Want to know the best Michael Caine movies? How about the worst Michael Caine movies? Curious about Michael Caine box office grosses or which Michael Caine movie picked up the most Oscar® nominations? Need to know which Michael Caine movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information.
My father introduced me to Michael Caine (1933-) in the movie The Man Who Would Be King. Since that 1975 movie I have followed his career very closely. I am probably one of the few people on Earth who not only saw The Swarm at the theater but also Beyond the Poseidon Adventure at the theater. After years of struggling as an actor, in the mid 1960s he finally became a star with the British films Zulu, Alfie, and Ipcress Files. Since then he has starred in roughly 90 movies. Over the years Caine has received 6 Oscar® nominations and 2 Oscar® wins. Not only is he still popular after a 60 plus year career but he is still appearing in some the biggest movies out there (Inception, Batman trilogy). Currently he is director Christopher Nolan’s good luck charm. Caine has appeared in the last 7 Nolan films (he has an uncredited voice role in 2017’s Dunkirk).
His IMDb page shows over 170 acting credits since 1956. In the table below, Ultimate Movie Rankings ranks his movies in 6 different sortable columns. Television roles, cameos, shorts and straight to DVD movies were not included in the rankings.
Michael Caine Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Michael Caine Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Michael Caine movies by movie titles and trailers
- Sort Michael Caine movies by co-stars of his movies
- Sort Michael Caine movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Michael Caine movies by yearly dometic box office rank
- Sort Michael Caine movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each Michael Caine movie received.
- Sort Michael Caine movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Blue Link in Co-Star column will take you to that star’s UMR movie page
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | The Dark Knight (2008) | Charlize Theron & Paul Rudd |
533.30 | 800.8 | 1,506.00 | 1 | 95 | 08 / 02 | 99.7 | |
3 | Dunkirk (2017) AA Best Picture Nom Voice Only |
Tom Hardy | 190.10 | 228.4 | 633.70 | 14 | 89 | 08 / 03 | 99.7 | |
2 | Inception (2010) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
292.60 | 399.7 | 1,127.90 | 6 | 86 | 08 / 04 | 99.6 | |
4 | Alfie (1966) AA Best Picture Nom AA Best Actor Nom |
Shelley Winters | 21.20 | 208.3 | 208.30 | 11 | 79 | 05 / 00 | 98.8 | |
4 | The Dark Knight Rises (2012) | Christian Bale & Tom Hardy |
458.10 | 620.4 | 1,482.20 | 2 | 88 | 00 / 00 | 98.7 | |
5 | Interstellar (2014) | Matthew McConaughey & Anne Hathaway |
188.00 | 248.1 | 890.80 | 16 | 81 | 05 / 01 | 98.3 | |
8 | The Man Who Would Be King (1975) | Sean Connery & Christopher Plummer |
