Want to know the best Harry Morgan movies? How about the worst Harry Morgan movies? Curious about Harry Morgan box office grosses or which Harry Morgan movie picked up the most Oscar® nominations? Need to know which Harry Morgan movie got the best reviews from critics and audiences? Well, you have come to the right place….because we have all of that information.
Harry Morgan (1915-2011) was an American actor and director whose television and film career spanned six decades. Morgan is best known for his role as Colonel Sherman T. Potter in M*A*S*H (1975–1983) and AfterMASH (1983–1985). His IMDb page shows 165 acting credits from 1933 to 1999. This page will rank Harry Morgan movies from Best to Worst in six different sortable columns of information. Television shows and a few of his low budget 1950s westerns were not included in the rankings. To do well in our overall rankings a movie has to do well at the box office, get good reviews by critics, be liked by audiences and get some award recognition.
Harry Morgan Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
| Year | Movie (Year) | Rating | S |
|---|---|---|---|
| Year | Movie (Year) | Rating | S |
| 1952 | High Noon (1952) AA Best Picture Nom |
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| 1962 | How the West Was Won (1962) AA Best Picture Nom |
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| 1954 | The Glenn Miller Story (1954) |  |
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| 1945 | State Fair (1945) | |
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| 1954 | The Far Country (1954) | |
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| 1948 | Yellow Sky (1948) | |
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| 1952 | Bend of the River (1952) | |
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| 1946 | Dragonwyck (1946) | |
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| 1956 | The Teahouse of the August Moon (1956) | |
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| 1944 | Wing and a Prayer (1944) | |
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| 1948 | The Big Clock (1948) | |
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| 1955 | Strategic Air Command (1955) | |
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| 1942 | To The Shores of Tripoli (1942) | |
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| 1975 | The Apple Dumpling Gang (1975) | |
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| 1943 | Crash Dive (1943) | |
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| 1945 | A Bell for Adano (1945) | |
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| 1951 | The Blue Veil (1951) | |
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| 1955 | Not as a Stranger (1955) | |
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| 1942 | The Ox-Bow Incident (1942) AA Best Picture Nom |
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| 1942 | Orchestra Wives (1942) |  |
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| 1946 | Somewhere in the Night (1946) | |
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| 1976 | The Shootist (1976) | |
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| 1943 | Happy Land (1943) | |
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| 1946 | From This Day Forward (1946) | |
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| 1949 | Down to the Sea in Ships (1949) | |
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| 1953 | Thunder Bay (1953) | |
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| 1972 | Snowball Express (1972) | |
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| 1969 | Support Your Local Sheriff! (1969) | |
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| 1960 | Inherit the Wind (1960) | |
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| 1987 | Dragnet (1987) | |
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| 1952 | Big Jim McLain (1952) | |
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| 1948 | All My Sons (1948) | |
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| 1949 | Holiday Affair (1949) | |
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| 1944 | Gentle Annie (1944) | |
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| 1959 | It Started with a Kiss (1959) | |
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| 1960 | Cimarron (1960) | |
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| 1948 | Moonrise (1948) | |
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| 1949 | Madame Bovary (1949) | |
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| 1979 | The Apple Dumpling Gang Rides Again (1979) | |
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| 1952 | What Price Glory (1952) |  |
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| 1950 | Appointment with Danger (1950) | |
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| 1952 | Scandal Sheet (1952) | |
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| 1978 | The Cat From Outer Space (1978) | |
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| 1946 | It Shouldn't Happen to a Dog (1946) | |
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| 1948 | The Saxon Charm (1948) | |
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| 1952 | My Six Convicts (1952) | |
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| 1971 | Support Your Local Gunfighter (1971) |  |
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| 1956 | The Bottom of the Bottle (1956) | |
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| 1951 | The Well (1951) | |
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| 1956 | Backlash (1956) | |
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| 1948 | Race Street (1948) | |
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| 1967 | The Flim-Flam Man (1967) | |
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| 1944 | Roger Touhy, Gangster (1944) | |
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| 1950 | Dark City (1950) | |
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| 1954 | About Mrs. Leslie (1954) | |
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| 1952 | Boots Malone (1952) | |
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| 1953 | Torch Song (1953) | |
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| 1951 | When I Grow Up (1951) | |
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| 1966 | What Did You Do in the War, Daddy? (1966) | |
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| 1952 | Stop, You're Killing Me (1952) | |
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| 1965 | John Golfarb Please Come Home (1965) | |
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| 1950 | Outside The Wall (1950) | |
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| 1971 | The Barefoot Executive (1971) | |
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| 1966 | Frankie and Johnny (1966) | |
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| 1949 | Red Light (1949) | |
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| 1944 | The Eve of St. Mark (1944) | |
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| 1949 | Strange Bargain (1949) | |
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| 1971 | Scandalous John (1971) |  |
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| 1969 | Viva Max (1969) | |
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| 1942 | The Omaha Trail (1942) | |
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| 1953 | Arena (1953) | |
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| 1952 | Apache War Smoke (1952) |  |
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| 1957 | Under Fire (1957) | |
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| 1954 | Prisoner of War (1954) | |
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| 1956 | Star In The Dust (1956) | |
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| 1960 | The Mountain Road (1960) |  |
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| 1942 | The Loves of Edgar Allan Poe (1942) | |
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| 1973 | Charley and the Angel (1973) | |
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| 1997 | Family Plan (1997) |  |
Harry Morgan Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Harry Morgan movies by his co-stars
- Sort Harry Morgan movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Harry Morgan movies by yearly domestic box office rank.
