*Bruce Willis is taking a break from acting as he battles aphasia, a neurological condition that affects the ability to communicate. 3/30/2022
Want to know the best Bruce Willis movies? How about the worst Bruce Willis movies? Curious about Bruce Willis’s box office grosses or which Bruce Willis movie picked up the most Oscar® nominations? Need to know which Bruce Willis movie got the best reviews from critics and audiences? Well you have come to the right place.
I have followed Bruce Willis’ career since he hit the big time with his star making role as David Addison on Moonlighting. I still think the Moonlighting 3 episode story arc with Mark Harmon,was some the best television I have ever seen and the pinnacle of that series. Since Moonlighting, Bruce Willis has had a very busy career, making over 60 movies over the last 27 years. It has been a roller coaster ride…the highs….. movies like Pulp Fiction, most of the Die Hards, and The Sixth Sense…..the lows….movies like The Whole Ten Yards, Hudson Hawk, Bonfire of the Vanities and North. His IMDb page shows 145 acting credits since 1980. In the table below, Ultimate Movie Rankings ranks movies in 6 different sortable columns.
Bruce Willis Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews, and awards.
Bruce Willis Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Bruce Willis movies by movie title and movie trailers.
- Sort Bruce Willis movies by co-stars of his movies.
- Sort Bruce Willis movies by adjusted domestic box office grosses using current movie ticket cost
- Sort Bruce Willis movies by adjusted worldwide box office grosses using current movie ticket cost
- Sort Bruce Willis movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each Bruce Willis movie received and how many Oscar® wins each Bruce Willis movie won.
- Sort Bruce Willis movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
CreditRank | Movie (Year) | UMR Co-Star Links | Review % | Oscar Nom / Win | S | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
CreditRank | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review % | Oscar Nom / Win | S | UMR Score |
1 | Pulp Fiction (1994) AA Best Picture Nom |
John Travolta & Samuel L. Jackson |
107.90 | 285.2 | 565.2 | 10 | 94 | 07 / 01 | 99.7 | |
2 | The Sixth Sense (1999) AA Best Picture Nom |
Haley Joel Osment | 291.50 | 621.0 | 1,429.1 | 2 | 86 | 06 / 00 | 99.3 | |
3 | Die Hard (1988) | Alan Rickman | 83.00 | 237.3 | 402.4 | 7 | 89 | 04 / 00 | 98.9 | |
4 | Live Free or Die Hard (2007) | Justin Long | 134.50 | 210.8 | 600.9 | 16 | 78 | 00 / 00 | 96.8 | |
5 | Over the Hedge (2006) Voice Only |
Steve Carell & William Shatner |
155.00 | 254.0 | 550.5 | 12 | 73 | 00 / 00 | 95.7 | |
6 | Die Hard 2 (1990) | William Sadler | 117.50 | 299.5 | 611.7 | 8 | 70 | 00 / 00 | 95.1 | |
7 | Unbreakable (2000) | Samuel L. Jackson | 95.00 | 190.0 | 496.2 | 23 | 72 | 00 / 00 | 94.6 | |
8 | Twelve Monkeys (1995) | Brad Pitt & Directed by Terry Gilliam |
57.10 | 141.6 | 418.4 | 31 | 83 | 02 / 00 | 94.4 | |
