Want to know the best James Cagney movies? How about the worst James Cagney movies? Curious about James Cagney box office grosses or which James Cagney movie picked up the most Oscar® nominations? Need to know which James Cagney movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information.
RobWrite suggested James Cagney (1899-1986) would be a good subject for one of my movie pages. Here are the few things I knew about Cagney before starting the research for this page…(1) he won the Academy Award® for Best Actor in 1942’s Yankee Doodle Dandy (2) he was in a ton of gangster movies (3) his last movie was 1981’s Ragtime and (4) he was great as Captain Morton in 1955’s Mister Roberts.
After two months of research on James Cagney, not only I am finally ready to write this page, but I have new found respect for his career. His IMDb page shows 69 acting credits from 1930-1981. This page will rank 61 James Cagney movies from Best to Worst in four different sortable columns of information. Cameos, television appearances, shorts and 4 movies made before he was a star are not included in the rankings.
James Cagney Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1942
Yankee Doodle Dandy (1942)
AA Best Picture Nom
AA Best Actor Win
1955
Mister Roberts (1955)
AA Best Picture Nom
1938
Angels with Dirty Faces (1938)
AA Best Actor Nom
1939
The Roaring Twenties (1939)
1933
Footlight Parade (1933)
1949
White Heat (1949)
1946
13 Rue Madeleine (1946)
1955
Love Me or Leave Me (1955)
AA Best Actor Nom
1941
The Strawberry Blonde (1941)
1940
The Fighting 69th (1940)
1955
The Seven Little Foys (1955)
1939
Each Dawn I Die (1939)
1942
Captains of the Clouds (1942)
1931
The Public Enemy (1931)
1941
The Bride Came C.O.D. (1941)
1935
'G' Men (1935)
1939
The Oklahoma Kid (1939)
1961
One, Two, Three (1961)
1934
The St. Louis Kid (1934)
1934
Here Comes the Navy (1934)
AA Best Picture Nom
1940
City for Conquest (1940)
1945
Blood on the Sun (1945)
1957
Man of a Thousand Faces (1957)
1935
A Midsummer Night's Dream (1935)
AA Best Picture Nom
1981
Ragtime (1981)
1935
Devil Dogs of the Air (1935)
1931
Blonde Crazy (1931)
1950
Kiss Tomorrow Goodbye (1950)
1950
The West Point Story (1950)
1932
The Crowd Roars (1932)
1936
Ceiling Zero (1936)
1935
Frisco Kid (1935)
1940
Torrid Zone (1940)
1943
Johnny Come Lately (1943)
1932
Taxi (1932)
1955
Run For Cover (1955)
1948
The Time of Your Life (1948)
1952
What Price Glory (1952)
1951
Come Fill the Cup (1951)
1931
The Millionaire (1931)
1935
The Irish in Us (1935)
1960
The Gallant Hours (1960)
1934
Jimmy The Gent (1934)
1930
The Doorway To Hell (1930)
1933
The Mayor of Hell (1933)
1933
Picture Snatcher (1933)
1933
Lady Killer (1933)
1931
Smart Money (1931)
1959
Shake Hands with The Devil (1959)
1936
Great Guy (1936)
1932
Winner Take All (1932)
1956
Tribute to a Bad Man (1956)
1953
A Lion is in the Streets (1953)
1937
Something To Sing About (1937)
1938
Boy Meets Girl (1938)
1930
Sinners' Holiday (1930)
1959
Never Steal Anything Small (1959)
1931
Other Men's Women (1931)
1934
He Was Her Man (1934)
1933
Hard To Handle (1933)
1956
These Wilder Years (1956)
James Cagney Movies Can Be Ranked 6 Ways In This Table
- Sort James Cagney movies by co-stars of his movies
- Sort James Cagney movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort James Cagney movies by yearly domestic box office rank
- Sort James Cagney movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each James Cagney movie received.
