Want to know the best Geneviève Bujold movies? How about the worst Geneviève Bujold movies? Curious about Geneviève Bujold box office grosses or which Geneviève Bujold movie picked up the most Oscar® nominations? Need to know which Geneviève Bujold movie got the best reviews from critics and audiences? Well, you have come to the right place….because we have all of that information.
Geneviève Bujold (1942-) is an Oscar®-nominated Canadian actress. She is best known for her portrayal of Anne Boleyn in the film Anne of the Thousand Days (1969), for which she won a Golden Globe® Award and received an Academy Award® nomination. Her IMDb page shows over 75 acting credits since 1955. This page will rank Geneviève Bujold movies from Best to Worst in six different sortable columns of information. To do well in our overall rankings a movie has to do well at the box office, get good reviews by critics, be liked by audiences, and get some award recognition.
Geneviève Bujold Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1969 | Anne of the Thousand Days (1969) AA Best Picture Nom AA Best Actress Nom |
||
1978 | Coma (1978) | ||
1974 | Earthquake (1974) | ||
1984 | Tightrope (1984) | ||
1976 | Obsession (1976) | ||
1988 | Dead Ringers (1988) | ||
1979 | Murder by Decree (1979) | ||
1966 | King of Hearts (1966) | ||
1966 | The War Is Over (1966) | ||
1973 | Kamouraska (1973) | ||
1998 | Last Night (1998) | ||
2012 | Still Mine (2012) | ||
1976 | Swashbuckler (1976) | ||
1985 | Trouble in Mind (1985) | ||
1993 | An Ambush of Ghosts (1993) Film Festival Circuit Only |
||
1967 | The Thief of Paris/Le Voleur (1967) | ||
1984 | Choose Me (1984) | ||
1980 | The Last Flight of Noah's Ark (1980) | ||
2002 | Chaos and Desire (2002) | ||
1988 | The Moderns (1988) | ||
1982 | Monsignor (1982) | ||
2009 | The Trotsky (2009) Limited Release |
||
2015 | Chorus (2015) | ||
1996 | The Adventures of Pinocchio (1996) | ||
1975 | Incorrigible/L'incorrigible (1975) | ||
1971 | The Trojan Women (1971) | ||
1972 | The Journey (1972) | ||
2006 | Délivrez-moi (2006) | ||
1997 | The House of Yes (1997) | ||
1992 | Oh What A Night (1992) Film Festival Circuit Only |
||
1977 | Another Man, Another Chance (1977) | ||
1976 | Alex & The Gypsy (1976) | ||
2011 | Pour l'amour de Dieu (2011) | ||
1968 | Isabel (1968) | ||
1970 | Act of the Heart (1970) | ||
2006 | Disappearances (2006) | ||
2003 | Finding Home (2003) | ||
2013 | Northern Borders (2013) | ||
1998 | You Can Thank Me Later (1998) | ||
2013 | The Legend of Sarila (2013) | ||
1999 | Eye of the Beholder (1999) | ||
1990 | False Identity (1990) | ||
1980 | Final Assignment (1980) |
Geneviève Bujold Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies any way you want.
- Sort Geneviève Bujold movies by her co-stars
- Sort Geneviève Bujold movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Geneviève Bujold movies by yearly domestic box office rank
- Sort Geneviève Bujold movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Geneviève Bujold movie received.