9 | Split (2016) Cameo |
James McAvoy & Directed by M. Night Shyamalan |
138.10 | 172.2 | 346.8 | 21 | 75 | 00 / 00 | 94.3 | |
10 | Die Hard with a Vengeance (1995) | Samuel L. Jackson | 100.00 | 247.8 | 907.3 | 10 | 63 | 00 / 00 | 93.3 | |
12 | Sin City (2005) | Clive Owen & Mickey Rourke |
74.10 | 124.8 | 267.4 | 32 | 84 | 00 / 00 | 92.6 | |
11 | Ocean's Twelve (2004) | George Clooney & Julia Roberts |
125.50 | 217.9 | 629.7 | 14 | 60 | 00 / 00 | 92.5 | |
13 | Look Who's Talking (1989) Voice Only |
John Travolta | 140.10 | 380.4 | 806.5 | 5 | 56 | 00 / 00 | 91.2 | |
14 | Beavis and Butt-Head Do America (1996) Voice Only |
Demi Moore & Cloris Leachman |
63.10 | 153.9 | 153.9 | 21 | 70 | 00 / 00 | 90.9 | |
15 | Looper (2012) | Joseph Gordon-Levitt | 66.50 | 90.0 | 239.0 | 45 | 89 | 00 / 00 | 90.6 | |
16 | Nobody's Fool (1994) | Paul Newman & Jessica Tandy |
39.50 | 104.3 | 174.3 | 35 | 84 | 02 / 00 | 90.6 | |
17 | The Fifth Element (1997) | Milla Jovovich | 63.80 | 149.9 | 619.8 | 24 | 68 | 01 / 00 | 90.4 | |
18 | Armageddon (1998) | Ben Affleck & Owen Wilson |
201.60 | 463.3 | 1,272.7 | 2 | 48 | 04 / 00 | 89.3 | |
19 | The Lego Movie 2: The Second Part (2019) Voice Only |
Chris Pratt & Elizabeth Banks |
105.80 | 124.5 | 224.7 | 28 | 72 | 00 / 00 | 88.4 | |
20 | The Last Boy Scout (1991) | Damon Wayans | 59.50 | 152.4 | 334.8 | 20 | 63 | 00 / 00 | 88.1 | |
21 | Moonrise Kingdom (2012) | Bill Murray & Edward Norton |
45.50 | 61.6 | 92.4 | 71 | 90 | 01 / 00 | 87.7 | |
22 | Glass (2019) | Samuel L. Jackson & James McAvoy |
110.80 | 130.4 | 289.9 | 25 | 68 | 00 / 00 | 87.5 | |
23 | Red (2010) | Morgan Freeman & John Malkovich |
90.40 | 123.5 | 271.9 | 38 | 70 | 00 / 00 | 87.4 | |
24 | The Player (1992) Cameo |
Tim Robbins & Directed by Robert Altman |
21.70 | 56.4 | 75.1 | 57 | 86 | 03 / 00 | 86.5 | |
25 | Death Becomes Her (1992) | Meryl Streep & Goldie Hawn |
58.40 | 151.8 | 387.1 | 24 | 55 | 01 / 01 | 86.2 | |
27 | Charlie's Angels: Full Throttle (2003) Cameo |
Drew Barrymore & Cameron Diaz |
100.80 | 180.3 | 463.3 | 29 | 48 | 00 / 00 | 86.1 | |
26 | The Expendables 2 (2012) | Sylvester Stallone & Arnold Schwarzenegger |
85.00 | 115.2 | 406.9 | 36 | 68 | 00 / 00 | 85.9 | |
28 | G.I. Joe: Retaliation (2013) | Dwayne Johnson | 122.50 | 162.5 | 498.2 | 25 | 47 | 00 / 00 | 83.3 | |
29 | The Expendables (2010) | Sylvester Stallone & Arnold Schwarzenegger |
103.10 | 140.8 | 375.0 | 28 | 50 | 00 / 00 | 81.0 | |
30 | The Kid (2000) | Spencer Breslin | 69.70 | 139.4 | 220.6 | 34 | 51 | 00 / 00 | 80.8 | |
31 | Grindhouse (2007) | Kurt Russell & Michael Biehn |
25.00 | 39.2 | 78.6 | 95 | 80 | 00 / 00 | 79.5 | |
32 | The Whole Nine Yards (2000) | Matthew Perry & Amanda Peet |
57.30 | 114.5 | 212.7 | 45 | 55 | 00 / 00 | 79.0 | |
33 | Bandits (2001) | Billy Bob Thornton & Cate Blanchett |
41.60 | 79.3 | 129.0 | 58 | 66 | 00 / 00 | 78.4 | |
34 | Blind Date (1987) | Kim Basinger | 39.30 | 108.4 | 178.6 | 29 | 50 | 00 / 00 | 73.5 | |
35 | The Siege (1998) | Denzel Washington | 41.00 | 94.2 | 268.2 | 48 | 55 | 00 / 00 | 73.0 | |