- Sort Harry Morgan movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Harry Morgan movie received.
- Sort Harry Morgan movies by Ultimate Movie Rankings (UMR) Score. UMR puts box office, reviews and awards into a mathematical equation and gives each movie a score.
| R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
|---|---|---|---|---|---|---|---|---|---|---|
| R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
| 1 | High Noon (1952) AA Best Picture Nom |
Gary Cooper & Grace Kelly |
9.40 | 201.8 | 201.80 | 12 | 92 | 07 / 04 | 99.7 | |
| 2 | How the West Was Won (1962) AA Best Picture Nom |
George Peppard & Gregory Peck |
36.10 | 565.4 | 1,348.80 | 2 | 76 | 08 / 03 | 99.0 | |
| 3 | The Glenn Miller Story (1954) | June Allyson & Directed by Anthony Mann |
18.30 | 467.1 | 467.10 | 5 | 79 | 03 / 01 | 97.7 | |
| 4 | State Fair (1945) | Jeanne Crain & Dana Andrews |
11.20 | 385.7 | 385.70 | 12 | 74 | 02 / 01 | 96.5 | |
| 6 | The Far Country (1954) | James Stewart & Walter Brennan |
7.10 | 182.5 | 182.50 | 43 | 81 | 00 / 00 | 96.2 | |
| 5 | Yellow Sky (1948) | Gregory Peck & Richard Widmark |
7.40 | 216.4 | 216.40 | 28 | 75 | 00 / 00 | 95.9 | |
| 9 | Bend of the River (1952) | James Stewart & Rock Hudson |
8.30 | 178.0 | 178.00 | 16 | 82 | 00 / 00 | 95.9 | |
| 6 | Dragonwyck (1946) | Vincent Price & Gene Tierney |
8.10 | 272.2 | 272.20 | 33 | 71 | 00 / 00 | 95.0 | |
| 9 | The Teahouse of the August Moon (1956) | Marlon Brando & Glenn Ford |
16.30 | 348.7 | 348.70 | 10 | 70 | 00 / 00 | 94.8 | |
| 10 | Wing and a Prayer (1944) | Dana Andrews & Don Ameche |
7.30 | 266.5 | 266.50 | 30 | 66 | 01 / 00 | 93.9 | |
| 13 | The Big Clock (1948) | Charles Laughton & Ray Milland |
5.30 | 154.6 | 154.60 | 64 | 81 | 00 / 00 | 93.7 | |
| 10 | Strategic Air Command (1955) | James Stewart & June Allyson |
18.60 | 419.6 | 419.60 | 8 | 61 | 01 / 00 | 92.2 | |
| 11 | To The Shores of Tripoli (1942) | Maureen O'Hara & Randolph Scott |
6.60 | 266.3 | 266.30 | 21 | 61 | 01 / 00 | 92.1 | |
| 13 | The Apple Dumpling Gang (1975) | Tim Conway & Don Knotts |
50.20 | 288.0 | 288.00 | 7 | 61 | 00 / 00 | 92.0 | |
| 15 | Crash Dive (1943) | Tyrone Power & Dana Andrews |
8.30 | 324.5 | 324.50 | 16 | 59 | 01 / 01 | 91.8 | |
| 16 | A Bell for Adano (1945) | Gene Tierney & John Hodiak |
6.90 | 240.0 | 240.00 | 39 | 59 | 00 / 00 | 91.1 | |
| 19 | The Blue Veil (1951) | Charles Laughton & Natalie Wood |
6.30 | 147.7 | 147.70 | 36 | 72 | 02 / 00 | 90.4 | |
| 16 | Not as a Stranger (1955) | Frank Sinatra & Robert Mitchum |
20.30 | 458.4 | 458.40 | 6 | 56 | 01 / 00 | 90.3 | |
| 18 | The Ox-Bow Incident (1942) AA Best Picture Nom |
Henry Fonda & Dana Andrews |
2.10 | 86.8 | 86.80 | 122 | 85 | 01 / 00 | 90.0 | |
| 20 | Orchestra Wives (1942) | George Montgomery & Glenn Miller |