33.30 | 175.3 | 175.30 | 16 | 87 | 04 / 00 | 97.9 | |
6 | Batman Begins (2005) | Christian Bale & Liam Neeson |
205.30 | 345.9 | 627.80 | 8 | 82 | 01 / 00 | 97.9 | |
10 | Hannah and Her Sisters (1986) AA Best Picture Nom AA Best Supp Actor Win |
Woody Allen & Maureen O'Sullivan |
35.40 | 102.8 | 102.80 | 30 | 90 | 07 / 03 | 96.1 | |
9 | A Bridge Too Far (1977) | Gene Hackman & Robert Redford |
56.80 | 274.4 | 274.40 | 9 | 70 | 00 / 00 | 95.1 | |
12 | The Cider House Rules (1999) AA Best Picture Nom AA Best Supp Actor Win |
Charlize Theron & Paul Rudd |
57.50 | 122.6 | 188.60 | 41 | 76 | 07 / 02 | 93.8 | |
13 | Sleuth (1972) AA Best Actor Nom |
Laurence Olivier | 17.40 | 110.5 | 110.50 | 23 | 89 | 04 / 00 | 93.5 | |
15 | Kingsman: The Secret Service (2014) | Samuel L. Jackson & Colin Firth |
128.30 | 169.2 | 546.70 | 23 | 73 | 00 / 00 | 93.3 | |
14 | Austin Powers in Goldmember (2002) | Mike Myers | 213.30 | 396.5 | 551.40 | 7 | 62 | 00 / 00 | 93.0 | |
16 | Dressed to Kill (1980) | Angie Dickinson | 34.80 | 144.4 | 144.40 | 23 | 77 | 00 / 00 | 92.1 | |
17 | California Suite (1978) | Jane Fonda & Richard Pryor |
42.90 | 197.7 | 197.70 | 13 | 55 | 03 / 01 | 91.9 | |
17 | Cars 2 (2011) Voice Only |
Owen Wilson | 191.50 | 260.3 | 764.10 | 8 | 56 | 00 / 00 | 91.1 | |
18 | The Ipcress File (1965) | Nigel Green | 8.10 | 85.7 | 85.70 | 35 | 85 | 00 / 00 | 88.8 | |
20 | Dirty Rotten Scoundrels (1988) | Steve Martin & Glenne Headly |
42.00 | 110.3 | 110.30 | 24 | 78 | 00 / 00 | 88.7 | |
22 | Miss Congeniality (2000) | Sandra Bullock | 106.80 | 213.6 | 425.50 | 21 | 50 | 00 / 00 | 88.4 | |
21 | The Prestige (2006) | Scarlett Johansson & Hugh Jackman |
53.10 | 87.0 | 179.70 | 61 | 81 | 02 / 00 | 88.2 | |
22 | Children of Men (2006) | Clive Owen & Julianne Moore |
35.60 | 58.2 | 114.60 | 87 | 90 | 03 / 00 | 88.1 | |
23 | Now You See Me (2013) | Morgan Freeman & Woody Harrelson |
117.70 | 156.1 | 466.40 | 27 | 57 | 00 / 00 | 86.4 | |
25 | Tenet (2020) | John David Washington & Robert Pattinson |
57.90 | 68.0 | 425.10 | 8 | 77 | 02 / 01 | 84.4 | |
24 | Zulu (1964) | Stanley Baker & Richard Burton |
4.00 | 46.2 | 46.20 | 71 | 86 | 00 / 00 | 84.2 | |
26 | Gnomeo & Juliet (2011) Voice Only |
Emily Blunt & Jason Statham |
100.00 | 135.9 | 263.70 | 31 | 57 | 00 / 00 | 83.4 | |
26 | Secondhand Lions (2003) | Robert Duvall & Haley Joel Osment |
42.10 | 75.2 | 85.60 | 69 | 73 | 00 / 00 | 82.0 | |
28 | Gambit (1966) | Shirley MacLaine | 6.20 | 61.2 | 61.20 | 44 | 74 | 03 / 00 | 81.6 | |
27 | Educating Rita (1983) AA Best Actor Nom |
Julia Walters | 14.60 | 50.1 | 50.10 | 49 | 77 | 03 / 00 | 81.3 | |
30 | The Italian Job (1969) | Noel Coward | 6.60 | 49.9 | 49.90 | 41 | 79 | 00 / 00 | 81.1 | |
31 | Journey 2: The Mysterious Island (2012) | Dwayne Johnson | 103.90 | 140.7 | 454.00 | 30 | 50 | 00 / 00 | 80.1 | |