36 | Tears of the Sun (2003) | Monica Bellucci | 43.70 | 78.2 | 154.6 | 66 | 59 | 00 / 00 | 72.3 | |
36 | 16 Blocks (2006) | Mos Def | 36.90 | 60.4 | 107.6 | 83 | 64 | 00 / 00 | 72.0 | |
37 | Red 2 (2013) | John Malkovich | 53.30 | 70.6 | 196.3 | 66 | 61 | 00 / 00 | 70.7 | |
38 | The Jackal (1997) | Richard Gere | 54.90 | 129.0 | 374.2 | 32 | 37 | 00 / 00 | 65.8 | |
39 | Death Wish (2018) | Vincent D'Onferino | 34.00 | 40.3 | 57.6 | 80 | 66 | 00 / 00 | 65.0 | |
41 | Motherless Brooklyn (2019) | Edward Norton & Alec Baldwin |
9.30 | 10.9 | 20.7 | 121 | 71 | 00 / 00 | 59.3 | |
42 | Lucky Number Slevin (2006) | Morgan Freeman & Josh Hartnett |
22.50 | 36.9 | 92.3 | 109 | 63 | 00 / 00 | 59.1 | |
43 | Mortal Thoughts (1991) | Demi Moore | 18.80 | 48.1 | 79.7 | 65 | 59 | 00 / 00 | 59.1 | |
44 | Rugrats Go Wild (2003) Voice Only |
Joel Hirschhorn | 39.40 | 70.4 | 99.1 | 71 | 50 | 00 / 00 | 55.9 | |
45 | Nancy Drew (2007) Cameo |
Emma Roberts & Tate Donovan |
25.60 | 40.1 | 48.2 | 92 | 59 | 00 / 00 | 54.9 | |
46 | Hart's War (2002) | Colin Farrell & Terrence Howard |
19.10 | 35.5 | 60.0 | 111 | 59 | 00 / 00 | 52.1 | |
47 | In Country (1989) | Emily Lloyd | 3.50 | 9.6 | 13.8 | 125 | 67 | 00 / 00 | 50.7 | |
48 | Alpha Dog (2006) | Justin Timberlake | 15.30 | 25.1 | 52.7 | 132 | 61 | 00 / 00 | 49.0 | |
49 | Last Man Standing (1996) | Christopher Walken & Bruce Dern |
18.10 | 44.2 | 115.3 | 88 | 54 | 00 / 00 | 48.6 | |
50 | Surrogates (2009) | Ving Rhames | 38.60 | 55.4 | 176.0 | 74 | 51 | 00 / 00 | 48.3 | |
52 | Hostage (2005) | Ben Foster | 34.60 | 58.3 | 131.3 | 80 | 50 | 00 / 00 | 47.3 | |
51 | Fast Food Nation (2006) | Greg Kinnear | 1.00 | 1.6 | 1.6 | 232 | 68 | 00 / 00 | 47.2 | |
53 | A Good Day To Die Hard (2013) | Jai Courtney | 67.30 | 89.3 | 404.0 | 52 | 39 | 00 / 00 | 47.0 | |
54 | Assassination of a High School President (2008) Limited Release |
Mischa Barton | 0.10 | 0.1 | 0.2 | 317 | 67 | 00 / 00 | 45.4 | |
55 | Billy Bathgate (1991) | Dustin Hoffman & Nicole Kidman |
15.60 | 39.9 | 71.5 | 70 | 54 | 00 / 00 | 43.8 | |
57 | Look Who's Talking Too (1990) Voice Only |
John Travolta | 47.80 | 121.8 | 212.2 | 24 | 28 | 00 / 00 | 42.8 | |
56 | The Astronaut Farmer (2006) | Bruce Dern & Billy Bob Thornton |
11.00 | 18.0 | 18.3 | 155 | 60 | 00 / 00 | 42.6 | |
58 | Between Two Ferns: The Movie (2019) Netflix |
Matthew McConaughey & Zach Galifianakis |
0.10 | 0.1 | 0.1 | 304 | 65 | 00 / 00 | 39.9 | |
59 | True West (2002) Showtime Movies |
Sam Shepard | 0.10 | 0.1 | 0.1 | 311 | 63 | 00 / 00 | 36.4 | |
60 | Detective Knight: Independence (2023) Limited Release |
Dax Campbell | 0.10 | 0.1 | 0.1 | 295 | 63 | 00 / 00 | 35.6 | |
61 | Mercury Rising (1998) | Alec Baldwin | 32.90 | 75.7 | 214.0 | 59 | 39 | 00 / 00 | 34.7 | |
62 | The Story of Us (1999) | Michelle Pfeiffer | 27.10 | 57.7 | 125.5 | 74 | 42 | 00 / 00 | 30.3 | |
63 | Sin City: A Dame To Kill For (2014) | Joseph Gordon-Levitt | 13.80 | 18.2 | 52.0 | 132 | 54 | 00 / 00 | 29.9 | |
