholson & Marlon Brando |
15.40 | 85.0 | 85.00 | 43 | 69 | 00 / 00 | 80.0 | |
196 | Pat Garrett & Billy the Kid (1973) | James Coburn | 8.20 | 54.3 | 54.30 | 44 | 78 | 00 / 00 | 80.0 | |
197 | The Wind (1928) | Lillian Gish | 1.40 | 47.5 | 47.50 | 66 | 80 | 00 / 00 | 79.7 | |
198 | Duck You Sucker or A Fistful of Dynamite (1971) | James Coburn | 6.10 | 43.2 | 43.20 | 55 | 81 | 00 / 00 | 79.6 | |
199 | Hell's Heroes (1929) | Charles Bickford & Directed by William Wyler |
2.30 | 77.8 | 77.80 | 52 | 70 | 00 / 00 | 79.5 | |
200 | Ride Lonesome (1959) | Randolph Scott | 2.70 | 53.2 | 53.20 | 87 | 78 | 00 / 00 | 79.4 | |
199 | Man in The Wilderness (1971) | Richard Harris & John Huston |
8.30 | 59.3 | 59.30 | 42 | 76 | 00 / 00 | 79.3 | |
202 | Rancho Notorious (1952) | Marlene Dietrich & Arthur Kennedy |
2.50 | 53.4 | 53.40 | 136 | 77 | 00 / 00 | 79.2 | |
201 | Monte Walsh (1970) | Lee Marvin & Jack Palance |
7.00 | 52.8 | 52.80 | 44 | 77 | 00 / 00 | 79.0 | |
205 | The Scalphunters (1968) | Burt Lancaster & Shelley Winters |
8.00 | 71.8 | 71.80 | 48 | 71 | 00 / 00 | 79.0 | |
207 | 5 Card Stud (1968) | Dean Martin & Robert Mitchum |
12.10 | 108.9 | 108.90 | 31 | 59 | 00 / 00 | 78.9 | |
206 | The Long Riders (1980) | Dennis Quaid | 13.70 | 61.9 | 61.90 | 57 | 74 | 00 / 00 | 78.7 | |
207 | Forty Guns (1957) | Barbara Stanwyck | 2.60 | 54.0 | 54.00 | 96 | 76 | 00 / 00 | 78.7 | |
210 | The Sheriff of Fractured Jaw (1958) | Jayne Mansfield | 5.50 | 107.7 | 139.00 | 47 | 58 | 00 / 00 | 78.0 | |
209 | City Slickers II: The Legend of Curly's Gold (1994) | Billy Crystal & Jack Palance |
43.60 | 125.6 | 125.60 | 32 | 52 | 00 / 00 | 77.8 | |
210 | Man with the Gun (1955) | Robert Mitchum | 5.10 | 116.2 | 116.20 | 65 | 55 | 00 / 00 | 77.4 | |
211 | The Spoilers (1930) | Gary Cooper | 1.60 | 94.0 | 94.00 | 80 | 62 | 00 / 00 | 77.4 | |
212 | The Sheepman (1958) | Glenn Ford | 4.30 | 83.9 | 83.90 | 55 | 64 | 01 / 00 | 77.2 | |
213 | Major Dundee (1965) | Charlton Heston & James Coburn |
5.50 | 63.8 | 63.80 | 51 | 71 | 00 / 00 | 77.1 | |
214 | The Undefeated (1969) | John Wayne & Rock Hudson |
11.40 | 94.6 | 94.60 | 27 | 61 | 00 / 00 | 76.9 | |
215 | The True Story of Jesse James (1957) | Robert Wagner & Agnes Moorehead |
4.30 | 89.9 | 89.90 | 54 | 62 | 00 / 00 | 76.7 | |
216 | Ride the High Country (1962) | Randolph Scott & Joel McCrea |
2.10 | 33.2 | 33.20 | 96 | 80 | 00 / 00 | 76.5 | |
217 | The Stranger Wore a Gun (1953) | Randolph Scott & Claire Trevor |
4.80 | 94.9 | 94.90 | 66 | 60 | 00 / 00 | 76.4 | |
218 | Will Penny (1967) | Charlton Heston & Lee Majors |
4.50 | 43.7 | 43.70 | 55 | 76 | 00 / 00 | 76.3 | |
219 | Sergeant Rutledge (1960) | Jeffrey Hunter & Directed by John Ford |
2.20 | 38.1 | 38.10 | 96 | 78 | 00 / 00 | 76.1 | |
220 | Warlock (1959) | Henry Fonda & Richard Widmark |
4.30 | 83.9 | 83.90 | 61 | 63 | 00 / 00 | 76.0 | |
221 | Stagecoach (1966) | Bing Crosby & Ann-Margret |
10.00 | 106.8 | 106.80 | 30 | 56 | 00 / 00 | 75.8 | |
221 | Decision At Sundown (1957) | Randolph Scott | 2.60 | 54.0 | 54.00 | 97 | 72 | 00 / 00 | 75.7 | |
223 | Comes a Horseman (1978) | James Caan & Jane Fonda |
9.60 | 48.1 | 48.10 | 60 | 73 | 01 / 00 | 75.7 | |
224 | Comanche Station (1960) | Randolph Scott & Nancy Gates |
2.50 | 42.6 | 42.60 | 93 | 76 | 00 / 00 | 75.5 | |
225 | Rooster Cogburn (1975) | John Wayne & Katharine Hepburn |
24.30 | 139.3 | 139.30 | 26 | 45 | 00 / 00 | 75.5 | |
226 | Fighting Caravans (1931) | Gary Cooper | 2.40 | 137.0 | 137.00 | 37 | 46 | 00 / 00 | 75.4 | |
228 | Cahill United States Marshal (1973) | John Wayne & George Kennedy |
12.40 | 82.5 | 124.70 | 28 | 62 | 00 / 00 | 74.4 | |
227 | Kit Carson (1940) | Jon Hall & Lynn Bari |
1.60 | 67.5 | 67.50 | 131 | 66 | 00 / 00 | 74.2 | |
