Want to know the best Bette Davis movies? How about the worst Bette Davis movies? Curious about Bette Davis’s box office grosses or which Bette Davis movie picked up the most Oscar® nominations? Need to know which Bette Davis movie got the best reviews from critics and audiences and which one got the worst reviews? Well you have come to the right place…. because we have all of that information and much more.
Bette Davis (1908-1989), a two time Oscar® winning actress. She was voted as the second greatest actress of all-time according to the American Film Institute. Her movie career started in 1931 and ended only months before her death in 1989. According to IMDB, she had 122 television and movie credits over her career.
Her IMDb page shows 123 acting credits from 1931-1989. This page ranks Bette Davis movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos, some early 1930 Davis movies and movies that were not released in North American theaters were not included in the rankings.
Bette Davis Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
79 Bette Davis Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Blue Movie Title is a link that will take to that movie’s trailer
- Sort Bette Davis movies by co-stars of her movies
- Sort Bette Davis movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Bette Davis movies by adjusted worldwide box office grosses using current movie ticket cost (in millions) *** if domestic and worldwide box office are the same…then worldwide is unknown
- Sort Bette Davis movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Bette Davis movie received.
- Sort Bette Davis movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the search and sort buttons to make this page very interactive….for example type Bogart in the search box and all 6 Bogart/Davis movies will pop up or type in *** in the search box and all of Davis Oscar® nominated performances will pop up.
| CreditRank | Movie (Year) | UMR Co-Star Links | Review % | Oscar Nom / Win | S | UMR Score | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| CreditRank | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review % | Oscar Nom / Win | S | UMR Score |
| 1 | All About Eve (1950) AA Best Picture Win AA Best Actress Nom |
George Sanders & Marilyn Monroe |
8.90 | 198.9 | 282.3 | 9 | 92 | 14 / 06 | 100.0 | |
| 2 | The Little Foxes (1941) AA Best Picture Nom AA Best Actress Nom |
Teresa Wright & Directed by William Wyler |
4.40 | 168.5 | 274.0 | 39 | 87 | 09 / 00 | 98.9 | |
| 3 | Now, Voyager (1942) AA Best Actress Nom |
Claude Rains & Paul Henreid |
6.10 | 226.2 | 443.6 | 25 | 84 | 03 / 01 | 98.7 | |
| 4 | Jezebel (1938) AA Best Picture Nom AA Best Actress Win |
Henry Fonda & Donald Crisp |
4.30 | 170.2 | 233.2 | 36 | 84 | 05 / 02 | 98.6 | |
| 5 | Dark Victory (1939) AA Best Picture Nom AA Best Actress Nom |
