Want to know the best Michael Caine movies? How about the worst Michael Caine movies? Curious about Michael Caine box office grosses or which Michael Caine movie picked up the most Oscar® nominations? Need to know which Michael Caine movie got the best reviews from critics and audiences? Well you have come to the right place….because we have all of that information.
My father introduced me to Michael Caine (1933-) in the movie The Man Who Would Be King. Since that 1975 movie I have followed his career very closely. I am probably one of the few people on Earth who not only saw The Swarm at the theater but also Beyond the Poseidon Adventure at the theater. After years of struggling as an actor, in the mid 1960s he finally became a star with the British films Zulu, Alfie, and Ipcress Files. Since then he has starred in roughly 90 movies. Over the years Caine has received 6 Oscar® nominations and 2 Oscar® wins. Not only is he still popular after a 60 plus year career but he is still appearing in some the biggest movies out there (Inception, Batman trilogy). Currently he is director Christopher Nolan’s good luck charm. Caine has appeared in the last 7 Nolan films (he has an uncredited voice role in 2017’s Dunkirk).
His IMDb page shows over 170 acting credits since 1956. In the table below, Ultimate Movie Rankings ranks his movies in 6 different sortable columns. Television roles, cameos, shorts and straight to DVD movies were not included in the rankings.
Michael Caine Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Michael Caine Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Michael Caine movies by movie titles and trailers
- Sort Michael Caine movies by co-stars of his movies
- Sort Michael Caine movies by adjusted domestic box office grosses using current movie ticket cost (in millions)
- Sort Michael Caine movies by yearly dometic box office rank
- Sort Michael Caine movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie
- Sort by how many Oscar® nominations and how many Oscar® wins each Michael Caine movie received.
- Sort Michael Caine movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
- Blue Link in Co-Star column will take you to that star’s UMR movie page
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | The Dark Knight (2008) | Charlize Theron & Paul Rudd |
533.30 | 800.8 | 1,506.00 | 1 | 95 | 08 / 02 | 99.7 | |
3 | Dunkirk (2017) AA Best Picture Nom Voice Only |
Tom Hardy | 190.10 | 228.4 | 633.70 | 14 | 89 | 08 / 03 | 99.7 | |
2 | Inception (2010) AA Best Picture Nom |
Leonardo DiCaprio & Tom Hardy |
292.60 | 399.7 | 1,127.90 | 6 | 86 | 08 / 04 | 99.6 | |
4 | Alfie (1966) AA Best Picture Nom AA Best Actor Nom |
Shelley Winters | 21.20 | 208.3 | 208.30 | 11 | 79 | 05 / 00 | 98.8 | |
4 | The Dark Knight Rises (2012) | Christian Bale & Tom Hardy |
458.10 | 620.4 | 1,482.20 | 2 | 88 | 00 / 00 | 98.7 | |
