Want to know the best Cary Grant movies? How about the worst Cary Grant movies? Curious about Cary Grant’s box office grosses or which Cary Grant movie picked up the most Oscar® nominations? Need to know which Cary Grant movie got the best reviews from critics and audiences? Well you have come to the right place.
I would say my favorite three actors of all-time are Sir Michael Caine, Mr. Bruce Willis, and Archibald Leach….better known as Cary Grant (1904-1986). I discovered Cary Grant when I was in high school. During a sick day, I was stuck at home and bored out of my mind while watching television. As I flipped through the channels I came across a black and white movie. Back then I extremely disliked black and white movies. But I started to watch the movie that was on television. It took about 5 minutes before I realized I was enjoying the movie and another 45 minutes to realize I needed to see the beginning of the movie. That movie was called Bringing Up Baby and it opened the wonderful doors of Cary Grant movies.
Cary Grant made 73 full length movies from 1932-1966. When I wrote the page the first time I was able to find all the required information on 50 of the movies. Since then I have found box office information on the rest of the 23 movies. In the table below Ultimate Movie Rankings ranks 73 of his movies in 5 different sortable columns. Television roles, shorts and straight to DVD movies were not included in the rankings.
I have seen 51 of the 73 movies listed in the following tables. So I figure I would add my personal Top Ten Cary Grant movies…..located at the bottom of the page
Cary Grant Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1940
The Philadelphia Story (1940)
AA Best Picture Nom
1959
North by Northwest (1959)
1941
Suspicion (1941)
AA Best Picture Nom
1946
Notorious (1946)
1937
The Awful Truth (1937)
AA Best Picture Nom
1947
The Bishop's Wife (1947)
AA Best Picture Nom
1963
Charade (1963)
1955
To Catch a Thief (1955)
1943
Arsenic and Old Lace (1943)
1933
She Done Him Wrong (1933)
AA Best Picture Nom
1939
Only Angels Have Wings (1939)
1939
Gunga Din (1939)
1937
Topper (1937)
1964
Father Goose (1964)
1957
An Affair To Remember (1957)
1959
Operation Petticoat (1959)
1940
His Girl Friday (1940)
1933
I'm No Angel (1933)
1947
The Bachelor and the Bobby-Soxer (1947)
1948
Mr. Blandings Builds His Dream House (1948)
1949
I Was a Male War Bride (1949)
1962
That Touch of Mink (1962)
1958
Indiscreet (1958)
1946
Without Reservations (1946)
Cameo
1942
The Talk of the Town (1942)
AA Best Picture Nom
1940
My Favorite Wife (1940)
1943
Mr. Lucky (1943)
1943
Destination Tokyo (1943)
1938
Bringing Up Baby (1938)
1942
Once Upon a Honeymoon (1942)
1948
Every Girl Should Be Married (1948)
1938
Holiday (1938)
1936
Suzy (1936)
1958
Houseboat (1958)
1960
The Grass is Greener (1960)
1941
Penny Serenade (1941)
AA Best Actor Nom
1946
Night and Day (1946)
1939
In Name Only (1939)
1951
People Will Talk (1951)
1944
None but the Lonely Heart (1944)
AA Best Actor Nom
1952
Room For One More (1952)
1952
Monkey Business (1952)
1966
Walk Don't Run (1966)
1937
The Toast of New York (1937)
1932
Merrily We Go To Hell (1932)
1933
The Eagle And The Hawk (1933)
1937
When You're in Love (1937)
1957
The Pride and the Passion (1957)
1932
Blonde Venus (1932)
1933
Alice in Wonderland (1933)
1935
Wings in the Dark (1935)
1932
Devil and the Deep (1932)
1950
Crisis (1950)
1936
Wedding Present (1936)
1935
Sylvia Scarlett (1935)
1936
Big Brown Eyes (1936)
1932
This Is The Night (1932)
1935
The Last Outpost (1935)
1934
Thirty Day Princess (1934)
1933
The Woman Accused (1933)
1953
Dream Wife (1953)
1957
Kiss Them For Me (1957)
1944
Once Upon a Time (1944)
1932
Sinners in the Sun (1932)
1932
Hot Saturday (1932)
1932
Madame Butterfly (1932)
1934
Ladies Should Listen (1934)
1940
The Howards of Virginia (1940)
1935
Enter Madame! (1935)
1934
Kiss And Make-Up (1934)
1936
The Amazing Adventure (1936)
1934
Born To Be Bad (1934)
1933
Gambling Ship (1933)
Cary Grant Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Cary Grant movies by co-stars of his movies.
