Want to know the best Mary Astor movies? How about the worst Mary Astor movies? Curious about Mary Astor box office grosses or which Mary Astor movie picked up the most Oscar® nominations? Need to know which Mary Astor movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information.
Mary Astor (1906-1987) was an Oscar® winning American actress. She made many movies but her performance as Brigid O’Shaughnessy in 1941’s The Maltese Falcon is easily her most famous role. Astor’s IMDb page shows 156 acting credits from 1921 to 1964. This page will rank Mary Astor movies from Best to Worst in six different sortable columns of information. Television shows, movies that were not released in North American theaters were not included in the rankings. To do well in our overall rankings a movie has to do well at the box office, get good reviews by critics, be liked by audiences and get some award recognition.
Mary Astor Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1936
Dodsworth (1936)
AA Best Picture Nom
1944
Meet Me in St. Louis (1944)
1937
The Prisoner of Zenda (1937)
1949
Little Women (1949)
1941
The Maltese Falcon (1941)
AA Best Picture Nom
1942
The Palm Beach Story (1942)
1949
Any Number Can Play (1949)
1947
Desert Fury (1947)
1926
Don Juan (1926)
1943
Thousands Cheer (1943)
1937
The Hurricane (1937)
1964
Hush... Hush, Sweet Charlotte (1964)
1947
Fiesta (1947)
1941
The Great Lie (1941)
AA Best Supp Actress Win
1961
Return to Peyton Place (1961)
1947
Cass Timberlane (1947)
1938
There's Always A Woman (1938)
1932
Red Dust (1932)
1939
Midnight (1939)
1946
Claudia and David (1946)
1940
Brigham Young (1940)
1942
Across the Pacific (1942)
1927
Two Arabian Knights (1927)
1933
Jennie Gerhardt (1933)
1935
Page Miss Glory (1935)
1938
Paradise For Three (1938)
1932
The Lost Squadron (1932)
1929
Show of Shows (1929)
1925
Don Q Son of Zorro (1925)
1949
Act of Violence (1949)
1930
The Lash (1930)
1933
The Little Giant (1933)
1930
Holiday (1930)
1933
The Kennel Murder Case (1933)
1938
Listen, Darling (1938)
1924
Beau Brummell (1924)
1932
A Successful Calamity (1932)
1956
A Kiss Before Dying (1956)
1933
The World Changes (1933)
1947
Cynthia (1947)
1936
And So They Were Married (1936)
1930
Ladies Love Brutes (1930)
1958
This Happy Feeling (1958)
1933
Convention City (1933)
1959
A Stranger in My Arms (1959)
1923
The Bright Shawl (1923)
1957
The Devil's Hairpin (1957)
1931
Other Men's Women (1931)
1931
White Shoulders (1931)
1934
Upperworld (1934)
1956
The Power And The Prize (1956)
1934
Easy To Love (1934)
1934
The Man with Two Faces (1934)
1964
Youngblood Hawke (1964)
1940
Turnabout (1940)
1931
The Royal Bed (1931)
1944
Blonde Fever (1944)
1938
Woman Against Woman (1938)
1943
Young Ideas (1943)
1930
Runaway Bride (1930)
1935
Dinky (1935)
1924
Inez From Hollywood (1924)
1926
The Wise Guy (1926)
Mary Astor Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Mary Astor movies by co-stars of her movies
- Sort Mary Astor movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Mary Astor movies by yearly domestic box office rank
- Sort Mary Astor movies by how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort Mary Astor movies by how many Oscar® nominations and how many Oscar® wins each movie received.
