Want to know the best Western Movies movies? How about the worst Western Movies movies? Curious about Western Movies box office grosses or which Western Movies movie picked up the most Oscar® nominations? Need to know which Western Movies movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information…and alot more.
Recently got a request to do a Westerns page from Chris. This page represents page two of that request. The first page looked at the Top 100 Westerns based on critic reviews and audience voting. This page lists all the movies we researched (252 movies currently) but did not make the Top 100. When I played football in high school….the 3rd stringers had to ride the bus with the cheerleaders (not really a problem) and the equipment. Think of this page as that bus….they all want to get to the first bus…..and all the people on the first bus want to avoid the 2nd bus.
Obviously they are way more Westerns out there. Is your favorite western missing?….just commented at the bottom and I will research and include that movie. If your favorite is good enough….it might even make it to the Top 100 Western page.
Western Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Western Movies by the stars of the movies
- Sort movies by adjusted domestic box office grosses based on actual ticket sells (in millions)
- Sort movies by yearly domestic box office rank
- Sort by how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each movie received.
- Sort Western Movies movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Unforgiven (1992) AA Best Picture Win |
Clint Eastwood & Gene Hackman |
101.20 | 262.8 | 413.40 | 11 | 92 | 09 / 04 | 100.0 | |
2 | Dances with Wolves (1990) AA Best Picture Win |
Kevin Costner | 185.00 | 471.5 | 1,083.10 | 3 | 81 | 12 / 07 | 99.8 | |
3 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.40 | 185.1 | 185.10 | 12 | 92 | 07 / 04 | 99.6 | |
3 | Giant (1956) AA Best Picture Nom |
Elizabeth Taylor & Rock Hudson |
27.10 | 532.0 | 795.20 | 3 | 86 | 10 / 01 | 99.5 | |
5 | Django Unchained (2012) AA Best Picture Nom |
Jamie Foxx & Leonardo DiCaprio |
162.80 | 220.5 | 572.60 | 15 | 88 | 05 / 02 | 99.5 | |
6 | Shane (1953) AA Best Picture Nom |
Alan Ladd | 22.70 | 408.3 | 577.10 | 5 | 87 | 06 / 01 | 99.5 | |
7 | The Revenant (2015) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
183.60 | 234.8 | 681.50 | 13 | 82 | 12 / 03 | 99.4 | |
8 | True Grit (2010) AA Best Picture Nom |
Jeff Bridges & Matt Damon |
171.10 | 233.7 | 344.40 | 13 | 85 | 10 / 00 | 99.4 | |
7 | Butch Cassidy and the Sundance Kid (1969) AA Best Picture Nom |
Paul Newman & Robert Redford |
100.10 | 760.0 | 931.40 | 1 | 79 | 07 / 04 | 99.3 | |
11 | Stagecoach (1939) AA Best Picture Nom |
John Wayne & Directed by John Ford |
5.00 | 191.3 | 298.80 | 30 | 83 | 07 / 02 | 99.2 | |
12 | The Good, the Bad and the Ugly (1966) | Clint Eastwood | 25.00 | 245.0 | 245.00 | 6 | 94 | 00 / 00 | 99.1 | |
12 | How the West Was Won (1962) AA Best Picture Nom |
Gregory Peck & Debbie Reynolds |
36.10 | 518.8 | 1,237.40 | 2 | 76 | 08 / 03 | 99.0 | |
13 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Humphrey Bogart & Walter Huston |
6.10 | 163.1 | 290.40 | 45 | 90 | 04 / 03 | 99.0 | |
15 | Cimarron (1931) AA Best Picture Win |
Richard Dix & Irene Dunne |
3.60 | 183.5 | 223.10 | 14 | 59 | 07 / 03 | 98.8 | |
13 | The Searchers (1956) | John Wayne & Directed by John Ford |
14.00 | 274.4 | 371.40 | 14 | 89 | 00 / 00 | 98.8 | |
16 | The Big Country (1958) | Gregory Peck | 10.60 | 191.2 | 191.20 | 11 | 89 | 02 / 01 | 98.8 | |
19 | My Darling Clementine (1946) | Henry Fonda & Victor Mature |
7.40 | 228.9 | 228.90 | 43 | 85 | 00 / 00 | 98.3 | |
19 | Rio Bravo (1959) | John Wayne & Dean Martin |
16.40 | 295.2 | 517.30 | 11 | 85 | 00 / 00 | 98.3 | |
19 | The Professionals (1966) | Burt Lancaster & Lee Marvin |
22.00 | 215.6 | 215.60 | 10 | 83 | 03 / 00 | 98.3 | |
20 | Red River (1948) | John Wayne & Montgomery Clift |
11.80 | 317.4 | 317.40 | 1 | 83 | 02 / 00 | 98.3 | |
21 | Jeremiah Johnson (1972) | Robert Redford | 57.30 | 363.2 | 363.20 | 6 | 84 | 00 / 00 | 98.1 | |
22 | True Grit (1969) | John Wayne & Robert Duvall |
40.70 | 309.1 | 309.10 | 7 | 81 | 02 / 01 | 98.1 | |
22 | Blazing Saddles (1974) | Mel Brooks & Gene Wilder |
118.10 | 680.8 | 680.80 | 1 | 81 | 03 / 00 | 98.1 | |
24 | Little Big Man (1970) | Dustin Hoffman & Faye Dunaway |
45.50 | 316.1 | 316.10 | 6 | 81 | 01 / 00 | 97.8 | |
25 | Cat Ballou (1965) | Lee Marvin & Jane Fonda |
25.10 | 265.6 | 265.60 | 7 | 77 | 05 / 01 | 97.8 | |
27 | The Man From Laramie (1955) | James Stewart | 9.40 | 195.5 | 195.50 | 31 | 83 | 00 / 00 | 97.8 | |
27 | Fort Apache (1948) | John Wayne & Directed by John Ford |
8.30 | 224.5 | 314.90 | 17 | 81 | 00 / 00 | 97.6 | |
26 | Gunfight at the O.K. Corral (1957) | Burt Lancaster & Kirk Douglas |
13.40 | 258.5 | 258.50 | 9 | 77 | 02 / 00 | 97.1 | |
30 | The Virginian (1929) | Gary Cooper | 6.20 | 191.9 | 191.90 | 6 | 81 | 00 / 00 | 97.1 | |
30 | She Wore a Yellow Ribbon (1949) | John Wayne & Directed by John Ford |
7.60 | 191.5 | 261.10 | 23 | 78 | 01 / 01 | 96.9 | |
29 | Pursued (1947) | Robert Mitchum | 7.80 | 228.4 | 228.40 | 31 | 77 | 00 / 00 | 96.9 | |
31 | They Died with Their Boots On (1941) | Errol Flynn & Olivia de Havilland |
6.00 | 232.4 | 498.50 | 15 | 77 | 00 / 00 | 96.7 | |
32 | Hondo (1953) | John Wayne & Geraldine Page |
11.50 | 207.1 | 296.10 | 12 | 75 | 02 / 00 | 96.7 | |
33 | The Alamo (1960) AA Best Picture Nom |
John Wayne & Richard Widmark |
22.60 | 353.1 | 708.40 | 5 | 63 | 07 / 01 | 96.7 | |
35 | The Paleface (1948) | Bob Hope & Jane Russell |
9.20 | 248.2 | 248.20 | 11 | 74 | 01 / 01 | 96.6 | |
37 | Shenandoah (1965) | James Stewart | 19.20 | 202.8 | 202.80 | 10 | 75 | 01 / 00 | 96.6 | |
36 | Dodge City (1939) | Errol Flynn & Olivia de Havilland |
6.80 | 260.0 | 389.90 | 14 | 76 | 00 / 00 | 96.6 | |
40 | Johnny Guitar (1954) | Joan Crawford & Ernest Borgnine |
7.10 | 167.4 | 167.40 | 45 | 86 | 00 / 00 | 96.5 | |
38 | Vera Cruz (1954) | Gary Cooper & Burt Lancaster |
13.00 | 305.8 | 305.80 | 14 | 75 | 00 / 00 | 96.4 | |
39 | Honky Tonk (1941) | Clark Gable & Lana Turner |
8.50 | 329.1 | 464.10 | 6 | 75 | 00 / 00 | 96.3 | |
42 | Yellow Sky (1948) | Richard Widmark & Gregory Peck |
7.40 | 198.6 | 198.60 | 28 | 75 | 00 / 00 | 96.2 | |
43 | The Horse Soldiers (1959) | John Wayne & William Holden |
10.90 | 195.1 | 195.10 | 21 | 76 | 00 / 00 | 96.1 | |
41 | Broken Arrow (1950) | James Stewart & Jeff Chandler |
10.10 | 227.8 | 227.80 | 7 | 71 | 03 / 00 | 96.0 | |
44 | Son of Paleface (1952) | Bob Hope | 9.40 | 185.1 | 185.10 | 13 | 77 | 01 / 00 | 96.0 | |
45 | The Misfits (1961) | Clark Gable & Marilyn Monroe |
11.40 | 166.5 | 218.50 | 18 | 84 | 00 / 00 | 96.0 | |
48 | My Little Chickadee (1940) | Mae West & W.C. Fields |
4.60 | 176.0 | 176.00 | 22 | 80 | 00 / 00 | 95.8 | |
45 | Maverick (1994) | Mel Gibson & James Garner |
101.60 | 268.5 | 483.60 | 12 | 71 | 01 / 00 | 95.6 | |
47 | Duel in the Sun (1946) | Gregory Peck & Jennifer Jones |
17.80 | 548.6 | 548.60 | 2 | 70 | 02 / 00 | 95.5 | |
49 | The Far Country (1954) | James Stewart | 7.10 | 167.4 | 167.40 | 43 | 81 | 00 / 00 | 95.4 | |
