Jump To John Wayne Links: 1. Box Office 2. Oscar Movies 3. Reviews 4. Trailers 5. Trivia 6. UMR Table
John Wayne made 88 movies before becoming a star in 1939’s Stagecoach. From Stagecoach to 1976’s The Shootist, Wayne made another 82 movies. That is a grand total of 170 movies in his career. John Wayne was the first movie star that I became aware of as a child. I still remember the shock of watching him die in The Alamo (my older brother had told me he was going to survive…he obviously lied to me). For nearly forty years, Wayne was one of the most popular stars making movies.
John Wayne’s IMDb page shows 180 acting credits from 1926-1976. The following table only lists about half of John Wayne’s movies. Cameos, television appearances, and almost all of his B westerns from the 1930s were not included in the rankings. His remaining 94 movies are ranked by 6 different columns of sortable information.
John Wayne Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
John Wayne Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- If movie title is a blue, then there is a John Wayne movie trailer attached to the page link
- Sort John Wayne movies by co-stars or in some cases directors
- Sort John Wayne movies by adjusted box office grosses using current movie ticket cost
- Sort John Wayne movies by box office rank in the year of release
- Sort John Wayne movies by how the movie was received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each John Wayne movie received.
- Sort John Wayne movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the search and sort buttons to make this table very interactive.
R
Movie (Year)
UMR Co-Star Links
Adj. B.O. Worldwide (mil)
Review
Oscar Nom / Win
UMR Score
R Movie (Year) UMR Co-Star Links Actual B.O. Domestic (mil) Adj. B.O. Domestic (mil) Adj. B.O. Worldwide (mil) B.O. Rank by Year Review Oscar Nom / Win UMR Score S
2
The Quiet Man (1952)
AA Best Picture NomMaureen O'Hara &
Directed by John Ford10.60
206.9
315.80
10
84
07 / 02
99.4
3
Stagecoach (1939)
AA Best Picture NomThomas Mitchell &
Directed by John Ford5.00
191.3
298.80
30
83
07 / 02
99.2
1
How the West Was Won (1962)
AA Best Picture NomHenry Fonda &
Gregory Peck36.10
518.8
1,237.40
2
76
08 / 03
99.0
4
The Searchers (1956)
Natalie Wood &
Directed by John Ford14.00
274.4
371.40
14
89
00 / 00
98.8
6
Rio Bravo (1959)
Dean Martin &
Walter Brennan16.40
295.2
517.30
11
85
00 / 00
98.3
8
Red River (1948)
Montgomery Clift
11.80
317.4
317.40
1
83
02 / 00
98.3
9
True Grit (1969)
AA Best Actor WinRobert Duvall
40.70
309.1
309.10
7
81
02 / 01
98.1
8
Fort Apache (1948)
Henry Fonda &
Shirley Temple8.30
224.5
314.90
17
81
00 / 00
97.6
10
They Were Expendable (1945)
Robert Montgomery &
John Ford8.90
281.8
390.90
25
78
02 / 00
97.4
10
The Fighting Seabees (1944)
Susan Hayward
5.90
198.8
198.80
55
78
01 / 00
97.1
13
She Wore a Yellow Ribbon (1949)
Victor McLaglen &
Directed by John Ford7.60
191.5
261.10
22
78
01 / 01
96.9
11
Hondo (1953)
Geraldine Page &
Ward Bond11.50
207.1
296.10
12
75
02 / 00
96.7
13
The Alamo (1960)
AA Best Picture NomRichard Widmark
22.60
353.1
708.40
5
63
07 / 01
96.7
14
The Horse Soldiers (1959)
William Holden
10.90
195.1
195.10
21
76
00 / 00
96.1
15
Sands of Iwo Jima (1949)
AA Best Actor NomJohn Agar
