Want to know the best Trevor Howard movies? How about the worst Trevor Howard movies? Curious about Trevor Howard box office grosses or which Trevor Howard movie picked up the most Oscar® nominations? Need to know which Trevor Howard movie got the best reviews from critics and audiences and which got the worst reviews? Well, you have come to the right place….because we have all of that information.
Trevor Howard (1913-1988) was an Oscar®-nominated English actor. Howard achieved star status with his roles in 1945’s Brief Encounter and 1949’sThe Third Man . He appeared in movies in 5 decades. His IMDb page shows 119 acting credits between 1944 and 1988. This page will rank Trevor Howard movies from Best to Worst in six different sortable columns of information. Television shows, shorts, cameos, uncredited roles, and movies that were not released in North American were not included in the rankings.
Trevor Howard Movies Ranked In Chronological Order With Ultimate Movie Rankings Score (1 to 5 UMR Tickets) *Best combo of box office, reviews and awards.
Year
Movie (Year)
Rating
S
Year Movie (Year) Rating S
1982
Gandhi (1982)
AA Best Picture Win
1956
Around the World in 80 Days (1956)
AA Best Picture Win
1949
The Third Man (1949)
1978
Superman (1978)
1962
Mutiny on the Bounty (1962)
AA Best Picture Nom
1965
Von Ryan's Express (1965)
1964
Father Goose (1964)
1970
Ryan's Daughter (1970)
1945
Brief Encounter (1945)
1960
Sons and Lovers (1960)
AA Best Picture Nom
AA Best Actor Nom
1958
The Roots of Heaven (1958)
1971
Mary, Queen of Scots (1971)
1980
Windwalker (1980)
1958
The Key (1958)
1965
Operation Crossbow (1965)
1965
Morituri (1965)
1969
Battle of Britain (1969)
1977
The Last Remake of Beau Geste (1977)
1946
Green for Danger (1946)
1949
The Passionate Friends (1949)
1956
Run for the Sun (1956)
1962
The Lion (1962)
1951
Outcast of the Islands (1951)
1973
Ludwig (1973)
1950
Odette (1950)
1974
11 Harrowhouse (1974)
1955
The Cockleshell Heroes (1955)
1950
The Clouded Yellow (1950)
1960
Moment of Danger/Malaga (1960)
1947
So Well Remembered (1947)
1945
Johnny In The Clouds/The Way to the Stars (1945)
1967
A Matter of Innocence/Pretty Polly (1967)
1947
I Became A Criminal/The Made Me A Fugitive (1947)
1968
The Charge of the Light Brigade (1968)
1971
The Night Visitor (1971)
1965
The Liquidator (1965)
1973
The Offence (1973)
1982
The Missionary (1982)
1978
Stevie (1978)
1946
I See A Dark Stranger/The Adventuress (1946)
1981
Light Years Away (1981)
1987
White Mischief (1987)
1957
Stowaway Girl (1957)
1957
Pickup Alley/Interpol (1957)
1976
Aces High (1976)
1954
The Lovers of Lisbon (1954)
1953
The Heart of the Matter (1953)
1966
Triple Cross (1966)
1980
Sir Henry at Rawlinson End (1980)
1985
Dust (1985)
1952
Glory At Sea/Gift Horse (1952)
1973
A Doll's House (II) (1973)
1964
Man in the Middle/The Winston Affair (1964)
1954
The Stranger's Hands (1954)
1986
Foreign Body (1986)
1974
Who? (1974)
1950
Golden Salamander (1950)
1979
Hurricane (1979)
1975
Conduct Unbecoming (1975)
1975
Hennessy (1975)
1988
The Dawning (1988)
1970
London Affair/Twinky (1970)
1971
Kidnapped (1971)
1988
The Unholy (1988)
1976
The Night of the Askari (1976)
1967
The Long Duel (1967)
1980
The Sea Wolves (1980)
1974
Craze (1974)
1971
Catch Me A Spy (1971)
1966
The Poppy Is Also a Flower (1966)
1984
Sword of the Valiant (1984)
1977
Slavers (1977)
1972
Pope Joan (1972)
1976
The Bawdy Adventures of Tom Jones (1976)
1974
Persecution (1974)
1979
Meteor (1979)
Trevor Howard Movies Can Be Ranked 6 Ways In This Table
The really cool thing about this table is that it is “user-sortable”. Rank the movies anyway you want.
