This movie page looks at The Top Grossing Movies of 1954. Currently when you type in the search words….”Top Grossing Movies of 1954″ you do not get much information. Wikipedia provides 10 movies. The Numbers.com provides 10 movies. Stats-a-mania offers up 7 movies. UMR.com is the 10th search result as it offers up our Jerry Lewis UMR Page. So in an effort to get more information out there…we have decided to unlock our 1954 movie database vault and share the information we have collected over the years.
To make this list a movie had to be made in 1954 (as listed on IMDB.com). Obviously many movies made in 1953 earned box office dollars in 19543. On the other side many movies made in 1954 made money in 1955 and later. This page will looks at 148 Top Grossing Movies of 1954. The movies are listed in a massive table that shows who starred in the movie, had much the movie grossed when it was released and how that gross means in today’s money.
Obviously this is not all of the 1954 movies…..but since our website is dynamic, ever time we add a 1953 movie….it will automatically be added to this page.
Top Grossing Movies of 1954 Can Be Sorted 6 Ways In This Table
Our UMR Top 50 of 1954
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1954
On the Waterfront (1954)
AA Best Picture Win
1954
Rear Window (1954)
1954
The Caine Mutiny (1954)
AA Best Picture Nom
1954
The Country Girl (1954)
AA Best Picture Nom
1954
Seven Brides for Seven Brothers (1954)
AA Best Picture Nom
1954
Sabrina (1954)
1954
A Star Is Born (1954)
1954
20,000 Leagues Under the Sea (1954)
1954
The Glenn Miller Story (1954)
1954
The Barefoot Contessa (1954)
1954
Magnificent Obsession (1954)
1954
White Christmas (1954)
1954
Executive Suite (1954)
1954
The Bridges at Toko-Ri (1954)
1954
Johnny Guitar (1954)
1954
Vera Cruz (1954)
1954
Casanova's Big Night (1954)
1954
The Far Country (1954)
1954
Three Coins in the Fountain (1954)
AA Best Picture Nom
1954
Woman's World (1954)
1954
Apache (1954)
1954
Knock on Wood (1954)
1954
Dial M for Murder (1954)
1954
There's No Business Like Show Business (1954)
1954
Garden of Evil (1954)
1954
Désirée (1954)
1954
Dragnet (1954)
1954
The Long, Long Trailer (1954)
1954
Young at Heart (1954)
1954
The Last Time I Saw Paris (1954)
1954
Demetrius and the Gladiators (1954)
1954
The Egyptian (1954)
1954
Carmen Jones (1954)
1954
Broken Lance (1954)
1954
River of No Return (1954)
1954
The High and the Mighty (1954)
1954
Living It Up (1954)
1954
The Naked Jungle (1954)
1954
The Student Prince (1954)
1954
Night People (1954)
1954
Brigadoon (1954)
1954
Black Widow (1954)
1954
Susan Slept Here (1954)
1954
Them! (1954)
1954
Drum Beat (1954)
1954
O'Rourke of the Royal Mounted (1954)
1954
Seven Samurai (1954)
1954
The Command (1954)
1954
Deep In My Heart (1954)
1954
Vanishing Prairie (1954)
Year | Movie (Year) | Rating | S |
---|---|---|---|
Year | Movie (Year) | Rating | S |
1954 | On the Waterfront (1954) AA Best Picture Win |
||
1954 | Rear Window (1954) | ||
1954 | The Caine Mutiny (1954) AA Best Picture Nom |
||
1954 | The Country Girl (1954) AA Best Picture Nom |
||
1954 | Seven Brides for Seven Brothers (1954) AA Best Picture Nom |
||
1954 | Sabrina (1954) | ||
1954 | A Star Is Born (1954) | ||
1954 | 20,000 Leagues Under the Sea (1954) | ||
1954 | The Glenn Miller Story (1954) | ||
1954 | The Barefoot Contessa (1954) | ||
1954 | Magnificent Obsession (1954) | ||
1954 | White Christmas (1954) | ||
1954 | Executive Suite (1954) | ||
1954 | The Bridges at Toko-Ri (1954) | ||
1954 | Johnny Guitar (1954) | ||
1954 | Vera Cruz (1954) | ||
1954 | Casanova's Big Night (1954) | ||
1954 | The Far Country (1954) | ||
1954 | Three Coins in the Fountain (1954) AA Best Picture Nom |
||
1954 | Woman's World (1954) | ||
1954 | Apache (1954) | ||
1954 | Knock on Wood (1954) | ||
1954 | Dial M for Murder (1954) | ||
1954 | There's No Business Like Show Business (1954) | ||
1954 | Garden of Evil (1954) | ||
1954 | Désirée (1954) | ||
1954 | Dragnet (1954) | ||
1954 | The Long, Long Trailer (1954) | ||
1954 | Young at Heart (1954) | ||
1954 | The Last Time I Saw Paris (1954) | ||
1954 | Demetrius and the Gladiators (1954) | ||
1954 | The Egyptian (1954) | ||
1954 | Carmen Jones (1954) | ||
1954 | Broken Lance (1954) | ||
1954 | River of No Return (1954) | ||
1954 | The High and the Mighty (1954) | ||
1954 | Living It Up (1954) | ||
1954 | The Naked Jungle (1954) | ||
1954 | The Student Prince (1954) | ||
1954 | Night People (1954) | ||
1954 | Brigadoon (1954) | ||
1954 | Black Widow (1954) | ||
1954 | Susan Slept Here (1954) | ||
1954 | Them! (1954) | ||
1954 | Drum Beat (1954) | ||
1954 | O'Rourke of the Royal Mounted (1954) | ||
1954 | Seven Samurai (1954) | ||
1954 | The Command (1954) | ||
1954 | Deep In My Heart (1954) | ||
1954 | Vanishing Prairie (1954) |
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Top Grossing Movies of 1954 by the stars or in some cases the director of the movie.