13.90
348.2
348.20
3
70
04 / 00
96.0
15
The Longest Day (1962)
AA Best Picture NomSean Connery &
Richard Burton31.30
449.7
449.70
3
60
05 / 02
95.8
17
Hatari! (1962)
Directed by Howard Hawks
20.00
287.5
287.50
9
71
01 / 00
95.7
16
Without Reservations (1946)
Claudette Colbert
7.40
228.9
285.50
44
70
00 / 00
95.2
20
Tall in the Saddle (1944)
Ward Bond
5.90
200.0
263.50
54
69
00 / 00
94.9
19
The Sons of Katie Elder (1965)
Dean Martin
16.20
171.4
171.40
15
78
00 / 00
94.8
22
The Man Who Shot Liberty Valance (1962)
James Stewart &
Lee Marvin10.10
145.8
287.50
22
84
01 / 00
94.6
22
McLintock! (1963)
Maureen O'Hara
12.90
162.1
162.10
22
77
00 / 00
93.8
21
A Lady Takes a Chance (1943)
Jean Arthur
6.50
233.6
291.10
36
62
00 / 00
92.9
24
The Sea Chase (1955)
Lana Turner
17.10
355.4
431.10
11
62
00 / 00
92.9
25
The High and the Mighty (1954)
Claire Trevor
17.40
408.4
533.40
7
55
06 / 01
92.8
27
The Big Trail (1930)
Tully Marshall
2.90
156.7
196.90
24
75
00 / 00
92.8
25
Tycoon (1947)
Laraine Day &
Anthony Quinn7.60
222.5
301.20
32
61
00 / 00
92.8
30
El Dorado (1967)
Robert Mitchum &
James Caan15.00
133.6
133.60
19
82
00 / 00
92.6
30
Back to Bataan (1945)
Anthony Quinn
5.70
179.2
245.70
58
67
00 / 00
92.4
29
North to Alaska (1960)
Stewart Granger
13.40
209.8
209.80
14
60
00 / 00
92.3
33
The Cowboys (1972)
Bruce Dern
22.70
144.1
144.10
16
77
00 / 00
92.0
32
3 Godfathers (1948)
Harry Carey, Jr.
5.50
147.4
201.50
62
75
00 / 00
92.0
33
Island in the Sky (1953)
Lloyd Nolan
8.30
149.7
206.50
26
74
00 / 00
91.8
34
Flying Tigers (1942)
John Carroll
4.30
159.3
159.30
62
68
03 / 00
91.5
35
Flying Leathernecks (1951)
Robert Ryan
7.40
160.2
243.30
22
70
00 / 00
91.5
36
Rio Grande (1950)
Maureen O'Hara
6.40
144.4
144.40
31
74
00 / 00
91.1
35
Reap the Wild Wind (1942)
Paulette Goddard &
Susan Hayward11.40
424.8
424.80
6
52
03 / 01
91.1
40
Operation Pacific (1951)
Patricia Neal
7.30
157.9
238.00
25
69
00 / 00
91.0
39
The Spoilers (1942)
Marlene Dietrich &
Randolph Scott5.00
185.9
185.90
44
59
01 / 00
90.7
40
In Old Oklahoma (1943)
Martha Scott
7.10
256.7
256.70
29
51
02 / 00
90.0
43
The War Wagon (1967)
Kirk Douglas
15.20
135.4
238.30
18
73
00 / 00
89.9
44
Angel and the Badman (1947)
Gail Russell
5.00
145.7
145.70
67
68
00 / 00
89.2
43
The Long Voyage Home (1940)
AA Best Picture NomThomas Mitchell &
Directed by John Ford1.90
72.2
117.20
106
78
06 / 00
88.5
44
The Green Berets (1968)
Jim Hutton
27.90
229.2
417.30
11
48
00 / 00
88.4
45
The Shootist (1976)
James Stewart &
Ron Howard18.10
91.8
91.80
38
81
01 / 00
88.2
46
Trouble Along the Way (1953)
Donna Reed
7.40
133.4
166.10
32
66
00 / 00
87.3
47
Wake of the Red Witch (1948)
Gig Young
5.50
148.9
148.90
59
61
00 / 00
87.2
48
Chisum (1970)
Forrest Tucker
18.20
126.5
202.30
20
67
00 / 00
86.6
50
In Harm's Way (1965)
Kirk Douglas &
Dana Andrews11.50
121.4
121.40
18
67
01 / 00
86.5
52
The Wings of Eagles (1957)
Maureen O'Hara &
Directed by John Ford6.40
123.7
198.00
34
64
00 / 00
85.1
51
The Comancheros (1961)
Lee Marvin
7.00
102.0
102.00
32
71
00 / 00
85.1
54
Big Jake (1971)
Maureen O'Hara
22.70
148.5
148.50
16
55
00 / 00
84.9
53
Donovan's Reef (1963)
Lee Marvin &
Directed by John Ford8.90
111.0
204.10
33
66
00 / 00
84.4
56
Big Jim McLain (1952)
James Arness