5 | Interstellar (2014) | Matthew McConaughey & Anne Hathaway |
188.00 | 248.1 | 890.80 | 16 | 81 | 05 / 01 | 98.3 | |
8 | The Man Who Would Be King (1975) | Sean Connery & Christopher Plummer |
33.30 | 175.3 | 175.30 | 16 | 87 | 04 / 00 | 97.9 | |
6 | Batman Begins (2005) | Christian Bale & Liam Neeson |
205.30 | 345.9 | 627.80 | 8 | 82 | 01 / 00 | 97.9 | |
10 | Hannah and Her Sisters (1986) AA Best Picture Nom AA Best Supp Actor Win |
Woody Allen & Maureen O'Sullivan |
35.40 | 102.8 | 102.80 | 30 | 90 | 07 / 03 | 96.1 | |
9 | A Bridge Too Far (1977) | Gene Hackman & Robert Redford |
56.80 | 274.4 | 274.40 | 9 | 70 | 00 / 00 | 95.1 | |
12 | The Cider House Rules (1999) AA Best Picture Nom AA Best Supp Actor Win |
Charlize Theron & Paul Rudd |
57.50 | 122.6 | 188.60 | 41 | 76 | 07 / 02 | 93.8 | |
13 | Sleuth (1972) AA Best Actor Nom |
Laurence Olivier | 17.40 | 110.5 | 110.50 | 23 | 89 | 04 / 00 | 93.5 | |
15 | Kingsman: The Secret Service (2014) | Samuel L. Jackson & Colin Firth |
128.30 | 169.2 | 546.70 | 23 | 73 | 00 / 00 | 93.3 | |
14 | Austin Powers in Goldmember (2002) | Mike Myers | 213.30 | 396.5 | 551.40 | 7 | 62 | 00 / 00 | 93.0 | |
16 | Dressed to Kill (1980) | Angie Dickinson | 34.80 | 144.4 | 144.40 | 23 | 77 | 00 / 00 | 92.1 | |
17 | California Suite (1978) | Jane Fonda & Richard Pryor |
42.90 | 197.7 | 197.70 | 13 | 55 | 03 / 01 | 91.9 | |
17 | Cars 2 (2011) Voice Only |
Owen Wilson | 191.50 | 260.3 | 764.10 | 8 | 56 | 00 / 00 | 91.1 | |
18 | The Ipcress File (1965) | Nigel Green | 8.10 | 85.7 | 85.70 | 35 | 85 | 00 / 00 | 88.8 | |
20 | Dirty Rotten Scoundrels (1988) | Steve Martin & Glenne Headly |
42.00 | 110.3 | 110.30 | 24 | 78 | 00 / 00 | 88.7 | |
22 | Miss Congeniality (2000) | Sandra Bullock | 106.80 | 213.6 | 425.50 | 21 | 50 | 00 / 00 | 88.4 | |
21 | The Prestige (2006) | Scarlett Johansson & Hugh Jackman |
53.10 | 87.0 | 179.70 | 61 | 81 | 02 / 00 | 88.2 | |
22 | Children of Men (2006) | Clive Owen & Julianne Moore |
35.60 | 58.2 | 114.60 | 87 | 90 | 03 / 00 | 88.1 | |
23 | Now You See Me (2013) | Morgan Freeman & Woody Harrelson |
117.70 | 156.1 | 466.40 | 27 | 57 | 00 / 00 | 86.4 | |
25 | Tenet (2020) | John David Washington & Robert Pattinson |
57.90 | 68.0 | 425.10 | 8 | 77 | 02 / 01 | 84.4 | |
24 | Zulu (1964) | Stanley Baker & Richard Burton |
4.00 | 46.2 | 46.20 | 71 | 86 | 00 / 00 | 84.2 | |
26 | Gnomeo & Juliet (2011) Voice Only |
Emily Blunt & Jason Statham |
100.00 | 135.9 | 263.70 | 31 | 57 | 00 / 00 | 83.4 | |
26 | Secondhand Lions (2003) | Robert Duvall & Haley Joel Osment |
42.10 | 75.2 | 85.60 | 69 | 73 | 00 / 00 | 82.0 | |
28 | Gambit (1966) | Shirley MacLaine | 6.20 | 61.2 | 61.20 | 44 | 74 | 03 / 00 | 81.6 | |
27 | Educating Rita (1983) AA Best Actor Nom |
Julia Walters | 14.60 | 50.1 | 50.10 | 49 | 77 | 03 / 00 | 81.3 | |
