Robert Preston (1918-1987) was an Oscar®-nominated American actor. He gained fame as a stage and film actor. He is probably best remembered for originating the role of Professor Harold Hill in the 1957 musical The Music Man and the 1962 film adaptation. His IMDb page shows 76 acting credits from 1938 to 1986. This page ranks 39 Robert Preston movies from Best to Worst in six different sortable columns of information. Television shows, cameos and his movies not released in North America theaters are not included in the rankings.
Robert Preston Movies Ranked By Combination of Box Office, Reviews and Awards (UMR Score) *Classic UMR Table (the one with all the stats is the second table)
CreditRank
Movie (Year)
UMR Co-Star Links
UMR Score
S
CreditRank Movie (Year) UMR Co-Star Links UMR Score S
2
How the West Was Won (1962)
AA Best Picture NomJames Stewart &
Debbie Reynolds99.0
1
The Music Man (1962)
AA Best Picture NomShirley Jones &
Ron Howard99.0
4
Beau Geste (1939)
Gary Cooper &
Ray Milland98.6
5
Wild Harvest (1947)
Alan Ladd &
Dorothy Lamour97.5
3
Wake Island (1942)
AA Best Picture NomWilliam Bendix
97.3
6
Semi-Tough (1977)
Burt Reynolds &
Football Movies94.9
7
Union Pacific (1939)
Barbara Stanwyck &
Joel McCrea94.4
10
Whispering Smith (1948)
Alan Ladd &
Donald Crisp93.5
11
Victor Victoria (1982)
AA Best Supp Actor NomJulie Andrews &
James Garner92.2
12
North West Mounted Police (1940)
Gary Cooper &
Directed by Cecil B. DeMille92.0
11
Variety Girl (1947)
Ray Milland &
Lizabeth Scott92.0
12
Reap the Wild Wind (1942)
John Wayne &
Ray Milland91.1
13
This Gun For Hire (1942)
Alan Ladd &
Veronica Lake89.8
14
The Macomber Affair (1947)
Gregory Peck &
Joan Bennett89.3
15
The Last Starfighter (1984)
Lance Guest
83.9
16
Blood on the Moon (1948)
Robert Mitchum &
Walter Brennan83.8
18
King of Alcatraz (1938)
Anthony Quinn &
Dennis Morgan79.8
19
Tulsa (1949)
Susan Hayward &
Walter Wanger79.2
17
S.O.B. (1981)
William Holden &
Julie Andrews76.4
20
The Lady From Cheyenne (1941)
Loretta Young
76.2
22
Mame (1974)
Lucille Ball
75.0
23
Moon Over Burma (1940)
Dorothy Lamour
72.7
21
The Dark at the Top of the Stairs (1960)
Dorothy McGuire &
Angela Lansbury72.5
25
Big City (1948)
Margaret O'Brien
71.1
26
The Lady Gambles (1949)
Barbara Stanwyck &
Tony Curtis70.8
24
Junior Bonner (1972)
Steve McQueen &
Directed by Sam Peckinpah70.5
28
Illegal Traffic (1938)
Dennis Morgan
67.5
29
Typhoon (1940)
Dorothy Lamour
65.9
28
All The Way Home (1963)
Jean Simmons &
Pat Hingle65.2
28
Pacific Blackout (1941)
Martha O'Driscoll
62.2
29
When I Grow Up (1951)
Bobby Driscoll
60.5
33
Parachute Battalion (1941)
Edmond O'Brien
59.7
33
Night Plane from Chungking (1943)
Ellen Drew
59.7
35
Face to Face (1952)
James Mason &
Gene Lockhart58.2
35
Finnegan Begin Again (1985)
HBO MovieMary Tyler Moore
58.0
36
The Last Frontier (1955)
Victor Mature &
Anne Bancroft57.5
37
The Night of January 16th (1941)
Ellen Drew
53.6
38
Best of the Badmen (1951)
Robert Ryan &
Walter Brennan44.4
39
Child's Play (1972)
James Mason &
Sidney Lumet40.7
40
New York Town (1941)
Fred MacMurray
25.1
41
My Outlaw Brother (1951)
Mickey Rooney
12.4
42
Island of Love (1963)
Walter Matthau &
Tony Randall9.0
Robert Preston Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Robert Preston movies by movie title and movie trailers.
- Sort Robert Preston movies by co-stars of his movies.
- Sort Robert Preston movies by adjusted domestic box office grosses using current movie ticket cost
- Sort Robert Preston movies by yearly domestic box office rank
- Sort Robert Preston movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations each Robert Preston movie received and how many Oscar® wins each Robert Preston movie won.
