Want to know the best Gary Cooper movies? How about the worst Gary Cooper movies? Curious about Gary Cooper box office grosses or which Gary Cooper movie picked up the most Oscar® nominations? Need to know which Gary Cooper movie got the best reviews from critics and audiences and which got the worst reviews? Well you have come to the right place….because we have all of that information.
Gary Cooper (1901–1961) was an American film actor who appeared in over 100 movies from 1923-1961. Unfortunately many of Cooper’s silent movies have been lost forever. So this page will only look at his movie career from his first “talkie” The Virginian (1929), to his last movie, The Naked Edge (1961) which was released a month after his death in 1961. Just a few quick notes on Gary Cooper’s silent movie career. From 1923 to 1929, Cooper appeared in over 40 movies. Most of his roles, were either bit or uncredited parts. He did however appear in some very popular movies during this time period. He played a Roman guard in the original version of Ben-Hur (1925), he had one scene in the first movie to ever win the Oscar® for Best Picture….Wings (1927), and he was in the 1927 box office hit Children of Divorce.
In 1929, he became a major star with his first sound picture, The Virginian. He followed The Virginian with the blockbuster hit Morocco (1931), co-starring Marlene Dietrich in her first American film. Over the next thirty years, Cooper would appear in over 60 movies, earning 5 Oscar® nominations, two Oscar® wins (1941’s Sergeant York and 1952’s High Noon) and numerous blockbuster hits. Two of his movies, Sergeant York and 1943’s For Whom The Bell Tolls are still ranked in the Top 100 box office hits of all-time when you look at adjusted domestic box office numbers.
His IMDb page shows 118 acting credits from 1923-1961. This page will rank Gary Cooper movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos and many of his silent movies were not included in the page.
Gary Cooper Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1927
Wings (1927)
AA Best Picture Win
1952
High Noon (1952)
AA Best Picture Nom
AA Best Actor Win
1942
The Pride of the Yankees (1942)
AA Best Picture Nom
AA Best Actor Nom
1936
Mr. Deeds Goes to Town (1936)
AA Best Picture Nom
AA Best Actor Nom
1941
Sergeant York (1941)
AA Best Picture Nom
AA Best Actor Win
1935
The Lives of a Bengal Lancer (1935)
AA Best Picture Nom
1943
For Whom the Bell Tolls (1943)
AA Best Picture Nom
AA Best Actor Nom
1956
Friendly Persuasion (1956)
AA Best Picture Nom
1941
Ball of Fire (1941)
1939
Beau Geste (1939)
1932
A Farewell To Arms (1932)
AA Best Picture Nom
1930
Morocco (1930)
1941
Meet John Doe (1941)
1929
The Virginian (1929)
1928
Lilac Time (1928)
1954
Vera Cruz (1954)
1932
If I Had a Million (1932)
1954
Garden of Evil (1954)
1936
Desire (1936)
1926
The Winning of Barbara Worth (1926)
1946
Cloak and Dagger (1946)
1955