- Sort Cary Grant movies by adjusted domestic box office grosses using current movie ticket cost
- Sort Cary Grant movies by domestic yearly box office rank or trivia
- Sort Cary Grant movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Cary Grant movie received.
- Sort Cary Grant movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the sort and search buttons to make this a very interactive table.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | The Philadelphia Story (1940) AA Best Picture Nom |
Katharine Hepburn & James Stewart |
6.80 | 261.1 | 358.50 | 7 | 91 | 06 / 02 | 99.6 | |
2 | North by Northwest (1959) | James Mason & Directed by Alfred Hitchcock |
19.20 | 344.1 | 554.50 | 7 | 93 | 03 / 00 | 99.2 | |
3 | Suspicion (1941) AA Best Picture Nom |
Joan Fontaine & Directed by Alfred Hitchcock |
5.20 | 198.7 | 312.80 | 26 | 86 | 03 / 01 | 99.2 | |
4 | Notorious (1946) | Ingrid Bergman & Directed by Alfred Hitchcock |
13.10 | 403.7 | 595.20 | 8 | 90 | 02 / 00 | 99.0 | |
6 | The Awful Truth (1937) AA Best Picture Nom |
Irene Dunne | 4.20 | 176.2 | 176.20 | 36 | 86 | 06 / 01 | 98.9 | |
5 | The Bishop's Wife (1947) AA Best Picture Nom |
David Niven & Loretta Young |
9.40 | 297.0 | 395.70 | 20 | 78 | 05 / 01 | 98.7 | |
7 | Charade (1963) | Audrey Hepburn & Walter Matthau |
18.70 | 235.0 | 235.00 | 8 | 88 | 01 / 00 | 98.7 | |
8 | To Catch a Thief (1955) | Grace Kelly & Directed by Alfred Hitchcock |
12.90 | 266.5 | 266.50 | 19 | 84 | 03 / 01 | 98.7 | |
9 | Arsenic and Old Lace (1943) | Peter Lorre & Directed by Frank Capra |
8.10 | 291.2 | 491.20 | 17 | 87 | 00 / 00 | 98.6 | |
10 | She Done Him Wrong (1933) AA Best Picture Nom |
Mae West | 6.30 | 294.6 | 294.60 | 5 | 75 | 01 / 00 | 97.7 | |
12 | Only Angels Have Wings (1939) | Rita Hayworth & Directed by Howard Hawks |
4.80 | 184.8 | 184.80 | 33 | 85 | 02 / 00 | 97.7 | |
11 | Gunga Din (1939) | Joan Fontaine & Douglas Fairbanks Jr. |
8.00 | 309.8 | 652.50 | 8 | 80 | 01 / 00 | 97.7 | |
13 | Topper (1937) | Roland Young | 4.50 | 186.6 | 186.60 | 27 | 82 | 02 / 00 | 97.4 | |
16 | Father Goose (1964) | Leslie Caron & Trevor Howard |
17.10 | 196.6 | 196.60 | 8 | 77 | 03 / 01 | 97.3 | |
14 | An Affair To Remember (1957) | Deborah Kerr | 11.00 | 211.8 | 211.80 | 14 | 75 | 04 / 00 | 97.0 | |
15 | Operation Petticoat (1959) | Tony Curtis | 26.60 | 478.5 | 478.50 | 3 | 77 | 01 / 00 | 97.0 | |
18 | His Girl Friday (1940) | Rosalind Russell & Directed by Howard Hawks |
5.10 | 196.0 | 196.00 | 15 | 78 | 00 / 00 | 96.9 | |
17 | I'm No Angel (1933) | Mae West | 6.60 | 308.0 | 308.00 | 3 | 77 | 00 / 00 | 96.8 | |
19 | The Bachelor and the Bobby-Soxer (1947) | Shirley Temple & Myrna Loy |
13.20 | 385.8 | 492.10 | 6 | 73 | 01 / 01 | 96.3 | |
21 | Mr. Blandings Builds His Dream House (1948) | Myrna Loy | 7.20 | 195.0 | 251.80 | 29 | 75 | 00 / 00 | 96.1 | |
