Want to know the best George Sanders movies? How about the worst George Sanders movies? Curious about George Sanders box office grosses or which George Sanders movie picked up the most Oscar® nominations? Need to know which George Sanders movie got the best reviews from critics and audiences? Well you have come to the right place.
George Sanders (1906-1972) was an Oscar® winning English actor who appeared in movies for 40 movies. His IMDb page shows 135 acting credits from 1934-1973. In the table below, Ultimate Movie Rankings ranks 63 of his movies in 6 different sortable columns. Television roles, cameos, shorts and some of his early British movies were not included in the rankings. This partial page comes from a request by Yerby.
George Sanders Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1950
All About Eve (1950)
AA Best Picture Win
AA Best Supp Actor Win
1940
Rebecca (1940)
AA Best Picture Win
1967
The Jungle Book (1967)
1952
Ivanhoe (1952)
AA Best Picture Nom
1964
A Shot in the Dark (1964)
1940
Foreign Correspondent (1940)
AA Best Picture Nom
1942
The Black Swan (1942)
1944
The Lodger (1944)
1942
Tales of Manhattan (1942)
1949
Samson and Delilah (1949)
1941
Man Hunt (1941)
1962
In Search of the Castaways (1962)
1936
Lloyds of London (1936)
1959
Solomon and Sheba (1959)
1937
Slave Ship (1937)
1937
Love is News (1937)
1953
Call Me Madam (1953)
1942
Son of Fury: The Story of Benjamin Blake (1942)
1945
The Picture of Dorian Gray (1945)
1943
This Land Is Mine (1943)
1947
Forever Amber (1947)
1946
The Strange Woman (1946)
1947
The Ghost and Mrs. Muir (1947)
1942
The Moon and Sixpence (1942)
1938
Four Men And a Prayer (1938)
1945
Hangover Square (1945)
1939
Confessions of a Nazi Spy (1939)
1944
Summer Storm (1944)
1940
Bitter Sweet (1940)
1960
Village of the Damned (1960)
1947
Lured (1947)
1939
Allegheny Uprising (1939)
1954
Witness to Murder (1954)
1955
Jupiter's Darling (1955)
1951
I Can Get It For You Wholesale (1951)
1956
Never Say Goodbye (1956)
1937
Lancer Spy (1937)
1947
The Private Affairs of Bel Ami (1947)
1941
Sundown (1941)
1954
Journey To Italy (1954)
1960
The Last Voyage (1960)
1956
While The City Sleeps (1956)
1955
Moonfleet (1955)
1940
The Son Of Monte Cristo (1940)
1939
Mr. Moto's Last Warning (1939)
1940
Green Hell (1940)
1942
Her Cardboard Lover (1942)
1941
Rage in Heaven (1941)
1939
Nurse Edith Cavell (1939)
1959
That Kind of Woman (1959)
1956
That Certain Feeling (1956)
1966
The Quiller Memorandum (1966)
1965
The Amorous Adventures of Moll Flanders (1965)
1952
Assignment: Paris (1952)
1949
The Fan (1949)
1957
The Seventh Sin (1957)
1954
King Richard and the Crusaders (1954)
1939
So This Is London (1939)
1946
A Scandal in Paris (1946)
1940
The Saint's Double Trouble (1940)
1970
The Kremlin Letter (1970)
1967
Warning Shot (1967)
1950
Captain Blackjack (1950)
1943
They Came to Blow Up America (1943)
1958
The Whole Truth (1958)
1955
The Scarlet Coat (1955)
1951
The Light Touch (1951)
1961
Five Golden Hours (1961)
1958
From the Earth to the Moon (1958)
1955
The King's Thief (1955)
1960
A Touch of Larceny (1960)
1967
Good Times (1967)
George Sanders Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort George Sanders movies by co-stars of his movies.
- Sort George Sanders movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort George Sanders movies by yearly domestic box office rank
- Sort George Sanders movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each George Sanders movie received and how many Oscar® wins each George Sanders movie won.