- Sort Top Grossing Movies of 1954 by domestic actual box office grosses (in millions)
- Sort Top Grossing Movies of 1954 by domestic adjusted box office grosses using current movie ticket cost (in millions)
- Sort Top Grossing Movies of 1954 by critic and audience rating
- Sort Top Grossing Movies of 1954 by Oscar wins and Oscar nominations
- Sort Top Grossing Movies of 1954 by it’s Ultimate Movie Rankings (UMR) Score
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | UMR Score | ||||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
1 | On the Waterfront (1954) AA Best Picture Win |
Marlon Brando & Rod Steiger |
12.0 | 281.2 | 281.20 | 20 | 92 | 12 / 08 | 100.0 | |
2 | Rear Window (1954) | James Stewart & Grace Kelly |
23.2 | 543.6 | 543.60 | 2 | 94 | 04 / 00 | 99.3 | |
2 | The Caine Mutiny (1954) AA Best Picture Nom |
Humphrey Bogart & Lee Marvin |
20.4 | 479.1 | 479.10 | 4 | 85 | 07 / 00 | 99.3 | |
3 | The Country Girl (1954) AA Best Picture Nom |
Bing Crosby & Grace Kelly |
18.3 | 428.5 | 428.50 | 6 | 77 | 07 / 02 | 98.9 | |
4 | Seven Brides for Seven Brothers (1954) AA Best Picture Nom |
Howard Keel & Jane Powell |
15.8 | 370.0 | 629.60 | 8 | 78 | 05 / 01 | 98.9 | |
6 | Sabrina (1954) | Audrey Hepburn & Humphrey Bogart |
11.4 | 267.8 | 267.80 | 21 | 83 | 06 / 01 | 98.8 | |
7 | A Star Is Born (1954) | James Mason & Judy Garland |
13.1 | 306.7 | 410.80 | 13 | 83 | 06 / 00 | 98.7 | |
8 | 20,000 Leagues Under the Sea (1954) | Kirk Douglas & James Mason |
22.9 | 535.7 | 535.70 | 3 | 82 | 03 / 02 | 98.5 | |
9 | The Glenn Miller Story (1954) | James Stewart | 18.3 | 428.5 | 428.50 | 5 | 79 | 03 / 01 | 97.9 | |
10 | The Barefoot Contessa (1954) | Humphrey Bogart & Ava Gardner |
9.4 | 221.0 | 221.00 | 28 | 77 | 02 / 01 | 97.4 | |
11 | Magnificent Obsession (1954) | Jane Wyman & Rock Hudson |
14.9 | 348.2 | 348.20 | 9 | 78 | 01 / 00 | 97.1 | |
12 | White Christmas (1954) | Bing Crosby & Danny Kaye |
27.1 | 636.1 | 636.10 | 1 | 78 | 01 / 00 | 97.1 | |
14 | Executive Suite (1954) | William Holden & Barbara Stanwyck |
7.7 | 179.6 | 240.00 | 36 | 80 | 04 / 00 | 96.8 | |
14 | The Bridges at Toko-Ri (1954) | William Holden & Grace Kelly |
14.3 | 334.8 | 334.80 | 11 | 73 | 02 / 01 | 96.5 | |
16 | Johnny Guitar (1954) | Joan Crawford & Ernest Borgnine |
7.1 | 167.4 | 167.40 | 45 | 86 | 00 / 00 | 96.5 | |
15 | Vera Cruz (1954) | Gary Cooper & Burt Lancaster |
13.0 | 305.8 | 305.80 | 14 | 75 | 00 / 00 | 96.4 | |
17 | Casanova's Big Night (1954) | Bob Hope & Joan Fontaine |
8.6 | 200.9 | 200.90 | 32 | 74 | 00 / 00 | 96.2 | |
19 | The Far Country (1954) | James Stewart & Walter Brennan |
7.1 | 167.4 | 167.40 | 43 | 81 | 00 / 00 | 95.4 | |
18 | Three Coins in the Fountain (1954) AA Best Picture Nom |
Clifton Webb | 14.3 | 334.8 | 334.80 | 10 | 60 | 03 / 02 | 95.3 | |
22 | Woman's World (1954) | Clifton Webb & Van Heflin |
8.6 | 200.9 | 200.90 | 31 | 70 | 00 / 00 | 95.2 | |
20 | Apache (1954) | Burt Lancaster & Charles Bronson |
10.0 | 234.3 | 234.30 | 27 | 69 | 00 / 00 | 95.0 | |
21 | Knock on Wood (1954) | Danny Kaye | 10.9 | 254.4 | 254.40 | 25 | 68 | 01 / 00 | 94.9 | |
23 | Dial M for Murder (1954) | Grace Kelly & Ray Milland |
6.6 | 154.5 | 253.00 | 48 | 83 | 00 / 00 | 94.9 | |
23 | There's No Business Like Show Business (1954) | Marilyn Monroe | 12.9 | 301.3 | 301.30 | 16 | 66 | 03 / 00 | 94.9 | |
24 | Garden of Evil (1954) | Richard Widmark & Gary Cooper |
8.9 | 207.6 | 207.60 | 30 | 68 | 00 / 00 | 94.8 | |
25 | Désirée (1954) | Marlon Brando & Jean Simmons |
12.9 | 301.3 | 301.30 | 15 | 67 | 02 / 00 | 94.8 | |
25 | Dragnet (1954) | Jack Webb | 13.6 | 318.0 | 318.00 | 12 | 68 | 00 / 00 | 94.8 | |
28 | The Long, Long Trailer (1954) | Lucille Ball & Desi Arnaz |
11.4 | 267.8 | 340.00 | 22 | 67 | 00 / 00 | 94.5 | |
31 | Young at Heart (1954) | Doris Day & Frank Sinatra |
7.1 | 167.4 | 167.40 | 42 | 76 | 00 / 00 | 94.1 | |
32 | The Last Time I Saw Paris (1954) | Elizabeth Taylor & Roger Moore |
7.5 | 176.4 | 330.80 | 37 | 73 | 00 / 00 | 94.0 | |
29 | Demetrius and the Gladiators (1954) | Victor Mature & Susan Hayward |
12.1 | 284.6 | 284.60 | 18 | 66 | 00 / 00 | 94.0 | |