- Sort Trevor Howard movies by his co-stars
- Sort Trevor Howard movies by adjusted domestic box office grosses using current movie ticket cost.
- Sort Trevor Howard movies by domestic yearly box office rank
- Sort Trevor Howard movies how they were received by critics and audiences. 60% rating or higher should indicate a good movie.
- Sort by how many Oscar® nominations and how many Oscar® wins each Trevor Howard movie received.
- Sort Trevor Howard movies by Ultimate Movie Rankings (UMR) Score. UMR Score puts box office, reviews and awards into a mathematical equation and gives each movie a score.
R | Movie (Year) | UMR Co-Star Links | Adj. B.O. Worldwide (mil) | Review | Oscar Nom / Win | UMR Score | ||||
---|---|---|---|---|---|---|---|---|---|---|
R | Movie (Year) | UMR Co-Star Links | Actual B.O. Domestic (mil) | Adj. B.O. Domestic (mil) | Adj. B.O. Worldwide (mil) | B.O. Rank by Year | Review | Oscar Nom / Win | UMR Score | S |
2 | Gandhi (1982) AA Best Picture Win |
Ben Kingsley & Martin Sheen |
52.80 | 193.5 | 468.50 | 11 | 85 | 11 / 08 | 99.9 | |
1 | Around the World in 80 Days (1956) AA Best Picture Win |
David Niven & Shirley MacLaine |
35.50 | 695.5 | 695.50 | 2 | 70 | 08 / 05 | 99.7 | |
5 | The Third Man (1949) | Orson Welles & Joseph Cotten |
7.20 | 181.1 | 181.10 | 25 | 90 | 03 / 01 | 98.6 | |
4 | Superman (1978) | Marlon Brando & Gene Hackman |
134.30 | 618.7 | 1,383.40 | 3 | 83 | 03 / 00 | 98.4 | |
3 | Mutiny on the Bounty (1962) AA Best Picture Nom |
Marlon Brando & Richard Harris |
28.00 | 402.5 | 402.50 | 4 | 70 | 07 / 00 | 97.8 | |
6 | Von Ryan's Express (1965) | Frank Sinatra | 20.80 | 219.9 | 219.90 | 9 | 81 | 01 / 00 | 97.7 | |
7 | Father Goose (1964) | Cary Grant & Leslie Caron |
17.10 | 196.6 | 196.60 | 8 | 77 | 03 / 01 | 97.3 | |
8 | Ryan's Daughter (1970) | Robert Mitchum & John Mills |
44.40 | 308.6 | 308.60 | 7 | 62 | 04 / 02 | 94.5 | |
10 | Brief Encounter (1945) | Celia Johnson | 2.70 | 86.9 | 86.90 | 109 | 83 | 03 / 00 | 89.0 | |
9 | Sons and Lovers (1960) AA Best Picture Nom AA Best Actor Nom |
Dean Stockwell | 4.30 | 67.0 | 67.00 | 63 | 73 | 07 / 01 | 86.7 | |
12 | The Roots of Heaven (1958) | Errol Flynn & Juliette Gréco |
8.60 | 154.0 | 154.00 | 25 | 55 | 00 / 00 | 85.3 | |
11 | Mary, Queen of Scots (1971) | Glenda Jackson & Ian Holm |
10.60 | 69.3 | 69.30 | 37 | 75 | 05 / 01 | 84.7 | |
13 | Windwalker (1980) | Nick Ramus | 18.60 | 77.3 | 77.30 | 39 | 74 | 00 / 00 | 83.0 | |
14 | The Key (1958) | William Holden & Sophia Loren |
6.30 | 112.9 | 112.90 | 39 | 62 | 00 / 00 | 82.3 | |
15 | Operation Crossbow (1965) | Sophia Loren & George Peppard |
10.00 | 105.7 | 105.70 | 24 | 63 | 00 / 00 | 81.7 | |
16 | Morituri (1965) | Marlon Brando & Yul Brynner |
5.70 | 60.0 | 60.00 | 50 | 67 | 02 / 00 | 75.3 | |
17 | Battle of Britain (1969) | Michael Caine & Robert Shaw |
5.70 | 43.4 | 43.40 | 44 | 69 | 00 / 00 | 71.0 | |
