One of our latest movie pages here at Ultimate Movie Rankings.com was one that looked at the movie career of Jerry Lewis. The first 16 movies of Lewis’ career were with his screen partner, Dean Martin. As we were looking at the fantastic box office numbers of those 16 movies….a question popped into our heads…..who are the Top 15 Screen Duos of all-time? So the awesome wife went to our massive database ….wrote some code….did a query search and up popped some possible answers to that question.
The first thing we realized when we saw the search results was that we needed to have some rules. The 8 Harry Potter movies provided us lots of possible combos. We like Alan Rickman and Rupert Grint…..but we’re not thinking they are considered one of the greatest screen duos of all-time. So the first rule was if actors appeared together in a movie franchise, then they needed to have two other non-related movies to qualify. So goodbye to Johnny Depp, Orlando Bloom, Geoffrey Rush, and Keira Knightley and their Pirate movies…..goodbye to Michael J. Fox and Christopher Lloyd and the Back to the Future movies. Goodbye to all the Harry Potter alumni and goodbye to almost every successful movie franchise out there. This really hurt us….because we really wanted to include the Screen Duo team of Michael Caine and Christian Bale.
The second rule we came up with was that the actors had to have a decent size role (preferable a lead role) in the movie. Cameos would not count towards the accumulated box office grosses. That rule eliminated more screen duos. The third rule was not to include computer animated franchises. A single “Voice Role” was ok…..but not more than one. Once again more screen duos were eliminated. So with the rules in place our list was looking more acceptable. We found 15 screen duos that have grossed more than $1 BILLION in adjusted domestic box office. The Walter Matthau/Jack Lemmon team just missed the Billion Dollar Club by $7 million dollars. Below you will find a table with the Top 15 and following that table is a list of those screen duos that did not make the Billion Dollar Club. We are sure we have forgotten some obvious screen duos that could crack the Billion Dollar Club….we look forward to hearing from you about duos we have carelessly left off.
Top 15 Screen Duos of All-Time – Ranked by Box Office Results
The really cool thing about this table is that it is “user-sortable”. Rank the screen duos anyway you want.
- Column 1 lists the different Screen Duos
- Column 2 lists the years the Screen Duos made their movies
- Column 3 lists how many movies they made
- Column 4 lists the total number of tickets sold for their movies
- Column 5 lists the total adjusted domestic box office gross for the Screen Duos
- Column 6 lists the average adjusted domestic gross for the Screen Duos
- Column 7 lists the Screen Duos biggest box office hit
Rank | Screen Team | Years Active | Movies | Tickets Sold | Total Adjusted Domestic Box Office | AVG Gross Per Movie | Biggest Hit |
---|---|---|---|---|---|---|---|
Bud Abbott & Lou Costello | 1940-1956 | 36 | 310.84 million | $2.58 billion | $71.66 million | Ride 'em Cowboy (1942) | |
Dean Martin & Jerry Lewis | 1949-1956 | 16 | 233.73 million | $1.94 billion | $121.25 million | Living It Up (1954) | |
Stan Laurel & Oliver Hardy | 1930-1951 | 26 | 231.16 million | $1.93 billion | $74.53 millions | Sons of the Desert (1930) | |
Ben Stiller & Owen Wilson | 1996-2014 | 10 | 171.50 million | $1.38 billion | $138.00 million | Night At The Musuem (2006) | |
Chris Evans & Scarlett Johannson | 2004-2015 | 5 | 166.26 million | $1.37 billion | $274.00 million | The Avengers (2012) | |