20 | I Was a Male War Bride (1949) | Directed by Howard Hawks | 11.40 | 285.5 | 285.50 | 5 | 73 | 00 / 00 | 95.9 | |
22 | That Touch of Mink (1962) | Doris Day | 24.30 | 349.1 | 349.10 | 5 | 69 | 03 / 00 | 95.5 | |
23 | Indiscreet (1958) | Ingrid Bergman | 9.80 | 175.4 | 291.20 | 15 | 79 | 00 / 00 | 95.5 | |
24 | Without Reservations (1946) Cameo |
John Wayne | 7.40 | 228.9 | 285.50 | 44 | 70 | 00 / 00 | 95.2 | |
25 | The Talk of the Town (1942) AA Best Picture Nom |
Ronald Colman & Jean Arthur |
3.10 | 116.8 | 162.00 | 87 | 84 | 07 / 00 | 95.0 | |
27 | My Favorite Wife (1940) | Irene Dunne & Randolph Scott |
4.10 | 159.7 | 225.90 | 30 | 78 | 03 / 00 | 94.6 | |
26 | Mr. Lucky (1943) | Laraine Day | 7.90 | 284.4 | 373.20 | 19 | 68 | 00 / 00 | 94.6 | |
28 | Destination Tokyo (1943) | John Garfield | 9.40 | 336.0 | 470.20 | 12 | 66 | 01 / 00 | 94.2 | |
29 | Bringing Up Baby (1938) | Katharine Hepburn & Directed by Howard Hawks |
3.20 | 129.5 | 202.80 | 58 | 88 | 00 / 00 | 94.1 | |
30 | Once Upon a Honeymoon (1942) | Ginger Rogers | 5.20 | 191.7 | 268.20 | 36 | 65 | 01 / 00 | 93.3 | |
31 | Every Girl Should Be Married (1948) | Franchot Tone | 7.50 | 202.1 | 249.30 | 24 | 61 | 00 / 00 | 92.8 | |
32 | Holiday (1938) | Katharine Hepburn | 3.10 | 123.6 | 123.60 | 64 | 84 | 01 / 00 | 92.6 | |
33 | Suzy (1936) | Jean Harlow | 4.70 | 203.1 | 203.10 | 21 | 59 | 01 / 00 | 92.4 | |
34 | Houseboat (1958) | Sophia Loren | 10.00 | 179.7 | 179.70 | 12 | 64 | 02 / 00 | 92.1 | |
35 | The Grass is Greener (1960) | Robert Mitchum & Deborah Kerr |
8.60 | 133.9 | 133.90 | 32 | 77 | 00 / 00 | 91.1 | |
36 | Penny Serenade (1941) AA Best Actor Nom |
Irene Dunne | 3.20 | 124.2 | 167.20 | 72 | 79 | 01 / 00 | 91.1 | |
37 | Night and Day (1946) | Alexis Smith | 10.80 | 333.0 | 535.10 | 16 | 54 | 00 / 00 | 90.5 | |
38 | In Name Only (1939) | Carole Lombard | 3.70 | 142.6 | 203.40 | 55 | 71 | 00 / 00 | 89.9 | |
39 | People Will Talk (1951) | Jeanne Crain | 6.00 | 129.4 | 129.40 | 40 | 74 | 00 / 00 | 89.6 | |
40 | None but the Lonely Heart (1944) AA Best Actor Nom |
Ethel Barrymore | 4.30 | 145.2 | 214.30 | 78 | 62 | 04 / 01 | 88.6 | |
41 | Room For One More (1952) | Betsy Drake | 6.60 | 129.1 | 188.50 | 36 | 70 | 00 / 00 | 88.2 | |
42 | Monkey Business (1952) | Ginger Rogers & Marilyn Monroe |
5.60 | 108.9 | 108.90 | 47 | 75 | 00 / 00 | 87.6 | |
43 | Walk Don't Run (1966) | Samantha Eggar & Jim Hutton |
10.00 | 98.0 | 98.00 | 31 | 71 | 00 / 00 | 84.5 | |
44 | The Toast of New York (1937) | Edward Arnold | 3.40 | 140.3 | 173.80 | 64 | 57 | 00 / 00 | 84.2 | |
45 | Merrily We Go To Hell (1932) | Fredric March & Sylvia Sidney |
2.30 | 111.5 | 111.50 | 25 | 65 | 00 / 00 | 84.0 | |
46 | The Eagle And The Hawk (1933) | Carole Lombard & Fredric March |
2.10 | 97.1 | 97.10 | 33 | 67 | 00 / 00 | 82.3 | |
47 | When You're in Love (1937) | Grace Moore | 2.50 | 103.7 | 103.70 | 96 | 62 | 00 / 00 | 81.0 | |
