Want to know the best Marlon Brando movies? How about the worst Marlon Brando movies? Curious about Marlon Brando’s box office grosses or which Marlon Brando movie picked up the most Oscar® nominations? Need to know which Marlon Brando movie got the best reviews from critics and audiences and which one got the worst reviews? Well you have come to the right place….because we have all of that information.
Marlon Brando (1924-2004) owned the 1950s as an actor. He received 5 Oscar® nominations for Best Actor between 1952 and 1958. He had it all…. blockbusters, critical acclaim, and an Oscar® win. His movies generated over 200 million ticket sales in the 1950s. Unfortunately the 1960s were not so kind to him. One could argue, that every movie he made in the 1960s was a box office failure. By the early 1970s he was considered box office poison. It was during this time that movie magic would happen again. That of course, was his role in The Godfather.
The Godfather was a blockbuster hit that won Oscars® for Best Picture and Best Actor. The following year he earned another Oscar® nomination for Last Tango in Paris. Then he pretty much stop making movies. Over the last 30 years of his life he only made 10 more movies and they were pretty much supporting parts.
His IMDb page shows 47 acting credits from 1949-2006. This page will rank 37 Marlon Brando movies from Best to Worst in six different sortable columns of information. Television appearances, shorts, cameos, video game roles and direct to DVD movies were not included in the rankings.
Marlon Brando Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1972
The Godfather (1972)
AA Best Picture Win
AA Best Actor Win
1954
On the Waterfront (1954)
AA Best Picture Win
AA Best Actor Win
1951
A Streetcar Named Desire (1951)
AA Best Picture Nom
AA Best Actor Nom
1979
Apocalypse Now (1979)
AA Best Picture Nom
1957
Sayonara (1957)
AA Best Picture Nom
AA Best Actor Nom
1978
Superman (1978)
1962
Mutiny on the Bounty (1962)
AA Best Picture Nom
1972
Last Tango in Paris (1972)
AA Best Actor Nom
1955
Guys and Dolls (1955)
1958
The Young Lions (1958)
Uncredited Role
2006
Superman Returns (2006)
1956
The Teahouse of the August Moon (1956)
1954
Désirée (1954)
1953
Julius Caesar (1953)
AA Best Picture Nom
AA Best Actor Nom
1961
One-Eyed Jacks (1961)
1953
The Wild One (1953)
1968
Candy (1968)
2001
The Score (2001)
1952
Viva Zapata! (1952)
AA Best Actor Nom
1963
The Ugly American (1963)
1976
The Missouri Breaks (1976)
1964
Bedtime Story (1964)
1966
The Chase (1966)
1950
The Men (1950)
1994
Don Juan DeMarco (1994)
1965
Morituri (1965)
1990
The Freshman (1990)
1960
The Fugitive Kind (1960)
1969
Burn! (1969)
1989
A Dry White Season (1989)
AA Best Supp Actor Nom
1967
Reflections in a Golden Eye (1967)
1969
The Night of the Following Day (1969)
1966
The Appaloosa (1966)
1967
A Countess from Hong Kong (1967)
1997
The Brave (1997)
Film Festival Circuit Only
1971
The Nightcomers (1971)
1996
The Island of Dr. Moreau (1996)
1980
The Formula (1980)
1992
Christopher Columbus: The Discovery (1992)
Marlon Brando Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort by Marlon Brando’s co-stars of his movies.
- Sort Marlon Brando movies by adjusted domestic box office grosses using current movie ticket cost.
- Sort Marlon Brando movies by their yearly box office rank
- Sort Marlon Brando movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Marlon Brando movie received.
