Want to know the best Ginger Rogers movies? How about the worst Ginger Rogers movies? Curious about Ginger Rogers’s box office grosses or which Ginger Rogers movie picked up the most Oscar® nominations? Need to know which Ginger Rogers movie got the best reviews from critics and audiences and which ones got the worst reviews? Well you have come to the right place…. because we have all of that information and much more.
Ginger Rogers (1911-1995) was an Oscar® winning American actress, singer and dancer. On American Film Institute’s Top 50 Screen Legends list, Rogers was ranked as the 14th best actress. Right behind #13 Grace Kelly and right before #15 Mae West. She appeared in movies from 1929 to 1965. Rogers appeared opposite Fred Astaire in 10 movies. Those movies revolutionized the musical genre. She also achieved great success on her own in a variety of film roles and won a Best Actress Oscar® for 1940’s Kitty Foyle.
Her IMDb page shows 92 acting credits from 1929-1987. This page will rank Ginger Rogers movies from Best to Worst in six different sortable columns of information. Television appearances, shorts, documentaries and many of her B movies from 1929-1933 were not included in the rankings.
Ginger Rogers Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1937
Stage Door (1937)
AA Best Picture Nom
1935
Top Hat (1935)
AA Best Picture Nom
1936
Swing Time (1936)
1933
42nd Street (1933)
AA Best Picture Nom
1942
The Major and the Minor (1942)
1937
Shall We Dance (1937)
1933
Gold Diggers of 1933 (1933)
1940
Kitty Foyle (1940)
AA Best Picture Nom
AA Best Actress Win
1934
The Gay Divorcee (1934)
AA Best Picture Nom
1939
Bachelor Mother (1939)
1936
Follow the Fleet (1936)
1942
Tales of Manhattan (1942)
1935
Roberta (1935)
1944
I'll Be Seeing You (1944)
1938
Vivacious Lady (1938)
1938
Carefree (1938)
1945
Week-end at the Waldorf (1945)
1942
Once Upon a Honeymoon (1942)
1949
The Barkleys of Broadway (1949)
1939
The Story of Vernon and Irene Castle (1939)
1944
Lady in The Dark (1944)
1943
Tender Comrade (1943)
1942
Roxie Hart (1942)
1954
Black Widow (1954)
1939
Fifth Avenue Girl (1939)
1933
Flying Down to Rio (1933)
1952
Monkey Business (1952)
1947
It Had To Be You (1947)
1941
Tom, Dick and Harry (1941)
1938
Having Wonderful Time (1938)
1940
Primrose Path (1940)
1934
Twenty Million Sweethearts (1934)
1952
We're Not Married! (1952)
1940
Lucky Partners (1940)
1935
Romance in Manhattan (1935)
1950
Storm Warning (1950)
1952
Dreamboat (1952)
1935
Star of Midnight (1935)
1935
In Person (1935)
1930
The Sap From Syracuse (1930)
1946
Heartbeat (1946)
1933
Sitting Pretty (1933)
1965
Harlow (Theatrofilm) (1965)
1934
Change of Heart (1934)
1955
Tight Spot (1955)
1933
Broadway Bad (1933)
1956
Teenage Rebel (1956)
1953
Forever Female (1953)
1931
Suicide Fleet (1931)
1930
Queen High (1930)
1932
The Tenderfoot (1932)
1934
Upperworld (1934)
1933
Professional Sweetheart (1933)
1957
Oh, Men! Oh, Women! (1957)
1956
The First Traveling Saleslady (1956)
1946
Magnificent Doll (1946)
1950
Perfect Strangers (1950)
1934
Finishing School (1934)
1931
The Tip-Off (1931)
1933
Don't Bet On Love (1933)
1954
Twist of Fate (1954)
1930
Follow The Leader (1930)
1951
The Groom Wore Spurs (1951)
Ginger Rogers Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Ginger Rogers movies by co-stars of her movies
- Sort Ginger Rogers movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Ginger Rogers movies by yearly domestic box office rank
- Sort Ginger Rogers movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Ginger Rogers movie received.
- Sort Ginger Rogers movies by Ultimate Movie Ranking (UMR) Score. UMR puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the sort and search buttons to make this table very interactive. For example…if you type in “Fred Astaire” in the search box….the 10 Rogers/Astaire movies will pop right up.