- Sort George Sanders movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the search and sort button to make this page very interactive.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
2 | All About Eve (1950) AA Best Picture Win AA Best Supp Actor Win |
Bette Davis & Marilyn Monroe |
8.90 | 198.9 | 282.30 | 9 | 92 | 14 / 06 | 100.0 | |
1 | Rebecca (1940) AA Best Picture Win |
Laurence Olivier & Joan Fontaine |
8.60 | 330.0 | 330.00 | 5 | 87 | 11 / 02 | 99.9 | |
5 | The Jungle Book (1967) | Disney Animated Movies | 89.10 | 794.0 | 794.00 | 2 | 82 | 01 / 00 | 98.0 | |
3 | Ivanhoe (1952) AA Best Picture Nom |
Elizabeth Taylor & Robert Taylor |
17.40 | 340.7 | 617.60 | 4 | 73 | 03 / 00 | 97.8 | |
6 | A Shot in the Dark (1964) | Peter Sellers & Elke Somner |
19.30 | 221.1 | 221.10 | 5 | 80 | 00 / 00 | 97.5 | |
8 | Foreign Correspondent (1940) AA Best Picture Nom |
Joel McCrea & Directed by Alfred Hitchcock |
4.10 | 157.1 | 240.80 | 32 | 82 | 06 / 00 | 97.4 | |
7 | The Black Swan (1942) | Tyrone Power & Maureen O'Hara |
8.60 | 318.6 | 318.60 | 12 | 71 | 03 / 01 | 96.2 | |
10 | The Lodger (1944) | Laird Cregar & Merle Oberon |
6.50 | 217.3 | 217.30 | 43 | 74 | 00 / 00 | 96.1 | |
8 | Tales of Manhattan (1942) | Henry Fonda & Ginger Rogers |
7.10 | 265.5 | 265.50 | 18 | 73 | 00 / 00 | 95.8 | |
9 | Samson and Delilah (1949) | Victor Mature & Hedy Lamarr |
28.30 | 710.3 | 710.30 | 1 | 63 | 05 / 02 | 95.1 | |
11 | Man Hunt (1941) | Walter Pidgeon & Roddy McDowall |
4.50 | 173.9 | 173.90 | 37 | 76 | 00 / 00 | 94.7 | |
11 | In Search of the Castaways (1962) | Hayley Mills | 21.70 | 312.1 | 312.10 | 8 | 67 | 00 / 00 | 94.3 | |
12 | Lloyds of London (1936) | Tyrone Power | 6.70 | 287.5 | 287.50 | 5 | 64 | 02 / 00 | 93.9 | |
13 | Solomon and Sheba (1959) | You Brynner & Gina Lollobrigida |
14.90 | 266.9 | 266.90 | 14 | 61 | 00 / 00 | 92.7 | |
15 | Slave Ship (1937) | Wallace Beery & Mickey Rooney |
4.40 | 182.4 | 182.40 | 31 | 65 | 00 / 00 | 92.0 | |
17 | Love is News (1937) | Tyrone Power & Don Ameche |
4.00 | 165.8 | 165.80 | 46 | 70 | 00 / 00 | 92.0 | |
19 | Call Me Madam (1953) | Ethel Merman & Donald O'Connor |
8.60 | 155.2 | 155.20 | 25 | 70 | 02 / 01 | 91.9 | |
18 | Son of Fury: The Story of Benjamin Blake (1942) | Tyrone Power | 4.60 | 169.9 | 169.90 | 55 | 67 | 00 / 00 | 91.5 | |
19 | The Picture of Dorian Gray (1945) | Angela Lansbury & Donna Reed |
3.90 | 123.2 | 262.00 | 88 | 78 | 03 / 01 | 91.4 | |
21 | This Land Is Mine (1943) | Charles Laughton & Maureen O'Hara |
4.00 | 143.7 | 143.70 | 79 | 73 | 01 / 01 | 91.4 | |
21 | Forever Amber (1947) | Linda Darnell & Cornel Wilde |
13.50 | 393.7 | 393.70 | 5 | 55 | 00 / 00 | 90.8 | |
22 | The Strange Woman (1946) | Hedy Lamarr | 7.60 | 233.1 | 233.10 | 41 | 52 | 00 / 00 | 89.6 | |