- Sort Marlon Brando movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | The Godfather (1972) AA Best Picture Win AA Best Actor Win |
Al Pacino & James Caan |
134.10 | 850.3 | 1,548.50 | 1 | 97 | 11 / 03 | 100.0 | |
2 | On the Waterfront (1954) AA Best Picture Win AA Best Actor Win |
Rod Steiger & Eva Marie Saint |
12.00 | 281.2 | 281.20 | 20 | 92 | 12 / 08 | 100.0 | |
3 | A Streetcar Named Desire (1951) AA Best Picture Nom AA Best Actor Nom |
Vivien Leigh & Karl Malden |
13.70 | 295.7 | 295.70 | 4 | 85 | 12 / 04 | 99.6 | |
4 | Apocalypse Now (1979) AA Best Picture Nom |
Martin Sheen & Robert Duvall |
99.90 | 429.0 | 903.70 | 3 | 88 | 08 / 02 | 99.6 | |
5 | Sayonara (1957) AA Best Picture Nom AA Best Actor Nom |
James Garner & Red Buttons |
24.60 | 473.0 | 706.90 | 3 | 83 | 10 / 04 | 99.6 | |
7 | Superman (1978) | Christopher Reeve & Gene Hackman |
134.30 | 618.7 | 1,383.40 | 3 | 83 | 03 / 00 | 98.4 | |
6 | Mutiny on the Bounty (1962) AA Best Picture Nom |
Trevor Howard & Richard Harris |
28.00 | 402.5 | 402.50 | 4 | 70 | 07 / 00 | 97.8 | |
9 | Last Tango in Paris (1972) AA Best Actor Nom |
Maria Schneider | 36.10 | 229.2 | 229.20 | 9 | 79 | 02 / 00 | 97.5 | |
8 | Guys and Dolls (1955) | Frank Sinatra & Jean Simmons |
19.60 | 407.2 | 407.20 | 7 | 77 | 04 / 00 | 97.4 | |
10 | The Young Lions (1958) Uncredited Role |
Montgomery Clift & Dean Martin |
12.80 | 230.0 | 230.00 | 8 | 74 | 03 / 00 | 96.7 | |
11 | Superman Returns (2006) | Brandon Routh & Kate Bosworth |
200.10 | 327.8 | 640.70 | 7 | 74 | 01 / 00 | 96.3 | |
12 | The Teahouse of the August Moon (1956) | Glenn Ford | 16.30 | 319.9 | 319.90 | 10 | 70 | 00 / 00 | 95.2 | |
13 | Désirée (1954) | Jean Simmons | 12.90 | 301.3 | 301.30 | 15 | 67 | 02 / 00 | 94.8 | |
14 | Julius Caesar (1953) AA Best Picture Nom AA Best Actor Nom |
James Mason | 6.10 | 110.0 | 213.40 | 43 | 82 | 05 / 01 | 93.8 | |
16 | One-Eyed Jacks (1961) | Karl Malden | 12.30 | 179.0 | 179.00 | 14 | 66 | 01 / 00 | 92.5 | |
15 | The Wild One (1953) | Lee Marvin | 8.60 | 155.2 | 155.20 | 24 | 74 | 00 / 00 | 92.2 | |
18 | Candy (1968) | James Coburn & Richard Burton |
21.10 | 173.3 | 173.30 | 13 | 59 | 00 / 00 | 89.3 | |
17 | The Score (2001) | Robert DeNiro & Edward Norton |
71.10 | 135.7 | 216.70 | 33 | 71 | 00 / 00 | 89.1 | |
19 | Viva Zapata! (1952) AA Best Actor Nom |
Anthony Quinn | 5.30 | 103.4 | 103.40 | 60 | 73 | 05 / 01 | 88.1 | |
20 | The Ugly American (1963) | Sandra Church | 9.10 | 114.6 | 114.60 | 31 | 71 | 00 / 00 | 87.0 | |
21 | The Missouri Breaks (1976) | Jack Nicholson | 15.40 | 77.9 | 77.90 | 43 | 69 | 00 / 00 | 80.0 | |
24 | Bedtime Story (1964) | David Niven | 7.90 | 90.1 | 90.10 | 36 | 62 | 00 / 00 | 78.3 | |
22 | The Chase (1966) | Robert Redford & Jane Fonda |
5.50 | 53.9 | 53.90 | 53 | 73 | 00 / 00 | 77.7 | |
23 | The Men (1950) | Teresa Wright & Directed by Fred Zinnemann |
2.40 | 54.5 | 54.50 | 124 | 72 | 01 / 00 | 77.7 | |
25 | Don Juan DeMarco (1994) | Johnny Depp & Faye Dunaway |
22.20 | 58.5 | 181.80 | 59 | 70 | 01 / 00 | 77.1 | |
26 | Morituri (1965) | Yul Brynner | 5.70 | 60.0 | 60.00 | 50 | 67 | 02 / 00 | 75.3 | |
27 | The Freshman (1990) | Matthew Broderick | 21.50 | 54.7 | 54.70 | 56 | 70 | 00 / 00 | 74.9 | |
28 | The Fugitive Kind (1960) | Joanne Woodward | 5.40 | 84.8 | 84.80 | 52 | 58 | 00 / 00 | 72.6 | |
29 | Burn! (1969) | Renato Salvatori | 2.70 | 20.8 | 20.80 | 80 | 76 | 00 / 00 | 70.0 | |
30 | A Dry White Season (1989) AA Best Supp Actor Nom |