64 | Loaded Weapon 1 (1993) Cameo |
Emilio Estevez & Samuel L. Jackson |
28.00 | 72.9 | 72.9 | 55 | 36 | 00 / 00 | 29.4 | |
65 | Once Upon A Time In Venice (2017) Limited Release |
John Goodman & Jason Momoa |
0.10 | 0.1 | 0.5 | 363 | 59 | 00 / 00 | 27.3 | |
66 | I'm Still Here (2010) Cameo |
Joaquin Phoenix & Directed by Casey Affleck |
0.40 | 0.6 | 1.0 | 210 | 58 | 00 / 00 | 26.8 | |
67 | Perfect Stranger (2007) | Halle Berry & Giovanni Ribisi |
24.00 | 37.6 | 98.3 | 98 | 46 | 00 / 00 | 24.9 | |
68 | Striking Distance (1993) | Sarah Jessica Parker | 24.10 | 62.8 | 144.1 | 62 | 35 | 00 / 00 | 22.8 | |
69 | Cop Out (2010) | Tracey Morgan | 44.90 | 61.3 | 75.9 | 71 | 37 | 00 / 00 | 22.8 | |
70 | What Just Happened (2008) | Robert DeNiro | 1.10 | 1.6 | 10.1 | 202 | 55 | 00 / 00 | 21.8 | |
71 | Color of Night (1994) | Jane March | 19.70 | 52.1 | 89.7 | 72 | 39 | 00 / 00 | 21.8 | |
72 | Acts of Violence (2018) Limited Release |
Cole Hauser | 0.10 | 0.1 | 0.5 | 341 | 54 | 00 / 00 | 18.2 | |
73 | A Day To Die (2022) Limited Release |
Frank Grillo | 0.10 | 0.1 | 0.1 | 245 | 53 | 00 / 00 | 16.6 | |
74 | Fire With Fire (2012) Limited Release |
Rosario Dawson | 0.10 | 0.1 | 3.5 | 308 | 52 | 00 / 00 | 15.8 | |
75 | First Kill (2017) Limited Release |
Hayden Christensen | 0.10 | 0.1 | 0.5 | 386 | 51 | 00 / 00 | 14.4 | |
76 | Detective Knight: Redemotion (2022) | Corey Large | 0.10 | 0.1 | 0.2 | 167 | 51 | 00 / 00 | 13.7 | |
77 | Sunset (1988) | James Garner | 4.60 | 12.1 | 14.6 | 128 | 45 | 01 / 00 | 12.8 | |
78 | The Bonfire of the Vanities (1990) | Tom Hanks & Morgan Freeman |
15.70 | 40.0 | 71.5 | 77 | 37 | 00 / 00 | 12.5 | |
79 | The Prince (2014) Limited Release |
John Cusack | 0.10 | 0.1 | 1.8 | 332 | 49 | 00 / 00 | 11.3 | |
80 | Survive The Night (2020) | Chad Michael Murray | 0.10 | 0.1 | 0.1 | 267 | 48 | 00 / 00 | 10.9 | |
81 | Grand Champion (2002) Cameo |
Julia Roberts | 0.10 | 0.1 | 0.1 | 296 | 48 | 00 / 00 | 10.5 | |
82 | Fortress (2021) Limited Release |
Chad Michael Murray | 0.10 | 0.1 | 0.2 | 152 | 46 | 00 / 00 | 8.8 | |
83 | White Elephant (2022) AMC Plus |
John Malkovich | 0.10 | 0.1 | 0.1 | 265 | 46 | 00 / 00 | 8.7 | |
84 | Marauders (2016) | Dave Bautista | 0.10 | 0.1 | 1.3 | 368 | 46 | 00 / 00 | 8.4 | |
85 | Catch .44 (2011) Limited Release |
Forest Whitaker | 0.10 | 0.1 | 0.5 | 272 | 46 | 00 / 00 | 8.3 | |
86 | Hudson Hawk (1991) | Andie MacDowell | 17.20 | 44.1 | 86.4 | 68 | 31 | 00 / 00 | 7.6 | |
87 | Gasoline Alley (2022) Limited Release |
Luke Wilson | 0.10 | 0.1 | 0.2 | 157 | 44 | 00 / 00 | 6.9 | |
88 | 10 Minutes Gone (2019) | Michael Chiklis | 0.10 | 0.1 | 0.1 | 309 | 44 | 00 / 00 | 6.7 | |
89 | That's Adequate (1989) Film Festival Circuit Only |
Tony Randall | 0.10 | 0.1 | 0.1 | 211 | 44 | 00 / 00 | 6.5 | |
90 | Precious Cargo (2016) Limited Release |
Mark-Paul Gosselaar | 0.10 | 0.1 | 0.8 | 379 | 43 | 00 / 00 | 6.2 | |
91 | Vice (2015) Limited Release |
Thomas Jane | 0.10 | 0.1 | 2.1 | 342 | 43 | 00 / 00 | 6.0 | |
92 | Hard Kill (2020) Redbox |
