Want to know the best Kay Francis movies? How about the worst Kay Francis movies? Curious about Kay Francis box office grosses or which Kay Francis movie picked up the most Oscar® nominations? Need to know which Kay Francis movie got the best reviews from critics and audiences and which ones got the worst reviews? Well you have come to the right place…. because we have all of that information and much more.
Kay Francis (1905-1968) was an American stage and film actress. After a brief period on Broadway in the late 1920s, she moved to film and achieved her greatest success between 1930 and 1936, when she was the number one female star at the Warner Brothers studio and the highest-paid American film actress. Her IMDb page shows 72 acting credits from 1929-1951. This page will rank 49 Kay Francis movies from Best to Worst in six different sortable columns of information. Television roles, some of her early Paramount movies (of course) and her 3 late Monogram movies (who?) were not included.
Drivel part of the page: During our research we stumble across a nice treasure every once in awhile. A couple of years ago we found this webpage on Kay Francis. Well….we put all of the Francis box office rentals from that page into our database….and pretty much forgot it. While recently Flora, requested a Kay Francis page….so it was a nice surprise to find domestic and worldwide box office rentals on almost 40 of her movies all ready to go.
Kay Francis Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Kay Francis movies by co-stars of her movies
- Sort Kay Francis movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Kay Francis movies by yearly domestic box office rank
- Sort Kay Francis movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and Oscar® wins each Kay Francis movie received.
- Sort Kay Francis movies by Ultimate Movie Ranking (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Use the sort and search buttons to make this table very interactive. For example…if you type in “William Powell” in the search box….the 3 Powell/Francis movies will pop right up.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
2 | The Cocoanuts (1929) | Marx Brothers | 5.80 | 193.1 | 193.10 | 7 | 78 | 00 / 00 | 96.2 | |
1 | Charley's Aunt (1941) | Jack Benny | 7.70 | 324.9 | 324.90 | 7 | 65 | 00 / 00 | 93.3 | |
3 | Wonder Bar (1934) | Al Jolson | 3.60 | 184.5 | 297.00 | 6 | 68 | 00 / 00 | 92.7 | |
5 | Street of Chance (1930) | Jean Arthur & William Powell |
2.50 | 144.4 | 144.40 | 41 | 76 | 01 / 00 | 91.1 | |
6 | Raffles (1930) | Ronald Colman | 2.80 | 167.4 | 167.40 | 25 | 68 | 01 / 00 | 90.9 | |
4 | One Way Passage (1932) | William Powell | 2.30 | 120.7 | 177.30 | 28 | 81 | 01 / 01 | 90.7 | |
7 | In Name Only (1939) | Cary Grant & Carole Lombard |
3.70 | 155.4 | 221.70 | 55 | 71 | 00 / 00 | 90.3 | |
9 | The White Angel (1936) | Ian Hunter | 3.00 | 138.8 | 221.80 | 64 | 65 | 00 / 00 | 86.2 | |
10 | Four Jills in a Jeep (1944) | Betty Grable | 3.60 | 133.3 | 133.30 | 90 | 66 | 00 / 00 | 85.9 | |
8 | Trouble in Paradise (1932) | Miriam Hopkins | 1.40 | 72.5 | 72.50 | 78 | 84 | 00 / 00 | 85.6 | |
11 | It's a Date (1940) | Deanna Durbin & Walter Pidgeon |