- Sort James Cagney movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Yankee Doodle Dandy (1942) AA Best Picture Nom AA Best Actor Win |
Walter Huston | 13.50 | 501.3 | 702.20 | 3 | 84 | 08 / 03 | 99.5 | |
2 | Mister Roberts (1955) AA Best Picture Nom |
Henry Fonda & Jack Lemmon |
21.40 | 444.2 | 499.60 | 4 | 88 | 03 / 01 | 99.4 | |
3 | Angels with Dirty Faces (1938) AA Best Actor Nom |
Humphrey Bogart | 6.50 | 257.8 | 372.70 | 17 | 89 | 03 / 00 | 99.0 | |
6 | The Roaring Twenties (1939) | Humphrey Bogart | 4.90 | 187.9 | 262.30 | 32 | 89 | 00 / 00 | 98.3 | |
4 | Footlight Parade (1933) | Joan Blondell | 4.60 | 214.4 | 323.50 | 7 | 82 | 00 / 00 | 97.8 | |
8 | White Heat (1949) | Virginia Mayo | 6.10 | 152.4 | 242.70 | 36 | 91 | 01 / 00 | 96.7 | |
7 | 13 Rue Madeleine (1946) | Richard Conte | 7.40 | 228.9 | 228.90 | 46 | 76 | 00 / 00 | 96.6 | |
8 | Love Me or Leave Me (1955) AA Best Actor Nom |
Doris Day | 11.50 | 239.0 | 333.60 | 23 | 69 | 06 / 01 | 96.5 | |
10 | The Strawberry Blonde (1941) | Olivia de Havilland & Rita Hayworth |
4.50 | 172.6 | 231.90 | 38 | 80 | 01 / 00 | 95.7 | |
12 | The Fighting 69th (1940) | Pat O'Brien | 5.20 | 200.4 | 254.40 | 14 | 67 | 00 / 00 | 94.5 | |
12 | The Seven Little Foys (1955) | Bob Hope | 11.40 | 236.9 | 236.90 | 24 | 63 | 01 / 00 | 93.4 | |
14 | Each Dawn I Die (1939) | George Raft | 4.40 | 171.1 | 241.80 | 43 | 72 | 00 / 00 | 93.3 | |
13 | Captains of the Clouds (1942) | Dennis Morgan | 6.00 | 224.7 | 364.10 | 26 | 60 | 02 / 00 | 92.8 | |
15 | The Public Enemy (1931) | Jean Harlow | 2.50 | 128.2 | 142.30 | 36 | 83 | 01 / 00 | 92.6 | |
15 | The Bride Came C.O.D. (1941) | Bette Davis | 4.70 | 180.8 | 265.40 | 33 | 66 | 00 / 00 | 92.4 | |
17 | 'G' Men (1935) | Lloyd Nolan | 3.30 | 146.7 | 251.90 | 19 | 77 | 00 / 00 | 92.3 | |
17 | The Oklahoma Kid (1939) | Humphrey Bogart | 6.10 | 236.1 | 462.60 | 17 | 58 | 00 / 00 | 91.6 | |
18 | One, Two, Three (1961) | Directed by Billy Wilder | 7.10 | 104.1 | 104.10 | 29 | 86 | 01 / 00 | 91.3 | |
20 | The St. Louis Kid (1934) | Patricia Ellis | 2.30 | 109.5 | 109.50 | 43 | 83 | 00 / 00 | 90.5 | |
20 | Here Comes the Navy (1934) AA Best Picture Nom |
Pat O'Brien | 3.40 | 158.4 | 235.40 | 12 | 61 | 00 / 00 | 90.3 | |
21 | City for Conquest (1940) | Anthony Quinn | 3.30 | 127.2 | 197.30 | 45 | 76 | 00 / 00 | 90.1 | |
20 | Blood on the Sun (1945) | Sylvia Sidney | 9.40 | 299.4 | 299.40 | 18 | 51 | 01 / 01 | 90.1 | |
22 | Man of a Thousand Faces (1957) | Dorothy Malone | 6.90 | 132.0 | 132.00 | 33 | 73 | 01 / 00 | 89.8 | |
24 | A Midsummer Night's Dream (1935) AA Best Picture Nom |
Olivia de Havilland & Mickey Rooney |
2.10 | 93.8 | 157.70 | 64 | 72 | 04 / 02 | 89.2 | |
25 | Ragtime (1981) | Henry Rollins | 25.60 | 99.4 | 99.40 | 32 | 75 | 08 / 00 | 89.0 | |
26 | Devil Dogs of the Air (1935) | Pat O'Brien | 3.40 | 152.1 | 216.80 | 17 | 64 | 00 / 00 | 88.7 | |