Spencer Tracy & Katharine Hepburn | 1942-1967 | 9 | 162.65 million | $1.35 billion | $150.00 million | Guess Who's Coming To Dinner (1967) | |
Paul Newman & Robert Redford | 1969-1973 | 2 | 161.44 million | $1.34 billion | $670.00 million | The Sting (1973) | |
Bing Crosby & Bob Hope | 1940-1962 | 8 | 157.83 million | $1.31 billion | $163.75 million | Road To Morocco (1942) | |
Jeanette MacDonald & Nelson Eddy | 1935-1942 | 8 | 150.60 million | $1.27 billion | $158.75 million | Maytime (1937) | |
Bill Murray & Harold Ramis | 1981-1993 | 4 | 151.85 million | $1.23 billion | $307.50 million | Ghostbusters (1984) | |
William Powell & Myrna Loy | 1934-1956 | 14 | 142.16 million | $1.18 billion | $84.28 million | The Great Ziegfeld (1936) | |
Errol Flynn & Alan Hale Sr. | 1937-1948 | 12 | 139.75 million | $1.16 billion | $96.73 million | The Adventures of Robin Hood (1938) | |
Burt Reynolds & Sally Field | 1977-1980 | 4 | 136.14 million | $1.13 billion | $282.50 million | Smokey and the Bandit (1977) | |
Elizabeth Taylor & Richard Burton | 1963-1972 | 10 | 132.53 million | $1.10 billion | $110.00 million | Cleopatra (1963) | |
Clint Eastwood & Sondra Locke | 1976-1983 | 6 | 130.06 million | $1.08 billion | $180.00 million | Every Which Way But Loose (1978) | |
Greer Garson & Walter Pidgeon | 1941-1953 | 8 | 129.96 million | $1.08 billion | $135.00 million | Mrs. Miniver (1942) | |
Leonardo DiCaprio & Kate Winslet | 1997-2008 | 2 | 129.70 million | $1.08 billion | $540.00 million | Titanic (1997) | |
Fred Astaire & Ginger Rogers | 1933-1949 | 10 | 120.48 million | $1.00 billion | $100.00 million | Top Hat (1935) | |
Mickey Rooney & Judy Garland | 1937-1943 | 8 | 120.26 million | $1.00 billion | $125.00 million | Babes on Broadway (1941) |
Screen Duos That Were Successful But Fell Short of the Billion Dollar Mark
- Walter Matthau/Jack Lemmon – 11 movies – $993.00 million in adjusted domestic gross
- Gary Cooper/Walter Brennan – 6 movies – $927.30 million in adjusted domestic gross
- Johnny Depp/Helena Bonham Carter – 6 movies – $903.39 million in adjusted domestic gross
- Marjorie Main & Percy Kilbride – 8 movies – $786.80 million in adjusted box office gross
- Errol Flynn/Olivia de Havilland – 8 movies – $784.30 million in adjusted domestic gross
- Clark Gable/Spencer Tracy – 3 movies – $723.50 million in adjusted domestic gross
- Clark Gable/Joan Crawford – 8 movies – $703.20 million in adjusted domestic gross
- Claudette Colbert/Fred MacMurray – 8 movies – $674.80 million in adjusted domestic gross
- Humphrey Bogart and Lauren Bacall…..4 movies….$648.80 million in adjusted domestic gross
- Gene Wilder/Richard Pryor – 4 movies – $613.10 million in adjusted domestic gross
- Julia Roberts/Richard Gere – 2 movies – $605.29 million in adjusted domestic gross
- Clark Gable/Myrna Loy – 7 movies – $568.20 million in adjusted domestic gross
- Frank Sinatra/Dean Martin – 6 movies – $566.90 million in adjusted domestic gross
- Bruce Willis/Samuel L.Jackson – 3 movies – $553.24 million in adjusted domestic gross
- Jean Harlow/Clark Gable…..6 movies…$540.70 million in adjusted domestic gross
- Dean Martin/Sammy Davis, Jr. – 4 movies – $528.60 in adjusted domestic gross
- Tom Hanks/Meg Ryan – 3 movies – $524.60 million in adjusted domestic gross
- Doris Day/Rock Hudson – 3 movies – $522.10 million in adjusted domestic gross
- Doris Day/Gordon MacRae – 5 movies – $515.00 million in adjusted domestic gross
- James Cagney/Pat O’Brien – 7 movies – $514.80 million in adjusted domestic gross
- Johnny Weismuller/Maureen O’Sullivan – 6 movies – $509.90 million in adjusted domestic gross
- Gene Kelly/Frank Sinatra – 3 movies – $507.50 million in adjusted domestic gross
- Claude Rains/Bette Davis….4 movies – $495.30 million in adjusted domestic gross.