19 | The Last Remake of Beau Geste (1977) | Marty Feldman & Ann-Margret |
17.10 | 82.8 | 82.80 | 43 | 57 | 00 / 00 | 70.8 | |
18 | Green for Danger (1946) | Alastair Sim | 0.30 | 9.7 | 9.70 | 165 | 78 | 00 / 00 | 69.0 | |
20 | The Passionate Friends (1949) | Claude Rains | 0.80 | 20.9 | 20.90 | 188 | 72 | 00 / 00 | 65.5 | |
21 | Run for the Sun (1956) | Richard Widmark | 3.60 | 70.0 | 70.00 | 94 | 56 | 00 / 00 | 64.2 | |
23 | The Lion (1962) | William Holden | 3.40 | 49.3 | 49.30 | 69 | 62 | 00 / 00 | 63.6 | |
21 | Outcast of the Islands (1951) | Ralph Richardson & Wendy Hiller |
0.60 | 13.1 | 13.10 | 222 | 73 | 00 / 00 | 63.6 | |
22 | Ludwig (1973) | Helmut Berger | 1.40 | 8.6 | 8.60 | 142 | 73 | 01 / 00 | 62.7 | |
25 | Odette (1950) | Peter Ustinov | 0.20 | 4.7 | 4.70 | 210 | 74 | 00 / 00 | 60.5 | |
26 | 11 Harrowhouse (1974) | James Mason & Candice Bergen |
3.00 | 17.5 | 17.50 | 90 | 69 | 00 / 00 | 59.7 | |
27 | The Cockleshell Heroes (1955) | José Ferrer | 0.90 | 19.0 | 19.00 | 176 | 68 | 00 / 00 | 58.8 | |
28 | The Clouded Yellow (1950) | Jean Simmons | 0.90 | 19.2 | 19.20 | 191 | 68 | 00 / 00 | 57.8 | |
29 | Moment of Danger/Malaga (1960) | Dorothy Dandridge | 1.20 | 19.0 | 19.00 | 120 | 68 | 00 / 00 | 57.7 | |
31 | So Well Remembered (1947) | John Mills | 0.80 | 23.3 | 23.30 | 169 | 66 | 00 / 00 | 56.5 | |
30 | Johnny In The Clouds/The Way to the Stars (1945) | Jean Simmons & John Mills |
0.20 | 5.4 | 5.40 | 169 | 71 | 00 / 00 | 55.7 | |
32 | A Matter of Innocence/Pretty Polly (1967) | Hayley Mills | 1.60 | 14.5 | 14.50 | 110 | 68 | 00 / 00 | 55.3 | |
33 | I Became A Criminal/The Made Me A Fugitive (1947) | Sally Gray | 0.30 | 7.5 | 7.50 | 176 | 70 | 00 / 00 | 55.0 | |
34 | The Charge of the Light Brigade (1968) | John Gielgud | 2.90 | 23.5 | 23.50 | 98 | 65 | 00 / 00 | 55.0 | |
35 | The Night Visitor (1971) | Max von Sydow | 1.90 | 12.4 | 12.40 | 124 | 68 | 00 / 00 | 54.1 | |
38 | The Liquidator (1965) | Rod Taylor | 4.70 | 50.0 | 50.00 | 57 | 56 | 00 / 00 | 53.9 | |
36 | The Offence (1973) | Sean Connery & Directed by Sidney Lumet |
1.00 | 6.0 | 6.00 | 150 | 69 | 00 / 00 | 53.5 | |
40 | The Missionary (1982) | Michael Palin & Maggie Smith |
7.20 | 26.6 | 26.60 | 71 | 62 | 00 / 00 | 51.3 | |
37 | Stevie (1978) | Glenda Jackson | 0.30 | 1.2 | 1.20 | 148 | 70 | 00 / 00 | 51.1 | |
39 | I See A Dark Stranger/The Adventuress (1946) | Deborah Kerr | 0.30 | 10.5 | 10.50 | 164 | 66 | 00 / 00 | 50.0 | |
41 | Light Years Away (1981) | Mick Ford | 0.00 | 0.2 | 0.20 | 182 | 68 | 00 / 00 | 46.3 | |
42 | White Mischief (1987) | John Hurt & Roger Deakins |
3.10 | 8.6 | 8.60 | 127 | 63 | 00 / 00 | 41.7 | |
43 | Stowaway Girl (1957) | Donald Pleasence | 0.20 | 3.0 | 3.00 | 204 | 63 | 00 / 00 | 38.5 | |
44 | Pickup Alley/Interpol (1957) | Victor Mature | 1.00 | 20.1 | 20.10 | 152 | 58 | 00 / 00 | 38.4 | |
46 | Aces High (1976) | Malcolm McDowell & Christopher Plummer |
1.40 | 7.2 | 7.20 | 132 | 62 | 00 / 00 | 38.4 | |