27 | Blonde Crazy (1931) | Joan Blondell | 2.30 | 119.8 | 119.80 | 41 | 73 | 00 / 00 | 88.1 | |
29 | Kiss Tomorrow Goodbye (1950) | Barbara Payton | 4.90 | 109.1 | 109.10 | 54 | 72 | 00 / 00 | 86.5 | |
30 | The West Point Story (1950) | Doris Day | 6.10 | 137.7 | 185.40 | 39 | 61 | 01 / 00 | 86.1 | |
29 | The Crowd Roars (1932) | Directed by Howard Hawks | 1.50 | 73.4 | 107.70 | 59 | 81 | 00 / 00 | 85.7 | |
32 | Ceiling Zero (1936) | Directed by Howard Hawks | 3.10 | 133.1 | 180.70 | 53 | 57 | 00 / 00 | 83.0 | |
33 | Frisco Kid (1935) | Margaret Lindsay | 3.10 | 138.1 | 188.50 | 28 | 55 | 00 / 00 | 82.9 | |
31 | Torrid Zone (1940) | Pat O'Brien | 2.90 | 111.0 | 163.00 | 49 | 63 | 00 / 00 | 82.8 | |
34 | Johnny Come Lately (1943) | Grace George | 4.00 | 143.7 | 143.70 | 82 | 48 | 01 / 00 | 80.7 | |
34 | Taxi (1932) | Loretta Young | 1.30 | 64.1 | 80.20 | 86 | 73 | 00 / 00 | 80.1 | |
36 | Run For Cover (1955) | Ernest Borgnine | 4.30 | 88.8 | 88.80 | 79 | 64 | 00 / 00 | 79.0 | |
37 | The Time of Your Life (1948) | William Bendix | 4.20 | 113.5 | 113.50 | 86 | 55 | 00 / 00 | 78.6 | |
38 | What Price Glory (1952) | Robert Wagner & Directed by John Ford |
5.60 | 108.9 | 108.90 | 53 | 56 | 00 / 00 | 78.3 | |
39 | Come Fill the Cup (1951) | Gig Young | 5.10 | 109.8 | 157.00 | 58 | 53 | 01 / 00 | 76.7 | |
39 | The Millionaire (1931) | George Arliss & Florence Arliss |
1.60 | 82.3 | 126.80 | 76 | 62 | 00 / 00 | 76.2 | |
43 | The Irish in Us (1935) | Olivia de Havilland | 2.60 | 114.7 | 171.60 | 48 | 51 | 00 / 00 | 75.5 | |
42 | The Gallant Hours (1960) | Directed by Robert Montgomery | 3.70 | 58.0 | 58.00 | 69 | 68 | 00 / 00 | 74.7 | |
43 | Jimmy The Gent (1934) | Bette Davis | 0.90 | 44.5 | 62.50 | 116 | 72 | 00 / 00 | 74.3 | |
46 | The Doorway To Hell (1930) | Lew Ayres | 1.90 | 101.7 | 114.10 | 66 | 52 | 01 / 00 | 73.3 | |
43 | The Mayor of Hell (1933) | Madge Evans | 1.00 | 48.2 | 88.00 | 100 | 70 | 00 / 00 | 73.1 | |
45 | Picture Snatcher (1933) | Ralph Bellamy | 1.00 | 44.9 | 69.50 | 109 | 70 | 00 / 00 | 72.0 | |
47 | Lady Killer (1933) | Mae Clark | 1.00 | 47.9 | 80.30 | 101 | 66 | 00 / 00 | 69.0 | |
50 | Smart Money (1931) | Edward G. Robinson | 1.40 | 74.0 | 91.60 | 91 | 56 | 01 / 00 | 67.8 | |
48 | Shake Hands with The Devil (1959) | Michael Redgrave | 2.80 | 50.0 | 50.00 | 86 | 65 | 00 / 00 | 67.7 | |
50 | Great Guy (1936) | Mae Clark | 2.10 | 89.8 | 89.80 | 97 | 52 | 00 / 00 | 67.3 | |
51 | Winner Take All (1932) | Guy Kibbee | 1.20 | 58.1 | 81.10 | 98 | 62 | 00 / 00 | 67.3 | |
52 | Tribute to a Bad Man (1956) | Don Dubbins | 3.40 | 66.8 | 114.40 | 101 | 59 | 00 / 00 | 66.9 | |
53 | A Lion is in the Streets (1953) | Barbara Hale | 3.00 | 54.6 | 67.30 | 119 | 62 | 00 / 00 | 66.3 | |
54 | Something To Sing About (1937) | William Frawley | 1.70 | 70.5 | 70.50 | 132 | 53 | 01 / 00 | 62.0 | |