2.80 | 116.9 | 116.90 | 61 | 68 | 00 / 00 | 84.8 | |
12 | Between Us Girls (1942) | Robert Cummings | 2.90 | 115.8 | 115.80 | 101 | 63 | 00 / 00 | 82.3 | |
15 | Paramount on Parade (1930) | Gary Cooper | 2.20 | 131.4 | 131.40 | 50 | 56 | 00 / 00 | 81.0 | |
13 | The Vice Squad (1931) | Paul Lukas | 1.40 | 76.4 | 76.40 | 100 | 72 | 00 / 00 | 80.2 | |
16 | For The Defense (1930) | William Powell | 1.90 | 111.3 | 111.30 | 65 | 58 | 00 / 00 | 78.8 | |
14 | Gentlemen of the Press (1929) | Walter Huston | 1.90 | 65.3 | 65.30 | 74 | 72 | 00 / 00 | 78.3 | |
17 | 24 Hours (1931) | Miriam Hopkins | 2.10 | 116.5 | 116.50 | 53 | 56 | 00 / 00 | 78.1 | |
20 | Stolen Holiday (1937) | Claude Rains | 2.00 | 90.7 | 139.90 | 119 | 64 | 00 / 00 | 78.1 | |
20 | Another Dawn (1937) | Errol Flynn | 2.30 | 103.4 | 188.90 | 103 | 60 | 00 / 00 | 78.0 | |
18 | Confession (1937) | Basil Rathbone | 1.80 | 82.6 | 116.40 | 125 | 66 | 00 / 00 | 78.0 | |
19 | Passion Flower (1930) | Charles Bickford | 1.40 | 85.0 | 116.10 | 86 | 65 | 00 / 00 | 77.8 | |
24 | Give Me Your Heart (1936) | George Brent & Roland Young |
2.10 | 99.2 | 162.20 | 94 | 60 | 00 / 00 | 77.1 | |
22 | King of the Underworld (1939) | Humphrey Bogart | 1.30 | 53.5 | 83.60 | 159 | 74 | 00 / 00 | 76.8 | |
24 | Stranded (1935) | George Brent | 1.00 | 48.8 | 79.20 | 130 | 75 | 00 / 00 | 76.8 | |
25 | Guilty Hands (1931) | Lionel Barrymore | 1.30 | 74.8 | 113.60 | 105 | 66 | 00 / 00 | 76.2 | |
26 | Always in My Heart (1942) | Walter Huston | 1.50 | 60.7 | 242.90 | 148 | 70 | 01 / 00 | 76.1 | |
26 | The Keyhole (1933) | George Brent | 0.90 | 43.9 | 77.10 | 124 | 75 | 00 / 00 | 75.5 | |
30 | When The Daltons Rode (1940) | Randolph Scott | 2.00 | 82.7 | 82.70 | 99 | 62 | 00 / 00 | 74.5 | |
28 | The House on 56th Street (1933) | Ricardo Cortez | 1.20 | 59.8 | 101.30 | 79 | 68 | 00 / 00 | 73.8 | |
32 | Girls About Town (1931) | Joel McCrea | 1.50 | 84.3 | 84.30 | 84 | 60 | 00 / 00 | 73.4 | |
31 | British Agent (1934) | Leslie Howard | 1.50 | 77.7 | 134.60 | 74 | 62 | 00 / 00 | 72.9 | |
32 | Jewel Robbery (1932) | William Powell | 0.90 | 48.2 | 65.00 | 122 | 71 | 00 / 00 | 72.6 | |
33 | My Bill (1938) | Bonita Granville | 1.50 | 65.5 | 97.30 | 146 | 63 | 00 / 00 | 70.5 | |
34 | Comet Over Broadway (1938) | Ian Hunter | 0.80 | 34.1 | 60.10 | 178 | 71 | 00 / 00 | 67.6 | |
36 | The Feminine Touch (1941) | Rosalind Russell & Don Ameche |
2.00 | 84.4 | 84.40 | 118 | 55 | 00 / 00 | 67.6 | |
35 | First Lady (1937) | Preston Foster | 1.30 | 58.2 | 76.60 | 150 | 63 | 00 / 00 | 67.2 | |
37 | Doctor Monica (1934) | Warren William | 1.20 | 59.8 | 101.30 | 101 | 59 | 00 / 00 | 63.5 | |
39 | I Found Stella Parish (1935) | Paul Lukas | 1.40 | 66.6 | 118.90 | 98 | 57 | 00 / 00 | 62.8 | |
38 | Secrets of An Actress (1938) | George Brent & Ian Hunter |
1.10 | 47.5 | 67.50 | 162 | 62 | 00 / 00 | 62.0 | |
41 | Mary Stevens M.D. (1933) | Lyle Talbot | 1.00 | 52.5 | 72.80 | 99 | 59 | 00 / 00 | 59.3 | |
40 | Transgression (1931) | Ricardo Cortez | 0.80 | 44.5 | 51.30 | 165 | 61 | 00 / 00 | 58.3 | |
42 | Cynara (1932) | Ronald Colman | 1.10 | 56.2 | 56.20 | 113 | 57 | 00 / 00 | 57.8 | |