31 | The Muppet Christmas Carol (1992) | Muppets | 27.30 | 70.9 | 70.90 | 47 | 71 | 00 / 00 | 79.6 | |
32 | Get Carter (1971) | Britt Ekland | 3.90 | 25.7 | 25.70 | 73 | 82 | 00 / 00 | 78.1 | |
34 | The Quiet American (2002) AA Best Actor Nom |
Brendan Fraser | 13.00 | 24.1 | 51.40 | 135 | 80 | 01 / 00 | 76.4 | |
33 | Mona Lisa (1986) | Bob Hoskins | 5.80 | 16.8 | 16.80 | 98 | 82 | 01 / 00 | 76.4 | |
36 | Deathtrap (1982) | Christopher Reeve & Dyan Cannon |
19.30 | 70.7 | 70.70 | 38 | 65 | 00 / 00 | 75.6 | |
38 | Now You See Me 2 (2016) | Mark Ruffalo & Woody Harelson |
65.10 | 81.1 | 417.40 | 49 | 60 | 00 / 00 | 73.3 | |
39 | Battle of Britain (1969) | Laurence Olivier & Christopher Plummer |
5.70 | 43.4 | 43.40 | 44 | 69 | 00 / 00 | 71.0 | |
37 | Quills (2000) | Kate Winslet & Joaquin Phoenix |
7.10 | 14.1 | 36.00 | 132 | 76 | 03 / 00 | 70.4 | |
40 | Funeral in Berlin (1966) | Guy Doleman | 4.40 | 42.9 | 42.90 | 59 | 69 | 00 / 00 | 70.1 | |
42 | The Eagle Has Landed (1976) | Robert Duvall & Donald Sutherland |
13.60 | 69.0 | 69.00 | 49 | 60 | 00 / 00 | 69.9 | |
41 | Last Orders (2001) | Helen Mirren & Bob Hoskins |
2.30 | 4.4 | 13.10 | 175 | 79 | 00 / 00 | 67.2 | |
43 | Victory (1981) | Sylvester Stallone | 10.90 | 42.1 | 42.10 | 72 | 66 | 00 / 00 | 65.8 | |
45 | The Island (1980) | David Warner | 15.70 | 65.2 | 65.20 | 51 | 58 | 00 / 00 | 65.7 | |
43 | The Great Escaper (2023) Limited Release |
Glenda Jackson | 0.10 | 0.1 | 6.00 | 270 | 79 | 00 / 00 | 65.5 | |
44 | Little Voice (1998) | Brenda Blethyn & Ewan McGregor |
4.60 | 10.6 | 10.60 | 149 | 74 | 01 / 00 | 64.9 | |
45 | Youth (2015) | Jane Fonda | 2.70 | 3.5 | 30.70 | 156 | 75 | 01 / 00 | 63.4 | |
50 | Going In Style (2017) | Morgan Freeman & Alan Arkin |
45.00 | 54.1 | 102.10 | 60 | 60 | 00 / 00 | 62.9 | |
47 | The Wrong Box (1966) | Peter Sellers | 0.90 | 8.7 | 8.70 | 127 | 74 | 00 / 00 | 62.4 | |
49 | Too Late The Hero (1970) | Cliff Robertson & Henry Fonda |
2.60 | 17.9 | 17.90 | 95 | 70 | 00 / 00 | 61.2 | |
51 | Hurry Sundown (1967) | Jane Fonda & Faye Dunaway |
10.10 | 90.2 | 90.20 | 29 | 47 | 00 / 00 | 60.3 | |
53 | On Deadly Ground (1994) | Steven Seagal | 38.60 | 102.0 | 102.00 | 37 | 42 | 00 / 00 | 60.0 | |
51 | The Last Valley (1971) | Omar Sharif | 2.30 | 15.2 | 15.20 | 108 | 70 | 00 / 00 | 59.2 | |
52 | A Shock to the System (1990) | Samuel L. Jackson | 3.40 | 8.7 | 8.70 | 132 | 70 | 00 / 00 | 55.8 | |
56 | The Fourth Protocol (1987) | Pierce Brosnan | 12.40 | 34.3 | 34.30 | 77 | 61 | 00 / 00 | 54.7 | |
55 | The Weather Man (2005) | Nicolas Cage | 12.50 | 21.0 | 32.10 | 141 | 65 | 00 / 00 | 54.4 | |
57 | Harry and Walter Go to New York (1976) | James Caan & Diane Keaton |
13.90 | 70.5 | 70.50 | 48 | 49 | 00 / 00 | 54.1 | |
57 | Mandela and de Klerk (1997) Showtime Movies |
Sidney Poitier | 0.10 | 0.1 | 0.10 | 281 | 71 | 00 / 00 | 53.4 | |
59 | Bewitched (2005) | Shirley MacLaine & Nicole Kidman |