Humphrey Bogart | 4.70 | 179.4 | 262.3 | 41 | 80 | 03 / 00 | 97.8 | |
| 6 | Watch on the Rhine (1943) AA Best Picture Nom |
Paul Lukas | 6.10 | 220.6 | 348.2 | 41 | 69 | 04 / 01 | 97.3 | |
| 7 | The Old Maid (1939) | Miriam Hopkins | 5.70 | 220.5 | 310.3 | 24 | 76 | 00 / 00 | 96.6 | |
| 8 | Old Acquaintance (1943) | Miriam Hopkins | 6.50 | 234.0 | 373.6 | 35 | 75 | 00 / 00 | 96.4 | |
| 10 | All This, and Heaven Too (1940) AA Best Picture Nom |
Barbara O'Neil | 4.20 | 161.3 | 271.4 | 29 | 78 | 03 / 00 | 96.3 | |
| 9 | The Letter (1940) AA Best Picture Nom AA Best Actress Nom |
Directed by William Wyler | 3.50 | 133.1 | 211.6 | 42 | 84 | 07 / 00 | 96.2 | |
| 12 | What Ever Happened to Baby Jane? (1962) AA Best Actress Nom |
Joan Crawford | 10.20 | 147.3 | 212.2 | 20 | 84 | 05 / 01 | 95.9 | |
| 11 | A Stolen Life (1946) | Glenn Ford | 8.70 | 268.2 | 398.3 | 29 | 72 | 01 / 00 | 95.8 | |
| 13 | The Man Who Came To Dinner (1942) | Monty Woolley | 4.80 | 176.9 | 272.4 | 52 | 78 | 00 / 00 | 95.3 | |
| 14 | The Corn Is Green (1945) | John Dall & Joan Lorring |
6.10 | 193.9 | 321.4 | 53 | 70 | 02 / 00 | 95.1 | |
| 15 | Mr. Skeffington (1944) AA Best Actress Nom |
Claude Rains | 7.90 | 266.9 | 415.2 | 24 | 66 | 02 / 00 | 94.6 | |
| 16 | In This Our Life (1942) | Olivia de Havilland & Directed by John Huston |
4.70 | 175.3 | 296.7 | 54 | 72 | 00 / 00 | 93.7 | |
| 17 | Deception (1946) | Claude Rains & Paul Henreid |
5.80 | 177.5 | 271.5 | 60 | 69 | 00 / 00 | 92.9 | |
| 18 | Hush... Hush, Sweet Charlotte (1964) | Olivia de Havilland & Agnes Moorehead |
10.70 | 122.9 | 122.9 | 24 | 80 | 07 / 00 | 92.7 | |
| 19 | The Bride Came C.O.D. (1941) | James Cagney | 4.70 | 180.8 | 265.4 | 33 | 66 | 00 / 00 | 92.4 | |
| 20 | The Private Lives of Elizabeth and Essex (1939) | Errol Flynn & Olivia de Havilland |
3.80 | 147.1 | 248.4 | 50 | 71 | 05 / 00 | 91.8 | |
| 21 | Juarez (1939) | John Garfield | 4.70 | 180.0 | 251.3 | 39 | 61 | 02 / 00 | 91.1 | |
| 22 | The Great Lie (1941) | Mary Astor | 3.90 | 150.4 | 248.6 | 54 | 69 | 01 / 01 | 90.7 | |
| 23 | Kid Galahad (1937) | Humphrey Bogart & Edward G. Robinson |
4.10 | 172.0 | 251.6 | 38 | 64 | 00 / 00 | 90.7 | |
| 24 | Marked Woman (1937) | Humphrey Bogart | 3.10 | 128.4 | 190.9 | 70 | 70 | 00 / 00 | 87.9 | |
| 25 | The Petrified Forest (1936) | Humphrey Bogart & Leslie Howard |
1.90 | 83.8 | 119.3 | 102 | 82 | 00 / 00 | 87.3 | |
| 26 | It's Love I'm After (1937) | Olivia de Havilland | 2.30 | 95.9 | 156.9 | 101 | 76 | 00 / 00 | 86.4 | |
| 27 | The Sisters (1938) | Errol Flynn | 3.70 | 147.1 | 214.8 | 46 | 58 | 00 / 00 | 85.6 | |
| 28 | Pocketful of Miracles (1961) | Glenn Ford & Directed by Frank Capra |
7.00 | 101.9 | 101.9 | 33 | 67 | 03 / 00 | 84.6 | |
| 30 | June Bride (1948) | Robert Montgomery | 5.00 | 133.5 | 172.6 | 71 | 58 | 00 / 00 | 84.0 | |