7.20
141.6
177.20
26
56
00 / 00
84.1
55
Rio Lobo (1970)
Jorge Rivero
12.90
89.6
89.60
31
72
00 / 00
83.8
54
The Conqueror (1956)
Susan Hayward
12.90
252.0
252.00
16
37
00 / 00
83.7
57
Blood Alley (1955)
Lauren Bacall
6.30
130.3
162.20
49
58
00 / 00
83.6
58
The Shepherd of the Hills (1941)
Harry Carey
3.20
123.7
123.70
74
60
00 / 00
83.1
59
The Fighting Kentuckian (1949)
Philip Dorn
4.30
107.9
107.90
74
63
00 / 00
82.4
60
The Barbarian and the Geisha (1958)
Directed by John Huston
7.10
128.3
128.30
32
55
00 / 00
81.6
62
Seven Sinners (1940)
Marlene Dietrich
2.70
105.0
105.00
64
61
00 / 00
80.6
60
Dark Command (1940)
Claire Trevor
2.10
80.8
80.80
95
67
02 / 00
80.5
63
Allegheny Uprising (1939)
Claire Trevor
2.60
101.6
115.50
90
58
00 / 00
77.6
65
Legend of the Lost (1957)
Sophia Loren
6.30
121.0
198.00
39
51
00 / 00
77.4
66
The Undefeated (1969)
Rock Hudson
11.40
86.8
86.80
28
61
00 / 00
76.4
68
Reunion in France (1942)
Joan Crawford
3.00
111.1
197.90
93
52
00 / 00
75.3
67
Lady For A Night (1942)
Joan Blondell
2.30
85.1
85.10
113
60
00 / 00
75.1
67
Baby Face (1933)
Barbara Stanwyck
0.90
41.2
60.50
119
74
00 / 00
75.1
70
Pittsburgh (1942)
Marlene Dietrich &
Randolph Scott3.20
117.9
117.90
82
50
00 / 00
75.0
69
Cahill United States Marshal (1973)
George Kennedy
12.40
75.7
114.40
28
62
00 / 00
73.8
71
Rooster Cogburn (1975)
Katharine Hepburn
24.30
127.8
127.80
26
45
00 / 00
73.6
72
Dakota (1945)
Walter Brennan
3.20
100.5
100.50
94
52
00 / 00
71.6
73
Flame of Barbary Coast (1945)
Ann Dvorak
3.30
104.6
104.60
92
49
02 / 00
71.4
74
In Old California (1942)
Bennie Barnes
2.20
81.8
81.80
120
56
00 / 00
69.2
76
Hellfighters (1968)
Jim Hutton &
Katharine Ross11.60
95.2
95.20
34
51
00 / 00
68.3
75
Cast a Giant Shadow (1966)
Frank Sinatra &
Yul Brynner7.90
77.8
77.80
37
56
00 / 00
67.5
78
The Train Robbers (1973)
Ben Johnson &
Ann-Margret9.40
57.2
118.10
36
61
00 / 00
65.6
77
McQ (1974)
Eddie Albert
12.40
71.6
115.30
37
54
00 / 00
62.9
79
Three Faces West (1940)
Charles Coburn
1.00
36.6
36.60
170
63
00 / 00
59.5
80
A Man Betrayed (1941)
Frances Dee
1.00
38.9
38.90
174
60
00 / 00
54.9
82
Circus World (1964)
Rita Hayworth
5.70
65.5
65.50
46
51
00 / 00
53.9
81
Lady from Louisana (1941)
Ona Munson
1.20
46.2
46.20
161
57
00 / 00
53.6
83
I Cover The War! (1937)
Gwen Gaze
1.20
48.8
48.80
158
55
00 / 00
51.6
84
Idol of the Crowds (1937)
Sheila Bromley
0.70
29.9
29.90
189
58
00 / 00
45.1
85
Three Girls Lost (1931)
Loretta Young
0.50
27.2
27.20
188
56
00 / 00
38.7
86
New Frontier (1939)
Jennifer Jones
0.50
19.2
19.20
219
57
00 / 00
36.8
86
The Man from Monterey (1933)
Ruth Hall
0.40
18.3
25.80
172
57
00 / 00
36.2
88
Jet Pilot (1957)
Janet Leigh
1.40
27.0
27.00
137
51
00 / 00
28.1
87
Somewhere in Sonora (1933)
Henry B. Walthall &
Duke0.40
18.5
26.40
171
53
00 / 00
27.9
89
The Telegraph Trail (1933)
Frank McHugh &
Duke0.40
20.5
28.00
169
52
00 / 00
26.2
90
Haunted Gold (1932)
Sheila Terry &
Duke0.40
21.3
29.30
173
50
00 / 00
23.8
91
Westward Ho (1935)
Sheila Bromley
0.50
22.5
22.50
191
48
00 / 00
20.9
93
Words and Music (1929)
Lois Moran
0.50
16.0
16.00
146
49
00 / 00
19.0
92
Ride Him Cowboy (1932)
Ruth Hall
0.50
23.0
31.40
166
47
00 / 00
18.4
93
The Big Stampede (1932)
Noah Beery
0.50
22.7
31.20
167
47
00 / 00
18.1