- * Sadly Worldwide box office is not available for all of the Ginger Rogers’ movies ranked but we have added the ones we do have at the bottom of the page
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Stage Door (1937) AA Best Picture Nom |
Katharine Hepburn & Adolphe Menjou |
5.00 | 207.3 | 292.20 | 23 | 87 | 04 / 00 | 99.3 | |
2 | Top Hat (1935) AA Best Picture Nom |
Fred Astaire & Eric Blore |
5.10 | 228.8 | 411.10 | 3 | 86 | 04 / 00 | 99.2 | |
3 | Swing Time (1936) | Fred Astaire & Victor Moore |
5.40 | 233.4 | 376.30 | 12 | 85 | 02 / 01 | 98.6 | |
4 | 42nd Street (1933) AA Best Picture Nom |
Warner Baxter & Dick Powell |
4.10 | 192.6 | 305.50 | 11 | 81 | 02 / 00 | 98.4 | |
5 | The Major and the Minor (1942) | Ray Milland & Rita Johnson |
8.30 | 308.0 | 308.00 | 14 | 84 | 00 / 00 | 98.2 | |
6 | Shall We Dance (1937) | Fred Astaire & Edward Everett Horton |
5.10 | 211.5 | 359.60 | 19 | 80 | 01 / 00 | 97.6 | |
7 | Gold Diggers of 1933 (1933) | Warren William & Joan Blondell |
6.30 | 294.9 | 432.70 | 4 | 80 | 01 / 00 | 97.6 | |
8 | Kitty Foyle (1940) AA Best Picture Nom AA Best Actress Win |
Dennis Morgan & Gladys Cooper |
4.90 | 188.1 | 262.30 | 17 | 73 | 05 / 01 | 97.5 | |
9 | The Gay Divorcee (1934) AA Best Picture Nom |
Fred Astaire & Alice Brady |
3.10 | 144.2 | 237.60 | 18 | 83 | 05 / 01 | 96.8 | |
10 | Bachelor Mother (1939) | David Niven & Charles Coburn |
4.70 | 180.2 | 304.20 | 38 | 81 | 02 / 00 | 96.6 | |
11 | Follow the Fleet (1936) | Fred Astaire & Randolph Scott |
5.10 | 220.2 | 389.10 | 15 | 74 | 00 / 00 | 96.1 | |
12 | Tales of Manhattan (1942) | Henry Fonda & Edward G. Robinson |
7.10 | 265.5 | 265.50 | 18 | 73 | 00 / 00 | 95.8 | |
14 | Roberta (1935) | Fred Astaire & Irene Dunne |
4.20 | 188.3 | 299.70 | 10 | 75 | 01 / 00 | 95.6 | |
13 | I'll Be Seeing You (1944) | Shirley Temple & Joseph Cotten |
9.70 | 326.0 | 326.00 | 16 | 71 | 00 / 00 | 95.5 | |
15 | Vivacious Lady (1938) | James Stewart & Charles Coburn |
4.20 | 166.4 | 236.00 | 37 | 82 | 00 / 00 | 95.4 | |
16 | Carefree (1938) | Fred Astaire & Ralph Bellamy |
4.50 | 177.8 | 276.40 | 34 | 76 | 03 / 00 | 95.4 | |
17 | Week-end at the Waldorf (1945) | Lana Turner & Walter Pidgeon |
12.10 | 384.5 | 543.10 | 9 | 67 | 00 / 00 | 94.3 | |
19 | Once Upon a Honeymoon (1942) | Cary Grant & Walter Slezak |
5.20 | 191.7 | 268.20 | 36 | 65 | 01 / 00 | 93.3 | |
18 | The Barkleys of Broadway (1949) | Fred Astaire & Oscar Levant |
8.30 | 208.0 | 307.90 | 17 | 62 | 01 / 00 | 93.1 | |
20 | The Story of Vernon and Irene Castle (1939) | Fred Astaire & Walter Brennan |
4.50 | 172.5 | 281.10 | 42 | 71 | 00 / 00 | 93.1 | |
21 | Lady in The Dark (1944) | Ray Milland & Warner Baxter |
9.70 | 326.0 | 326.00 | 15 | 53 | 03 / 00 | 90.8 | |
23 | Tender Comrade (1943) | Robert Ryan & Ruth Hussey |
5.50 | 197.8 | 272.30 | 49 | 54 | 00 / 00 | 90.2 | |
22 | Roxie Hart (1942) | Adolphe Menjou & Nigel Bruce |