- Sort Mary Astor movies by Ultimate Movie Ranking (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Blue link in Co-star column takes you to that star’s UMR movie page
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | Dodsworth (1936) AA Best Picture Nom |
Walter Huston & David Niven |
5.30 | 230.0 | 230.00 | 14 | 84 | 07 / 01 | 99.3 | |
3 | Meet Me in St. Louis (1944) | Judy Garland & Directed by Vincent Minnelli |
13.60 | 458.2 | 626.60 | 4 | 83 | 04 / 00 | 98.4 | |
4 | The Prisoner of Zenda (1937) | David Niven & Ronald Colman |
5.60 | 232.2 | 232.20 | 14 | 82 | 02 / 00 | 98.0 | |
5 | Little Women (1949) | Elizabeth Taylor & Janet Leigh |
9.50 | 238.5 | 412.30 | 10 | 76 | 02 / 01 | 97.3 | |
6 | The Maltese Falcon (1941) AA Best Picture Nom |
Humphrey Bogart | 3.40 | 132.5 | 232.50 | 68 | 91 | 03 / 00 | 97.1 | |
7 | The Palm Beach Story (1942) | Claudette Colbert & Joel McCrea |
4.90 | 180.6 | 180.60 | 50 | 82 | 00 / 00 | 96.5 | |
9 | Any Number Can Play (1949) | Clark Gable | 6.80 | 171.7 | 223.20 | 28 | 82 | 00 / 00 | 96.0 | |
6 | Desert Fury (1947) | Burt Lancaster & Lizabeth Scott |
8.10 | 236.2 | 236.20 | 28 | 73 | 00 / 00 | 95.9 | |
10 | Don Juan (1926) | John Barrymore | 5.30 | 189.5 | 246.30 | 4 | 69 | 00 / 00 | 93.9 | |
8 | Thousands Cheer (1943) | Gene Kelly & Lucille Ball |
10.70 | 385.1 | 604.30 | 7 | 63 | 03 / 00 | 93.9 | |
11 | The Hurricane (1937) | Dorothy Lamour & Directed by John Ford |
4.40 | 182.4 | 182.40 | 30 | 69 | 01 / 00 | 93.7 | |
12 | Hush... Hush, Sweet Charlotte (1964) | Bette Davis & Olivia de Havilland |
10.70 | 122.9 | 122.90 | 24 | 80 | 07 / 00 | 92.7 | |
15 | Fiesta (1947) | Esther Williams & Ricardo Montablan |
6.90 | 200.5 | 443.70 | 38 | 55 | 01 / 00 | 91.0 | |
14 | The Great Lie (1941) AA Best Supp Actress Win |
Bette Davis | 3.90 | 150.4 | 248.60 | 54 | 69 | 01 / 01 | 90.7 | |
16 | Return to Peyton Place (1961) | Jeff Chandler & Eleanor Parker |
12.90 | 187.3 | 187.30 | 13 | 59 | 00 / 00 | 90.6 | |
16 | Cass Timberlane (1947) | Spencer Tracy & Lana Turner |
10.80 | 313.7 | 408.40 | 10 | 53 | 00 / 00 | 90.1 | |
17 | There's Always A Woman (1938) | Joan Blondell & Melvyn Douglas |
3.80 | 151.0 | 151.00 | 44 | 68 | 00 / 00 | 89.7 | |
19 | Red Dust (1932) | Clark Gable & Jean Harlow |
2.20 | 109.3 | 171.20 | 29 | 79 | 00 / 00 | 89.2 | |
18 | Midnight (1939) | Claudette Colbert & Don Ameche |
2.30 | 87.0 | 87.00 | 103 | 86 | 00 / 00 | 89.0 | |
20 | Claudia and David (1946) | Robert Young & Dorothy McGuire |
4.50 | 137.4 | 137.40 | 72 | 64 | 00 / 00 | 86.9 | |
22 | Brigham Young (1940) | Tyrone Power & Vincent Price |
4.30 | 165.0 | 165.00 | 27 | 55 | 00 / 00 | 86.8 | |
21 | Across the Pacific (1942) | Humphrey Bogart & Sydney Greenstreet |
3.90 | 146.7 | 252.20 | 68 | 60 | 00 / 00 | 86.6 | |
21 | Two Arabian Knights (1927) | Directed by Lewis Milestone | 2.90 | 96.5 | 96.50 | 15 | 72 | 01 / 01 | 85.7 | |
