Want to know the best Doris Day movies? How about the worst Doris Day movies? Curious about Doris Day’s box office grosses or which Doris Day movie picked up the most Oscar® nominations? Need to know which Doris Day movie got the best reviews from critics and audiences? Well you have come to the right place ….. because we have all of that information.
Every April 3rd, my wife and Doris Day (1922-2019) share birthdays (with Marlon Brando and Eddie Murphy as well). Doris Day will turned 91 this year and she is still going strong…..as is my wife. Doris Day began her career as a big band singer in 1939. Her popularity began to rise after her first hit recording, Sentimental Journey in 1945. Four years later, Day started her movie career with the movie Romance on the High Seas. She would become one of the biggest movies stars of all time.
Her IMDb page shows 41 acting credits from 1948-1973. This page will rank 39 Doris Day movies from Best to Worst in six different sortable columns of information. Her television appearances were not were not included in the rankings.
Doris Day Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Doris Day Movies Can Be Ranked 6 Ways In The Following Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Column one – the link will take you to that movie’s trailer
- Sort by Doris Day’s co-stars of her movies.
- Sort Doris Day movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Doris Day movies by yearly domestic box office rank
- Sort Doris Day movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Doris Day movie received.
- Sort Doris Day movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | Pillow Talk (1959) AA Best Actress Nom |
Rock Hudson & Tony Randall |
22.20 | 399.4 | 399.40 | 6 | 83 | 05 / 01 | 98.8 | |
| 2 | The Man Who Knew Too Much (1956) | James Stewart & Directed by Alfred Hitchcock |
11.70 | 229.6 | 229.60 | 21 | 81 | 01 / 01 | 98.0 | |
| 3 | Lover Come Back (1961) | Rock Hudson | 24.30 | 353.8 | 353.80 | 7 | 79 | 01 / 00 | 97.3 | |
| 4 | Love Me or Leave Me (1955) | James Cagney | 11.50 | 239.0 | 333.60 | 23 | 69 | 06 / 01 | 96.5 | |
| 5 | The Thrill of It All (1963) | James Garner | 15.70 | 197.0 | 197.00 | 14 | 73 | 00 / 00 | 95.7 | |
| 5 | That Touch of Mink (1962) | Cary Grant | 24.30 | 349.1 | 349.10 | 5 | 69 | 03 / 00 | 95.5 | |
| 7 | Move Over, Darling (1963) | James Garner | 17.40 | 218.5 | 218.50 | 9 | 69 | 00 / 00 | 95.0 | |
| 9 | On Moonlight Bay (1951) | Gordon MacRae | 7.80 | 168.7 | 229.80 | 18 | 78 | 00 / 00 | 94.6 | |
| 10 | Young at Heart (1954) | Frank Sinatra | 7.10 | 167.4 | 167.40 | 42 | 76 | 00 / 00 | 94.1 | |
| 9 | Please Don't Eat the Daisies (1960) | David Niven | 15.20 | 236.9 | 321.70 | 11 | 66 | 00 / 00 | 94.0 | |
| 11 | The Pajama Game (1957) | John Raitt | 7.70 | 147.5 | 219.90 | 26 | 75 | 00 / 00 | 91.8 | |
| 12 | Midnight Lace (1960) | Myrna Loy & Rex Harrison |
10.00 | 156.2 | 156.20 | 22 | 71 | 01 / 00 | 91.8 | |
| 13 | Calamity Jane (1953) | Howard Keel | 7.60 | 136.1 | 204.50 | 30 | 73 | 03 / 01 | 91.2 | |
| 14 | Teacher's Pet (1958) | Clark Gable | 7.70 | 138.6 | 191.00 | 28 | 73 | 02 / 00 | 90.8 | |
| 15 | Send Me No Flowers (1964) | Rock Hudson | 12.90 | 147.4 | 147.40 | 15 | 72 | 00 / 00 | 90.8 | |
| 16 | Romance on the High Seas (1948) | Jack Carson | 5.80 | 156.0 | 228.70 | 54 | 63 | 02 / 00 | 89.3 | |
| 17 | Tea for Two (1950) | Gordon MacRae | 6.60 | 149.0 | 234.30 | 26 | 65 | 00 / 00 | 88.6 | |
| 18 | I'll See You in My Dreams (1951) | Danny Thomas | 7.00 | 150.2 | 196.90 | 30 | 59 | 00 / 00 | 86.6 | |
| 19 | Lullaby of Broadway (1951) | Gene Nelson | 6.00 | 129.5 | 190.00 | 39 | 65 | 00 / 00 | 86.4 | |
| 20 | The West Point Story (1950) | James Cagney | 6.10 | 137.7 | 185.40 | 39 | 61 | 01 / 00 | 86.1 | |