23 | The Ghost and Mrs. Muir (1947) | Gene Tierney & Natalie Wood |
2.80 | 82.7 | 82.70 | 118 | 84 | 01 / 00 | 88.1 | |
24 | The Moon and Sixpence (1942) | Herbert Marshall | 3.40 | 127.4 | 127.40 | 79 | 64 | 01 / 00 | 85.9 | |
26 | Four Men And a Prayer (1938) | Loretta Young & John Ford |
3.50 | 139.7 | 139.70 | 51 | 59 | 00 / 00 | 85.0 | |
25 | Hangover Square (1945) | Laird Cregar & Linda Darnell |
2.80 | 87.8 | 87.80 | 107 | 74 | 00 / 00 | 84.6 | |
27 | Confessions of a Nazi Spy (1939) | Edward G. Robinson | 3.20 | 122.7 | 235.80 | 69 | 62 | 00 / 00 | 84.0 | |
29 | Summer Storm (1944) | Linda Darnell | 4.00 | 135.8 | 135.80 | 82 | 53 | 01 / 00 | 82.1 | |
30 | Bitter Sweet (1940) | Jeanette MacDonald & Nelson Eddy |
2.40 | 91.5 | 153.60 | 82 | 64 | 02 / 00 | 80.8 | |
30 | Village of the Damned (1960) | Barbara Shelley | 4.00 | 62.5 | 97.10 | 68 | 75 | 00 / 00 | 80.7 | |
31 | Lured (1947) | Boris Katloff & Lucille Ball |
1.90 | 55.1 | 55.10 | 140 | 73 | 00 / 00 | 78.2 | |
32 | Allegheny Uprising (1939) | John Wayne | 2.60 | 101.6 | 115.50 | 90 | 58 | 00 / 00 | 77.6 | |
33 | Witness to Murder (1954) | Barbara Stanwyck | 2.90 | 67.0 | 67.00 | 106 | 67 | 00 / 00 | 76.4 | |
34 | Jupiter's Darling (1955) | Esther Williams & Howard Keel |
4.30 | 88.4 | 153.40 | 81 | 60 | 00 / 00 | 76.1 | |
35 | I Can Get It For You Wholesale (1951) | Susan Hayward | 4.10 | 87.8 | 87.80 | 88 | 59 | 00 / 00 | 74.5 | |
36 | Never Say Goodbye (1956) | Rock Hudson | 4.60 | 89.6 | 89.60 | 65 | 57 | 00 / 00 | 73.2 | |
38 | Lancer Spy (1937) | Peter Lorre | 1.60 | 66.1 | 66.10 | 140 | 63 | 00 / 00 | 72.1 | |
39 | The Private Affairs of Bel Ami (1947) | Angela Lansbury | 2.10 | 60.2 | 60.20 | 135 | 64 | 00 / 00 | 71.2 | |
40 | Sundown (1941) | Gene Tierney | 2.80 | 108.5 | 159.70 | 90 | 46 | 03 / 00 | 71.0 | |
40 | Journey To Italy (1954) | Ingrid Bergman | 0.90 | 21.8 | 21.80 | 155 | 76 | 00 / 00 | 70.5 | |
40 | The Last Voyage (1960) | Robert Stack | 3.00 | 47.6 | 92.20 | 74 | 67 | 01 / 00 | 70.4 | |
41 | While The City Sleeps (1956) | Dana Andrews | 2.60 | 50.4 | 50.40 | 125 | 66 | 00 / 00 | 69.2 | |
42 | Moonfleet (1955) | Stewart Granger | 1.60 | 33.6 | 93.20 | 150 | 70 | 00 / 00 | 68.1 | |
44 | The Son Of Monte Cristo (1940) | Joan Bennett | 2.00 | 75.3 | 75.30 | 101 | 56 | 01 / 00 | 67.5 | |
45 | Mr. Moto's Last Warning (1939) | Peter Lorre | 1.90 | 71.9 | 71.90 | 123 | 57 | 00 / 00 | 66.3 | |
47 | Green Hell (1940) | Douglas Fairbanks, Jr. | 2.00 | 76.4 | 76.40 | 98 | 55 | 00 / 00 | 66.2 | |
46 | Her Cardboard Lover (1942) | Norma Shearer | 1.80 | 67.7 | 103.30 | 133 | 58 | 00 / 00 | 65.9 | |
48 | Rage in Heaven (1941) | Ingrid Bergman & Robert Montgomery |
2.00 | 77.6 | 77.60 | 116 | 54 | 00 / 00 | 65.5 | |
48 | Nurse Edith Cavell (1939) | Anna Neagle | 1.00 | 39.3 | 39.30 | 175 | 64 | 01 / 00 | 63.2 | |
