Want to know the best Humphrey Bogart movies? How about the worst Humphrey Bogart movies? Curious about Humphrey Bogart ’s box office grosses or which Humphrey Bogart movie picked up the most Oscar® nominations? Need to know which Humphrey Bogart movie got the best reviews from critics and audiences and which got the worst reviews? Well you have come to the right place….because we have all of that information.
Did you know that the American Film Institute ranked Humphrey Bogart as the greatest male star in the history of American cinema? Bogart however did not find an easy road to the title of greatest male star ever. After trying numerous jobs including playing chess for money he turned to acting in 1921. He found regular work on Broadway through the rest of the 1920s. When the Great Depression reduced the demand for plays, he turned his attention to movies. His first full length film was 1930’s Up the River which was directed by a very young John Ford and co-starred Spencer Tracy (also his first film). His first movie contract with Fox Films was terminated when they concluded he was not star material. Shortly there after he signed with Warner Brothers. Warner Brothers gave Bogart plenty of work from 1936 to 1940.
He appeared in twenty movies in that time frame, almost all the movies were low budget B movies. He did manage to get strong notices from two of the movies made during this time….1936’s The Petrified Forest and 1937’s Dead End. So by the end of the 1930s, Bogart either appeared as the one of stars in horrible low budget film, or as the 3rd or 4th lead in a higher budgeted movie. In the higher budgeted movies he would usually get the cowardly bad guy role and many times killed by James Cagney.
Two films in 1941 changed everything for Bogart. High Sierra was a surprise hit, it did very well at the box office and critics loved the movie and proved Bogart could carry a film. Later that year The Maltese Falcon was released to even bigger box office and an Oscar® nomination for Best Picture. After the success of those two films, Bogart found himself in better movies. In 1942 he made his greatest film, Casablanca. Bogart’s role of Rick in Casablanca would cement his trademark film persona, that of the hard-boiled cynic who ultimately shows his noble side. Bogart would appear in 29 more movies from 1943 to 1956, all of which were big budget and he was always the star. Some of his greatest success during this time would include 1944’s To Have and Have Not (his first film with 4th wife Lauren Bacall), 1951’s African Queen (won Oscar® for this movie), 1954’s The Caine Mutiny (his biggest box office hit) and 1956’s The Harder They Fall (his final movie). Humphrey Bogart passed away in early 1957 after a battle with cancer. John Huston’s eulogy says it all… “He is quite irreplaceable. There will never be another like him.”
His IMDb page shows 85 acting credits from 1928-1956. This page will rank Humphrey Bogart movies from Best to Worst in six different sortable columns of information. Television appearances, shorts, cameos and uncredited movies that were included in the rankings.
Humphrey Bogart Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1942
Casablanca (1942)
AA Best Picture Win
AA Best Actor Nom
1954
The Caine Mutiny (1954)
AA Best Picture Nom