229 | Bandolero! (1968) | James Stewart & Dean Martin |
15.70 | 140.9 | 140.90 | 23 | 43 | 00 / 00 | 74.1 | |
230 | My Name Is Nobody (1973) | Henry Fonda | 5.30 | 35.2 | 35.20 | 60 | 76 | 00 / 00 | 74.0 | |
231 | 7 Faces of Dr. Lao (1964) | Tony Randall & Barbara Eden |
3.60 | 44.6 | 44.60 | 75 | 72 | 01 / 00 | 73.7 | |
232 | Buchanan Rides Alone (1958) | Randolph Scott & Craig Stevens |
2.90 | 56.0 | 56.00 | 81 | 69 | 00 / 00 | 73.6 | |
233 | Stranger on Horseback (1955) | Joel McCrea & Miroslava |
2.10 | 47.9 | 47.90 | 135 | 72 | 00 / 00 | 73.5 | |
234 | The Cimarron Kid (1952) | Audie Murphy | 3.50 | 74.5 | 74.50 | 98 | 63 | 00 / 00 | 73.4 | |
235 | The Beautiful Blonde from Bashful Bend (1949) | Betty Grable & Cesar Romero |
2.90 | 78.9 | 78.90 | 118 | 62 | 00 / 00 | 73.3 | |
236 | Young Guns II (1990) | Emilio Estevez & James Coburn |
44.10 | 122.6 | 122.60 | 29 | 48 | 01 / 00 | 73.3 | |
235 | Cowboy (1958) | Jack Lemmon & Glenn Ford |
3.60 | 69.7 | 69.70 | 62 | 64 | 01 / 00 | 73.3 | |
238 | The Lone Ranger (2013) | Johnny Depp | 89.30 | 129.1 | 376.50 | 40 | 44 | 02 / 00 | 73.2 | |
239 | Dakota (1945) | John Wayne | 3.20 | 109.6 | 109.60 | 94 | 52 | 00 / 00 | 73.0 | |
240 | The Tin Star (1957) | Henry Fonda | 2.70 | 57.0 | 57.00 | 90 | 68 | 00 / 00 | 72.9 | |
241 | Bad Company (1972) | Jeff Bridges & Barry Brown |
2.30 | 15.7 | 15.70 | 115 | 81 | 00 / 00 | 72.4 | |
242 | Hostiles (2017) | Christian Bale | 29.80 | 39.1 | 46.70 | 82 | 73 | 00 / 00 | 72.2 | |
241 | Gunsmoke (1953) | Audie Murphy & Susan Cabot |
3.90 | 77.1 | 77.10 | 92 | 61 | 00 / 00 | 72.2 | |
244 | They Call Me Trinity (1970) | Terrence Hill | 3.60 | 27.6 | 27.60 | 73 | 77 | 00 / 00 | 72.0 | |
244 | Take Me To Town (1953) | Ann Sheridan & Sterling Hayden |
3.00 | 59.3 | 59.30 | 126 | 66 | 00 / 00 | 71.7 | |
246 | Bugles in the Afternoon (1952) | Ray Milland & Helena Carter |
4.20 | 89.0 | 89.00 | 79 | 57 | 00 / 00 | 71.5 | |
246 | Two Rode Together (1961) | James Stewart & Richard Widmark |
4.10 | 65.8 | 65.80 | 55 | 64 | 00 / 00 | 71.2 | |
247 | Junior Bonner (1972) | Steve McQueen & Robert Preston |
5.60 | 38.5 | 38.50 | 61 | 71 | 00 / 00 | 70.1 | |
249 | Quigley Down Under (1990) | Tom Selleck | 21.40 | 59.5 | 59.50 | 58 | 65 | 00 / 00 | 69.9 | |
251 | Ulzana's Raid (1972) | Burt Lancaster | 2.00 | 13.7 | 13.70 | 120 | 78 | 00 / 00 | 69.0 | |
250 | The Legend of Zorro (2005) | Antonio Banderas & Catherine Zeta-Jones |
46.50 | 85.3 | 261.40 | 67 | 56 | 00 / 00 | 69.0 | |
252 | Alias Jesse James (1959) | Bob Hope & Rhonda Fleming |
5.00 | 97.9 | 97.90 | 50 | 51 | 00 / 00 | 68.4 | |
253 | The Squaw Man (1918) | Directed by Cecil B. DeMille | 1.60 | 112.0 | 112.00 | 4 | 47 | 00 / 00 | 68.4 | |
254 | Scarlet Angel (1952) | Rock Hudson & Yvonne De Carlo |
4.20 | 89.0 | 89.00 | 81 | 54 | 00 / 00 | 68.2 | |
256 | Thunder Over The Plains (1953) | Randolph Scott & Lex Barker |
3.40 | 66.8 | 101.20 | 112 | 61 | 00 / 00 | 68.1 | |
256 | Appaloosa (2008) | Ed Harris & Viggo Mortensen |
20.20 | 33.1 | 45.30 | 116 | 71 | 00 / 00 | 68.0 | |
257 | The Burning Hills (1956) | Tab Hunter & Natalie Wood |
4.30 | 91.6 | 91.60 | 68 | 53 | 00 / 00 | 67.9 | |
258 | Goin' South (1978) | Jack Nicholson | 7.40 | 37.3 | 37.30 | 68 | 70 | 00 / 00 | 67.9 | |
258 | Tribute to a Bad Man (1956) | James Cagney & Don Dubbins |
3.40 | 72.8 | 124.60 | 101 | 59 | 00 / 00 | 67.8 | |
260 | Annie Oakley (1935) | Barbara Stanwyck & Melvyn Douglas |
1.20 | 60.8 | 86.70 | 109 | 62 | 00 / 00 | 67.5 | |
259 | Support Your Local Gunfighter (1971) | James Garner | 6.10 | 43.2 | 43.20 | 53 | 67 | 00 / 00 | 66.9 | |
262 | Comanche (1956) | Dana Andrews & Kent Smith |
3.30 | 70.2 | 70.20 | 104 | 59 | 00 / 00 | 66.9 | |