63.30 | 106.6 | 221.40 | 41 | 37 | 00 / 00 | 53.2 | |
58 | Harry Brown (2009) | Emily Mortimer | 1.80 | 2.6 | 2.60 | 183 | 69 | 00 / 00 | 51.5 | |
59 | Pulp (1972) | Mickey Rooney | 2.70 | 17.3 | 17.30 | 98 | 64 | 00 / 00 | 49.4 | |
62 | Without a Clue (1988) | Ben Kingsley | 8.50 | 22.4 | 22.40 | 99 | 62 | 00 / 00 | 48.9 | |
61 | Play Dirty (1969) | Nigel Green | 1.40 | 10.8 | 10.80 | 126 | 65 | 00 / 00 | 48.1 | |
63 | Sweet Liberty (1986) | Lillian Gish & Alan Alda |
14.20 | 41.3 | 41.30 | 58 | 55 | 00 / 00 | 47.4 | |
65 | Noises Off... (1992) | John Ritter | 2.30 | 5.9 | 5.90 | 146 | 64 | 00 / 00 | 42.5 | |
66 | Is Anybody There? (2008) | Bill Milner | 2.00 | 3.0 | 3.00 | 191 | 64 | 00 / 00 | 41.1 | |
67 | Flawless (2007) | Demi Moore | 1.20 | 1.9 | 10.70 | 208 | 62 | 00 / 00 | 36.0 | |
69 | Billion Dollar Brain (1967) | Karl Malden & Donald Sutherland |
3.80 | 33.4 | 33.40 | 66 | 52 | 00 / 00 | 34.9 | |
68 | Medieval (2022) | Ben Foster | 1.40 | 1.4 | 4.30 | 117 | 62 | 00 / 00 | 34.8 | |
69 | The Whistle Blower (1986) | John Gielgud | 1.50 | 4.4 | 4.40 | 158 | 61 | 00 / 00 | 34.4 | |
70 | How to Murder a Rich Uncle (1957) | Charles Coburn and Wendy Hiller | 0.10 | 2.8 | 2.80 | 210 | 61 | 00 / 00 | 33.6 | |
71 | Stonehearst Asylum (2014) | Ben Kingsley & Kate Beckinsale |
0.10 | 0.1 | 4.20 | 302 | 62 | 00 / 00 | 32.9 | |
72 | Blood and Wine (1996) | Jack Nicholson | 1.10 | 2.7 | 2.70 | 197 | 61 | 00 / 00 | 32.6 | |
73 | Best Sellers (2021) Limited Release |
Aubrey Plaza | 0.10 | 0.1 | 0.40 | 244 | 61 | 00 / 00 | 31.9 | |
77 | Mr. Destiny (1990) | James Belushi | 15.40 | 39.2 | 39.20 | 80 | 49 | 00 / 00 | 31.5 | |
76 | Woman Times Seven (1967) | Shirley MacLaine & Peter Sellers |
2.20 | 20.0 | 20.00 | 91 | 54 | 00 / 00 | 30.4 | |
75 | Last Love (2013) | Jane Alexander | 0.10 | 0.1 | 2.60 | 305 | 60 | 00 / 00 | 29.0 | |
78 | Curtain Call (1998) Starz! |
Maggie Smith | 0.00 | 0.1 | 0.10 | 342 | 59 | 00 / 00 | 27.4 | |
80 | The Magus (1968) | Anthony Quinn | 2.90 | 23.5 | 23.50 | 97 | 51 | 00 / 00 | 26.2 | |
82 | The Romantic Englishwoman (1975) | Glenda Jackson | 2.80 | 14.7 | 14.70 | 91 | 53 | 00 / 00 | 24.7 | |
79 | Shiner (2000) | Martin Landau | 0.10 | 0.1 | 0.20 | 267 | 57 | 00 / 00 | 24.4 | |
84 | The Wilby Conspiracy (1975) | Sidney Poitier | 3.00 | 15.9 | 15.90 | 87 | 52 | 00 / 00 | 24.2 | |
81 | The Destructors/The Marseille Contract (1974) | Anthony Quinn & James Mason |
0.50 | 2.7 | 2.70 | 145 | 56 | 00 / 00 | 24.2 | |
84 | Sherlock Gnomes (2018) Voice Only |
Johnny Depp & James McAvoy |
43.20 | 51.2 | 102.80 | 69 | 41 | 00 / 00 | 24.0 | |
85 | Deadfall (1968) | Giovanna Ralli | 1.00 | 8.2 | 21.20 | 148 | 54 | 00 / 00 | 23.8 | |
86 | King of Thieves (2018) | Michael Gambon | 0.10 | 0.1 | 9.50 | 379 | 57 | 00 / 00 | 23.3 | |
86 | Half Moon Street (1986) | Sigourney Weaver | 1.10 | 3.3 | 3.30 | 171 | 55 | 00 / 00 | 22.5 | |
