Want to know the best Lew Ayres movies? How about the worst Lew Ayres movies? Curious about Lew Ayres box office grosses or which Lew Ayres movie picked up the most Oscar® nominations? Need to know which Lew Ayres movie got the best reviews from critics and audiences and which got the worst reviews? Well, you have come to the right place….because we have all of that information.
Lew Ayres (1908-1996) was an Oscar®-nominated American actor. Ayres is known his role in 1930’s All Quiet on the Western Front (1930) and for playing Dr. Kildare in nine movies. He was nominated for an Academy Award® for his performance in Johnny Belinda (1948). His IMDb page shows 119 acting credits between 1944 and 1988. This page will rank Lew Ayres movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos, uncredited roles, and movies that were not released in North American were not included in the rankings.
Lew Ayres Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1930
All Quiet on the Western Front (1930)
AA Best Picture Win
1948
Johnny Belinda (1948)
AA Best Actor Nom
1946
The Dark Mirror (1946)
1930
Common Clay (1930)
1933
State Fair (1933)
AA Best Picture Nom
1938
Holiday (1938)
1964
The Carpetbaggers (1964)
1947
The Unfaithful (1947)
1962
Advise & Consent (1962)
1938
Young Dr. Kildare (1938)
1936
Lady Be Careful (1936)
1940
Dr. Kildare Goes Home (1940)
1978
Damien: Omen II (1978)
1941
Maisie Was A Lady (1941)
1934
Servants' Entrance (1934)
1939
The Ice Follies of 1939 (1939)
1929
The Kiss (1929)
1931
Iron Man (1931)
1930
The Doorway To Hell (1930)
1931
The Spirit of Notre Dame (1931)
1939
These Glamour Girls (1939)
1938
Spring Madness (1938)
1941
The People vs. Dr. Kildare (1941)
1978
Battlestar Galactica (1978)
1939
Remember? (1939)
1941
Dr. Kildare's Wedding Day (1941)
1939
The Secret of Dr. Kildaire (1939)
1939
Broadway Serenade (1939)
1937
The Last Train from Madrid (1937)
1940
Dr. Kildare's Crisis (1940)
1942
Dr. Kildare's Victory (1942)
1942
Fingers at the Window (1942)
1932
Okay America! (1932)
1939
Calling Dr. Kildaire (1939)
1940
Dr. Kildare's Strange Case (1940)
1930
East Is West (1930)
1933
My Weakness (1933)
1973
Battle for the Planet of the Apes (1973)
1938
Rich Man, Poor Girl (1938)
1972
The Biscuit Eater (1972)
1940
The Golden Fleecing (1940)
1972
The Man (1972)
1936
Shakedown (1936)
1937
Hold 'Em Navy (1937)
1938
King of the Newsboys (1938)
1934
She Learned About Sailors (1934)
1935
Lottery Lover (1935)
1937
The Crime Nobody Saw (1937)
1953
Donovan's Brain (1953)
1951
New Mexico (1951)
1936
The Leathernecks Have Landed (1936)
1950
The Capture (1950)
1938
Scandal Street (1938)
1931
Up For Murder (1931)
1984
The World of Don Camillo (1984)
1936
Panic On The Air (1936)
1933
Don't Bet On Love (1933)
1935
Spring Tonic (1935)
1936
Murder With Pictures (1936)
1931
Heaven On Earth (1931)
1953
No Escape (1953)
1977
End of the World (1977)
Lew Ayres Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies any way you want.
- Sort Lew Ayres movies by his co-stars
- Sort Lew Ayres movies by adjusted domestic box office grosses using current movie ticket cost.
- Sort Lew Ayres movies by domestic yearly box office rank
- Sort Lew Ayres movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Lew Ayres movie received.