262 | Tom Horn (1980) | Steve McQueen | 10.20 | 46.2 | 46.20 | 71 | 66 | 00 / 00 | 66.8 | |
264 | The Train Robbers (1973) | Ann-Margret & Ben Johnson |
9.40 | 62.4 | 128.70 | 36 | 61 | 00 / 00 | 66.3 | |
265 | The Proposition (2005) | Guy Pearce | 1.90 | 3.5 | 3.50 | 187 | 79 | 00 / 00 | 66.3 | |
266 | The Hired Hand (1971) | Warren Oates & Peter Fonda |
2.20 | 16.0 | 16.00 | 112 | 75 | 00 / 00 | 66.1 | |
267 | Backlash (1956) | Richard Widmark & Donna Reed |
4.60 | 97.7 | 97.70 | 66 | 49 | 00 / 00 | 66.0 | |
268 | Breakheart Pass (1975) | Charles Bronson & Ben Johnson |
6.50 | 37.0 | 37.00 | 60 | 68 | 00 / 00 | 65.7 | |
272 | The Jayhawkers! (1959) | Jeff Chandler & Fess Parker |
2.90 | 56.0 | 56.00 | 82 | 62 | 00 / 00 | 65.6 | |
272 | The Wonderful Country (1959) | Robert Mitchum | 2.90 | 56.0 | 56.00 | 83 | 62 | 00 / 00 | 65.6 | |
269 | The Virginian (1914) | Directed by Cecil B. Demille | 0.70 | 67.0 | 67.00 | 5 | 59 | 00 / 00 | 65.6 | |
272 | MacKenna's Gold (1969) | Gregory Peck & Edward G. Robinson |
8.90 | 73.3 | 73.30 | 31 | 57 | 00 / 00 | 65.6 | |
273 | The Assassination of Jesse James by the Coward Robert Ford (2007) | Brad Pitt & Casey Affleck |
3.90 | 6.7 | 25.60 | 181 | 76 | 02 / 00 | 65.5 | |
274 | Ride a Crooked Trail (1958) | Audie Murphy & Gia Scala |
2.30 | 44.8 | 44.80 | 98 | 66 | 00 / 00 | 65.5 | |
277 | The Last Command (1955) | Sterling Hayden & Anna Maria Alberghetti |
2.90 | 64.6 | 64.60 | 113 | 59 | 00 / 00 | 65.4 | |
276 | The Duel at Silver Creek (1952) | Audie Murphy | 3.50 | 74.2 | 74.20 | 108 | 56 | 00 / 00 | 65.4 | |
277 | Skin Game (1971) | James Garner & Louis Gossett Jr. |
6.70 | 47.5 | 47.50 | 48 | 65 | 00 / 00 | 65.3 | |
278 | Meek's Cutoff (2010) | Michell Williams & Bruce Greenwood |
1.00 | 1.5 | 1.50 | 184 | 79 | 00 / 00 | 65.2 | |
279 | The Missouri Traveler (1958) | Brandon De Wilde & Lee Marvin |
2.40 | 47.7 | 47.70 | 91 | 64 | 00 / 00 | 64.9 | |
280 | The Big Land (1957) | Alan Ladd & Virginia Mayo |
4.50 | 95.1 | 184.60 | 50 | 48 | 00 / 00 | 63.7 | |
281 | Kangaroo (1952) | 3.50 | 74.2 | 74.20 | 101 | 55 | 00 / 00 | 63.6 | ||
282 | Red Sun (1971) | 6.70 | 47.5 | 224.40 | 49 | 63 | 00 / 00 | 63.5 | ||
281 | The Second Time Around (1961) | Debbie Reynolds & Steve Forrest |
2.10 | 34.0 | 34.00 | 91 | 67 | 00 / 00 | 63.2 | |
282 | Return to Snowy River (1988) | 13.70 | 39.1 | 39.10 | 71 | 66 | 00 / 00 | 63.2 | ||
285 | The Man Who Loved Cat Dancing (1973) | Burt Reynolds & Sarah Miles |
9.10 | 60.3 | 60.30 | 39 | 59 | 00 / 00 | 62.9 | |
286 | Bone Tomahawk (2015) | Kurt Russell | 0.10 | 0.1 | 0.60 | 223 | 78 | 00 / 00 | 62.8 | |
288 | Ten Wanted Men (1955) | Randolph Scott | 2.90 | 64.6 | 64.60 | 111 | 57 | 00 / 00 | 62.7 | |
287 | The Missing (2003) | Cate Blanchett & Directed by Ron Howard |
27.00 | 52.6 | 74.80 | 94 | 61 | 00 / 00 | 62.2 | |
289 | The Far Horizons (1955) | Fred MacMurray & Charlton Heston |
4.60 | 103.3 | 103.30 | 75 | 45 | 00 / 00 | 62.2 | |
290 | Hangman's Knot (1952) | Randolph Scott & Donna Reed |
3.50 | 74.2 | 74.20 | 107 | 54 | 00 / 00 | 62.1 | |
291 | The Treasure of Pancho Villa (1955) | Rory Calhoun & Shelley Winters |
3.30 | 74.2 | 74.20 | 97 | 54 | 00 / 00 | 62.1 | |
291 | Valley of The Sun (1942) | Lucille Ball | 1.40 | 55.0 | 82.80 | 159 | 60 | 00 / 00 | 61.9 | |
293 | Smoke Signal (1955) | Dana Andrews & Piper Laurie |
2.90 | 64.6 | 64.60 | 103 | 57 | 00 / 00 | 61.9 | |
294 | The Sun Shines Bright (1953) | Charles Winninger & Arleen Whelan |
0.70 | 13.4 | 13.40 | 222 | 73 | 00 / 00 | 61.8 | |
295 | The Duchess and the Dirtwater Fox (1976) | George Segal & Goldie Hawn |
15.10 | 83.2 | 83.20 | 45 | 50 | 00 / 00 | 60.9 | |
296 | Posse (1975) | Kirk Douglas | 2.60 | 14.8 | 14.80 | 99 | 72 | 00 / 00 | 60.9 | |