3.40 | 138.9 | 138.90 | 78 | 72 | 01 / 00 | 89.3 | |
| 23 | Somewhere in the Night (1946) | Directed by Joseph L. Mankiewicz | 4.10 | 136.1 | 136.10 | 83 | 72 | 00 / 00 | 88.7 | |
| 22 | The Shootist (1976) | John Wayne & Ron Howard |
18.10 | 100.1 | 100.10 | 38 | 81 | 01 / 00 | 88.1 | |
| 24 | Happy Land (1943) | Don Ameche | 4.30 | 167.9 | 167.90 | 74 | 60 | 00 / 00 | 88.0 | |
| 25 | From This Day Forward (1946) | Joan Fontaine & Rosemary DeCamp |
4.40 | 147.9 | 212.30 | 75 | 64 | 00 / 00 | 87.0 | |
| 26 | Down to the Sea in Ships (1949) | Richard Widmark & Lionel Barrymore |
4.70 | 127.1 | 127.10 | 62 | 69 | 00 / 00 | 86.4 | |
| 26 | Thunder Bay (1953) | James Stewart & Joanne Dru |
7.30 | 142.4 | 142.40 | 33 | 63 | 00 / 00 | 86.2 | |
| 28 | Snowball Express (1972) | Dean Jones | 20.00 | 138.2 | 138.20 | 21 | 65 | 00 / 00 | 86.2 | |
| 27 | Support Your Local Sheriff! (1969) | James Garner & Walter Brennan |
14.70 | 121.4 | 121.40 | 22 | 70 | 00 / 00 | 86.1 | |
| 29 | Inherit the Wind (1960) | Spencer Tracy & Fredric March |
3.50 | 59.6 | 97.30 | 71 | 86 | 04 / 00 | 85.9 | |
| 32 | Dragnet (1987) | Tom Hanks & Christopher Plummer |
57.40 | 172.5 | 200.40 | 14 | 51 | 00 / 00 | 85.0 | |
| 33 | Big Jim McLain (1952) | John Wayne | 7.20 | 154.3 | 193.20 | 26 | 56 | 00 / 00 | 84.7 | |
| 30 | All My Sons (1948) | Burt Lancaster & Edward G. Robinson |
2.90 | 85.0 | 85.00 | 106 | 78 | 00 / 00 | 84.5 | |
| 31 | Holiday Affair (1949) | Robert Mitchum & Janet Leigh |
3.50 | 94.9 | 123.30 | 104 | 72 | 00 / 00 | 83.5 | |
| 34 | Gentle Annie (1944) | Donna Reed | 4.00 | 145.7 | 145.70 | 85 | 54 | 00 / 00 | 82.3 | |
| 35 | It Started with a Kiss (1959) | Debbie Reynolds & Glenn Ford |
7.90 | 153.9 | 153.90 | 30 | 51 | 00 / 00 | 82.3 | |
| 35 | Cimarron (1960) | Glenn Ford & Anne Baxter |
6.60 | 113.1 | 234.80 | 43 | 62 | 02 / 00 | 82.0 | |
| 37 | Moonrise (1948) | Gail Russell & Ethel Barrymore |
2.10 | 62.9 | 62.90 | 136 | 77 | 01 / 00 | 81.0 | |
| 36 | Madame Bovary (1949) | Jennifer Jones & James Mason |
3.10 | 85.9 | 153.00 | 111 | 69 | 01 / 00 | 81.0 | |
| 39 | The Apple Dumpling Gang Rides Again (1979) | Tim Conway & Don Knotts |
24.90 | 116.6 | 116.60 | 40 | 59 | 00 / 00 | 80.4 | |
| 40 | What Price Glory (1952) | James Cagney & Robert Wagner |
5.60 | 118.7 | 118.70 | 53 | 56 | 00 / 00 | 78.9 | |
| 42 | Appointment with Danger (1950) | Alan Ladd & Jack Webb |
4.10 | 101.4 | 101.40 | 74 | 58 | 00 / 00 | 76.1 | |
| 41 | Scandal Sheet (1952) | Broderick Crawford & Donna Reed |
2.40 | 51.6 | 51.60 | 137 | 73 | 00 / 00 | 75.5 | |
| 44 | The Cat From Outer Space (1978) | Roddy McDowall | 18.20 | 91.5 | 91.50 | 39 | 59 | 00 / 00 | 74.2 | |
| 43 | It Shouldn't Happen to a Dog (1946) | Alfie Bass | 2.20 | 72.6 | 72.60 | 119 | 64 | 00 / 00 | 73.4 | |