- Cheech Marin and Tommy Chong – 7 movies – $479.10 million in adjusted domestic gross
- Woody Allen/Diane Keaton – 5 movies – $454.68 million in adjusted domestic gross
- John Wayne/Maureen O’Hara – 5 movies – $451.62 million in adjusted domestic gross
- Paul Rudd/Steve Carell – 4 movies – $451.62 million in adjusted domestic gross
- Dean Martin/Shirley MacLaine – 5 movies – $446.60 million in adjusted domestic gross
- Burt Lancaster/Kirk Douglas – 6 movies – $432.80 million in adjusted domestic gross
- Simon Pegg/Nick Frost – 9 movies – $416.20 million in adjusted domestic gross
- Clark Gable/Claudette Colbert – 2 movies – $415.70 million in adjusted domestic gross
- Shailene Woodley/Ansel Elgort – 3 movies – $415.52 million in adjusted domestic gross
- Jeanette MacDonald/Maurice Chevalier – 4 movies – $413.10 million in adjusted domestic gross
- James Stewart/Jean Arthur – 2 movies – $378.40 million in adjusted domestic gross
- Robert DeNiro/Joe Pesci – 6 movies – $370.50 million in adjusted domestic gross
- John Belushi/Dan Aykroyd – 3 movies – $369.03 million in adjusted domestic gross
- Tom Cruise/Nicole Kidman – 3 movies – $362.90 million in adjusted domestic gross
- Ben Affleck/Matt Damon – 3 movies – $360.43 million in adjusted domestic gross
- Howard Keel/Kathryn Grayson….3 movies….$353.20 million in adjusted domestic gross
- Shirley Temple/ Bill Robinson – 4 movies – $334.50 million in adjusted domestic gross
- Brian Keith/Maureen O’Hara – 3 movies – $300.40 million in adjusted domestic gross
- Bradley Cooper/Jennifer Lawrence…. 3 movies….. $295.63 million in adjusted domestic gross
- Goldie Hawn/Chevy Chase…. 2 movies….. $293.10 million in adjusted domestic gross
- Anna Kendrick/Elizabeth Banks – 3 movies – $292.58 million in adjusted domestic gross
- Cary Grant/Irene Dunne…. 3 movies….. $289.10 million in adjusted domestic gross
- Cary Grant/Katharine Hepburn – 4 movies – $287.50 million in adjusted domestic gross
- Olivia de Havilland and Bette Davis – 4 movies – $273.70 million in adjusted domestic gross
- Fred MacMurray/Barbara Stanwyck – 4 movies – $271.90 million in adjusted domestic gross
- Orson Welles/Joseph Cotten – 4 movies – $263.50 million in adjusted domestic gross
- Charlie Chaplin/Edna Purviance – 4 movies – $258.54 million in adjusted domestic gross
- John Cusack/John Malkovich…. 2 movies….. $220.10 million in adjusted domestic gross
- James Garner/Julie Andrews – 2 movies – $150.30 million in adjusted domestic gross
So who did we forget? We look forward to suggestions. If your suggestion cracks the 1 Billion Club…..we will add the Screen Duo and give you all the credit.
How we calculated adjusted box office grosses. We took the actual box office grosses….divided that total by the average ticket price the year the movie was released. That gave us tickets sold. We then multiplied tickets sold by today’s average movie ticket price.
Page Notes: Since writing this page we have gotten lots of suggestions for possible members of the 1 billion dollar club. Amazingly so far it looks like we only missed two Screen Duos. PS1999 correctly identified that the screen duo of Bill Murray and Harold Ramis had grossed over $1 Billion in adjusted domestic gross while She Lew correctly identified Errol Flynn and Alan Hale Sr. as members of the club. Thanks for the input PS1999 and She Lew….your movie knowledge is truly impressive.
I agree with Brando’s Angel that this site would appear to show favoritism to certain ‘pets’ of its own at the expense of some performers with whom it might not be so preoccupied.
However I am not suggesting that wilful bias is in play. It’s just that I feel that sometimes people get into their own comfort zones with certain performers and genres, so that they become imbued with them to the disproportionate extent that the relevant work of other performers can often escape notice. My father, for example was, so in thrall to the ‘old fashions’ likes Bing, Hope, The Duke and Stewart that he refused to recognise the importance in terms of stardom of even 1950s/1960s performers such as The Beatles, Elvis, Mumbles and Rock Hudson.
For example I have no doubt that The Work Horse genuinely believed that Thins deserved to be in the AFI 50 Legends lists; and that Brando had had his fair share of glory from other sources and deserved to be excluded to let Thins in; though Bruce never explained how the switch was to be achieved in the Real World ; and I’m sure that WH is truly convinced that everybody needs to know what Joel thinks of sex, politics, the weather and maybe even movies.
However as the Senator from Wisconsin said about his Witch Hunt Committee “This committee always seeks to be fair,” so I will concede that Teach like Steve does nonetheless get a tremendous amount of variety and diversity into his uniquely comprehensive site. Steve in turn seems to be more swayed by certain genres rather that be transfixed a la Work Horse with Leaches, Micklewhites and swearing McClanes.
Joel’s own now legendary remark about nobody being interested in Desiree shows, I believe, how blinkered and even dismissive some observers, especially those with strong views, can often become, so that they often are seemingly oblivious of even FACTS that don’t suit them. Hirschhorn might for example have criticised the film Desiree and Brando’s performance but at the same time mentioned that the public flocked to it, as a more balance critic like say David Shipman often did particularly when writing in one of his books. Admittedly though David had no interest in getting the knife into Marlon.
However my idols seem to be doing well for acquiring protective angels: first my Jimmy had his Clarence; and now The Great Mumbler has one! It’s still not enough though because many of my idols would seem to need a representative of The Deity – or at least Jason or Arnie – to intervene by metaphorically jumping off a bridge into the deep Cogerson waters to save them! See Part 2 – and commiserations to you too FLORA!
WIKIPEDIA
“Marlon Brando Jr. was an American actor and film director with a career spanning 60 years, during which he won the Oscar for Best Actor twice. He is well-regarded for his cultural influence on 20th-century film and was in fact ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was one of only six actors named in 1999 by Time magazine in its list of the 100 Most Important People of the Century.The other 5 actors are:
Charles Chaplin as a silent screen comic genius
Lucille Ball for her influence on television
Bruce Lee as a cultural icon
Marilyn Monroe as a sex icon.