297 | Wyatt Earp (1994) | Kevin Costner & Gene Hackman |
25.10 | 72.1 | 161.10 | 55 | 53 | 01 / 00 | 60.5 | |
298 | The Homesman (2014) | Tommy Lee Jones & Hilary Swank |
2.40 | 3.5 | 3.50 | 166 | 75 | 00 / 00 | 60.3 | |
301 | Pocket Money (1972) | Paul Newman & Lee Marvin |
8.80 | 60.7 | 60.70 | 45 | 57 | 00 / 00 | 60.1 | |
300 | The Rounders (1965) | Glenn Ford & Henry Fonda |
3.90 | 44.4 | 44.40 | 69 | 62 | 00 / 00 | 60.0 | |
301 | The Last Frontier (1955) | Victor Mature & Guy Madison |
2.90 | 64.6 | 64.60 | 104 | 55 | 00 / 00 | 59.1 | |
302 | Dirty Dingus Magee (1970) | Frank Sinatra & George Kennedy |
8.20 | 62.0 | 62.00 | 40 | 56 | 00 / 00 | 59.1 | |
305 | Geronimo: An American Legend (1993) | Gene Hackman & Matt Damon |
18.60 | 52.9 | 52.90 | 77 | 58 | 01 / 00 | 59.0 | |
303 | Rough Night in Jericho (1967) | Dean Martin & Jean Simmons |
4.40 | 42.5 | 42.50 | 57 | 62 | 00 / 00 | 59.0 | |
303 | The Hallelujah Trail (1965) | Burt Lancaster & Lee Remick |
3.20 | 37.4 | 37.40 | 78 | 63 | 00 / 00 | 58.8 | |
306 | The Harder They Fall (2021) Netflix |
Idris Elba | 0.10 | 0.1 | 0.10 | 180 | 75 | 00 / 00 | 58.4 | |
307 | Last of the Dogmen (1995) | Tom Berenger & Barbara Hershey |
7.00 | 19.0 | 19.00 | 131 | 69 | 00 / 00 | 58.2 | |
306 | Hour of the Gun (1967) | James Garner & Robert Ryan |
2.10 | 20.0 | 20.00 | 96 | 68 | 00 / 00 | 57.0 | |
311 | The Quick and the Dead (1995) | Gene Hackman & Leonardo DiCaprio |
18.60 | 50.3 | 126.00 | 84 | 57 | 00 / 00 | 56.8 | |
310 | One Little Indian (1973) | James Garner & Vera Miles |
6.70 | 44.3 | 44.30 | 53 | 60 | 00 / 00 | 56.6 | |
311 | Texas (1941) | William Holden & Glenn Ford |
2.40 | 100.9 | 100.90 | 99 | 42 | 00 / 00 | 56.5 | |
311 | The Glory Guys (1965) | Tom Tryon & Harve Presnell |
2.40 | 28.0 | 28.00 | 94 | 65 | 00 / 00 | 56.2 | |
313 | Wings of the Hawk (1953) | Van Heflin & Julie Adams |
2.90 | 56.4 | 56.40 | 135 | 56 | 00 / 00 | 56.2 | |
314 | The Law and Jake Wade (1958) | Richard Widmark & Robert Taylor |
2.80 | 54.3 | 156.40 | 83 | 56 | 00 / 00 | 56.2 | |
315 | Hannie Caulder (1971) | Raquel Welch & Robert Culp |
4.50 | 32.4 | 32.40 | 63 | 63 | 00 / 00 | 56.1 | |
316 | Circus World (1964) | John Wayne & Rita Hayworth |
5.70 | 71.4 | 71.40 | 46 | 51 | 00 / 00 | 56.0 | |
317 | The Americano (1955) | Glenn Ford & Frank Lovejoy |
3.60 | 80.7 | 80.70 | 93 | 48 | 00 / 00 | 55.7 | |
319 | The Frisco Kid (1979) | Gene Wilder & Harrison Ford |
12.40 | 57.9 | 57.90 | 59 | 55 | 00 / 00 | 55.6 | |
317 | The Savage (1952) | Charlton Heston & Susan Morrow |
1.80 | 38.6 | 38.60 | 166 | 61 | 00 / 00 | 55.3 | |
320 | Django (1966) | Franco Nero & José Canalejas |
0.00 | 0.3 | 0.30 | 164 | 73 | 00 / 00 | 55.2 | |
321 | Dead Man (1995) | Johnny Depp & Robert Mitchum |
1.00 | 2.8 | 2.80 | 188 | 72 | 00 / 00 | 54.8 | |
323 | The Badlanders (1958) | Alan Ladd & Ernest Borgnine |
2.80 | 54.3 | 117.80 | 84 | 55 | 00 / 00 | 54.4 | |
323 | Tell Them Willie Boy Is Here (1969) | Robert Redford | 6.90 | 57.0 | 57.00 | 40 | 54 | 00 / 00 | 54.1 | |
324 | The Squaw Man (1931) | Directed by Cecil B. DeMille | 1.40 | 76.8 | 115.70 | 99 | 48 | 00 / 00 | 53.6 | |
327 | Mail Order Bride (1964) | Buddy Ebsen & Keir Dullea |
3.40 | 42.9 | 42.90 | 77 | 58 | 00 / 00 | 53.4 | |
326 | Thousand Pieces of Gold (1991) | Rosalind Chao & Chris Cooper |
0.70 | 2.0 | 2.00 | 177 | 71 | 00 / 00 | 52.6 | |
327 | Love's Abiding Joy (2006) | Erin Cottrell & Dale Midkiff |
0.30 | 0.5 | 0.50 | 271 | 71 | 00 / 00 | 51.7 | |
326 | Barbarosa (1982) | Willie Nelson & Gary Busey |
1.70 | 6.9 | 6.90 | 122 | 69 | 00 / 00 | 51.6 | |
331 | Waterhole #3 (1967) | James Coburn | 3.10 | 30.3 | 30.30 | 73 | 61 | 00 / 00 | 51.2 | |
328 | Gold of the Seven Saints (1961) | Clint Walker & Roger Moore |