51 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.30 | 163.3 | 163.30 | 16 | 82 | 00 / 00 | 95.2 | |
53 | Winchester '73 (1950) | James Stewart & Rock Hudson |
6.40 | 144.4 | 144.40 | 32 | 87 | 00 / 00 | 95.0 | |
50 | Apache (1954) | Burt Lancaster & Charles Bronson |
10.00 | 234.3 | 234.30 | 27 | 69 | 00 / 00 | 95.0 | |
53 | Tall in the Saddle (1944) | John Wayne & Ward Bond |
5.90 | 200.0 | 263.50 | 54 | 69 | 00 / 00 | 94.9 | |
54 | The Sons of Katie Elder (1965) | John Wayne & Dean Martin |
16.20 | 171.4 | 171.40 | 15 | 78 | 00 / 00 | 94.8 | |
55 | Canyon Passage (1946) | Dana Andrews & Susan Hayward |
7.80 | 241.4 | 341.30 | 36 | 68 | 01 / 00 | 94.8 | |
54 | Garden of Evil (1954) | Gary Cooper & Richard Widmark |
8.90 | 207.6 | 207.60 | 30 | 68 | 00 / 00 | 94.8 | |
55 | Back to the Future Part III (1990) | Michael J. Fox & Christopher Lloyd |
108.00 | 275.1 | 674.70 | 9 | 68 | 00 / 00 | 94.7 | |
58 | The Man Who Shot Liberty Valance (1962) | John Wayne & James Stewart |
10.10 | 145.8 | 287.50 | 22 | 84 | 01 / 00 | 94.6 | |
59 | Jesse James (1939) | Tyrone Power & Henry Fonda |
9.50 | 364.2 | 364.20 | 4 | 68 | 00 / 00 | 94.6 | |
60 | The Winning of Barbara Worth (1926) | Ronald Colman & Gary Cooper |
6.20 | 222.1 | 222.10 | 2 | 68 | 00 / 00 | 94.6 | |
60 | Union Pacific (1939) | Barbara Stanwyck & Joel McCrea |
5.50 | 211.8 | 211.80 | 25 | 66 | 01 / 00 | 94.4 | |
62 | The Outlaw Josey Wales (1976) | Clint Eastwood | 29.70 | 150.3 | 150.30 | 21 | 82 | 01 / 00 | 94.4 | |
63 | Cheyenne (1947) | Jane Wyman | 6.80 | 197.3 | 260.10 | 39 | 68 | 00 / 00 | 94.3 | |
64 | Urban Cowboy (1980) | 46.90 | 194.5 | 194.50 | 16 | 68 | 00 / 00 | 94.2 | ||
67 | McLintock! (1963) | John Wayne & Maureen O'Hara |
12.90 | 162.1 | 162.10 | 22 | 77 | 00 / 00 | 93.8 | |
65 | The Electric Horseman (1979) | Robert Redford & Jane Fonda |
81.90 | 351.7 | 351.70 | 7 | 64 | 01 / 00 | 93.7 | |
68 | The Iron Horse (1924) | George O'Brien | 4.00 | 172.5 | 172.50 | 5 | 73 | 00 / 00 | 93.6 | |
68 | Westward the Women (1951) | Robert Taylor | 7.50 | 162.6 | 246.20 | 21 | 76 | 00 / 00 | 93.5 | |
69 | Broken Lance (1954) | Spencer Tracy & Richard Widmark |
10.90 | 254.4 | 254.40 | 26 | 61 | 02 / 01 | 93.4 | |
72 | Ruggles of Red Gap (1935) AA Best Picture Nom |
Charles Laughton | 2.90 | 128.3 | 128.30 | 34 | 79 | 01 / 00 | 93.4 | |
70 | The Wild Bunch (1969) | William Holden & Warren Oates |
15.10 | 115.0 | 115.00 | 21 | 89 | 02 / 00 | 93.4 | |
73 | Bad Bascomb (1946) | Wallace Beery | 6.40 | 198.5 | 198.50 | 55 | 64 | 00 / 00 | 93.4 | |
73 | The Covered Wagon (1923) | Ernest Torrence | 9.90 | 443.5 | 443.50 | 2 | 63 | 00 / 00 | 93.2 | |
74 | Tombstone (1993) | Kurt Russell & Val Kilmer |
56.50 | 147.1 | 190.60 | 20 | 80 | 00 / 00 | 93.1 | |
76 | The Westerner (1940) | Gary Cooper & Walter Brennan |
3.50 | 134.2 | 134.20 | 41 | 79 | 03 / 01 | 92.9 | |
76 | The Horse Whisperer (1998) | Robert Redford & Kristin Scott Thomas |
75.40 | 173.3 | 429.60 | 25 | 70 | 01 / 00 | 92.8 | |
78 | The Big Trail (1930) | John Wayne | 2.90 | 156.7 | 196.90 | 24 | 75 | 00 / 00 | 92.8 | |
77 | The Gunfighter (1950) | Gregory Peck & Helen Westcott |
5.60 | 125.1 | 125.10 | 48 | 84 | 01 / 00 | 92.8 | |
79 | The Apple Dumpling Gang (1975) | Bill Bixby & Susan Clark |
50.20 | 264.2 | 264.20 | 7 | 61 | 00 / 00 | 92.7 | |
81 | A Fistful of Dollars (1964) | Clint Eastwood & Directed by Sergio Leone |
12.00 | 137.6 | 137.60 | 21 | 81 | 00 / 00 | 92.7 | |
82 | El Dorado (1967) | John Wayne & Robert Mitchum |
15.00 | 133.6 | 133.60 | 19 | 82 | 00 / 00 | 92.6 | |
82 | One-Eyed Jacks (1961) | Marlon Brando & Karl Malden |
12.30 | 179.0 | 179.00 | 14 | 66 | 01 / 00 | 92.5 | |
83 | Love Me Tender (1956) | Elvis & Richard Egan |
12.00 | 235.2 | 235.20 | 20 | 60 | 00 / 00 | 92.4 | |
86 | The Naked Spur (1953) | James Stewart & Janet Leigh |
6.80 | 122.5 | 122.50 | 38 | 84 | 01 / 00 | 92.4 | |
83 | North to Alaska (1960) | John Wayne & Stewart Granger |
13.40 | 209.8 | 209.80 | 14 | 60 | 00 / 00 | 92.3 | |
84 | In Old Arizona (1928) AA Best Picture Nom |
Warner Baxter | 7.80 | 247.3 | 247.30 | 3 | 48 | 05 / 01 | 92.3 | |
88 | Fancy Pants (1950) | Bob Hope & Lucille Ball |
7.40 | 166.8 | 166.80 | 18 | 70 | 00 / 00 | 92.2 | |
90 | Hombre (1967) | Paul Newman & Fredric March |
14.00 | 124.9 | 124.90 | 20 | 83 | 00 / 00 | 92.1 | |
90 | The Cowboys (1972) | John Wayne & Bruce Dern |
22.70 | 144.1 | 144.10 | 16 | 77 | 00 / 00 | 92.0 | |
90 | North West Mounted Police (1940) | Gary Cooper & Directed by Cecil B. DeMille |
4.30 | 165.0 | 165.00 | 28 | 65 | 05 / 01 | 92.0 | |
91 | 3 Godfathers (1948) | John Wayne & Directed by John Ford |
5.50 | 147.4 | 201.50 | 62 | 75 | 00 / 00 | 92.0 | |
92 | The Outlaw (1943) | Jane Russell & Directed by Howard Hawks |
14.50 | 521.0 | 521.00 | 3 | 59 | 00 / 00 | 92.0 | |
93 | For a Few Dollars More (1965) | Clint Eastwood & Directed by Sergio Leone |
10.80 | 113.6 | 113.60 | 20 | 85 | 00 / 00 | 91.7 | |
92 | The Oklahoma Kid (1939) | James Cagney & Humphrey Bogart |
6.10 | 236.1 | 462.60 | 17 | 58 | 00 / 00 | 91.6 | |
95 | Pale Rider (1985) | Clint Eastwood & Carrie Snodgress |
41.40 | 125.7 | 125.70 | 18 | 80 | 00 / 00 | 91.6 | |
98 | Santa Fe Trail (1940) | Errol Flynn & Olivia de Havilland |
5.00 | 192.3 | 278.60 | 16 | 60 | 00 / 00 | 91.5 | |
96 | Pardners (1956) | Dean Martin & Jerry Lewis |
10.30 | 201.6 | 201.60 | 25 | 57 | 00 / 00 | 91.5 | |
100 | The Life and Times of Judge Roy Bean (1972) | Paul Newman & Ava Gardner |
24.50 | 155.6 | 155.60 | 14 | 70 | 01 / 00 | 91.2 | |
99 | Destry Rides Again (1939) | James Stewart & Marlene Dietrich |
2.90 | 111.6 | 111.60 | 82 | 84 | 00 / 00 | 91.2 | |
102 | Rio Grande (1950) | John Wayne & Directed by John Ford |
6.40 | 144.4 | 144.40 | 31 | 74 | 00 / 00 | 91.1 | |
101 | Billy The Kid (1941) | Robert Taylor | 6.30 | 241.3 | 354.80 | 13 | 55 | 01 / 00 | 91.1 | |
103 | The Spoilers (1942) | John Wayne & Randolph Scott |
5.00 | 185.9 | 185.90 | 44 | 59 | 01 / 00 | 90.7 | |
102 | The Return of Frank James (1940) | Henry Fonda & Gene Tierney |
3.70 | 143.0 | 143.00 | 37 | 73 | 00 / 00 | 90.6 | |
104 | The Magnificent Seven (1960) | Yul Brynner & Steve McQueen |
6.40 | 100.4 | 546.80 | 44 | 85 | 01 / 00 | 90.5 | |
104 | High Plains Drifter (1973) | Clint Eastwood | 16.90 | 103.1 | 103.10 | 22 | 85 | 00 / 00 | 90.4 | |
107 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Anthony Quinn |
2.10 | 79.7 | 79.70 | 122 | 85 | 01 / 00 | 90.2 | |
105 | Buffalo Bill (1944) | Joel McCrea & Maureen O'Hara |
6.50 | 217.3 | 217.30 | 38 | 53 | 00 / 00 | 90.1 | |
108 | Distant Drums (1951) | Gary Cooper | 8.60 | 185.8 | 201.50 | 14 | 57 | 00 / 00 | 89.9 | |
108 | The Virginian (1946) | Joel McCrea | 9.20 | 283.0 | 283.00 | 24 | 53 | 00 / 00 | 89.9 | |
109 | Davy Crockett: King of the Wild Frontier (1955) | Fess Parker | 6.10 | 127.3 | 127.30 | 52 | 76 | 00 / 00 | 89.9 | |
112 | The War Wagon (1967) | John Wayne & Kirk Douglas |
15.20 | 135.4 | 238.30 | 18 | 73 | 00 / 00 | 89.9 | |
110 | Viva Villa! (1934) AA Best Picture Nom |
Wallace Beery & Fay Wray |
2.70 | 126.0 | 251.10 | 28 | 65 | 04 / 01 | 89.8 | |