3.10 | 116.8 | 159.20 | 84 | 80 | 00 / 00 | 90.2 | |
24 | Black Widow (1954) | Van Heflin & Gene Tierney |
7.10 | 167.4 | 167.40 | 44 | 63 | 00 / 00 | 89.8 | |
25 | Fifth Avenue Girl (1939) | Walter Connolly & Tim Holt |
3.80 | 146.3 | 211.00 | 52 | 67 | 00 / 00 | 89.1 | |
26 | Flying Down to Rio (1933) | Fred Astaire | 2.60 | 123.6 | 206.90 | 21 | 72 | 01 / 00 | 88.6 | |
27 | Monkey Business (1952) | Cary Grant & Marilyn Monroe |
5.60 | 108.9 | 108.90 | 47 | 75 | 00 / 00 | 87.6 | |
28 | It Had To Be You (1947) | Cornel Wilde & Percy Waram |
4.10 | 118.1 | 118.10 | 85 | 67 | 00 / 00 | 85.8 | |
29 | Tom, Dick and Harry (1941) | Burgess Meredith & George Murphy |
3.90 | 151.9 | 202.20 | 53 | 54 | 01 / 00 | 85.0 | |
30 | Having Wonderful Time (1938) | Douglas Fairbanks Jr. & Peggy Conklin |
3.10 | 123.1 | 161.00 | 66 | 61 | 00 / 00 | 83.6 | |
31 | Primrose Path (1940) | Joel McCrea & Marjorie Rambeau |
2.60 | 98.8 | 132.00 | 72 | 67 | 00 / 00 | 82.9 | |
32 | Twenty Million Sweethearts (1934) | Pat O'Brien & Dick Powell |
2.30 | 109.9 | 162.40 | 42 | 63 | 00 / 00 | 82.6 | |
33 | We're Not Married! (1952) | Marilyn Monroe & Victor Moore |
5.60 | 108.9 | 108.90 | 56 | 61 | 00 / 00 | 81.1 | |
34 | Lucky Partners (1940) | Ronald Colman & Jack Carson |
2.50 | 96.8 | 152.90 | 76 | 63 | 00 / 00 | 80.0 | |
35 | Romance in Manhattan (1935) | Francis Lederer & Sidney Poler |
2.10 | 94.3 | 94.30 | 63 | 63 | 00 / 00 | 79.7 | |
36 | Storm Warning (1950) | Doris Day & Ronald Reagan |
3.60 | 80.2 | 80.20 | 93 | 66 | 00 / 00 | 78.7 | |
37 | Dreamboat (1952) | Clifton Webb & Anne Francis |
5.60 | 108.9 | 108.90 | 51 | 53 | 00 / 00 | 75.7 | |
38 | Star of Midnight (1935) | William Powell & Gene Lockhart |
1.90 | 84.1 | 116.90 | 71 | 60 | 00 / 00 | 74.8 | |
39 | In Person (1935) | George Brent & Alan Mowbray |
1.40 | 63.7 | 91.80 | 94 | 66 | 00 / 00 | 73.9 | |
40 | The Sap From Syracuse (1930) | Jack Oakie | 1.80 | 95.6 | 95.60 | 71 | 54 | 00 / 00 | 72.1 | |
42 | Heartbeat (1946) | Adolphe Menjou & Basil Rathbone |
4.50 | 137.4 | 194.40 | 73 | 40 | 00 / 00 | 71.1 | |
41 | Sitting Pretty (1933) | Jack Oakie | 1.70 | 80.2 | 80.20 | 51 | 58 | 00 / 00 | 71.0 | |
43 | Harlow (Theatrofilm) (1965) | Carol Lynley & Efrem Zimbalist Jr. |
9.20 | 97.1 | 97.10 | 31 | 51 | 00 / 00 | 69.1 | |
44 | Change of Heart (1934) | Janet Gaynor & Shirley Temple |
2.10 | 98.1 | 98.10 | 51 | 46 | 00 / 00 | 63.5 | |
45 | Tight Spot (1955) | Edward G. Robinson & Brian Keith |
1.90 | 39.4 | 39.40 | 139 | 64 | 00 / 00 | 62.6 | |
46 | Broadway Bad (1933) | Ricardo Cortez & Joan Blondell |
1.00 | 46.0 | 46.00 | 106 | 62 | 00 / 00 | 62.0 | |
47 | Teenage Rebel (1956) | Michael Rennie & Mildred Natwick |
5.00 | 98.0 | 98.00 | 60 | 43 | 02 / 00 | 60.6 | |
48 | Forever Female (1953) | William Holden & Paul Douglas |
2.50 | 44.4 | 44.40 | 144 | 59 | 00 / 00 | 56.1 | |