Donald Sutherland | 3.80 | 10.2 | 10.20 | 120 | 75 | 01 / 00 | 66.1 | |
31 | Reflections in a Golden Eye (1967) | Elizabeth Taylor & Directed by John Huston |
4.60 | 41.2 | 41.20 | 54 | 63 | 00 / 00 | 61.6 | |
32 | The Night of the Following Day (1969) | Richard Boone | 2.70 | 20.6 | 20.60 | 82 | 67 | 00 / 00 | 58.2 | |
33 | The Appaloosa (1966) | John Saxon | 3.50 | 34.3 | 34.30 | 70 | 54 | 00 / 00 | 41.0 | |
34 | A Countess from Hong Kong (1967) | Sophia Loren & Directed by Charles Chaplin |
2.80 | 24.5 | 24.50 | 79 | 53 | 00 / 00 | 30.6 | |
35 | The Brave (1997) Film Festival Circuit Only |
Directed by Johnny Depp | 0.00 | 0.1 | 0.10 | 288 | 57 | 00 / 00 | 23.2 | |
35 | The Nightcomers (1971) | Stephanie Beacham | 3.00 | 19.3 | 19.30 | 91 | 50 | 00 / 00 | 22.3 | |
36 | The Island of Dr. Moreau (1996) | Val Kilmer | 27.70 | 67.5 | 67.50 | 54 | 30 | 00 / 00 | 16.0 | |
37 | The Formula (1980) | George C. Scott | 9.60 | 39.8 | 39.80 | 76 | 37 | 01 / 00 | 12.8 | |
38 | Christopher Columbus: The Discovery (1992) | Tom Selleck | 8.30 | 21.4 | 21.40 | 104 | 23 | 00 / 00 | 0.8 |
Stats and Possibly Interesting Things From The Above Marlon Brando Table
- Sixteen Marlon Brando movies crossed the magical $100 million domestic gross mark. That is a percentage of 43.24% of his movies listed. The Godfather (1972) was his biggest box office hit.
- An average Marlon Brando movie earned $144.60 million in adjusted box office gross.
- Using RottenTomatoes.com’s 60% fresh meter. 28 of Marlon Brando’s movies are rated as good movies…or 75.67% of his movies. The Godfather (1972) was his highest rated movie while Christopher Columbus: The Discovery (1992) was his lowest rated movie.
- Eighteen Marlon Brando movies received at least one Oscar® nomination in any category…..or 48.64% of his movies.
- Seven Marlon Brando’s movies won at least one Oscar® in any category…..or 18.91% of his movies.
- A “good movie” Ultimate Movie Rankings (UMR) is 60.00 or above. 24 Marlon Brando movies scored higher that average….or 64.86% of his movies. The Godfather (1972) got the the highest UMR Score while Christopher Columbus: The Discovery (1992) got the lowest UMR Score.
Adjusted box office grosses are used to make it easier, to figure out how successful a movie was when it was originally released and compare that to our current box office numbers. For example: The classic On the Waterfront grossed $9,240,000 in 1954. In 2014, $9,240,000 million would have ranked 134th for the year….right behind Mom’s Night Out. However its adjusted box office gross of $163,200,000 million would have finished 19th for the year right behind 18th place Gone Girl.
And finally….just found this page from Luna B. on HubPages….a very interesting read. Marlon Brando’s Top Ten Movies….highly recommend checking it out.
Steve’s Expanded Marlon Brando You Tube Video
If you do a comment….please ignore the email address and website section.
Robert Forster made his debut in 1967’s Reflections in a Golden Eye and I vividly remember that debut as he played a young soldier who became Brando’s romantic obsession; and in those far-off days pre-Brokeback Mountain a lot of fuss was made about a Hollywood mega star tackling such a role. As it was John Huston claimed that Marlon’s performance in that movie was the best that Huston had EVER obtained from an actor [though it must be added that John never got to direct Leach, Micklewhite or Willis!]