56 | Boy Meets Girl (1938) | Ronald Reagan | 2.20 | 89.6 | 104.40 | 102 | 47 | 00 / 00 | 60.9 | |
55 | Sinners' Holiday (1930) | Grant Withers | 0.70 | 35.5 | 42.00 | 151 | 63 | 00 / 00 | 58.3 | |
57 | Never Steal Anything Small (1959) | Shirley Jones | 2.60 | 47.5 | 47.50 | 90 | 59 | 00 / 00 | 57.8 | |
58 | Other Men's Women (1931) | Mary Astor | 1.00 | 52.9 | 52.90 | 144 | 57 | 00 / 00 | 57.3 | |
59 | He Was Her Man (1934) | Joan Blondell | 2.10 | 98.2 | 111.00 | 50 | 42 | 00 / 00 | 56.9 | |
60 | Hard To Handle (1933) | Mary Brian | 1.00 | 48.5 | 68.70 | 98 | 54 | 00 / 00 | 50.0 | |
61 | These Wilder Years (1956) | Barbara Stanwyck | 1.60 | 32.0 | 49.10 | 151 | 55 | 00 / 00 | 40.7 |
James Cagney Adjusted World Wide Box Office Grosses
Movie (Year)
UMR Co-Star Links
World-Wide Box Office Adjusted (mil)
S
Movie (Year) UMR Co-Star Links World-Wide Box Office Adjusted (mil) S
Yankee Doodle Dandy (1942)
AA Best Picture Nom
AA Best Actor Win
Walter Huston
702.20
Mister Roberts (1955)
AA Best Picture Nom
Henry Fonda &
Jack Lemmon
499.60
The Oklahoma Kid (1939)
Humphrey Bogart
462.60
Angels with Dirty Faces (1938)
AA Best Actor Nom
Humphrey Bogart
372.70
Captains of the Clouds (1942)
Dennis Morgan
364.10
Love Me or Leave Me (1955)
AA Best Actor Nom
Doris Day
333.60
Footlight Parade (1933)
Joan Blondell
323.50
The Bride Came C.O.D. (1941)
Bette Davis
265.40
The Roaring Twenties (1939)
Humphrey Bogart
262.30
The Fighting 69th (1940)
Pat O'Brien
254.40
'G' Men (1935)
Lloyd Nolan
251.90
White Heat (1949)
Virginia Mayo
242.70
Each Dawn I Die (1939)
George Raft
241.80
Here Comes the Navy (1934)
AA Best Picture Nom
Pat O'Brien
235.40
The Strawberry Blonde (1941)
Olivia de Havilland &
Rita Hayworth
231.90
Devil Dogs of the Air (1935)
Pat O'Brien
216.80
City for Conquest (1940)
Anthony Quinn
197.30
Frisco Kid (1935)
Margaret Lindsay
188.50
The West Point Story (1950)
Doris Day
185.40
Ceiling Zero (1936)
Directed by Howard Hawks
180.70
The Irish in Us (1935)
Olivia de Havilland
171.60
Torrid Zone (1940)
Pat O'Brien
163.00
A Midsummer Night's Dream (1935)
AA Best Picture Nom
Olivia de Havilland &
Mickey Rooney
157.70
Come Fill the Cup (1951)
Gig Young
157.00
The Public Enemy (1931)
Jean Harlow
142.30
The Millionaire (1931)
George Arliss &
Florence Arliss
126.80
Tribute to a Bad Man (1956)
Don Dubbins
114.40
The Doorway To Hell (1930)
Lew Ayres
114.10
He Was Her Man (1934)
Joan Blondell
111.00
The Crowd Roars (1932)
Directed by Howard Hawks
107.70
Boy Meets Girl (1938)
Ronald Reagan
104.40
Smart Money (1931)
Edward G. Robinson
91.60
The Mayor of Hell (1933)
Madge Evans
88.00
Winner Take All (1932)
Guy Kibbee
81.10
Lady Killer (1933)
Mae Clark
80.30
Taxi (1932)
Loretta Young
80.20
Picture Snatcher (1933)
Ralph Bellamy
69.50
Hard To Handle (1933)
Mary Brian
68.70
A Lion is in the Streets (1953)
Barbara Hale
67.30