87 | Beyond the Limit (1983) | Richard Gere | 6.00 | 20.5 | 20.50 | 81 | 49 | 00 / 00 | 21.2 | |
89 | X, Y and Zee (1972) | Elizabeth Taylor | 5.00 | 31.4 | 31.40 | 64 | 45 | 00 / 00 | 19.2 | |
89 | The Debtors (1999) | Randy Quaid | 0.00 | 0.1 | 0.10 | 331 | 54 | 00 / 00 | 18.8 | |
92 | Peeper (1975) | Natalie Wood | 2.40 | 12.7 | 12.70 | 108 | 50 | 00 / 00 | 18.6 | |
91 | Kidnapped (1971) | Trevor Howard | 1.10 | 6.9 | 6.90 | 154 | 52 | 00 / 00 | 18.4 | |
93 | Blue Ice (1992) HBO Movie |
Ian Holm | 0.10 | 0.1 | 0.10 | 226 | 54 | 00 / 00 | 18.2 | |
93 | The Jigsaw Man (1983) | Laurence Olivier | 0.50 | 1.7 | 1.70 | 142 | 53 | 00 / 00 | 17.6 | |
95 | Sleuth (2007) | Jude Law | 0.30 | 0.5 | 7.60 | 258 | 52 | 00 / 00 | 15.4 | |
96 | Four Kids And It (2020) Voice Only |
Matthew Goode | 0.10 | 0.1 | 0.90 | 194 | 52 | 00 / 00 | 15.2 | |
97 | Dear Dictator (2017) | Katie Holmes & Odeya Rush |
0.10 | 0.1 | 0.10 | 302 | 51 | 00 / 00 | 14.4 | |
99 | The Swarm (1978) | Richard Widmark & Olivia de Havilland |
17.10 | 78.8 | 78.80 | 41 | 25 | 01 / 00 | 13.2 | |
98 | Come Away (2020) | Angelina Jolie | 0.20 | 0.2 | 0.70 | 78 | 50 | 00 / 00 | 13.1 | |
99 | The Holcroft Covenant (1985) | Anthony Edwards | 0.40 | 1.2 | 1.20 | 170 | 49 | 00 / 00 | 12.4 | |
103 | Blame it on Rio (1984) | Demi Moore | 18.60 | 59.8 | 59.80 | 56 | 31 | 00 / 00 | 12.3 | |
100 | The Last Witch Hunter (2015) | Vin Diesel | 27.40 | 35.0 | 187.90 | 83 | 38 | 00 / 00 | 12.0 | |
102 | The Black Windmill (1974) | Donald Pleasance | 1.60 | 9.2 | 9.20 | 116 | 45 | 00 / 00 | 10.2 | |
104 | Bullseye! (1990) | Roger Moore & John Cleese |
0.00 | 0.1 | 0.10 | 247 | 47 | 00 / 00 | 9.9 | |
105 | Around the Bend (2004) | Christopher Walken & Glenne Headly |
0.20 | 0.3 | 0.30 | 254 | 45 | 00 / 00 | 8.0 | |
106 | Ashanti (1979) | William Holden | 1.70 | 7.3 | 7.30 | 126 | 43 | 00 / 00 | 7.7 | |
107 | Beyond the Poseidon Adventure (1979) | Sally Field | 5.50 | 23.7 | 23.70 | 78 | 37 | 01 / 00 | 7.7 | |
108 | Twist (2021) | Rafferty Law | 0.10 | 0.1 | 0.60 | 243 | 44 | 00 / 00 | 6.5 | |
109 | The Statement (2003) | Tilda Swinton | 0.80 | 1.4 | 1.40 | 195 | 43 | 00 / 00 | 6.3 | |
111 | Jaws: The Revenge (1987) | Lorraine Gary | 20.80 | 57.2 | 143.00 | 53 | 24 | 00 / 00 | 5.3 | |
110 | Water (1985) | Valerie Perrine | 0.50 | 1.5 | 3.80 | 165 | 41 | 00 / 00 | 4.8 | |
112 | Get Carter (2000) | Sylvester Stallone | 15.00 | 29.9 | 38.80 | 114 | 29 | 00 / 00 | 3.6 | |
113 | Surrender (1987) | Lorraine Gary | 5.70 | 15.7 | 15.70 | 100 | 32 | 00 / 00 | 2.8 | |
114 | Silver Bears (1977) | Martin Balsam & Jay Leno |
0.90 | 4.6 | 4.60 | 136 | 33 | 00 / 00 | 1.7 | |
115 | The Hand (1981) | Directed by Oliver Stone | 2.40 | 9.5 | 9.50 | 109 | 30 | 00 / 00 | 1.3 |
Our Personal Top Ten Michael Caine Movies
Adjusted Michael Caine Adjusted Worldwide Box Office Grosses
If you do a comment….please ignore the email address and website section.