44 | The Lovers of Lisbon (1954) | Daniel Gélin | 0.00 | 0.5 | 0.50 | 195 | 64 | 00 / 00 | 38.2 | |
45 | The Heart of the Matter (1953) | Peter Finch & Denholm Elliott |
0.10 | 2.1 | 2.10 | 243 | 63 | 00 / 00 | 38.0 | |
49 | Triple Cross (1966) | Christopher Plummer & Yul Brynner |
1.10 | 10.4 | 10.40 | 122 | 60 | 00 / 00 | 36.9 | |
48 | Sir Henry at Rawlinson End (1980) | Patrick Magee | 0.00 | 0.1 | 0.10 | 197 | 63 | 00 / 00 | 36.4 | |
50 | Dust (1985) | Jane Birkin | 0.00 | 0.1 | 0.10 | 216 | 63 | 00 / 00 | 35.3 | |
52 | Glory At Sea/Gift Horse (1952) | Richard Attenborough | 0.40 | 8.7 | 8.70 | 229 | 59 | 00 / 00 | 33.7 | |
51 | A Doll's House (II) (1973) | Jane Fonda | 0.30 | 2.0 | 2.00 | 174 | 61 | 00 / 00 | 32.8 | |
53 | Man in the Middle/The Winston Affair (1964) | Robert Mitchum | 2.50 | 28.7 | 28.70 | 95 | 52 | 00 / 00 | 32.0 | |
53 | The Stranger's Hands (1954) | Richard Basehart | 0.00 | 0.5 | 0.50 | 194 | 61 | 00 / 00 | 31.4 | |
54 | Foreign Body (1986) | Victor Banerjee | 0.10 | 0.1 | 0.10 | 229 | 61 | 00 / 00 | 30.9 | |
56 | Who? (1974) | Elliott Gould | 1.00 | 5.8 | 5.80 | 131 | 59 | 00 / 00 | 30.4 | |
55 | Golden Salamander (1950) | Herbert Lom | 0.10 | 2.2 | 2.20 | 214 | 60 | 00 / 00 | 30.2 | |
59 | Hurricane (1979) | Mia Farrow & Jason Robards |
12.00 | 51.3 | 51.30 | 61 | 43 | 00 / 00 | 28.4 | |
58 | Conduct Unbecoming (1975) | Michael York & Richard Attenborough |
2.50 | 13.1 | 13.10 | 101 | 55 | 00 / 00 | 27.7 | |
60 | Hennessy (1975) | Rod Steiger & Patrick Stewart |
0.10 | 0.3 | 0.30 | 159 | 56 | 00 / 00 | 22.7 | |
61 | The Dawning (1988) | Hugh Grant & Jean Simmons |
0.10 | 0.1 | 0.10 | 274 | 55 | 00 / 00 | 20.6 | |
62 | London Affair/Twinky (1970) | Charles Bronson | 1.30 | 8.9 | 8.90 | 137 | 51 | 00 / 00 | 18.5 | |
63 | Kidnapped (1971) | Michael Caine | 1.10 | 6.9 | 6.90 | 154 | 52 | 00 / 00 | 18.4 | |
64 | The Unholy (1988) | Ben Cross & Hal Holbrook |
6.30 | 16.6 | 16.60 | 115 | 49 | 00 / 00 | 18.4 | |
65 | The Night of the Askari (1976) | Christopher Lee | 0.70 | 3.3 | 3.30 | 148 | 52 | 00 / 00 | 17.3 | |
66 | The Long Duel (1967) | Yul Brynner | 1.30 | 11.7 | 11.70 | 127 | 49 | 00 / 00 | 17.1 | |
67 | The Sea Wolves (1980) | Gregory Peck & David Niven |
0.20 | 0.9 | 0.90 | 175 | 49 | 00 / 00 | 12.5 | |
69 | Craze (1974) | Jack Palance | 1.50 | 8.7 | 8.70 | 119 | 46 | 00 / 00 | 11.0 | |
68 | Catch Me A Spy (1971) | Kirk Douglas | 0.00 | 0.1 | 0.10 | 187 | 48 | 00 / 00 | 11.0 | |
70 | The Poppy Is Also a Flower (1966) | Yul Brynner & Rita Hayworth |
0.00 | 0.1 | 0.10 | 167 | 48 | 00 / 00 | 10.3 | |
71 | Sword of the Valiant (1984) | Sean Connery & King Arthur Movies |
1.70 | 5.3 | 5.30 | 144 | 45 | 00 / 00 | 9.6 | |
72 | Slavers (1977) | Ray Milland | 0.10 | 0.7 | 0.70 | 155 | 44 | 00 / 00 | 6.8 | |
73 | Pope Joan (1972) | Olivia de Havilland | 2.10 | 13.5 | 13.50 | 119 | 40 | 00 / 00 | 6.7 | |
74 | The Bawdy Adventures of Tom Jones (1976) | Joan Collins | 1.00 | 4.8 | 4.80 | 139 | 41 | 00 / 00 | 5.4 | |