1.50 | 23.8 | 23.80 | 107 | 63 | 00 / 00 | 51.2 | |
333 | The Wild and the Innocent (1959) | Audie Murphy & Joanne Dru |
2.00 | 39.2 | 39.20 | 111 | 58 | 00 / 00 | 51.1 | |
330 | Firecreek (1968) | James Stewart & Henry Fonda |
3.10 | 28.2 | 28.20 | 90 | 62 | 00 / 00 | 51.1 | |
332 | The Halliday Brand (1957) | Joseph Cotten & Viveca Lindfors |
1.60 | 33.6 | 33.60 | 127 | 60 | 00 / 00 | 50.6 | |
334 | The Rare Breed (1966) | 5.00 | 53.4 | 53.40 | 56 | 53 | 00 / 00 | 50.4 | ||
335 | Seven Alone (1974) | Dewey Martin & Anne Collings |
7.20 | 45.5 | 45.50 | 56 | 56 | 00 / 00 | 49.9 | |
336 | The Outrage (1964) | Paul Newman & Edward G. Robinson |
4.60 | 57.1 | 57.10 | 64 | 52 | 00 / 00 | 49.5 | |
337 | Forsaken (2015) | Keifer Sutherland & Donald Sutherland |
0.10 | 0.1 | 0.10 | 216 | 70 | 00 / 00 | 49.3 | |
339 | Rangers of Fortune (1940) | Fred MacMurray | 1.00 | 42.0 | 42.00 | 169 | 56 | 00 / 00 | 48.8 | |
339 | Gunfight at Comanche Creek (1963) | Audie Murphy & Ben Cooper |
1.30 | 17.6 | 17.60 | 115 | 64 | 00 / 00 | 48.6 | |
341 | Lightning Jack (1994) | Paul Hogan & Cuba Gooding Jr. |
16.80 | 48.4 | 48.40 | 85 | 54 | 00 / 00 | 48.2 | |
342 | Charro! (1969) | Elvis Presley | 3.90 | 32.5 | 32.50 | 59 | 58 | 00 / 00 | 47.1 | |
342 | A Million Ways To Die in The West (2014) | Charlize Theron | 43.10 | 62.0 | 125.40 | 79 | 49 | 00 / 00 | 46.6 | |
343 | The Ballad of Little Jo (1993) | Suzy Amis & Bo Hopkins |
0.50 | 1.5 | 1.50 | 200 | 68 | 00 / 00 | 46.1 | |
344 | The Way West (1967) | Richard Widmark & Sally Field |
4.20 | 40.5 | 40.50 | 60 | 55 | 00 / 00 | 45.0 | |
345 | A Man Alone (1955) | Ray Milland & Mary Murphy |
1.80 | 40.4 | 40.40 | 143 | 55 | 00 / 00 | 45.0 | |
345 | Bad Lands (1939) | Robert Barrat & Noah Berry Jr. |
0.40 | 18.1 | 23.70 | 222 | 62 | 00 / 00 | 44.9 | |
347 | The Great Northfield Minnesota Raid (1972) | Cliff Robertson & Robert Duvall |
2.30 | 15.9 | 15.90 | 114 | 62 | 00 / 00 | 44.7 | |
348 | Invitation to a Gunfighter (1964) | Yul Brynner & Janice Rule |
3.10 | 39.3 | 39.30 | 81 | 55 | 00 / 00 | 44.4 | |
349 | Pony Express (1953) | Charlton Heston | 4.20 | 83.1 | 83.10 | 85 | 41 | 00 / 00 | 44.1 | |
350 | My Heroes Have Always Been Cowboys (1991) | Scott Glenn & Kate Capshaw |
3.60 | 10.1 | 10.10 | 133 | 64 | 00 / 00 | 44.1 | |
351 | The Work and the Glory II: American Zion (2005) | Sam Hennings & Brenda Strong |
2.00 | 3.7 | 3.70 | 186 | 66 | 00 / 00 | 43.7 | |
352 | Oklahoma Crude (1973) | George C. Scott & Faye Dunaway |
7.60 | 50.3 | 50.30 | 46 | 51 | 00 / 00 | 43.2 | |
353 | Red Hill (2010) | Ryan Kwanten & Steve Bisley |
0.00 | 0.0 | 0.00 | 400 | 67 | 00 / 00 | 43.2 | |
354 | Man From Del Rio (1956) | Anthony Quinn & Katy Jurado |
2.00 | 43.6 | 43.60 | 138 | 53 | 00 / 00 | 43.1 | |
355 | The Work and the Glory III: A House Divided (2006) | Sam Hennings & Brenda Strong |
1.30 | 2.4 | 2.40 | 221 | 66 | 00 / 00 | 42.8 | |
356 | Against A Crooked Sky (1975) | Richard Boone & Stewart Petersen |
6.90 | 39.5 | 39.50 | 59 | 54 | 00 / 00 | 42.5 | |
358 | The Mountain Men (1980) | Charlton Heston & Brian Keith |
7.60 | 34.5 | 34.50 | 84 | 55 | 00 / 00 | 42.2 | |
358 | The Appaloosa (1966) | Marlon Brando | 3.50 | 37.4 | 37.40 | 70 | 54 | 00 / 00 | 42.0 | |
359 | Villa Rides (1968) | Yul Brynner & Robert Mitchum |
3.40 | 30.8 | 30.80 | 86 | 56 | 00 / 00 | 42.0 | |
360 | The Claim (2000) | Milla Jovovich | 0.70 | 1.5 | 1.50 | 200 | 65 | 00 / 00 | 41.9 | |
361 | Something Big (1971) | Dean Martin & Brian Keith |
2.90 | 20.5 | 20.50 | 94 | 59 | 00 / 00 | 41.7 | |
364 | Posse (1993) | Mario Van Peebles | 18.30 | 51.9 | 51.90 | 78 | 49 | 00 / 00 | 41.6 | |
363 | Arena (1953) | Gig Young & Jean Hagen |
2.30 | 45.2 | 60.60 | 153 | 51 | 00 / 00 | 40.9 | |