30 | The Egyptian (1954) | Gene Tierney & Victor Mature |
12.9 | 301.3 | 301.30 | 17 | 65 | 01 / 00 | 93.9 | |
34 | Carmen Jones (1954) | Dorothy Dandridge | 7.1 | 167.4 | 167.40 | 40 | 73 | 02 / 00 | 93.6 | |
33 | Broken Lance (1954) | Richard Widmark & Spencer Tracy |
10.9 | 254.4 | 254.40 | 26 | 61 | 02 / 01 | 93.4 | |
35 | River of No Return (1954) | Marilyn Monroe & Robert Mitchum |
10.9 | 254.4 | 254.40 | 24 | 62 | 00 / 00 | 92.9 | |
36 | The High and the Mighty (1954) | John Wayne & Claire Trevor |
17.4 | 408.4 | 533.40 | 7 | 55 | 06 / 01 | 92.8 | |
37 | Living It Up (1954) | Dean Martin & Jerry Lewis |
12.1 | 284.6 | 284.60 | 19 | 61 | 00 / 00 | 92.6 | |
38 | The Naked Jungle (1954) | Charlton Heston & Eleanor Parker |
6.6 | 154.0 | 154.00 | 49 | 75 | 00 / 00 | 92.6 | |
39 | The Student Prince (1954) | Mario Lanza | 7.2 | 169.3 | 357.60 | 39 | 68 | 00 / 00 | 91.7 | |
41 | Night People (1954) | Gregory Peck & Broderick Crawford |
6.1 | 144.0 | 144.00 | 53 | 74 | 01 / 00 | 91.4 | |
40 | Brigadoon (1954) | Gene Kelly & Van Johnson |
5.7 | 132.7 | 219.30 | 55 | 75 | 03 / 00 | 91.2 | |
42 | Black Widow (1954) | Ginger Rogers & Van Heflin |
7.1 | 167.4 | 167.40 | 44 | 63 | 00 / 00 | 89.8 | |
43 | Susan Slept Here (1954) | Debbie Reynolds & Dick Powell |
6.4 | 149.0 | 149.00 | 51 | 64 | 02 / 00 | 88.8 | |
44 | Them! (1954) | James Whitmore | 4.6 | 107.9 | 156.30 | 63 | 78 | 00 / 00 | 88.5 | |
45 | Drum Beat (1954) | Charles Bronson & Alan Ladd |
8.6 | 200.9 | 200.90 | 33 | 48 | 00 / 00 | 88.4 | |
48 | O'Rourke of the Royal Mounted (1954) | Alan Ladd & Shelley Winters |
6.4 | 150.7 | 150.70 | 50 | 63 | 00 / 00 | 88.1 | |
46 | Seven Samurai (1954) | Toshirô Mifune | 1.9 | 43.5 | 43.50 | 126 | 95 | 02 / 00 | 88.0 | |
48 | The Command (1954) | Guy Madison | 7.1 | 167.4 | 167.40 | 46 | 57 | 00 / 00 | 87.9 | |
50 | Deep In My Heart (1954) | Gene Kelly & Walter Pidgeon |
7.1 | 165.4 | 266.40 | 47 | 58 | 00 / 00 | 87.9 | |
49 | Vanishing Prairie (1954) | Documentary | 5.1 | 120.5 | 120.50 | 61 | 70 | 01 / 01 | 87.8 | |
51 | Rose Marie (1954) | Howard Keel | 8.1 | 189.8 | 353.30 | 34 | 49 | 00 / 00 | 87.6 | |
53 | Sign of the Pagan (1954) | Jeff Chanlder & Jack Palance |
7.1 | 167.4 | 167.40 | 41 | 56 | 00 / 00 | 87.4 | |
53 | Riot in Cell Block 11 (1954) | Walter Wanger | 4.4 | 102.6 | 102.60 | 67 | 75 | 00 / 00 | 87.1 | |
55 | It Should Happen To You (1954) | Jack Lemmon & Directed by George Cukor |
4.0 | 93.7 | 93.70 | 79 | 75 | 01 / 00 | 86.3 | |
55 | 3 Ring Circus (1954) | Dean Martin & Jerry Lewis |
11.1 | 261.1 | 261.10 | 23 | 42 | 00 / 00 | 86.0 | |
56 | Hell and High Water (1954) | Richard Widmark | 7.7 | 180.8 | 180.80 | 35 | 47 | 01 / 00 | 85.8 | |
57 | Francis Joins The WACS (1954) | Donald O'Connor | 5.4 | 127.2 | 127.20 | 58 | 64 | 00 / 00 | 85.7 | |
56 | Suddenly (1954) | Frank Sinatra | 4.0 | 93.7 | 93.70 | 82 | 75 | 00 / 00 | 85.7 | |
58 | Creature from the Black Lagoon (1954) | Richard Carlson & Julie Adams |
4.6 | 107.1 | 107.10 | 64 | 70 | 00 / 00 | 85.4 | |
62 | Prince Valiant (1954) | James Mason & Robert Wagner |
7.4 | 174.1 | 174.10 | 38 | 48 | 00 / 00 | 85.0 | |
61 | Ulysses (1954) | Kirk Douglas & Anthony Quinn |
6.3 | 147.3 | 147.30 | 52 | 56 | 00 / 00 | 84.8 | |
60 | Ma and Pa Kettle at Home (1954) | Marjorie Main & Percy Kilbride |
4.0 | 93.7 | 93.70 | 78 | 72 | 00 / 00 | 84.3 | |
63 | His Majesty O'Keefe (1954) | Burt Lancaster | 5.5 | 129.7 | 235.40 | 57 | 59 | 00 / 00 | 83.9 | |
66 | The Black Shield of Falworth (1954) | Tony Curtis | 5.1 | 120.5 | 120.50 | 60 | 60 | 00 / 00 | 82.6 | |
65 | Carnival Story (1954) | Anne Baxter | 5.7 | 133.9 | 133.90 | 54 | 55 | 00 / 00 | 82.2 | |
67 | Phffft (1954) | Jack Lemmon | 4.4 | 103.8 | 103.80 | 66 | 64 | 00 / 00 | 81.9 | |
67 | Hobson's Choice (1954) | Charles Laughton & David Niven |
1.7 | 40.2 | 40.20 | 132 | 83 | 00 / 00 | 81.5 | |
70 | Destry (1954) | Audie Murphy | 4.3 | 100.4 | 100.40 | 72 | 64 | 00 / 00 | 81.3 | |
69 | Shield For Murder (1954) | Edmond O'Brien | 3.1 | 72.7 | 72.70 | 102 | 72 | 00 / 00 | 80.8 | |
71 | The Silver Chalice (1954) | Paul Newman & Virginia Mayo |