Jesse Metcalfe | 0.10 | 0.1 | 0.2 | 112 | 43 | 00 / 00 | 5.9 | |
93 | American Siege (2022) Redbox |
Rob Gough | 0.10 | 0.1 | 0.1 | 259 | 43 | 00 / 00 | 5.9 | |
96 | Breach (2020) | Thomas Jane | 0.10 | 0.1 | 0.1 | 153 | 42 | 00 / 00 | 5.4 | |
95 | Midnight in the Switchgrass (2021) | Megan Fox | 0.10 | 0.1 | 0.1 | 258 | 42 | 00 / 00 | 5.4 | |
94 | Corrective Measures (2022) | Michael Rooker | 0.10 | 0.1 | 0.1 | 308 | 42 | 00 / 00 | 5.4 | |
97 | Four Rooms (1995) | Tim Roth | 4.30 | 10.6 | 10.6 | 147 | 39 | 00 / 00 | 5.3 | |
98 | Detective Knight: Rogue (2022) | Jimmy Jean-Louis | 0.10 | 0.1 | 0.2 | 156 | 42 | 00 / 00 | 5.1 | |
99 | Trauma Center (2019) | Nicky Whelan | 0.10 | 0.1 | 0.1 | 298 | 42 | 00 / 00 | 5.0 | |
100 | Vendetta (2022) | Thomas Jane | 0.10 | 0.1 | 0.1 | 218 | 41 | 00 / 00 | 4.7 | |
101 | Assassin (2023) Limited Release |
Dominic Purcell | 0.10 | 0.1 | 0.1 | 208 | 41 | 00 / 00 | 4.5 | |
102 | Paradise City (2022) | John Travolta | 0.10 | 0.1 | 0.2 | 159 | 41 | 00 / 00 | 4.5 | |
103 | Deadlock (2021) Limited Release |
Patrick Muldoon | 0.10 | 0.1 | 0.1 | 200 | 40 | 00 / 00 | 4.1 | |
104 | Survive the Game (2021) Limited Release |
Chad Michael Murray | 0.10 | 0.1 | 0.2 | 271 | 40 | 00 / 00 | 4.1 | |
105 | Air Strike (2018) | Adrien Brody & Rumor Willis |
0.10 | 0.1 | 0.7 | 338 | 40 | 00 / 00 | 4.0 | |
106 | Breakfast of Champions (1999) | Nick Nolte | 0.20 | 0.4 | 0.4 | 241 | 38 | 00 / 00 | 3.4 | |
107 | Apex (2021) | Neal McDonough | 0.10 | 0.1 | 0.1 | 215 | 38 | 00 / 00 | 3.0 | |
108 | Wrong Place (2022) Limited Release |
Ashley Greene | 0.10 | 0.1 | 0.2 | 163 | 38 | 00 / 00 | 2.9 | |
109 | Out of Death (2021) | Jamie King | 0.10 | 0.1 | 0.1 | 281 | 37 | 00 / 00 | 2.5 | |
110 | Reprisal (2018) | Frank Grillo | 0.10 | 0.1 | 0.8 | 423 | 37 | 00 / 00 | 2.4 | |
111 | Lay the Favorite (2012) | Vince Vaughn | 0.20 | 0.3 | 1.8 | 242 | 36 | 00 / 00 | 2.4 | |
112 | Setup (2011) Limited Release |
50 Cent | 0.10 | 0.1 | 3.0 | 279 | 36 | 00 / 00 | 2.3 | |
113 | The Whole Ten Yards (2004) | Matthew Perry & Kevin Pollack |
16.30 | 28.3 | 45.4 | 117 | 27 | 00 / 00 | 2.2 | |
114 | The Cold Light of Day (2012) | Henry Cavill & Sigourney Weaver |
3.80 | 5.1 | 22.8 | 154 | 33 | 00 / 00 | 1.9 | |
115 | North (1994) | Elijah Wood | 7.20 | 19.0 | 28.3 | 131 | 28 | 00 / 00 | 1.7 | |
116 | Cosmic Sin (2021) | Frank Grillo | 0.10 | 0.1 | 0.3 | 209 | 32 | 00 / 00 | 1.1 | |
117 | Wire Room (2022) Limited Release |
Kevin Dillon | 0.10 | 0.1 | 0.1 | 258 | 32 | 00 / 00 | 1.1 | |
118 | Rock The Kasbah (2015) | Bill Murray | 3.00 | 3.9 | 4.3 | 154 | 31 | 00 / 00 | 1.1 | |
119 | Fortress: Sniper's Eye (2022) Limited Release |
Chad Michael Murray | 0.10 | 0.1 | 0.1 | 276 | 31 | 00 / 00 | 1.0 | |
120 | Extraction (2015) | Kellan Lutz & Gina Carano |
0.10 | 0.1 | 1.4 | 244 | 28 | 00 / 00 | 0.5 |
Possibly Interesting Facts About Bruce Willis
1. Walter Bruce Willis was born on March 19, 1955, in the town of Idar-Oberstein, West Germany. His dad was an American while his mother was a German.