30 | The Italian Job (1969) | Noel Coward | 6.60 | 49.9 | 49.90 | 41 | 79 | 00 / 00 | 81.1 | |
31 | Journey 2: The Mysterious Island (2012) | Dwayne Johnson | 103.90 | 140.7 | 454.00 | 30 | 50 | 00 / 00 | 80.1 | |
31 | The Muppet Christmas Carol (1992) | Muppets | 27.30 | 70.9 | 70.90 | 47 | 71 | 00 / 00 | 79.6 | |
32 | Get Carter (1971) | Britt Ekland | 3.90 | 25.7 | 25.70 | 73 | 82 | 00 / 00 | 78.1 | |
34 | The Quiet American (2002) AA Best Actor Nom |
Brendan Fraser | 13.00 | 24.1 | 51.40 | 135 | 80 | 01 / 00 | 76.4 | |
33 | Mona Lisa (1986) | Bob Hoskins | 5.80 | 16.8 | 16.80 | 98 | 82 | 01 / 00 | 76.4 | |
36 | Deathtrap (1982) | Christopher Reeve & Dyan Cannon |
19.30 | 70.7 | 70.70 | 38 | 65 | 00 / 00 | 75.6 | |
38 | Now You See Me 2 (2016) | Mark Ruffalo & Woody Harelson |
65.10 | 81.1 | 417.40 | 49 | 60 | 00 / 00 | 73.3 | |
39 | Battle of Britain (1969) | Laurence Olivier & Christopher Plummer |
5.70 | 43.4 | 43.40 | 44 | 69 | 00 / 00 | 71.0 | |
37 | Quills (2000) | Kate Winslet & Joaquin Phoenix |
7.10 | 14.1 | 36.00 | 132 | 76 | 03 / 00 | 70.4 | |
40 | Funeral in Berlin (1966) | Guy Doleman | 4.40 | 42.9 | 42.90 | 59 | 69 | 00 / 00 | 70.1 | |
42 | The Eagle Has Landed (1976) | Robert Duvall & Donald Sutherland |
13.60 | 69.0 | 69.00 | 49 | 60 | 00 / 00 | 69.9 | |
41 | Last Orders (2001) | Helen Mirren & Bob Hoskins |
2.30 | 4.4 | 13.10 | 175 | 79 | 00 / 00 | 67.2 | |
43 | Victory (1981) | Sylvester Stallone | 10.90 | 42.1 | 42.10 | 72 | 66 | 00 / 00 | 65.8 | |
45 | The Island (1980) | David Warner | 15.70 | 65.2 | 65.20 | 51 | 58 | 00 / 00 | 65.7 | |
43 | The Great Escaper (2023) Limited Release |
Glenda Jackson | 0.10 | 0.1 | 6.00 | 270 | 79 | 00 / 00 | 65.5 | |
44 | Little Voice (1998) | Brenda Blethyn & Ewan McGregor |
4.60 | 10.6 | 10.60 | 149 | 74 | 01 / 00 | 64.9 | |
45 | Youth (2015) | Jane Fonda | 2.70 | 3.5 | 30.70 | 156 | 75 | 01 / 00 | 63.4 | |
50 | Going In Style (2017) | Morgan Freeman & Alan Arkin |
45.00 | 54.1 | 102.10 | 60 | 60 | 00 / 00 | 62.9 | |
47 | The Wrong Box (1966) | Peter Sellers | 0.90 | 8.7 | 8.70 | 127 | 74 | 00 / 00 | 62.4 | |
49 | Too Late The Hero (1970) | Cliff Robertson & Henry Fonda |
2.60 | 17.9 | 17.90 | 95 | 70 | 00 / 00 | 61.2 | |
51 | Hurry Sundown (1967) | Jane Fonda & Faye Dunaway |
10.10 | 90.2 | 90.20 | 29 | 47 | 00 / 00 | 60.3 | |
53 | On Deadly Ground (1994) | Steven Seagal | 38.60 | 102.0 | 102.00 | 37 | 42 | 00 / 00 | 60.0 | |
51 | The Last Valley (1971) | Omar Sharif | 2.30 | 15.2 | 15.20 | 108 | 70 | 00 / 00 | 59.2 | |
52 | A Shock to the System (1990) | Samuel L. Jackson | 3.40 | 8.7 | 8.70 | 132 | 70 | 00 / 00 | 55.8 | |
56 | The Fourth Protocol (1987) | Pierce Brosnan | 12.40 | 34.3 | 34.30 | 77 | 61 | 00 / 00 | 54.7 | |
55 | The Weather Man (2005) | Nicolas Cage | 12.50 | 21.0 | 32.10 | 141 | 65 | 00 / 00 | 54.4 | |
57 | Harry and Walter Go to New York (1976) | James Caan & Diane Keaton |