94
Brannigan (1975)
Richard Attenborough
6.10
31.9
31.90
61
42
00 / 00
15.3
Stats and Possibly Interesting Things From The Above John Wayne Table
1. 51 John Wayne movies crossed the magical $100 million mark. That is a percentage of 54.26% of his movies listed. His top domestic box office hit was The Longest Day (1963).
2. An average John Wayne movie grosses $124.30 million in adjusted box office gross.
3. Using RottenTomatoes.com’s 60% fresh meter. 55 John Wayne movies are rated as good movies…or 65.47% of his movies. His highest rated movie is 1959’s Rio Bravo. His lowest rated movie is The Conqueror (1956).
4. 24 John Wayne movies received at least one Oscar® nomination in any category…..or 28.23% of his movies.
5. 9 John Wayne movies won at least one Oscar® in any category…..or 10.71% of his movies.
6. A “good movie” Ultimate Movie Rankings (UMR) Score is 60.00 or higher. 61 John Wayne movies scored higher that average….or 71.76% of his movies. True Grit (1969) got the highest UMR Score. Brannigan (1975) got the lowest UMR Score.
Jump To John Wayne Links: 1. Box Office 2. Oscar Movies 3. Reviews 4. Trailers 5. Trivia 6. UMR Table
If you do a comment….please ignore the email address and website section.
1 Graphic posters of movies that one has become familiar with invoke fresh nostalgic memories ; and your reproductions include the one for Liberty Valance which reflects the compromise billing that John Ford organised over 50 years ago whereby Wayne was billed first on screen and Jimmy Stewart came tops in posters and other promotional material.
2 That should be of at least interest to any film historian or buff because with Red River in 1948 Duke metamorphosed from an important movie star into the unique colossus we today know as ‘John Wayne’; and after that in a full length role John’s name never came second ANYWHERE but to Jimmy in Liberty Valance. [It is therefore appropriate that you have ranked Red River second to only The Searchers].
3 The compromise was unusual in those days because the very greatest of stars like Bogie/Tracy would miss golden opportunities to work together rather than share top billing. The nostalgia for me arises from the fact that when I went to England for the first time with the Armed Forces in 1962 the Liberty Valance posters were on display everywhere I travelled.
4 Duke made so many movies and had such a great volume of classics in the minds of both the critics and the public that I did not envy you the task of selecting a Top 30 but you outwitted me by going for a Top 40 which in Wayne’s case is more than appropriate.
5 Whilst one is so spoilt for choice in John’s case that it was inevitable that some of my own favourites were excluded the selections are nonetheless very satisfying. In view of that and the Duke’s affinity with the western genre it is doubly valid in this case to say Guns Up !
6 John of course in his early days made many B westerns that are rarely mentioned today; but as I may have said before the famous line from the Godfather “I’m gonna make him an offer he can’t refuse!” was first uttered on screen by Duke in one of those old B movies. Another link between two of the group of actors/actresses that I find it the most fun to write about!