49 | Suicide Fleet (1931) | William Boyd | 1.20 | 61.3 | 61.30 | 126 | 53 | 00 / 00 | 55.1 | |
50 | Queen High (1930) | Charles Ruggles | 0.80 | 43.0 | 43.00 | 142 | 56 | 00 / 00 | 50.7 | |
51 | The Tenderfoot (1932) | Joe E. Brown | 1.30 | 63.6 | 79.20 | 87 | 50 | 00 / 00 | 50.7 | |
52 | Upperworld (1934) | Warren William & Mary Astor |
0.60 | 30.0 | 48.70 | 159 | 58 | 00 / 00 | 46.5 | |
53 | Professional Sweetheart (1933) | Zasu Pitts | 0.80 | 38.3 | 38.30 | 131 | 56 | 00 / 00 | 46.4 | |
54 | Oh, Men! Oh, Women! (1957) | David Niven & Dan Dailey |
2.60 | 49.5 | 49.50 | 94 | 51 | 00 / 00 | 44.5 | |
55 | The First Traveling Saleslady (1956) | Clint Eastwood & James Arness |
2.10 | 42.0 | 42.00 | 132 | 50 | 00 / 00 | 36.1 | |
56 | Magnificent Doll (1946) | Burgess Meredith & David Niven |
2.70 | 83.2 | 83.20 | 107 | 36 | 00 / 00 | 33.5 | |
57 | Perfect Strangers (1950) | Dennis Morgan & Thlema Ritter |
2.40 | 53.2 | 68.40 | 130 | 44 | 00 / 00 | 30.5 | |
58 | Finishing School (1934) | Frances Dee & Bruce Cabot |
0.60 | 29.6 | 29.60 | 160 | 51 | 00 / 00 | 29.6 | |
59 | The Tip-Off (1931) | Robert Armstrong | 0.10 | 5.6 | 5.60 | 211 | 55 | 00 / 00 | 23.0 | |
60 | Don't Bet On Love (1933) | Lew Ayres | 0.20 | 10.4 | 10.40 | 182 | 53 | 00 / 00 | 22.8 | |
61 | Twist of Fate (1954) | Stanley Baker & Herbert Lom |
0.60 | 15.1 | 15.10 | 174 | 51 | 00 / 00 | 21.9 | |
62 | Follow The Leader (1930) | Ethel Merman | 0.40 | 21.0 | 21.00 | 177 | 49 | 00 / 00 | 20.9 | |
63 | The Groom Wore Spurs (1951) | Jack Carson & Joan Davis |
1.10 | 23.1 | 23.10 | 202 | 40 | 00 / 00 | 9.7 |
Possibly Interesting Facts About Ginger Rogers
1. Ginger Rogers was born Virginia Katherine McMath in Independence, Missouri. She became “Ginger” when a relative had a hard time saying Virginia. She became “Rogers” when her mother remarried and became a Rogers.
2. Ginger Rogers’ road to stardom Cliff Notes style….She entered and won a Charleston dance contest which allowed her to tour and dance for six months. When the tour got to New York City, she stayed, getting radio singing jobs and then her Broadway theater debut in a musical called 1929’s Top Speed. Rogers was then chosen to star George and Ira Gershwin’s Girl Crazy. Her appearance in Girl Crazy made her an overnight star at the age of 19. This lead to a 7 year movie contract with Paramount. She appeared with Fred Astaire in supporting roles in 1933’s Flying Down To Rio. Their dance scenes were the highlight of the movie…and was beginning of one of the greatest screen teams in the history of movies.
3. Ginger Rogers and Fred Astaire starred in 10 movies together. During those 10 movies they had 33 partnered dance sequences. Some of their more famous dance sequences would be “I’ll Be Hard to Handle” from 1935’s Roberta, “I’m Putting All My Eggs in One Basket” from 1936’s Follow The Fleet, and “Pick Yourself Up” from 1936’s Swing Time and “Cheek to Cheek” from Top Hat.