- Sort Lew Ayres movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | All Quiet on the Western Front (1930) AA Best Picture Win |
Lewis Milestone | 4.60 | 248.8 | 248.80 | 7 | 84 | 04 / 02 | 99.8 | |
2 | Johnny Belinda (1948) AA Best Actor Nom |
Charles Bickford & Jane Wyman |
11.20 | 302.5 | 302.50 | 2 | 80 | 12 / 01 | 98.8 | |
5 | The Dark Mirror (1946) | Olivia de Havilland | 7.40 | 228.9 | 228.90 | 48 | 68 | 01 / 00 | 94.9 | |
3 | Common Clay (1930) | Constance Bennett | 5.20 | 281.9 | 281.90 | 6 | 69 | 00 / 00 | 94.9 | |
4 | State Fair (1933) AA Best Picture Nom |
Will Rogers & Janet Gaynor |
3.50 | 161.8 | 219.20 | 15 | 69 | 02 / 00 | 93.7 | |
7 | Holiday (1938) | Cary Grant & Katharine Hepburn |
3.10 | 123.6 | 123.60 | 64 | 84 | 01 / 00 | 92.6 | |
6 | The Carpetbaggers (1964) | Alan Ladd & George Peppard |
36.30 | 416.1 | 416.10 | 4 | 61 | 00 / 00 | 92.6 | |
8 | The Unfaithful (1947) | Eve Arden | 5.20 | 152.7 | 234.00 | 64 | 66 | 00 / 00 | 89.4 | |
9 | Advise & Consent (1962) | Franchot Tone & Henry Fonda |
5.70 | 82.1 | 82.10 | 47 | 80 | 00 / 00 | 86.3 | |
10 | Young Dr. Kildare (1938) | Lionel Barrymore | 2.40 | 96.8 | 96.80 | 93 | 71 | 00 / 00 | 84.5 | |
11 | Lady Be Careful (1936) | Mary Carlisle | 2.10 | 89.8 | 89.80 | 96 | 65 | 00 / 00 | 79.8 | |
12 | Dr. Kildare Goes Home (1940) | Lionel Barrymore | 2.30 | 89.6 | 89.60 | 84 | 65 | 00 / 00 | 79.7 | |
14 | Damien: Omen II (1978) | William Holden & Lee Grant |
26.80 | 123.4 | 123.40 | 24 | 52 | 00 / 00 | 78.3 | |
13 | Maisie Was A Lady (1941) | Maureen O'Sullivan | 2.00 | 78.7 | 78.70 | 114 | 65 | 00 / 00 | 77.3 | |
15 | Servants' Entrance (1934) | Janet Gaynor | 1.20 | 55.2 | 55.20 | 100 | 70 | 00 / 00 | 75.2 | |
16 | The Ice Follies of 1939 (1939) | James Stewart & Joan Crawford |
2.90 | 111.7 | 180.60 | 80 | 51 | 00 / 00 | 74.1 | |
16 | The Kiss (1929) | Greta Garbo & Conrad Nagel |
1.70 | 51.0 | 89.10 | 87 | 70 | 00 / 00 | 74.0 | |
17 | Iron Man (1931) | Jean Harlow | 1.20 | 63.0 | 63.00 | 122 | 65 | 00 / 00 | 73.3 | |
20 | The Doorway To Hell (1930) | James Cagney | 1.90 | 101.7 | 114.10 | 66 | 52 | 01 / 00 | 73.3 | |
22 | The Spirit of Notre Dame (1931) | Sally Blane | 2.20 | 114.8 | 114.80 | 46 | 49 | 00 / 00 | 73.1 | |
21 | These Glamour Girls (1939) | Lana Turner | 1.70 | 65.6 | 65.60 | 133 | 64 | 00 / 00 | 73.1 | |
23 | Spring Madness (1938) | Maureen O'Sullivan | 3.10 | 122.2 | 122.20 | 67 | 46 | 00 / 00 | 73.0 | |
21 | The People vs. Dr. Kildare (1941) | Red Skelton | 2.20 | 85.0 | 85.00 | 109 | 57 | 00 / 00 | 72.2 | |