| 45 | The Saxon Charm (1948) | Susan Hayward & Robert Montgomery |
2.40 | 69.6 | 69.60 | 128 | 64 | 00 / 00 | 72.5 | |
| 46 | My Six Convicts (1952) | Millard Mitchell | 3.10 | 65.3 | 65.30 | 115 | 63 | 00 / 00 | 70.4 | |
| 48 | Support Your Local Gunfighter (1971) | James Garner & Joan Blondell |
6.10 | 43.2 | 43.20 | 53 | 67 | 00 / 00 | 66.9 | |
| 50 | The Bottom of the Bottle (1956) | Van Johnson & Joseph Cotten |
3.10 | 67.1 | 67.10 | 106 | 59 | 00 / 00 | 66.4 | |
| 47 | The Well (1951) | Richard Rober | 0.90 | 21.9 | 21.90 | 208 | 72 | 02 / 00 | 66.1 | |
| 52 | Backlash (1956) | Richard Widmark & Donna Reed |
4.60 | 97.7 | 97.70 | 66 | 49 | 00 / 00 | 66.0 | |
| 51 | Race Street (1948) | George Raft & William Bendix |
2.10 | 60.7 | 60.70 | 138 | 61 | 00 / 00 | 65.6 | |
| 52 | The Flim-Flam Man (1967) | George C. Scott & Sue Lyon |
3.00 | 29.1 | 29.10 | 77 | 70 | 00 / 00 | 64.4 | |
| 53 | Roger Touhy, Gangster (1944) | Anthony Quinn & Victor McLaglen |
1.10 | 41.7 | 41.70 | 141 | 65 | 00 / 00 | 62.9 | |
| 56 | Dark City (1950) | Charlton Heston & Lizabeth Scott |
2.70 | 66.4 | 66.40 | 117 | 57 | 00 / 00 | 62.7 | |
| 55 | About Mrs. Leslie (1954) | Robert Ryan | 0.90 | 23.8 | 23.80 | 153 | 70 | 00 / 00 | 62.1 | |
| 57 | Boots Malone (1952) | William Holden & Ed Begley |
1.90 | 41.6 | 41.60 | 160 | 63 | 00 / 00 | 60.8 | |
| 58 | Torch Song (1953) | Joan Crawford & Gig Young |
3.60 | 71.2 | 71.20 | 103 | 52 | 02 / 00 | 60.7 | |
| 58 | When I Grow Up (1951) | Robert Preston | 1.10 | 26.5 | 26.50 | 197 | 68 | 00 / 00 | 60.3 | |
| 61 | What Did You Do in the War, Daddy? (1966) | James Coburn & Directed by Blake Edwards |
6.50 | 69.4 | 69.40 | 42 | 53 | 00 / 00 | 58.9 | |
| 60 | Stop, You're Killing Me (1952) | Broderick Crawford & Claire Trevor |
2.50 | 54.4 | 71.00 | 131 | 58 | 00 / 00 | 58.5 | |
| 61 | John Golfarb Please Come Home (1965) | Shirley MacLaine & Peter Ustinov |
7.00 | 80.9 | 80.90 | 43 | 48 | 00 / 00 | 56.8 | |
| 61 | Outside The Wall (1950) | Richard Basehart | 1.10 | 27.0 | 27.00 | 179 | 65 | 00 / 00 | 56.6 | |
| 63 | The Barefoot Executive (1971) | Kurt Russell & Joe Flynn |
10.60 | 75.5 | 75.50 | 35 | 50 | 00 / 00 | 56.4 | |
| 63 | Frankie and Johnny (1966) | Elvis Presley & Donna Douglas |
6.00 | 64.1 | 64.10 | 46 | 53 | 00 / 00 | 56.2 | |
| 65 | Red Light (1949) | Virginia Mayo & Raymond Burr |
2.40 | 66.4 | 66.40 | 127 | 52 | 00 / 00 | 55.6 | |
| 65 | The Eve of St. Mark (1944) | Vincent Price & Anne Baxter |
1.20 | 44.5 | 44.50 | 138 | 59 | 00 / 00 | 54.9 | |
| 67 | Strange Bargain (1949) | Martha Scott | 0.90 | 24.7 | 24.70 | 186 | 63 | 00 / 00 | 51.9 | |
| 69 | Scandalous John (1971) | Brian Keith | 4.50 | 32.4 | 32.40 | 64 | 57 | 00 / 00 | 44.9 | |
| 68 | Viva Max (1969) | Peter Ustinov | 2.70 | 22.6 | 22.60 | 81 | 60 | 00 / 00 | 43.8 | |