45 | Mandalay (1934) | Ricardo Cortez | 1.00 | 52.0 | 91.80 | 110 | 56 | 00 / 00 | 53.9 | |
43 | Man Wanted (1932) | David Manners | 0.70 | 39.4 | 48.40 | 145 | 59 | 00 / 00 | 53.2 | |
46 | Living on Velvet (1935) | George Brent | 1.00 | 46.7 | 70.50 | 135 | 57 | 00 / 00 | 52.7 | |
44 | The Marriage Playground (1929) | Fredric March | 1.10 | 35.6 | 35.60 | 108 | 60 | 00 / 00 | 51.8 | |
47 | The Goose and the Gander (1935) | George Brent | 0.90 | 46.0 | 70.80 | 137 | 55 | 00 / 00 | 48.6 | |
48 | Women Are Like That (1938) | Pat O'Brien | 1.30 | 54.8 | 75.20 | 153 | 51 | 00 / 00 | 46.9 | |
50 | The Man Who Lost Himself (1941) | Brian Aherne | 1.00 | 40.4 | 40.40 | 178 | 51 | 00 / 00 | 37.4 | |
49 | Street of Women (1932) | Roland Young | 0.70 | 38.1 | 51.70 | 146 | 52 | 00 / 00 | 36.8 | |
51 | I Loved a Woman (1933) | Edward G. Robinson | 1.10 | 55.6 | 94.40 | 88 | 45 | 00 / 00 | 34.3 | |
52 | Storm at Daybreak (1933) | Walter Huston | 0.90 | 44.1 | 92.80 | 123 | 46 | 00 / 00 | 29.4 | |
53 | Little Men (1940) | Jack Oakie | 0.60 | 25.9 | 40.00 | 200 | 50 | 00 / 00 | 25.8 | |
55 | Women in The Wind (1939) | Eve Arden | 1.00 | 43.6 | 57.70 | 172 | 44 | 00 / 00 | 24.4 | |
54 | Play Girl (1941) | James Ellison | 0.70 | 29.6 | 42.50 | 194 | 48 | 00 / 00 | 23.5 |
Kay Francis Adjusted World Wide Box Office Grosses
Movie (Year)
UMR Co-Star Links
World-Wide Box Office Adjusted (mil)
S
Movie (Year) UMR Co-Star Links World-Wide Box Office Adjusted (mil) S
Wonder Bar (1934)
Al Jolson
297.00
Always in My Heart (1942)
Walter Huston
242.90
The White Angel (1936)
Ian Hunter
221.80
In Name Only (1939)
Cary Grant &
Carole Lombard
221.70
Another Dawn (1937)
Errol Flynn
188.90
One Way Passage (1932)
William Powell
177.30
Give Me Your Heart (1936)
George Brent &
Roland Young
162.20
Stolen Holiday (1937)
Claude Rains
139.90
British Agent (1934)
Leslie Howard
134.60
I Found Stella Parish (1935)
Paul Lukas
118.90
Confession (1937)
Basil Rathbone
116.40
Passion Flower (1930)
Charles Bickford
116.10
Guilty Hands (1931)
Lionel Barrymore
113.60
The House on 56th Street (1933)
Ricardo Cortez
101.30
Doctor Monica (1934)
Warren William
101.30
My Bill (1938)
Bonita Granville
97.30
I Loved a Woman (1933)
Edward G. Robinson
94.40
Storm at Daybreak (1933)
Walter Huston
92.80
Mandalay (1934)
Ricardo Cortez
91.80
King of the Underworld (1939)
Humphrey Bogart
83.60
Stranded (1935)
George Brent
79.20
The Keyhole (1933)
George Brent
77.10
First Lady (1937)
Preston Foster
76.60
Women Are Like That (1938)
Pat O'Brien
75.20
Mary Stevens M.D. (1933)
Lyle Talbot
72.80
The Goose and the Gander (1935)
George Brent
70.80
Living on Velvet (1935)
George Brent
70.50
Secrets of An Actress (1938)
George Brent &
Ian Hunter
67.50
Jewel Robbery (1932)
William Powell
65.00
Comet Over Broadway (1938)
Ian Hunter
60.10
Women in The Wind (1939)
Eve Arden
57.70
Street of Women (1932)
Roland Young
51.70
Transgression (1931)
Ricardo Cortez
51.30
Man Wanted (1932)
David Manners
48.40
Play Girl (1941)
James Ellison
42.50
Little Men (1940)
Jack Oakie
40.00
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Wonder Bar (1934) | Al Jolson | 297.00 | |
Always in My Heart (1942) | Walter Huston | 242.90 | |