- Sort Robert Preston movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
2 | How the West Was Won (1962) AA Best Picture Nom |
James Stewart & Debbie Reynolds |
36.10 | 518.8 | 1,237.40 | 2 | 76 | 08 / 03 | 99.0 | |
1 | The Music Man (1962) AA Best Picture Nom |
Shirley Jones & Ron Howard |
23.10 | 332.6 | 332.60 | 6 | 79 | 06 / 01 | 99.0 | |
4 | Beau Geste (1939) | Gary Cooper & Ray Milland |
5.80 | 223.3 | 223.30 | 22 | 86 | 02 / 00 | 98.6 | |
5 | Wild Harvest (1947) | Alan Ladd & Dorothy Lamour |
6.90 | 200.8 | 200.80 | 37 | 80 | 00 / 00 | 97.5 | |
3 | Wake Island (1942) AA Best Picture Nom |
William Bendix | 10.00 | 371.7 | 371.70 | 10 | 70 | 04 / 00 | 97.3 | |
6 | Semi-Tough (1977) | Burt Reynolds & Football Movies |
61.60 | 298.0 | 298.00 | 7 | 69 | 00 / 00 | 94.9 | |
7 | Union Pacific (1939) | Barbara Stanwyck & Joel McCrea |
5.50 | 211.8 | 211.80 | 25 | 66 | 01 / 00 | 94.4 | |
10 | Whispering Smith (1948) | Alan Ladd & Donald Crisp |
7.50 | 202.1 | 202.10 | 26 | 64 | 00 / 00 | 93.5 | |
11 | Victor Victoria (1982) AA Best Supp Actor Nom |
Julie Andrews & James Garner |
28.20 | 103.5 | 103.50 | 26 | 84 | 07 / 01 | 92.2 | |
12 | North West Mounted Police (1940) | Gary Cooper & Directed by Cecil B. DeMille |
4.30 | 165.0 | 165.00 | 28 | 65 | 05 / 01 | 92.0 | |
11 | Variety Girl (1947) | Ray Milland & Lizabeth Scott |
9.70 | 283.5 | 283.50 | 18 | 59 | 00 / 00 | 92.0 | |
12 | Reap the Wild Wind (1942) | John Wayne & Ray Milland |
11.40 | 424.8 | 424.80 | 6 | 52 | 03 / 01 | 91.1 | |
13 | This Gun For Hire (1942) | Alan Ladd & Veronica Lake |
3.10 | 113.6 | 113.60 | 89 | 80 | 00 / 00 | 89.8 | |
14 | The Macomber Affair (1947) | Gregory Peck & Joan Bennett |
4.30 | 126.0 | 126.00 | 80 | 74 | 00 / 00 | 89.3 | |
15 | The Last Starfighter (1984) | Lance Guest | 28.70 | 92.2 | 92.20 | 33 | 71 | 00 / 00 | 83.9 | |
16 | Blood on the Moon (1948) | Robert Mitchum & Walter Brennan |
5.60 | 150.0 | 187.20 | 58 | 53 | 00 / 00 | 83.8 | |
18 | King of Alcatraz (1938) | Anthony Quinn & Dennis Morgan |
2.00 | 80.1 | 80.10 | 115 | 68 | 00 / 00 | 79.8 | |
19 | Tulsa (1949) | Susan Hayward & Walter Wanger |
4.40 | 111.4 | 111.40 | 69 | 56 | 01 / 00 | 79.2 | |
17 | S.O.B. (1981) | William Holden & Julie Andrews |
14.90 | 57.7 | 57.70 | 58 | 70 | 00 / 00 | 76.4 | |
20 | The Lady From Cheyenne (1941) | Loretta Young | 2.10 | 80.4 | 80.40 | 112 | 63 | 00 / 00 | 76.2 | |
22 | Mame (1974) | Lucille Ball | 18.20 | 104.8 | 104.80 | 30 | 54 | 00 / 00 | 75.0 | |
23 | Moon Over Burma (1940) | Dorothy Lamour | 1.70 | 64.6 | 64.60 | 124 | 64 | 00 / 00 | 72.7 | |
21 | The Dark at the Top of the Stairs (1960) | Dorothy McGuire & Angela Lansbury |
1.80 | 27.9 | 27.90 | 104 | 75 | 01 / 00 | 72.5 | |
25 | Big City (1948) | Margaret O'Brien | 2.40 | 64.5 | 99.20 | 127 | 63 | 00 / 00 | 71.1 | |
26 | The Lady Gambles (1949) | Barbara Stanwyck & Tony Curtis |
3.10 | 76.6 | 76.60 | 115 | 59 | 00 / 00 | 70.8 | |
24 | Junior Bonner (1972) | Steve McQueen & Directed by Sam Peckinpah |
5.60 | 35.4 | 35.40 | 61 | 71 | 00 / 00 | 70.5 | |
28 | Illegal Traffic (1938) | Dennis Morgan | 1.80 | 71.3 | 71.30 | 129 | 58 | 00 / 00 | 67.5 | |
29 | Typhoon (1940) | Dorothy Lamour | 1.90 | 71.7 | 71.70 | 109 | 56 | 01 / 00 | 65.9 | |
28 | All The Way Home (1963) | Jean Simmons & Pat Hingle |
1.90 | 23.3 | 23.30 | 95 | 71 | 00 / 00 | 65.2 | |
28 | Pacific Blackout (1941) | Martha O'Driscoll | 1.00 | 39.9 | 39.90 | 172 | 64 | 00 / 00 | 62.2 | |