The previous post about the John Wayne video was of course addressed primarily to STEVE LENSMAN. My apologies for any confusion.
BOB
Hi Bob, thanks for checking out my John Wayne video. I had 110 of his films ranked and rated in my files, most of them popular and well-known, so a top 30 wouldn’t have been fair for the Duke. I thought about doing a top 50 but decided people would get bored with it and fast forward to the top 10. So I settled on a top 40.
My biggest regret is not including one of his best known films – The Cowboys – in the top 40, it’s one of my favorites. Blame it on two of my sources, Leonard Maltin and the Radio Times Film Guide, they both gave the film just 2 stars. So it ended up outside the top 40 and the top 50 too, I’m looking at my files now, below B pictures like Texas Cyclone and King of the Pecos.
The Cowboys was notorious for the scene where Bruce Dern shoots the Duke in the back, killing him Dern was worried that audiences would hate him and that the studios would shun him for that dastardly deed, and this is exactly what happened, he couldn’t get work for a while. That shows you the power of film and the love and respect a lot of people had for John Wayne, politics aside of course. 🙂
STEVE
1 Thanks for the extra information. Public attitudes cut both ways of course as Michael Douglas claims that he has had to explain to irate people who confronted him publicly that he did not in real life agree with the ethos of Gordon Gekko; and apparently when parading about in Nazi uniform in the streets for a scene in The Young Lions (1958) Mr M had to mumble his way out of an angry confrontation from a Jewish lady !
2 However I agree with your “politics aside” sentiment because on this site we are concerned with a performer’s qualities as an actor or box office star and not his political views and anyway as we have said before few stars are all this or all that and Chuck Heston for example was a fanatical gun control opponent on the one hand but a brave Civil Rights supporter on the other so its not for us to quarrel with his politics on Cogerson; and if one wanted to do that there are plenty of other sites where one would be more than obliged.
Best wishes BOB
Hey Bob and Steve….it is interesting to read the comments between you two. Guns up and thumbs up to both of you.
John Wayne has 48 100 million dollar movies on your list. These are the only people on the current top 1000 Oracle of Bacon Center of the Universe list who worked with John Wayne.
Back to Bataan (1945) – 681 Anthony Quinn
Blood Alley (1955) – 67 James Hong
Brannigan (1975) – 523 Harry Fielder
Cahill U.S. Marshal (1973) – 313 George Kennedy
Cast a Giant Shadow (1966) – 396 Michael Douglas
Chisum (1970) – 644 Pedro Armendariz Jr.
Donovan’s Reef (1963) – 762 Jack Warden
El Dorado (1967) – 43 James Caan, 482 Edward Asner, 809 Robert Mitchum
How the West was Won (1962) – 40 Harry Dean Stanton, 220 Eli Wallach (many more on 2000 list)
In Harm’s Way (1965) – 313 George Kennedy
North to Alaska (1960) – 966 Kathleen Freeman
Red River (1948) – 781 Shelley Winters
Rio Lobo (1970) – 78 Peter Jason
The Cowboys (1972) – 274 Bruce Dern, 750 Robert Carradine
The Greatest Story Ever Told (1965) – 20 Max Von Sydow, 65 Robert Loggia, 69 Martin Landau, 247 Charlton Heston, 323 Donald Pleasance, 781 Shelley Winters
The Green Berets (1968) – 923 George Takai
The High and the Mighty (1954) – 937 Robert Easton
The Life of Jimmy Dolan (1933) – 245 Mickey Rooney (imagine 83 years later)
The Longest Day (1962) – 112 Rod Steiger, 271 Robert Wagner, 289 Sean Connery, 427 George Segal, 809 Robert Mitchum (many more on 2000 list).
The Shootist (1976) – 926 Bill Mckinney
The Sons of Katie Elder (1965) – 27 Dennis Hopper, 313 George Kennedy
The Train Robbers (1973) – 660 Ann-Margret
The Undefeated (1969) – 644 Pedro Armendariz Jr.