113 | A Man Called Horse (1970) | Richard Harris | 19.70 | 137.0 | 137.00 | 18 | 72 | 00 / 00 | 89.7 | |
113 | Hang 'em High (1968) | Clint Eastwood & Bruce Dern |
14.80 | 121.5 | 121.50 | 25 | 77 | 00 / 00 | 89.7 | |
115 | Wichita (1955) | Joel McCrea & Vera Miles |
6.90 | 142.2 | 142.20 | 44 | 70 | 00 / 00 | 89.5 | |
116 | The Plainsman (1936) | Gary Cooper & Directed by Cecil B. DeMille |
4.10 | 175.6 | 175.60 | 28 | 59 | 00 / 00 | 89.3 | |
117 | Angel and the Badman (1947) | John Wayne & Gail Russell |
5.00 | 145.7 | 145.70 | 67 | 68 | 00 / 00 | 89.2 | |
120 | Belle of the Nineties (1934) | Mae West & Randolph Scott |
3.40 | 160.7 | 160.70 | 9 | 63 | 00 / 00 | 89.1 | |
118 | Shanghai Noon (2000) | Owen Wilson & Jackie Chan |
56.90 | 113.9 | 198.50 | 46 | 77 | 00 / 00 | 89.0 | |
118 | 3:10 to Yuma (1957) | Glenn Ford & Van Heflin |
5.30 | 101.7 | 101.70 | 44 | 79 | 00 / 00 | 88.4 | |
122 | Night Passage (1957) | James Stewart & Audie Murphy |
7.40 | 143.0 | 143.00 | 28 | 66 | 00 / 00 | 88.3 | |
122 | The Fastest Gun Alive (1956) | Glenn Ford & Broderick Crawford |
6.30 | 124.3 | 124.30 | 39 | 72 | 00 / 00 | 88.2 | |
123 | The Shootist (1976) | John Wayne & James Stewart |
18.10 | 91.8 | 91.80 | 38 | 81 | 01 / 00 | 88.2 | |
125 | Virginia City (1940) | Errol Flynn & Humprhey Bogart |
4.30 | 167.0 | 233.20 | 25 | 57 | 00 / 00 | 87.9 | |
123 | The Furies (1950) | Barbara Stanwyck & Walter Huston |
4.60 | 102.7 | 102.70 | 65 | 77 | 01 / 00 | 87.8 | |
126 | Open Range (2003) | Kevin Costner & Robert Duvall |
58.30 | 104.3 | 122.10 | 51 | 76 | 00 / 00 | 87.5 | |
129 | Silver River (1948) | Errol Flynn & Ann Sheridan |
5.70 | 154.2 | 247.10 | 55 | 60 | 00 / 00 | 87.5 | |
128 | Last Train from Gun Hill (1959) | Kirk Douglas & Anthony Quinn |
6.70 | 120.6 | 120.60 | 37 | 71 | 00 / 00 | 87.5 | |
127 | 3:10 to Yuma (2007) | Russell Crowe & Christian Bale |
53.60 | 84.0 | 109.70 | 48 | 79 | 02 / 00 | 87.4 | |
131 | Nevada Smith (1966) Uncredited Role |
Steve McQueen & Karl Malden |
13.80 | 134.8 | 134.80 | 23 | 66 | 00 / 00 | 87.4 | |
130 | Man Without a Star (1955) | Kirk Douglas | 6.30 | 130.3 | 130.30 | 51 | 67 | 00 / 00 | 87.3 | |
132 | McCabe & Mrs. Miller (1971) | Warren Beatty & Directed by Robert Altman |
12.40 | 81.2 | 81.20 | 25 | 81 | 01 / 00 | 87.0 | |
133 | The Big Sky (1952) | Kirk Douglas & Dewey Martin |
4.60 | 89.8 | 89.80 | 68 | 77 | 02 / 00 | 86.9 | |
133 | The Hanging Tree (1959) | Gary Cooper & George C. Scott |
6.30 | 112.9 | 112.90 | 40 | 71 | 01 / 00 | 86.9 | |
135 | Badman's Territory (1946) | Randolph Scott | 5.00 | 153.2 | 153.20 | 64 | 59 | 00 / 00 | 86.8 | |
138 | Chisum (1970) | John Wayne | 18.20 | 126.5 | 202.30 | 20 | 67 | 00 / 00 | 86.6 | |
137 | The Unforgiven (1960) | Burt Lancaster & Audrey Hepburn |
8.90 | 138.4 | 138.40 | 30 | 63 | 00 / 00 | 86.6 | |
139 | Across the Great Divide (1976) | Robert Logan & Heather Rattray |
24.60 | 124.3 | 124.30 | 27 | 66 | 00 / 00 | 86.2 | |
139 | Texas Across the River (1966) | Dean Martin & Alain Delon |
10.90 | 106.7 | 138.30 | 27 | 72 | 00 / 00 | 86.2 | |
142 | The Rainmaker (1956) | Burt Lancaster & Katharine Hepburn |
6.00 | 117.6 | 117.60 | 44 | 67 | 02 / 00 | 86.2 | |
141 | Silverado (1985) | Kevin Costner & Kevin Kline |
32.20 | 97.8 | 97.80 | 27 | 73 | 02 / 00 | 86.1 | |
142 | Secrets (1933) | Mary Pickford & Leslie Howard |
2.00 | 93.4 | 93.40 | 37 | 76 | 00 / 00 | 86.0 | |
143 | Support Your Local Sheriff! (1969) | James Garner & Walter Brennan |
14.70 | 111.4 | 111.40 | 22 | 70 | 00 / 00 | 85.9 | |
144 | Man of the West (1958) | Gary Cooper | 5.00 | 89.8 | 89.80 | 49 | 76 | 00 / 00 | 85.8 | |
147 | Rawhide (1951) | Tyrone Power & Susan Hayward |
5.60 | 120.1 | 120.10 | 52 | 67 | 00 / 00 | 85.8 | |
146 | The Texans (1938) | Randolph Scott | 3.50 | 138.2 | 138.20 | 54 | 61 | 00 / 00 | 85.7 | |
149 | The Bravados (1958) | Gregory Peck & Joan Collins |
6.30 | 112.9 | 112.90 | 40 | 68 | 00 / 00 | 85.5 | |
147 | Once Upon a Time in the West (1968) | Henry Fonda & Charles Bronson |
5.30 | 43.5 | 43.50 | 60 | 90 | 00 / 00 | 85.4 | |
150 | Chief Crazy Horse (1955) | Victor Mature | 5.00 | 103.7 | 103.70 | 68 | 71 | 00 / 00 | 85.3 | |
150 | The Magnificent Seven (2016) | Denzel Washington & Chris Pratt |
93.40 | 116.4 | 202.30 | 33 | 65 | 00 / 00 | 85.1 | |
150 | The Hateful Eight (2015) | Kurt Russell & Samuel L. Jackson |
54.10 | 69.2 | 199.20 | 51 | 77 | 03 / 01 | 85.1 | |
151 | The Comancheros (1961) | John Wayne & Lee Marvin |
7.00 | 102.0 | 102.00 | 32 | 71 | 00 / 00 | 85.1 | |
153 | The Kentuckian (1955) | Burt Lancaster & Diana Lynn |
7.40 | 154.0 | 154.00 | 38 | 54 | 00 / 00 | 85.1 | |
155 | Big Jake (1971) | John Wayne & Maureen O'Hara |
22.70 | 148.5 | 148.50 | 16 | 55 | 00 / 00 | 84.9 | |
154 | Go West (1940) | Marx Brothers | 2.60 | 98.6 | 155.10 | 74 | 71 | 00 / 00 | 84.8 | |
157 | Springfield Rifle (1952) | Gary Cooper & Phyllis Thaxter |
6.70 | 130.7 | 130.70 | 35 | 61 | 00 / 00 | 84.7 | |
156 | Rocky Mountain (1950) | Errol Flynn | 4.90 | 109.1 | 176.50 | 56 | 67 | 00 / 00 | 84.5 | |
158 | The Indian Fighter (1955) | Kirk Douglas & Walter Matthau |
7.00 | 145.1 | 145.10 | 43 | 55 | 00 / 00 | 84.2 | |
160 | Sergeants 3 (1962) | Frank Sinatra & Dean Martin |
12.40 | 177.5 | 177.50 | 16 | 45 | 00 / 00 | 84.1 | |
159 | The Cheyenne Social Club (1970) | James Stewart & Henry Fonda |
15.90 | 110.6 | 110.60 | 23 | 65 | 00 / 00 | 83.9 | |
161 | Blood on the Moon (1948) | Robert Mitchum | 5.60 | 150.0 | 187.20 | 58 | 53 | 00 / 00 | 83.8 | |
163 | Cowboys & Aliens (2011) | Daniel Craig & Harrison Ford |
100.20 | 136.3 | 237.70 | 30 | 56 | 00 / 00 | 83.8 | |
162 | The Wild North (1952) | Stewart Granger & Wendell Corey |
5.90 | 114.9 | 218.20 | 43 | 64 | 00 / 00 | 83.8 | |
164 | Rio Lobo (1970) | John Wayne & Directed by Howard Hawks |
12.90 | 89.6 | 89.60 | 31 | 72 | 00 / 00 | 83.8 | |
164 | Buck Benny Rides Again (1940) | Jack Benny & Ellen Drew |
2.60 | 99.0 | 99.00 | 71 | 68 | 00 / 00 | 83.5 | |
168 | The Squaw Man (1914) | Directed by Cecil B. DeMille | 1.60 | 143.1 | 143.10 | 4 | 54 | 00 / 00 | 83.2 | |
167 | 7 Men from Now (1956) | Randoph Scott & Lee Marvin |
2.60 | 51.4 | 63.10 | 122 | 83 | 00 / 00 | 83.2 | |
166 | Wild Wild West (1999) | Will Smith & Kevin Kline |
113.80 | 242.5 | 473.20 | 17 | 35 | 00 / 00 | 83.0 | |
169 | Wagon Master (1950) | Ward Bond & Directed by John Ford |
3.20 | 72.2 | 91.40 | 101 | 76 | 00 / 00 | 82.9 | |
170 | Go West (1925) | Buster Keaton | 1.60 | 63.0 | 63.00 | 19 | 78 | 00 / 00 | 82.8 | |
171 | The Lone Ranger (1956) | Clayton Moore | 3.90 | 76.7 | 107.40 | 88 | 74 | 00 / 00 | 82.7 | |
174 | Billy the Kid (1930) | Wallace Beery | 2.20 | 117.6 | 139.30 | 54 | 61 | 00 / 00 | 82.6 | |
172 | The Tall T (1957) | Randolph Scott & Richard Boone |
2.90 | 55.0 | 55.00 | 87 | 80 | 00 / 00 | 82.4 | |
176 | Joe Kidd (1972) | Clint Eastwood | 17.20 | 109.0 | 109.00 | 24 | 63 | 00 / 00 | 82.4 | |
175 | The Last Sunset (1961) | Rock Hudson & Kirk Douglas |
7.90 | 114.5 | 114.50 | 27 | 61 | 00 / 00 | 82.3 | |
175 | Cheyenne Autumn (1964) | James Stewart & Richard Widmark |
8.80 | 100.7 | 256.40 | 30 | 64 | 01 / 00 | 82.1 | |