AA Best Actor Nom
1938
Angels with Dirty Faces (1938)
1948
The Treasure of the Sierra Madre (1948)
AA Best Picture Nom
1951
The African Queen (1951)
AA Best Actor Win
1948
Key Largo (1948)
1954
Sabrina (1954)
1946
The Big Sleep (1946)
1944
To Have and Have Not (1944)
1939
The Roaring Twenties (1939)
1943
Sahara (1943)
1939
Dark Victory (1939)
AA Best Picture Nom
1954
The Barefoot Contessa (1954)
1941
The Maltese Falcon (1941)
AA Best Picture Nom
1947
Dark Passage (1947)
1937
Dead End (1937)
AA Best Picture Nom
1945
Conflict (1945)
1955
We're No Angels (1955)
1943
Action in the North Atlantic (1943)
1938
Crime School (1938)
1941
High Sierra (1941)
1955
The Left Hand of God (1955)
1955
The Desperate Hours (1955)
1944
Passage to Marseille (1944)
1947
The Two Mrs. Carrolls (1947)
1943
Thank Your Lucky Stars (1943)
1940
They Drive By Night (1940)
1939
The Oklahoma Kid (1939)
1937
Kid Galahad (1937)
1950
In a Lonely Place (1950)
1949
Knock On Any Door (1949)
1947
Dead Reckoning (1947)
1942
All Through the Night (1942)
1937
Marked Woman (1937)
1951
The Enforcer (1951)
1940
Virginia City (1940)
1936
The Petrified Forest (1936)
1942
Across the Pacific (1942)
1956
The Harder They Fall (1956)
1938
The Amazing Dr. Clitterhouse (1938)
1937
Stand-In (1937)
1936
Bullets or Ballots (1936)
1937
Black Legion (1937)
1942
The Big Shot (1942)
1950
Chain Lightning (1950)
1939
Invisible Stripes (1939)
1949
Tokyo Joe (1949)
1940
Brother Orchid (1940)
1939
King of the Underworld (1939)
1937
The Great O'Malley (1937)
1938
Racket Busters (1938)
1932
Three on a Match (1932)
1940
It All Came True (1940)
1941
The Wagons Roll at Night (1941)
1936
China Clipper (1936)
1952
Deadline - USA (1952)
1953
Beat the Devil (1953)
1937
San Quentin (1937)
1931
The Bad Sister (1931)
1931
Body and Soul (1931)
1938
Men Are Such Fools (1938)
1939
You Can't Get Away with Murder (1939)
1953
Battle Circus (1953)
1951
Sirocco (1951)
1938
Swing Your Lady (1938)
1936
Isle of Fury (1936)
1936
Two Against The World (1936)
1934
Midnight (1934)
1930
Up the River (1930)
1931
A Holy Terror (1931)
1939
The Return of Doctor X (1939)
Humphrey Bogart Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Humphrey Bogart movies by co-stars of his movies
- Sort Humphrey Bogart movies by actual domestic box office grosses
- Sort Humphrey Bogart movies by adjusted domestic box office grosses using current movie ticket cost
- Sort Humphrey Bogart movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each Humphrey Bogart movie received.
- Sort Humphrey Bogart movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Casablanca (1942) AA Best Picture Win AA Best Actor Nom |
Ingrid Bergman & Claude Rains |
11.80 | 440.2 | 807.80 | 5 | 95 | 08 / 03 | 100.0 | |
2 | The Caine Mutiny (1954) AA Best Picture Nom AA Best Actor Nom |
Fred MacMurray & Lee Marvin |
20.40 | 479.1 | 479.10 | 4 | 85 | 07 / 00 | 99.3 | |
3 | Angels with Dirty Faces (1938) | James Cagney & Pat O'Brien |
6.50 | 257.8 | 372.70 | 17 | 89 | 03 / 00 | 99.0 | |
5 | The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Walter Huston & Directed by John Huston |
6.10 | 163.1 | 290.40 | 45 | 90 | 04 / 03 | 99.0 | |
4 | The African Queen (1951) AA Best Actor Win |
Katharine Hepburn & Directed by John Huston |
11.80 | 254.4 | 254.40 | 8 | 87 | 04 / 01 | 99.0 | |