25 | Jennie Gerhardt (1933) | Sylvia Sidney | 2.30 | 108.8 | 108.80 | 28 | 68 | 00 / 00 | 85.0 | |
24 | Page Miss Glory (1935) | Lyle Talbot & Marion Davies |
2.20 | 98.3 | 127.60 | 60 | 71 | 00 / 00 | 84.8 | |
26 | Paradise For Three (1938) | Robert Young | 3.00 | 120.7 | 120.70 | 69 | 62 | 00 / 00 | 83.7 | |
27 | The Lost Squadron (1932) | Joel McCrea | 2.00 | 96.7 | 125.20 | 39 | 67 | 00 / 00 | 82.6 | |
30 | Show of Shows (1929) | John Barrymore & Myrna Loy |
4.00 | 123.9 | 157.00 | 16 | 56 | 00 / 00 | 80.9 | |
29 | Don Q Son of Zorro (1925) | Douglas Fairbanks | 2.10 | 84.2 | 84.20 | 15 | 68 | 00 / 00 | 80.6 | |
28 | Act of Violence (1949) | Van Heflin & Robert Ryan |
2.00 | 49.0 | 78.60 | 146 | 78 | 00 / 00 | 79.9 | |
31 | The Lash (1930) | Richard Barthelmess | 1.70 | 93.7 | 118.70 | 73 | 59 | 00 / 00 | 76.3 | |
31 | The Little Giant (1933) | Edward G. Robinson | 1.10 | 50.6 | 86.20 | 91 | 72 | 00 / 00 | 75.8 | |
32 | Holiday (1930) | Ann Harding | 1.00 | 55.5 | 55.50 | 117 | 68 | 02 / 00 | 75.5 | |
33 | The Kennel Murder Case (1933) | William Powell | 1.30 | 59.1 | 91.30 | 69 | 69 | 00 / 00 | 75.4 | |
35 | Listen, Darling (1938) | Judy Garland & Walter Pidgeon |
1.50 | 60.8 | 93.10 | 145 | 67 | 00 / 00 | 74.6 | |
37 | Beau Brummell (1924) | John Barrymore | 1.80 | 78.1 | 85.40 | 14 | 58 | 00 / 00 | 70.3 | |
36 | A Successful Calamity (1932) | George Arliss | 1.10 | 52.9 | 89.90 | 110 | 65 | 00 / 00 | 69.7 | |
38 | A Kiss Before Dying (1956) | Robert Wagner & Joanne Woodward |
1.90 | 36.4 | 36.40 | 141 | 69 | 00 / 00 | 67.4 | |
39 | The World Changes (1933) | Paul Muni | 1.10 | 50.4 | 91.20 | 93 | 64 | 00 / 00 | 66.7 | |
40 | Cynthia (1947) | Elizabeth Taylor | 3.30 | 95.0 | 129.80 | 106 | 49 | 00 / 00 | 66.2 | |
40 | And So They Were Married (1936) | Melvyn Douglas | 1.70 | 71.7 | 71.70 | 113 | 57 | 00 / 00 | 66.2 | |
42 | Ladies Love Brutes (1930) | Fredric March | 1.20 | 63.8 | 63.80 | 103 | 58 | 00 / 00 | 65.1 | |
41 | This Happy Feeling (1958) | Debbie Reynolds & Blake Edwards |
2.30 | 41.0 | 41.00 | 100 | 65 | 00 / 00 | 63.9 | |
45 | Convention City (1933) | Dick Powell & Joan Blondell |
0.90 | 42.2 | 42.20 | 114 | 62 | 00 / 00 | 60.1 | |
46 | A Stranger in My Arms (1959) | Jeff Chandler & June Allyson |
1.90 | 34.6 | 34.60 | 114 | 64 | 00 / 00 | 59.5 | |
44 | The Bright Shawl (1923) | Richard Barthelmess & William Powell |
0.50 | 22.3 | 22.30 | 32 | 68 | 00 / 00 | 59.5 | |
45 | The Devil's Hairpin (1957) | Cornel Wilde | 2.90 | 55.0 | 55.00 | 84 | 56 | 00 / 00 | 57.6 | |
48 | Other Men's Women (1931) | James Cagney | 1.00 | 52.9 | 52.90 | 144 | 57 | 00 / 00 | 57.3 | |
49 | White Shoulders (1931) | Jack Holt | 0.70 | 34.4 | 34.40 | 178 | 58 | 00 / 00 | 48.0 | |
50 | Upperworld (1934) | Ginger Rogers & Warren William |
0.60 | 30.0 | 48.70 | 159 | 58 | 00 / 00 | 46.5 | |
51 | The Power And The Prize (1956) | Robert Taylor & Burl Ives |
1.60 | 31.9 | 59.90 | 152 | 57 | 01 / 00 | 45.9 | |