The Court-Martial of Billy Mitchell (1955)
1947
Unconquered (1947)
1948
Good Sam (1948)
1936
The General Died at Dawn (1936)
1940
The Westerner (1940)
1945
Saratoga Trunk (1945)
1944
The Story of Dr. Wassell (1944)
1934
Now and Forever (1934)
1940
North West Mounted Police (1940)
1949
The Fountainhead (1949)
1939
The Real Glory (1939)
1937
Souls at Sea (1937)
1945
Along Came Jones (1945)
1944
Casanova Brown (1944)
1950
Dallas (1950)
1938
Bluebeard's Eighth Wife (1938)
1951
Distant Drums (1951)
1957
Love in the Afternoon (1957)
1936
The Plainsman (1936)
1931
City Streets (1931)
1959
The Hanging Tree (1959)
1949
Task Force (1949)
1958
Man of the West (1958)
1938
The Cowboy and the Lady (1938)
1952
Springfield Rifle (1952)
1931
I Take This Woman (1931)
1958
Ten North Frederick (1958)
1933
Design for Living (1933)
1959
They Came To Cordura (1959)
1934
Operator 13 (1934)
1938
The Adventures of Marco Polo (1938)
1951
You're in the Navy Now (1951)
1930
Paramount on Parade (1930)
1950
Bright Leaf (1950)
1953
Return to Paradise (1953)
1933
Alice in Wonderland (1933)
1927
Children of Divorce (1927)
1930
The Spoilers (1930)
1930
A Man from Wyoming (1930)
1928
The Shopworn Angel (1928)
1935
Peter Ibbetson (1935)
1931
Fighting Caravans (1931)
1932
Devil and the Deep (1932)
1929
The Wolf Song (1929)
1928
The Legion of the Condemned (1928)
1930
Only The Brave (1930)
1933
One Sunday Afternoon (1933)
1959
The Wreck of the Mary Deare (1959)
1931
His Woman (1931)
1930
The Texan (1930)
1928
Beau Sabreur (1928)
1953
Blowing Wild (1953)
1933
Today We Live (1933)
1935
The Wedding Night (1935)
1961
The Naked Edge (1961)
1928
Half A Bride (1928)
1928
Doomsday (1928)
1929
Betrayal (1929)
1928
The First Kiss (1928)
1951
It's a Big Country (1951)
Gary Cooper Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Gary Cooper movies by his co-stats
- Sort Gary Cooper movies by adjusted domestic box office grosses using current movie ticket cost.
- Sort Gary Cooper movies by co-stars of yearly box office rank or trivia if rank not available
- Sort Gary Cooper movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Gary Cooper movie received.
- Sort Gary Cooper movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Wings (1927) AA Best Picture Win |
Clara Bow | 13.20 | 444.5 | 444.50 | 1 | 81 | 02 / 02 | 99.8 | |
2 | High Noon (1952) AA Best Picture Nom AA Best Actor Win |
Grace Kelly & Lloyd Bridges |
9.40 | 185.1 | 185.10 | 12 | 92 | 07 / 04 | 99.6 | |
2 | The Pride of the Yankees (1942) AA Best Picture Nom AA Best Actor Nom |
Teresa Wright & Walter Brennan |
10.50 | 389.9 | 389.90 | 9 | 84 | 11 / 01 | 99.5 | |
4 | Mr. Deeds Goes to Town (1936) AA Best Picture Nom AA Best Actor Nom |
Jean Arthur & Frank Capra |
6.70 | 287.5 | 287.50 | 4 | 87 | 05 / 01 | 99.4 | |
3 | Sergeant York (1941) AA Best Picture Nom AA Best Actor Win |
Walter Brennan & Directed by Howard Hawks |
13.50 | 521.1 | 521.10 | 1 | 81 | 11 / 02 | 99.4 | |