6 | Key Largo (1948) | Edward G. Robinson & Lionel Barrymore |
8.70 | 234.0 | 309.90 | 16 | 88 | 01 / 01 | 98.9 | |
7 | Sabrina (1954) | Audrey Hepburn & William Holden |
11.40 | 267.8 | 267.80 | 21 | 83 | 06 / 01 | 98.8 | |
8 | The Big Sleep (1946) | Lauren Bacall & Directed by Howard Hawks |
8.10 | 249.7 | 405.20 | 32 | 89 | 00 / 00 | 98.7 | |
9 | To Have and Have Not (1944) | Lauren Bacall & Directed by Howard Hawks |
11.80 | 396.9 | 571.30 | 8 | 87 | 00 / 00 | 98.6 | |
11 | The Roaring Twenties (1939) | James Cagney | 4.90 | 187.9 | 262.30 | 32 | 89 | 00 / 00 | 98.3 | |
10 | Sahara (1943) | J. Carrol Naish | 6.60 | 236.1 | 236.10 | 34 | 82 | 03 / 00 | 98.2 | |
12 | Dark Victory (1939) AA Best Picture Nom |
Bette Davis | 4.70 | 179.4 | 262.30 | 41 | 80 | 03 / 00 | 97.8 | |
13 | The Barefoot Contessa (1954) | Ava Gardner & Edmond O'Brien |
9.40 | 221.0 | 221.00 | 28 | 77 | 02 / 01 | 97.4 | |
15 | The Maltese Falcon (1941) AA Best Picture Nom |
Peter Lorre & Directed by John Huston |
3.40 | 132.5 | 232.50 | 68 | 91 | 03 / 00 | 97.1 | |
14 | Dark Passage (1947) | Lauren Bacall | 8.10 | 236.2 | 323.80 | 29 | 78 | 00 / 00 | 97.1 | |
16 | Dead End (1937) AA Best Picture Nom |
Claire Trevor & Directed by William Wyler |
3.40 | 140.1 | 140.10 | 65 | 80 | 04 / 00 | 95.3 | |
17 | Conflict (1945) | Alexis Smith | 6.30 | 199.5 | 321.40 | 48 | 70 | 00 / 00 | 95.2 | |
18 | We're No Angels (1955) | Aldo Ray & Peter Ustinov |
8.60 | 177.7 | 177.70 | 35 | 76 | 00 / 00 | 95.0 | |
19 | Action in the North Atlantic (1943) | Alan Hale | 6.10 | 220.1 | 355.20 | 42 | 66 | 01 / 00 | 94.4 | |
20 | Crime School (1938) | Dead End Kids | 4.40 | 175.5 | 230.10 | 35 | 74 | 00 / 00 | 94.2 | |
21 | High Sierra (1941) | Ida Lupino | 3.40 | 132.0 | 184.90 | 69 | 85 | 00 / 00 | 93.3 | |
22 | The Left Hand of God (1955) | Gene Tierney | 11.40 | 236.9 | 236.90 | 25 | 62 | 00 / 00 | 93.0 | |
23 | The Desperate Hours (1955) | Fredric March | 7.10 | 148.1 | 148.10 | 41 | 78 | 00 / 00 | 92.8 | |
24 | Passage to Marseille (1944) | Claude Rains & Peter Lorre |
7.00 | 234.4 | 411.40 | 32 | 60 | 00 / 00 | 92.3 | |
26 | The Two Mrs. Carrolls (1947) | Barbara Stanwyck | 6.20 | 180.5 | 281.00 | 46 | 66 | 00 / 00 | 92.2 | |
25 | Thank Your Lucky Stars (1943) | John Garfield & Errol Flynn |
7.20 | 257.0 | 371.80 | 27 | 58 | 01 / 00 | 91.9 | |
28 | They Drive By Night (1940) | George Raft | 3.10 | 120.1 | 175.60 | 48 | 83 | 00 / 00 | 91.7 | |
27 | The Oklahoma Kid (1939) | James Cagney | 6.10 | 236.1 | 462.60 | 17 | 58 | 00 / 00 | 91.6 | |
29 | Kid Galahad (1937) | Bette Davis & Edward G. Robinson |
4.10 | 172.0 | 251.60 | 38 | 64 | 00 / 00 | 90.7 | |
30 | In a Lonely Place (1950) | Gloria Graham | 3.90 | 88.2 | 88.20 | 82 | 87 | 00 / 00 | 89.4 | |
31 | Knock On Any Door (1949) | John Derek | 5.80 | 146.2 | 146.20 | 39 | 67 | 00 / 00 | 88.9 | |
32 | Dead Reckoning (1947) | Lizabeth Scott | 4.70 | 136.2 | 136.20 | 75 | 69 | 00 / 00 | 88.5 | |
33 | All Through the Night (1942) | Peter Lorre | 2.90 | 107.2 | 209.00 | 95 | 78 | 00 / 00 | 88.4 | |
35 | Marked Woman (1937) | Bette Davis | 3.10 | 128.4 | 190.90 | 70 | 70 | 00 / 00 | 87.9 | |
34 | The Enforcer (1951) | Zero Mostel & Everett Sloane |
4.50 | 97.6 | 177.00 | 74 | 79 | 00 / 00 | 87.9 | |
36 | Virginia City (1940) | Errol Flynn & Randolph Scott |