Anon – The Betrayal of Sir Mike
June 13, 2020 at 6:06 am
PART 4
13/The moral of the Part 3 story is that the now Knight of the English Realm Sir Mike [an arch-Conservative by the way] night wish to forget his humble days as a walk-on [initially TV] teaboy and unintentionally let reference to it slip out in 3 of your post. Conversely even if he comes out and ‘pretends’ he wasn’t in it he will still be credited with it in MY databases. “When the legend’s more suitable than the truth print the legend!” [The Man who shot Liberty Valance starring Wayne/Stewart [1962].
14/Because whilst Olivier might still be Britain’s most prestigious thespian as an ACTOR it is arguable that after Sir Sean the greatest worldwide box office attraction ever to emerge out of the subordinate British cinema is Sir Mike; and it pleases me in a fairy-tale sense to think that his first appearance on any screen should be as a humble teaboy. From the film buff’s perspective that if true is not mere trivia in the normal sense but knowledge of it is historically more important that knowing about Willis in Split or – dare Mr Roy even think it? – being aware that Brando was in Superman Returns. Meanwhile-
“Well the people held their breath
When they heard about Jesse’s death (yeah)
And they wondered how poor Jesse came to die (how did he die?)
It was one of his own guys, called Little Robert Ford
And he shot Jessie James on the sly.”
8/When I was moving up the ranks in the Northern Ireland Civil Service my 3 Big Bosses used to celebrate monthly pay day by going out for a meal together at a swanky hotel; and being Randy Scott/Cary Grant type tight wads they would not simply split the bill in 3 equal ways but would argue about who got peas instead of bacon etc and start comparing the individuals prices of what one got against the other’s choices.
9/On one occasion the debate became so long and heated and was attracting the attention of other customers that the hotel manager finally told the 3 Big Bosses that if they didn’t settle up soon he would send for the police; whereupon Big Big Boss promptly paid and collected from the other 2 next day at the office.
10/Years later I got promoted to the post of No 2 Boss’ assistant and became very friendly with him; and in the meantime Big Big Boss had moved further up the ladder and had become the very top man in an entire government department – ie 2nd to only the political Minister. No 2 Boss [nicknamed Big D] was retiring and it was decided that Big Big Boss would do the honours by handing Big D his retirement present.
11/Big Big Boss sent for me and said “Bob you’ve been pretty close to Big D in recent years and I want to throw a few funny anecdotes into my presentation speech. Are there any you can think of?” I replied “Well Permanent Secretary there was the time that you and Big D and Paddy argued over a hotel bill and the manager nearly set the police on you for causing a disturbance. But maybe Big D wouldn’t want to be reminded of that.” The Permanent Secretary looked at me oddly said “I don’t think I’d like to be reminded of THAT either Bob!”
12/I was reminded or Larry’s Lord Wellington saying to Lady Caroline Lamb with whom he had just slept in the 1972 film of that name “Madam I cannot sponsor your husband [William Lamb] at court. HE is considered a buffoon whereas I am a SERIOUS Man!”
Anonymous
June 13, 2020 at 5:56 am
4/In Items 2 and 3 of your reply to me Sir M has anyway possibly been forgetful when he mentions A Hill in Virginia as being his first experience with the movies. As IMDB makes clear Teacher Beware was made before ‘Hill’ [but not released in the USA until a year later] but like the Morning Departure part was an uncredited [and maybe again non-speaking] role and he now dismisses such “trivia”; or it could be though that he is ‘ashamed’ of those parts – see Part 3 for possible detailed explanation.