48 | The Pride and the Passion (1957) | Frank Sinatra & Sophia Loren |
8.60 | 165.0 | 165.00 | 25 | 39 | 00 / 00 | 78.8 | |
49 | Blonde Venus (1932) | Marlene Dietrich | 1.40 | 66.5 | 66.50 | 77 | 70 | 00 / 00 | 78.3 | |
50 | Alice in Wonderland (1933) | Gary Cooper | 1.50 | 69.8 | 69.80 | 61 | 68 | 00 / 00 | 77.5 | |
51 | Wings in the Dark (1935) | Myrna Loy | 1.80 | 78.9 | 78.90 | 73 | 61 | 00 / 00 | 74.2 | |
52 | Devil and the Deep (1932) | Gary Cooper & Charles Laughton |
1.50 | 72.1 | 72.10 | 63 | 62 | 00 / 00 | 72.7 | |
53 | Crisis (1950) | Jose Ferrer | 2.50 | 57.2 | 90.00 | 120 | 66 | 00 / 00 | 72.4 | |
54 | Wedding Present (1936) | Joan Bennett | 1.50 | 65.6 | 65.60 | 119 | 61 | 00 / 00 | 69.6 | |
55 | Sylvia Scarlett (1935) | Katharine Hepburn | 0.90 | 41.2 | 63.80 | 143 | 68 | 00 / 00 | 68.6 | |
56 | Big Brown Eyes (1936) | Joan Bennett & Walter Pidgeon |
1.20 | 51.6 | 69.60 | 134 | 64 | 00 / 00 | 67.3 | |
57 | This Is The Night (1932) | Roland Young | 0.80 | 37.7 | 37.70 | 138 | 65 | 00 / 00 | 62.4 | |
58 | The Last Outpost (1935) | Claude Rains | 1.10 | 51.6 | 51.60 | 119 | 59 | 00 / 00 | 60.9 | |
59 | Thirty Day Princess (1934) | Sylvia Sidney & Edward Arnold |
0.80 | 37.7 | 37.70 | 136 | 63 | 00 / 00 | 59.4 | |
60 | The Woman Accused (1933) | Nancy Carroll | 0.90 | 43.5 | 43.50 | 112 | 60 | 00 / 00 | 58.1 | |
61 | Dream Wife (1953) | Deborah Kerr | 3.70 | 66.0 | 102.60 | 101 | 52 | 01 / 00 | 58.1 | |
62 | Kiss Them For Me (1957) | Jayne Mansfield | 3.70 | 71.5 | 71.50 | 66 | 51 | 00 / 00 | 57.2 | |
63 | Once Upon a Time (1944) | Jeannie Thompson | 1.10 | 35.5 | 35.50 | 144 | 59 | 00 / 00 | 50.8 | |
65 | Sinners in the Sun (1932) | Carole Lombard | 1.20 | 56.7 | 56.70 | 103 | 52 | 00 / 00 | 50.2 | |
64 | Hot Saturday (1932) | Jane Darwell | 0.40 | 21.8 | 21.80 | 171 | 63 | 00 / 00 | 50.2 | |
66 | Madame Butterfly (1932) | Sylvia Sidney | 0.80 | 38.8 | 38.80 | 136 | 57 | 00 / 00 | 49.9 | |
67 | Ladies Should Listen (1934) | Edward Everett Horton | 0.80 | 38.8 | 38.80 | 127 | 57 | 00 / 00 | 48.9 | |
68 | The Howards of Virginia (1940) | Martha Scott | 1.10 | 42.4 | 42.40 | 156 | 53 | 02 / 00 | 47.3 | |
69 | Enter Madame! (1935) | Elissa Landi | 0.70 | 33.1 | 33.10 | 165 | 57 | 00 / 00 | 45.1 | |
70 | Kiss And Make-Up (1934) | Helen Mack | 0.50 | 25.4 | 25.40 | 173 | 58 | 00 / 00 | 42.4 | |
71 | The Amazing Adventure (1936) | Mary Brian | 0.20 | 6.5 | 6.50 | 217 | 62 | 00 / 00 | 37.5 | |
72 | Born To Be Bad (1934) | Loretta Young | 1.00 | 44.6 | 56.10 | 114 | 43 | 00 / 00 | 23.9 | |
73 | Gambling Ship (1933) | Benita Hume | 0.20 | 9.0 | 9.00 | 186 | 53 | 00 / 00 | 21.2 |
Stats and Possibly Interesting Things From The Above Cary Grant Table
1. 41 of Cary Grant’s movies crossed the magical $100 million mark. That is a percentage of 64.06% of his movies listed. His top box office hit was Operation Petticoat (1959).