4.30 | 167.0 | 233.20 | 25 | 57 | 00 / 00 | 87.9 | |
37 | The Petrified Forest (1936) | Bette Davis & Leslie Howard |
1.90 | 83.8 | 119.30 | 102 | 82 | 00 / 00 | 87.3 | |
38 | Across the Pacific (1942) | Mary Astor & Directed by Mary Astor |
3.90 | 146.7 | 252.20 | 68 | 60 | 00 / 00 | 86.6 | |
39 | The Harder They Fall (1956) | Rod Steiger | 3.90 | 75.6 | 75.60 | 90 | 81 | 01 / 00 | 86.4 | |
40 | The Amazing Dr. Clitterhouse (1938) | Edward G. Robinson & Written by John Huston |
3.10 | 125.0 | 194.40 | 63 | 65 | 00 / 00 | 85.6 | |
41 | Stand-In (1937) | Leslie Howard | 2.40 | 98.0 | 143.50 | 99 | 68 | 00 / 00 | 83.3 | |
42 | Bullets or Ballots (1936) | Edward G. Robinson | 2.40 | 104.4 | 159.10 | 81 | 66 | 00 / 00 | 83.3 | |
43 | Black Legion (1937) | Ann Sheridan | 2.70 | 111.9 | 111.90 | 91 | 60 | 01 / 00 | 81.5 | |
44 | The Big Shot (1942) | Irene Manning | 2.70 | 99.7 | 189.40 | 103 | 63 | 00 / 00 | 80.8 | |
45 | Chain Lightning (1950) | Eleanor Parker | 4.80 | 106.8 | 163.90 | 61 | 60 | 00 / 00 | 80.1 | |
46 | Invisible Stripes (1939) | William Holden | 2.50 | 97.8 | 138.40 | 95 | 62 | 00 / 00 | 79.8 | |
47 | Tokyo Joe (1949) | Alexander Knox | 5.30 | 132.3 | 132.30 | 53 | 51 | 00 / 00 | 79.4 | |
48 | Brother Orchid (1940) | Edward G. Robinson | 2.10 | 80.8 | 111.00 | 94 | 66 | 00 / 00 | 78.9 | |
49 | King of the Underworld (1939) | Kay Francis | 1.30 | 49.1 | 76.70 | 159 | 74 | 00 / 00 | 77.2 | |
50 | The Great O'Malley (1937) | Pat O'Brien | 1.80 | 73.3 | 104.30 | 127 | 65 | 00 / 00 | 76.4 | |
51 | Racket Busters (1938) | George Brent | 2.80 | 113.2 | 113.20 | 77 | 52 | 00 / 00 | 75.6 | |
52 | Three on a Match (1932) | Bette Davis | 1.00 | 47.3 | 62.20 | 119 | 71 | 00 / 00 | 74.2 | |
53 | It All Came True (1940) | Ann Sheridan | 2.00 | 75.2 | 107.40 | 102 | 61 | 00 / 00 | 73.1 | |
54 | The Wagons Roll at Night (1941) | Eddie Albert | 1.80 | 70.2 | 113.80 | 127 | 62 | 00 / 00 | 72.0 | |
55 | China Clipper (1936) | Pat O'Brien | 1.80 | 76.1 | 76.10 | 108 | 60 | 00 / 00 | 71.8 | |
56 | Deadline - USA (1952) | Ethel Barrymore | 3.50 | 68.1 | 68.10 | 104 | 62 | 00 / 00 | 71.7 | |
57 | Beat the Devil (1953) | Jennifer Jones & Directed by John Huston |
3.00 | 54.5 | 54.50 | 120 | 65 | 00 / 00 | 69.6 | |
58 | San Quentin (1937) | Pat O'Brien | 2.00 | 81.3 | 119.10 | 121 | 54 | 00 / 00 | 67.0 | |
59 | The Bad Sister (1931) | Bette Davis | 0.80 | 42.9 | 42.90 | 161 | 65 | 00 / 00 | 65.5 | |
60 | Body and Soul (1931) | Myrna Loy | 0.70 | 35.6 | 35.60 | 173 | 65 | 00 / 00 | 62.3 | |
61 | Men Are Such Fools (1938) | Wayne Morris | 2.10 | 82.4 | 82.40 | 113 | 49 | 00 / 00 | 59.5 | |
62 | You Can't Get Away with Murder (1939) | Gale Page | 1.20 | 47.6 | 70.10 | 162 | 58 | 00 / 00 | 56.0 | |
63 | Battle Circus (1953) | June Allyson | 4.90 | 88.6 | 128.60 | 64 | 44 | 00 / 00 | 54.6 | |
64 | Sirocco (1951) | Lee J. Cobb | 3.70 | 80.1 | 80.10 | 97 | 45 | 00 / 00 | 52.1 | |
65 | Swing Your Lady (1938) | Frank McHugh | 1.60 | 65.5 | 83.40 | 143 | 49 | 00 / 00 | 49.7 | |
66 | Isle of Fury (1936) | Margaret Lindsay | 1.00 | 45.3 | 45.30 | 141 | 53 | 00 / 00 | 45.8 | |
67 | Two Against The World (1936) | Beverly Roberts | 0.60 | 25.7 | 34.60 | 183 | 56 | 00 / 00 | 39.1 | |
68 | Midnight (1934) | Sidney Fox | 0.60 | 26.0 | 26.00 | 170 | 54 | 00 / 00 | 34.5 | |