9.1 | 214.3 | 298.20 | 29 | 30 | 02 / 00 | 80.7 | |
71 | La Strada (1954) | Anthony Quinn | 0.6 | 15.1 | 15.10 | 173 | 86 | 02 / 01 | 80.4 | |
72 | The Long Wait (1954) | Charles Coburn & Anthony Quinn |
4.3 | 100.4 | 100.40 | 70 | 61 | 00 / 00 | 79.6 | |
73 | Men of The Fighting Lady (1954) | Walter Pidgeon & Van Johnson |
4.3 | 100.6 | 176.60 | 68 | 61 | 00 / 00 | 79.4 | |
74 | Pushover (1954) | Fred MacMurray | 3.6 | 83.7 | 83.70 | 94 | 65 | 00 / 00 | 78.9 | |
75 | Duel In The Jungle (1954) | Dana Andrews | 3.8 | 88.4 | 151.70 | 86 | 63 | 00 / 00 | 78.6 | |
77 | Betrayed (1954) | Clark Gable & Lana Turner |
5.6 | 131.6 | 279.70 | 56 | 49 | 00 / 00 | 78.4 | |
76 | Rogue Cop (1954) | Robert Taylor | 4.0 | 94.9 | 168.00 | 77 | 60 | 00 / 00 | 77.8 | |
78 | The Purple Plain (1954) | Gregory Peck & Bernard Lee |
3.7 | 87.0 | 87.00 | 88 | 62 | 00 / 00 | 77.1 | |
80 | Track of the Cat (1954) | Robert Mitchum | 4.1 | 96.6 | 116.10 | 76 | 59 | 00 / 00 | 77.1 | |
82 | So This Is Paris (1954) | Tony Curtis | 4.3 | 100.4 | 100.40 | 71 | 57 | 00 / 00 | 77.0 | |
81 | Drums Across the River (1954) | Audie Murphy & Walter Brennan |
4.0 | 93.7 | 93.70 | 80 | 59 | 00 / 00 | 76.9 | |
82 | Witness to Murder (1954) | Barbara Stanwyck & George Sanders |
2.9 | 67.0 | 67.00 | 106 | 67 | 00 / 00 | 76.4 | |
83 | Beachhead (1954) | Tony Curtis | 4.0 | 93.7 | 93.70 | 84 | 59 | 00 / 00 | 76.3 | |
83 | Tanganyika (1954) | Van Heflin | 3.4 | 80.3 | 80.30 | 100 | 63 | 00 / 00 | 76.2 | |
85 | Lucky Me (1954) | Doris Day | 4.6 | 108.9 | 168.10 | 62 | 53 | 00 / 00 | 75.2 | |
86 | The Raid (1954) | Lee Marvin & Van Heflin |
2.9 | 67.0 | 67.00 | 107 | 66 | 00 / 00 | 74.9 | |
85 | Human Desire (1954) | Glenn Ford | 2.3 | 53.6 | 53.60 | 115 | 70 | 00 / 00 | 74.7 | |
89 | The Good Die Young (1954) | Gloria Grahame | 2.9 | 67.0 | 67.00 | 109 | 65 | 00 / 00 | 74.5 | |
90 | Ride Clear of Diablo (1954) | Audie Murphy | 4.3 | 100.4 | 100.40 | 69 | 54 | 00 / 00 | 74.1 | |
90 | Silver Lode (1954) | Dan Duryea | 1.6 | 37.7 | 37.70 | 135 | 74 | 00 / 00 | 73.9 | |
90 | Yankee Pasha (1954) | Rhonda Fleming | 2.0 | 47.8 | 47.80 | 121 | 70 | 00 / 00 | 73.4 | |
93 | Secret of the Incas (1954) | Charlton Heston & Robert Young |
4.0 | 93.7 | 93.70 | 83 | 55 | 00 / 00 | 73.0 | |
94 | The Bounty Hunter (1954) | Ernest Borgnine & Randolph Scott |
2.9 | 68.8 | 87.90 | 105 | 63 | 00 / 00 | 72.6 | |
92 | Gojira (1954) | Godzilla Movies | 0.1 | 3.4 | 53.60 | 192 | 83 | 00 / 00 | 72.4 | |
95 | Black Tuesday (1954) | Edward G. Robinson | 1.8 | 42.3 | 42.30 | 127 | 71 | 00 / 00 | 72.2 | |
96 | Riding Shotgun (1954) | Randolph Scott & Charles Bronson |
3.0 | 69.3 | 87.60 | 104 | 62 | 00 / 00 | 72.1 | |
98 | Jubilee Trail (1954) | Pat O'Brien | 3.7 | 87.0 | 87.00 | 90 | 56 | 00 / 00 | 71.8 | |
99 | Phantom of the Rue Morgue (1954) | Karl Malden | 3.6 | 85.0 | 158.20 | 92 | 57 | 00 / 00 | 71.6 | |
99 | Green Fire (1954) | Grace Kelly | 5.2 | 122.5 | 298.60 | 59 | 45 | 00 / 00 | 71.4 | |
102 | Johnny Dark (1954) | Tony Curtis | 4.2 | 97.5 | 97.50 | 74 | 52 | 00 / 00 | 71.0 | |
101 | Hell Below Zero (1954) | Alan Ladd & Stanley Baker |
3.4 | 80.3 | 80.30 | 98 | 57 | 00 / 00 | 70.6 | |
100 | Journey To Italy (1954) | Ingrid Bergman & George Sanders |
0.9 | 21.8 | 21.80 | 155 | 76 | 00 / 00 | 70.5 | |
103 | Flame and the Flesh (1954) | Lana Turner | 3.7 | 87.0 | 87.00 | 89 | 55 | 00 / 00 | 70.2 | |
105 | The Adventures of Hajja Baba (1954) | Walter Wanger | 3.6 | 83.8 | 135.20 | 93 | 56 | 00 / 00 | 69.9 | |
104 | Pride of the Blue Grass (1954) | Vera Miles | 1.8 | 41.9 | 41.90 | 128 | 69 | 00 / 00 | 69.7 | |
108 | Bengal Brigade (1954) | Rock Hudson & Arlene Dahl |
4.1 | 97.1 | 97.10 | 75 | 51 | 00 / 00 | 69.6 | |
107 | Ring of Fear (1954) | Pat O'Brien | 4.2 | 98.0 | 198.50 | 73 | 51 | 00 / 00 | 69.4 | |
108 | The Siege at Red River (1954) | Van Johnson | 3.6 | 83.7 | 83.70 | 95 | 55 | 00 / 00 | 68.9 | |
109 | Rhapsody (1954) | Elizabeth Taylor & Stuart Whitman |
3.7 | 86.4 | 220.40 | 91 | 54 | 00 / 00 | 68.6 | |
112 | Beau Brummell (1954) | Elizabeth Taylor & Peter Ustinov |