24 | Battlestar Galactica (1978) | Ray Milland & Richard Hatch |
15.80 | 72.7 | 72.70 | 44 | 60 | 00 / 00 | 70.6 | |
26 | Remember? (1939) | Robert Taylor & Greer Garson |
2.20 | 85.5 | 136.90 | 108 | 55 | 00 / 00 | 69.6 | |
25 | Dr. Kildare's Wedding Day (1941) | Red Skelton & Lionel Barrymore |
2.00 | 76.4 | 76.40 | 120 | 57 | 00 / 00 | 69.1 | |
27 | The Secret of Dr. Kildaire (1939) | Lionel Barrymore | 1.00 | 38.7 | 38.70 | 176 | 65 | 00 / 00 | 62.9 | |
29 | Broadway Serenade (1939) | Jeanette MacDonald | 2.50 | 95.0 | 190.00 | 96 | 46 | 00 / 00 | 61.0 | |
28 | The Last Train from Madrid (1937) | Dorothy Lamour & Anthony Quinn |
0.40 | 16.4 | 16.40 | 206 | 68 | 00 / 00 | 56.3 | |
32 | Dr. Kildare's Crisis (1940) | Lionel Barrymore | 1.40 | 52.1 | 52.10 | 145 | 56 | 00 / 00 | 56.1 | |
31 | Dr. Kildare's Victory (1942) | Lionel Barrymore | 0.90 | 34.1 | 34.10 | 184 | 62 | 00 / 00 | 55.8 | |
30 | Fingers at the Window (1942) | Laraine Day | 0.80 | 30.6 | 58.20 | 191 | 63 | 00 / 00 | 55.6 | |
33 | Okay America! (1932) | Maureen O'Sullivan | 0.40 | 20.3 | 20.30 | 174 | 65 | 00 / 00 | 53.0 | |
35 | Calling Dr. Kildaire (1939) | Lionel Barrymore & Lana Turner |
2.30 | 86.9 | 86.90 | 104 | 43 | 00 / 00 | 51.6 | |
34 | Dr. Kildare's Strange Case (1940) | Lionel Barrymore | 0.70 | 25.7 | 25.70 | 193 | 62 | 00 / 00 | 50.7 | |
35 | East Is West (1930) | Edward G. Robinson | 0.50 | 25.5 | 25.50 | 170 | 62 | 00 / 00 | 50.6 | |
36 | My Weakness (1933) | Lilian Harvey | 0.60 | 30.3 | 30.30 | 155 | 60 | 00 / 00 | 50.2 | |
38 | Battle for the Planet of the Apes (1973) | Roddy McDowall & Claude Atkins |
12.10 | 73.8 | 73.80 | 31 | 46 | 00 / 00 | 49.0 | |
38 | Rich Man, Poor Girl (1938) | Lana Turner & Robert Young |
0.50 | 21.2 | 21.20 | 190 | 62 | 00 / 00 | 47.8 | |
40 | The Biscuit Eater (1972) | Johnny Whitaker | 6.40 | 40.4 | 40.40 | 57 | 56 | 00 / 00 | 47.7 | |
42 | The Golden Fleecing (1940) | Lloyd Nolan & Rita Johnson |
0.30 | 13.0 | 13.00 | 218 | 64 | 00 / 00 | 46.7 | |
41 | The Man (1972) | James Earl Jones & Burgess Meredith |
0.10 | 0.7 | 0.70 | 176 | 68 | 00 / 00 | 46.7 | |
44 | Shakedown (1936) | Joan Perry | 0.70 | 28.9 | 28.90 | 181 | 58 | 00 / 00 | 44.6 | |
43 | Hold 'Em Navy (1937) | John Howard | 0.30 | 12.5 | 12.50 | 211 | 63 | 00 / 00 | 44.4 | |
47 | King of the Newsboys (1938) | Helen Mack | 0.80 | 30.3 | 30.30 | 179 | 56 | 00 / 00 | 41.2 | |
45 | She Learned About Sailors (1934) | Alice Faye | 0.20 | 7.0 | 7.00 | 196 | 63 | 00 / 00 | 40.8 | |