177 | Bite the Bullet (1975) | Gene Hackman & James Coburn |
16.00 | 84.0 | 84.00 | 43 | 69 | 02 / 00 | 82.0 | |
179 | Cimarron (1960) | Glenn Ford | 6.60 | 103.8 | 215.40 | 43 | 62 | 02 / 00 | 81.7 | |
179 | Devil's Doorway (1950) | Robert Taylor | 3.90 | 86.6 | 134.50 | 84 | 69 | 00 / 00 | 81.6 | |
178 | Lonely Are The Brave (1962) | Kirk Douglas & Gena Rowlands |
2.80 | 40.7 | 40.70 | 87 | 83 | 00 / 00 | 81.6 | |
181 | The Left Handed Gun (1958) | Paul Newman | 4.40 | 79.1 | 79.10 | 54 | 71 | 00 / 00 | 81.4 | |
182 | Frontier Marshall (1939) | Randolph Scott & Cesar Romero |
2.60 | 99.3 | 99.30 | 94 | 64 | 00 / 00 | 81.3 | |
183 | Destry (1954) | Audie Murphy | 4.30 | 100.4 | 100.40 | 72 | 64 | 00 / 00 | 81.3 | |
185 | Jubal (1956) | Glenn Ford & Ernest Borgnine |
5.10 | 100.8 | 100.80 | 58 | 63 | 00 / 00 | 81.1 | |
184 | The Last Hunt (1956) | Robert Taylor | 4.60 | 89.8 | 167.00 | 64 | 67 | 00 / 00 | 81.0 | |
187 | The Last Wagon (1956) | Richard Widmark | 4.30 | 84.0 | 84.00 | 73 | 68 | 00 / 00 | 80.9 | |
185 | Four Faces West (1948) | Joel McCrea & Charles Bickford |
2.90 | 78.0 | 78.00 | 105 | 70 | 00 / 00 | 80.9 | |
188 | White Feather (1955) | Robert Wagner & Jeffrey Hunter |
4.70 | 97.7 | 97.70 | 72 | 64 | 00 / 00 | 80.8 | |
189 | Many Rivers To Cross (1955) | Robert Taylor & Eleanor Parker |
6.00 | 123.4 | 227.00 | 55 | 55 | 00 / 00 | 80.6 | |
192 | Dark Command (1940) | John Wayne & Walter Pidgeon |
2.10 | 80.8 | 80.80 | 95 | 67 | 02 / 00 | 80.5 | |
189 | Pat Garrett & Billy the Kid (1973) | James Coburn | 8.20 | 49.8 | 49.80 | 44 | 78 | 00 / 00 | 80.5 | |
191 | The Wind (1928) | Lillian Gish | 1.40 | 43.5 | 43.50 | 66 | 80 | 00 / 00 | 80.4 | |
194 | Johnny Concho (1956) | Frank Sinatra | 5.40 | 106.4 | 106.40 | 54 | 60 | 00 / 00 | 80.3 | |
192 | Duck You Sucker or A Fistful of Dynamite (1971) | James Coburn | 6.10 | 39.6 | 39.60 | 55 | 81 | 00 / 00 | 80.2 | |
197 | The Missouri Breaks (1976) | Jack Nicholson & Marlon Brando |
15.40 | 77.9 | 77.90 | 43 | 69 | 00 / 00 | 80.0 | |
196 | The Apple Dumpling Gang Rides Again (1979) | Tim Conway & Don Knotts |
24.90 | 107.0 | 107.00 | 40 | 59 | 00 / 00 | 79.9 | |
199 | Hot Lead and Cold Feet (1978) | Don Knotts & Joel Hirschhorn & Darren McGavin |
22.20 | 102.4 | 102.40 | 28 | 61 | 00 / 00 | 79.9 | |
196 | Ride Lonesome (1959) | Randolph Scott | 2.70 | 48.8 | 48.80 | 87 | 78 | 00 / 00 | 79.8 | |
199 | Man in The Wilderness (1971) | Richard Harris & John Huston |
8.30 | 54.4 | 54.40 | 42 | 76 | 00 / 00 | 79.6 | |
198 | Rancho Notorious (1952) | Marlene Dietrich & Arthur Kennedy |
2.50 | 49.0 | 49.00 | 136 | 77 | 00 / 00 | 79.5 | |
203 | Young Guns (1988) | Emilio Estevez & Charlie Sheen |
45.70 | 119.8 | 119.80 | 22 | 54 | 00 / 00 | 79.5 | |
202 | Hell's Heroes (1929) | Charles Bickford & Directed by William Wyler |
2.30 | 71.3 | 71.30 | 52 | 70 | 00 / 00 | 79.5 | |
201 | Monte Walsh (1970) | Lee Marvin & Jack Palance |
7.00 | 48.5 | 48.50 | 44 | 77 | 00 / 00 | 79.4 | |
205 | The Scalphunters (1968) | Burt Lancaster & Shelley Winters |
8.00 | 65.8 | 65.80 | 48 | 71 | 00 / 00 | 79.0 | |
204 | Forty Guns (1957) | Barbara Stanwyck | 2.60 | 49.5 | 49.50 | 96 | 76 | 00 / 00 | 79.0 | |
206 | The Long Riders (1980) | Dennis Quaid | 13.70 | 56.8 | 56.80 | 57 | 74 | 00 / 00 | 78.9 | |
207 | 5 Card Stud (1968) | Dean Martin & Robert Mitchum |
12.10 | 99.9 | 99.90 | 31 | 59 | 00 / 00 | 78.4 | |
210 | The Sheriff of Fractured Jaw (1958) | Jayne Mansfield | 5.50 | 98.8 | 127.60 | 47 | 58 | 00 / 00 | 77.3 | |
210 | Major Dundee (1965) | Charlton Heston & James Coburn |
5.50 | 58.6 | 58.60 | 51 | 71 | 00 / 00 | 77.3 | |
210 | Ride the High Country (1962) | Randolph Scott & Joel McCrea |
2.10 | 30.5 | 30.50 | 96 | 80 | 00 / 00 | 77.2 | |
211 | The Spoilers (1930) | Gary Cooper | 1.60 | 86.2 | 86.20 | 80 | 62 | 00 / 00 | 77.0 | |
212 | The Sheepman (1958) | Glenn Ford | 4.30 | 77.0 | 77.00 | 55 | 64 | 01 / 00 | 76.9 | |
213 | Will Penny (1967) | Charlton Heston & Lee Majors |
4.50 | 40.1 | 40.10 | 55 | 76 | 00 / 00 | 76.9 | |
215 | City Slickers II: The Legend of Curly's Gold (1994) | Billy Crystal & Jack Palance |
43.60 | 115.3 | 115.30 | 32 | 52 | 00 / 00 | 76.8 | |
215 | Sergeant Rutledge (1960) | Jeffrey Hunter & Directed by John Ford |
2.20 | 35.0 | 35.00 | 96 | 78 | 00 / 00 | 76.7 | |
216 | Man with the Gun (1955) | Robert Mitchum | 5.10 | 106.6 | 106.60 | 65 | 55 | 00 / 00 | 76.5 | |
217 | The Undefeated (1969) | John Wayne & Rock Hudson |
11.40 | 86.8 | 86.80 | 27 | 61 | 00 / 00 | 76.4 | |
220 | The True Story of Jesse James (1957) | Robert Wagner & Agnes Moorehead |
4.30 | 82.5 | 82.50 | 54 | 62 | 00 / 00 | 76.3 | |
218 | Comanche Station (1960) | Randolph Scott & Nancy Gates |
2.50 | 39.1 | 39.10 | 93 | 76 | 00 / 00 | 76.0 | |
220 | Comes a Horseman (1978) | James Caan & Jane Fonda |
9.60 | 44.2 | 44.20 | 60 | 73 | 01 / 00 | 76.0 | |
221 | Decision At Sundown (1957) | Randolph Scott | 2.60 | 49.5 | 49.50 | 97 | 72 | 00 / 00 | 75.8 | |
222 | The Stranger Wore a Gun (1953) | Randolph Scott & Claire Trevor |
4.80 | 87.1 | 87.10 | 66 | 60 | 00 / 00 | 75.7 | |
223 | Warlock (1959) | Henry Fonda & Richard Widmark |
4.30 | 77.0 | 77.00 | 61 | 63 | 00 / 00 | 75.6 | |
225 | Stagecoach (1966) | Bing Crosby & Ann-Margret |
10.00 | 98.0 | 98.00 | 30 | 56 | 00 / 00 | 74.7 | |
224 | My Name Is Nobody (1973) | Henry Fonda | 5.30 | 32.3 | 32.30 | 60 | 76 | 00 / 00 | 74.6 | |
226 | 7 Faces of Dr. Lao (1964) | Tony Randall & Barbara Eden |
3.60 | 41.0 | 41.00 | 75 | 72 | 01 / 00 | 74.1 | |
227 | Kit Carson (1940) | Jon Hall & Lynn Bari |
1.60 | 61.9 | 61.90 | 131 | 66 | 00 / 00 | 73.9 | |
228 | Cahill United States Marshal (1973) | John Wayne & George Kennedy |
12.40 | 75.7 | 114.40 | 28 | 62 | 00 / 00 | 73.8 | |
228 | Stranger on Horseback (1955) | Joel McCrea & Miroslava |
2.10 | 44.0 | 44.00 | 135 | 72 | 00 / 00 | 73.8 | |
229 | Buchanan Rides Alone (1958) | Randolph Scott & Craig Stevens |
2.90 | 51.3 | 51.30 | 81 | 69 | 00 / 00 | 73.7 | |
232 | Rooster Cogburn (1975) | John Wayne & Katharine Hepburn |
24.30 | 127.8 | 127.80 | 26 | 45 | 00 / 00 | 73.6 | |
233 | Fighting Caravans (1931) | Gary Cooper | 2.40 | 125.7 | 125.70 | 37 | 46 | 00 / 00 | 73.5 | |
233 | Bad Company (1972) | Jeff Bridges & Barry Brown |
2.30 | 14.4 | 14.40 | 115 | 81 | 00 / 00 | 73.5 | |
235 | The Tin Star (1957) | Henry Fonda | 2.70 | 52.3 | 52.30 | 90 | 68 | 00 / 00 | 72.9 | |
235 | Cowboy (1958) | Jack Lemmon & Glenn Ford |
3.60 | 63.9 | 63.90 | 62 | 64 | 01 / 00 | 72.9 | |
237 | The Cimarron Kid (1952) | Audie Murphy | 3.50 | 68.3 | 68.30 | 98 | 63 | 00 / 00 | 72.9 | |
237 | They Call Me Trinity (1970) | Terrence Hill | 3.60 | 25.3 | 25.30 | 73 | 77 | 00 / 00 | 72.7 | |
238 | The Beautiful Blonde from Bashful Bend (1949) | Betty Grable & Cesar Romero |
2.90 | 72.4 | 72.40 | 118 | 62 | 00 / 00 | 72.7 | |
238 | Hostiles (2017) | Christian Bale | 29.80 | 35.8 | 42.90 | 82 | 73 | 00 / 00 | 72.6 | |
242 | Bandolero! (1968) | James Stewart & Dean Martin |
15.70 | 129.3 | 129.30 | 23 | 43 | 00 / 00 | 71.9 | |
241 | Young Guns II (1990) | Emilio Estevez & James Coburn |