| 29 | Dead Ringer (1964) | Karl Malden & Peter Lawford |
5.70 | 65.5 | 95.0 | 52 | 79 | 00 / 00 | 83.7 | |
| 31 | Of Human Bondage (1934) AA Best Actress Nom |
Leslie Howard | 1.50 | 72.3 | 90.7 | 73 | 75 | 01 / 00 | 82.9 | |
| 32 | Beyond the Forest (1949) | Joseph Cotten | 3.70 | 92.7 | 121.0 | 95 | 68 | 01 / 00 | 82.9 | |
| 33 | Seed (1931) | Zasu Pitts | 1.70 | 89.3 | 89.3 | 69 | 69 | 00 / 00 | 82.1 | |
| 34 | Death on the Nile (1978) | Peter Ustinov & Mia Farrow |
14.60 | 67.1 | 67.1 | 49 | 72 | 01 / 01 | 81.0 | |
| 35 | Phone Call From a Stranger (1952) | Shelley Winters | 3.80 | 73.5 | 73.5 | 92 | 69 | 00 / 00 | 79.0 | |
| 36 | Fashions of 1934 (1934) | William Powell | 1.60 | 76.3 | 129.2 | 70 | 67 | 00 / 00 | 78.3 | |
| 37 | The Nanny (1965) | Wendy Craig | 3.50 | 37.1 | 37.1 | 72 | 77 | 00 / 00 | 76.9 | |
| 38 | Dangerous (1935) AA Best Actress Win |
Franchot Tone | 1.30 | 59.8 | 92.9 | 101 | 68 | 01 / 01 | 76.6 | |
| 39 | That Certain Woman (1937) | Henry Fonda | 3.00 | 124.2 | 165.2 | 73 | 49 | 00 / 00 | 76.6 | |
| 40 | Front Page Woman (1935) | George Brent | 1.00 | 46.1 | 65.2 | 126 | 73 | 00 / 00 | 75.8 | |
| 41 | Jimmy The Gent (1934) | James Cagney | 0.90 | 44.5 | 62.5 | 116 | 72 | 00 / 00 | 74.3 | |
| 42 | Three on a Match (1932) | Humphrey Bogart | 1.00 | 47.3 | 62.2 | 119 | 71 | 00 / 00 | 74.2 | |
| 43 | 20,000 Years in Sing Sing (1932) | Spencer Tracy | 1.40 | 70.6 | 130.9 | 68 | 63 | 00 / 00 | 73.2 | |
| 44 | The Rich Are Always with Us (1932) | George Brent | 1.10 | 54.9 | 54.9 | 107 | 66 | 00 / 00 | 71.6 | |
| 45 | Another Man's Poison (1951) | Gary Merrill | 2.40 | 52.1 | 52.1 | 140 | 67 | 00 / 00 | 71.1 | |
| 46 | Special Agent (1935) | George Brent | 1.40 | 62.9 | 62.9 | 95 | 63 | 00 / 00 | 71.0 | |
| 47 | Winter Meeting (1948) | Janis Paige | 2.30 | 62.4 | 76.8 | 130 | 63 | 00 / 00 | 70.4 | |
| 50 | Payment on Demand (1951) | Barry Sullivan | 4.40 | 93.9 | 143.2 | 79 | 52 | 00 / 00 | 69.1 | |
| 48 | The Virgin Queen (1955) | Richard Todd & Joan Collins |
2.70 | 56.3 | 56.3 | 119 | 63 | 01 / 00 | 69.1 | |
| 49 | The Man Who Played God (1932) | George Arliss | 1.50 | 75.0 | 116.9 | 56 | 58 | 00 / 00 | 69.0 | |
| 51 | The Anniversary (1968) | Sheila Hancock | 3.90 | 31.8 | 31.8 | 78 | 70 | 00 / 00 | 66.8 | |
| 52 | The Catered Affair (1956) | Ernest Borgnine & Debbie Reynolds |
2.70 | 53.0 | 82.2 | 120 | 63 | 00 / 00 | 66.5 | |
| 53 | Bordertown (1935) | Paul Muni | 2.50 | 114.3 | 158.7 | 49 | 43 | 00 / 00 | 66.2 | |
| 54 | The Bad Sister (1931) | Humphrey Bogart | 0.80 | 42.9 | 42.9 | 161 | 65 | 00 / 00 | 65.5 | |
| 55 | The Golden Arrow (1936) | George Brent | 1.30 | 56.2 | 79.6 | 128 | 60 | 00 / 00 | 63.8 | |
| 56 | Where Love Has Gone (1964) | Susan Hayward | 8.30 | 95.0 | 95.0 | 31 | 45 | 01 / 00 | 61.6 | |