75 | Persecution (1974) | Lana Turner | 1.80 | 10.5 | 10.50 | 111 | 36 | 00 / 00 | 3.6 | |
76 | Meteor (1979) | Sean Connery & Henry Fonda |
8.40 | 36.1 | 36.10 | 71 | 24 | 01 / 00 | 2.2 |
Possibly Interesting Facts About Trevor Howard
1. Trevor Wallace Howard-Smith was born in Cliftonville, Kent, England, in 1913.
2. Trevor Howard lived in the same house from 1950 till his death in 1988.
3. Throughout his film career, Trevor Howard insisted that all his contracts include a clause excusing him from work whenever a cricket Test Match was being played.
4. Trevor Howard declined to receive a British honor of a CBE in 1982.
5. Trevor Howard’s clashes with Marlon Brando while filming 1962’s Mutiny on the Bounty became the stuff of legend. On BBC TV’s obituary of him in 1988, film expert Iain Johnstone claimed Howard had summed up his feelings about his American colleague, “Bugger him and his mumbling”. Although he did not get along with Brando, Howard and Keith McConnell were largely responsible for helping Brando win a lawsuit against a British newspaper.
Check out Trevor Howard’s career compared to current and classic actors. Most 100 Million Dollar Movies of All-Time.
Academy Award® and Oscar® are the registered trademarks of the Academy of Motion Arts and Sciences. Emmy®, Tony®, and Golden Globe® are also registered trademarks.
6/Bruce tells us in 5 of his Interesting Facts above that Trevor “Howard and Keith McConnell were largely responsible for helping Brando win a lawsuit against a British newspaper.” I hadn’t been aware of THAT and I thank The Work Horse for revealing it especially as it is more consistent with other things I have read – and observed – about the Brando/Howard relationship. For example
(1)Trevor was a notorious boozer and had a fave drinking den in London which his pals nicknamed Trev’s Tavern. In a TV interview that I saw he said that Marlon would be “very welcome to my pub to have a drink with me if he’s in London.”
(2)After Bounty Trev and Marlon made 1965’s Morituri and 1978’s Superman together. In a documentary that I saw about the making of the latter film Brando and Howard were in a scene together and when shooting had finished and the director cried “Cut!” both actors shook hands and courteously bowed to each other.
7/Anyhow whatever the precise relationship between those two Trev was a great actor in his own right and richly deserving of his Cogerson page which I welcome with a “Vote Up!”. ADDITIONAL TRIVIA: I like Bruce’s lovely coloured miniatures from The Sea Wolves and Bounty above. When Trev/Greg/Roger and Niven were making that movie way back in 1980 they – and The Sea Wolves of the title – were collectively referred to in the publicity press as “Peck’s Pack” I’d love to have challenged Flora for beating me all the time in “have seen” lists by asking her to name the other actors in Peck’s Pack!