52 | Easy To Love (1934) | Adolphe Menjou | 0.30 | 13.6 | 13.60 | 190 | 62 | 00 / 00 | 42.9 | |
54 | The Man with Two Faces (1934) | Edward G. Robinson | 1.10 | 50.5 | 72.60 | 106 | 48 | 00 / 00 | 38.9 | |
52 | Youngblood Hawke (1964) | James Franciscus | 1.70 | 20.1 | 20.10 | 118 | 58 | 00 / 00 | 38.3 | |
56 | Turnabout (1940) | Adolphe Menjou | 0.40 | 17.2 | 17.20 | 213 | 57 | 00 / 00 | 34.9 | |
56 | The Royal Bed (1931) | J. Carrol Naish | 0.10 | 5.7 | 5.70 | 210 | 61 | 00 / 00 | 34.6 | |
58 | Blonde Fever (1944) | Gloria Grahame | 1.10 | 38.7 | 38.70 | 140 | 49 | 00 / 00 | 31.4 | |
58 | Woman Against Woman (1938) | Herbert Marshall | 0.30 | 13.1 | 13.10 | 197 | 57 | 00 / 00 | 31.1 | |
57 | Young Ideas (1943) | Herbert Marshall | 0.50 | 16.7 | 16.70 | 162 | 55 | 00 / 00 | 29.5 | |
59 | Runaway Bride (1930) | Lloyd Hughes | 0.50 | 26.5 | 33.80 | 169 | 48 | 00 / 00 | 22.1 | |
60 | Dinky (1935) | Jackie Cooper | 0.70 | 29.6 | 48.10 | 172 | 46 | 00 / 00 | 21.1 | |
61 | Inez From Hollywood (1924) | Lewis Stone | 0.30 | 11.2 | 11.20 | 60 | 52 | 00 / 00 | 20.8 | |
62 | The Wise Guy (1926) | Directed by Frank Lloyd | 0.30 | 9.9 | 9.90 | 93 | 48 | 00 / 00 | 13.9 |
The Best of IMDb Trivia on Mary Astor
1. Lucile Vasconcellos Langhanke was born Quincy, Illnois in 1906. Apparently Lucile Vasconcellos Langhanke did not look good on marques so she changed her name to Mary Astor.
2. Mary Astor’s first screen test was directed by Lillian Gish.
3. When talkies arrived, Mary Astor’s voice was initially considered too masculine and she was off the screen for a year.
4. Mary Astor was the sister-in-law of Howard Hawks and cousin-in-law of Carole Lombard.
5. Bette Davis was originally cast as Sandra Kovak, the hot-tempered but talented pianist, in The Great Lie (1941) but instead opted for the smaller role of Maggie Van Allen in a bid to let her good friend Astor save her film career. As a result, Astor won the Best Supporting Actress Oscar® for her performance. Astor thanked Bette Davis in her acceptance speech.
Check out Mary Astor’s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
I saw 11 including 6 of top 8. 10 and favorite : maltese falcon. 9 and favorite: palm beach story. 9s not favorites: dodsworth, act of violence. hidden gems: the kennel murder case and across the pacific both 8s.
I was so frightened by hush hush sweet charlotte ,as an 8 year old , 55 years ago when I saw it as a first run that I have never revisited it.
I just watched meet me in saint louis with my mother 2 days after her 88th birthday. they have a movie every night at her assisted living home and she and her boyfriend go almost every night.
he is a movie buff . she still throws a dinner party for 50 twice a month for her social club. what a dynamic lady. she was too busy for movies until the latest boyfriend and now we have a common interest, movies. mother was an acquaintance of greer garson (who I met)who came to one of her parties over 40 years ago.