3.0 | 70.2 | 180.80 | 103 | 59 | 00 / 00 | 68.3 | |
110 | Man with a Million (1954) | Gregory Peck & Ronald Squire |
2.3 | 53.9 | 53.90 | 114 | 64 | 00 / 00 | 68.3 | |
111 | Crossed Swords (1954) | Errol Flynn & Gina Lollobrigida |
1.8 | 41.2 | 41.20 | 130 | 68 | 00 / 00 | 68.1 | |
115 | Valley of The Kings (1954) | Robert Taylor & Eleanor Parker |
4.5 | 106.5 | 221.30 | 65 | 45 | 00 / 00 | 65.7 | |
114 | Go Man Go (1954) | Sidney Poitier | 4.0 | 93.7 | 93.70 | 81 | 48 | 00 / 00 | 64.5 | |
113 | Hell's Half Acre (1954) | Elsa Lanchester | 2.0 | 45.8 | 45.80 | 123 | 63 | 00 / 00 | 63.8 | |
116 | Athena (1954) | Debbie Reynolds & Jane Powell |
3.5 | 81.8 | 81.80 | 96 | 51 | 00 / 00 | 63.2 | |
117 | Border River (1954) | Joel McCrea | 2.6 | 62.0 | 62.00 | 110 | 57 | 00 / 00 | 62.9 | |
118 | About Mrs. Leslie (1954) | Robert Ryan | 0.9 | 21.9 | 21.90 | 153 | 70 | 00 / 00 | 62.5 | |
119 | The Black Knight (1954) | Peter Cushing & Alan Ladd |
3.7 | 87.0 | 87.00 | 87 | 49 | 00 / 00 | 61.8 | |
120 | The Mad Magician (1954) | 1.0 | 23.4 | 23.40 | 150 | 68 | 00 / 00 | 61.1 | ||
120 | Her Twelve Men (1954) | Robert Ryan & Greer Garson |
2.3 | 54.7 | 94.90 | 112 | 58 | 00 / 00 | 59.9 | |
123 | The Boy From Oklahoma (1954) | Directed by Michael Curtiz | 3.3 | 76.3 | 98.00 | 101 | 50 | 00 / 00 | 58.8 | |
124 | Dangerous Mission (1954) | Victor Mature | 3.4 | 80.3 | 80.30 | 99 | 49 | 00 / 00 | 58.5 | |
124 | Duffy of San Quentin (1954) | Maureen O'Sullivan | 1.2 | 27.9 | 27.90 | 146 | 65 | 00 / 00 | 58.4 | |
123 | Private Hell 36 (1954) | Ida Lupino | 1.2 | 28.5 | 28.50 | 143 | 65 | 00 / 00 | 57.6 | |
125 | Long John Silver (1954) | Rod Taylor | 2.0 | 46.2 | 46.20 | 122 | 59 | 00 / 00 | 57.1 | |
128 | Taza, Son of Cochise (1954) | Rock Hudson & Barbara Rush |
3.5 | 81.7 | 81.70 | 97 | 47 | 00 / 00 | 56.7 | |
127 | Dawn at Socorro (1954) | 0.7 | 16.7 | 16.70 | 167 | 68 | 00 / 00 | 56.5 | ||
130 | Attila (1954) | Anthony Quinn & Sophia Loren |
2.9 | 67.0 | 67.00 | 108 | 52 | 00 / 00 | 56.5 | |
128 | Passion (1954) | Cornel Wilde | 1.6 | 37.8 | 37.80 | 134 | 60 | 00 / 00 | 55.0 | |
132 | King Richard and the Crusaders (1954) | Virginia Mayo & George Sanders |
3.9 | 92.3 | 190.90 | 85 | 43 | 00 / 00 | 54.9 | |
131 | Gypsy Colt (1954) | Lee Van Cleef | 2.1 | 48.3 | 95.40 | 119 | 57 | 00 / 00 | 54.8 | |
133 | Jungle Man-Eaters (1954) | Johnny Weissmuller | 1.1 | 26.0 | 26.00 | 149 | 63 | 00 / 00 | 53.8 | |
134 | Make Haste To Live (1954) | Dorothy McGuire | 1.8 | 41.2 | 41.20 | 131 | 58 | 00 / 00 | 53.7 | |
137 | Three Young Texans (1954) | Jeffrey Hunter | 2.3 | 53.9 | 53.90 | 113 | 54 | 00 / 00 | 53.5 | |
136 | Angels of Darkness (1954) | Linda Darnell & Anthony Quinn |
0.4 | 8.4 | 8.40 | 184 | 68 | 00 / 00 | 51.7 | |
136 | Lease of Life (1954) | Robert Donat | 0.9 | 20.0 | 20.00 | 158 | 64 | 00 / 00 | 51.2 | |
139 | Three Hours To Kill (1954) | Dana Andrews & Donna Reed |
2.4 | 56.6 | 56.60 | 111 | 52 | 00 / 00 | 51.1 | |
138 | The Yellow Tomahawk (1954) | Rita Moreno | 0.7 | 17.1 | 17.10 | 163 | 65 | 00 / 00 | 51.0 | |
141 | The Bamboo Prison (1954) | Brian Keith | 1.8 | 41.6 | 41.60 | 129 | 57 | 00 / 00 | 50.6 | |
141 | Drive a Crooked Road (1954) | Mickey Rooney | 0.7 | 17.0 | 17.00 | 164 | 64 | 00 / 00 | 50.1 | |
142 | The Detective/Father Brown (1954) | Alec Guinness | 0.8 | 17.8 | 17.80 | 162 | 64 | 00 / 00 | 49.7 | |
143 | Jivaro (1954) | Brian Keith | 1.6 | 37.1 | 37.10 | 137 | 57 | 00 / 00 | 49.0 | |
143 | The Gambler from Natchez (1954) | Debra Paget | 0.6 | 13.8 | 13.80 | 176 | 65 | 00 / 00 | 49.0 | |
144 | King of the Coral Sea (1954) | Rod Taylor | 0.6 | 13.5 | 13.50 | 178 | 65 | 00 / 00 | 48.8 | |
144 | Khyber Patrol (1954) | Raymond Burr & Richard Egan |
1.7 | 39.1 | 39.10 | 133 | 56 | 00 / 00 | 48.1 | |
145 | Highway Dragnet (1954) | Joan Bennett | 1.0 | 22.4 | 22.40 | 152 | 61 | 00 / 00 | 46.6 | |
149 | They Rode West (1954) | Donna Reed | 2.1 | 49.0 | 49.00 | 118 | 52 | 00 / 00 | 46.0 | |
148 | Malaga (1954) | Maureen O'Hara | 1.9 | 43.8 | 43.80 | 125 | 54 | 00 / 00 | 46.0 | |
148 | This Is My Love (1954) | Linda Darnell | 1.2 | 28.5 | 28.50 | 145 | 58 | 00 / 00 | 45.4 | |