Jimmy The Gent (1934)
Bette Davis
62.50
These Wilder Years (1956)
Barbara Stanwyck
49.10
Sinners' Holiday (1930)
Grant Withers
42.00
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Yankee Doodle Dandy (1942) AA Best Picture Nom AA Best Actor Win |
Walter Huston | 702.20 | |
Mister Roberts (1955) AA Best Picture Nom |
Henry Fonda & Jack Lemmon |
499.60 | |
The Oklahoma Kid (1939) | Humphrey Bogart | 462.60 | |
Angels with Dirty Faces (1938) AA Best Actor Nom |
Humphrey Bogart | 372.70 | |
Captains of the Clouds (1942) | Dennis Morgan | 364.10 | |
Love Me or Leave Me (1955) AA Best Actor Nom |
Doris Day | 333.60 | |
Footlight Parade (1933) | Joan Blondell | 323.50 | |
The Bride Came C.O.D. (1941) | Bette Davis | 265.40 | |
The Roaring Twenties (1939) | Humphrey Bogart | 262.30 | |
The Fighting 69th (1940) | Pat O'Brien | 254.40 | |
'G' Men (1935) | Lloyd Nolan | 251.90 | |
White Heat (1949) | Virginia Mayo | 242.70 | |
Each Dawn I Die (1939) | George Raft | 241.80 | |
Here Comes the Navy (1934) AA Best Picture Nom |
Pat O'Brien | 235.40 | |
The Strawberry Blonde (1941) | Olivia de Havilland & Rita Hayworth |
231.90 | |
Devil Dogs of the Air (1935) | Pat O'Brien | 216.80 | |
City for Conquest (1940) | Anthony Quinn | 197.30 | |
Frisco Kid (1935) | Margaret Lindsay | 188.50 | |
The West Point Story (1950) | Doris Day | 185.40 | |
Ceiling Zero (1936) | Directed by Howard Hawks | 180.70 | |
The Irish in Us (1935) | Olivia de Havilland | 171.60 | |
Torrid Zone (1940) | Pat O'Brien | 163.00 | |
A Midsummer Night's Dream (1935) AA Best Picture Nom |
Olivia de Havilland & Mickey Rooney |
157.70 | |
Come Fill the Cup (1951) | Gig Young | 157.00 | |
The Public Enemy (1931) | Jean Harlow | 142.30 | |
The Millionaire (1931) | George Arliss & Florence Arliss |
126.80 | |
Tribute to a Bad Man (1956) | Don Dubbins | 114.40 | |
The Doorway To Hell (1930) | Lew Ayres | 114.10 | |
He Was Her Man (1934) | Joan Blondell | 111.00 | |
The Crowd Roars (1932) | Directed by Howard Hawks | 107.70 | |
Boy Meets Girl (1938) | Ronald Reagan | 104.40 | |
Smart Money (1931) | Edward G. Robinson | 91.60 | |
The Mayor of Hell (1933) | Madge Evans | 88.00 | |
Winner Take All (1932) | Guy Kibbee | 81.10 | |
Lady Killer (1933) | Mae Clark | 80.30 | |
Taxi (1932) | Loretta Young | 80.20 | |
Picture Snatcher (1933) | Ralph Bellamy | 69.50 | |
Hard To Handle (1933) | Mary Brian | 68.70 | |
A Lion is in the Streets (1953) | Barbara Hale | 67.30 | |
Jimmy The Gent (1934) | Bette Davis | 62.50 | |
These Wilder Years (1956) | Barbara Stanwyck | 49.10 | |
Sinners' Holiday (1930) | Grant Withers | 42.00 |
Ten Possibily Interesting Facts About James Cagney
1. His role in 1931’s The Public Enemy(only his 4th film), turned him into a star. The most famous scene in the movie is where Cagney’s character smashes a grapefruit into the face of his co-star Mae Davis.