2. An average Cary Grant movie grosses $147.10 million in adjusted box office gross.
3. Using RottenTomatoes.com’s 60% fresh meter. 49 of Cary Grant’s movies are rated as good movies…or 77.77% of his movies. His highest rated movie is 1959’s North by Northwest. His lowest rated movie is The Last Outpost (1935).
4. 28 of Cary Grant’s movies received at least one Oscar® nomination in any category…..or 44.44% of his movies.
5. 8 of Cary Grant’s movies won at least one Oscar® in any category…..or 12.63% of his movies.
6. A “good movie” Ultimate Movie Rankings (UMR) Score is 60.00. 48 of Cary Grant’s movies scored higher that average….or 76.19% of his movies. The Philadelphia Story (1940) got the highest UMR Score. Born To Be Bad (1934) got the lowest UMR Score.
7. Cary Grant starred in 6 movies that were nominated for a Best Picture Oscar® nomination. She Done Him Wrong (1933), The Awful Truth (1937), The Philadelphia Story (1940), Suspicion (1941), The Talk Of The Town (1942), and The Bishop’s Wife (1947).
Cary Grant Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Gunga Din (1939) | Joan Fontaine & Douglas Fairbanks Jr. |
652.50 | |
Notorious (1946) | Ingrid Bergman & Directed by Alfred Hitchcock |
595.20 | |
North by Northwest (1959) | James Mason & Directed by Alfred Hitchcock |
554.50 | |
Night and Day (1946) | Alexis Smith | 535.10 | |
The Bachelor and the Bobby-Soxer (1947) | Shirley Temple & Myrna Loy |
492.10 | |
Arsenic and Old Lace (1943) | Peter Lorre & Directed by Frank Capra |
491.20 | |
Destination Tokyo (1943) | John Garfield | 470.20 | |
The Bishop's Wife (1947) AA Best Picture Nom |
David Niven & Loretta Young |
395.70 | |
Mr. Lucky (1943) | Laraine Day | 373.20 | |
The Philadelphia Story (1940) AA Best Picture Nom |
Katharine Hepburn & James Stewart |
358.50 | |
Suspicion (1941) AA Best Picture Nom |
Joan Fontaine & Directed by Alfred Hitchcock |
312.80 | |
Indiscreet (1958) | Ingrid Bergman | 291.20 | |
Without Reservations (1946) Cameo |
John Wayne | 285.50 | |
Once Upon a Honeymoon (1942) | Ginger Rogers | 268.20 | |
Mr. Blandings Builds His Dream House (1948) | Myrna Loy | 251.80 | |
Every Girl Should Be Married (1948) | Franchot Tone | 249.30 | |
My Favorite Wife (1940) | Irene Dunne & Randolph Scott |
225.90 | |
None but the Lonely Heart (1944) AA Best Actor Nom |
Ethel Barrymore | 214.30 | |
In Name Only (1939) | Carole Lombard | 203.40 | |
Bringing Up Baby (1938) | Katharine Hepburn & Directed by Howard Hawks |
202.80 | |
Room For One More (1952) | Betsy Drake | 188.50 | |
The Toast of New York (1937) | Edward Arnold | 173.80 | |
Penny Serenade (1941) AA Best Actor Nom |
Irene Dunne | 167.20 | |
The Talk of the Town (1942) AA Best Picture Nom |
Ronald Colman & Jean Arthur |
162.00 | |
Dream Wife (1953) | Deborah Kerr | 102.60 | |
Crisis (1950) | Jose Ferrer | 90.00 | |
Big Brown Eyes (1936) | Joan Bennett & Walter Pidgeon |
69.60 | |
Sylvia Scarlett (1935) | Katharine Hepburn | 63.80 | |
Born To Be Bad (1934) | Loretta Young | 56.10 |
Cary Grant made many great movies….so picking a personal Top Ten for him is very very tough…but here goes my list in alphabetical order.