44.10 | 112.5 | 112.50 | 29 | 48 | 01 / 00 | 71.6 | |
243 | Dakota (1945) | John Wayne | 3.20 | 100.5 | 100.50 | 94 | 52 | 00 / 00 | 71.6 | |
241 | Gunsmoke (1953) | Audie Murphy & Susan Cabot |
3.90 | 70.8 | 70.80 | 92 | 61 | 00 / 00 | 71.5 | |
244 | Take Me To Town (1953) | Ann Sheridan & Sterling Hayden |
3.00 | 54.4 | 54.40 | 126 | 66 | 00 / 00 | 71.5 | |
245 | The Lone Ranger (2013) | Johnny Depp | 89.30 | 118.4 | 345.40 | 40 | 44 | 02 / 00 | 71.3 | |
246 | Two Rode Together (1961) | James Stewart & Richard Widmark |
4.10 | 60.4 | 60.40 | 55 | 64 | 00 / 00 | 70.8 | |
247 | Junior Bonner (1972) | Steve McQueen & Robert Preston |
5.60 | 35.4 | 35.40 | 61 | 71 | 00 / 00 | 70.5 | |
249 | Bugles in the Afternoon (1952) | Ray Milland & Helena Carter |
4.20 | 81.7 | 81.70 | 79 | 57 | 00 / 00 | 70.4 | |
248 | Ulzana's Raid (1972) | Burt Lancaster | 2.00 | 12.6 | 12.60 | 120 | 78 | 00 / 00 | 70.1 | |
249 | Quigley Down Under (1990) | Tom Selleck | 21.40 | 54.6 | 54.60 | 58 | 65 | 00 / 00 | 69.6 | |
251 | Appaloosa (2008) | Ed Harris & Viggo Mortensen |
20.20 | 30.3 | 41.50 | 116 | 71 | 00 / 00 | 68.4 | |
251 | Goin' South (1978) | Jack Nicholson | 7.40 | 34.3 | 34.30 | 68 | 70 | 00 / 00 | 68.2 | |
254 | The Legend of Zorro (2005) | Antonio Banderas & Catherine Zeta-Jones |
46.50 | 78.3 | 239.80 | 67 | 56 | 00 / 00 | 67.7 | |
253 | The Proposition (2005) | Guy Pearce | 1.90 | 3.2 | 3.20 | 187 | 79 | 00 / 00 | 67.6 | |
256 | Thunder Over The Plains (1953) | Randolph Scott & Lex Barker |
3.40 | 61.2 | 92.90 | 112 | 61 | 00 / 00 | 67.2 | |
255 | The Hired Hand (1971) | Warren Oates & Peter Fonda |
2.20 | 14.7 | 14.70 | 112 | 75 | 00 / 00 | 66.9 | |
257 | Annie Oakley (1935) | Barbara Stanwyck & Melvyn Douglas |
1.20 | 55.8 | 79.60 | 109 | 62 | 00 / 00 | 66.9 | |
258 | Tribute to a Bad Man (1956) | James Cagney & Don Dubbins |
3.40 | 66.8 | 114.40 | 101 | 59 | 00 / 00 | 66.9 | |
259 | Support Your Local Gunfighter (1971) | James Garner | 6.10 | 39.6 | 39.60 | 53 | 67 | 00 / 00 | 66.9 | |
262 | Tom Horn (1980) | Steve McQueen | 10.20 | 42.4 | 42.40 | 71 | 66 | 00 / 00 | 66.6 | |
263 | Scarlet Angel (1952) | Rock Hudson & Yvonne De Carlo |
4.20 | 81.7 | 81.70 | 81 | 54 | 00 / 00 | 66.6 | |
262 | The Assassination of Jesse James by the Coward Robert Ford (2007) | Brad Pitt & Casey Affleck |
3.90 | 6.1 | 23.50 | 181 | 76 | 02 / 00 | 66.6 | |
264 | Alias Jesse James (1959) | Bob Hope & Rhonda Fleming |
5.00 | 89.8 | 89.80 | 50 | 51 | 00 / 00 | 66.5 | |
264 | Meek's Cutoff (2010) | Michell Williams & Bruce Greenwood |
1.00 | 1.3 | 1.30 | 184 | 79 | 00 / 00 | 66.4 | |
266 | The Burning Hills (1956) | Tab Hunter & Natalie Wood |
4.30 | 84.0 | 84.00 | 68 | 53 | 00 / 00 | 66.2 | |
268 | The Squaw Man (1918) | Directed by Cecil B. DeMille | 1.60 | 102.7 | 102.70 | 4 | 47 | 00 / 00 | 66.0 | |
269 | Comanche (1956) | Dana Andrews & Kent Smith |
3.30 | 64.4 | 64.40 | 104 | 59 | 00 / 00 | 65.9 | |
268 | Breakheart Pass (1975) | Charles Bronson & Ben Johnson |
6.50 | 33.9 | 33.90 | 60 | 68 | 00 / 00 | 65.8 | |
267 | The Train Robbers (1973) | Ann-Margret & Ben Johnson |
9.40 | 57.2 | 118.10 | 36 | 61 | 00 / 00 | 65.6 | |
270 | Ride a Crooked Trail (1958) | Audie Murphy & Gia Scala |
2.30 | 41.1 | 41.10 | 98 | 66 | 00 / 00 | 65.3 | |
271 | Skin Game (1971) | James Garner & Louis Gossett Jr. |
6.70 | 43.6 | 43.60 | 48 | 65 | 00 / 00 | 65.0 | |
272 | The Jayhawkers! (1959) | Jeff Chandler & Fess Parker |
2.90 | 51.3 | 51.30 | 82 | 62 | 00 / 00 | 65.0 | |
272 | The Wonderful Country (1959) | Robert Mitchum | 2.90 | 51.3 | 51.30 | 83 | 62 | 00 / 00 | 65.0 | |
276 | The Virginian (1914) | Directed by Cecil B. Demille | 0.70 | 61.5 | 61.50 | 5 | 59 | 00 / 00 | 64.7 | |
274 | The Missouri Traveler (1958) | Brandon De Wilde & Lee Marvin |
2.40 | 43.8 | 43.80 | 91 | 64 | 00 / 00 | 64.6 | |
277 | The Last Command (1955) | Sterling Hayden & Anna Maria Alberghetti |
2.90 | 59.2 | 59.20 | 113 | 59 | 00 / 00 | 64.6 | |
278 | MacKenna's Gold (1969) | Gregory Peck & Edward G. Robinson |
8.90 | 67.2 | 67.20 | 31 | 57 | 00 / 00 | 64.5 | |
279 | The Duel at Silver Creek (1952) | Audie Murphy | 3.50 | 68.1 | 68.10 | 108 | 56 | 00 / 00 | 64.3 | |
279 | Bone Tomahawk (2015) | Kurt Russell | 0.10 | 0.1 | 0.60 | 223 | 78 | 00 / 00 | 64.1 | |
280 | Backlash (1956) | Richard Widmark & Donna Reed |
4.60 | 89.6 | 89.60 | 66 | 49 | 00 / 00 | 64.0 | |
281 | The Second Time Around (1961) | Debbie Reynolds & Steve Forrest |
2.10 | 31.2 | 31.20 | 91 | 67 | 00 / 00 | 63.3 | |
282 | Red Sun (1971) | 6.70 | 43.6 | 205.90 | 49 | 63 | 00 / 00 | 63.1 | ||
282 | Return to Snowy River (1988) | 13.70 | 35.9 | 35.90 | 71 | 66 | 00 / 00 | 63.1 | ||
284 | The Sun Shines Bright (1953) | Charles Winninger & Arleen Whelan |
0.70 | 12.2 | 12.20 | 222 | 73 | 00 / 00 | 62.5 | |
287 | Kangaroo (1952) | 3.50 | 68.1 | 68.10 | 101 | 55 | 00 / 00 | 62.2 | ||
288 | The Man Who Loved Cat Dancing (1973) | Burt Reynolds & Sarah Miles |
9.10 | 55.4 | 55.40 | 39 | 59 | 00 / 00 | 61.8 | |
285 | Posse (1975) | Kirk Douglas | 2.60 | 13.5 | 13.50 | 99 | 72 | 00 / 00 | 61.6 | |
287 | The Missing (2003) | Cate Blanchett & Directed by Ron Howard |
27.00 | 48.3 | 68.60 | 94 | 61 | 00 / 00 | 61.5 | |
288 | Ten Wanted Men (1955) | Randolph Scott | 2.90 | 59.2 | 59.20 | 111 | 57 | 00 / 00 | 61.5 | |
290 | The Homesman (2014) | Tommy Lee Jones & Hilary Swank |
2.40 | 3.2 | 3.20 | 166 | 75 | 00 / 00 | 61.4 | |
292 | The Big Land (1957) | Alan Ladd & Virginia Mayo |
4.50 | 87.3 | 169.40 | 50 | 48 | 00 / 00 | 61.3 | |
291 | Valley of The Sun (1942) | Lucille Ball | 1.40 | 50.4 | 75.90 | 159 | 60 | 00 / 00 | 61.0 | |
293 | Smoke Signal (1955) | Dana Andrews & Piper Laurie |
2.90 | 59.2 | 59.20 | 103 | 57 | 00 / 00 | 60.6 | |
295 | Hangman's Knot (1952) | Randolph Scott & Donna Reed |
3.50 | 68.1 | 68.10 | 107 | 54 | 00 / 00 | 60.5 | |
296 | The Treasure of Pancho Villa (1955) | Rory Calhoun & Shelley Winters |
3.30 | 68.1 | 68.10 | 97 | 54 | 00 / 00 | 60.5 | |
294 | The Harder They Fall (2021) Netflix |
Idris Elba | 0.10 | 0.1 | 0.10 | 180 | 75 | 00 / 00 | 59.7 | |
295 | The Rounders (1965) | Glenn Ford & Henry Fonda |
3.90 | 40.7 | 40.70 | 69 | 62 | 00 / 00 | 59.3 | |
299 | The Far Horizons (1955) | Fred MacMurray & Charlton Heston |
4.60 | 94.8 | 94.80 | 75 | 45 | 00 / 00 | 59.3 | |
300 | Wyatt Earp (1994) | Kevin Costner & Gene Hackman |
25.10 | 66.2 | 147.80 | 55 | 53 | 01 / 00 | 58.9 | |
301 | Pocket Money (1972) | Paul Newman & Lee Marvin |
8.80 | 55.7 | 55.70 | 45 | 57 | 00 / 00 | 58.8 | |
301 | The Duchess and the Dirtwater Fox (1976) | George Segal & Goldie Hawn |
15.10 | 76.3 | 76.30 | 45 | 50 | 00 / 00 | 58.8 | |
302 | Last of the Dogmen (1995) | Tom Berenger & Barbara Hershey |
7.00 | 17.4 | 17.40 | 131 | 69 | 00 / 00 | 58.6 | |
303 | Rough Night in Jericho (1967) | Dean Martin & Jean Simmons |
4.40 | 39.0 | 39.00 | 57 | 62 | 00 / 00 | 58.4 | |
303 | The Hallelujah Trail (1965) | Burt Lancaster & Lee Remick |
3.20 | 34.3 | 34.30 | 78 | 63 | 00 / 00 | 58.4 | |
305 | Geronimo: An American Legend (1993) | Gene Hackman & Matt Damon |
18.60 | 48.5 | 48.50 | 77 | 58 | 01 / 00 | 58.1 | |
307 | Dirty Dingus Magee (1970) | Frank Sinatra & George Kennedy |