Robert went on to generate a massive 186 IMDB credits including-
(1) 109 big screen feature films and shorts. Those include 1997’s Jackie Brown [for which Robert got a supporting Oscar nom] the 1998 remake of Psycho and Bruce Willis’ 2006 Luck Number Slevin.
(2) 65 television productions including in 1998 another Hitch remake: the TV movie of Rear Window starring Chris Reeve and Daryl Hannah in the original Stewart/Grace Kelly roles. In the TV remake 3rd billed Forster acted the detective friend of the hero, that friend having been played by Wendell Corey in the big screen version.
Accordingly in my opinion [admittedly normally ‘B list’ status on this site] Robert is an excellent candidate for a Cogerson page given his prolific output spanning over half a century and including an Oscar nomination in a Tarantino film that included proven acting heavyweights Samuel L Jackson, Michael Keaton and the great DeNiro.
Dan-like link: Robert Forster’s debut was as said above in a Brando film and DeNiro rose to top stardom playing the young Marlon/Don Corleone in 1974’s Godpop Part 2 [following DeNiro’s critical success the year before in Scorsese’s Mean Streets]. A Dan stretch: Marlon was in Forster’s FIRST film, and DeNiro was in Brando’s LAST film 2001’s The Score.
Via Celebrity Net Worth and the Forbes Rich List I have become familiar with the supposed wealth of many celebrities at all levels of their professions [any other viewer who wishes can also very easily familiarise himself/herself with the information] and it seems clear that today even many people who are not major players in their particular fields of the entertainment/sporting industries are extremely wealthy.
However here is the reported comparative wealth of 10 movie stars of yesteryear now deceased, adjusted for inflation to 2019 dollars:
Liz Taylor $670 million
Frank Sinatra $615 million
Charles Chaplin $400 million
Bing Crosby $210 million
Bob Hope $205 million
Doris Day $200 million [actual]
John Wayne $180 million
Mary Pickford $145 million
Cary Grant $130 million
Richard Burton $120 million
Of course in previous decades there wasn’t the detailed information in the public domain that we are privileged to today [no wells of stats information like the Cogerson site for example!] but it was widely known in general terms that most of the big movie stars were paid huge sums and indeed some specific examples got considerable media coverage such as –
1/William Holden arranged for Columbia Pictures to pay him his fees in instalments so that he could pay reduced taxes on them. That and his film Golden Boy caused him to be nicknamed “Golden Holden”.
2/John Ford paid Duke Wayne and Holden not just a large fee each for 1959’s The Horse Soldiers but gave them a generous profit participation as well.
3/Cary Grant was earning huge sums by getting profit participation deals for his movies.**
4/Liz Taylor was paid huge amounts for Cleopatra and the Burtons’ lavish lifestyles, Liz’s hoard of mega-expensive jewellery etc were regularly reported in the press. Indeed Richard is supposed to have quipped to a friend “When I first got into bed with her I was broke: when I got out again I was worth a million dollars!”
Accordingly all that I have said above, more than ever convinces me that Joel Hirschhorn’s singling out of Marlon Brando** for a personal attack over the money that Brando was earning, sadly demonstrates exceptional bias, for whatever reason, on the part of Joel. The latter was of course entitled -indeed had a duty – to criticise Brando performances that Joel though were lacking; but Hirsch becoming an outlier **i n effectively rubbishing Brando’s overall legacy and targeting him about his personal earnings in what after all is an openly acknowledged capitalist society suggests, as I say, exceptional personal bias.
Within the context of that the wider scheme of things that I have outlined above, Joel’s attack on Brando’s earning capacity strikes me as being a bit like Claude Rains in Casablanca when Bogie asks him why he is closing down the latter’s gambling and Claude replies to Bogie “I’m shocked to find there is gambling going on!”
**In 1995, more than 100 leading film directors were asked to reveal their favorite actor of all time in a Time Out poll, and Grant came second only to Marlon Brando. [Wikipedia]
Hey Bob…..thanks for sharing this information. Good stuff as always. As I have stated before….I do not blindly follow what Joel said. I think making nice money in movies is a nice perk. Brando could get the money…so all the power to him. I think Brando’s greatness made reporting his money earned a bigger story than was needed. For example…Adam Sandler reportedly made almost $80 million from The Longest Yard. Yep…it is rarely mentioned. Bruce had a huge payday for The Sixth Sense (he took a percentage versus his 20 million fee) and Jack Nicholson made almost 100 million for Batman. Good to see Cary Grant in second place on the director’s poll. Good comment.