1. The Awful Truth (1937)….Cary Grant and Irene Dunne made a great screen couple, this was their first of three movies together. Grant is hilarious in the movie. Movie was nominated for a Best Picture Oscar® and won the director, Leo McCarey an Oscar® for Best Director.
2. Charade (1963)…..Cary Grant and Audrey Hepburn team up in this almost Hitchcock like movie. Is Grant the good guy or the bad guy? A great supporting cast in James Coburn, George Kennedy and Walter Matthau.
3. Gunga Din (1939)…Gunga Din was one of my father’s favorite Cary Grant movies….so this story of soldiers in 19th century India makes my list….great action, great fun and a terrific ending.
4. Father Goose (1964)…Father Goose is a movie can I watch again and again. Grant is stuck on an island with a school teacher(Leslie Caron) and her 7 students(all girls) during World War II. Great lines throughout this movie.
5. His Girl Friday (1940)….one of the few times that Cary Grant got to be instigator of the comedy mayhem….versus being the one that had to react to all the craziness. A fast pace, fast talking comedy classic.
6. My Favorite Wife (1940)….his second movie with Irene Dunne and another classic. Dunne is assumed to have perished in a boat sinking seven years ago, she is rescued and returns home just as Grant remarries….and then the fun begins.
7. North by Northwest (1959) ….Grant’s fourth and final film with Alfred Hitchcock…. great scenes throughout the movie like the crop dusting plane, the auction scene and of course the Mount Rushmore finale.
8. Only Angels Have Wings (1939)….one of his lesser known classics from the great movie year of 1939…Howard Hawks directed this story about pilots that risk their lives flying in South America…a great supporting cast of Rita Hayworth, Jean Arthur and Thomas Mitchell.
9. The Philadelphia Story (1940)….Grant and Katharine Hepburn made 4 movies together…this by far is their best movie together….and yet James Stewart is the one that won the Oscar® for this movie…..this movie gets better every year.
10. To Catch A Thief (1955)…Grant thought his movie career was over….and then Hitchcock talked him out of semi-retirement to play a cat burglar nicknamed “The Cat”. This movie gives you a Cary Grant and Grace Kelly falling in love on screen and off screen…direction by the great Alfred Hitchcock….with the French Riviera as a backdrop…what more could you want?
Other great movies that just missed my Top Ten cut….Notorious, Operation Petticoat, Arsenic and Old Lace, An Affair To Remember and Bringing Up Baby.
Our brand new Cary Grant You Tube Video.
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Want more Cary Grant information? Then I highly recommend http://www.carygrant.net/articles/i%20cary.htm
My Cary Grant letterbox.com reviews. Highly recommend Letterboxd.com. It is free and great way to keep track of the movies you have watched.
JERVIS PENDELTON 3rd [Fred Astaire born 1899 speaking to close friend about Leslie Caron born 1931 in 1955’s Daddy Long Legs] “She has nicknamed me her Daddy Long Legs!”
Disgusted FRIEND [who has been trying to discourage the relationship, played probably by actor Larry Keaton who specialised in upright circumspect status quo characters] “Daddy Sugar you mean!”
THE MAGNIFICEN ELEVEN The romantic co-stars of Cary Grant [Born Archibald Alec Leach in 1904]. These women were all teamed with Cary in the years 1955-1966
1/INGRID BERGMAN Born 1915 – 1958’s Indiscreet. They also co-starred in 1946’s Notorious when she was 31 and he 42 so it could be said Cary always “liked em young”! Ingrid was ELEVEN years Grant’s junior. Cary was generally well-liked and respected within the film community but Ingrid in particular was a lifelong close personal friend of his after they met.