4. Ginger Rogers was nominated for one Oscar® (Kitty Foyle) and one Golden Globe® (Monkey Business). She won the Best Actress Oscar® for Kitty Foyle.
5. According to the American Film Institute, Ginger Rogers is the 14th greatest female star of all-time.
6. Ginger Rogers was married five times in her life. Sadly all five of her marriages ended in divorce. She did not have any children.
7. Roles Ginger Rogers turned down or was seriously considered for: It’s A Wonderful Life (Donna Reed role), His Girl Friday (Rosalind Russell role), Now, Voyager (Bette Davis role), and The Heiress and To Each His Own (Olivia de Havilland Oscar® winning roles) and Ball of Fire (Barbara Stanwyck role).
8. On our Most 100 Million Dollar Movies of All-Time page…Ginger Rogers’ 15 adjusted $100 million movies is tied in 4th place for most of all actresses that have a UMR page.
9. Ginger Rogers did many paintings, sculptures and sketches in her free time but could never bring herself to sell any of them. She was a near-champion tennis player, a topline shot and loved going fishing.
10. Ginger Rogers was one of the celebrities whose picture Anne Frank placed on the wall of her bedroom in the “Secret Annex” while in hiding during the Nazi occupation of Amsterdam, Holland.
Ginger Rogers Adjusted Worldwide Box Office Grosses
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Week-end at the Waldorf (1945) | Lana Turner & Walter Pidgeon |
543.10 | |
Gold Diggers of 1933 (1933) | Warren William & Joan Blondell |
432.70 | |
Top Hat (1935) AA Best Picture Nom |
Fred Astaire & Eric Blore |
411.10 | |
Follow the Fleet (1936) | Fred Astaire & Randolph Scott |
389.10 | |
Swing Time (1936) | Fred Astaire & Victor Moore |
376.30 | |
Shall We Dance (1937) | Fred Astaire & Edward Everett Horton |
359.60 | |
The Barkleys of Broadway (1949) | Fred Astaire & Oscar Levant |
307.90 | |
42nd Street (1933) AA Best Picture Nom |
Warner Baxter & Dick Powell |
305.50 | |
Bachelor Mother (1939) | David Niven & Charles Coburn |
304.20 | |
Roberta (1935) | Fred Astaire & Irene Dunne |
299.70 | |
Stage Door (1937) AA Best Picture Nom |
Katharine Hepburn & Adolphe Menjou |
292.20 | |
The Story of Vernon and Irene Castle (1939) | Fred Astaire & Walter Brennan |
281.10 | |
Carefree (1938) | Fred Astaire & Ralph Bellamy |
276.40 | |
Tender Comrade (1943) | Robert Ryan & Ruth Hussey |
272.30 | |
Once Upon a Honeymoon (1942) | Cary Grant & Walter Slezak |
268.20 | |
Kitty Foyle (1940) AA Best Picture Nom AA Best Actress Win |
Dennis Morgan & Gladys Cooper |
262.30 | |
The Gay Divorcee (1934) AA Best Picture Nom |
Fred Astaire & Alice Brady |
237.60 | |
Vivacious Lady (1938) | James Stewart & Charles Coburn |
236.00 | |
Fifth Avenue Girl (1939) | Walter Connolly & Tim Holt |
211.00 | |
Flying Down to Rio (1933) | Fred Astaire | 206.90 | |
Tom, Dick and Harry (1941) | Burgess Meredith & George Murphy |
202.20 | |
Heartbeat (1946) | Adolphe Menjou & Basil Rathbone |
194.40 | |
Twenty Million Sweethearts (1934) | Pat O'Brien & Dick Powell |
162.40 | |
Having Wonderful Time (1938) | Douglas Fairbanks Jr. & Peggy Conklin |
161.00 | |
Roxie Hart (1942) | Adolphe Menjou & Nigel Bruce |
159.20 | |
Lucky Partners (1940) | Ronald Colman & Jack Carson |
152.90 | |
Primrose Path (1940) | Joel McCrea & Marjorie Rambeau |
132.00 | |
Star of Midnight (1935) | William Powell & Gene Lockhart |
116.90 | |
In Person (1935) | George Brent & Alan Mowbray |
91.80 | |
The Tenderfoot (1932) | Joe E. Brown | 79.20 | |
Perfect Strangers (1950) | Dennis Morgan & Thlema Ritter |
68.40 | |
Upperworld (1934) | Warren William & Mary Astor |
48.70 |
Should the adjusted gross of Monkey Business be the same as Cary Grant’s and Marilyn Monroe’s page?