364 | Arrowhead (1953) | Charlton Heston & Jack Palance |
3.60 | 71.2 | 71.20 | 104 | 43 | 00 / 00 | 40.6 | |
365 | The Legend of the Lone Ranger (1981) | Klinton Spilsbury & Christopher Lloyd |
12.60 | 53.3 | 53.30 | 63 | 48 | 00 / 00 | 40.3 | |
366 | The Tall Stranger (1957) | Joel McCrea & Virginia Mayo |
2.40 | 51.3 | 51.30 | 101 | 49 | 00 / 00 | 39.8 | |
367 | From Noon Till Three (1976) | Charles Bronson & Jill Ireland |
2.70 | 15.0 | 15.00 | 111 | 60 | 00 / 00 | 39.8 | |
368 | The Big Trees (1952) | Kirk Douglas & Patrice Wymore |
2.40 | 50.4 | 50.40 | 141 | 49 | 00 / 00 | 38.8 | |
369 | The First Traveling Saleslady (1956) | Ginger Rogers & Barry Nelson |
2.10 | 45.8 | 45.80 | 132 | 50 | 00 / 00 | 37.8 | |
370 | Advance To The Rear (1964) | Glenn Ford & Stella Stevens |
3.10 | 39.3 | 39.30 | 80 | 52 | 00 / 00 | 37.8 | |
371 | Seraphim Falls (2006) | Liam Neeson & Pierce Brosnan |
0.40 | 0.7 | 2.20 | 258 | 64 | 00 / 00 | 37.6 | |
372 | The Outlaws Is Coming (1965) | Larry Fine & Joe DeRita |
0.60 | 7.0 | 7.00 | 142 | 62 | 00 / 00 | 37.5 | |
373 | Heaven's Gate (1980) | Jeff Bridges & Christopher Walken |
3.50 | 15.7 | 15.70 | 122 | 58 | 01 / 00 | 37.3 | |
373 | The Man from Monterey (1933) | John Wayne | 0.40 | 20.0 | 28.20 | 172 | 57 | 00 / 00 | 36.5 | |
375 | Lust in the Dust (1985) | Tab Hunter & Divine |
0.70 | 2.4 | 2.40 | 159 | 63 | 00 / 00 | 36.4 | |
376 | Butch and Sundance: The Early Days (1979) | Tom Berenger & Will Kaat |
5.10 | 24.0 | 24.00 | 81 | 56 | 00 / 00 | 35.7 | |
377 | Guns of the Timberland (1960) | Alan Ladd & Jeanne Crain |
2.00 | 34.8 | 34.80 | 100 | 52 | 00 / 00 | 34.2 | |
378 | 'Doc' (1971) | Stacy Keach & Faye Dunaway |
2.40 | 17.3 | 17.30 | 104 | 57 | 00 / 00 | 34.2 | |
380 | The Magnificent Seven Ride! (1972) | Lee Van Cleef | 3.20 | 22.0 | 22.00 | 83 | 56 | 00 / 00 | 34.0 | |
380 | Navajo Joe (1968) | Burt Reynolds | 0.90 | 7.7 | 7.70 | 151 | 60 | 00 / 00 | 34.0 | |
379 | Almost Heroes (1998) | Chris Farley & Matthew Perry |
6.10 | 15.4 | 15.40 | 138 | 58 | 00 / 00 | 34.0 | |
382 | Alvarez Kelly (1966) | William Holden & Richard Widmark |
3.50 | 37.4 | 37.40 | 72 | 50 | 00 / 00 | 32.8 | |
383 | War Arrow (1953) | 3.00 | 59.3 | 59.30 | 125 | 43 | 00 / 00 | 32.8 | ||
384 | Cattle Annie and Little Britches (1981) | Scott Glenn & Diane Lane |
0.50 | 2.3 | 2.30 | 152 | 61 | 00 / 00 | 32.7 | |
385 | Scalawag (1973) | Kirk Douglas & Mark Lester |
2.40 | 16.1 | 16.10 | 113 | 57 | 00 / 00 | 32.0 | |
386 | Nevada (1944) | Robert Mitchum | 1.30 | 46.0 | 57.00 | 137 | 47 | 00 / 00 | 31.4 | |
386 | All the Pretty Horses (2000) | 15.50 | 33.9 | 39.50 | 108 | 50 | 00 / 00 | 30.8 | ||
390 | The Lonely Man (1957) | Jack Palance & Anthony Perkins |
2.30 | 48.0 | 48.00 | 105 | 46 | 00 / 00 | 30.6 | |
390 | The Alamo (2004) | Dennis Quaid | 22.40 | 42.4 | 48.90 | 100 | 47 | 00 / 00 | 29.8 | |
390 | Grey Owl (1999) | Pierce Brosnan & Stewart Bick |
0.60 | 1.5 | 1.50 | 202 | 60 | 00 / 00 | 29.4 | |
391 | The Hunting Party (1971) | Gene Hackman & Candice Bergen & <a href='https://www.ultimatemovierankings.com/oliver-reed-movies/' |
2.70 | 19.4 | 19.40 | 95 | 54 | 00 / 00 | 28.8 | |
392 | A Gunfight (1971) | Kirk Douglas & Johnny Cash |
3.80 | 27.0 | 27.00 | 74 | 51 | 00 / 00 | 28.2 | |
395 | Ten Who Dared (1960) | Brian Keith & John Beal |
2.30 | 38.9 | 38.90 | 95 | 47 | 00 / 00 | 27.2 | |
395 | Rustlers' Rhapsody (1985) | Andy Griffith & Patrick Wayne |
6.10 | 20.2 | 20.20 | 108 | 52 | 00 / 00 | 26.4 | |
393 | The Hi-Lo Country (1998) | Billy Crudup & Woody Harrelson |
0.20 | 0.4 | 0.40 | 231 | 58 | 00 / 00 | 26.2 | |
396 | Guns of the Magnificent Seven (1969) | George Kennedy | 1.60 | 12.9 | 12.90 | 120 | 54 | 00 / 00 | 25.2 | |