The War Wagon (1967) – 274 Bruce Dern
Three Lives (1953) – 247 Charlton Heston
Trouble Along the Way (1953) – 912 Arthur Tovey
True Grit (1969) – 27 Dennis Hopper, 71 Robert Duvall
Tycoon (1947) – 681 Anthony Quinn
Wow….I am amazed of the work you did in these 4 comments. They were a blast to read….and I tried to find people you missed. I thought I had you with a couple of people….but then I saw “read John Wayne”…so good job. As for John Wayne…good to know all of those movies are still getting him some respect at the Bacon Oracle. James Caan, Robert Duvall and Bruce Dern seem like good candidates to help keep the Duke on the list….as they seem like they are (thankfully) never going to stop making movies. Seems like a stretch to give Michael Douglas credit for Cast A Giant Shadow….maybe not as bad as giving Charlie Sheen and Emilio Estevez credit for Apocalpyse Now. Thanks again for sharing this information.
Didn’t know where to place this guy either. Ward Bond was in 11 films nominated for best picture. He was in 23 John Wayne films and 25 John Ford films. He starred on the TV series Wagon Train for 3 1/2 seasons till his death in 1960. He also appeared in films with 62 people who won Oscars, many of them numerous times. By the way the immortal Bess Flowers appeared in over 20 films that were up for best picture and she never had any dialogue!
3 Godfathers (1948) – John Wayne, Ben Johnson, Jane Darwell
A Guy Named Joe (1943) – Spencer Tracy, Lionel Barrymore
A Man Alone (1955) – Ray Milland
A Man Betrayed (1941) – John Wayne
After the Thin Man (1936) – James Stewart
Alias Jesse James (1959) – Bing Crosby, Gary Cooper
Arrowsmith (1931) – Helen Hayes, Ronald Colman
Black Fury (1935) – Paul Muni
Blonde Crazy (1931) – James Cagney, Ray Milland
Blowing Wild (1953) – Gary Cooper, Anthony Quinn
Born Reckless (1930) – John Wayne
Bringing Up Baby (1938) – Katherine Hepburn, Barry Fitzgerald
Broadway Bill (1934) – Warner Baxter
Bullfighter and the Lady (1951) – Katy Jurado
Canyon Passage (1946) – Susan Hayward
Chained (1934) – Clark Gable, Joan Crawford
City for Conquest (1940) – James Cagney, Anthony Quinn
College Coach (1933) – John Wayne
Confessions of a Nazi Spy (1939) – George Sanders
Conflict (1936) – John Wayne
Dakota (1945) – John Wayne, Walter Brennan
Dead End (1937) – Humphrey Bogart, Claire Trevor
Death on the Diamond (1934) – Walter Brennan
Devil Dogs of the Air (1935) – James Cagney
Dodge City (1939) – Olivia De Havilland
Drums Along the Mohawk (1939) – Henry Fonda, Claudette Colbert
Escape by Night (1937) – Dean Jagger
Flesh (1932) – Wallace Beery
Fort Apache (1948) – Henry Fonda, John Wayne
G Men (1935) – James Cagney
Gone with the Wind (1939_- Clark Gable, Vivien Leigh, Olivia De Havilland, Thomas Mitchell, Hattie McDaniel
Heroes for Sale (1933) – Loretta Young
High Tension (1936) – Hattie McDaniel
Home in Indiana (1944) – Walter Brennan
Hondo (1953) – John Wayne, Geraldine Page
I Found Stella Parrish (1935) – Paul Lukas
I’ll Tell the World (1934) – Walter Brennan
In This Our Life (1942) – Bette Davis, Olivia De Havilland, Hattie McDaniel
It Happened One Night (1934) – Clark Gable, Claudette Colbert
It’s a Wonderful Life (1946) – James Stewart, Donna Reed, Lionel Barrymore, Gloria Grahame, Thomas Mitchell
Joan of Arc (1948) – Ingrid Bergman, Jose Ferrer
Johnny Guitar (1954) – Joan Crawford, Ernest Borgnine
Kiss Tomorrow Goodbye (1950) – James Cagney
Made for Each Other (1939) – James Stewart, Charles Coburn
Maker of Men (1931) – John Wayne
Mister Roberts (1955) – Jack Lemmon, Henry Fonda, James Cagney