29 | When I Grow Up (1951) | Bobby Driscoll | 1.10 | 24.3 | 24.30 | 197 | 68 | 00 / 00 | 60.5 | |
33 | Parachute Battalion (1941) | Edmond O'Brien | 1.60 | 60.8 | 60.80 | 143 | 56 | 00 / 00 | 59.7 | |
33 | Night Plane from Chungking (1943) | Ellen Drew | 1.20 | 43.3 | 43.30 | 139 | 61 | 00 / 00 | 59.7 | |
35 | Face to Face (1952) | James Mason & Gene Lockhart |
2.20 | 43.6 | 43.60 | 146 | 60 | 00 / 00 | 58.2 | |
35 | Finnegan Begin Again (1985) HBO Movie |
Mary Tyler Moore | 0.00 | 0.1 | 0.10 | 232 | 74 | 00 / 00 | 58.0 | |
36 | The Last Frontier (1955) | Victor Mature & Anne Bancroft |
2.90 | 59.2 | 59.20 | 104 | 55 | 00 / 00 | 57.5 | |
37 | The Night of January 16th (1941) | Ellen Drew | 0.90 | 35.3 | 35.30 | 180 | 60 | 00 / 00 | 53.6 | |
38 | Best of the Badmen (1951) | Robert Ryan & Walter Brennan |
3.00 | 64.7 | 101.60 | 122 | 46 | 00 / 00 | 44.4 | |
39 | Child's Play (1972) | James Mason & Sidney Lumet |
2.60 | 16.3 | 16.30 | 105 | 60 | 00 / 00 | 40.7 | |
40 | New York Town (1941) | Fred MacMurray | 0.70 | 26.5 | 26.50 | 197 | 49 | 00 / 00 | 25.1 | |
41 | My Outlaw Brother (1951) | Mickey Rooney | 0.40 | 9.6 | 9.60 | 225 | 47 | 00 / 00 | 12.4 | |
42 | Island of Love (1963) | Walter Matthau & Tony Randall |
1.50 | 18.8 | 18.80 | 105 | 41 | 00 / 00 | 9.0 |
HI STEVE Please see below exchanges of posts between WH and me about Robert Preston. They are a hard act to follow but on reflection I should not have said that Robert “never reached Ladd’s HEIGHTS in stardom” – my son would not approve!
Overall the POSTERS that pleased me most are (1) Island of Love (2) a brilliant set for Typhoon (3) foreign language one for Best of the Badmen (4) both ones for North West Mounted Police (5) Reap the Wild Wind (6) Wake Island (7) All the Way Home (8) Dark at the Top of the Stairs (9) 1st one for How the West was Won (10) 1st one for Music Man (11) Child’s Play [Robert inherited that part only because the Great Mumbler withdrew from the movie] (12) final one for The Music Man and last but not least (13) first-class ones for Laddie’s Wild Harvest, Whispering Smith and This Gun for Hire.
My pick of STILLS (1) Robert/Lamour in Typhoon (2) with Stanwyck and Stephen McNally (3) Robert with Lamour and Preston Foster (4) a nostalgic film magazine cover for North West Mounted Police (5) The Last Starfighter (6) Robert with my Greg and Joan Bennett (7) with McQueen (8) Robert alone with Lake (9) Robert with the iconic Ladd/Lake team (10) Victor/Victoria (11) very raunchy lobby card for Moon Over Burma and (12) lobby card for Union Pacific.
Your Preston video is well worth a 98% rating in my book. IMDB credits Robert with 6 acting awards and 6 nominations. His nickname was “Pres”. You and WH have almost a Top 6 full house for critical review as you agree on 5 out of the 6. The Work Horse has Ladd’s Wild Harvest in his 6 whereas you have Dark at the Top of the Stairs and although you both have This Gun for Hire I’ll give you no prizes for guessing which of you two is my hero on this occasion though Dark at Top of Stairs was a respectable choice and Preston was great in it. [“As a travelling salesman I was determined to be not just liked everywhere I went – but WELL liked!”-Ruben Flood]
Hi Bob, thanks for the review, generous rating, info and comparison, much appreciated.
Glad you liked the posters, stills, lobby cards and Alan Ladd collection. 😉
Preston’s signature role seems to be The Music Man, I haven’t seen it. But I did enjoy his “old queen with a head cold” in Victor Victoria, to quote his character.