50 | That Kind of Woman (1959) | Sophia Loren | 2.90 | 51.3 | 51.30 | 81 | 60 | 00 / 00 | 62.1 | |
51 | That Certain Feeling (1956) | Bob Hope | 2.90 | 56.0 | 56.00 | 116 | 58 | 00 / 00 | 61.5 | |
52 | The Quiller Memorandum (1966) | George Segal & Alec Guinness |
3.80 | 36.8 | 36.80 | 65 | 63 | 00 / 00 | 59.6 | |
55 | The Amorous Adventures of Moll Flanders (1965) | Angela Lansbury & Kim Novak |
5.40 | 57.1 | 57.10 | 52 | 56 | 00 / 00 | 58.9 | |
56 | Assignment: Paris (1952) | Dana Andrews | 2.60 | 51.2 | 51.20 | 130 | 57 | 00 / 00 | 57.4 | |
54 | The Fan (1949) | Jeanne Crain | 1.10 | 26.8 | 26.80 | 180 | 65 | 00 / 00 | 56.7 | |
56 | The Seventh Sin (1957) | Eleanor Parker | 0.70 | 13.8 | 39.90 | 177 | 69 | 00 / 00 | 56.6 | |
58 | King Richard and the Crusaders (1954) | Rex Harrison & Virginia Mayo |
3.90 | 92.3 | 190.90 | 85 | 43 | 00 / 00 | 54.9 | |
57 | So This Is London (1939) | Stewart Granger | 0.90 | 34.1 | 34.10 | 186 | 61 | 00 / 00 | 54.0 | |
59 | A Scandal in Paris (1946) | Directed by Douglas Sirk | 0.70 | 20.9 | 20.90 | 151 | 63 | 00 / 00 | 49.7 | |
59 | The Saint's Double Trouble (1940) | Bela Lugosi | 0.50 | 20.5 | 20.50 | 205 | 60 | 00 / 00 | 43.9 | |
61 | The Kremlin Letter (1970) | Orson Wells & Directed by John Huston |
2.10 | 14.8 | 14.80 | 103 | 60 | 00 / 00 | 40.5 | |
62 | Warning Shot (1967) | Walter Pidgeon & Lillian Gish |
2.50 | 22.3 | 22.30 | 87 | 58 | 00 / 00 | 40.4 | |
63 | Captain Blackjack (1950) | Agnes Moorehead | 1.00 | 23.4 | 23.40 | 181 | 57 | 00 / 00 | 40.2 | |
64 | They Came to Blow Up America (1943) | Ward Bond | 0.30 | 11.1 | 11.10 | 178 | 60 | 00 / 00 | 37.3 | |
65 | The Whole Truth (1958) | Donna Reed | 1.30 | 23.2 | 23.20 | 128 | 56 | 00 / 00 | 37.2 | |
66 | The Scarlet Coat (1955) | Cornel Wilde & Directed by John Sturges |
1.30 | 26.6 | 69.20 | 159 | 54 | 00 / 00 | 33.9 | |
68 | The Light Touch (1951) | Stewart Granger & Pier Angeli |
1.30 | 27.0 | 78.90 | 184 | 51 | 00 / 00 | 28.1 | |
67 | Five Golden Hours (1961) | Cyd Charisse | 1.20 | 17.2 | 17.20 | 118 | 54 | 00 / 00 | 28.1 | |
69 | From the Earth to the Moon (1958) | Joseph Cotten | 2.10 | 38.5 | 38.50 | 105 | 46 | 00 / 00 | 26.7 | |
70 | The King's Thief (1955) | David Niven & Roger Moore |
1.40 | 28.3 | 28.30 | 155 | 47 | 00 / 00 | 22.3 | |
71 | A Touch of Larceny (1960) | James Mason | 1.60 | 24.6 | 24.60 | 110 | 43 | 00 / 00 | 14.1 | |
70 | Good Times (1967) | Sonny & Cher |
2.00 | 17.8 | 17.80 | 98 | 43 | 00 / 00 | 11.1 |
1 HI STEVE On 19 Sep September last year I lodged a post [see below] in response to Bruce’s then-new Sanders page but nobody seemed interested in it. That though is probably understandable as we were once more honoured with the observations of Joel, and even I might regard as inconsequential anything somebody else had to say if pearls of wisdom from the pen of The Great Man were dripping down onto centre stage.