13.90 | 70.5 | 70.50 | 48 | 49 | 00 / 00 | 54.1 | |
57 | Mandela and de Klerk (1997) Showtime Movies |
Sidney Poitier | 0.10 | 0.1 | 0.10 | 281 | 71 | 00 / 00 | 53.4 | |
59 | Bewitched (2005) | Shirley MacLaine & Nicole Kidman |
63.30 | 106.6 | 221.40 | 41 | 37 | 00 / 00 | 53.2 | |
58 | Harry Brown (2009) | Emily Mortimer | 1.80 | 2.6 | 2.60 | 183 | 69 | 00 / 00 | 51.5 | |
59 | Pulp (1972) | Mickey Rooney | 2.70 | 17.3 | 17.30 | 98 | 64 | 00 / 00 | 49.4 | |
62 | Without a Clue (1988) | Ben Kingsley | 8.50 | 22.4 | 22.40 | 99 | 62 | 00 / 00 | 48.9 | |
61 | Play Dirty (1969) | Nigel Green | 1.40 | 10.8 | 10.80 | 126 | 65 | 00 / 00 | 48.1 | |
63 | Sweet Liberty (1986) | Lillian Gish & Alan Alda |
14.20 | 41.3 | 41.30 | 58 | 55 | 00 / 00 | 47.4 | |
65 | Noises Off... (1992) | John Ritter | 2.30 | 5.9 | 5.90 | 146 | 64 | 00 / 00 | 42.5 | |
66 | Is Anybody There? (2008) | Bill Milner | 2.00 | 3.0 | 3.00 | 191 | 64 | 00 / 00 | 41.1 | |
67 | Flawless (2007) | Demi Moore | 1.20 | 1.9 | 10.70 | 208 | 62 | 00 / 00 | 36.0 | |
69 | Billion Dollar Brain (1967) | Karl Malden & Donald Sutherland |
3.80 | 33.4 | 33.40 | 66 | 52 | 00 / 00 | 34.9 | |
68 | Medieval (2022) | Ben Foster | 1.40 | 1.4 | 4.30 | 117 | 62 | 00 / 00 | 34.8 | |
69 | The Whistle Blower (1986) | John Gielgud | 1.50 | 4.4 | 4.40 | 158 | 61 | 00 / 00 | 34.4 | |
70 | How to Murder a Rich Uncle (1957) | Charles Coburn and Wendy Hiller | 0.10 | 2.8 | 2.80 | 210 | 61 | 00 / 00 | 33.6 | |
71 | Stonehearst Asylum (2014) | Ben Kingsley & Kate Beckinsale |
0.10 | 0.1 | 4.20 | 302 | 62 | 00 / 00 | 32.9 | |
72 | Blood and Wine (1996) | Jack Nicholson | 1.10 | 2.7 | 2.70 | 197 | 61 | 00 / 00 | 32.6 | |
73 | Best Sellers (2021) Limited Release |
Aubrey Plaza | 0.10 | 0.1 | 0.40 | 244 | 61 | 00 / 00 | 31.9 | |
77 | Mr. Destiny (1990) | James Belushi | 15.40 | 39.2 | 39.20 | 80 | 49 | 00 / 00 | 31.5 | |
76 | Woman Times Seven (1967) | Shirley MacLaine & Peter Sellers |
2.20 | 20.0 | 20.00 | 91 | 54 | 00 / 00 | 30.4 | |
75 | Last Love (2013) | Jane Alexander | 0.10 | 0.1 | 2.60 | 305 | 60 | 00 / 00 | 29.0 | |
78 | Curtain Call (1998) Starz! |
Maggie Smith | 0.00 | 0.1 | 0.10 | 342 | 59 | 00 / 00 | 27.4 | |
80 | The Magus (1968) | Anthony Quinn | 2.90 | 23.5 | 23.50 | 97 | 51 | 00 / 00 | 26.2 | |
82 | The Romantic Englishwoman (1975) | Glenda Jackson | 2.80 | 14.7 | 14.70 | 91 | 53 | 00 / 00 | 24.7 | |
79 | Shiner (2000) | Martin Landau | 0.10 | 0.1 | 0.20 | 267 | 57 | 00 / 00 | 24.4 | |
84 | The Wilby Conspiracy (1975) | Sidney Poitier | 3.00 | 15.9 | 15.90 | 87 | 52 | 00 / 00 | 24.2 | |
81 | The Destructors/The Marseille Contract (1974) | Anthony Quinn & James Mason |
0.50 | 2.7 | 2.70 | 145 | 56 | 00 / 00 | 24.2 | |
84 | Sherlock Gnomes (2018) Voice Only |
Johnny Depp & James McAvoy |
43.20 | 51.2 | 102.80 | 69 | 41 | 00 / 00 | 24.0 | |