- Sort Geneviève Bujold movies by Ultimate Movie Rankings (UMR) Score. UMR puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Anne of the Thousand Days (1969) AA Best Picture Nom AA Best Actress Nom |
Richard Burton & Anthony Quayle |
17.30 | 131.4 | 131.40 | 17 | 72 | 10 / 01 | 94.0 | |
3 | Coma (1978) | Michael Douglas & Rip Torn |
32.40 | 149.5 | 149.50 | 18 | 70 | 00 / 00 | 90.5 | |
2 | Earthquake (1974) | Charlton Heston & Ava Gardner |
78.60 | 453.3 | 453.30 | 4 | 45 | 04 / 01 | 88.9 | |
4 | Tightrope (1984) | Clint Eastwood | 48.10 | 154.5 | 154.50 | 14 | 63 | 00 / 00 | 88.9 | |
5 | Obsession (1976) | John Lithgow & Directed by Brian DePalma |
13.50 | 68.5 | 68.50 | 50 | 74 | 01 / 00 | 81.9 | |
6 | Dead Ringers (1988) | Jeremy Irons | 8.00 | 21.1 | 21.10 | 104 | 83 | 00 / 00 | 77.4 | |
7 | Murder by Decree (1979) | Christopher Plummer & James Mason |
8.20 | 35.0 | 35.00 | 73 | 78 | 00 / 00 | 77.2 | |
8 | King of Hearts (1966) | Alan Bates | 2.50 | 24.5 | 24.50 | 83 | 81 | 00 / 00 | 76.5 | |
9 | The War Is Over (1966) | Yves Montand | 0.80 | 7.6 | 7.60 | 130 | 78 | 01 / 00 | 69.2 | |
10 | Kamouraska (1973) | Richard Jordan | 2.00 | 12.0 | 12.00 | 120 | 74 | 00 / 00 | 64.0 | |
11 | Last Night (1998) | Don McKellar & Sandra Oh |
0.60 | 1.4 | 1.40 | 205 | 76 | 00 / 00 | 62.3 | |
12 | Still Mine (2012) | James Cromwell | 1.20 | 1.6 | 2.10 | 192 | 74 | 00 / 00 | 59.4 | |
14 | Swashbuckler (1976) | Robert Shaw & James Earl Jones |
8.30 | 42.2 | 42.20 | 65 | 59 | 00 / 00 | 56.0 | |
13 | Trouble in Mind (1985) | Kris Kristofferson & Keith Carradine |
0.10 | 0.2 | 0.20 | 195 | 71 | 00 / 00 | 53.4 | |
16 | An Ambush of Ghosts (1993) Film Festival Circuit Only |
David Arquette | 0.00 | 0.1 | 0.10 | 275 | 71 | 00 / 00 | 52.5 | |
16 | The Thief of Paris/Le Voleur (1967) | Jean-Paul Belmondo | 1.20 | 10.9 | 39.40 | 132 | 67 | 00 / 00 | 52.3 | |
17 | Choose Me (1984) | Keith Carradine | 2.50 | 8.0 | 8.00 | 132 | 68 | 00 / 00 | 51.5 | |
18 | The Last Flight of Noah's Ark (1980) | Elliott Gould | 9.30 | 38.6 | 38.60 | 77 | 58 | 00 / 00 | 50.7 | |
20 | Chaos and Desire (2002) | Pascale Bussières | 0.00 | 0.1 | 0.10 | 355 | 68 | 00 / 00 | 47.5 | |
19 | The Moderns (1988) | Keith Carradine & Linda Fiorentino |
2.00 | 5.3 | 5.30 | 159 | 67 | 00 / 00 | 47.4 | |
21 | Monsignor (1982) | Christopher Reeve | 12.40 | 45.5 | 45.50 | 55 | 53 | 00 / 00 | 45.1 | |
21 | The Trotsky (2009) Limited Release |
Jay Baruchel | 0.00 | 0.1 | 0.10 | 391 | 66 | 00 / 00 | 43.3 | |
21 | Chorus (2015) | Luc Senay | 0.00 | 0.1 | 0.10 | 394 | 66 | 00 / 00 | 42.2 | |
25 | The Adventures of Pinocchio (1996) | Martin Landau & Jonathan Taylor Thomas |
15.10 | 36.8 | 36.80 | 98 | 54 | 00 / 00 | 41.7 | |
24 | Incorrigible/L'incorrigible (1975) | Jean-Paul Belmondo | 2.60 | 13.5 | 37.70 | 100 | 61 | 00 / 00 | 41.6 | |
27 | The Trojan Women (1971) | Katharine Hepburn & Vanessa Redgrave |
2.90 | 18.8 | 18.80 | 93 | 59 | 00 / 00 | 41.3 | |
26 | The Journey (1972) | John Vernon | 1.10 | 6.7 | 6.70 | 141 | 63 | 00 / 00 | 40.7 | |
28 | Délivrez-moi (2006) | Céline Bonnier | 0.00 | 0.1 | 0.10 | 399 | 65 | 00 / 00 | 39.9 | |
28 | The House of Yes (1997) | Parker Posey & Josh Hamilton |
0.60 | 1.5 | 1.50 | 197 | 64 | 00 / 00 | 38.9 | |
30 | Oh What A Night (1992) Film Festival Circuit Only |
Robbie Coltrane | 0.00 | 0.1 | 0.10 | 251 | 62 | 00 / 00 | 33.3 | |
31 | Another Man, Another Chance (1977) | James Caan | 1.40 | 6.5 | 6.50 | 129 | 59 | 00 / 00 | 32.2 | |
33 | Alex & The Gypsy (1976) | Jack Lemmon & James Woods |
3.30 | 16.9 | 16.90 | 97 | 56 | 00 / 00 | 31.5 | |
32 | Pour l'amour de Dieu (2011) | Ariane Legault | 0.00 | 0.1 | 0.10 | 370 | 61 | 00 / 00 | 31.0 | |