| 57 | Right of Way (1983) HBO Movie |
James Stewart | 0.10 | 0.2 | 0.2 | 175 | 75 | 00 / 00 | 60.4 | |
| 58 | Parachute Jumper (1933) | Douglas Fairbanks Jr. | 0.70 | 31.9 | 52.8 | 147 | 65 | 00 / 00 | 59.4 | |
| 60 | The Cabin in the Cotton (1932) | Richard Barthelmess | 1.20 | 60.1 | 60.1 | 94 | 56 | 00 / 00 | 59.4 | |
| 59 | The Dark Horse (1932) | Warren William | 0.90 | 42.3 | 51.2 | 126 | 61 | 00 / 00 | 59.2 | |
| 61 | Return from Witch Mountain (1978) | Christopher Lee | 16.40 | 75.7 | 75.7 | 42 | 50 | 00 / 00 | 57.7 | |
| 62 | The Working Man (1933) | George Arliss | 1.10 | 53.7 | 110.1 | 80 | 56 | 00 / 00 | 56.9 | |
| 64 | So Big! (1932) | Barbara Stanwyck | 1.10 | 55.2 | 66.2 | 105 | 56 | 00 / 00 | 56.7 | |
| 63 | Housewife (1934) | George Brent | 0.70 | 34.0 | 43.5 | 146 | 62 | 00 / 00 | 56.4 | |
| 65 | Connecting Rooms (1970) | Michael Redgrave | 2.40 | 16.9 | 16.9 | 96 | 67 | 00 / 00 | 55.9 | |
| 66 | The Star (1952) AA Best Actress Nom |
Sterling Hayden | 2.80 | 54.4 | 54.4 | 121 | 52 | 01 / 00 | 51.5 | |
| 67 | The Whales of August (1987) | Lillian Gish & Vincent Price |
1.30 | 3.7 | 3.7 | 158 | 68 | 01 / 00 | 50.1 | |
| 68 | The Girl From 10th Avenue (1935) | Ian Hunter | 0.90 | 41.3 | 54.9 | 141 | 56 | 00 / 00 | 48.2 | |
| 69 | The Empty Canvas (1963) | Horst Buchholz | 1.40 | 17.9 | 17.9 | 112 | 63 | 00 / 00 | 47.7 | |
| 70 | Ex-Lady (1933) | Gene Raymond | 0.70 | 30.5 | 37.9 | 152 | 58 | 00 / 00 | 46.8 | |
| 71 | Fog Over Frisco (1934) | Margaret Lindsay | 0.70 | 34.8 | 52.1 | 142 | 55 | 00 / 00 | 42.6 | |
| 72 | John Paul Jones (1959) | Robert Stack | 2.40 | 43.5 | 91.9 | 95 | 52 | 00 / 00 | 41.8 | |
| 73 | Bureau of Missing Persons (1933) | Lewis Stone | 1.00 | 45.3 | 45.3 | 108 | 50 | 00 / 00 | 39.3 | |
| 74 | Bunny O'Hare (1971) | Ernest Borgnine | 2.60 | 16.7 | 16.7 | 102 | 57 | 00 / 00 | 33.5 | |
| 75 | The Watcher in the Woods (1980) | Lynn-Holly Johnson | 5.00 | 20.7 | 20.7 | 102 | 53 | 00 / 00 | 28.8 | |
| 76 | The Scapegoat (1959) | Alec Guinness | 1.60 | 29.3 | 61.3 | 125 | 50 | 00 / 00 | 28.4 | |
| 77 | The Big Shakedown (1934) | Charles Farrell | 0.60 | 26.0 | 26.0 | 171 | 50 | 00 / 00 | 25.9 | |
| 78 | Satan Met a Lady (1936) | Warren William | 0.90 | 38.2 | 45.1 | 155 | 45 | 00 / 00 | 23.2 | |
| 79 | Burnt Offerings (1976) | Karen Black & Oliver Reed |
4.70 | 23.9 | 23.9 | 85 | 49 | 00 / 00 | 22.3 | |
| 80 | Storm Center (1956) | Brian Keith | 1.50 | 28.8 | 28.8 | 156 | 44 | 00 / 00 | 17.6 | |
| 81 | Wicked Stepmother (1989) | Barbara Carrera | 0.00 | 0.1 | 0.1 | 231 | 27 | 00 / 00 | 0.4 |
Possibly Interesting Facts About Bette Davis
1. Bette Davis made her movie debut in 1931’s The Bad Sister. The movie also starred another newcomer, Humphrey Bogart. Davis and Bogart would appear in 6 movies together from 1931 to 1939.