8 | The Lives of a Bengal Lancer (1935) AA Best Picture Nom |
Franchot Tone | 4.40 | 198.9 | 198.90 | 7 | 79 | 08 / 02 | 99.1 | |
6 | For Whom the Bell Tolls (1943) AA Best Picture Nom AA Best Actor Nom |
Ingrid Bergman | 15.10 | 544.1 | 544.10 | 2 | 76 | 09 / 01 | 99.0 | |
7 | Friendly Persuasion (1956) AA Best Picture Nom |
Anthony Perkins & Directed by William Wyler |
14.40 | 282.8 | 282.80 | 12 | 79 | 06 / 00 | 98.9 | |
10 | Ball of Fire (1941) | Barbara Stanwyck | 6.00 | 230.5 | 328.00 | 16 | 86 | 04 / 00 | 98.8 | |
11 | Beau Geste (1939) | Susan Hayward | 5.80 | 223.3 | 223.30 | 22 | 86 | 02 / 00 | 98.6 | |
12 | A Farewell To Arms (1932) AA Best Picture Nom |
Helen Hayes | 4.60 | 224.0 | 224.00 | 4 | 71 | 04 / 02 | 98.0 | |
12 | Morocco (1930) | Marlene Dietrich | 6.20 | 331.7 | 331.70 | 4 | 80 | 04 / 00 | 98.0 | |
14 | Meet John Doe (1941) | Barbara Stanwyck & Directed by Frank Capra |
5.30 | 202.6 | 297.60 | 23 | 82 | 01 / 00 | 98.0 | |
15 | The Virginian (1929) | Walter Huston | 6.20 | 191.9 | 191.90 | 6 | 81 | 00 / 00 | 97.1 | |
16 | Lilac Time (1928) | Colleen Moore | 5.60 | 177.0 | 177.00 | 4 | 84 | 00 / 00 | 96.7 | |
16 | Vera Cruz (1954) | Burt Lancaster & Charles Bronson |
13.00 | 305.8 | 305.80 | 14 | 75 | 00 / 00 | 96.4 | |
19 | If I Had a Million (1932) | Charles Laughton | 3.60 | 177.0 | 177.00 | 8 | 77 | 00 / 00 | 95.0 | |
17 | Garden of Evil (1954) | Susan Hayward & Richard Widmark |
8.90 | 207.6 | 207.60 | 30 | 68 | 00 / 00 | 94.8 | |
20 | Desire (1936) | Marlene Dietrich | 4.40 | 189.0 | 189.00 | 25 | 72 | 00 / 00 | 94.8 | |
18 | The Winning of Barbara Worth (1926) | Vilma Bánky | 6.20 | 222.1 | 222.10 | 2 | 68 | 00 / 00 | 94.6 | |
23 | Cloak and Dagger (1946) | Robert Alda | 6.80 | 208.1 | 208.10 | 53 | 66 | 00 / 00 | 94.2 | |
22 | The Court-Martial of Billy Mitchell (1955) | Ralph Bellamy | 8.60 | 177.7 | 177.70 | 34 | 72 | 01 / 00 | 94.1 | |
23 | Unconquered (1947) | Directed by Cecil B. DeMille | 14.20 | 413.4 | 413.40 | 3 | 64 | 01 / 00 | 93.7 | |
24 | Good Sam (1948) | Ann Sheridan | 7.40 | 199.6 | 244.00 | 27 | 64 | 00 / 00 | 93.5 | |
25 | The General Died at Dawn (1936) | Akim Tamiroff | 4.50 | 193.3 | 193.30 | 24 | 62 | 03 / 00 | 93.0 | |
26 | The Westerner (1940) | Walter Brennan & Directed by William Wyler |
3.50 | 134.2 | 134.20 | 41 | 79 | 03 / 01 | 92.9 | |
28 | Saratoga Trunk (1945) | Ingrid Bergman | 13.70 | 435.8 | 669.40 | 4 | 60 | 01 / 00 | 92.5 | |
27 | The Story of Dr. Wassell (1944) | Directed by Cecil B. DeMille | 9.10 | 305.6 | 305.60 | 20 | 60 | 01 / 00 | 92.5 | |
29 | Now and Forever (1934) | Carole Lombard & Shirley Temple |
3.60 | 167.4 | 167.40 | 8 | 70 | 00 / 00 | 92.2 | |
31 | North West Mounted Police (1940) | Robert Ryan & Directed by Cecil B. DeMille |
4.30 | 165.0 | 165.00 | 28 | 65 | 05 / 01 | 92.0 | |
32 | The Fountainhead (1949) | Patricia Neal | 5.80 | 146.2 | 146.20 | 39 | 76 | 00 / 00 | 91.9 | |