The White Angel (1936) | Ian Hunter | 221.80 | |
In Name Only (1939) | Cary Grant & Carole Lombard |
221.70 | |
Another Dawn (1937) | Errol Flynn | 188.90 | |
One Way Passage (1932) | William Powell | 177.30 | |
Give Me Your Heart (1936) | George Brent & Roland Young |
162.20 | |
Stolen Holiday (1937) | Claude Rains | 139.90 | |
British Agent (1934) | Leslie Howard | 134.60 | |
I Found Stella Parish (1935) | Paul Lukas | 118.90 | |
Confession (1937) | Basil Rathbone | 116.40 | |
Passion Flower (1930) | Charles Bickford | 116.10 | |
Guilty Hands (1931) | Lionel Barrymore | 113.60 | |
The House on 56th Street (1933) | Ricardo Cortez | 101.30 | |
Doctor Monica (1934) | Warren William | 101.30 | |
My Bill (1938) | Bonita Granville | 97.30 | |
I Loved a Woman (1933) | Edward G. Robinson | 94.40 | |
Storm at Daybreak (1933) | Walter Huston | 92.80 | |
Mandalay (1934) | Ricardo Cortez | 91.80 | |
King of the Underworld (1939) | Humphrey Bogart | 83.60 | |
Stranded (1935) | George Brent | 79.20 | |
The Keyhole (1933) | George Brent | 77.10 | |
First Lady (1937) | Preston Foster | 76.60 | |
Women Are Like That (1938) | Pat O'Brien | 75.20 | |
Mary Stevens M.D. (1933) | Lyle Talbot | 72.80 | |
The Goose and the Gander (1935) | George Brent | 70.80 | |
Living on Velvet (1935) | George Brent | 70.50 | |
Secrets of An Actress (1938) | George Brent & Ian Hunter |
67.50 | |
Jewel Robbery (1932) | William Powell | 65.00 | |
Comet Over Broadway (1938) | Ian Hunter | 60.10 | |
Women in The Wind (1939) | Eve Arden | 57.70 | |
Street of Women (1932) | Roland Young | 51.70 | |
Transgression (1931) | Ricardo Cortez | 51.30 | |
Man Wanted (1932) | David Manners | 48.40 | |
Play Girl (1941) | James Ellison | 42.50 | |
Little Men (1940) | Jack Oakie | 40.00 |
Possibly Interesting Facts About Kay Francis
1. Katharine Edwina Gibbs was born in Oklahoma City, Oklahoma in 1905. Her nickname as a child was Kay…..and her first husband was James Francis….which is how she became Kay Francis.
2. Kay Francis had a speech impediment. She was known around the Paramount lot as “the wavishing Kay Fwancis.”…..that sounds kind of mean spirited.
3. From the years 1930 to 1937, Kay Francis appeared on the covers of 38 film magazines, the most for any adult performer and second only to Shirley Temple who appeared on 138 covers during that period.
4. Kay Francis was married five times…but never had any children.
5. Kay Francis was considered for the Scarlett O’Hara role in Gone With The Wind….then again it seems every acting actress of the 1930s was considered.
6. Kay Francis and her movies did not get much Oscar® love. She was never nominated for an Oscar®…..she never starred in a Best Picture Oscar® nominated movie….only four of her movies got a Oscar® nomination…and only one won an Oscar®.
7. Kay Francis’ star on the Hollywood Walk of Fame is located at 6766 Hollywood Blvd.
8. Kay Francis left most of her $1 million estate to train dogs at Seeing Eye, Inc.
9. Kay Francis’ career adjusted box office gross was over $2.85 billion.
10. Check out Kay Francis’ movie career compared to current and classic stars on our Most 100 Million Dollar Movies of All-Time page.
Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences. Golden Globes® are the registered trademark and service mark of the Hollywood Foreign Press.
Ten best from Kay Francis is no particular order
1. CONFESSION
2. 24 HOURS
3. GIRLS ABOUT TOWN
4. ONE WAY PASSAGE
5. IN NAME ONLY
6. RAFFLES
7. TROUBLE IN PARADISE
8. WONDER BAR
9. COMET OVER BROADWAY
10. HOUSE ON 56th STREET
Nice list of Kay films but I would have to include Jewel Robbery. Hey, that first 15 minutes where Powell gets the folks to smoke a joint makes this film a must-see.
Agree about Jewel Robbery. I would delete 24 Hours and Comet Over Broadway (a B movie!) Girls About Town has yet to be shown on TCM and I’ve never seen it. 🙁 (Paramount)
I rather like JEWEL ROBBERY, too. 70 minutes of fun + funny cigarettes. 🙂
How can a viewer go wrong? Gotta be in the Top 10.
Thanks for the feedback. Seems like Confession, Jewel Robbery and Trouble in Paradise are ones I should check out.
According to Wikipedia Kay Francis let people assume that her mother was the founder of the Katherine Gibbs school, not that she really was.
Mmmm…just checked that out too. I imagine there must have been an advantage to go with people assuming her mom was “that” Katherine Gibbs”. Her mother was an actress too….so I she followed in her mother’s foot steps. Thanks for the correction.
I haven’t seen too many Francis movies but one I seen recently, Trouble in Paradise was terrific. She was very beautiful and glamorous and you can see why she was popular in the 30’s. But it all seemed to go wrong by ’37. Up to that time she seemed content being a clothes horse, but I think her movies were becoming too routine and she wanted better scripts. But she had a big fall out with Warner Bros and threatened to take them to court, and they dug their heels in and insisted her fulfilled the rest of her contract doing B movies.
Around this time the famous Box Office Poison List was published, naming Joan Crawford, Marlene Dietrich, Katharine Hepburn and of course Francis herself. But unlike the others, she didn’t get a comeback movie and by the time her contract was finished, no studio really wanted her. She became a supporting player and gradually her career just faded.
Hey Chris…..Good to know that I am not the only one that has not seen many Kay Francis movies. It sounds like her dispute with Warner Brothers got real ugly. I think there is a good movie to be made during that time frame at Warners….Bogart, Francie, Cagney, Davis and Garfield all got into huge disputes….with Garfield and Cagney getting suspended a few times.
That Box Office Poison List has become very famous in itself. It seems that really only affected Francis….as the others went to have more successes in the future….though I guess you could argue that her biggest box office hit of her career….Charley’s Aunt….came after that list.
Thanks for the comment and visit….especially on somebody that is not one of your favorite actresses.
Hey Chris….you are another person that has highly recommend Trouble In Paradise….I am going to have to track that one down.
Oh yes, her mother is Katherine Gibbs, founder of the Katherine Gibbs schools fame.
Hey Dan….very cool…thanks for sharing that info.
Monogram was a pretty big B movie company releasing over 1000 features between approximately 1931 and 1980. They had numerous B westerns, the Bowery Boys, the cheaper Charlie Chan movies. In 1948 they decided to release higher class films through their new moniker Allied Artists. The first picture under that name was It Happened on Fifth Avenue. In 1948 they released the Babe Ruth Story. They released 2 Gary Cooper movies in the 50’s, Friendly Persuasion and Love in the Afternoon which also starred Audrey Hepburn. In 1961 they released El Cid with Charlton Heston and Sophia Loren and Heston was also in their 1963 release 55 Days in Peking. They won, yes Allied Artists won a best picture with Cabaret in 1972 and in 1973 they released Papillon starring Steve McQueen and Dustin Hoffman.
Hey Dan. Thanks for all the information on Monograms….when I got her last three movies ….I found nothing about box office results…..seems like they are like Paramount very stingy with sharing that information. I had heard of Allied Artists….seems there movies got better as time went on. Cabaret won a ton of Oscars….but not Best Picture…it holds the record for most wins without winning the Best Picture Oscar. Thanks for sharing some of your massive movie knowledge…it is greatly appreciated.
You’re right, the Godfather won best picture that year.