2/DEBORAH KERR Born 1921 – An Affair to Remember 1957 and The Grass is Greener 1960. They had also co-starred in 1953’s flop Dream Wife. She admired Grant but preferred Marlon Brando to him. Debs was SEVENTEEN years younger than Cary,
3/DORIS DAY Born 1922. That Touch of Mink 1962. Cary was her 2nd fave actor ever but James Cagney was her 1st. She told Cary that but he said he “didn’t mind being 2nd”! She was EIGHTEEN years younger than Grant.
4/EVA MARIE SAINT Born 1924 North by Northwest 1959. Another of Hitchcock’s screen blondes she was Brando’s girl in On the Waterfront but in N by NW she had obviously decided to trade Marlon in for “an older model”! She is still going strong aged 97 long after those two screen lovers of hers have sadly left us. Born the exact same year as Marlon but TWENTY years after Cary.
5/AUDREY HEPBURN Born 1929 Charade 1963. TWENTY-FIVE years younger than Cary. Her real-life father Joseph Victor Anthony Ruston was a close chronological contemporary of Grant with just 4 and ½ years between them. Indeed Audrey seemed quite receptive to being serially ‘sugar-daddied’ on screen as 7 of her romantic co-stars in her heyday were aged between 11 and 30 years older than she – average difference 22.42 years.
6/Princess GRACE KELLY Born 1929. To Catch a Thief 1955. Her real-life father, John Kelly, was just over 4 years older than Grant who was a guest at her wedding to Prince Rainier of Monaco. Grace was TWENTY-FIVE years younger than Cary. In To Catch a Thief her mother was actress Jessie Joyce Landis who was to be Cary’s mother in North by Northwest even though she was just 8 years older than Grant in real life. In the screen plots, she therefore could be said to have given birth to 2 youngsters a quarter of a century apart! It is wondered wonder what Jessie thought of her movie offspring ‘brother and sister’ becoming screen lovers!
7/LESLIE CARON Born 1931 so TWENTY-SEVEN years younger than Grant and his leading lady in 1964’s Father Goose [called Father Sugar-Goose by some more cynical reviewers!] Leslie was no stranger to the “dirty-old-man circuit” in movies as she was Astaire’s Daddy Long Legs [see lead-in above]; was the love interest of Henry Fonda, 24 years older than she, in The Man Who Understood Women; and was the wife of David Niven, 21 years older than she, in 1962’s Guns of Darkness.
8/SUZY PARKER Born 1932 so TWENTY-EIGHT years younger than Cary. In 1957’s Kiss Them for Me she wins-out over Hollywood’s latest Blonde Bombshell Jayne Mansfield [see immediately below] for Cary’s romantic affections. Suzy too was in fact quite a hit on the ‘sugar daddy circuit’ being subsequently romanced by Gary Cooper 31 years older than she in 1959’s Ten North Frederick. Gary in turn in 1957’s Love in the Afternoon joined Grant in the cradle-snatching of Audrey [see 5/above].
9/ JAYNE MANSFIELD Born 1933. Kiss Them for Me 1957. Her real-life father, Herbert William Palmer, was born in 1904, and was therefore precisely Grant’s age though William sadly died prematurely at the age of just 36 when Jayne was just 7; and Jayne was TWENTY-NINE years younger than Cary. “Really he’s old enough to be your father, my dear!”
10/SOPHIA LOREN Born 1934 so THIRTY years older than Cary. She praised Grant’s comic experience for “helping her over the styles” of American comedy in 1958’s Houseboat and had been his leading lady too in 1957’s The Pride and the Passion. Still alive at the age of 87, and in fact is the only actress on the American Film Institute’s famous Legends lists still alive.
11/Joan O’Brien. Born in 1936 and therefore the “Baby” of the Grant harem of younger co-stars in the 1955-66 period. Being THIRTY-TWO years younger than he she was less than half his age when they made 1959’s Operation Petticoat. Despite her youth she was very funny as 2nd Lieutenant Crandall in that movie and arguably a better complement to Grant’s considerable comedy skills than many a more experienced Hollywood actress might have been. Her next assignment was a supporting role in Wayne’s 1960’s The Alamo but she was not HIS love interest, being married to another in the movie, and she was the cousin of Laurence Harvey’s 3rd lead character Col William Travis.
Overall average age difference of the 11 actresses in years younger than Cary: 23.82 years, so close to a quarter of a century.