2. Bruce Willis worked as a bartender when he was a struggling actor in New York City.
3. In 1984, Bruce Willis left New York City to audition for roles in Los Angeles.
4. Bruce Willis’ big break was getting the role in the television series Moonlighting (1985-1989). Glenn Gordon Caron had to fight with ABC to put Willis in the lead role having already signed Shepherd for both the pilot and series. Caron claims he tested Willis about a third of the way through testing over 2,000 actors, knew “this was the guy” immediately, and had to fight through twice as many more acting tests and readings while arguing with ABC executives before receiving (initial) conditional authorization to cast Willis in the pilot. ABC, according to Caron, did not feel that anyone viewing would think there could possibly be any “believable” sexual tension between Shepherd and Willis.
5. Although Bruce Willis was the 115th choice to play John McClane in 1988’s Die Hard….he was given an unheard, at the time, salary of $5 million dollars.
6. Bruce Willis was the only celebrity that attended Julia Roberts’ wedding to Daniel Moder. Their friendship is referred to in Ocean’s Twelve (2004), when he mistakes Tess Ocean for Julia Roberts, and asks her about ‘Danny’.
7. Bruce Willis was the first actor to ever “act” in a video game (Apocalypse (1998)). No one before had ever done voice work along with having their likeness and movements digitally added to the game, as well as receiving prominent billing on the game’s cover.
8. Bruce Willis was considered for the role of Kyle Reese in The Terminator (1984), which went to Michael Biehn.
9. Bruce Willis has been married two times. He has 5 daughters. His first marriage was to Demi Moore. His current marriage is to Emma Heming.
10. Check out Bruce Willis’ career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Personal Top Ten Bruce Willis Movies
- Die Hard
- The Fifth Element
- Looper
- Lucky Number Slevin
- Nobody’s Fool
- Pulp Fiction
- Sin City
- The Sixth Sense
- Twelve Monkeys
- Unbreakable
Our You Tube Video that goes through the Rankings all of Bruce Willis’ movies.
My Letterboxd.com Bruce Willis Movie Reviews.
Steve Lensman’s Bruce Willis Top 50 Movies You Tube Video
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Hey Bob….good information on Clint Eastwood. Clint is amazing….when his new movie comes out in a few months….it will be the 8th different decade he will have a movie in theaters. The 7th decade in which he starred in a movie. Good stuff.
It occurs to me that it’s a great pity that the late Benny Green is no longer around to be a possible Willis fan who was able to have “a word with you” as the saying goes. Green was a DJ with a Sunday afternoon radio record-playing programme over here and he was a Sinatra fanatic.
He was always playing Frankie’s records; drooling over Ole Blue Eyes they way you drool over Hirsch; and he went to every Sinatra live concert he could and even was invited over to the US by the Great Man himself to sit in on one of his recording sessions and offer advice.
Anyway at one of the very last of Sinatra’s live concerts during the interval an elderly woman behind Green complained to her friend “His voice is not what it used to be.” A furious Green spun round and savaged her with “Neither is your face madam but that doesn’t stop you taking it out on public and showing it to us!”
Even at the age 66 when Brucie’s income from his acting [and occasional producing I might add!] is combined with the incomes from his large property holdings Walt must still be raking-in money that the average man-in-the street would die for. As I indicate: fair play to him; but I am humorously reminded of one of the spats that Ivan Lendl and McEnroe used to have when they competed on the ATP tour and were its top 2 guys.
Being the top seeds both men were on the Players’ Committee which made recommendations about such things as the dividing-up of the overall prize money among the various levels and types of players; and McEnroe who extensively played doubles recommended that the singles players should take less cash so that the doubles guys could get more.