48 | Lottery Lover (1935) | Pat Paterson | 0.20 | 8.9 | 8.90 | 211 | 62 | 00 / 00 | 39.5 | |
46 | The Crime Nobody Saw (1937) | Hattie McDaniel | 0.30 | 12.0 | 12.00 | 212 | 61 | 00 / 00 | 39.4 | |
49 | Donovan's Brain (1953) | Nancy Reagan | 0.40 | 6.8 | 6.80 | 233 | 62 | 00 / 00 | 38.1 | |
50 | New Mexico (1951) | Raymond Burr | 1.60 | 33.6 | 33.60 | 168 | 53 | 00 / 00 | 36.9 | |
51 | The Leathernecks Have Landed (1936) | Ward Bond | 0.50 | 19.8 | 19.80 | 198 | 56 | 00 / 00 | 33.4 | |
54 | The Capture (1950) | Teresa Wright & Directed by John Sturges |
2.00 | 45.8 | 45.80 | 144 | 47 | 00 / 00 | 32.7 | |
52 | Scandal Street (1938) | Laraine Day | 0.50 | 19.0 | 19.00 | 193 | 55 | 00 / 00 | 32.0 | |
55 | Up For Murder (1931) | Genevieve Tobin | 0.30 | 13.5 | 13.50 | 203 | 56 | 00 / 00 | 30.3 | |
54 | The World of Don Camillo (1984) | Terence Hill | 0.10 | 0.2 | 0.20 | 199 | 60 | 00 / 00 | 29.1 | |
57 | Panic On The Air (1936) | Florence Rice | 0.50 | 21.0 | 21.00 | 195 | 50 | 00 / 00 | 23.7 | |
56 | Don't Bet On Love (1933) | Ginger Rogers | 0.20 | 10.4 | 10.40 | 182 | 53 | 00 / 00 | 22.8 | |
58 | Spring Tonic (1935) | Claire Trevor | 0.20 | 11.2 | 11.20 | 208 | 51 | 00 / 00 | 19.3 | |
59 | Murder With Pictures (1936) | Gail Patrick | 0.20 | 7.1 | 7.10 | 215 | 52 | 00 / 00 | 18.5 | |
60 | Heaven On Earth (1931) | Slim Summerville | 0.40 | 22.5 | 22.50 | 192 | 45 | 00 / 00 | 15.9 | |
61 | No Escape (1953) | Sonny Tufts | 0.30 | 5.4 | 5.40 | 237 | 50 | 00 / 00 | 15.3 | |
62 | End of the World (1977) | Christopher Lee | 0.20 | 0.7 | 0.70 | 151 | 26 | 00 / 00 | 0.3 |
Possibly Interesting Facts About Lew Ayers
1. Lewis Frederick Ayres III was born in Minneapolis, Minnesota in 1908.
2. Lew Ayres was a Big Band musician before becoming an actor. His instruments were tenor banjo, long-neck banjo and guitar.
3. After dropping out of college, Lew Ayres was found by a talent scout in the Coconut Grove nightclub in Los Angeles and entered Hollywood as a bit player.
4. Lew Ayres was a conscientious objector during World War II, which made him rather unpopular at the studio.
5. Lew Ayres appeared in three Best Picture Oscar® nominees: All Quiet on the Western Front (1930), State Fair (1933) and Johnny Belinda (1948), with All Quiet on the Western Front the only winner.
Check out Lew Ayres’s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Steve’s Lew Ayres YouTube Movie Ranking Page
Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences. Emmy®, Tony®, and Golden Globe® have also registered trademarks.