QUOTES AND EXTRACTS FROM MOVIE REVIEWS
HARLAND GAZETTE “Gary Cooper (56) and Audrey Hepburn (28 at half his age) in Love in the Afternoon! Is this for real? Maybe Hollywood should have considered calling it the more believable Lust in the Afternoon.” Cooper was just a year and a half younger than Audrey’s father Joseph Victor Anthony Rushton in real life
‘OH YOU RASCALLY OLD DOG MR GABLE!’ “Quote from review of 1959’s But Not for Me by Margaret Hinxman Britain’s lead film critic who worked for Photoplay magazine in the 1950s/1960s. M-s Hinxman is referring to the fact that once again in a Hollywood movie a very young woman, actress Carroll Baker, is passionately pursuing a seriously over the hill Hollywood superstar, Clark Gable, who is over twice her age at 58 years to her 28. That doesn’t stop HER from proposing to HIM!
The year before Gable romanced Doris Day in Teacher’s Pet. Miss Day is 21 years younger than Gable and the latter had also as his second leading lady and early-on ‘girlfriend’ in Teacher’s Pet one of Hollywood’s blonde bombshells, Mamie Van Doreen, who is 30 years Mr Gable’s junior and whose 50-year-old father, Warner Carl Olander, is in fact 7 years younger than Clark Gable. You couldn’t make it up!”
“MY FAIR SEXY REXY!” In the 1964 screen version of George Bernard Shaw’s classic play Pygmalion, which is called My Fair Lady, Hollywood aborts Mr Shaw’s ending at which young Freddy Eynsford-Hill ‘gets’ Eliza Doolittle. In their musical, Hollywood gives-away Eliza instead to Professor Higgins, played by Rex Harrison, who is nicknamed Sexy Rexy in real life, and is 21 years older than Audrey Hepburn as Eliza.
SIGHT AND SOUND 1956 “Wichita is a highly-entertaining western, directed with flair by Jacques Tourneur and Joel McCrea is as usual solid at what he does best, play the stoic western hero, this time Wyatt Earp. However if one thought too deeply about it the chronological mix of the characters does stretch credibility a bit. McCrea romances and eventually marries Vera Miles, who is 24 years younger than he, and Joel therefore ends up with a father-in-law[(actor Walter Coy) who is 4 years younger than himself.
The supporting cast is good, particularly young Peter Graves as Wyatt’s brother Morgan. Again though audiences will have to grant the chronology some poetic licence because whereas there is 21years between Graves and McCrea the real-life Morgan and Wyatt had only a 3-year age gap. In fact by the time Wyatt reached Joel McCrea’s age of 50. Morgan had been dead for 16 years as he died young from gunshot just short of his 31st birthday.
However none of that will surely bother western fans as they watch the Earps clear out the bad guys and McCrea fade into the sunset with Vera accompanied by the voice-over of Tex Ritter singing another rousing western song, about the marshal or Wichita. Recommended: *** out of 4 stars.
The following cautionary note on television movie channels at the moment for viewers wishing to buy or rent a copy of Bing Crosby’s White Christmas is perhaps an illustration of how perceptions and tolerances may have changed over the years:
“This film contains outdated attitudes and language and cultural references which may cause offence to viewers today.”
Certainly the clamour for television Reality shows suggests that today’s audiences wouldn’t likely buy into the traditional Hollywood classic era implication that, whatever suffering is going on globally all’s OK with the world as long as screen heroes like Clark Gable and Gary Cooper are successful in action and romance.
Also, modern feminist writers and other women who see themselves as progressives constantly protest against sales and television repeats today of movies in which female stars when they aged were “put out to pasture” as aunts and mothers and has-been characters of all sorts in the stories.
It is seen as double-standards that, in parallel with that, Hollywood allowed the contemporary ageing screen leading men to continue as before with fresh young female leading ladies; and healthy young male actors of those times were cast as “gooseberries” who invariably lost out romantically to the much older man, who was the bigger star.
Arguably the most prolific example is that, from 1955 until his retirement in 1966, British-born Hollywood icon Cary Grant, often called in his later career the “Aged Charmer” or “Amorous Archibald” (his birth name} was teamed with 11 lovely leading ladies all of whom were younger than he by 11 to 32 years in real life -an average of 23.8 years younger than he.