8.20 | 56.9 | 56.90 | 40 | 56 | 00 / 00 | 57.7 | |
308 | The Last Frontier (1955) | Victor Mature & Guy Madison |
2.90 | 59.2 | 59.20 | 104 | 55 | 00 / 00 | 57.5 | |
306 | Hour of the Gun (1967) | James Garner & Robert Ryan |
2.10 | 18.4 | 18.40 | 96 | 68 | 00 / 00 | 57.4 | |
309 | Django (1966) | Franco Nero & José Canalejas |
0.00 | 0.3 | 0.30 | 164 | 73 | 00 / 00 | 56.3 | |
311 | The Glory Guys (1965) | Tom Tryon & Harve Presnell |
2.40 | 25.7 | 25.70 | 94 | 65 | 00 / 00 | 56.0 | |
311 | The Quick and the Dead (1995) | Gene Hackman & Leonardo DiCaprio |
18.60 | 46.2 | 115.60 | 84 | 57 | 00 / 00 | 55.9 | |
310 | Dead Man (1995) | Johnny Depp & Robert Mitchum |
1.00 | 2.6 | 2.60 | 188 | 72 | 00 / 00 | 55.9 | |
312 | Hannie Caulder (1971) | Raquel Welch & Robert Culp |
4.50 | 29.7 | 29.70 | 63 | 63 | 00 / 00 | 55.8 | |
314 | One Little Indian (1973) | James Garner & Vera Miles |
6.70 | 40.6 | 40.60 | 53 | 60 | 00 / 00 | 55.8 | |
317 | The Law and Jake Wade (1958) | Richard Widmark & Robert Taylor |
2.80 | 49.8 | 143.50 | 83 | 56 | 00 / 00 | 54.9 | |
316 | Wings of the Hawk (1953) | Van Heflin & Julie Adams |
2.90 | 51.7 | 51.70 | 135 | 56 | 00 / 00 | 54.8 | |
317 | The Savage (1952) | Charlton Heston & Susan Morrow |
1.80 | 35.4 | 35.40 | 166 | 61 | 00 / 00 | 54.7 | |
319 | The Frisco Kid (1979) | Gene Wilder & Harrison Ford |
12.40 | 53.1 | 53.10 | 59 | 55 | 00 / 00 | 54.1 | |
320 | Circus World (1964) | John Wayne & Rita Hayworth |
5.70 | 65.5 | 65.50 | 46 | 51 | 00 / 00 | 53.9 | |
318 | Thousand Pieces of Gold (1991) | Rosalind Chao & Chris Cooper |
0.70 | 1.8 | 1.80 | 177 | 71 | 00 / 00 | 53.6 | |
321 | The Americano (1955) | Glenn Ford & Frank Lovejoy |
3.60 | 74.0 | 74.00 | 93 | 48 | 00 / 00 | 53.1 | |
322 | Texas (1941) | William Holden & Glenn Ford |
2.40 | 92.6 | 92.60 | 99 | 42 | 00 / 00 | 53.0 | |
323 | The Badlanders (1958) | Alan Ladd & Ernest Borgnine |
2.80 | 49.8 | 108.10 | 84 | 55 | 00 / 00 | 52.9 | |
324 | Love's Abiding Joy (2006) | Erin Cottrell & Dale Midkiff |
0.30 | 0.4 | 0.40 | 271 | 71 | 00 / 00 | 52.8 | |
326 | Tell Them Willie Boy Is Here (1969) | Robert Redford | 6.90 | 52.3 | 52.30 | 40 | 54 | 00 / 00 | 52.4 | |
327 | Mail Order Bride (1964) | Buddy Ebsen & Keir Dullea |
3.40 | 39.3 | 39.30 | 77 | 58 | 00 / 00 | 52.3 | |
326 | Barbarosa (1982) | Willie Nelson & Gary Busey |
1.70 | 6.4 | 6.40 | 122 | 69 | 00 / 00 | 52.3 | |
328 | Gold of the Seven Saints (1961) | Clint Walker & Roger Moore |
1.50 | 21.9 | 21.90 | 107 | 63 | 00 / 00 | 51.1 | |
329 | The Squaw Man (1931) | Directed by Cecil B. DeMille | 1.40 | 70.5 | 106.20 | 99 | 48 | 00 / 00 | 50.9 | |
330 | Firecreek (1968) | James Stewart & Henry Fonda |
3.10 | 25.9 | 25.90 | 90 | 62 | 00 / 00 | 50.9 | |
331 | Waterhole #3 (1967) | James Coburn | 3.10 | 27.8 | 27.80 | 73 | 61 | 00 / 00 | 50.8 | |
332 | Forsaken (2015) | Keifer Sutherland & Donald Sutherland |
0.10 | 0.1 | 0.10 | 217 | 70 | 00 / 00 | 50.4 | |
333 | The Wild and the Innocent (1959) | Audie Murphy & Joanne Dru |
2.00 | 35.9 | 35.90 | 111 | 58 | 00 / 00 | 50.1 | |
332 | The Halliday Brand (1957) | Joseph Cotten & Viveca Lindfors |
1.60 | 30.9 | 30.90 | 127 | 60 | 00 / 00 | 49.9 | |
335 | Gunfight at Comanche Creek (1963) | Audie Murphy & Ben Cooper |
1.30 | 16.1 | 16.10 | 115 | 64 | 00 / 00 | 48.9 | |
337 | The Rare Breed (1966) | 5.00 | 49.0 | 49.00 | 56 | 53 | 00 / 00 | 48.8 | ||
335 | Seven Alone (1974) | Dewey Martin & Anne Collings |
7.20 | 41.8 | 41.80 | 56 | 56 | 00 / 00 | 48.8 | |
339 | Rangers of Fortune (1940) | Fred MacMurray | 1.00 | 38.5 | 38.50 | 169 | 56 | 00 / 00 | 47.8 | |
340 | The Outrage (1964) | Paul Newman & Edward G. Robinson |
4.60 | 52.4 | 52.40 | 64 | 52 | 00 / 00 | 47.4 | |
339 | The Ballad of Little Jo (1993) | Suzy Amis & Bo Hopkins |
0.50 | 1.4 | 1.40 | 200 | 68 | 00 / 00 | 47.1 | |
341 | Lightning Jack (1994) | Paul Hogan & Cuba Gooding Jr. |
16.80 | 44.4 | 44.40 | 85 | 54 | 00 / 00 | 46.6 | |
342 | Charro! (1969) | Elvis Presley | 3.90 | 29.8 | 29.80 | 59 | 58 | 00 / 00 | 46.2 | |
345 | Bad Lands (1939) | Robert Barrat & Noah Berry Jr. |
0.40 | 16.6 | 21.70 | 222 | 62 | 00 / 00 | 44.9 | |
343 | The Great Northfield Minnesota Raid (1972) | Cliff Robertson & Robert Duvall |
2.30 | 14.6 | 14.60 | 114 | 62 | 00 / 00 | 44.8 | |
345 | A Million Ways To Die in The West (2014) | Charlize Theron | 43.10 | 56.9 | 115.00 | 79 | 49 | 00 / 00 | 44.5 | |
344 | My Heroes Have Always Been Cowboys (1991) | Scott Glenn & Kate Capshaw |
3.60 | 9.2 | 9.20 | 133 | 64 | 00 / 00 | 44.4 | |
345 | The Work and the Glory II: American Zion (2005) | Sam Hennings & Brenda Strong |
2.00 | 3.4 | 3.40 | 186 | 66 | 00 / 00 | 44.3 | |
347 | Red Hill (2010) | Ryan Kwanten & Steve Bisley |
0.00 | 0.0 | 0.00 | 399 | 67 | 00 / 00 | 44.0 | |
350 | The Way West (1967) | Richard Widmark & Sally Field |
4.20 | 37.2 | 37.20 | 60 | 55 | 00 / 00 | 43.9 | |
351 | A Man Alone (1955) | Ray Milland & Mary Murphy |
1.80 | 37.0 | 37.00 | 143 | 55 | 00 / 00 | 43.9 | |
349 | The Work and the Glory III: A House Divided (2006) | Sam Hennings & Brenda Strong |
1.30 | 2.2 | 2.20 | 221 | 66 | 00 / 00 | 43.6 | |
352 | Invitation to a Gunfighter (1964) | Yul Brynner & Janice Rule |
3.10 | 36.0 | 36.00 | 81 | 55 | 00 / 00 | 43.2 | |
353 | The Claim (2000) | Milla Jovovich | 0.70 | 1.3 | 1.30 | 200 | 65 | 00 / 00 | 42.7 | |
354 | Man From Del Rio (1956) | Anthony Quinn & Katy Jurado |
2.00 | 40.0 | 40.00 | 138 | 53 | 00 / 00 | 41.7 | |
357 | Oklahoma Crude (1973) | George C. Scott & Faye Dunaway |
7.60 | 46.1 | 46.10 | 46 | 51 | 00 / 00 | 41.5 | |
358 | The Mountain Men (1980) | Charlton Heston & Brian Keith |
7.60 | 31.7 | 31.70 | 84 | 55 | 00 / 00 | 41.3 | |
356 | Against A Crooked Sky (1975) | Richard Boone & Stewart Petersen |
6.90 | 36.2 | 36.20 | 59 | 54 | 00 / 00 | 41.3 | |
357 | Something Big (1971) | Dean Martin & Brian Keith |
2.90 | 18.8 | 18.80 | 94 | 59 | 00 / 00 | 41.2 | |
359 | Villa Rides (1968) | Yul Brynner & Robert Mitchum |
3.40 | 28.2 | 28.20 | 86 | 56 | 00 / 00 | 41.1 | |
362 | The Appaloosa (1966) | Marlon Brando | 3.50 | 34.3 | 34.30 | 70 | 54 | 00 / 00 | 41.0 | |
362 | Pony Express (1953) | Charlton Heston | 4.20 | 76.2 | 76.20 | 85 | 41 | 00 / 00 | 40.6 | |
361 | From Noon Till Three (1976) | Charles Bronson & Jill Ireland |
2.70 | 13.8 | 13.80 | 111 | 60 | 00 / 00 | 39.4 | |
364 | Posse (1993) | Mario Van Peebles | 18.30 | 47.6 | 47.60 | 78 | 49 | 00 / 00 | 39.1 | |
366 | Arena (1953) | Gig Young & Jean Hagen |
2.30 | 41.5 | 55.60 | 153 | 51 | 00 / 00 | 38.9 | |
363 | Seraphim Falls (2006) | Liam Neeson & Pierce Brosnan |
0.40 | 0.7 | 2.00 | 258 | 64 | 00 / 00 | 38.3 | |
366 | The Outlaws Is Coming (1965) | Larry Fine & Joe DeRita |
0.60 | 6.4 | 6.40 | 142 | 62 | 00 / 00 | 37.4 | |
368 | The Legend of the Lone Ranger (1981) | Klinton Spilsbury & Christopher Lloyd |
12.60 | 48.9 | 48.90 | 63 | 48 | 00 / 00 | 37.4 | |
370 | The Tall Stranger (1957) | Joel McCrea & Virginia Mayo |
2.40 | 47.1 | 47.10 | 101 | 49 | 00 / 00 | 37.2 | |
367 | Lust in the Dust (1985) | Tab Hunter & Divine |
0.70 | 2.2 | 2.20 | 159 | 63 | 00 / 00 | 37.0 | |