Hey bob cox. Thanks for sharing your thoughts on Mary Astor. 11 is a very solid tally count. No surprise that you have The Maltese Falcon at a 10….one of the greatest movies ever made! I am right there with you on Dodsworth…a good movie…but a one and done movie that has aged horribly. I want to see The Kennel Murder Case….maybe I will be able to track that one down in the near future. That is awesome about the nightly movie showing at your mom’s home. Added a bonus….that her boyfriend is a movie buff. Great to hear that she is still doing so well. My mom is preparing for Xmas dinner …she is a few years younger than your mother….great to see both of moms doing so well. Even more awesome about your family and Greer Garson…..my grandmother meet her frequent co-star Walter Pidgeon. Good stuff. Good to hear from you…hope your holiday goes well.
Mary Astor has never been on the Oracle of Bacon Top 1000 Center of the Hollywood Universe. These are the actors on the list she is connected too. A couple of oddities; she connects to one person on the list through a 1923 film and she connects to another through another 1936 epic with the ominous title of ” Trapped by Television”!
48 JOHN CARRADINE Brigham Young (1940)
48 JOHN CARRADINE The Hurricane (1937)
49 GEORGE KENNEDY Hush…Hush, Sweet Charlotte (1964)
53 JOHN SAXON This Happy Feeling (1958)
79 BRUCE DERN Hush…Hush, Sweet Charlotte (1964)
109 DAVID NIVEN Dodsworth (1936)
109 DAVID NIVEN The Prisoner of Zenda (1937)
127 BURT LANCASTER Desert Fury (1947)
142 MARC LAWRENCE Brigham Young (1940)
142 MARC LAWRENCE Trapped by Television (1936)
146 MARTIN BALSAM Youngblood Hawke (1964)
168 ROBERT WAGNER A Kiss Before Dying (1956)
172 MICKEY ROONEY The World Changes (1933)
172 MICKEY ROONEY Upperworld (1934)
228 JOSE FERRER Return to Peyton Place (1961)
241 AKIM TAMIROFF Fiesta (1947)
242 AVA GARDNER Blonde Fever (1944)
242 AVA GARDNER Young Ideas (1943)
305 JOSEPH COTTEN Hush…Hush, Sweet Charlotte (1964)
309 ROBERT TAYLOR The Power and the Prize (1956)
467 PAUL FIX Ladies Love Brutes (1930)
467 PAUL FIX The Devil’s Hairpin (1957)
469 VINCENT PRICE Brigham Young (1940)
471 PETER GRAVES A Stranger in My Arms (1959)
512 KEYE LUKE Across the Pacific (1942)
605 LIONEL STANDER Page Miss Glory (1935)
634 DEBBIE REYNOLDS This Happy Feeling (1958)
646 ELIZABETH TAYLOR Cynthia (1947)
646 ELIZABETH TAYLOR Little Women (1949)
656 CAMERON MITCHELL Cass Timberlane (1947)
672 WALTER PIDGEON Listen, Darling (1938)
708 JOHN DEHNER Youngblood Hawke (1964)
717 ROBERT RYAN Act of Violence (1948)
725 BARRY SULLIVAN Any Number Can Play (1949)
781 EDWARD ANDREWS YOUNGBLOOD HAWKE (1964)
782 EDWARD G. ROBINSON The Bright Shawl (1923)
782 EDWARD G. ROBINSON The Little Giant (1933)
782 EDWARD G. ROBINSON The Man with Two Faces (1934)
801 BETTE DAVIS Hush…Hush, Sweet Charlotte (1964)
801 BETTE DAVIS The Great Lie (1941)
854 PAT O’BRIEN Page Miss Glory (1935)
867 PETER LAWFORD Little Women (1949)
941 CURT JURGENS This Happy Feeling (1958)