34 | Isabel (1968) | Marc Strange | 1.80 | 14.7 | 14.70 | 133 | 55 | 00 / 00 | 29.3 | |
34 | Act of the Heart (1970) | Donald Sutherland | 1.40 | 9.5 | 9.50 | 127 | 57 | 00 / 00 | 28.7 | |
36 | Disappearances (2006) | Kris Kristofferson & Charlie McDermott |
0.00 | 0.1 | 0.10 | 416 | 58 | 00 / 00 | 25.5 | |
37 | Finding Home (2003) | Louise Fletcher | 0.00 | 0.1 | 0.10 | 294 | 56 | 00 / 00 | 22.5 | |
38 | Northern Borders (2013) | Bruce Dern | 0.00 | 0.1 | 0.10 | 415 | 56 | 00 / 00 | 21.4 | |
39 | You Can Thank Me Later (1998) | Ellen Burstyn | 0.00 | 0.1 | 0.10 | 352 | 52 | 00 / 00 | 15.7 | |
40 | The Legend of Sarila (2013) | Christopher Plummer | 0.00 | 0.1 | 0.10 | 368 | 50 | 00 / 00 | 12.9 | |
42 | Eye of the Beholder (1999) | Ewan McGregor & Ashley Judd |
16.50 | 35.2 | 38.90 | 96 | 37 | 00 / 00 | 10.6 | |
41 | False Identity (1990) | Stacy Keach | 0.00 | 0.1 | 0.10 | 255 | 47 | 00 / 00 | 9.2 | |
44 | Final Assignment (1980) | Burgess Meredith | 0.40 | 1.5 | 1.50 | 169 | 43 | 00 / 00 | 6.1 |
Check out Geneviève Bujold‘s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
20 MYRNA LOY WORLDWIDE GROSSES ADJUSTED FOR (1) TICKET INFLATION (2) PURCHASING POWER
First figure = ticket inflation/Second figure =purchasing power
The Best Years of Our Lives $927 million/$503 million
Test Pilot $569 million/$308 million
The Great Ziegfeld $567 million/$270 million
Bachelor Knight $416 million/$202 million
After the Thin Woman $384 million/197 million
Too Hot to Handle $325 million/$176 million
Another Thin Woman $288 million/$163 million
Libeled Lady $330 million/$168 million
Song of Songs $252 million /$144 million
Shadow of the Thin Woman $242 million/$135 million
Show of Shows $226 million/$129 million
Wife v Secretary $252 million/127 million
Love Crazy $217 million/$122 million
The Thin Woman Goes Home $212 million/$116 million
Parnell $220 million/$115 million
I Love You Again $ 201 million/$115 million
Noah’s Ark $206 million/$113 million
Mr Blandings $213 million/$102 million
Men in White $166 million/$82 million
Man-Proof $ 121 million/$65 million
TOTAL OF THE 20 WW GROSSES ADJUSTED FOR TICKET INFLATION: $6.35 billion
TOTAL OF THE 20 ADJUSTED FOR PURCHASING POWER: $3.35 billion
Good research….on adjusted is based on ticket sales….never used the purchasing power index to calculate the gross.
Here are top actresses based on actual domestic ticket sells
Myrna Loy 1,041,411,885 Loy is the only actress over a billion, 13 actors have over a billion
Hattie McDaniel 822,430,943
Barbara Stanwyck 821,579,752
Olivia de Havilland 821,203,388
Carrie Fisher 775,987,748
Dorothy Lamour 765,038,472
Elizabeth Taylor 750,715,702
Joan Crawford 742,443,542
Loretta Young 736,381,548
Bette Davis 697,137,927
Lana Turner 696,783,503
Julia Roberts 540,788,586 She is the 40th best when looking at actresses
The $12 million worldwide is what Miss Loy’s movies would earn if her movies were given saturation releases today at current ticket prices. That’s not going to happen.
Because cinema ticket prices in the classic era of movies inflated much faster than prices generally in the economy the real purchasing value today of long-ago actual grosses is much less than any figure that would be arrived at by using the hypothetical ticket inflation method. The further back the comparisons go the weaker the purchasing power today of the actual grosses concerned and comparisons became more equal around 1969.
Accordingly Mis Loy’s actual worldwide grosses have the purchasing power of just $8 billion today and not the $12 billion mentioned. The purchasing power of Miss Julia Roberts’ actual worldwide grosses stands at present at around $9.2 billion. Examples in Part 2 provide a further illustration of the situation.