HI BRUCE: Good reply. My own further thoughts are-
1/I agree with you about the “bigger story” aspect and in fact one of the Salkind Bros who produced Superman 1978 said in an interview that I saw, when asked about Mr Mumbles’ excessive fee “(1) he’s a SUPER superstar and you don’t get many of those and therefore (2) we knew that the enormity of the amount would attract loads of ‘free’ publicity.” In short: other Joel-types at that time were playing the SALKINDS’ game!
2/Apparently Stallone wouldn’t sign up Mr Gimme More for Expendables 3 because Brucie was demanding too much money. Mr G M had been in Expendables 2 of course.
3/As somebody once quipped “Even too much is not enough for some of those guys!” I suppose that it has always been the case that performers who can command a good price will try to suck a bit more [no pun intended!]out of the pot.
4/Way back in 1961 Spencer Tracy the star of Judgement at Nuremberg complained that Burt Lancaster in a supporting role in that movie was given equal billing to Tracy and was being paid $500,000 [a big sum for a movie role in those days and worth over $4 million today]. The reporter to whom Spence said that, was visiting him on the set of the film and apparently as Tracy spoke he glared and growled in the direction of Burt, who was sitting a short distance away!
5/One of the most sensible people seems to be Shirley MacLaine. When she was at her peak, she claims she had a flat asking price that she didn’t deviate from and it was none of her business what others were being paid and she didn’t care therefore. On the set of 1970’s Two Mules for Sister Myrna she told a visitor who was enquiring about salaries. “I’m getting my $800,000 and Clint’s getting what he gets and I don’t know what that is.” Oh if only The Master had taken a leaf from her book!
6/I knew that 100 of the World’s greatest directors in the mid-1990s choosing Archie as their 2nd fave would please you if you saw my post. There is so little difference in stature between the true perceived Greats that I wouldn’t get too hung up about the precise pecking order but I think you and I would agree that any, say ,Top 10 that didn’t include Al Leach is suspect.
HI BRUCE For years I tried to find out what happened to Big Bug Man but without success. As I say there’s maybe a massive gross out there just waiting to blow the Cogerson site apart at the seams and send all that over-hyped stuff about The Thin Woman’s box office grosses off into a parallel world somewhere in which the only person that I’ve ever heard of who will hereafter read the latter is Charlie Bill Stuart in some new guise.
However here is a reproduction of a current article from an internet site called “Lost Media.”. The original article is accompanied by many tweets from irate Brando fans protesting about not being able to see their idol’s last act of genius. I am sure that if Hirsch were still around, he would be leading the protests!
There are posters for the movie in the public domain but my own artistic skills are not up to reproducing them so maybe STEVE could help us in that respect?
“Big Bug Man is an unreleased animated superhero television movie that was Written by Simpson’s Writer Bob Bendetson (Who was also co-director) along with Family Guy director Peter Shin and starred the voices of Brendan Fraser and Marlon Brando. It was noteworthy for being Brando’s last film (his last performance would be for The Godfather Game, or at least most of it if not all of it). The film starred Fraser as Howard Kind, an employee of a candy factory that is bitten by bugs and becomes the superhero Big Bug Man. However, he soon becomes corrupted by the business world.
Marlon Brando had initially been approached to play the part of evil businessman, Nicholas Dunderbeck, but Brando, who had always wanted to play a woman, decided to play the small role of the elderly candy company founder, Mrs. Sour, instead. When the directors arrived at his home to record him, they found that Brando had even dressed up in a wig, dress, gloves and makeup to get into character. Brando was frail and required oxygen throughout the recording, but he remarked it was the most fun he had since acting in Julius Caesar. He died the very next month on July 1, 2004.
The film was scheduled to be released in 2006, then 2007, then in 2008. However, nothing has been heard regarding the project’s release since, and its future is uncertain. Storyboard sequences have been since found online.”
HI BRUCE
No longer a problem as both parts of. the post concerned are now on this page.
As I keep copies of my comments for a while after posting them [though they are worth keeping forever!] no post of mine can be permanently lost unless you edit it out altogether.
Thanks for your attention to this matter.
HI WH
See my 10.18 am post about Brando. Gem though it is on its own it will not make much sense without reading Part One – which I’m told has disappeared somewhere because of suspected spamming What gives – some descendant of the Master obstructing Brando posts ?