HM (746) ROSSANO BRAZZI Little Women (1949)
Mary appeared with 35 Oscar winners which isn’t bad since the Oscars didn’t exist for the first years of her career
BETTE DAVIS Hush…Hush, Sweet Charlotte (1964)
BETTE DAVIS The Great Lie (1941)
BURL IVES The Power and the Prize (1956)
BURT LANCASTER Desert Fury (1947)
CHARLES COBURN A Stranger in My Arms (1959)
CHARLES COBURN The Power and the Prize (1956)
CLARK GABLE Any Number Can Play (1949)
CLARK GABLE Red Dust (1932)
CLAUDETTE COLBERT Midnight (1939)
CLAUDETTE COLBERT The Palm Beach Story (1942)
DAVID NIVEN Dodsworth (1936)
DAVID NIVEN The Prisoner of Zenda (1937)
DEAN JAGGER Brigham Young (1940)
DON AMECHE Midnight (1939)
DONALD CRISP DON Q SON OF ZORRO (1925)
DONALD CRISP RED DUST (1932)
DONALD CRISP THE RUNAWAY BRIDE (1930)
DONNA REED Thousands Cheer (1943)
ELIZABETH TAYLOR Cynthia (1947)
ELIZABETH TAYLOR Little Women (1949)
FREDRIC MARCH Ladies Love Brutes (1930)
GEORGE ARLISS A Successful Calamity (1932)
GEORGE ARLISS The Man Who Played God (1922)
GEORGE KENNEDY Hush…Hush, Sweet Charlotte (1964)
GINGER ROGERS Upperworld (1934)
GLORIA GRAHAME Blonde Fever (1944)
HATTIE MCDANIEL THE GREAT LIE (1941)
HUMPHREY BOGART Across the Pacific (1942)
HUMPHREY BOGART The Maltese Falcon (1941)
JAMES CAGNEY Other Men’s Women (1931)
JANE DARWELL Brigham Young (1940)
JANE DARWELL Jennie Gerhardt (1933)
JESSICA TANDY Blonde Fever (1944)
JOANNE WOODWARD A Kiss Before Dying (1956)
JOSE FERRER Return to Peyton Place (1961)
LORETTA YOUNG The Show of Shows (1929)
MARTIN BALSAM Youngblood Hawke (1964)
MELVYN DOUGLAS And So They Were Married (1936)
MELVYN DOUGLAS There’s Always a Woman (1938)
OLIVIA DE HAVILLAND Hush…Hush, Sweet Charlotte (1964)
PAUL LUKAS Dodsworth (1936)
PAUL MUNI The World Changes (1933)
RONALD COLMAN The Prisoner of Zenda (1937)
SPENCER TRACY Cass Timberlane (1947)
THOMAS MITCHELL THE HURRICANE (1937)
VAN HEFLIN Act of Violence (1948)
WALTER HUSTON Dodsworth (1936)
Hey Dan…..thanks for these lists of Mary Astor trivia. Not surprised she is not on the Oracle list now….but I bet….if this list had been out there in the 1950s…she might have been a Top 20 thespian. I sadly could only include 50 of her movies….she probably should have at least 100 movies on the table…granted most were silent movies….and those grosses appear to be lost forever…as are some of the movies as well.
Interesting about her connection….I tried to find information on Trapped By Television…as that sounds like an interesting movie…especially since television was such a new technology then. Her most frequent co-star on the first list is Edward G. Robinson….that is a good person…one of the Hollywood legends for sure. 35 Oscar winners is pretty good total…especially since many of her movies were pre-Oscars. Good stuff as always. Thanks as always.
Great to see another classic actress! Mary Astor is a favourite of mine.
I have seen 28 Mary Astor movies, including 8 of the top 10 and 13 of the top 15.
There were also some films that did not make the list that I have seen.