369 | Heaven's Gate (1980) | Jeff Bridges & Christopher Walken |
3.50 | 14.4 | 14.40 | 122 | 58 | 01 / 00 | 37.0 | |
372 | Arrowhead (1953) | Charlton Heston & Jack Palance |
3.60 | 65.3 | 65.30 | 104 | 43 | 00 / 00 | 37.0 | |
371 | The Big Trees (1952) | Kirk Douglas & Patrice Wymore |
2.40 | 46.3 | 46.30 | 141 | 49 | 00 / 00 | 36.8 | |
375 | Advance To The Rear (1964) | Glenn Ford & Stella Stevens |
3.10 | 36.0 | 36.00 | 80 | 52 | 00 / 00 | 36.3 | |
373 | The Man from Monterey (1933) | John Wayne | 0.40 | 18.3 | 25.80 | 172 | 57 | 00 / 00 | 36.2 | |
375 | The First Traveling Saleslady (1956) | Ginger Rogers & Barry Nelson |
2.10 | 42.0 | 42.00 | 132 | 50 | 00 / 00 | 36.1 | |
376 | Butch and Sundance: The Early Days (1979) | Tom Berenger & Will Kaat |
5.10 | 22.1 | 22.10 | 81 | 56 | 00 / 00 | 34.8 | |
377 | Navajo Joe (1968) | Burt Reynolds | 0.90 | 7.1 | 7.10 | 151 | 60 | 00 / 00 | 34.4 | |
378 | 'Doc' (1971) | Stacy Keach & Faye Dunaway |
2.40 | 15.8 | 15.80 | 104 | 57 | 00 / 00 | 34.2 | |
379 | Almost Heroes (1998) | Chris Farley & Matthew Perry |
6.10 | 14.1 | 14.10 | 138 | 58 | 00 / 00 | 33.8 | |
380 | The Magnificent Seven Ride! (1972) | Lee Van Cleef | 3.20 | 20.2 | 20.20 | 83 | 56 | 00 / 00 | 33.6 | |
383 | Guns of the Timberland (1960) | Alan Ladd & Jeanne Crain |
2.00 | 31.9 | 31.90 | 100 | 52 | 00 / 00 | 33.3 | |
381 | Cattle Annie and Little Britches (1981) | Scott Glenn & Diane Lane |
0.50 | 2.1 | 2.10 | 152 | 61 | 00 / 00 | 33.3 | |
381 | Scalawag (1973) | Kirk Douglas & Mark Lester |
2.40 | 14.8 | 14.80 | 113 | 57 | 00 / 00 | 32.1 | |
385 | Alvarez Kelly (1966) | William Holden & Richard Widmark |
3.50 | 34.3 | 34.30 | 72 | 50 | 00 / 00 | 31.5 | |
386 | War Arrow (1953) | 3.00 | 54.4 | 54.40 | 125 | 43 | 00 / 00 | 30.2 | ||
384 | Grey Owl (1999) | Pierce Brosnan & Stewart Bick |
0.60 | 1.3 | 1.30 | 202 | 60 | 00 / 00 | 29.6 | |
386 | All the Pretty Horses (2000) | 15.50 | 31.1 | 36.30 | 108 | 50 | 00 / 00 | 29.5 | ||
389 | Nevada (1944) | Robert Mitchum | 1.30 | 42.2 | 52.30 | 137 | 47 | 00 / 00 | 29.5 | |
390 | The Lonely Man (1957) | Jack Palance & Anthony Perkins |
2.30 | 44.0 | 44.00 | 105 | 46 | 00 / 00 | 28.6 | |
390 | The Alamo (2004) | Dennis Quaid | 22.40 | 38.9 | 44.80 | 100 | 47 | 00 / 00 | 28.5 | |
391 | The Hunting Party (1971) | Gene Hackman & Candice Bergen & <a href='https://www.ultimatemovierankings.com/oliver-reed-movies/' |
2.70 | 17.8 | 17.80 | 95 | 54 | 00 / 00 | 28.4 | |
392 | A Gunfight (1971) | Kirk Douglas & Johnny Cash |
3.80 | 24.7 | 24.70 | 74 | 51 | 00 / 00 | 27.7 | |
393 | The Hi-Lo Country (1998) | Billy Crudup & Woody Harrelson |
0.20 | 0.4 | 0.40 | 231 | 58 | 00 / 00 | 26.8 | |
395 | Rustlers' Rhapsody (1985) | Andy Griffith & Patrick Wayne |
6.10 | 18.5 | 18.50 | 108 | 52 | 00 / 00 | 26.0 | |
395 | Ten Who Dared (1960) | Brian Keith & John Beal |
2.30 | 35.7 | 35.70 | 95 | 47 | 00 / 00 | 25.9 | |
395 | Straight to Hell (1987) | Sy Richardson & Joe Strummer |
0.20 | 0.6 | 0.60 | 220 | 58 | 00 / 00 | 25.9 | |
396 | Guns of the Magnificent Seven (1969) | George Kennedy | 1.60 | 11.9 | 11.90 | 120 | 54 | 00 / 00 | 24.9 | |
397 | 40 Guns to Apache Pass (1967) | Audie Murphy & Michael Burns |
1.50 | 13.4 | 13.40 | 120 | 53 | 00 / 00 | 24.7 | |
399 | The Spikes Gang (1974) | Lee Marvin & Gary Grimes |
2.60 | 14.8 | 14.80 | 97 | 52 | 00 / 00 | 23.8 | |
400 | Bad Girls (1994) | Drew Barrymore | 15.20 | 40.3 | 40.30 | 92 | 42 | 00 / 00 | 22.9 | |
401 | The Raiders (1963) | Brian Keith & Robert Culp |
2.10 | 26.6 | 26.60 | 88 | 48 | 00 / 00 | 22.1 | |
402 | Guns of Diablo (1964) | Charles Bronson & Susan Oliver |
2.10 | 24.6 | 24.60 | 108 | 48 | 00 / 00 | 22.1 | |
403 | The Warrior's Way (2010) | Kate Bosworth & Geoffrey Rush |
5.70 | 7.7 | 15.10 | 140 | 53 | 00 / 00 | 21.8 | |
404 | Jane Got a Gun (2015) | Natalie Portman & Ewan McGregor |
1.50 | 1.9 | 1.90 | 170 | 55 | 00 / 00 | 21.0 | |
407 | Westward Ho (1935) | John Wayne | 0.50 | 22.5 | 22.50 | 191 | 48 | 00 / 00 | 20.9 | |
408 | The Good Guys and the Bad Guys (1969) | Robert Mitchum & George Kennedy |
2.40 | 18.4 | 18.40 | 89 | 49 | 00 / 00 | 20.4 | |
406 | Casa De Mi Padre (2012) | Will Ferrell & Gael García Bernal |
5.90 | 8.0 | 10.90 | 145 | 52 | 00 / 00 | 20.3 | |
408 | Ghost Town (1988) | Franc Luz & Catherine Hickland |
0.10 | 0.2 | 0.20 | 259 | 55 | 00 / 00 | 20.2 | |
409 | The Wrath of God (1972) | Robert Mitchum & Frank Langella |
2.20 | 13.9 | 13.90 | 116 | 50 | 00 / 00 | 18.6 | |
411 | Ride Him Cowboy (1932) | John Wayne | 0.50 | 23.0 | 31.40 | 166 | 47 | 00 / 00 | 18.4 | |
410 | Young Billy Young (1969) | Robert Mitchum | 2.60 | 19.5 | 19.50 | 85 | 48 | 00 / 00 | 18.1 | |
412 | Welcome To Hard Times (1967) | Henry Fonda & Janice Rule |
1.50 | 13.4 | 13.40 | 118 | 49 | 00 / 00 | 17.0 | |
413 | Catlow (1971) | Yul Brynner & Richard Crenna |
2.00 | 13.0 | 13.00 | 121 | 49 | 00 / 00 | 16.8 | |
414 | Wild Bill (1995) | Jeff Bridges | 2.20 | 5.4 | 5.40 | 174 | 49 | 00 / 00 | 14.2 | |
415 | Billy Two Hats (1974) | Gregory Peck & Desi Arnaz Jr. |
1.20 | 6.9 | 6.90 | 129 | 49 | 00 / 00 | 14.0 | |
416 | Shalako (1968) | Sean Connery | 2.90 | 23.7 | 80.20 | 94 | 43 | 00 / 00 | 13.4 | |
417 | Sam Whiskey (1969) | Burt Reynolds & Angie Dickinson |
2.40 | 17.9 | 17.90 | 91 | 44 | 00 / 00 | 12.6 | |
418 | American Outlaws (2001) | Colin Farrell | 13.30 | 25.5 | 26.10 | 121 | 42 | 00 / 00 | 12.6 | |
419 | Journey to Shiloh (1968) | Harrison Ford & James Caan |
0.40 | 3.4 | 3.40 | 170 | 45 | 00 / 00 | 8.9 | |
421 | The Oregon Trail (1959) | Fred MacMurray | 1.10 | 19.8 | 19.80 | 141 | 39 | 00 / 00 | 8.1 | |
420 | Land Raiders (1970) | Telly Savalas & George Maharis |
1.00 | 6.8 | 6.80 | 147 | 43 | 00 / 00 | 8.0 | |
422 | Wagons East (1994) | John Candy | 4.40 | 11.7 | 11.70 | 143 | 37 | 00 / 00 | 4.2 | |
423 | Tonight For Sure (1962) | Karl Schanzer & Don Kenney |
0.00 | 0.2 | 0.20 | 146 | 37 | 00 / 00 | 2.8 | |
424 | Jonah Hex (2010) | Josh Brolin | 10.50 | 14.4 | 14.90 | 128 | 32 | 00 / 00 | 2.4 | |
425 | Blood Red (1989) | Eric Roberts & Giancarlo Giannini |
0.00 | 0.1 | 0.10 | 237 | 31 | 00 / 00 | 0.9 | |
426 | Gang of Roses (2003) | 0.00 | 0.1 | 0.10 | 362 | 23 | 00 / 00 | 0.2 |
Hi Bruce , i just wanted to know where you have found the international grosses for those movies :
How the west was won
The Alamo
The Magnificent Seven
I searched many many years for worldwide grosses about those movies …. and i never found anything…I was always thinking that they were not available … I’m astonished …
Where did those numbers came from please ?….
Thanks
Hey Max……sadly my database does not give the reference too often….WoC has been pushing for that to be included for many years……but I have generally resisted doing that…mainly due to (1) time issues…just not enough hours in the day and (2) I pretty much know where the number comes from 95% of the time.
So….on the John Wayne westerns….that actually came from a John Wayne superfan…..he shared about 30 international totals with me…..not 100% sure of his sources….but…we already had 66% of those 30…and his numbers watched my numbers….so I went ahead and included them in the database…..scratching the old memory bank…seems he had already writte a Wayne book or was finishing up writing a Wayne book.