30 | The Real Glory (1939) | David Niven | 7.90 | 304.7 | 304.70 | 10 | 58 | 00 / 00 | 91.6 | |
33 | Souls at Sea (1937) | George Raft | 3.30 | 135.2 | 135.20 | 67 | 75 | 03 / 00 | 91.4 | |
33 | Along Came Jones (1945) | Loretta Young | 7.40 | 233.8 | 306.90 | 36 | 57 | 00 / 00 | 91.3 | |
34 | Casanova Brown (1944) | Teresa Wright | 7.70 | 260.6 | 356.20 | 26 | 54 | 03 / 00 | 91.2 | |
38 | Dallas (1950) | Ruth Roman | 7.90 | 177.4 | 288.10 | 14 | 63 | 00 / 00 | 91.0 | |
38 | Bluebeard's Eighth Wife (1938) | Claudette Colbert | 5.60 | 223.6 | 223.60 | 21 | 53 | 00 / 00 | 90.0 | |
39 | Distant Drums (1951) | Mari Aldon | 8.60 | 185.8 | 201.50 | 14 | 57 | 00 / 00 | 89.9 | |
37 | Love in the Afternoon (1957) | Audrey Hepburn | 5.70 | 110.1 | 110.10 | 42 | 80 | 00 / 00 | 89.4 | |
40 | The Plainsman (1936) | Anthony Quinn & Jean Arthur |
4.10 | 175.6 | 175.60 | 28 | 59 | 00 / 00 | 89.3 | |
41 | City Streets (1931) | Sylvia Sidney | 2.30 | 116.2 | 116.20 | 44 | 75 | 00 / 00 | 88.4 | |
42 | The Hanging Tree (1959) | George C. Scott | 6.30 | 112.9 | 112.90 | 40 | 71 | 01 / 00 | 86.9 | |
43 | Task Force (1949) | Walter Brennan | 5.00 | 125.3 | 125.30 | 59 | 67 | 00 / 00 | 86.5 | |
44 | Man of the West (1958) | Lee J. Cobbb | 5.00 | 89.8 | 89.80 | 49 | 76 | 00 / 00 | 85.8 | |
45 | The Cowboy and the Lady (1938) | Walter Brennan | 2.60 | 104.5 | 104.50 | 87 | 68 | 03 / 01 | 85.7 | |
47 | Springfield Rifle (1952) | Phyliss Thaxter | 6.70 | 130.7 | 130.70 | 35 | 61 | 00 / 00 | 84.7 | |
46 | I Take This Woman (1931) | Carole Lombard | 2.40 | 123.8 | 123.80 | 38 | 63 | 00 / 00 | 84.6 | |
48 | Ten North Frederick (1958) | Suzy Parker | 5.70 | 102.7 | 102.70 | 43 | 68 | 00 / 00 | 84.1 | |
49 | Design for Living (1933) | Fredric March | 1.90 | 90.9 | 90.90 | 38 | 69 | 00 / 00 | 82.3 | |
51 | They Came To Cordura (1959) | Rita Hayworth | 6.40 | 115.5 | 115.50 | 39 | 59 | 00 / 00 | 81.5 | |
51 | Operator 13 (1934) | Marion Davies | 1.80 | 82.9 | 135.30 | 69 | 69 | 01 / 00 | 81.4 | |
52 | The Adventures of Marco Polo (1938) | Lana Turner | 4.50 | 178.9 | 178.90 | 33 | 38 | 00 / 00 | 80.9 | |
53 | You're in the Navy Now (1951) | Directed by Henry Hathaway | 4.60 | 98.6 | 98.60 | 69 | 63 | 00 / 00 | 80.4 | |
53 | Paramount on Parade (1930) | Fredric March | 2.20 | 120.5 | 120.50 | 50 | 56 | 00 / 00 | 80.3 | |
54 | Bright Leaf (1950) | Lauren Bacall | 4.90 | 109.2 | 157.00 | 52 | 58 | 00 / 00 | 79.2 | |
58 | Return to Paradise (1953) | Barry Jones | 5.50 | 98.0 | 98.00 | 59 | 59 | 00 / 00 | 78.0 | |
56 | Alice in Wonderland (1933) | Cary Grant | 1.50 | 69.8 | 69.80 | 61 | 68 | 00 / 00 | 77.5 | |
57 | Children of Divorce (1927) | Clara Bow | 2.30 | 76.8 | 76.80 | 20 | 65 | 00 / 00 | 77.3 | |
60 | The Spoilers (1930) | Kay Johnson | 1.60 | 86.2 | 86.20 | 80 | 62 | 00 / 00 | 77.0 | |
62 | A Man from Wyoming (1930) | June Collyer | 1.60 | 84.4 | 84.40 | 81 | 62 | 00 / 00 | 76.4 | |
61 | The Shopworn Angel (1928) | Nancy Carroll | 2.40 | 74.7 | 74.70 | 41 | 65 | 00 / 00 | 76.2 | |