Favourite Mary Astor films:
The Maltese Falcon
Meet Me in St. Louis
The Prisoner of Zenda
Dodsworth
Little Women
The Kennel Murder Case
The Great Lie
The Hurricane
The Palm Beach Story
Red Dust
Across the Pacific
Act of Violence
A Kiss Before Dying
Paradise For Three
Other Mary Astor Movies I Have Seen:
Thousands Cheer
Any Number Can Play
Hush, Hush, Sweet Charlotte
Cass Timberline
Fiesta
Return to Peyton Place
There’s Always a Woman
Claudia and David
Page Miss Glory
Listen Darling
The World Changes
Cynthia
Other Men’s Women
The Man With Two Faces
Hey Flora. Thanks for the visit, comment and tally count. Yes….sadly many Mary Astor movies are missing from this page. Almost her entire silent career and about 10 of her “talkies” are missing. Not thinking those silent movies will ever be included…..box office numbers from back then are very rare. Tally count: Flora 28 and Cogerson and Steve with a combined total of 16 (9 for Steve and 7 for me). 6 of my 7 seen are on your favorites list….with Maltese Falcon easily being my favorite Mary Astor movie. The only missing movie not on your list that I have seen is Midnight…I would higher recommend that one…it actually made my Top 10 a few years ago….as I just saw it for the first time very recently. Good comment..as always.
In my early days, let it be said long before the Work Horse came into my life, I tended to confuse Mary Astor and Myrna Loy. Both looked a bit alike to me in some films and their acting styles seemed similar at times. The association came also in another form: at first I though Astor was called Mary Asta, my probably being under too much of the influence of the Cogerson Queen’s own Thin Woman movie series, endless TV repeats of which I used to watch on Sunday afternoons with my father – we both loved Bill Powell and Little Asta.
Between 1920 and 1929 Astor made droves of silent films. In her talkies heyday she was, as is faithfully recorded in the tables above, in a number of important films such as The Great Lie. Thousands Cheer, Meet Me in St Louis, Cass Timberlane, Palm Beach Story and two Bogie films – Across the Pacific and Maltese Falcon. Meet Me in St Louis is a perennial Christmas favourite and indeed my daughter, grandson and I are going to see a special rerun of it next month at our local cinema. Heck, on the Cogerson comprehensive Xmas movies page St Louis get ranked overall 1 spot above even Dire Hard!
The two performances that I will most remember Mary for though are ones where she played contrasting roles – (1) as Walter Huston’s nice girl mistress in 1936’s Dodsworth and (2) as Bogie’s femme fatale in Maltese Falcon directed of course by Walter’s famous son the Great John [how’s that for Dannery?]
The 4 films from which I remember Mary in the decade 1949-1959 are Any Number Can Play, A Kiss Before Dying, The Devil’s Hairpin and Stranger in My Arms [aka And Ride a Tiger]. Regarding the latter, one of my 1950s idols is once again slighted on Cogerson: the male lead in that one is the great Jeff Chandler and he and June Allyson are billed alone above the title. Where does that Work Horse fella get these cast lists from?
Rightly Youngblood Hawke and Hush Hush Sweet Charlotte are listed in Bruce’s tables as Mary’s two final films. Though as Bruce states they were both released in 1964, Hush Hush was actually the very final one: Youngblood Hawke was filmed around March 1963; and Charlotte made June-November 1964 and quickly released in Dec 64 one month after Hawke.
Certainly the prolific and talented ‘work horse’ Mary deserves her Cogerson page and a splendid one it is at that, chock-a-block as it is with Mary’s many talkies with a few silent rarities thrown in for good measure. so “Voted Up!”
Hey Bob
1. Thanks for the visit, the comment and for sharing your thoughts on Mary Astor.
2. I can easily see getting Mary Astor and Myrna Loy mixed up….both from the side time period…both looking somewhat alike….and both appearing in movies with the same stars.
3. Astor became a star during the silent era…sadly…I was unable to find box office grosses on most of those movies….I suspect….she might challenge Loy’s box office numbers if I found all of her grosses….granted Loy has another 30 movies with unknown grosses.
4. Dodsworth was a massive success…but I think it has aged horribly….but the performances are top notch….probably the best of Walter Huston’s career.
5. As for the UMR co-stars…..I guess you can blame editor’s choice….I have room for two names…and personal preference is one main reason (call that the Willis/Caine rule)….UMR subjects get listed over non-UMR stars, and popularity of the page is a factor….in this case….the database put them in that order (see the trailer page)….but I went ahead and replaced Dee with Chandler.