As for The Magnificent Seven…..that came from numerous books….which ones I do not remember…but if I had to guess it was either a Bronson or more likely a McQueen book (only because there are so many McQueen books than Bronson books)….one of the readers and commenters here is actually writing a Bronson book right now…..looking forward to that one.
So….in wrapping up this comment….the numbers I used did not come from my usual sources….so I do not feel as confident as I normally feel….but they seem to make sense to me.
OK Bruce , so i have a scoop for you concerning the biggest western of all time according to box office gross 😉 :
How the west was won made 1 029 666 444 (in 2017 $) so if if divide it by 8.97 (average ticket price in 2017) it made 114 790 016 million admissions
The Magnificent Seven made 455 000 003 (in 2017$) so if i divide it by 8.97 it made 50 724 638 admissions
But !! The admissions in Russia aren’t included in the foreign gross of all those movies !! How the west was won have not admission figures available in Russia…
On the other hand , the Magnificent Seven is one of the biggest success ever in Soviet Union with 67 MILLION ADMISSION !!!!
So if i take 50 724 638 million admissions + 67 000 000 million admissions = 117 724 638 million admission for The Magnificent Seven
Those numbers made it the most successful western of all time !
Here’s the link … And i have a lot of other infos like that that will surprise you 😉
https://www.kinopoisk.ru/film/velikolepnaya-semerka-1960-8207/
Hey Max…..interesting information….seems like I need to look at Russian box office numbers more closely. Gotta admit, some of the numbers seem to be on the very high side. As for your logic….the math is correct. Now the questions are (1) What is the source of the information! (2) Is the source reliable? (3) Why did studios not include it in their figures? In the end…your numbers have me very intrigued. Thanks for the link and the followup comment.
HI Bruce, some infos about that :
1) The source of the information is the link i send you in the previous post ; if you enter the name of a movie ; even in english ; it will give you the number of admission it made in Russia (if it made some notable admission) and even in some other european countries (those other european admissions are in general included in the studios total figures).
2) The source is absolutely reliable and it’s the official website of russian box office ; in a way, it’s the Box Ofice Mojo of Russia if you want lol …
3) The Russian admissions aren’t included in their figures because a lot of old movies were released in Soviet Union with the control of the propaganda who select just some movies and mostly because they were released with a lag ; the magnificent seven was released in 1962 in Russia so it’s not the case for this movie but most came out with several years of gap and so the entries were not included because of that (Spartacus was released in 1968 in Soviet Union and made 63 million admission that aren’t included anywhere !! And there’s a lot of old movies in this case) ; on imdb; some films do not even have a release date known in Russia even though they have been broadcast ! Furthermore, I’m not going to teach you history, I think you know that better than me but I guess you know the relationship between Usa and Russia before the 90’s … I think they had something else to do than to send them the numbers of movie admissions….
So I can assure you that all these figures are official and to my knowledge none of the admission figures in Russia is included in the total figures of the studios ; you can do math if you want but in some cases the admissions in Russia are higher than the total worldwide of a whole film !!
exemple: Tarzan the Ape Man: 42.9 m admissions !! MacKennas Gold (1969) : 63 m admissions !!! …..And there’s many more !
Here’s a link i selected to you (on the bottom of this page) : it gives you a list of the UK/US movies that made the most admissions in Russia , you’ll be astonished because there’s a lot of unknown movies or B Movies that were selected and broadcast to the people under the control of Propaganda ; for example if a film was political or showcased American values; it was forbidden …
On the link i send you below , the number of admissions in Russia is the number in orange at the bottom right of the sheet of each film ; for example the Magnificent Seven made 67 million admissions …It’s the biggest American film in Soviet Union !! Want to see the others ?? Let’s go ! 😉
https://www.kinopoisk.ru/top/lists/184/filtr/all/sort/order/country%5B11%5D/11/country%5B1%5D/1/
Hello Bruce, i just have a simple question : according to your infos, what it the biggest western in term of box office success worldwide ? Is it “How The West Was Won” ? Or with overseas gross, some others western movies did better ?
Thanks !
Hey Max….I will check the database when I get home. I can at least give you the highest worldwide box office number in my database. Not sure I have a worldwide gross for Duel in the Sun….but I think it would give How The West Was Won a good run for the movie. I will make sure to check when I get home from work.
Hey Max…..did a database search….here are the Highest Grossing Westerns (Worldwide) in our database…please note not all movies have domestic and international box office. Dances With Wolves was much closer to How The West Was Won than I even remotely imagined!
The picture of the table is at the bottom of the page.
Hey John….great stats….the 1930-1959 is pretty eye opening….almost 25% of all movies made were westerns….compared today that is crazy…..I think 2016 had 3 or 4 westerns….and only Magnificent Seven did anything at the box office.
I agree cheap to make and the fact that kids loved them….my father-in-law who helped run a theater in the 1950s said…that westerns always drew the crowds in.
John Wayne almost made a 100 westerns in the 1930s. Great information in this comment….thanks for digging it out and for sharing it.
I found a list from the British Film Institute of the number of feature westerns produced during the 1930 to 1960 era. A feature film is defined by the BFI as a movie of 40 minutes or more. There are a lot of borderline westerns (Mountie films, for example) and I don’t know how the BFI defines westerns, but here are their totals decade by decade.
1930’s
Total films—–5029
westerns——-1073
percentage—-21.3%
1940’s
Total films—–4076
westerns——–1089
percentage—–26.7%
1950’s
Total films—–2922
westerns——–822
percentage—–28.1%
1930-1959
Total films—–12,041
westerns——–2984
percentage—–24.8%
so during the classic era, about a quarter of all films were westerns. I think by far the most popular genre, except perhaps comedy if comedy is broadly defined. Why so many? Well, they provided action and good guy-bad guy conflicts. But certainly a contributing factor was that most westerns were relatively cheap to produce. They were the bottom line profit makers which were the foundation for the occasional big budget prestige production.