Music for Madame (1937) – Joan Fontaine
My Darling Clementine (1946) – Henry Fonda, Jane Darwell, Walter Brennan
Of Human Hearts (1938) – James Stewart, Charles Coburn, Walter Huston
Only the Valiant (1951) – Gregory Peck, Gig Young
Operation Pacific (1951) – John Wayne, Patricia Neal
Over the Hill (1931) – James Dunn
Pillars of the Sky (1956) – Lee Marvin, Dorothy Malone
Quick Millions (1931) – Spencer Tracy
Return of the Cisco Kid (1939) – Warner Baxter
Riding High (1950) – Bing Crosby
Rio Bravo (1959) – John Wayne, Walter Brennan
Salute (1929) – John Wayne
Santa Fe Trail (1940) – Olivia De Havilland
Sergeant York (1941) – Gary Cooper, Gig Young
Sin Town (1942) – Broderick Crawford
Singing Guns (1950) – Walter Brennan
Slightly Dangerous (1943) – Walter Brennan
Swamp Water (1941) – Anne Baxter, Walter Huston, Walter Brennan
Tall in the Saddle (1944) – John Wayne, Ben Johnson
Tap Roots (1948) – Susan Hayward, Van Heflin
The Adventures of Marco Polo (1938) – Gary Cooper
The Affairs of Cellini (1934) – Fredric March
The Amazing Dr. Clitterhouse (1938) – Humphrey Bogart, Claire Trevor, Susan Hayward
The Big Trail (1930) – John Wayne
The Bride Walks Out (1936) – Hattie McDaniel
The Doorway to Hell (1930) – James Cagney
The Falcon Takes Over (1942) – George Sanders
The First Baby (1936) – Hattie McDaniel
The Fugitive (1947) – Henry Fonda
The Grapes of Wrath (1940) – Henry Fonda, Jane Darwell
The Kid from Kokomo (1939) – Jane Wyman
The Long Voyage Home (1940) – John Wayne, Barry Fitzgerald, Thomas Mitchell
The Maltese Falcon (1941) – Humphrey Bogart, Mary Astor, Walter Huston
The Mortal Storm (1940) – James Stewart
The Most Precious Thing in Life (1934) – Jane Darwell
The Oklahoma Kid (1939) – James Cagney, Humphrey Bogart
The Poor Rich (1934) – Walter Brennan
The Quiet Man (1952) – John Wayne, Barry Fitzgerald, Victor Mclaglen
The Searchers (1956) – John Wayne
The Shepherd of the Hills (1941) – John Wayne
The Singing Marine (1937) – Jane Darwell, Jane Wyman
The Sullivans (1944) – Thomas Mitchell
The Time of Your Life (1948) – James Cagney, Broderick Crawford
The Wildcatter (1937) – Hattie McDaniel
The Wings of Eagles (1957) – John Wayne
They Came to Blow Up America (1943) – George Sanders
They Gave Him a Gun (1937) – Spencer Tracy
They Were Expendable (1945) – John Wayne, Donna Reed
Three Girls Lost (1931) – John Wayne, Loretta Young
Unconquered (1947) – Gary Cooper
Under Pressure (1935) – Victor Mclaglen
Union Pacific (1939) – Anthony Quinn
Up the River (1930) – Spencer Tracy, Humphrey Bogart
Virginia City (1940) – Humphrey Bogart
Wagon Master (1950) – Ben Johnson, Jane Darwell
We’re Only Human (1935) – Jane Darwell, Hattie McDaniel
White Fang (1936) – Jane Darwell
Words and Music (1929) – John Wayne
You Can’t Take it With You (1938) – James Stewart, Lionel Barrymore
You Only Live Once (1937) – Henry Fonda
Young Mr. Lincoln (1939) – Henry Fonda, Alice Brady
Hey Dan….you are getting dangerously close to Sir Michael….lol. 62 is the second best total. Ward Bond is one of the great supporting characters of all-time. I think all of the Best Picture nominees were in consecutive years….which is a record that might never be broken. I think in recent times…3 years in a row is about how far somebody gets…most recently Chris Pratt….though Michael Keaton can hit 3 years in a row if his McDonald’s movie gets a nomination. Looking at the partial list of his movies is pretty impressive….filled with all time classics after another. Thanks for sharing this list. 🙂
I was told that John wayne movie was The Comancheros was rated R. It this true?