Hey Bob. Glad I could share something new about Brando with you. Glad you liked The Sea Wolves photo. I have never heard the term Peck’s Pack. Maybe Flora will have the answer. Good stuff.
I had heard of the term Peck’s Pack. I love the photo of them sitting in the wrong chairs. I was 4 when The Sea Wolves came out.
HI FLORA:
I think that you and I show off our Greg credentials in knowing about Peck’s Pack. Bruce has no chance of matching us -especially you – in Peck-assiciated info and trivia; so ole Cogey needs to get used to it.
I see that you are now a young 44 – that 3 years younger than my own daughter and the same age as my son! How time flies. Anyway please contiunue to keep safe.
5/When Brando played characters who would naturally be inarticulate he wasn’t going to speak like Laurence Olivier. However when he played a Roman aristocrat in Julius Caesar and British ones in Mutiny on the Bounty and Burn [aka Queimada] he spoke in a very clear English-type accent and in the case of Mutiny that was over a 3 hour film.
Accordingly for me to accept that an intelligent man like Trevor really did accuse him of “mumbling” I would have to ignore the advice that Burt Lancaster gave in the opening scene in 1952’s The Crimson Pirate “Avast there! Gather round lads and lasses for the last voyage of the Crimson Pirate. And remember: believe nothing of what you hear and only half of what you see!”
[In Guys and Dolls Brando spoke very clearly also and used that peculiar Runyon-Speak that all Damon’s gamblers and con-artist characters engage in. Therefore in implying that Brando mumbled in that movie Hirschhorn either (1) never saw the film (2) was prey to delusions or (3) frankly lied.
Hey Bob….Brando and his mumbling….is like Cary Grant saying…Judy Judy Judy….it is close..but actually was never said. Good stuff.
3/It was often alleged as well that Brando and Charlie Bill Stuart [aka Glenn Ford] hated each other and fought the bit out when making Teahouse in 1956. However I saw an interview with the Great Charlie Bill in later years and he praised Brando’s acting skills; spoke with obviously genuine warmth about Marlon as a person; and said that he had greatly enjoyed working with him on Teahouse.
Anyway some of the incidents quoted by even Marlon’s own friendly biographers as examples of the alleged Brando/Ford feuds always struck me as a bit suspect. For instance Charlie Bill is said to have liked eating cookies on set and it is alleged he accused Brando of stealing his cookies. For me the jury will always be out on the authenticity of that one: it sounds like something out of the famous Billy Bunter of Greyfriars School gluttony stories
4/When they were making Reflections in a Golden Eye in 1967 Brando and Liz Taylor are supposed to have locked horns and whilst even the best of friends can quarrel (1) Liz in an interview that I saw said “He tries to professionally intimidate other actors but I wasn’t frightened of him and I adore him. There will never be another Marlon Brando (2) Marlon accepted on Liz’s behalf an award on one occasion (3) They [along with Burton] socialized together and one time she invited Marlon round for dinner and to mark the occasion she played a video of The Godfather for them to watch together.
[Jean Simmons said that Brando was such fun to work with on Guys and Dolls that she couldn’t stop laughing at times and was disappointed when it was time to leave the set in the evenings.]
Hey Bob. good stories on Charlie Bill Stuart (though I admit I am not aware of him), Reflections in a Golden Eye (one of my least liked Brando movies) and his interactions with Elizabeth Taylor. Good stuff.
1/It is true that a big part of the awful publicity that the making of the 1962 Mutiny of the Bounty attracted involved the supposed bad blood between its 2 main stars Trevor and Marlon; but I have often wondered how far Hollywood will go to confect such stories as ones about bad behaviour and friction between performers attract attention and audiences. As Steve would say it’s box office.
John McEnroe certainly proved that in tennis in his younger days. Also Biblically: “Not this man (Jesus). Free Barabbas!” demanded the crowd. “Now Barabbas was a robber”. John 18:40
2/Sinatra and Brando were said to have feuded when making Guys and Dolls and Frankie is quoted as having called Marlon “Mumbles”. True Sinatra was easy and unforgiving to get on the wrong side of but in his autobiography he said “When I get stuck in interpreting a part for the screen I always take a leaf out of Marlon Brando’s book.”