85 | Deadfall (1968) | Giovanna Ralli | 1.00 | 8.2 | 21.20 | 148 | 54 | 00 / 00 | 23.8 | |
86 | King of Thieves (2018) | Michael Gambon | 0.10 | 0.1 | 9.50 | 379 | 57 | 00 / 00 | 23.3 | |
86 | Half Moon Street (1986) | Sigourney Weaver | 1.10 | 3.3 | 3.30 | 171 | 55 | 00 / 00 | 22.5 | |
87 | Beyond the Limit (1983) | Richard Gere | 6.00 | 20.5 | 20.50 | 81 | 49 | 00 / 00 | 21.2 | |
89 | X, Y and Zee (1972) | Elizabeth Taylor | 5.00 | 31.4 | 31.40 | 64 | 45 | 00 / 00 | 19.2 | |
89 | The Debtors (1999) | Randy Quaid | 0.00 | 0.1 | 0.10 | 331 | 54 | 00 / 00 | 18.8 | |
92 | Peeper (1975) | Natalie Wood | 2.40 | 12.7 | 12.70 | 108 | 50 | 00 / 00 | 18.6 | |
91 | Kidnapped (1971) | Trevor Howard | 1.10 | 6.9 | 6.90 | 154 | 52 | 00 / 00 | 18.4 | |
93 | Blue Ice (1992) HBO Movie |
Ian Holm | 0.10 | 0.1 | 0.10 | 226 | 54 | 00 / 00 | 18.2 | |
93 | The Jigsaw Man (1983) | Laurence Olivier | 0.50 | 1.7 | 1.70 | 142 | 53 | 00 / 00 | 17.6 | |
95 | Sleuth (2007) | Jude Law | 0.30 | 0.5 | 7.60 | 258 | 52 | 00 / 00 | 15.4 | |
96 | Four Kids And It (2020) Voice Only |
Matthew Goode | 0.10 | 0.1 | 0.90 | 194 | 52 | 00 / 00 | 15.2 | |
97 | Dear Dictator (2017) | Katie Holmes & Odeya Rush |
0.10 | 0.1 | 0.10 | 302 | 51 | 00 / 00 | 14.4 | |
99 | The Swarm (1978) | Richard Widmark & Olivia de Havilland |
17.10 | 78.8 | 78.80 | 41 | 25 | 01 / 00 | 13.2 | |
98 | Come Away (2020) | Angelina Jolie | 0.20 | 0.2 | 0.70 | 78 | 50 | 00 / 00 | 13.1 | |
99 | The Holcroft Covenant (1985) | Anthony Edwards | 0.40 | 1.2 | 1.20 | 170 | 49 | 00 / 00 | 12.4 | |
103 | Blame it on Rio (1984) | Demi Moore | 18.60 | 59.8 | 59.80 | 56 | 31 | 00 / 00 | 12.3 | |
100 | The Last Witch Hunter (2015) | Vin Diesel | 27.40 | 35.0 | 187.90 | 83 | 38 | 00 / 00 | 12.0 | |
102 | The Black Windmill (1974) | Donald Pleasance | 1.60 | 9.2 | 9.20 | 116 | 45 | 00 / 00 | 10.2 | |
104 | Bullseye! (1990) | Roger Moore & John Cleese |
0.00 | 0.1 | 0.10 | 247 | 47 | 00 / 00 | 9.9 | |
105 | Around the Bend (2004) | Christopher Walken & Glenne Headly |
0.20 | 0.3 | 0.30 | 254 | 45 | 00 / 00 | 8.0 | |
106 | Ashanti (1979) | William Holden | 1.70 | 7.3 | 7.30 | 126 | 43 | 00 / 00 | 7.7 | |
107 | Beyond the Poseidon Adventure (1979) | Sally Field | 5.50 | 23.7 | 23.70 | 78 | 37 | 01 / 00 | 7.7 | |
108 | Twist (2021) | Rafferty Law | 0.10 | 0.1 | 0.60 | 243 | 44 | 00 / 00 | 6.5 | |
109 | The Statement (2003) | Tilda Swinton | 0.80 | 1.4 | 1.40 | 195 | 43 | 00 / 00 | 6.3 | |
111 | Jaws: The Revenge (1987) | Lorraine Gary | 20.80 | 57.2 | 143.00 | 53 | 24 | 00 / 00 | 5.3 | |
110 | Water (1985) | Valerie Perrine | 0.50 | 1.5 | 3.80 | 165 | 41 | 00 / 00 | 4.8 | |
112 | Get Carter (2000) | Sylvester Stallone | 15.00 | 29.9 | 38.80 | 114 | 29 | 00 / 00 | 3.6 | |
113 | Surrender (1987) | Lorraine Gary | 5.70 | 15.7 | 15.70 | 100 | 32 | 00 / 00 | 2.8 | |
114 | Silver Bears (1977) | Martin Balsam & Jay Leno |