1938 TEST PILOT [Clark Gable/Myrna Loy]
1/Actual Domestic Gross $9.7 million [Figure Provided by Cogerson]
2/Cogerson Adjusted Domestic Gross $328.1 million
3/Purchasing power in 2020 of $9.7 million earned back in 1938 is $176 million
1990 PRETTY WOMAN [Richard Gere/Julia Roberts]
1/Actual Domestic Gross $178.4 million [figure provided by Cogerson]
2/Cogerson Adjusted Domestic Gross $385 million
3/Purchasing power in 2020 of $178.4 earned back in 1990 is $359 million
in the 2 examples just quoted in terms of purchasing power today Miss Loy’s actual domestic gross loses approx 48% of the figure that Mr Cogerson has credited her with whereas Miss Robert’s Cogerson figure drops away by only 6.8%. That’s a consistent pattern most of the time to one degree or another throughout comparisons of the purchasing power of classic era stars’ actual grosses with those of more modern performers
Hey Bob….just updated this page….it is even bigger now. https://www.ultimatemovierankings.com/tickets-sold-career/
Loy only sold half a billion more tickets than Roberts.
HI BIG BOY: Thanks for updating me on ticket sales. Much appreciated. That will enable me in turn to update my own databases. There really must be two of you who can keep churning out new pages; can comment on droves of posts; and can also expend time in trying to prove 2 and 2 make 5.
It is I think a misnomer to say something like “Myrna Loy sold a billion tickets” as my own perception is that she didn’t. I feel that it would be more accurate to say “Myrna Loy was in 91 films that sold a billion tickets”
Anyway as I understand it the money men [ie the financial backers of movies] are primarily interested in the purchasing power of their profits and don’t particularly care about precisely how many ticket sales went into generating their wealth.
Miss Roberts in her heyday was able to open a string of films and Miss Loy never seemed to me to be able to do that on her own. Also Julia has been much more popular than Thins was in the Quigley polls which rightly or wrongly hold considerable sway within the movie industry.
The actress whom Chaplin sarcastically called “Bank of America’s Sweetheart” Mary Pickford holds the female record for most Quigley Top 10 entries -13; Julia Roberts has 10; and Myrna Loy had 2 entries.
Thins has depended on the presence of so many Greats both male and female in strings of her movies that a large chunk of her grosses could be what Danny DeVito’s Larry the Liquidator called “Other People’s Money”!
Also fluctuations in the purchasing power of movie grosses over the decades have been so frequent and diverse that who would be adamant that ANY one thespian had generated the greatest profits for the studios and the backers in real terms? [See Part 3]
So indeed [who knows?] the financial moguls of the movie industry in recent times may have regarded Julia Roberts as the true “Bank of America’s Sweetheart” –the branches in the state of Virginia excepted of course!
IN the first line of my 4pm post yesterday $12 million should of course read $12 billion. Apologies.
THE FAKE NEWS CORRECTION SERVICE: OUR MOTTO: SPAMMERS LOOK OUT!
“We try and have as many different UMR links as possible.” – Bruce Cogerson yesterday
What’s next?:
Peck left out of To Kill a Mockingbird? Atticus Finch has been voted No 1 Screen Hero of all time by AFI thanks to Greg’s performance.
Vivien left out of Gone with the Wind? Viewers might be nonplussed as to who is playing Scarlett. Frankly they WOULD give a d**n!
Asta excluded from Thin Man references? That would show that Mr Cogerson’s bark in his statement above is the same as his bite.
Wayne not mentioned in connection with The Searchers? Is Mr Cogerson about to “out” himself as not being “a REAL American”
Stallone excluded from the Rocky and Rambo films? We could just about live with that one – unless he was compensated with a co-star link to Streetcar!
Brando left out of Desiree? The author of the 1983 book Rating the Movie Stars would turn in his grave!
BACK – BY PUBLIC DEMAND! – Angela Lansbury as Delilah? In our despair we’d feel like pulling the roof down on our own heads or throwing ourselves to a lion.
OUR PREDICTION? – DISASTER! New viewers and even existing ones who do not have the knowledge of – or are as familiar with the breadth of this site as – the likes of Miss Breen Robison might not be able to properly collate all the diverse and seemingly conflicting names being credited with large numbers of films.
misleading his viewers over casting in numerous movies – he should leave the misleading to his great friend Mr Hirschhorn as that’s what HE does best!
Hey Bob. There are 20 UMR links on the Robby Benson table. Burt Reynolds has 2 of those links…one for Rent A Cop and one for Lucky Lady. The End has a trailer page, which gives lots of attention….so I feel comfortable people will know Benson and Reynolds worked together. We try and have as many different UMR links as possible.