62 | Peter Ibbetson (1935) | Ann Harding | 1.30 | 58.4 | 58.40 | 103 | 69 | 01 / 00 | 76.0 | |
63 | Fighting Caravans (1931) | Ernest Torrence | 2.40 | 125.7 | 125.70 | 37 | 46 | 00 / 00 | 73.5 | |
64 | Devil and the Deep (1932) | Cary Grant & Charles Laughton |
1.50 | 72.1 | 72.10 | 63 | 62 | 00 / 00 | 72.7 | |
63 | The Wolf Song (1929) | Lupe Velez | 2.00 | 63.0 | 63.00 | 66 | 65 | 00 / 00 | 72.6 | |
68 | The Legion of the Condemned (1928) | Fay Wray | 2.40 | 76.5 | 76.50 | 39 | 59 | 00 / 00 | 71.5 | |
65 | Only The Brave (1930) | Mary Brian | 0.80 | 43.2 | 43.20 | 140 | 70 | 00 / 00 | 71.4 | |
66 | One Sunday Afternoon (1933) | Fay Wray | 1.20 | 55.6 | 55.60 | 78 | 66 | 00 / 00 | 71.2 | |
69 | The Wreck of the Mary Deare (1959) | Charlton Heston | 3.30 | 59.8 | 144.50 | 73 | 63 | 00 / 00 | 69.9 | |
71 | His Woman (1931) | Claudette Colbert | 1.30 | 67.6 | 67.60 | 108 | 58 | 00 / 00 | 65.9 | |
70 | The Texan (1930) | Fay Wray | 0.60 | 32.3 | 32.30 | 156 | 68 | 00 / 00 | 64.4 | |
72 | Beau Sabreur (1928) | William Powell | 1.60 | 50.3 | 50.30 | 61 | 61 | 00 / 00 | 62.6 | |
73 | Blowing Wild (1953) | Barbara Stanwyck & Anthony Quinn |
5.80 | 103.7 | 182.30 | 51 | 43 | 00 / 00 | 61.5 | |
74 | Today We Live (1933) | Joan Crawford & Directed by Howard Hawks |
1.70 | 79.0 | 138.60 | 53 | 49 | 00 / 00 | 57.7 | |
75 | The Wedding Night (1935) | Ralph Bellamy | 1.50 | 67.0 | 67.00 | 85 | 52 | 00 / 00 | 56.4 | |
75 | The Naked Edge (1961) | Peter Cushing & Deborah Kerr |
6.00 | 87.4 | 87.40 | 40 | 43 | 00 / 00 | 51.9 | |
76 | Half A Bride (1928) | Esther Ralston | 0.50 | 14.6 | 14.60 | 114 | 63 | 00 / 00 | 45.6 | |
77 | Doomsday (1928) | Florence Vidor | 0.50 | 15.4 | 15.40 | 110 | 61 | 00 / 00 | 42.9 | |
79 | Betrayal (1929) | Emil Jannings | 1.00 | 31.1 | 31.10 | 113 | 49 | 00 / 00 | 26.9 | |
80 | The First Kiss (1928) | Fay Wray | 0.70 | 22.8 | 22.80 | 96 | 49 | 00 / 00 | 21.9 | |
81 | It's a Big Country (1951) | Gene Kellly & William Powell |
1.50 | 32.4 | 40.30 | 171 | 46 | 00 / 00 | 21.8 |
Possibly Interesting Facts About Gary Cooper
#1 After failing as an editorial cartoonist and a salesman of electronic signs in his early 20s, Gary Cooper moved from Montana to Los Angeles with his parents. His thinking on the move…”would rather starve where it was warm, than to starve and freeze too.”
#2 The American Film Institute named Gary Cooper as the 11th best male actor of the Classic Hollywood cinema period.
#3 Gary Cooper married Veronica “Rocky” Balfe in 1933. Despite being separated from between 1951 and 1954, she was with Cooper when he passed away in 1961. They had one daughter together, Maria Cooper. Here you go mom….personal information about him.
#4 Gary Cooper made four movies with legendary director Cecil B. DeMille. Those movies were The Plainsman(1936), North West Mounted Police (1940), The Story of Doctor Wassell (1944) and Unconquered (1947).