151 | Cannibal Attack (1954) | 1.1 | 26.9 | 26.90 | 148 | 59 | 00 / 00 | 45.2 | ||
154 | Playgirl (1954) | Shelley Winters | 1.4 | 33.8 | 33.80 | 139 | 56 | 00 / 00 | 44.8 | |
153 | The Sea Shall Not Have Them (1954) | 0.2 | 3.8 | 3.80 | 191 | 65 | 00 / 00 | 43.7 | ||
155 | Let's Make Up (1954) | Errol Flynn & Anna Neagle |
1.4 | 33.5 | 33.50 | 141 | 56 | 00 / 00 | 43.2 | |
156 | The Steel Cage (1954) | Maureen O'Sullivan | 1.3 | 30.2 | 30.20 | 142 | 57 | 00 / 00 | 43.2 | |
156 | Thunder Pass (1954) | John Carradine & Raymond Burr |
0.7 | 15.8 | 15.80 | 170 | 61 | 00 / 00 | 43.1 | |
157 | Day of Triumph (1954) | Lee J. Cobb | 0.7 | 15.7 | 15.70 | 171 | 61 | 00 / 00 | 43.0 | |
159 | Giovanna d'Arco al rogo (1954) | Ingrid Bergman | 0.6 | 15.1 | 15.10 | 175 | 61 | 00 / 00 | 42.7 | |
158 | Princess of the Nile (1954) | Jeffrey Hunter | 0.3 | 6.7 | 6.70 | 187 | 64 | 00 / 00 | 42.7 | |
160 | Black Horse Canyon (1954) | Joel McCrea | 1.2 | 28.5 | 28.50 | 144 | 57 | 00 / 00 | 42.3 | |
159 | Trouble in the Glen (1954) | Victor McLaglen | 0.9 | 21.9 | 21.90 | 154 | 59 | 00 / 00 | 42.0 | |
162 | Rails Into Laramie (1954) | Dan Duryea | 0.8 | 18.5 | 18.50 | 160 | 60 | 00 / 00 | 41.9 | |
163 | Tennessee Champ (1954) | Shelley Winters | 1.6 | 37.2 | 37.20 | 136 | 54 | 00 / 00 | 41.9 | |
164 | A Bullet Is Waiting (1954) | Jean Simmons | 2.2 | 51.9 | 51.90 | 117 | 49 | 00 / 00 | 41.0 | |
165 | Crest of the Wave (1954) | Gene Kelly | 1.0 | 23.4 | 27.30 | 151 | 58 | 00 / 00 | 41.0 | |
164 | Doctor In The House (1954) | 0.7 | 16.7 | 16.70 | 165 | 60 | 00 / 00 | 40.9 | ||
166 | The Great Diamond Robbery (1954) | Red Skelton | 1.4 | 33.5 | 47.00 | 140 | 54 | 00 / 00 | 39.2 | |
168 | The Lovers of Lisbon (1954) | 0.0 | 0.5 | 0.50 | 195 | 64 | 00 / 00 | 38.2 | ||
167 | Fear (1954) | Ingrid Bergman | 0.7 | 16.7 | 16.70 | 166 | 57 | 00 / 00 | 34.7 | |
168 | Gog (1954) | 0.7 | 16.4 | 16.40 | 168 | 57 | 00 / 00 | 33.3 | ||
170 | Southwest Passage (1954) | Joanne Dru | 0.9 | 20.2 | 20.20 | 156 | 55 | 00 / 00 | 32.6 | |
174 | Prisoner of War (1954) | Ronald Reagan | 2.2 | 52.6 | 72.10 | 116 | 45 | 00 / 00 | 32.0 | |
172 | The Stranger's Hands (1954) | 0.0 | 0.5 | 0.50 | 194 | 61 | 00 / 00 | 31.4 | ||
176 | Naked Alibi (1954) | Gloria Grahame | 2.1 | 48.2 | 48.20 | 120 | 46 | 00 / 00 | 31.3 | |
177 | Cattle Queen of Montana (1954) | Barbara Stanwyck & Ronald Reagan |
1.9 | 45.2 | 45.20 | 124 | 46 | 00 / 00 | 30.4 | |
176 | The Shanghai Story (1954) | Directed by Frank Lloyd | 0.5 | 12.4 | 12.40 | 180 | 56 | 00 / 00 | 28.6 | |
175 | Daughters of Destiny (1954) | Claudette Colbert & Michel Piccoli |
0.2 | 5.4 | 5.40 | 189 | 57 | 00 / 00 | 27.8 | |
176 | The Unholy Four (1954) | Paulette Goddard | 1.2 | 27.8 | 27.80 | 147 | 50 | 00 / 00 | 27.7 | |
179 | Gorilla At Large (1954) | Anne Bancroft | 1.5 | 34.4 | 34.40 | 138 | 47 | 00 / 00 | 26.1 | |
180 | World For Ransom (1954) | Dan Duryea | 0.3 | 6.9 | 6.90 | 186 | 56 | 00 / 00 | 25.7 | |
179 | Mambo (1954) Limited Release |
Directed by Robert Rossen | 0.1 | 3.4 | 3.40 | 193 | 57 | 00 / 00 | 25.6 | |
180 | Romeo and Juliet (1954) | John Gielgud | 0.3 | 7.5 | 7.50 | 185 | 55 | 00 / 00 | 25.0 | |
181 | Riders To The Stars (1954) | 0.8 | 18.4 | 18.40 | 161 | 52 | 00 / 00 | 24.9 | ||
183 | Concert of Intrigue (1954) | 0.0 | 0.5 | 0.50 | 196 | 56 | 00 / 00 | 22.7 | ||
184 | Star of India (1954) | Cornel Wilde | 0.4 | 8.8 | 8.80 | 182 | 53 | 00 / 00 | 22.0 | |
186 | Twist of Fate (1954) | Ginger Rogers & Stanley Baker |
0.6 | 15.1 | 15.10 | 174 | 51 | 00 / 00 | 21.9 | |
187 | Dragonfly Squadron (1954) | John Hodiak | 0.7 | 16.4 | 16.40 | 169 | 50 | 00 / 00 | 20.8 | |
187 | Charade (1954) | James Mason & Pamela Mason |
0.9 | 20.1 | 20.10 | 157 | 49 | 00 / 00 | 20.4 | |
187 | The Iron Glove (1954) | 0.6 | 15.1 | 15.10 | 172 | 45 | 00 / 00 | 12.7 | ||
189 | Captain Kidd and the Slave Girl (1954) | 0.3 | 6.4 | 6.40 | 188 | 47 | 00 / 00 | 12.0 | ||
190 | Return To Treasure Island (1954) | Tab Hunter | 0.6 | 13.1 | 13.10 | 179 | 43 | 00 / 00 | 9.7 | |
191 | Royal Affairs in Versailles (1954) | Orson Welles & Claudette Colbert |