69 | Up the River (1930) | Spencer Tracy | 0.90 | 50.4 | 50.40 | 128 | 44 | 00 / 00 | 28.8 | |
70 | A Holy Terror (1931) | George O'Brien | 0.40 | 20.3 | 20.30 | 194 | 53 | 00 / 00 | 28.0 | |
71 | The Return of Doctor X (1939) | Rosemary Lane | 1.40 | 54.1 | 78.80 | 151 | 40 | 00 / 00 | 24.3 |
Humphrey Bogart Adjusted World Wide Box Office Grosses
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Casablanca (1942) AA Best Picture Win AA Best Actor Nom |
Ingrid Bergman & Claude Rains |
807.80 | |
To Have and Have Not (1944) | Lauren Bacall & Directed by Howard Hawks |
571.30 | |
The Oklahoma Kid (1939) | James Cagney | 462.60 | |
Passage to Marseille (1944) | Claude Rains & Peter Lorre |
411.40 | |
The Big Sleep (1946) | Lauren Bacall & Directed by Howard Hawks |
405.20 | |
Angels with Dirty Faces (1938) | James Cagney & Pat O'Brien |
372.70 | |
Thank Your Lucky Stars (1943) | John Garfield & Errol Flynn |
371.80 | |
Action in the North Atlantic (1943) | Alan Hale | 355.20 | |
Dark Passage (1947) | Lauren Bacall | 323.80 | |
Conflict (1945) | Alexis Smith | 321.40 | |
Key Largo (1948) | Edward G. Robinson & Lionel Barrymore |
309.90 | |
The Treasure of the Sierra Madre (1948) AA Best Picture Nom |
Walter Huston & Directed by John Huston |
290.40 | |
The Two Mrs. Carrolls (1947) | Barbara Stanwyck | 281.00 | |
The Roaring Twenties (1939) | James Cagney | 262.30 | |
Dark Victory (1939) AA Best Picture Nom |
Bette Davis | 262.30 | |
Across the Pacific (1942) | Mary Astor & Directed by Mary Astor |
252.20 | |
Kid Galahad (1937) | Bette Davis & Edward G. Robinson |
251.60 | |
Virginia City (1940) | Errol Flynn & Randolph Scott |
233.20 | |
The Maltese Falcon (1941) AA Best Picture Nom |
Peter Lorre & Directed by John Huston |
232.50 | |
Crime School (1938) | Dead End Kids | 230.10 | |
All Through the Night (1942) | Peter Lorre | 209.00 | |
The Amazing Dr. Clitterhouse (1938) | Edward G. Robinson & Written by John Huston |
194.40 | |
Marked Woman (1937) | Bette Davis | 190.90 | |
The Big Shot (1942) | Irene Manning | 189.40 | |
High Sierra (1941) | Ida Lupino | 184.90 | |
The Enforcer (1951) | Zero Mostel & Everett Sloane |
177.00 | |
They Drive By Night (1940) | George Raft | 175.60 | |
Chain Lightning (1950) | Eleanor Parker | 163.90 | |
Bullets or Ballots (1936) | Edward G. Robinson | 159.10 | |
Stand-In (1937) | Leslie Howard | 143.50 | |
Invisible Stripes (1939) | William Holden | 138.40 | |
Battle Circus (1953) | June Allyson | 128.60 | |
The Petrified Forest (1936) | Bette Davis & Leslie Howard |
119.30 | |
San Quentin (1937) | Pat O'Brien | 119.10 | |
The Wagons Roll at Night (1941) | Eddie Albert | 113.80 | |
Brother Orchid (1940) | Edward G. Robinson | 111.00 | |
It All Came True (1940) | Ann Sheridan | 107.40 | |
The Great O'Malley (1937) | Pat O'Brien | 104.30 | |
Swing Your Lady (1938) | Frank McHugh | 83.40 | |
The Return of Doctor X (1939) | Rosemary Lane | 78.80 | |
King of the Underworld (1939) | Kay Francis | 76.70 | |
You Can't Get Away with Murder (1939) | Gale Page | 70.10 | |
Three on a Match (1932) | Bette Davis | 62.20 | |
Two Against The World (1936) | Beverly Roberts | 34.60 |
Let’s take a quick moment to look at two of Bogart’s worst movies. Don’t worry you Bogart fans he thought these two movies were horrible too.