2. Cagney was one of the first stars to refuse to appear in movie scenes where live ammunition was used, experts would stand off camera and fire the guns near the actors…..sounds pretty safe to me.
3. Cagney was Warner Brothers most profitable actor in the 1930s….his movies returned an average of 42% return on investment. Of the 38 movies he made for Warner Brothers only two did not make money. 1935’s A Midnight Summer’s Dream and 1938’s Boy Meets Girl. On the positive side….1934’s The St. Louis Kid was produced for $80,000 and returned 1.8 million dollars at the box office. Not a bad return on investment.
4. Despite being Warner Brothers most profitable actor….he was one of their least paid stars….this resulted in Cagney walking out on Warner Brothers twice. ….In 1936/37 he successfully sued Warner Brothers…..and starting earning equal money to the other Warner Brother stars.
5. In 1933 Cagney helped establish the Screen Actors Guild (SAG). He served as the President of SAG for two years.
6. Cagney married dancer Frances Willard “Billie” Vernon in 1922, they were married 63 years before Cagney passed away in 1986….pretty impressive for any marriage much less a Hollywood marriage.
7. Cagney was nominated for the Best Actor Academy Award® three times……his first nomination was 1938’s Angels With Dirty Faces, his second and only win was 1942’s Yankee Doodle Dandy and his final nomination was 1955’s Love Me or Leave Me.
8. Cagney’s line “Made it, Ma! Top of the world! from 1949’s White Heat is number 18 on the American Film Institute’s list of the greatest movie quotes. …speaking of famous quotes Cagney never said the line….”You dirty rat”….it is one of the greatest misquotes in movie history….the closest he came to saying that was “Mmm, that dirty, double-crossin’ rat,” in 1931’s Blonde Crazy.
9. Cagney appeared in 63 movies in his career….another Warner Brothers star, Pat O Brien co-starred in 9 Cagney movies…..Cagney retired in 1961 after making One, Two, Three….he would make only one more movie….twenty years later ….in 1981’s Ragtime.
10. Here are some of the more famous movie roles Cagney passed on…..Hyman Roth in The Godfather Part 2, The Adventures of Robin Hood (Flynn did pretty good in role), Harry and Tonto Art Carney won Oscar® for this role), Logan’s Run, and My Fair Lady (as Audrey Hepburn’s father).
Check out James Cagney ‘s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
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Cliff Saum appeared in 15 James Cagney films, Lee Phelps was in 13, Pat O’Brien 12, Frank McHugh and Charles Sullivan were in 11 and Mike Lally, Jack Mower, Harry Tenbrook were in 10.
Hey Dan…..the only one I would have guessed would have been Pat O’Brien…..they started out together and they ended together in Ragtime. Good stuff.
Steve’s epic James Cagney video has been added to our Cagney page.
“Epic epic video on one of AFI’s greatest actors. Great posters. So of the 50 I have seen 16 of them….most of them were seen after writing my Cagney for HubPages many years ago. Favorites include #1 White Heat (our number one too) #2 Mister Roberts….the Cagney movie I re-watch the most. #14 The Man Of A Thousand Faces and #27 Ceiling Zero. I thought Yankee Doodle Dandy was fine…..just not one of my favorite Cagney movies…I actually like his musical Footlight Parade more. We only have 59 of his movies on our page…..too bad you did not include those as well. Good video….job well done…..voted up and shared on our Cagney page.”