Frank Sinatra for influence on popular music.
In this list, Time also designated Brando as the “Actor of the Century”.
Also his movies are used as learning aids at Institutes for the Deaf because his facial expressions and mannerisms are regarded as often speaking for themselves, so that deaf people can more easily follow the plots of his movies than those of most other actors. Richard Burton in his diaries claimed that whilst Brando was one of a number of contemporary Legends among movie stars and entertainers generally, he might well have been THE greatest ever if he had existed in the silent movies era.”
WIKIPEDIA
“Marlon Brando Jr. was an American actor and film director with a career spanning 60 years, during which he won the Oscar for Best Actor twice. He is well-regarded for his cultural influence on 20th-century film and was in fact ranked by the American Film Institute as the fourth-greatest movie star among male movie stars whose screen debuts occurred in or before 1950. He was one of only six actors named in 1999 by Time magazine in its list of the 100 Most Important People of the Century.[7] The other 5 actors are:
Charles Chaplin as a silent screen comic genius
Lucille Ball for her influence on television
Bruce Lee as a cultural icon
Marilyn Monroe as a sex icon.
Frank Sinatra for influence on popular music.
In this list, Time also designated Brando as the “Actor of the Century”.
Also his movies are used as learning aids at Institutes for the Deaf because his facial expressions and mannerisms are regarded as often speaking for themselves, so that deaf people can mor easily follow the plots of his movies than those of most other actors. Richard Burton in his diaries claimed that whilst Brando was one of a number of contemporary Legends among movie starts and entertainers generally, he might well have been THE greatest ever if he had existed in the silent movies era.”
Why is your site seemingly so determined to exclude, or at least be forgetful of, Brando-related matters? For example:
1/You once inserted Joel Hirschhorn into an informal private exercise that some of your regulars were conducting among themselves, none of whom had included Hirschhorn; and the move had the effect of harming in the project the ranking positions of Brando and John Wayne, neither of whom Mr Hirschhorn seemed to like.
2/You excluded Brando from your 25 Male Stars Legends [1950-2010] on the grounds that he was on the AFI list and if you dropped him and one or two others out that would leave room for Myrna Loy on the AFI lists. That idea had no basis in reality; and anyway you didn’t exclude from the female Top 25 list the ACTRESSES who ended up on both yours and AFI. Also why though would anyone who was being impartial WANT to exclude Brando to benefit Myrna Loy unless there were grounds for believing Miss Loy was a more deserving case? History would suggest that even on your site the jury would be out for a long time on that one!
Cerainly It’s difficult to see this site being so calvalier with the ranking positions of Cary Grant or Michael Caine; or it ignoring/overlooking Grant teamings that had the historical importance in cinema folklore that The Godfather and Apocalyse Now have had [the first being listed among the greatest films of all time overall and the second considered one of the best war movies ever]. Waterfront and Streetcar are credited with changing American screen acing forever. Howevers both films had “earthy” central male characters; I suppose they count for little when placed on the scales in the overalll scheme of things with a screwball comedy in which its lead male speaks and endlessly quips pleasing things in a polished accent.
“When Richard looked towards the East he frowned: when he turned to face the West he smiled.”
b. Brando and Karl Malden are in 3 movies that collectively grossdomestically nearly three quarters of a billion: Streetcar, Waterfront and One Eyed Jacks. Brando was Oscar-nominated for Streetcar and won for Waterfront; and Malden won for Streetcar and was nominated for Waterfront. They had great scenes together in all 3 of the movies and in Jacks Karl was in a role originally intended for Spencer Tracy. Martin Scorsese and George Lucas recently spent 2 years and some of their own dollars in restoring Jacks. Brando and Malden less important than Flynn and Alan Hale, who was really just Flynn’s foil? It’s difficult for me to see why: how many noms/wins did Flynn or Hale have as a team or singly?
“Do I doubt or do I dream?
Do mine eyes deceive me?
Are things what they seem:
Or are visions about?
c. Jean Simmons and Brando were in 2 movies that collectively grossed nearly $600 million – Guys and Dolls and Desiree – which are among the best AVERAGE grosses [around $290 million each] in your tables. Brando and Simmons less important than Clint and Sondra? As McEnroe used to say: “You cannot be serious man!” Sondra was in reality Clint’s foil; whereas Jean had the co-lead in Guys and Dolls and WAS Desiree. And Brando: well. he’s Brando and among most movie buffs that would be enough.Though possibly there I go too far: Brando let’s not forget was a “liability” in Guys and Dolls and “nobody” went to see him in Desiree; and your lists as they stand are ‘Classic Hirschhorn’