Hey Kevin…..ah..,..you have hit on our biggest problem on this website. Currently the site is not dynamic….which means I have to manually change all the numbers in all the different places they appear. In this case I think I have Monkey Business listed in 5 UMR pages: Ginger Rogers, Cary Grant, Marilyn Monroe, Howard Hawks and 1952.
All 5 pages should have the same box office number…..but as you pointed out that is not the case. 0ver the last few months we have been updating these pages with a new formula to calculate box office. Monroe and Grant have gotten those updates the rest have not.
Recently we found a better source for Monkey Business…..we changed it on Grant’s page but not Monroe’s page. So in summary….lol…. the Grant number is right, I will fix the Monroe number and eventually all 5 pages will have the same correct number,
HI BRUCE
1 I think you said that you have now completed 80% of the updates. I can appreciate how massive a task that was as I have been moving in tandem with you in adjusting my own data base as you release revised figures – and I don’t have the management of an entire site to contend with or new pages to write, different projects to undertake etc. So as we’re always pointing out your occasional mistakes to you perhaps it’s time someone said “Well done,” to the 80% we’ve got so far.
2 As the saying goes it’s an ill wind that blows nobody any good and Kevin’s post reminds me that when I wrote about Steve’s Carole Lombard’s video the other week I revisited your page to make the usual comparisons with your rankings and I meant to say to you that you have her co-star links column in blue where appropriate giving the impression that it has been updated whereas you haven’t got around to it yet.
Hey Bob….some of these updates are actually requiring a good bit amount of time. One of the worst decisions I made was when I first decided to add in the Co-Star column….rather than putting the co-star in the database….I decided to just add the Co-Star directly into the table….because…I thought (another mistake) that I would never have to change the data. So when I do updates….the Co-stars disappear…and I have to type them all in again. Which when it is a person like John Wayne or Michael Caine….we are talking about 0ver 90 movies.
The dream of making this site dynamic seems so far away….but WoC graduates with her William and Mary masters degree next Spring…so hopefully she will be able to squeeze in some time to help get that done….which will greatly reduce this continuity errors…..though it will not fix my huge problem with spilling….lol.
Hmmmm..I am betting the Lombard page was during the short phase…when I stared to include the link in the column….shortly after that….we switched all the formulas…..so good catch there….that would have confused me….boy that table looks pretty bad….but her update is coming….thanks for the feedback.
Hey Kevin…..now the Rogers, Grant and Monroe pages match….only two more to go.
Bruce:
I saw The Tight Spot last night. Classic Robinson crime film. Rogers was a witness he and Brian Keith had to protect before she could testify against Lorne Greene’s deportation case. I could have done with more Robinson screen time, but Keith was the main male character. I enjoyed Rogers much more in this film.
By the way, as is often the case with Joseph Cotten romance films, TCM didn’t own the rights to air the Shirley Temple/Ginger Rogers/Joseph Cotten film that was scheduled to air last week. So I still have had no access to I’ll Be Seeing You.
Flora
Thanks for the review on The Tight Spot. The plot sounds like lots of other movies …..but the cast is pretty stellar. I have always liked Brian Keith. He is a very underrated actor. Sorry about I’ll Being Seeing You…..I found a copy of that movie at my local library. Good possibility that Shirley Temple is the next page. Steve has said he will be skipping that page…..so I think you will easily win that tally count.
Still not found time to watch The Tight Spot, but I saw It Had to Be You last night on TCM to add another titles I’ve seen of Ginger Rogers. It is at 27 on your ranking. I found it a bit annoying and dated.
Cheers,
Flora Breen Robison
Hey Flora….thanks for the mini review on It Had To Be You. It does not sound like a movie to track down. I think by 1947 her career was on the downside…..let me know what you think of The Tight Spot when you see it.
Hey Søren…working on a current actor now…..but I am thinking as long as I do not run into too many box office roadblocks…Sir Larry will be the next classic page.
Great, can’t wait for Sir Larry..