0.90 | 4.6 | 4.60 | 136 | 33 | 00 / 00 | 1.7 | |
115 | The Hand (1981) | Directed by Oliver Stone | 2.40 | 9.5 | 9.50 | 109 | 30 | 00 / 00 | 1.3 |
Our Personal Top Ten Michael Caine Movies
Adjusted Michael Caine Adjusted Worldwide Box Office Grosses
If you do a comment….please ignore the email address and website section.
Hello Bruce.
I was wondering if you could tell me the domestic box office rentals for the films “ZULU”
(1964) and “THE EAGLE HAS LANDED” (1976). Please reply if you know.
Thank You.
Hey Lyle….great to hear from you. Hmmmm….let me see. First lets look at the easy one….The Eagle Has Landed. Variety reports it’s rentals at $4,500,000. As for Zulu….that one is way more complicated. I do not have a rental number for that one…as it never made Variety’ Top Grossers page. I have the box office “gross” at a little over $4,000,000….which would be about $1,400,000 in rentals but that comes from re-release numbers as well. It was a big success overseas versus here in the states. Hope that helps.
MORNING DEPARTURE 1946 – MORNING DEPARTURE [Operation Disaster] 1950
1946 CAST LIST – 1950 CAST LIST
STAMFORD Nigel Patrick/ ARMSTRONG John Mills
OAKLEY John Stevens/ OAKLEY Peter Hammond
McFEE Ronald Adam/ McFEE Andrew Crawford
STOKER SNIPE Anthony Hudson/ STOKER SNIPE Richard Attenborough***
JAMES Kenneth More/ JAMES Kenneth More
TEABOY Maurice Micklewhite/ TEABOY Maurice Micklewhite
MANSON Nigel Patrick in 1950 version
ADDITIONAL TRIVIA
1/*** Lord Dickie doesn’t seem to have been in 1946 TV movie according to those cast lists.
2/The film version also has additional characters, due to the insertion of flashback scenes and scenes from the rescue operation on the surface.
FOOTNOTE: There has been much confusion over the credits for Morning Departure [aka Operation Disaster] with many people seeming assuming [as certainly I did] that the 1946 TV movie and the 1950 cinema release were one and the same- ie a TV production being re-released on the big screen. They were though definitely two distinctly separate productions with seemingly only Kenneth More playing the same role in both of them unless Sir Maurice was in both versions as some sources suggest.
However James Canon last year wrote a lengthy article based on a series of interviews with Caine/Micklewhite but James doesn’t mention the latter being in the 1946 version under either name.
“Caine’s love of acting only grew from there [Acting School] as he gained some valuable experience in those drama classes. Alongside that, the future star had also taken his first steps in the world of work, trying his hand as a file clerk for London movie companies. Then, in 1950 his career took a very exciting turn.
That year, Caine made his movie house debut in a film titled Morning Departure. And while it was only a small role, there would be many more opportunities to come in the future.”