It’s been a few years since I last watched a short season of 40s Ladd noir and think it’s time to give them another spin starting with This Gun for Hire. This time I want to pay more attention at how the director and cinematographer worked round his lack of height. I’m 6ft and my brothers are tall too, if ‘noir Ladd’ walked into a room with us he would probably look like a school boy. It’s not just Ladd, Audie Murphy and Charles Chaplin were even shorter.
Only one Robert Preston film scored 10 out of 10 from my sources and that was Beau Geste (1939). But there are 6 scoring 9 out of 10 including How the West Was Won, The Music Man, Dark at the Top of the Stairs and Victor Victoria.
Beau Geste tops the charts at IMDB and Rotten Tomatoes.
“I’d get the best role in every B picture and the second best in the A pictures.”
“Loretta Young worked with a full-length mirror behind the camera. I didn’t know which Loretta to play to — the one in the mirror or the one that was with me.”
“I loved working with Gary Cooper. People refer to Cooperisms and Cooper tricks, but I always found him to be a tremendous actor.”
Thanks for the feedback on my Preston post including the additional information and quotes. I need make only a few additional points of my own-
1/Some observers say that Laddie sets were so packed with props and machines to enhance or camouflage his true height that they were a health and safety hazard, and also time-consuming, to navigate. However especially nowadays many movies depend on special effects and/or optical illusions to a large degree so that what matters is the audience’s perception of the finished product, and given that few of Ladd’s film apparently ever lost money audiences must have been highly satisfied with HIS finished product. In 1948 a poll of moviegoers found him to be the most popular movie star in the world among young people and women. Accordingly it didn’t matter in the end that “magician” Laddie was hiding his “tricks”.
2/Ironically immediately after watching a television rerun of the Joel McCrea/Barbara Stanwyck/Robert Preston 1939 Union Pacific I switched over to The News and learned that Joel had died just an hour earlier aged 84 on 20 Oct 1990.
3/Anyway if you do revisit a few Ladd movies let me know your thoughts.
Good post Bob, thanks. I wonder if audiences back then knew he was shorter than average? Maybe it wasn’t so obvious. He was probably wearing lifts in his shoes to add a couple of inches, I’ve heard that Tom Cruise does.
I’ll let you know when I start watching them, I’ll post a running commentary.
Kidding. I did that once on my forum as a joke when I was watching Lawrence of Arabia for the umpteenth time, it went something like this with mostly one or two word posts –
“okay guys… there’s Lawrence… I think… there’s someone on that camel… sand…. camel…. sand… ‘orance… sand… camel… Omar… camel… sand… more sand… Omar… ‘orance…. sand… camel…”
post after post until they begged me to stop. 🙂
HI STEVE
I liked your 2 pm post.
In fact I had meant to say that Charles Bronson in real life was relatively short for a Hollywood hero at around 5 ft 8″, and in the 1958 western Showdown at Boot Hill the lead character that Charlie played although a tough guy had an inferiority complex about his height according to production notes that were released in 1958 and picked up by one reviewer at the time.
I note that you are around 6ft but to paraphrase Spencer Tracy when Katie Hepburn who didn’t like him at their first meeting chided him with being shorter than she was when she wore high heels, Spence being just 2 inches taller than Katie “Don’t worry – Laddie would have soon cut you down to his size, Steve!”
Just added Steve’s Robert Preston video to our Preston UMR page. Our thoughts on his video and Mr. Preston.
“Robert Preston…..ah….beat you to the punch on him….did my Preston page years and years ago…thinking 1983 or 1984 not really sure since it has been so long ago. #27 Semi-Tough…decent football movie…but no North Dallas Forty. #19 S.O.B…..liked it years ago…but trailer looks very dated today #18 The Last Frontier…one of the few bad guy roles for him. #17 The Lady Gambles….he has a thankless role in that one #14 The Last Starfighter…fun movie…just re-visted a couple months ago. #11 Reap The Wild Wind…one of Wayne’s biggest box office hits #10 Junior Bonner…saw it…but do not really remember it #5 This Gun For Hire…made Alan Ladd a star. #4 HTWWW….looks awesome on Blu-Ray #3 Victor/Victoria…one of his best roles #2 The Music Man…one of the highest rated movies in our database. Tally is 11….one more than one tally count at UMR. Voted up and shared.”
Hi Bruce, yep I’m catching up on your past UMR subjects and you’ve still got plenty of my video subjects for future UMR consideration, what are you waiting for? 😉
I agree How the West Was Won looked gorgeous on blu-ray, I wish I had a bigger screen! The Last Starfighter is an old 80s favorite of mine, the first film to use computer effects for space ships, planets and space battles though they’ve obviously quickly dated since release. I enjoyed the performances and music too.
Thanks for the comment, vote and share, always appreciated.