6. Thanks for the kind words…sorry so many of her movies are missing…but at this point…I figured I should “get out” the 50 Astor movies I have fully researched.
Good stuff as always.
HI BRUCE: Thanks for the comprehensive and thoughtful feedback [not to mention your recognising the greatness of Jeff Chandler!] It’s possible that what seems dated has some relation to how old oneself is. I think that I am over a quarter of a century older than you and my perspective may therefore be, whilst certainly no better than yours, at least DIFFERENT.
Walter was around 53 when he played Sam Dodsworth and at that age Fred, Randy and Joel were still being addressed on the screen as “young man”; and compared with Sly, Arnie et al Sam should have been in diapers! However in contrast to the likes of Dean, Brando and Elvis when I was growing up in the 1950s, Sam is ‘elderly’ and I would have had no interest in him back then. Today though I can emphasize with him as a mature adult.
Conversely the likes of Star Wars and the action/superhero franchises to me seem dated. Culturally and historically, despite their enhanced look from modern techniques and special effects, they appear to me as being on the same plane as the old Flash Gordon type plots and characters in the 1940s/50s serials which I used to love but lost interest in long ago.
So Ming the Merciless and his gang have today been replaced by Ivan Drago, Darth Vadar and The Evil Emperor and their crew and instead of the Flash Gordon and Captain Silver [in The Sea Hound serial] characters that Larry Buster Crabbe played we have kindred spirits like Skywalker and Solo prancing around – endlessly it seems.
Jennifer Lawrence in The Hunger Games is Edgar Rice Burroughs’ Nyoka The Jungle Queen [played by Frances Gifford] back in the 1941 serial and Larry Crabbe has been replaced with the likes of Stallone, The Rock and Statham; and Larry himself conceded that A list people such as Old cantankerous considered it beneath themselves to sit with the likes of Crabbe at the studio canteen dinner table!
So each to his own as the saying goes. As I have mentioned previously if everyone had liked Cooper the Duke would have probably been a B list star; if everyone had agreed with Joel there would have been no Brando. As it is, every other year when in February I return from my winter holiday in sunny climes I like to quickly sink back into my comfort zone so as soon as I unpack my suitcases, my Dodsworth DVD is taken down from the shelf and given a rerun.
However maybe some people would think that I too had ‘aged horribly’! I would though rather watch Sam Dodsworth and the types of characters that Sir M played in Youth, Educating Rita and Little Voice than the, to me, one-dimensional figures such as Rocky and Indie; though I still find Harry Palmer an interesting and intriguing character.
Wow someone else has seen The Sea Hound, seen it twice.
Mary Astor eh good choice. I’ve seen 9 of the 50 films on the chart. Favorites are – The Maltese Falcon, Meet Me in St. Louis, The Prisoner of Zenda and Across the Pacific.
Top rated films i haven’t seen include – Dodsworth and Midnight.
Good actress though I always felt she was miscast as the femme fatale in The Maltese Falcon, Hedy Lamarr or Jane Greer would have been more believable as the temptress.
Meet Me in St. Louis was a monster hit at the box office in the 1940s, I might watch it again this Xmas. Judy Judy Judy! I’ve always had a soft spot for the legend that was Judy Garland.
Good stuff Bruce. Vote Up!
Hey Steve….thanks for checking out our Mary Astor page. Tally count…you 9 and me 7. Looking at Flora’s total…our combined total does not come close to her total of 28. Of your favorites…The Maltese Falcon is my favorite as well. I finally saw Meet Me In St. Louis earlier this year. I have seen both of the critical favorites you missed. Dodsworth is very out dated….but Midnight is a very good movie. I would recommend Midnight. Interesting point about her being miscast in The Maltese Falcon…..Lamarr and Greer might have been better…..but I like the way she played the part. Judy Garland is having a nice 2019…..the movie Judy has put her back in the spotlight….and if Renee Z. gets an Oscar nomination….that spotlight will get even brighter….good stuff as always.