| 70 | The Omaha Trail (1942) | James Craig & Dean Jagger |
0.80 | 33.9 | 33.90 | 189 | 55 | 00 / 00 | 41.0 | |
| 71 | Arena (1953) | Gig Young & Jean Hagen |
2.30 | 45.2 | 60.60 | 153 | 51 | 00 / 00 | 40.9 | |
| 72 | Apache War Smoke (1952) | Gilbert Roland & Robert Horton |
1.60 | 34.2 | 34.20 | 174 | 54 | 00 / 00 | 38.7 | |
| 71 | Under Fire (1957) | George Chakiris | 0.40 | 9.1 | 9.10 | 192 | 61 | 00 / 00 | 36.5 | |
| 75 | Prisoner of War (1954) | Ronald Reagan | 2.20 | 57.3 | 78.60 | 116 | 45 | 00 / 00 | 34.2 | |
| 74 | Star In The Dust (1956) | Clint Eastwood | 0.70 | 15.3 | 15.30 | 192 | 56 | 00 / 00 | 31.1 | |
| 76 | The Mountain Road (1960) | James Stewart & Lisa Lu |
1.30 | 22.1 | 22.10 | 118 | 52 | 00 / 00 | 27.2 | |
| 78 | The Loves of Edgar Allan Poe (1942) | Linda Darnell | 0.70 | 27.7 | 27.70 | 198 | 49 | 00 / 00 | 24.2 | |
| 77 | Charley and the Angel (1973) | Kurt Russell & Fred MacMurray |
3.00 | 20.1 | 20.10 | 93 | 51 | 00 / 00 | 23.6 | |
| 77 | Family Plan (1997) | Judge Reinhold | 0.10 | 0.1 | 0.10 | 285 | 46 | 00 / 00 | 8.2 |
Best IMDb Trivia On Harry Morgan
1. Harry Bratsberg was born in Detroit, Michigan in 1915.
2. Harry Morgan began acting on stage under his birth name, in 1937, joining the Group Theatre in New York City formed by Harold Clurman, Cheryl Crawford, and Lee Strasberg in 1931.[7][8] He appeared in the original production of the Clifford Odets play Golden Boy, followed by a host of successful Broadway roles alongside such other Group members as Lee J. Cobb, Elia Kazan, John Garfield, Sanford Meisner, and Karl Malden.
3. Harry Morgan and Jack Webb were best friends from 1949 to Thursday, December 23rd, 1982, when Jack Webb lost his life. He was the last minute replacement for the role of Officer Bill Gannon on the third revival of Dragnet 1967 (1967), with the help of Webb.
4. Harry Morgan appeared in three films nominated for Best Picture Academy Award®: The Ox-Bow Incident (1942), High Noon (1952) and How the West Was Won (1962).
5. Harry Morgan appeared as a regular on eleven TV series with no more than one TV season between them: December Bride (1954), Pete and Gladys (1960), The Richard Boone Show (1963), Kentucky Jones (1964), Dragnet 1967 (1967), The D.A. (1971), Hec Ramsey (1972), M*A*S*H (1972), “AfterMASH” (1983), Blacke’s Magic (1986) and You Can’t Take It with You (1987).
Check out Harry Morgan’s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
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Goodness gracious Colonel Potter was a busy actor. I knew he had made some movies but not this many.
Hey Taylor. Yes indeed, Colonel Potter was a very busy actor for almost six decades. Glad our page help shed some light on Harry Morgan’s movie career. As always thanks for stopping by.