#5 During the filming of The Plainsman, Cecil B. DeMille wanted to fire a very young Mexican actor who was playing an indian. Gary Cooper talked DeMille out of firing the actor. The actor? Anthony Quinn who would go on to win two Oscars®.
#6 Cooper was the first choice for the role of Rhett Butler in Gone with the Wind. When Cooper turned down the role, he was passionately against it. He is quoted as saying, “Gone With The Wind is going to be the biggest flop in Hollywood history. I’m glad it’ll be Clark Gable who’s falling flat on his nose, not me”
#7 Alfred Hitchcock wanted Gary Cooper to star in 1940’s Foreign Correspondent and 1942’s Sabotuer. Cooper later admitted he had made a “mistake” in turning down the director.
#8 Gary Cooper’s reputation as the “strong silent type” goes back to one of his first talking pictures, The Virginian, in which his character had little to say but definitely commanded the respect of those around him. The strong silent type/Gary Cooper was mentioned numerous times in the great HBO series The Sopranos.
#9 Cooper was given a Honorary Oscar® in April 1961, his close friend James Stewart, accepted the award on his behalf. Stewart’s emotional speech hinted that something was seriously wrong, and the next day newspapers ran the headline, “Gary Cooper has cancer.” One month later, on May 13, 1961, six days after his 60th birthday, Cooper died.
If you do a comment….please ignore the email address and website section.
Very nicely done Conanson. I see your movie did not open very well this week(lol). As for Gary Cooper, I bet I have seen twenty of these movies, but I do not remember any of them. My dad used to love his westerns, and we would watch them on AMC or VHS all the time. My dad was a huge Cooper fan, but did not like the Duke. I never could figure that one out. It might be interesting to watch some of his westerns and see if I remember any of them.
Hey Shaun…..yep I am surviving the horrible opening weekend for Conan. Thanks for sharing your memories of watching Gary Cooper with the movie page. I wonder why your dad like Cooper and not Wayne….there has to be a story behind the reasoning….very interesting. Thanks for the compliment.
I’ve always liked Cooper’s laid-back acting style. His “strong, silent” image worked well for him. He was actually pretty good at comedy, too.
My favorite Cooper films are “High Noon” and “Beau Geste”. (I think ‘Beau Geste’ is a very under-rated film.)
I haven’t seen “Pride of the Yankees” since I was a kid, but I remember watching it with one of my uncles and he was angry that they completely changed Lou Gehrig’s famous speech.
Hey Robwrite. I read that Cooper wanted to do more comedy, but he felt Cary Grant was doing that better than anybody else could…so he stayed away from comedy after he reached the 1940s and onward.
High Noon and Beau Geste did very well according to critics and audiences…..1st and 4th….I have seen parts of Beau Geste…I need to see the whole thing.
I think I have seen the movie version of the Gehrig speech more than I have seen the actual Gehrig speech. I can imagine your uncles being New York City citizens would have been very upset with Hollywood changing words to make a better movie. As always thanks for your comments.
I have Sergeant York and High Noon on DVD…two of my all time favorite movies.
Hey WillStarr…you have two excellent movies of his….as well as the two that he won the Academy Award for Best Actor as well. I appreciate you stopping by and checking out this Cooper movie page.
It seems Gary’s movie came out at just the right time to garner him some box office gold….another great actor’s film biography Cogerson.;)
Hey mentalist acer thanks for stopping by…..Gary Cooper found a lot of box office gold….just taking these 65 movies in the movie page….his adjusted box office totals would be right around 6.5 billion…..which is about what Tom Hanks has earned in his career. Thanks for the compliment
Very nicely done, I learned many things while reading this movie page. As for Love in the Afternoon, the picture you posted, I would have to agree that he looks way too old for Hepburn. But I thing Hepburn did the same thing with Grant in Charade, and they were believable as a couple. I might have to check that movie out. Looking through your list, I have seen only one of Cooper’s movies, High Noon. But now I have a list of many movies to check out, thanks for the information.
Hey KellyE….thanks for stopping by and checking out my Gary Cooper movie page, as for Love in the Afternoon, I found sound black and white photos that really show their age difference….but they would not upload very well. I am glad you have a reference list for future movie viewing.