395 | Straight to Hell (1987) | Sy Richardson & Joe Strummer |
0.20 | 0.6 | 0.60 | 220 | 58 | 00 / 00 | 25.2 | |
397 | 40 Guns to Apache Pass (1967) | Audie Murphy & Michael Burns |
1.50 | 14.6 | 14.60 | 120 | 53 | 00 / 00 | 25.1 | |
400 | Bad Girls (1994) | Drew Barrymore | 15.20 | 43.9 | 43.90 | 92 | 42 | 00 / 00 | 24.4 | |
399 | The Spikes Gang (1974) | Lee Marvin & Gary Grimes |
2.60 | 16.2 | 16.20 | 97 | 52 | 00 / 00 | 23.8 | |
401 | The Raiders (1963) | Brian Keith & Robert Culp |
2.10 | 29.0 | 29.00 | 88 | 48 | 00 / 00 | 23.3 | |
402 | Guns of Diablo (1964) | Charles Bronson & Susan Oliver |
2.10 | 26.8 | 26.80 | 108 | 48 | 00 / 00 | 23.2 | |
403 | Westward Ho (1935) | John Wayne | 0.50 | 24.5 | 24.50 | 191 | 48 | 00 / 00 | 21.6 | |
403 | The Warrior's Way (2010) | Kate Bosworth & Geoffrey Rush |
5.70 | 8.4 | 16.50 | 140 | 53 | 00 / 00 | 21.6 | |
405 | The Good Guys and the Bad Guys (1969) | Robert Mitchum & George Kennedy |
2.40 | 20.1 | 20.10 | 89 | 49 | 00 / 00 | 20.8 | |
404 | Jane Got a Gun (2015) | Natalie Portman & Ewan McGregor |
1.50 | 2.1 | 2.10 | 170 | 55 | 00 / 00 | 20.7 | |
406 | Casa De Mi Padre (2012) | Will Ferrell & Gael García Bernal |
5.90 | 8.7 | 11.90 | 145 | 52 | 00 / 00 | 20.2 | |
408 | Ghost Town (1988) | Franc Luz & Catherine Hickland |
0.10 | 0.2 | 0.20 | 259 | 55 | 00 / 00 | 19.8 | |
411 | Ride Him Cowboy (1932) | John Wayne | 0.50 | 25.0 | 34.20 | 166 | 47 | 00 / 00 | 18.9 | |
409 | The Wrath of God (1972) | Robert Mitchum & Frank Langella |
2.20 | 15.2 | 15.20 | 116 | 50 | 00 / 00 | 18.9 | |
410 | Young Billy Young (1969) | Robert Mitchum | 2.60 | 21.3 | 21.30 | 85 | 48 | 00 / 00 | 18.7 | |
412 | Welcome To Hard Times (1967) | Henry Fonda & Janice Rule |
1.50 | 14.6 | 14.60 | 118 | 49 | 00 / 00 | 17.3 | |
413 | Catlow (1971) | Yul Brynner & Richard Crenna |
2.00 | 14.1 | 14.10 | 121 | 49 | 00 / 00 | 16.9 | |
416 | Shalako (1968) | Sean Connery | 2.90 | 25.8 | 87.40 | 94 | 43 | 00 / 00 | 14.3 | |
414 | Wild Bill (1995) | Jeff Bridges | 2.20 | 5.9 | 5.90 | 174 | 49 | 00 / 00 | 14.3 | |
415 | Billy Two Hats (1974) | Gregory Peck & Desi Arnaz Jr. |
1.20 | 7.5 | 7.50 | 129 | 49 | 00 / 00 | 13.9 | |
418 | American Outlaws (2001) | Colin Farrell | 13.30 | 27.7 | 28.40 | 121 | 42 | 00 / 00 | 13.1 | |
417 | Sam Whiskey (1969) | Burt Reynolds & Angie Dickinson |
2.40 | 19.5 | 19.50 | 91 | 44 | 00 / 00 | 13.0 | |
419 | Journey to Shiloh (1968) | Harrison Ford & James Caan |
0.40 | 3.7 | 3.70 | 170 | 45 | 00 / 00 | 8.8 | |
421 | The Oregon Trail (1959) | Fred MacMurray | 1.10 | 21.5 | 21.50 | 141 | 39 | 00 / 00 | 8.5 | |
420 | Land Raiders (1970) | Telly Savalas & George Maharis |
1.00 | 7.4 | 7.40 | 147 | 43 | 00 / 00 | 8.0 | |
422 | Wagons East (1994) | John Candy | 4.40 | 12.7 | 12.70 | 143 | 37 | 00 / 00 | 4.2 | |
423 | Tonight For Sure (1962) | Karl Schanzer & Don Kenney |
0.00 | 0.2 | 0.20 | 146 | 37 | 00 / 00 | 2.7 | |
424 | Jonah Hex (2010) | Josh Brolin | 10.50 | 15.7 | 16.20 | 128 | 32 | 00 / 00 | 2.6 | |
425 | Blood Red (1989) | Eric Roberts & Giancarlo Giannini |
0.00 | 0.1 | 0.10 | 237 | 31 | 00 / 00 | 0.9 | |
426 | Gang of Roses (2003) | 0.00 | 0.1 | 0.10 | 362 | 23 | 00 / 00 | 0.2 |
Sorry but they messed up. I have saw each and every one of these movies except maybe three that I can’t remember, I love western movies and TV shows. This is not the ranking I would put on some of them and NO comedies. Comedies are not true westerns. If you want to include them, then Support Your Local Sheriff with James Garner should have been there. Blazing Saddles, Son of Pale Face, and My Little Chickadee?? Come on people. They were written in a western setting but to put them above the Magnificent Seven and some of the other westerns on that list is just messed up.