Hi Bruce, thanks for the comment, vote and share, much appreciated. IMDB lists 64 movies, I thought 50 would be more than enough for my expanded video, and the original idea was to select his best movies. I’ve seen 24 and Flora’s tally is 31 out of 50. A shame you didn’t think much of Yankee Doodle Dandy, it’s one of my favorite Cagney movies. Good to know we have the same no.1 on our charts.
1 PART 2 1-25 Even when it comes to the acknowledged main Legends of the screen I think the term “greater” is a bit of a misnomer. Those guys and gals had such unique and iconic personalities and talents that whilst we might say this one had more box office films and that one had more Oscars how can one say definitively overall that romantic idol Gable was greater than singer/dancer Astaire or that action/cowboy hero Duke was greater than suave charmer and magnificent screwball comedy performer Cary or vice versa?
2 Anyway I think the best of many great POSTERS in your Cagney 1-25 are Picture Snatcher, Shake Hands with the Devil, Kiss Tomorrow Goodbye, Man of 1000 Faces with Dorothy Malone in fine saucy mode, G Men, foreign language ones for White Heat and Each Dawn I Die, The Public Enemy, Yankee Doodle Dandy and Love Me or Leave Me with my Doris striking poses that belie hype like “I knew Doris Day before she was a v*****!” However I must single out as par exceptional in my view the very striking two for Tribute to a Bad Man
3 Can’t complain about too few STILLS in the top half of the schedule with my personal favourites being Cagney with in turn Bette Davis, George Raft, Harlow and Bogie [with guns] A midsummer Night’s Dream, and Jimmy flanked by two of Hollywood’s greatest legends Rita Hayworth and “Livvy” DeHavilland. The combination of those stills and the posters mentioned added up to a 98% rating in my notes.
4 Bruce and you agree on 8 of Jimmy’s Top 10 for Review which illustrates very uniform choices. He has St Louis Kid and Crowd Roars in his 10 whereas you go for Each Dawn I Die and Love Me or Leave Me. I haven’t seen his two but never liked your Each Dawn I Die whereas obviously I back your selection of my Doris so from my perspective it is a draw between you pair in as far as I am able to judge the entries. G lad you both included Roaring 20s
Hi Bob, thanks for the review, rating, info, trivia, comment, quote and comparison, much appreciated. Glad you liked the pictorial content.
With Eddie and Bogie coming up I had to make sure Cagney didn’t hog all the best posters and stills, these three WB legends have a shared history.
Mister Roberts is a much loved movie but it is slightly overrated in my opinion, there’s not much to the story at all and John Ford was on holiday here nothing exceptional in his direction and I’ve read about the fights he had with Fonda. It’s the actors that make that movie a classic.
Five Cagney movies scored 10 out of 10 from my sources – Public Enemy, Angels With Dirty Faces, Yankee Doodle Dandy, White Heat and Mister Roberts.
Six more scored 9 including Footlight Parade, Love Me or Leave Me and G Men.
Highest rated at IMDB is White Heat, tops at Rotten Tomatoes is a tie between White Heat and Public Enemy, with Footlight Parade in 3rd place.
Bruce and I have the same no.1 White Heat, my no.2 Mister Roberts is 4th on his critics chart. Yankee Doodle Dandy is no.1 on the UMR chart. I have no problem with that, it’s one of my favorites. “I’m a Yankee Doodle Dandy. A Yankee Doodle, do or die. A real live nephew of my Uncle Sam. Born on the Fourth of July.” 🙂
Eddie’s up next.
1 By all accounts Jimmy was very gracious to my Doris when they made Love Me or Leave Me together though she in turn was a great fan of his. She told Archibald Alexander Leach on the set of That Touch of Mink that Cag was her most favourite movie star of all time and that Archie was just her No 2 fave, to which Archie replied that he didn’t mind being 2nd! However I’ve recounted that story before and I’m not sure that the Work Horse has ever forgiven my Doris for such sacrilege!