The two separate cast lists are set out in Part two for the purposes of comparison and the differences are striking. I may have started the ball rolling in creating the impression that the two versions were the same product. If so I sincerely apologize. “When I’m wrong I SAY I’m wrong.” [Jake Houseman Dirty Dancing 1987]
Hey Bob….thanks for dragging these comments from the Attenborough page to the Caine page….you are the man.
So….the British tv show movie is not the same as the movie made in 1950….the British tv movie is not available to buy….so we may never know the answer for sure. So it looks like we will be in opposite corners on this issue for awhile. Me and Sir Mike in one corner and you in another…lol.
Once again, thanks for moving the comments.
HI BRUCE: Thanks for the response.
It is all so confusing. The 1946 version was what is called a “television play” which was released under the banner “TV movie” or at least is called that today; and the 1950 movie was described as being “the same source as the TV movie.
It’s possible that if Sir Maurice did make a fleeting appearance even he couldn’t tell you precisely WHAT he was in ! !
As I understand it in the 1946 TV version Nigel Patrick was the star and was top billed but when the 1950 version was released in the cinemas Sir Dickie and Sir Johnnie had become the more important and their two names alone were above the title on posters [and maybe the screen]
Anyway whilst these exchanges maybbe went on a bit too long and can now be concluded [unless Steve comes up with more magic!] they did at least enable us to get the comments on Sir M’s page through the 200 barrier.
Hey Bob….Glad Sir Michael has over 200 comments here. Thanks again for bringing these comments over. I think, a 13 year old appearing on television would be something he would never forget. Heck I appeared in a television commercial for an amusement park when I was 7….and I remember almost every detail of that experience. Good stuff.
HI BRUCE
Sorry I expressed myself poorly earlier. When I said that “It’s possible that IF Sir Maurice did make a fleeting appearance even he couldn’t tell you precisely WHAT he was in” I meant that he may not have been sure how to describe the project – a TV play; a TV movie; or an ultimate theatrical movie. IMDB insists that he was in both the TV presentation and the big screen release –
“Did You Know?
Trivia
Movie and television debut of Sir Michael Caine (Teaboy). See more »”
Also you said in your earlier 1.16 pm post today that we would have to leave “Me [ie you]and Sir Mike in one corner and you [ie me Bob] in another…lol.” Well: “Nobody puts Bobby in a corner.”***
Even those who cared ultimately found out ‘Who Shot JR?”;but we may never know the precise answer to the Micklewhite/Morning D confusion. Anyway I have enjoyed our friendly debate about the matter – and we even managed to suck in Steve. Somebody should be “writing that down” as he usually avoids these controversies unless I feign a direct attack on his action and super heroes/his sci-fi idols/or his slashers!
***PS In Belfast “corner boys” used be be ridculed because they loafed around street corners swearing and makin a nuisance of themselves.
Hey Bob….I agree….good friendly debate. Thanks for explaining corner boys. Good stuff.
STEVE I have to say that [whilst I have always accepted at face value within reason what seemly well-run and respected sites tell me] if Sir Maurice is NOT in MD I will have trouble in future accepting unswervingly from outside sources any piece of trivia that I am not sure of from my own knowledge or which has not been definitively confirmed in some way.
As someone [I think it may have been Gary Cooper in Marlon Brando Senior’s 1961 movie production The Naked Edge] once said “Trust is like virginity: you’ve either got it or you haven’t.” When it was revealed during the Watergate scandal that the paranoid Richard Nixon had been secretly taping all conversations held in The White House even his own party was aghast and Republican Big Beast Senator Barry Goldwater told him “Mr President in future if you ask me the time I’m simply going to point to my watch without speaking!”
It’s all very well to say that as WH indicates “we all make mistakes”; but so many normally supposed authentic sources have credited Sir M with MD that you would have thought that at least one or two would have sought confirmation especially when his role if it does exist is very minor.
Critics are often accused of “herding” – ie one of them watches a movie and the rest just parrot the gist of his/her review without seeing the production for themselves. It could be that such a practice has been in play regarding the coverage of MD on the various sites; and that if WH had not been so well-read on Sir Micklewhite Bruce too would maybe have accepted without question what Wiki and IMDB are saying. As it is he will not easily relinquish his status of this site’s “Micklewhite expert” – he is our Joel if you like in matters relating to Sir Maurice!