Lendl who rarely if ever played doubles opposed the suggestion and he and Mac got into a debate about it. Finally McEnroe jumped up, thumped the table and shouted “You were the tour’s top-earner last year – how much ******* money do you NEED?!”
Hey Bob. Good story on Benny Green and Frank Sinatra. I am sure the stars can say the same thing about us fans… They’re not as young as they used to be when they first became my fans… LOL.
HI BRUCE:
Good point about how the stars might see us fans.
I recall a line from an old horror story that began with “Remember: when you look into the abyss, the abyss also looks out at you!”
HI JJ [ie Joel Junior]
I agree that Walt is probably not getting7-figure salaries any longer though with the money that they chuck about them nowadays at even relatively obscure actresses with no box office worth whatsoever one couldn’t be sure.
However according to Wikipedia in the past 5 years Willis has appeared in over 30 productions for various outlets including the large batch in the pipeline. Collectively the money from them must be very good for him especially as in most or many of them his role is the lead one whereas Curtis for example was largely consigned to bit parts/cameos. In 1993’s Naked in New York for example the stars are relative ‘nobodys’ Eric Stoltz and Mary-Louise Parker and Curtis is in a 5th-billed supporting role.
So I say that instead of ‘putting-down’ Walt for probably not earning at least per movie what he did in his heyday let’s celebrate his longevity on the screen at the age of 66 when he can still remain highly active and continue to apply his craft.
Many of the Gods of the past like Flynn/Ty Power/Bogie/Cooper/Gable were long-gone when the 66th anniversary of their birth-date came around and Tracy passed away when he was 67. As some vindictive wit morbidly quipped at the time: “no top billing where he’s gone!”
Hey Bob. Good points on Bruce and his many straight to home entertainment movies. You make very good points, though I was hoping at this point Bruce was doing the Michael Caine version of late career. Taking supporting parts and big budget high profile movies, versus the cash grabs he seems to be doing these days. I guess my expectations were higher for him. On the other side, with few exceptions, Tom Hanks, Clint Eastwood, Tom Cruise, and Denzel Washington most actors seem headed to these types of movies. Good stuff as always.
HI BRUCE: Thanks for the additional comments – much appreciated I like your point about Eastwood/Hanks/Cruise.
All have had GREAT careers. Clint possibly deserves special credit as in his early career before The Man with No Name and then Harold Francis Callahan aka Dirty Harry came along Eastwood was regarded more as TV personality [via the western series Rawhide 1959-1965] than as a big screen star and in those days television was treated as the poor relation of the movies with anyone who made it to big-screen stardom from TV being described as having got “promoted”.
Even Giants like Crosby, Doris Day and Sinatra accepted that movie stardom was advisable if a performer wanted to be considered as being at the pinnacle of fame. Such attitudes don’t seem to hold the same strength today.
Clint has of course been a Mega-Great in movies in terms of both box office power AND high artistic success as a star/director etc. Mind you I could argue that he had a good teacher.
There is a photo on the internet at present of the young Eastwood and half-a-dozen other students in an early-1950s acting class sitting in a circle on the floor and being lectured by guest speaker The Great Mumbler about 30 years of age at the time who is standing in the middle of the circle holding court and being gazed up at in awe in no doubt the way YOU are when you address your students !!!
Anyway keep safe and as I have previously indicated I hope you and all on holiday with you are enjoying your vacation. If anyone tells me YOU don’t deserve it I’ll refuse to go on holiday ever again!!
Even if the 2 Brucie movies which have been merely “announced” do not come to fruition we are guaranteed a further 11 Walt Willis projects in the near future; and one has to assume that the financial backers are not ‘mad’ and do not throw their money away. Wikipedia currently lists an enormous string 20 Willis movies in recent times that went “straight to video”.
So if he is being allowed to continue churning them out SOMEDOY’s presumably finding them profitable. As poor Burt Reynolds could have testified they don’t keep giving you an endless run of movies to feature in to one extent or another if your name still doesn’t “bring in the bacon” to some degree in some medium. I have researched the credit lists and posters for several of that 20 and Bruice is either the top-billed star or gets joint star billing where he takes a cameo/subordinate role.
One also has to assume that the money Walt is being offered suits him as after playing “Mr Church” in Expendables 1 and 2 he wouldn’t appear in 2014’s Expendables 3 because the pay wasn’t good enough in his eyes.
Actually in the late 1980s and throughout the 1990s in those days when the video libraries were Cock of the Walk and there was one on virtually every street corner Brian Dennehy and Rutger Hauer were so popular at such outlets that those two entertaining industry nicknamed them The Video Kings. I clearly remember a local video store owner all pleased with himself about demand for 1993’s In Search of Justice the latest Denney release in the Jack Read detective franchise that he gleefully said to me “He never fails to please, doesn’t he?”