5/SHERLOCK HOLMES AND THE DOG THAT DIDN’T BARK IN THE NIGHT. Certainly in what you have quoted Sir Mike does not say he wasn’t in Morning Departure and has never as far as I personally am aware contradicted any of the references to his being in that movie; but in a roundabout way he maybe tells us that he WAS in it.
6/Because if he was not in MD then before Teacher Beware he had no screen roles WHATSOEVER in movies or TV but in item 3 of your reply to me you quote him saying: “A miracle- I couldn’t believe it. Who would have me in a film? I hadn’t even had a SPEAKING part in TELEVISION yet”. My capitals – but if he had not been in Morning Departure why would HE emphasize “speaking”?
7/As I have said above Morning Departure was made for and shown on television and then released in the cinemas and if he had not been in it surely he would have said something like “I hadn’t even been in television before.” Is this a clue that Larry’s Great Detective Singen Lord Merridew from Sleuth should be chasing-down? – though between us possibly you and I will get to the bottom of the matter yet!
The Betrayal of Sir Mike
June 13, 2020 at 5:49 am
HI ROBERT FORD: “Oh look” said the woman at the parade. “everybody’s out of step but my wee Johnnie?” Excellent research on your part. Thank you for your courtesy on at least taking the matter seriously and going to the trouble of researching it. However –
1/ WHOA BIKE! IMDB DOES list Sir M in the cast of Morning Departure – I invite you to check it out again. You regularly quote IMDB as your own trivia source – should your viewers now be suspect of it as a reliable source given that you have also washed your hands off Wikipedia for quoting Mike in MD? [Please don’t get round to saying that Joel Hirschhorn is not a totally reliable source. Draw the line somewhere!]
2/Morning Departure was first made for television and then later in 1950 given cinematic showings. That and the fact that Caine had a walk-on part [non speaking] in it is possibly why it is often not mentioned as one of Sir Mike’s movies
3/IMDB also stresses that it was a movie AND television debut for Sir M. The Kent England theatre advertisement that I quoted was for a stage version of Morning Departure way back in 1958 when Sir Mike had just started to do the cinematic rounds in movies such as Teacher Beware [aka Panic in the Classroom]/A Hill in Virginia/and How to Murder a Rich Critic and his career background details would have been fresh in everybody’s minds and the theatre would have been keen to highlight the fact that Britain’s new Golden Boy find was in the screen version of the play.
Cogerson
June 12, 2020 at 9:24 pm
Hey Bob. There are way more references to A Hill In Korea as being Michael Caine’s first movie.
1. Michael Caine very briefyl worked for Rank Movies…he was an office boy….his job lasted a few weeks….and he was fired for smoking in the men’s bathroom. This was in 1952, two years after Morning Departure was made. Caine talks about his short time at Rank in both of his books The Elephant to Hollywood and What’s It All About.
2. From Caine’s The Elephant to Hollywood page..”Who would have thought that it was my experience as a soldier in Korea that would lead to my first exposure to the movie business” Page 40. “In my first film I managed to forget just eight lines – and I only had to deliver them at a rate of one a week.” Both quotes are talking about A Hill In Korea.
3. From What’s It All About… “A miracle- I couldn’t believe it. Who would have me in a film? I hadn’t even had a speaking part in television yet”. – Once again he is talking about his first movie experience….on A Hill In Korea.
4. IMDb cast for Morning Departure – does not list Michael Caine.
5. The Film Encyclopedia by Ephraim Katz – lists Michael Caine’s film debut as 1956’s A Hill In Korea.
6. Joel Hirschhorn’s Rating The Movie Stars which lists bit parts and cameos lists Michael Caine’s film debut as 1956’s A Hill In Korea.
7. Michael Caine’s wikipedia page – “Caine’s first film role was as one of the privates in George Baker’s platoon in the 1956 film A Hill in Korea.”.
8. I just checked all my movie books….VideoHound, Rotten Tomatoes, Video Detective, Starglazer and others…all say his first movie is 1956’s A Hill in Korea.
9. I even cracked open my 1950 The Film Daily 1950 Yearbok….and Michael Caine is not listed in the cast. Nor is Maurice Micklewhite.
10. So all the sources I trust say he was not in Morning Departure/Operation Disaster….and a couple of sources I do not know…say he is….and those sources have lots of errors in their articles.
So…I am pretty sure….and I know Michael Caine is sure….that A Hill In Korea is his first movie