Hey Bob….thanks for checking out our Lew Ayres page.
Some box office career stats (adjusted domestic box office)
Myrna Loy $9,491,300,000
Barbara Stanwyck $7,484,000,000
Joan Crawford $6,762,600,000
Bette Davis $6,351,600,000
Deanna Durbin $2,679,600,000
HI PHIL
Thanks for sharing the information about Kate Mulgrew. I never knew that so you are compensating in other ways for the “Fake News” the Work Horse keeps pusing out on this site in his co-star links columns.
I think Myrna who didn’t age well should have been playing mother roles even in her heyday. She looked too old for the debonair William Powell and probably should have been even grandmother to the Peter Pan of Hollywood Archibald Alec Leach in their films together.
Hey Bob….glad Phil helped point out the Kate Mulgrew trivia.
Deanna Durbin made 22 films and she was the top billed star in 21 of them and the undisputed lead player in all of those 22 with the possible exception of Christmas Holiday where fellow Legend Eugene Kelly partnered her.
Whereas Miss Loy was apparently gangster John Dillinger’s fave actress Deanna was worshipped by great statesman and war leader Sir Winston Churchill; and war martyr Anne Frank idolised Durbin as well and there are pictures of Miss Durbin in the Anne Frank tourist exhibition house in Amsterdam.
Burt Reynolds top-starred in and directed 1978’s The End which cost just 12 million to make in 2020 dollars and the film has an adjusted domestic Cogerson gross of $175 million. Myrna had an 8th billed supporting role in the film; was barely mentioned on the posters; whereas Burt was billed alone above the title; and yet this site credits the entire gross to both of them.
A definitive split would be difficult but to dogmatically describe her as THE all-time top box office actress on the basis of contributions like Miss Loy’s one in The End seem to me crazy and certainly stretches considerably the bounds of reasonable generosity.
Bottom Line though: to my mind MGM’s pecking order as described by Melvyn Douglas [see Part One] suggests that for others to proclaim Miss Loy as the greatest commercial actress of all time is a bit like a guy being named family man of the year nationally when his own wife and children think that other husbands have been better role models.
It doesn’t in the end [no pun intended!] really come down to two people on this site “agreeing to disagree” as the facts appear to speak loudly for themselves: Miss Loy is the only one of the actresses whom I have mentioned in this 2 part post who I am reasonably confident is definitely NOT the Greatest Box Office Actress of All Time because of her very poor stand-alone record at the box office and as she had a comparatively dismal showing in Quigley.
THE BIGGER PICTURE “Well, Freddie Bartholomew had first billing in Captains Courageous and that drove Spencer Tracy mad. I was billed fourth – and couldn’t have cared less. Joan Crawford once explained to me she was over Clark Gable and William Powell [in MGM’s estimation of their greatest stars] but under Norma Shearer. Powell was under Jean Harlow but above Bob Montgomery and Myrna Loy.”
Quote from Melvyn Douglas copied from Cogerson’s Melvyn page. And that was the assessment of just one studio: Warners had Bette Davis [and later Doris Day]; Fox had Betty Grable and Shirley Temple; and Universal had Deanna Durbin.
All of those ladies along with Crawford and Greer Garson in the 1940s whilst they did co-star with other Legends could feature ALONE as the STARS of long runs of acclaimed hits and Grable/Day/Garson/Temple in particular at one time or another almost owned the Quigley popularity polls.
Those 4 ladies were collectively in the Quigley top 11 most popular US stars 32 times- an average of 8 times each and often in the higher positions: Miss Loy was in the Top 11 just twice and in the lower positions – 7th and 10th way back in the late 1930s
All of the other ladies that I have mentioned have in my opinion a much greater claim to be Box Office Queen than the Miss Loy who had to depend to a great extent on the involvement in her movies of the likes of Gable/Bill Powell/Archibald Alec Leach/Ty Power/Charlton Heston/Paul Newman/Burt Reynolds.