1937’s Swing That Lady: Bogart plays a wrestling promoter who brings his wrestler Joe, to the Ozarks, to wrestle a female hillbilly Amazon named Sadie Hills….naturally Bogart falls in love with Sadie and they all live happily ever after in this musical comedy…..Bogart’s thoughts on this movie….”It’s a stinker”
1938’s The Return of Dr. X: Bogart’s only science fiction movie….he plays a mad evil genius doctor who figures out a way to bring the dead back to life. For some reason Bogart refused to talk about this movie later in his life.
Check out Humprey Bogart‘s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
AFI’s Top 25 Screen Legend Actors….with links to our movie pages on the Screen Legend
If you do a comment….please ignore the email address request.
Just added Steve’s You Tube Video to our Humphrey Bogart Page…our comment on his video page.
“Bogart…the AFI number one actor….and our statistical page…Bogie is one of our Top Rated Actors. This is an EPIC PAGE. Seen #47 San Quentin…more of a Pat O’Brien movie than Bogie movie #43 Beat the Devil…a cult classic…but it bores me. #38 We’re No Angels….much better the second time around #34 Bullets or Ballots….seen a hour of it….but my DVD is messed up…so I have not seen the ending. #24 They Drive By Night…Bogie taking a backseat to Raftie #23 Barefoot Contessa…decent movie. #21 Sahara…saw it years ago. #18 Dark Passage…ok movie #17 High Sierra….the Bogart ball starts to roll #15 Dark Victory….Bogie in support of Davis #14 Desperate Hours….Bogie’s last great movie #12 Caine Mutiny…great Bogie performance #11 Petrified Forest…the one that got Bogie noticed #10 In A Lonely Place…I know it is a classic….but I think it is ok at best #9 Sabrina…what a cast #8 Key Largo…fun movie with great performances #7 To Have and Have Not….Bogie shines #6 Angels With Dirty Faces…Bogie backing up Cagney #5 African Queen…my grandmother’s favorite movie #4 The Big Sleep…..classic! #3 Maltese Falcon…surprised this is not #2 #2 Treasure of Sierre Madre…maybe his best acting performance #1 Casablanca…is that the Ronald Reagan movie?….lol. So that is 23 seen. Great posters. Great video. Voted up and shared.”
Captain Renault: What in heaven’s name brought you to Casablanca?
Rick: My health. I came to Casablanca for the waters.
Captain Renault: The waters? What waters? We’re in the desert.
Rick: I was misinformed.
HI MOSES {Ouch!]
1 You regretfully seem misinformed about my attitude to Miss Loy. I have said on previous occasions on this site that she was (1) an excellent actress (2) a great and admirable crusader for civil rights (3) a good friend [to Joan Crawford for example] (4) very popular but not in my view the “most successful female box office star ever”
2 Others have drawn attention to the similar misnomer of ranking the likes of Walter Brennan above for example Wayne and Cooper simply because Walt was in a lot of “other people’s” films that made money.
3 Bruce actually started off the current “Myrna” round when a few weeks ago he again referred to her as the most successful [“ticket seller” this time] ever. I simply was quite happy to join in the fun and Bruce then continued matters by sending me a post in which he boasted about reducing Myrna’s grosses. You then decided to enter the “debate” by flaunting Myrna’s 4/10 x 10 credentials and in your 7.55am am post yesterday on Eddie Robinson’s page
confessed to wanting to “press my buttons”.
4 According if time has been wasted I cannot completely own to “Mea Culpa” and of course there is the old saying that if you cannot stand the heat keep out of the kitchen. Anyway hope you are having a good weekend and I look forward to your next epic 50 – how about one on Myrna to show none of us has any hard feelings? Bruce could maybe do a statistical forward to it.