2. Bette Davis was nominated 11 times for a Best Actress Oscar®. She won twice…..1935’s Dangerous and 1938’s Jezebel. Only one of her films won the Best Picture Oscar®….1950’s All About Eve.
3. Bette Davis holds the record with Greer Garson for most years in a row to receive an Oscar® nomination…..5 years in a row. Davis was nominated every year from 1938-1942. Garson did the same accomplishment 1941-1945.
4. Bette Davis was married four times in her life. Her marriages to Harmon Nelson (1932-1939) and Arthur Farnsworth (1940-till his death in 1943) produced no children. She had one daughter with her third husband William Sherry(1945-1950) and two adopted children(boy and a girl) with fourth husband Gary Merrill(1950-1960).
5. Roles Bette Davis turned down or was seriously considered for during her career: Cool Hand Luke, The African Queen, Come Back Little Sheba, 1931’s Frankenstein, Mary Poppins and Gone With The Wind. Davis really wanted the Scarlett O’Hara role but her studio would not allow her to work for another studio.
6. Bette Davis and Lucille Ball both attended the John Murray Anderson Dramatic School. Davis was the star of the school, while Ball was sent home because she was too shy to become an actress.
7. Bette Davis was one of the founders of the Hollywood Canteen in 1942. The Hollywood Canteen was a nightclub where soldiers passing through Los Angeles during World War II got to see Hollywood stars perform live on stage. Often Davis would spend all day making a movie and all night performing for soldiers at the Hollywood Canteen. She felt that the Hollywood Canteen was one of her greatest accomplishments.
8. Bette Davis once sold over two million dollars worth of war bonds for the troops during World War II in only two days.
9. In 1981 Kim Carnes released the song “Bette Davis Eyes”. The song would reach number one and earn gold and platinum record status. Bette Davis Eyes helped Davis be discovered by a new generation.
10. One of the best collection of Bette Davis fans can be found on Facebook at Bette Davis Babylon. If you are a Bette Davis you have to join this group….it is easily the best movie group on Facebook that I have come across….and I am in many Facebook movie groups.
Check out Bette Davis‘s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Steve Lensman’s Bette Davis You Tube Video
For comments….all you need is a name and a comment….please ignore the rest.
A Catered Affair will always be such a underrated movie because they gave all the billing to the male actors. If anyone has watched it. Bette Davis and Debbie Reynolds should both have walked away with an award for their performances. Least a nomiation.
I completely agree. Considering all the criticism Bette had taken down thru the years for her legendary “mannerisms”, i can vouch for the fact that she truly nailed the character of a middle aged, lower middle income Bronx housewife. Having grown up in NYC at that time, with plenty of “aunts” from the Bronx, Bette’s depiction was dead on. Her talent was the drive behind that characterization which made that performance so believable. As for Debbie, that was her truly first serious acting role, and she did beautifully. AND, on top of that, Bette took her under her wing giving her encouragement during the shoot.