NB: In 1956 The Great Man of the movie of that title is an entertainments celebrity admired by the public in the way that Joel seems to be on this site. When The Great Man dies in a car accident my Gorgeous George’s uncle in real life Jose Ferrer, the Network’s popular reporter on the air, is assigned to prepare a tribute to The Great Man. However as he digs beneath the surface he finds a phoney who was a massive charlatan “Everybody loved The Great Man except those who hated his guts,” is the tagline on the posters [see Wikipedia]
2 Anyway your video gives me the opportunity to write once again about George Sanders. POSTERS. My favourites are Confessions of a Nazi Spy, The Strange Woman, Solomon and Sheba, Death of a Scoundrel, Moonfleet, Witness to Murder, While the City Sleeps, The Black Swan, Samson and Delilah, The Moon and Sixpence, Village of the Damned and Rebecca
.
3 STILLS (1) George and Lucille Ball (2) Samson and Delilah, with Mature an iconic standout because of his size (3) Sanders with Ty and Mo O’Hara (4) The Picture of Dorian Gray (5) Rebecca (6) All about Eve and (7) Shot in the Dark. Was it cost-cutting that made them produce black and white stills for a coloured movie in those days?
4 You and Bruce agree on 4 of the Top 5 for Review. He chooses Jungle Book for the 5th whereas you have Shot in the Dark. There your taste coincides with mine but as Shere Khan has become such a legendary movie figure we must equally respect WH’s choice I like the opening quote from George and for me your presentation is easily worth 96.5%.
5 I see that Dan in his 16 Sep post below thinks that Sanders, instead of a heart attack, may have killed Ty Power. Dan’s sources would have been useful to have had around in the days when the whole of America was in suspense about who shot J R Ewing in TV’s Dallas!
Hi Bob, thanks for the review, rating, info, trivia and comparison, it is appreciated.
Happy you enjoyed the posters and stills.
George Sanders accidentally ran Tyrone Powers thru with a fake movie sword during their fight? naah if it was anything of that sort the hospital and doctors would have mentioned it. A worried studio paying for a fake death certificate? Doubtful. Powers was too famous.
Bob, I’ve noticed Hedy Lamarr is billed before Victor Mature for Samson and Delilah on all the posters, eh what’s that all about? Was she more famous than Vic? Is the movie titled Delilah & Samson? Was Gina billed over Yul in Solomon and Sheba? I know Hedy was a big sex symbol of the 1940s but she was hardly a respected actress, maybe the studio thought she was the main attraction? What does our billing expert think of these shenanigans?