Hey Dianna….pretty sure Comancheros was not rated R….I do not think movies got ratings like that back then….but having seen the movie….it is a pretty standard western…..with the normal amount of western violence…I hope that helps.
HI BRUCE
1 I agree with everything you say. Certification at the time of The Comancheros (1961) would mean nothing in today’s marketplace. For example from 1951 until 1970 an X certificate meant that people under 16 would not be admitted to cinemas in Belfast whether or not accompanied by an adult.
2 From 70-82 the suitability age was raised from 16 to 18 and after that X vanished. However The Comancheros was not given an X and I can assure you that many movies that did get the X certificate were very tame by today’s standards so the Comancheros was as you suggest a pretty routine western as it wasn’t thought worthy of an X under even the very strict censorship rules of 1961..
3 Besides whilst its listed director was Michael Curtiz who directed Yankee Doodle Dandy
and a bucketful of Flynn movies the uncredited co-director was the Big Man himself and he objected to Eastwood being compared with him because he felt that Clint’s persona was not circumspect enough; so there was no way the Duke was going to shepherd a movie that did not conform to his perceptions of what was ‘American’ in all the connotations that he would mean by that word.
4 Like you I’ve seen the film and it’s great fun that can be enjoyed by all ages.
BOB
Hey Bob…thanks for the clarification on the ratings on The Comancheros….I have read that Curtiz was pretty much out of gas when he got to The Comancheros….so I do not find it hard to believe that Wayne helped get the movie finished. I have only seen The Comancheros once….so it sort of fades in with other Wayne movies…but I remember when I was researching this movie…I was surprised it had done so well at the box office. Which proves one point for sure: Never understand the box office power of John Wayne. 🙂
BRUCE
1 Another coincidence! My brother in Australia is also a great Wayne fan and I told him of the video concerned; and he said that he visited the States shortly after the Duke’s death and paid for a tour round The Wild Goose which had naturally become a significant tourist attraction.
2 In a TV interview Sir Alec Guinness described how in the mid fifties a friend took him to an overnight party at the Duke’s ranch. Initially Wayne was polite to him but as he had other guests he didn’t pay Sir Alec much attention. However an intoxicated reporter followed Alec around making fun of his English accent until Sir A finally snapped and floored the reporter.
3 Assuming that he had crossed the line as a guest he went to pack but as he was doing so the Duke burst into the room and asked him where was going. When he explained the Duke said he had seen the incident and had wanted to hit the guy himself but as host felt he restrained . Then he added “Well done! Now come back and join the party.” For the rest of the evening he and Duke were like two bosom buddies.
4 In the same interview Sir Alec said that during that mid fifties US visit he spoke to James Dean immediately before the latter got into the car that killed him a short time later; and Sir Alec claims that looking at the fast car he had a bad premonition and urged Dean not to drive that day. Sad that the advice was not taken.
Hey Bob.
1. Sounds like your brother has a good memory of touring The Wild Goose.
2. Another classic story that you have shared. It makes you wonder who else was at that party…..good stuff.
3. I have read that comment about Dean and Guinness…..too bad Dean did not listen.
🙂
In a 1976 U Tube video John Wayne is interviewed aboard his yacht and makes some very interesting comments about himself and his career. For example
(1) When asked about how he viewed the public perception of him as THE American hero he suggested that he thought that men of all nationalities would aspire to be the kind of person he was on the screen.
(2) Mentioning how he like to retreat to his yacht to escape the public gaze and be himself he showed he had a sense of humour by saying “Not that I ever had much of a public image to protect!”
(3) He has often been praised as gregarious and he said to the interviewer that he liked to be around people.
The last statement reminded me of a TV interview that Sir Alec Guinness gave about meeting Wayne and I hope to make that the subject of a further post when I have the time over the next day or so.
BOB
Hey Bob.
1. Glad you enjoyed that video on Mr. Wayne.
2. I think he had a good thought on his hero status….I wonder what he would be thinking today….with all the craziness going on.
3. Good to know that he enjoyed the fans….yet had time for just his family on the yacht.
4. Look forward to that future comment.