STEVE
1 Your response to my Part 2 Bogie post is still apparently in the rough. Tiger Woods may help us locate it and I will continue to live in hope because as I have said before I find your feedbacks valuable in understanding how your selection and rating systems work. Meanwhile my Yankee cousin is on her way over to Bruce’s house to kick his door!
2 It should be remembered occasionally that massive legend though Bogie ultimately was he was a supporting actor up until 1941 and his career as a fully-fledged star was relatively short, from 1941 until 1956, not even a full CALENDAR decade.
3 Indeed the 36 movies that he made in those top star years 1941-56 grossed only $5.6 billion in adjusted domestic earnings which whilst commendable in itself was according to Bruce’s stats far short of the figures that Bogie’s fellow Greats likes of Grant, Gable, Cooper and The Duke chalked up in their years as leading actors, none of them serving the apprenticeship as an also ran that Bogie did.
4 Also I will return briefly to an ongoing theme. Even if we take account of Bogie’s movies as a supporting actor his grand total for all his 70 films listed above comes to just over $8 billion in adjusted domestic grosses. That means that if we accept Bruce’s contentions about Myrna Loy she with a total adjusted domestic gross of $8.3 billion was a bigger star overall albeit slightly than Bogie and considerably so if her entire $8.3 billion is set against his total of $5.6 billion as a leading actor. Do YOU believe that she was anywhere near the ticket seller that Bogie was whatever set of figures is used?
1 Your response to my Part 2 Bogie post is still apparently in the rough. Tiger Woods may help us locate it and I will continue to live in hope because as I have said before I find your feedbacks valuable in understanding how your selection and rating systems work. Meanwhile my Yankee cousin is on her way over to Bruce’s house to kick his door!
2 It should be remembered occasionally that massive legend though Bogie ultimately was he was a supporting actor up until 1941 and his career as a fully-fledged star was relatively short, from 1941 until 1956, not even a full CALENDAR decade.
3 Indeed the 36 movies that he made in those top star years 1941-56 grossed only $5.6 billion in adjusted domestic earnings which whilst commendable in itself was according to Bruce’s stats far short of the figures that Bogie’s fellow Greats likes of Grant, Gable, Cooper and The Duke chalked up in their years as leading actors, none of them serving the apprenticeship as an also ran that Bogie did.
4 Also I will return briefly to an ongoing theme. Even if we take account of Bogie’s movies as a supporting actor his grand total for all his 70 films listed above comes to just over $8 billion in adjusted domestic grosses. That means that if we accept Bruce’s contentions about Myrna Loy she with a total adjusted domestic gross of $8.3 billion was a bigger star overall albeit slightly than Bogie and considerably so if her entire $8.3 billion is set against his total of $5.6 billion as a leading actor. Do YOU believe that she was anywhere near the ticket seller that Bogie was whatever set of figures is used?
1 Your response to my Part 2 Bogie post is still apparently in the rough. Tiger Woods may help us locate it and I will continue to live in hope because as I have said before I find your feedbacks valuable in understanding how your selection and rating systems work. Meanwhile my Yankee cousin is on her way over to Bruce’s house to kick his door!
2 It should be remembered occasionally that massive legend though Bogie ultimately was he was a supporting actor up until 1941 and his career as a fully-fledged star was relatively short, from 1941 until 1956, not even a full CALENDAR decade.
3 Indeed the 36 movies that he made in those top star years 1941-56 grossed only $5.6 billion in adjusted domestic earnings which whilst commendable in itself was according to Bruce’s stats far short of the figures that Bogie’s fellow Greats likes of Grant, Gable, Cooper and The Duke chalked up in their years as leading actors, none of them serving the apprenticeship as an also ran that Bogie did.
4 Also I will return briefly to an ongoing theme. Even if we take account of Bogie’s movies as a supporting actor his grand total for all his 70 films comes to just over $8 billion in adjusted domestic grosses. That means that if we accept Bruce’s contentions about Myrna Loy she with a total adjusted domestic gross of $8.3 billion was a bigger star overall albeit slightly than Bogie and considerably so if her entire $8.3 billion is set against his total of $5.6 billion as a leading actor. Do YOU believe that she was anywhere near the ticket seller that Bogie was whatever set of figures is used?