Hey Lona….thanks for the feedback… The Magnificent Seven ended up as the 19th best reviewed western. The table started with the 100th movie and moved down to the top movie. We went back and forth on the comedies….but in the end….every list, book and video listed Blazing Saddles as one of the best movies ever. So when included that one…it brought Cat Ballau, Support Your…and others with it. As for My Little Chickadee….yes it is a comedy….but it is all western. Outlaws, gunfights, saloons, ranchers…can’t get more Western than that.
Thanks Cogerson for your comments to me. I appreciate it. They were all made for entertainment and I was entertained by each and every one of them. I just have a different rating in mind for some of them. I know that none of them are true life but I do like the ones that try to be more true to life than comedies, but that is just me. Life was rough back then. There wasn’t too much funny about it. I love comedies but I give them a world of their own. I suppose that I am still influenced by my dad. Westerns was “our thing” to share and he was not amused by comedies in Westerns. He has been gone a long time now and watching them are the way I feel close to him. That must also be the reason I watch them over and over and over and…………ha ha.
Hey Lona…. Thanks for sharing your memories of you, your dad and westerns. In my house it was World War 2 movies….he was born 1936….and as a young boy the war fascinated him and he never forgot. On the western side…my best friend’s father loved John Wayne. When VHS became popular we would search for Wayne movies at the video store (an ancient relic of the 1980s) and bring them for him to watch. I can fully understand….about comedies and westerns…I worked on this page for about 3 weeks….and I only caved at the very end….lol. Thanks for the great feedback.
Once Upon a Time in the West airs often on a channel we get in Canada called Silver Screen Classics.
Hi
I decided to comment on this page as you’ve done probably every Western that’s worth mentioning. No doubt a couple didn’t make the list but as said before, lists are always problematic. As a kid, Westerns were cowboy films, and one cowboy above all was John Wayne. Practically all my school friends loved Wayne. One friend in particular actually walked like Wayne. His favourite movie was The Alamo and his party piece was the famous death scene.
I think to most people, Wayne was black and white, always the good guy. Admittedly in movies like The Searchers and Red River, the lines were blurred. But mostly, he was the good guy. Two of my favourite Wayne movies, although not critically considered, but I always enjoyed, was The Commoncheros and The Undefeated. I seen both in the cinema.
When Wayne died, I think it had a massive impact on many people’s lives of my generation, he was somebody we all grew up with. Somebody wrote at the time that the world doesn’t seem quite as safe without Wayne. That was some testimony to his power as a movie icon.
Of course there were other Western stars, Stewart Cooper, Fonda, Scott. But I don’t think any of them were comparable to Wayne. Stewart had a terrific run of movies with Anthony Mann, but my 2 favourite would be Destiny Rides Again and Shenandoah. I watched it recently and it’s a terrific show. Catherine Ross is in it (whatever happened to her!)
I loved Fonda in My Darling Clemintine and Jesse James.
To be honest Spaghetti Westerns never did it for me and I wouldn’t be a particular fan of Clint Eastwood. I appreciate the guy’s talent but he doesn’t do it for me.
My three favourite Westerns are The Big Country, High Noon and Shane. I could never understand why so many people hated High Noon, Wayne hated it. He felt it was unrealistic that the Sheriff couldn’t get anyone to help him out in the town with the bad guys. Well I think Cooper was brilliant in it and deserved his Oscar.
The Big Country is more a soap opera than a Western in a way, two warring families fighting over land. Burl Ives for me stole the show. I’m glad he got the Oscar.
But as I said before, my favourite would be Shane. Not a great fan of Alan Ladd but in this film he was absolutely magic and so right for the part. In fact everybody was superb, especially the wee boy played by Brandon De Wilde. Sad that he died so tragically in a car crash.
You’ve done a fantastic page and the work and effort is really appreciated.
Hey Chris.
1. Happy to report that both pages….have been very popular. The top 100 westerns page was actually the fastest page to reach 9,000 impressions from any of our 3 websites we have had over the years.
2. I agree with you Wayne….even his “bad guy” roles….he usually ended up doing the right thing.
3. When reading about friend doing the Wayne walk I was picture Leon from The Professional doing the same walk.
4. Katharine Ross turned 40 and that is pretty much the kiss of death for actresses.
5. I loved the Eastwood\Leone westerns…. But we can not agree on all movies….lol.
6. I like you Top 3….,especially The Big Country….a great movie that gets better with each new viewing.
7. Glad you enjoyed your requested page….it was a difficult one to do…..but now that it is done I am very happy with the results.
The Tin Star…..#179…..and The Fastest Gun Alive #110…..are now on the table.
🙂 Thanks Bruce.
The page is starting to grow….but so far only one movie has cracked the Top 100….about to share on TCM….I imagine they will throw out some names that I have never heard of before…lol.
That’s quite a list Bruce, I’m impressed. And there are a couple there I’d never heard of before, Meek’s Cutoff?
As a western fan it was easier to count the ones I hadn’t seen than the ones I have, from your current list of 251 westerns I have seen 193. Assuming you might be adding more to the list.
Looking at my movie files, I have 401 westerns in my collection, not sure if I’ve watched them all.
Flora mentioned The Fastest Gun Alive, a minor western classic I watched again recently, that’s missing from this list. Also missing is The Tin Star starring Henry Fonda and Anthony Perkins.
I’ve seen all the films topping the UMR chart right up to In Old Arizona at no.39. I’m siding with the critics chart on this one, the top 10 are all favorites of mine.
I will go and check out your top 100 westerns now. Good work Bruce. Voted Up!
Hey Steve. So far none of the missing movies…have had to be added to the Top 100 page. I will add in The Fastest Gun and The Tin Star….as soon as I finish this comment. Already added in 3 Audie Murphy movies since I first published.
Tally count…you at 193….Flora at 129…Laurent at 135…me at 140. You easily get the top spot…the rest of us were pretty close.
Hopefully I did this smarter this time…..as this will be the “working table” as I add in “missing movies”…and only really good movies….I think 77.5% critical rating is the 100th movie on the Top 100…..will make the Top 100 page.
Critics ranking seemed to be the best way to rank these movies….but the UMR score still puts some really good movies near the top.
Thanks for all the suggestions….it is greatly appreciated.