2 Conversely when questioned about the mumbling 1950s New Kid on the Block Cag retorted “Have never watched him, never intend to.” That seemed to me pure spite as you would think that the artist in Jimmy would have been at least curious to see what all the fuss was about.
3 However Cagney claimed in his later years to be an “arch-conservative” driven to the “right” of politics by the “appearance of hippies” in the US [although ironically Mr Yankee Doodle Dandy was once accused but cleared of being a Communist sympathizer] and maybe he thought that the Democratic Mr Mumbles, often considered “leftish”, was letting down the American people as the Duke would have expressed it. Anyway shame on Cag for rubbishing the “contender” for stardom who is one of my idols without apparently properly trying to evaluate the latter’s work – the dirty rat!
4 Looking forward to Little Caesar so just keep giving us these wonderful illustrations of the products of heyday Hollywood.
STEVE
Further to my previous post in which I mentioned that Cagney definitely detested Mr Mumbles, if the Great Mumbler was aware of Jimmy’s animosity he didn’t seem to reciprocate it as the following item in Wikipedia appears to suggest.
“Cagney was among the most favored actors for the director Stanley Kubrick and the actor Marlon Brando and was considered by Orson Welles to be “maybe the greatest actor to ever appear in front of a camera Warner Bros. arranged private screenings of Cagney films for Winston Churchill.”
Bob, looks like the ‘old school’ actors didn’t much care for the new fangled methody approach, all pauses, a few mumbles, a yawn or two, looking up at the sky, picking your teeth while conversing sort of thing. Just say your lines and get on with it, they might argue. 😉
I’m sure Cagney must have had a peek or two at the great Mumbler’s movies (when no one was looking of course). Newman and Clift too, maybe even some of Dean on TV. How could he resist seeing The Godfather during the 70s, everyone was lining up to see that and he was one of the first great gangsters 40 years earlier.
HI STEVE
I agree with you about Cagney’s probable aversion to the new boys though there also seemed to be a political divide in general between the old and new. Eddie Robinson said about The Godfather “This guy is my offspring.” and it’s difficult to envisage Cag not enjoying On the Waterfront which was about the docks being ruled by gangsters, the type of project that was meat and drink to the young Cagney.
Okay there was a delay in my post turning up and I tried posting it again. I see it’s up now. So I’ve deleted the duplicate post.
Hi Bob, your post has survived the trip! So did mine! Rejoice! 🙂
I agree with you on Cagney’s iconic and legendary status, a unique personality on screen. I don’t think he ever gave a boring performance.
Glad you enjoyed the first half of this lengthy video, it does get better.
Look forward to part 2.
Part 2 of Cagney post now in the long grass so please watch out for it when WH kicks it out again and for now I’ll just say great video with posters/stills that are collector’s items.
PART ONE 50-26
1 I always remember that when Ann-Margaret came on the scene in the early 60s she expressed her own admiration for James Garner and predicted that as a star he would become “bigger than Cagney, bigger than Brando,” as she put it. I loved Garner as an actor and a person and he was very popular and respected on the big screen and on TV but he never attained the status of Cagney nor of any of those on for example the AFI’s Screen Legends list and certainly Cagney had one of the most iconic and legendary screen personalities that ever existed. Do you agree?
2 Anyway good to see him getting the extended Lensman treatment that he deserves and my favourite POSTERS in the enlarged video are – A Lion is in the Streets, West Point Story, Smart Money, These Wilder Years [which was on a double bill in UK with Charley Bill Stuart’s The Fastest Gun Alive] the raunchy Hard to Handle, Blood on the Sun 13 Rue Madeline and Run for Cover which I thought was sensational.
3 There were relatively few stills in the first 25 but boy! the few that you gave us were packed with Legends – Jimmy with in turn Eddie Robinson, Bette Davis, Bogie, and Cagney’s great pal Pat O’Brien along with Ann Sheridan.
4 Part 2 will provide comments on 1-25, give an overall Bob rating and make a Cogerson Top 10 [rather the normal top 5] comparison. See you again soon.