| 21 | April in Paris (1952) | Ray Bolger | 7.60 | 149.7 | 193.80 | 21 | 57 | 00 / 00 | 85.7 | |
| 22 | My Dream Is Yours (1949) | Jack Carson | 5.50 | 138.9 | 190.90 | 47 | 60 | 00 / 00 | 85.5 | |
| 21 | By the Light of the Silvery Moon (1953) | Gordon MacRae | 5.70 | 102.7 | 143.90 | 53 | 70 | 00 / 00 | 85.0 | |
| 24 | Young Man with a Horn (1950) | Kirk Douglas | 4.70 | 105.3 | 149.00 | 64 | 69 | 00 / 00 | 84.9 | |
| 25 | The Glass Bottom Boat (1966) | Rod Taylor | 11.50 | 112.7 | 112.70 | 25 | 61 | 00 / 00 | 82.1 | |
| 26 | It's a Great Feeling (1949) | Jack Carson | 5.70 | 143.4 | 188.90 | 42 | 51 | 01 / 00 | 82.1 | |
| 27 | With Six You Get Eggroll (1968) | Brian Keith | 14.30 | 117.6 | 117.60 | 26 | 58 | 00 / 00 | 81.2 | |
| 28 | Billy Rose's Jumbo (1962) | Jimmy Durante | 7.10 | 102.7 | 164.30 | 36 | 61 | 01 / 00 | 80.4 | |
| 29 | Do Not Disturb (1965) | Rod Taylor | 10.40 | 110.0 | 110.00 | 22 | 58 | 00 / 00 | 80.0 | |
| 30 | Storm Warning (1950) | Ginger Rogers & Ronald Reagan |
3.60 | 80.2 | 80.20 | 93 | 66 | 00 / 00 | 78.7 | |
| 31 | The Winning Team (1952) | Ronald Reagan | 4.00 | 78.3 | 87.40 | 86 | 63 | 00 / 00 | 75.8 | |
| 32 | It Happened To Jane (1959) | Jack Lemmon | 4.90 | 87.3 | 87.30 | 51 | 60 | 00 / 00 | 75.4 | |
| 33 | Lucky Me (1954) | Robert Cummings | 4.60 | 108.9 | 168.10 | 62 | 53 | 00 / 00 | 75.2 | |
| 34 | Starlift (1951) | Gordon MacRae | 4.80 | 104.4 | 141.80 | 64 | 53 | 00 / 00 | 73.9 | |
| 35 | The Tunnel of Love (1958) | Richard Widmark | 5.00 | 89.8 | 138.10 | 50 | 56 | 00 / 00 | 73.0 | |
| 36 | Julie (1956) | Louis Jordan | 4.00 | 79.2 | 145.60 | 77 | 54 | 02 / 00 | 68.6 | |
| 37 | Caprice (1967) | Richard Harris | 5.00 | 44.5 | 44.50 | 50 | 54 | 00 / 00 | 46.7 | |
| 39 | Where Were You When the Lights Went Out? (1968) | Robert Morse | 10.00 | 82.3 | 82.30 | 37 | 41 | 00 / 00 | 45.6 | |
| 38 | The Ballad of Josie (1967) | Peter Graves | 1.30 | 11.8 | 11.80 | 126 | 62 | 00 / 00 | 41.7 |
Stats and Possibly Interesting Things From The Above Doris Day Table
- Twenty-three Doris Day movies crossed the magical $100 million domestic gross mark. That is a percentage of 58.97% of her movies listed. Pillow Talk (1959) was her biggest hit.
- An average Doris Day movie grossed $117.40 million in adjusted box office gross.
- Using RottenTomatoes.com’s 60% fresh meter. 28 of Doris Day’s movies are rated as good movies…or 71.79% of her movies. Pillow Talk (1959) was her highest rated movie while Caprice (1967) was her lowest rated movie.
- Thirteen Doris Day movies received at least one Oscar® nomination in any category…..or 33.33% of her movies.
- Four Doris Day movies won at least one Oscar® in any category…..or 10.25% of her movies.
- A “good movie” Ultimate Movie Rankings (UMR) Score is 60.00. 30 Doris Day movies scored higher that average…. or 76.92% of her movies. Pillow Talk (1959) got the the highest UMR Score while Where Were You When The Lights Went Out (1968) got the lowest UMR Score.
Possibly Interesting Facts About Doris Day
1. Doris Day (1924-) was born Doris Mary Ann Kappelhoff in Cincinnati, Ohio.
2. At the suggestion of orchestra leader, Barney Rapp, she adopted the stage surname Day. He got Day from the fact that he admired her rendition of the song “Day After Day”.
3. During the location filming of The Man Who Knew Too Much (1956), when she saw how camels, goats and other “animal extras” in a marketplace scene were being treated. From that day she began her lifelong commitment to preventing animal abuse.
4. Doris Day was nominated for one acting Oscar® nomination…1959’s Pillow Talk.
5. Doris Day was nominated for five acting Golden Globe® nominations…1958’s The Tunnel of Love, 1959’s Pillow Talk, 1960’s Midnight Lace, 1962’s Billy Rose’s Jumbo and 1963’s Move Over Darling.