Hey Dwayne and Peter…. I have not seen The Catered Affair…but you’re comments make me want to check it out. Love how in the trailer we attached how Borgnine keeps referencing Marty.
It has more of the feel of a television drama of the period rather than a film, but that’s part of its appeal. The story wasn’t spectacular, but rather a simple story of simple people. By today’s standards, the Hurley family was lower middle class. What was able to be conveyed by the superior cast was the struggle of people trying to make the best of their situation for their kids, while dealing with their own unfulfilled dreams. While it’s seldom referenced when remarking about Bette’s legendary films, it definitely shows just how much soul and feeling she was capable of.. She and Borgnine worked well together and were extremely adept at portraying a couple who were far from romantic lovers, but rather just two people brought together by life’s circumstances. I think yoiu will enjoy it.
Bette Davis, having drawn on several forms of acting training myself, is fascinating because she was completely unpredictable. At any moment she might be absolutely brilliant or shockingly amateur to the point of being silly. And even she didn’t know what was going to happen. “Baby Jane” is one of her few performances were she’s on top of it every moment; “The Letter” another, though I think she was too controlled in that. One of the appeals of a great actor is being dangerous, and that was part of her danger. Olivier on film was like that too, watch his “Hamlet”.
Great breakdown John. I know this sounds crazy now….but I think a young Nicolas Cage had that danger element too.
Her 2nd place ranking in AFI is still contested by fans.
Hey Ernie. I think the AFI got it right….my website has statistics on 1000s of classic movies….anyway….I did a NCAA type tournament using those stats…and Bette Davis won the tournament over AFI’s #1 KatharineHepburn. https://www.ultimatemovierankings.com/2017-umr-actress…/
so how did AFI get it right?
I was showing the statistics back up Davis.
Wow, this surprised myself- of the above listed films, I have seen 65! plus numerous Made for TV movies. Along with Marilyn and Audrey, Miss Davis was the star that introduced me to the classics due to a string of her movies that were shown on german TV in my youth. I have seen all of her classics plus some of the more obscure precodes and late career rarities. My favorites? Her Regina Giddens in The little Foxes gives me the creeps, her Jane Hudson in Whatever happened to Baby Jane entertains me immensly even after repeated viewing, her Libby Strong in Whales of August touches me with her frail crankyness. Her larger than Life portrayals in Of Human Bondage and Mr. Skeffington leave me in awe. Other favs are The old Maid and another soaper, Now, Voyager. Of her early films apart from Bondage, I think I enjoyed her bad girl in Cabin in the Cotton the most. Needless to say, I love her Margo Channing of All about Eve, too- but then that movie has such a fantastic cast aside from Bette! Her mad scene as Carlotta in Juarez stayed in my mind, too. Of her more obscure films, I’d like to single out The Nanny and Connecting Rooms, in both she gives multilayered, touching performances.
So, here she is, the undisputed Queen of Warner Brothers…and perhaps of the mid 30’s right into the the late 40’s.
Hey Lupino…..wow….65 is pretty impressive….had to did deep to find other tally numbers….but back in the Hub Pages days….Flora was at 19 and Steve was at 17…..my current tally is 25….not sure what it was back then….seems I have been watching more of her movies since writing the page….still…your 65 tops our combined total of 61. Kudos to you…I guess you are not having an issue finding her movies in Germany.
Thanks for all of the mini-reviews on her movies. I have never seen Whales of August…I think I might be able to appreciate that movie more….now that I am older and wiser…lol. Mr. Skeffington is one of her best roles….I like that performance much more than her two Oscar winning ones. Never been a huge fan of Now, Voyager….it is a good movie….but not one I will be hurrying to watch again.
She was easily the Queen of Warner Brothers….one of the greatest careers ever. Thanks for sharing your thoughts on Ms. Bette Davis.