To his discredit in my view Joel Hirschhorn in his ongoing character assassinations of Brando chose to quote the Sinatra “Mumbles” unsubstantiated ‘here-say’ gossip rather than what apparently Frankie actually said in his own book. “When the Legend’s more pleasing than the truth print the legend.” [Liberty Valance movie 1962] But then of course Hirsch was clearly looking for the kitchen sink to throw at Marlon; whereas if guys like him had been bothered to – and were interested in -doing a bit more balanced research they might have found some pleasant and positive stories to tell.
Hey Bob….good stuff on Mutiny on the Bounty, Sinatra and Guys and Dolls and Joel’s take….I actually think his jab at Brando was the meanest of the jabs he took at Brando.
HI BRUCE Thanks for all the feedback.
No matter how great a thespian is not everyone will like him/her and even acknowledged classic movies have their genuine critics; but the ferocity of Joel’s attack on MB and the personalisation of it always puzzled me until I read the great critic Pauline Kael’s article in The New Yorker.
She explained that Brando’s civil rights activities and his independent attitude to Hollywood and its Establishment figures such as Hopper and Parsons [and later his criticism of Hollywood’s depiction of the American native Indians] annoyed the Establishment so they declared open season on him.
What Kael called their “outriders” in the movie
magazines and the general press along the critics class got in on the act and rubbished Brando unrelentingly. Kael [though she may never have known about Joel] would have regarded him as a Deja Vu outrider for the Establishment after Brando turned down that Oscar and threw a grenade into the 1973 ceremonies.
There is coincidentally a subtle Dan-like link in all of this as another Joel [McCrea] made a 1950 western actually called The Outriders [56% rated by you]. Was that in effect a harbinger for the coming of a 2nd Joel within Kael’s take on Marlon and Hollywood politics?
“Trevor Howard is a perfectionist. He once said, “I won’t do anything unless I know it’s right.” All of Howard’s performances are “right”, and sometimes–as in Brief Encounter–perfect. In fact, a strong case could be made for Howard as the finest actor ever to appear in films.” – Rating The Movie Stars book (1983)
Rating the Movies Stars 4 Star Trevor Howard performances
Movie (Year)
Johnny In The Clouds/The Way to the Stars (1945)
Brief Encounter (1945)
I See A Dark Stranger/The Adventuress (1946)
Green for Danger (1946)
So Well Remembered (1947)
I Became A Criminal/The Made Me A Fugitive (1947)
Third Man, The (1949)
Passionate Friends, The (1949)
Odette (1950)
Golden Salamander (1950)
Clouded Yellow, The (1950)
Outcast of the Islands (1951)
Glory At Sea/Gift Horse (1952)
Heart of the Matter, The (1953)
Stranger’s Hands, The (1954)
Lovers of Lisbon, The (1954)
Cockleshell Heroes, The (1955)
Run for the Sun (1956)
Around the World in 80 Days (1956)
Roots of Heaven, The (1958)
Key, The (1958)
Sons and Lovers (1960)
Mutiny on the Bounty (1962)
Man in the Middle/The Winston Affair (1964)
Father Goose (1964)
Von Ryan’s Express (1965)
Matter of Innocence/Pretty Polly, A (1967)
Charge of the Light Brigade, The (1968)
Ryan’s Daughter (1970)
Night Visitor, The (1971)
Mary, Queen of Scots (1971)
Kidnapped (1971)
Doll’s House (II), A (1973)
Hennessy (1975)
Conduct Unbecoming (1975)
Stevie (1978)
1. And yet another Joel subject off the board.
2. Seems like I have been working on this page for a very long time.
3. Found a source for some of his early British movies…so I do not think I am missing many of his movies.
4. Hey Bob….I know this will get you going…Joel takes a shot at Brando in his Howard thoughts…but I just discovered another error in the book…..in the Howard part….it is listed that Howard has a 2.52 overall ranking…the rating is actually 3.52…..so make a note of another time Joel and the Consumer Reports people dropped the ball.
HI BIG BOY:
You are right: you got me to draw! I’ve hit you with a four-parter quick-shoot!
WH to Me above :”So make a note of another time Joel and the Consumer Reports people dropped the ball.” Response –
“I’m giving you another chance I want to win this game so if you fumble the catch again you’ll always be known in this town as The Guy who Dropped the Ball.” Reno Hightower [Kurt Russell] to Jack Dundee [Robin Williams] in 1985’s The Best of Times