0.2 | 5.1 | 5.10 | 190 | 41 | 00 / 00 | 5.5 | |
192 | Charge of the Lancers (1954) | Paulette Goddard | 0.6 | 13.8 | 13.80 | 177 | 37 | 00 / 00 | 4.6 | |
193 | Loves of Three Queens (1954) | Hedy Lamarr | 0.4 | 8.4 | 8.40 | 183 | 38 | 00 / 00 | 4.2 | |
194 | Monster From The Ocean Floor (1954) | Wyott Ordung | 0.8 | 19.9 | 19.90 | 159 | 29 | 00 / 00 | 1.9 | |
195 | Phantom Caravan (1954) | Don Ameche | 0.5 | 11.8 | 11.80 | 181 | 25 | 00 / 00 | 0.6 |
1954 Box Office Grosses – Adjusted World Wide
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
---|---|---|---|
Movie (Year) | UMR Co-Star Links | World-Wide Box Office Adjusted (mil) | S |
Seven Brides for Seven Brothers (1954) AA Best Picture Nom |
Howard Keel & Jane Powell |
629.60 | |
The High and the Mighty (1954) | John Wayne & Claire Trevor |
533.40 | |
A Star Is Born (1954) | James Mason & Judy Garland |
410.80 | |
The Student Prince (1954) | Mario Lanza | 357.60 | |
Rose Marie (1954) | Howard Keel | 353.30 | |
The Long, Long Trailer (1954) | Lucille Ball & Desi Arnaz |
340.00 | |
The Last Time I Saw Paris (1954) | Elizabeth Taylor & Roger Moore |
330.80 | |
Green Fire (1954) | Grace Kelly | 298.60 | |
The Silver Chalice (1954) | Paul Newman & Virginia Mayo |
298.20 | |
Betrayed (1954) | Clark Gable & Lana Turner |
279.70 | |
Deep In My Heart (1954) | Gene Kelly & Walter Pidgeon |
266.40 | |
Dial M for Murder (1954) | Grace Kelly & Ray Milland |
253.00 | |
Executive Suite (1954) | William Holden & Barbara Stanwyck |
240.00 | |
His Majesty O'Keefe (1954) | Burt Lancaster | 235.40 | |
Valley of The Kings (1954) | Robert Taylor & Eleanor Parker |
221.30 | |
Rhapsody (1954) | Elizabeth Taylor & Stuart Whitman |
220.40 | |
Brigadoon (1954) | Gene Kelly & Van Johnson |
219.30 | |
Ring of Fear (1954) | Pat O'Brien | 198.50 | |
King Richard and the Crusaders (1954) | Virginia Mayo & George Sanders |
190.90 | |
Beau Brummell (1954) | Elizabeth Taylor & Peter Ustinov |
180.80 | |
Men of The Fighting Lady (1954) | Walter Pidgeon & Van Johnson |
176.60 | |
Lucky Me (1954) | Doris Day | 168.10 | |
Rogue Cop (1954) | Robert Taylor | 168.00 | |
Phantom of the Rue Morgue (1954) | Karl Malden | 158.20 | |
Them! (1954) | James Whitmore | 156.30 | |
Duel In The Jungle (1954) | Dana Andrews | 151.70 | |
The Adventures of Hajja Baba (1954) | Walter Wanger | 135.20 | |
Track of the Cat (1954) | Robert Mitchum | 116.10 | |
The Boy From Oklahoma (1954) | Directed by Michael Curtiz | 98.00 | |
Gypsy Colt (1954) | Lee Van Cleef | 95.40 | |
Her Twelve Men (1954) | Robert Ryan & Greer Garson |
94.90 | |
The Bounty Hunter (1954) | Ernest Borgnine & Randolph Scott |
87.90 | |
Riding Shotgun (1954) | Randolph Scott & Charles Bronson |
87.60 | |
Prisoner of War (1954) | Ronald Reagan | 72.10 | |
Gojira (1954) | Godzilla Movies | 53.60 | |
The Great Diamond Robbery (1954) | Red Skelton | 47.00 | |
Crest of the Wave (1954) | Gene Kelly | 27.30 |
The top 25 earners in World Wide Box Office for 1954
Name | Number of Movies | ||
---|---|---|---|
Name | Number of Movies | Total Adj USA (mil) | Total Adj World Wide (mil) |
Grace Kelly | 5 | 1,583.9 | 1,858.5 |
Van Johnson | 5 | 972.5 | 1,289.5 |
William Holden | 4 | 1,210.7 | 1,271.1 |
Howard Keel | 3 | 725.2 | 1,249.3 |
James Mason | 4 | 1,036.6 | 1,140.7 |
James Stewart | 3 | 1,139.5 | 1,139.5 |
Bing Crosby | 2 | 1,064.6 | 1,064.6 |
Michael Curtiz | 3 | 1,013.7 | 1,035.4 |
Walter Pidgeon | 4 | 622.0 | 1,013.8 |
Jane Powell | 3 | 617.2 | 977.8 |
Humphrey Bogart | 3 | 967.9 | 967.9 |
Victor Mature | 4 | 797.8 | 945.9 |
Dean Jagger | 3 | 844.2 | 904.6 |
Danny Kaye | 2 | 890.5 | 890.5 |
Raymond Burr | 6 | 871.6 | 871.6 |
June Allyson | 3 | 809.0 | 869.4 |
Ernest Borgnine | 4 | 826.6 | 845.7 |
Charles Bronson | 4 | 810.3 | 828.6 |
Jean Peters | 3 | 823.5 | 823.5 |
Burt Lancaster | 3 | 669.8 | 775.5 |
Fred MacMurray | 3 | 763.7 | 763.7 |
Janet Leigh | 4 | 674.1 | 747.2 |
José Ferrer | 2 | 644.5 | 745.5 |
Edward Dmytryk | 2 | 733.5 | 733.5 |
Elizabeth Taylor | 3 | 333.0 | 732.0 |
If you do a comment….please ignore the email address and website section.