It was not easy at all to find Bette Davis movies in Germany- but since the early 80’s it was quite easy for me due to videotape. Spent 6 weeks in England as part of my job training, and my kind landlady, who is well in her 80’s now, never tired of taping Bette movies and (I am sorry to admit this, but think “Guily Pleasures”) complete seasons of Falcon Crest for her once favorite lodger 🙂 When I visited the US for the first time, there was still that huge Virgin store in Manhattan…and I spent all my money there- not just on Bette, but on classic movies in general. Weeks after I returned home a friend of mine asked me how much I had spent…when I told him, he replied that I was lucky to get that amount through customs without problems. Believe me, I really felt like I had discovered a secret door to paradise entering the huge Virgin basement DVD sales, never gave customs a thought because I was so overwhelmed! About Whales of August: in fact this really is one of my all time favorites, but it is, of course, a quiet, small film, with 4 beautiful performances delivered by 4 masters of their craft at the end of their careers- and sadly lifes.
Forgot the finishing touch to my story- when I returned years later to NY to celebrate my 50th. on Top of the World (read Empire State Building), illegal downloads and filesharing had already taken its toll on my former paradise…and it had turned into a huge Toys R Us! Imagine my disappointment!
Hey Lupino…..what a shame that the huge Virgin store did not make it. I can imagine your disappointment……well your story has me motivated to discover my own New York treasure when I go later this year. I have been there a few times….but rarely as an adult…where I get to pick what we do…..heck I have never even seen Central Park. This is a shame…..because I am only hours (by car) away. Good stuff 🙂
Hey Lupino…..great story on your Bette Davis treasure hunt. I am envious of you….because that Virgin basement sounds like a great place to visit. We are headed to next New York City ourselves in a few weeks…..your comment makes me realize that I should do some prior research and see what “huge Virgin stores” are still out there.
Glad you were able to get through customs….and glad the “zone” issue did not get you either. One of my little “movie exercises” is to watch every major Oscar winning movie (Picture, Actor, Actress, Supp Actor & Actress and Director)….there are currently 516 movies that meet that requirement….I have seen 501 of those movies….anyway…one of the missing 15 is the Marlon Brando film Viva Zapata. I finally got my hands on a copy of the DVD…..but when I put it in……the DVD was from a “zone” that does not work in my area….so disappointing….so the search for Viva Zapata continues.
Great story….thanks for sharing it.
I envy you for your forthcoming trip to NY! Been there twice and really loved both times- although I wouldn’t wanna live there. Too many people and too much of everything for everyday life 🙂
About “zones”: I bought a multizone DVDplayer before I left for NY, so that hasn’t been an issue. Nowadays it is much easier- download the VLC mediaplayer to your PC (free and legal), install it and then open the DVD not with your zone restricted DVDprogramm but with VLC- voila! This works for me in germany, can’t imagine why it shouldn’t work for people living in the US.
My best friend is like you- he watches every movie that has won at least one Academy Award in one major categorie. I am different- I find something interesting in almost every classic movie, be it american, english, french or italian. Only old german movies hardly interest me, and if they do, then more for historical reasons than for their cinematic values.
Hey Lupino….a multizone DVD player seems like the way to go. Sadly I let Viva Zapata loose again….so even if I had a multizone player Viva is back out in the water. On of the other ones I am missing is Olivia de Havilland’s To Each Their Own….which my mom recorded for me on VHS…..but I no longer have a VHS player. I actually have two VHS tapes I want to watch…To Each Their Own and Michael Caine’s A Shock To The System…..which I have not seen in years.
The beauty of movies is that offers up everybody something different. I am right there with you about Old German Movies…some I have enjoyed but many others…I was glad when the movie went off. 🙂
Betty Davis is the greatest screen actress of all time. There will never be another as great as she.Thus, my opinion can never change.
Hey Susanna….glad a Bette Davis fan found this page….I think…though I am biased…..this is the most comprehensive statistical look at her career with many ways to rank her movies. I respect your opinion of her greatness……and many many people agree….thanks for stopping by….and double thanks for taking the time to leave a comment.