When sadly Dennehy died last year and Rutger the year before their left-behind estates were reportedly valued at $12 million and $16 million respectively so they ended their days enjoying a good lifestyle and did not have to join Brando in the social security queues!
Last year I watched Walt Willis’ Death Wish remake and whilst I continue to prefer the Bronson original Willis was for me nevertheless still relaxing and charismatic to watch whereas I have no longer any interest in most of the other action stars old or new in movies.
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Hey Bob. I agree that there was be some gold in them there straight to dvd hills. Just not thinking Bruce is getting 7 figures for those movies. Good point on Brian and Rutger. I recently saw Dennehy in Driveways….a good swan song for him. As for Death Wish….it starts off well, but the second half was not too good.
ADDITIONAL TRIVIA FROM WIKIPEDIA AND IMDB
Actor and musician Walter Bruce Willis is well known for playing wisecracking and/or or hard-edged characters often in spectacular action films. Collectively, he has appeared in films that have grossed billions domestically and worldwide placing him in the top ten stars ever in terms of actual box office receipts.
He currently has an amazing 13 individual new projects either in the can and awaiting release, filming or announced:
2 completed
5 at post-production stage
4 filming
2 announced. These are “Fortress 2” and “McClane” which is being flagged-up as “The original story to the popular film franchise, ‘Die Hard’.”
Willis owns multiple Real Estate properties – multiple properties in Sun Valley, Idaho. Bruce Willis also owns some of the best luxury cars in the world. All that is on top of his enormous earnings from films: his take from 1999’s 6th Sense a for example broke records for ONE movie– quote –
“Walter Bruce Willis’ earnings from 1999’s The Sixth Sense came to around $100 million pre-tax thanks to a generous cut of the film’s gross. His upfront salary was $14 million. As of this writing, that’s the second-most money ever earned by one actor from a movie. Although technically the #1 record, $156 million, was earned by Keanu Reeves over TWO Matrix movies.”
Hey Bob…sounds like Bruce has done pretty well. 13 movies in post production….I bet most will be the type he has been generating out these days….low budget and quickly forgotten. As for McClane/Die Hard 6….they have been talking about that one for awhile…not thinking it is getting made any time soon. As for earnings for a single movie…I think Jack Nicholson for Batman is up there as well as Bruce and Keanu. Good stuff as always.
HI BIG BOY: Thanks for the feedback which makes some relevant points and provides up-to-date information [as is usually the case with your thoughtful responses as distinct from those where you offer just ‘throw-away’ comments like “You are wonderful Steve!”]
As you mention Jack’s Batman, here are the inflation-adjusted comparisons that I personally have seen relating to the incomes of some of the mega-earning stars:
Marlon Brando – 3 1970s movies combined: $86 million; average $28.66 million.
Jack Nicholson – 1989’s Batman: $106 million for that one movie
Walt Willis – 1999’s 6th Sense $156 million for one movie
Keanu Reeves – 2 Matrix movies in 2003: $222 million; average $111 million per movie.
If those figures are correct then Brucie is the historical King of the Castle regarding take-home pay for any one movie; and I have long argued on Cogerson that even this site’s ranking lists do not accurately reflect the historical magnitude of Willis’ stardom – “ Verily I say unto you, No prophet is accepted in his own country.” – King James Bible, St Luke 4:24
But hey! Let’s show a bit of respect for Old Father Time and concede that Brucie is not the star he was in his heyday – but who is if they hang around long enough?: remember that W o C’s survey found that actresses peak at 39 and males at 55 in terms of stardom.
Heck even The Thin Woman ultimately became The Thin Aunt, then The Thin Mom and then somebody even started the rumor that she was to be signed up for Al Leach’s Thin Grandmother! “At long last I get to play old guys!” – Harrison Ford recently being a man content to act his age on screen.
Also: I have read that in the years immediately following the decline of their super-stardom in the 1950s/1960s the Burtons [both Richard and Liz] tactically resorted to appearing in a run of small-budget films which -they hoped- would turn modest profits worldwide.
For example Burton’s 1971 Villain has an adjusted domestic Cogerson gross of just $5.8 million; but it was made for in the actual money of its day a miserly £383,000 in English money but lifted a reported £1 million at the United Kingdom box office alone which obviously more than paid for its production cost so that anything earned in the US and the rest of the world was pure profit.