Sanders has 5 films scoring 10 out of 10 from my sources – The Jungle Book, A Shot in the Dark, Foreign Correspondent, Rebecca and All About Eve.
Five films scored 9 including Dorian Gray and The Ghost and Mrs. Muir.
All About Eve tops all the charts including Bruce’s critics chart. Rebecca tops the UMR chart. I own them both on DVD but if I had to pick one of the two it would be Rebecca, Hitchcock’s only Best Picture winner.
Btw Hitch had another movie nominated for Best Picture that year, Foreign Correspondent. What an impressive start for his transition to Hollywood.
Added Steve’s George Sanders You Tube Video to the channel.
My comment there.
“This man had a lot of movies. Of the 40 you listed…I have seen 14 of the 40….but he has a lot more movies. Favorites include #7 Dorian Gray….great supporting role #10 The Lodger….looks great in black and white #11 The Black Swan….fun fun movie…..and a movie Pirates of the Caribbean borrowed heavily from. And #13….Ivanhoe….another fun movie. I agree his best movies are All About Eve and Rebecca….and they are classics…..but I do not want to re-watch those great movies too often. Voted up and shared at UMR.”
Jolly good show! That’s pretty decent of you old chap, cheers. (as Sanders might say)
Hey Steve…no problem…just added your latest videos as well.
1 George Henry Sanders played leading roles [including The Saint] as well as supporting parts in his career but the only flicks in which I personally have seen him as the main star are Black Jack [aka Captain Black Jack] The Picture of Dorian Gray, The Moon and Sixpence and Death of a Scoundrel. He hated Black Jack himself [and indeed temporarily walked out on the filming of it until coaxed back] but the other 3 along with Rebecca, The Black Swan, Shot in the Dark and most especially Fritz Lang’s 1956 While the City Sleeps are my own favourite Sanders films.
2 Literary historians opine that Sanders’ character the much-quoted Lord Henry Wotton in Oscar Wilde’s Dorian Gray was actually based on Wilde himself.
3 Observers also claim that painter Charles Strickland whom George played in the 1942 film of Somerset Maugham’s The Moon and Sixpence was based on the real-life Paul Gaugin for his portrayal of whom Tony Quinn earned a best supporting actor Oscar in the 1956 Lust for Life in which Kirk Douglas played van Gogh, a performance which attracted the scorn of Kirk’s pal The Duke. [How am I doing Dan?]
4 Many among today’s audiences are possibly not too familiar with George Sanders’ PHYSICAL screen presence but George’s wonderful VOICE may have earned movie immortality via the predatory Shere Khan in the 1967 Jungle Book – no mumbling there Stevie !! Anyway this page provides a most welcome stats profile of the career of a unique performer in Hollywood’s classic era. Vote up as Steve would say.
Hi
Sanders was another one of them great character actors who enhanced so many movies, especially All About Eve as the venomous Addison Dewitt. Apparently Davis was furious that he got the Oscar and she didn’t and just hissed at him instead of speaking and his reply was “Sour grapes Betty dear?”
He probably was at his best playing villains, he just had that look about him. He really enhanced the part of Shere Khan in the Jungle Book. It was so sad that he tragically killed himself. But he left a wonderful legacy of work.
George Sanders, good actor, great voice.
I’ve seen 24 of the 63 films listed, favorites include – Rebecca, Foreign Correspondent, All About Eve, Solomon and Delilah, Samson and Sheba, In Search of the Castaways, Ivanhoe, The Black Swan, The Ghost and Mrs. Muir, A Shot in the Dark (my favorite Pink Panther movie) and The Jungle Book.
Good to see Rebecca doing well on the charts, it’s an old favorite of mine and the only Hitchcock film to win an Oscar for Best Picture.
One of my favorite voices in an animated film, Sanders as Shere Khan, perfecto. A lot better than Idris Elba in the recent CG movie version, could barely make out what he was saying. Benedict Cumberbatch was excellent as the voice of Smaug in the Hobbit films.
Another top job Bruce. Vote Up!