6. During the peak of her movie career (1959-1964), she was named the number one movie star…. four times.
7. Doris Day has often said Calamity Jane (1953) as her personal favorite of the 39 films she appeared in.
8. Doris Day briefly dated Ronald Reagan.
9. Doris Day was the first choice to play Mrs. Robinson in 1967’s The Graduate.
10 Doris Day She has two Stars on the Hollywood Walk of Fame. One for music career and one for movie career.
For one of the best Doris Day pages out there….check out The Magic of Doris Day.
Steve Lensman’s Doris Day You Tube Video
Our Doris Day Box Office Only Page.
Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences. Golden Globes® are the registered trademark and service mark of the Hollywood Foreign Press.
If you do a comment….please ignore the email address and website section.
Welcome to the forum Cogerson – thanks for being so forthcoming.
Have you seen Doris Day’s Box-office Grosses, Awards and Nominations, by forum member Paul Brogan?
http://www.dorisday.net/box-office.html
Yep I checked out his page. Lots of great information there as well. I was there was a way to get better box office numbers for movies released back then. The studios were not interested in releasing that information. When USA Today started released the Top 5 every weekend….the studios were very much against that too…but eventually they released that giving box office information…actually gave them some free publicity. I image in Doris Day’s peak time period….she would have probably had her own USA Today section. Thanks for the link to Paul’s page.
Sad that Doris’ marriage was destroyed by crooked bankers, who cheated her out of her money and gave her no credit. Heart attack city – just like Bernie Madoff. Live and learn! I was also disappointed Doris did not go incognito and investigate.
Hey Gerard….yep it is very sad….I think she got back some of her money many many years later
ust re-visited your website, Mr. Cogerson. Correct me if I’m wrong, but I recall that rather than zero Oscar nominations, “Jumbo” actually was nominated for best musical scoring (adaptation), but it didn’t win.
Hey MusicLover….yep it got one nomination….and with that included..Billy Rose’s Jumbo actually moved up one spot in my rankings…..I think eventually I will get this page correct….lol. We have to go to paperwork on the proofer for that page….he got a verbal for the first issue…but it is time to go to a written writeup…lol. Thanks again for spotting that error.
Dave’s points are well taken. As a researcher by avocation, I noticed the same things in Cogerson’s info. Also, Day made 39 movies, not 38. There is unquestionably a lot of time-consuming work done to compile statistics. Not that it matters a great deal, but figures from another source I saw differ for the inflation-adjusted Top 10 box-office grosses, which would change the rankings — from 1 to 10 — to Pillow Talk, Lover Come Back, That Touch of Mink, The Man Who Knew Too Much, Please Don’t Eat the Daisies, Love Me or Leave Me, Move Over Darling, The Thrill of It All, Midnight Lace, and Teacher’s Pet.
Cogerson uses Variety as an element to determine a movie’s popularity, but I think Film Daily may have been a better choice. For about 50 years (until 1970), that publication not only tracked box-office grosses but also had a large nationwide panel of 450 critics that selected the 10 best movies each year. There may have been others of Day’s in that Top 10, but at least these four were chosen: Love Me or Leave Me, Pajama Game, Pillow Talk, and Midnight Lace.
Just as an aside, I have seen statistics that place 5 of Day’s movies as the producing studios’ (Warners and Universal) best-grossing films of the year: 1950 – Tea for Two; 1951 – I’ll See You in My Dreams; 1952 – April in Paris; 1961 – Lover Come Back; and 1962 – That Touch of Mink. Those same stats show that 22 of her movies were in the Top 3 for their respective studios in the years they were released: 9 for Warners, 4 for MGM, both of the 2 she made at Paramount, 6 for Universal, and 1 for 20th Century Fox. For that high a percentage of her films to be so successful for their studios is pretty impressive.
First of all thanks for checking out my Doris Day page….and secondly thanks for pointing out some issues. I originally did not include 1951’s Starlift because I thought it was a cameo role….since reading your comments I have now included Starlift in my rankings 31st out of 39th. Another mistake….I missed the first time was Romance on the High Seas…..as I did not find a box office number until somebody e-mailed the information….and it went from 35th to 16th in my rankings.
Sadly box office information is hit and miss for most movies pre-1980…which means every Doris Day movie falls in that category. I use Variety for one basic reason….it is the only source that I can get my hands on. I have over 40 years of Variety magazines that I use as my box office source. I would love to see Film Daily box office numbers…any information on where that information is located would be greatly appreciated. I actually flew to Los Angeles to get copies of the film ledgers for MGM, RKO and Warner Brothers.
When I originally wrote my Doris Day movie page….I had only seen 3 of her movies…..now I am up to 20 of her movies….so I just crossed the halfway mark. Hopefully my movie page will get others to do the same.
Interesting, and a lot of work, no doubt much of it difficult and time-consuming..
but “Sentimental Journey” made Doris Day famous — it did not give her “notoriety”.
You are incorrect in relating the years involved at the beginning of her fame,
Hey Dave…I adjusted the wording on that…hopefully it is better