Hi Bruce,
I’ve got a question, regarding Rear Window, which is #2 with 26 mill in j’54 dollars but the adjusted gross doesn’t seem to jive compared to the number 1 and 3 pictures… am I missing something?
Thanks, Rick
Hey Rick…earlier today I was playing around with Rear Window in my database (answering another comment)……and I move the release year to 1968 (it’s second major release)…..and I forgot to switch it back to 1954…..but thanks to your heads up….it is fixed and should make sense again. Thanks for the catch.
Yes
Hey Steve Spielberg. Glad Hollywood royalty has visited our website.
1954 was probably the most successful year for the movies of the 1950s. Personal favorites: The Caine Mutiny, Rear Window, Johnny Guitar, The Seven Samurai, Dial M for Murder, On the Waterfront and The Country Girl. Hmm.. just realized that’s 3 with Grace Kelly. This was her year!
Hi Mr, Cogerson,
I have a question.
Was there movie called “Dragnet” released starring Jack Webb in 1954.
According to IMDB it had rentals of 4,750,000.
Should that also be included on this list.
Thx
Mike
Hey Mike…the movie listed here are only the ones in my database. So far…I have not had a reason to include (though your comment now gives me reason) Dragnet in my database. A quick look….shows some difference between what Variety is reporting…..and what my other sources are saying….I will have to do some deeper research to see which number we should use. Variety is reporting Dragnet as the 12th biggest hit of 1954. Good catch.
HI BRUCE: YOUR 1954 REVIEW – MY PART 2
1 I am keenly looking forward to the remaining 4 Annual Review pages for the 1950s which will then have provided us with a clean sweep of such Reviews from 1936 until 1959, which is the major part of the sound classic era of the cinema which movie historians say ended in 1962.
2 I am now busy transferring all of the new and updated stats to my database and in doing so I noticed noticed of course that courtesy of your excellent sorter button Desiree was the joint 14th greatest box office hit of 1954 with a massive gross of $242 million beating even the critically acclaimed On the Waterfront and the ever-popular Martin and Lewis films
3 Yet Desiree was the film where Brando played Napoleon, a performance that “nobody was interested in” according to one of the many critiques from Joel that you have handed down for our enlightenment. On the face of it therefore Joel seemed to think that “somebody” began at hit No 13 as a bottom line and by that token Waterfront and Martin & Lewis were also of interest to “nobody”
4 However it was possibly not even such a calculated pronouncement because Joel may have considered that his own subjective and arbitrary opinions overrode all else and was maybe happy to be completely dismissive of audiences preferences and may even have been totally ignorant of them
5 That would not surprise me because I have often seen critics arrogantly or perhaps stupidly castigate as a “flop” movies which they don’t like but which have been successful at the box office.
6 However what does surprise me is that a normally highly analytical and observant person like yourself, especially as you are exceptionally familiar with box office stats can buy into such sweeping statements from a man like Hirschhorn who is apparently prone to much self-opinionated hyperbole. For my own part I have been gradually coming to the conclusion the more I see of Joel’s utterances that he was possibly a mountebank and perhaps no fitting “role model” for an intelligent and highly informed site such as yours. However you are the Master here.
Hey Bob
1. Well that total is now done to three….1956, 1957 and 1958….as 1955 is now finished and published. 153 1955 movies for your viewing pleasure.
2. Desire was a hit..but then again everything Brando touched in the 1950s was massive.
3. When I shared Joel’s thoughts on Brando….I never said I agreed with him. I would say….many times you agree with his thoughts….just the huge differences with Wayne and Brando…..has you only seeing red…lol.
4. Good feedback as always.
HI BRUCE
Don’t tell the Duke or Laddie that I “see RED” or they’ll disown me as a fan!
Glad to see that your getting back to your old knockout form
1 HI BRUCE I am delighted with this 1954 review because that was probably the first year of my life when I started to become familiar with movies in a comprehensive manner. In 1953 for example I had never before heard of Brando and thought that the Duke was somebody from the cowboy comics. Indeed seeing Martin & Lewis’ Living it Up reminds me that it was Christmas Day 1954 that I visited 3 separate cinemas Living it Up being one of the films showing.
2 Other films at the top of your table about which everybody seemed to be talking back then are Caine Mutiny, Rear Window, 20,000 leagues Under Sea, & Brides for 7 Brothers and of course White Christmas. Many 1954 films we possibly wouldn’t have seen over here though until 1955 – Rear Window [US release Sept 54] and White Christmas itself [American release 19 Oct 54]. However Living it Up got its American release in the summer of 1954 [23 July] and I can pinpoint its 1954 viewing here because as said it was one of my 3 Xmas day movies that year.
3 Fine spread of the Waterfront taxi scene and every time you see clips or stills of that marvellous scene it’s hard to credit that sadly there was enormous bickering and much ill feeling behind the making of it.
4 As I’ve said your Annual Reviews with their actual as well as adjusted grosses and WW figures thrown in for good measure are of enormous help to me with the many personal stats exercises that I conduct. Indeed I am so pleased with a fair number of them that I am thinking of sending Steve copies as a joint Xmas present from both of us given that your stats are the foundation for them! I may not agree with you about Gloria being a star but certainly within your own sphere YOU are one. No argument there.
Hey Bob
1. Thanks for checking out our 1954 movie page.
2. Hopefully our 1955 page will be done soon.
3. Nice look back on your early movie going days…..I figured you became aware of Brando by the time you learned to walk…..lol. Only three Xmas movies?
4. Glad you like the On the Waterfront picture….it is easily one of the most famous movies from that year
5. I think Steve would enjoy that Xmas present…lol. Thanks for the kind words.